Carpenter Best Quotes

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A teachable spirit and a humbleness to admit your ignorance or your mistake will save you a lot of pain. However, if you're a person who knows it all, then you've got a lot of heavy-hearted experiences coming your way.
Ron Carpenter Jr. (The Necessity of an Enemy: How the Battle You Face Is Your Best Opportunity)
Wasting food is no joke!” he’d shout. “That’s how Karen Carpenter died!
Grady Hendrix (My Best Friend's Exorcism)
I like the Walrus best,' said Alice: `because you see he was a little sorry for the poor oysters.' `He ate more than the Carpenter, though,' said Tweedledee. `You see he held his handkerchief in front, so that the Carpenter couldn't count how many he took: contrariwise.' `That was mean!' Alice said indignantly. `Then I like the Carpenter best--if he didn't eat so many as the Walrus.' `But he ate as many as he could get,' said Tweedledum. This was a puzzler. After a pause, Alice began, `Well! They were both very unpleasant characters--
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
Some people bring out the worst in you, others bring out the best, and then there are those remarkably rare, addictive ones who just bring out the most. Of everything. They make you feel so alive that you’d follow them straight into hell, just to keep getting your fix. Karen Marie Moning, Shadowfever
Kel Carpenter (Fortune Favors the Cruel (Dark Maji, #1))
I try to limit my exposure to politicians to a bare minimum; they trigger my hypocrite allergy.
David Rosenfelt (Best in Snow (Andy Carpenter #24))
Performance is done for the sight and approval of others. Service is done knowing that God is watching and approving whether or not anyone else is. Performance causes us to be enslaved to others’ opinions, unable to say no, and prone to being overworked. Service frees us to do what God wants, thereby saying no as needed. Performance presses us toward perfectionism, where we seek to do everything just right so others will praise us. Service allows us to do our best, knowing that God’s appreciation of us is secure regardless of our performance. Performance causes us to focus on the “big” things and only do what is highly visible or significant. Service allows us to do simple, humble, and menial tasks—the “little things”—knowing that the peasant Jewish carpenter we worship equally appreciates them both.
Mark Driscoll (Who Do You Think You Are?: Finding Your True Identity in Christ)
As Candide went back to his farm, he reflected deeply on the Turk's remarks. He said to Pangloss and Martin: "That good old man seems to me to have made himself a life far preferable to that of the six Kings with whom we had the honor of having supper." "Great eminence," said Pangloss, " is very dangerous, according to the report of all philosophers. For after all, Eglon, King of the Moabites, was assassinated by Ehud; Absolom was hanged by his hair and pierced with three darts; King Naab son of Jeroboam was killed by Baasha..." "I also know", said Candide, "that we must cultivate our garden." