Amazing Applause Quotes

Well, are you not going to give the man a round of applause?" he asked. "I mean, that was fucking amazing, didn't you think? Honestly, if you'd asked me ten minutes ago, hypothetically, if it was possible to cut your own head off, I'd have said unequivocally no. You've really got to hand it to the bloke -- though it's fair to say luck was involved. I mean, there's no way he could do it again.

...let it be remembered that most men live in a world of their own, and that in that limited circle alone are they ambitious for distinction and applause. Sir Mulberry's world was peopled with profligates, and he acted accordingly. Thus, cases of injustice, and oppression, and tyranny, and the most extravagant bigotry, are in constant occurrence among us every day. It is the custom to trumpet forth much wonder and astonishment at the chief actors therein setting at defiance so completely the opinion of the world. But there is no greater fallacy; it is precisely because they do consult the opinion of their own little world that such things take place at all, and strike the great world dumb with amazement.

But whatever happens, I've been happy. I've been loved. I've amazed crowds and drunk in their applause. Not because of luck or favor or magic. Because of will. My will. I've been willing to do whatever it takes. That's the closest thing I have to a secret. And now it's yours." It's a lot to think about, and he can't quite digest it. But there's a spark there. Maybe she's right about him. Maybe it is up to him, how much he lets the bullet, and the fear, take over his life. Maybe. Not a curse, but a choice. His agency and no one else's.

You would be amazed how rare it is for artists to feel moments of true satisfaction. When they’re inside their craft, inside colour or movement or sound, words or clay or pictures or dance, when they submit to the art, that is when they know two things—the void that is life and the pull that is death. The grand and the hollow. The best reflects that. To be such harbingers of truth is not without its cost. It’s no easy task to balance a sense of irrelevance with the longing for glory, the abyss with the applause. Artists run their fingers over the fabric of eternity.

I think God is out there in the dark right past the spotlight, watching me perform this song called life. He knows I'm under-qualified, scared,not good enough, not even normal. But I don't think He's waiting for mistakes or counting the mess-ups. I think He's a Parent waiting to jump to His feet in applause. And when it's all done, when I'm finally walking toward Him, I don't think He is even going to remember the keys I missed or the mistakes I made. Instead I think He is going to run to embrace me and say, "I'm so proud of you. You were amazing! I love you so much.

I’m amazed when someone sees the sculpture inside a rock while the rest of us just see a rock. I say “hell yes” to the architects who imagine the spaces we will one day live in. And a round of applause for the stylist who sees what hair to cut to make me look respectable for a couple of weeks. I bow low and fast in the direction of those who paint amazing things on the ceilings of chapels, make life-changing movies, or deliver a stand-up routine that recognizes the humor in the mundane. What all those artists have in common is that they point out things that were always there, always dotting the sky. Now we can take it in and live what we missed.

But as men farther exalt their idea of their divinity, it is their notion of his power and knowledge only, not of his goodness, which is improved. On the contrary, in proportion to the supposed extent of his science and authority, their terrors naturally augment; while they believe, that no secrecy can conceal them from his scrutiny, and that even the inmost recesses of their breast lie open before him. They must then be careful not to form expressly any sentiment of blame and disapprobation. All must be applause, ravishment, extacy. And while their gloomy apprehensions make them ascribe to him measures of conduct, which, in human creatures, would be highly blamed, they must still affect to praise and admire that conduct in the object of their devotional addresses. Thus it may safely be affirmed, that popular religions are really, in the conception of their more vulgar votaries, a species of dæmonism; and the higher the deity is exalted in power and knowledge, the lower of course is he depressed in goodness and benevolence; whatever epithets of praise may be bestowed on him by his amazed adorers. Among idolaters, the words may be false, and belie the secret opinion: But among more exalted religionists, the opinion itself contracts a kind of falsehood, and belies the inward sentiment. The heart secretly detests such measures of cruel and implacable vengeance; but the judgment dares not but pronounce them perfect and adorable. And the additional misery of this inward struggle aggravates all the other terrors, by which these unhappy victims to superstition are forever haunted.

The reflections of Sir Mulberry Hawk—if such a term can be applied to the thoughts of the systematic and calculating man of dissipation, whose joys, regrets, pains, and pleasures, are all of self, and who would seem to retain nothing of the intellectual faculty but the power to debase himself, and to degrade the very nature whose outward semblance he wears—the reflections of Sir Mulberry Hawk turned upon Kate Nickleby, and were, in brief, that she was undoubtedly handsome; that her coyness must be easily conquerable by a man of his address and experience, and that the pursuit was one which could not fail to redound to his credit, and greatly to enhance his reputation with the world. And lest this last consideration—no mean or secondary one with Sir Mulberry—should sound strangely in the ears of some, let it be remembered that most men live in a world of their own, and that in that limited circle alone are they ambitious for distinction and applause. Sir Mulberry’s world was peopled with profligates, and he acted accordingly. Thus, cases of injustice, and oppression, and tyranny, and the most extravagant bigotry, are in constant occurrence among us every day. It is the custom to trumpet forth much wonder and astonishment at the chief actors therein setting at defiance so completely the opinion of the world; but there is no greater fallacy; it is precisely because they do consult the opinion of their own little world that such things take place at all, and strike the great world dumb with amazement.

You need to be careful to stay out of Charlie’s line of sight,” Steve said to me. “I want Charlie focusing only on me. If he changes focus and starts attacking you, it’s going to be too difficult for me to control the situation.” Right. Steve got no argument from me. Getting anywhere near those bone-crushing jaws was the furthest thing from my mind. I wasn’t keen on being down on the water with a huge saltwater crocodile trying to get me. I would have to totally rely on Steve to keep me safe. We stepped into the dinghy, which was moored in Charlie’s enclosure, secured front and back with ropes. Charlie came over immediately to investigate. It didn’t take much to encourage him to have a go at Steve. Steve grabbed a top-jaw rope. He worked on roping Charlie while the cameras rolled. Time and time again, Charlie hurled himself straight at Steve, a half ton of reptile flesh exploding up out of the water a few feet away from me. I tried to hang on precariously and keep the boat counterbalanced. I didn’t want Steve to lose his footing and topple in. Charlie was one angry crocodile. He would have loved nothing more than to get his teeth into Steve. As Charlie used his powerful tail to propel himself out of the water, he arched his neck and opened his jaws wide, whipping his head back and forth, snapping and gnashing. Steve carefully threw the top-jaw rope, but he didn’t actually want to snag Charlie. Then he would have had to get the rope off without stressing the croc, and that would have been tricky. The cameras rolled. Charlie lunged. I cowered. Steve continued to deftly toss the rope. Then, all of a sudden, Charlie swung at the rope instead of Steve, and the rope went right over Charlie’s top jaw. A perfect toss, provided that had been what Steve was trying to do. But it wasn’t. We had a roped croc on our hands that we really didn’t want. Steve immediately let the rope go slack. Charlie had it snagged in his teeth. Because of Steve’s quick thinking and prompt maneuvering, the rope came clear. We breathed a collective sigh of relief. Steve looked up at the cameras. “I think you’ve got it.” John agreed. “I think we do, mate.” The crew cheered. The shoot lasted several minutes, but in the boat, I wasn’t sure if it had been seconds or hours. Watching Steve work Charlie up close had been amazing--a huge, unpredictable animal with a complicated thought process, able to outwit its prey, an animal that had been on the planet for millions of years, yet Steve knew how to manipulate him and got some fantastic footage. To the applause of the crew, Steve got us both out of the boat. He gave me a big hug. He was happy. This was what he loved best, being able to interact and work with wildlife. Never before had anything like it been filmed in any format, much less on thirty-five-millimeter film for a movie theater. We accomplished the shot with the insurance underwriters none the wiser. Steve wanted to portray crocs as the powerful apex predators that they were, keeping everyone safe while he did it. Never once did he want it to appear as though he were dominating the crocodile, or showing off by being in close proximity to it. He wished for the crocodile to be the star of the show, not himself. I was proud of him that day. The shoot represented Steve Irwin at his best, his true colors, and his desire to make people understand how amazing these animals are, to be witnessed by audiences in movie theaters all over the world. We filmed many more sequences with crocs, and each time Steve performed professionally and perfected the shots. He was definitely in his element. With the live-croc footage behind us, the insurance people came on board, and we were finally able to sign a contract with MGM. We were to start filming in earnest. First stop: the Simpson Desert, with perentie lizards and fierce snakes.

Steve looked up at the cameras. “I think you’ve got it.” John agreed. “I think we do, mate.” The crew cheered. The shoot lasted several minutes, but in the boat, I wasn’t sure if it had been seconds or hours. Watching Steve work Charlie up close had been amazing--a huge, unpredictable animal with a complicated thought process, able to outwit its prey, an animal that had been on the planet for millions of years, yet Steve knew how to manipulate him and got some fantastic footage. To the applause of the crew, Steve got us both out of the boat. He gave me a big hug. He was happy. This was what he loved best, being able to interact and work with wildlife. Never before had anything like it been filmed in any format, much less on thirty-five-millimeter film for a movie theater. We accomplished the shot with the insurance underwriters none the wiser. Steve wanted to portray crocs as the powerful apex predators that they were, keeping everyone safe while he did it. Never once did he want it to appear as though he were dominating the crocodile, or showing off by being in close proximity to it. He wished for the crocodile to be the star of the show, not himself. I was proud of him that day. The shoot represented Steve Irwin at his best, his true colors, and his desire to make people understand how amazing these animals are, to be witnessed by audiences in movie theaters all over the world. We filmed many more sequences with crocs, and each time Steve performed professionally and perfected the shots. He was definitely in his element.

Well, what do you think? Avanti?" "Avanti," cries everyone, and, after a few quick re-tunings of our instruments, and re-initialisings of our hearts, we enter the slow theme-and-variations movement. How good it is to pay this quintet, to play it, not to work at it - to play for our own joy, with no need to convey anything to anyone outside our ring of recreation, with no expectation of a future stage, of the too-immediate sop of applause. The quintet exists without us yet cannot exist without us. It sings to us, we sing into it, and somehow, through these little black and white insects clustering along five thin lines, the man who deafly transfigured what he so many years earlier had hearingly composed speaks into us across land and water and ten generations, and fills us here with sadness, here with amazed delight.

We all are actors. Some of us good, some of us bad, some of us just playing and learning. We have to play roles, to advance, to grow up our tree of knowledge, to see freely like a bird from above. While we watch our own episodes, we simply stare. Or laugh. Or cry. We are amazed. And alive. Playing life. In our own ways. The Oscar actor is that one who never forget who he really is and ends up living his own life and dreams. Because, at the end of the day, the applause of the audience are longer and stronger to the most natural and spontaneous of them all. . .

We all are actors. Some of us good, some of us bad, some of us just playing and learning. We have to play roles, to advance, to grow up our tree of knowledge, to see freely like a bird from above. While we watch our own episodes, we simply stare. Or laugh. Or cry. We are amazed. And alive. Playing life. In our own ways. The Oscar actor is that one who never forget who he really is and ends up living his own life and dreams. Because, at the end of the day, the applause of the audience is longer and stronger to the most natural and spontaneous actor of them all...

Ryan Brownlee,” my name was finally called. I heard loud clapping, followed by barking, and I followed with my eyes to where the sound was coming from. I looked up in the stands and saw that it was Messiah who had done that. For the first time today, he’d gotten me to smile. It’s crazy because as I stood in the line, waiting to go on stage, I listened to the way the other students received praises from their family and friends when their name was called, and I had already made it up in my mind that no one was going to cheer for me. Hell, I had two friends in this entire school, and there was no family there to support me, so I just knew that I wouldn’t get an applause, but like always, Messiah never ceased to amaze me. It’s been months since him and I have been hanging out with each other. In the time that we’ve spent together, he was the one that I considered to be my best friend. It wasn’t Nia or Raven, it was Messiah. Even after all of these months of becoming so close to each other, we still hadn’t taken it there with each other yet. We still hadn’t put a title on what we had going on, other than us being friends, and we still hadn’t done anything further than kissing. We still did music together, but that was pretty much the farthest that things had gone between the two of us.

Hey, we’ll let Huckleberry enjoy his lunch. Speaking of something, if you are in a better mood now, come with me to the Rainforest Room. I have something to show you. I wanted to wait until you calmed down because it means a lot to me, and I hoped you might be happy for me. Here, come with me.” He led her back to the previous room, which had amazing, rare rainforest plants in it. “Check this out!” He tossed her a magazine that said Horticultural Digest on the cover. Holly neatly caught it and opened it up to the dog-eared page. Blaring across the page in huge font was the title: WILLIAM SMITH, THE RAINMAKER OF SHELLESBY COLLEGE’S FAMOUS RAINFOREST ROOM. It was a five-page spread with big glossy photos of the Rainforest Room sprinkled throughout the article. “Five, count ‘em, five pages! That’s my record. Until now, they’ve only given me four. Check it out: I’m the Rainmaker, baby! Let it rain, let it rainnnn!” William stomped around in make-believe puddles on the floor. He picked up a garden hose lying along the side of the room and held it upright like an umbrella. “I’m singing in the rain, just singing in the rain. What a glorious feeling. I’m happy again.” Holly squealed with laughter and applauded. William jumped up on a large over-turned pot and shifted the hose to now play air guitar while he repeated the verse. “William, there is no air guitar in that song!” “There is now, baby!” Holly exploded again in laughter, clutching her sides. After a few more seconds of air guitar, William jumped off the pot and lowered his voice considerably. “Thank you, thank you very much,” William said in his Elvis impersonation. He now held the garden hose like a microphone and said, “My next song is dedicated to my beagle, my very own hound dog, my Sweetpea. Sweetpea, girl, this is for youuuuuuu.” He now launched into Elvis’s famous “Hound Dog.” “You ain’t nothing but a hound dogggg.” With this, he also twirled the hose by holding it tight two feet from the nozzle, then twirling the nozzle in little circles above his head like a lasso. “Work it, William! Work it!” Holly screamed in laughter. He did some choice hip swivels as he sang “Hound Dog,” sending Holly into peals of laughter. “William, stop! Stop! Where are you? I can’t see I’m crying so hard!” William dropped his voice even lower and more dramatically. In his best Elvis voice, he said, “Well, if you can’t find me darlin’, I’ll find you.” He dropped on one knee and gently picked up her hand. “Thank you, thank you very much,” he said in Elvis mode. “My next song, I dedicate to my one and only, to my Holly-Dolly. Little prickly pear, this one’s for youuuuuu.” He now launched into Elvis’s famous “I Can’t Help Falling in Love with You.” “Take my hand, take my whole life, too, for I can’t help falling in love with you.” With that, he gave her hand a soft kiss. He then jumped up onto an empty potting table and spun around once on his butt, then pushed himself the length of the entire table, and slid off the far end. “Loose, footloose!” William picked up his garden-hose microphone again and kept singing. “Kick off the Sunday shoes . . .” He sang the entire song, and then Holly exploded in appreciative applause. He was breathing heavily and had a million-dollar smile on his face. “Hoo-wee, that was fun! I am so sweaty now, hoo-boy!” He splashed some water on his face, and then shook his hair. “William! When are you going to enter that karaoke contest at the coffee shop in town? They’re paying $1,000 to the winner of their contest. No one can beat you! That was unbelievable!” “That was fun.” William laughed. “Are in a better mood now?” “How can I not be? You are THE best!

I said. I’m a maid. I’m a dancer, she said. She stuck her elbows out and snapped her fingers. Well, I said. I get paid. Well, she said. I get applause. Well, I said. I get paid and with that money I rent an apartment and buy food. And a television. Well, she said. I get applause and with that affirmation of my amazing talent I feel happy and confident and cool. Well, I said. Enjoy your life as a dancer. Well, she said. Enjoy your life as a maid. Thanks, I will, I said. Good, she said. We walked in grim silence towards something else.

Then join in hand, brave Americans all, By uniting we stand, by dividing we fall; In so righteous a cause let us hope to succeed, For heaven approves of each generous deed. All ages shall speak with amaze and applause, Of the courage we'll show in support of our laws; To die we can bear- but to serve we disdain, For shame is to freedom more dreadful than pain. This bumper I crown for our Sovereign's health, And this for Britannia's glory and wealth; That wealth and that glory immortal may be, If she is but just and if we are but Free.

You would be amazed how rare it is for artists to feel moments of true satisfaction. When they’re inside their craft, inside color or movement or sound, words or clay or pictures or dance, when they submit to the art, that is when they know two things—the void that is life and the pull that is death. The grand and the hollow. The best reflects that. To be such harbingers of truth is not without its cost. It’s no easy task to balance a sense of irrelevance with the longing for glory, the abyss with the applause. Artists run their fingers over the fabric of eternity.

there, guiding her through it, drawing everything skilfully from the inside, out. After what felt like a short time, Naomi found herself approaching the dramatic climax of the ending. Speed of attack, Naomi. Conscious she’d made only one tiny mistake in the whole piece, she knew this part would be the real test. Without holding back and playing safe, she unleashed all her energy into the final bars – a cascading sprint of broken chords which ended with four triumphant crashing chords. She was trembling when her hands moved away from the keys. On weak limbs, Naomi stood and turned to face Nathan’s applause. She took hold of the edge of the piano and bowed. She’d had a whole lesson in Professional Skills, about bowing. Nathan laughed and clapped harder, mouthing wow, shaking his head. Eventually, his hands stilled. ‘Whoa. That was amazing. How do you remember all those notes?’ ‘I don’t know.’ ‘You have to know.’ Naomi allowed a smile. ‘It’s like driving a

Dr. Junius Crookman, published a monograph on the differences in skin pigmentation of the real whites and those he had made white by the Black-No-More process. In it he declared, to the consternation of many Americans, that in practically every instance the new Caucasians were from two to three shades lighter than the old Caucasians, and that approximately one-sixth of the population were in the first group. The old Caucasians had never been really white but rather were a pale pink shading down to a sand color and a red. Even when an old Caucasian contracted vitiligo, he pointed out, the skin became much lighter. To a society that had been taught to venerate whiteness for over three hundred years, this announcement was rather staggering. What was the world coming to, if the blacks were whiter than the whites? Many people in the upper class began to look askance at their very pale complexions. If it were true that extreme whiteness was evidence of the possession of Negro blood, of having once been a member of a pariah class, then surely it were well not to be so white! Dr. Crookman’s amazing brochure started the entire country to examining shades of skin color again. Sunday magazine supplements carried long articles on the subject from the pens of hack writers who knew nothing whatever of pigmentation. Pale people who did not have blue eyes began to be whispered about. The comic weeklies devoted special numbers to the question that was on everyone’s lips. Senator Bosh of Mississippi, about to run again for office, referred several times to it in the Congressional Record, his remarks interspersed with “Applauses.” A popular song, “Whiter Than White” was being whistled by the entire nation. Among the working classes, in the next

They Just Don’t Do That Anymore He used to wake me, oh so often. He’d had a bad dream, or a cough, or something felt funny inside. I would grumble, or be patient, depending on the night and how tired I was. Back to his room and tuck him in. Rinse and repeat, through many moons. But he doesn’t do that anymore. He used to be our pickiest eater. Though we’d always fed all three the same, he turned up his nose more frequently. I would grumble about this, or be patient, depending on the day and all that had happened up until that point. Trying not to make it worse, we encouraged him to taste new flavors. We also honored his preferences and didn’t force it. Now he gobbles down chili, curry, many of his former not-favorites. He doesn’t do that anymore. They used to argue every day: shout, bite, whine, hit. Clamoring for position and power, each in his or her own way. I would grumble about this, or be patient, depending on the state of my heart and energy level. These days plenty of disagreements occur, but so do apologies, ones I don’t always have to oversee or manage. They don’t do that anymore. The tantrums, oh dear Lord, the tantrums. “Don’t give in and they’ll soon learn that tantrums don’t work.” Ha. I never gave in, but that didn’t stop these daily events that pushed me to my limit and beyond. For years. I would grumble about this, or be patient, depending on how many times we’d been down this road in the past twenty-four hours. At times I found myself sitting through the screaming, my own tears of helplessness running like rivers. Too drained to even wipe them away. Convinced I must be doing everything wrong. But they don’t do that anymore. Some mamas are reading this after multiple times up in the night. Or you’ve stumbled across these words soon after yet another shouting match. Or maybe the dinner you poured weary energy into met with a resounding lack of applause. I don’t want to minimize the stage you’re in. Don’t want to tell you, “Enjoy these days, they go by so fast.” I’m not here to patronize you. Instead let me pour a little encouragement your way: Go ahead and grumble, or be patient. You don’t have to handle all the issues perfectly. Go ahead and cry, and wonder if it’s even worth it. Go ahead and pray, for strength to make it through the next five minutes. Because one day, often when you least expect it, often when you’ve come to peace with the imperfections and decided to be happy anyway, you’ll wake up, look around in amazement and realize: They just don’t do that anymore.

When our former usher entered heaven I believe there was a great celebration. I can imagine angels singing, trumpets blowing, people clapping, and an amazing welcoming-home ceremony. There wasn’t a lot of applause and fanfare down here for his life of service and kindness, but it did not go unnoticed. It will be rewarded. The scripture says when Peter went to heaven, Jesus stood up to welcome him. Jesus is normally seated at the right hand of the Father, but I believe there are times--like when our usher arrived, an unsung hero--Jesus says, “You know what? This one deserves a standing ovation.

But the earth is jam-packed with amazing, extraordinary people who color outside the narrow lines society deems noteworthy, and they deserve applause too.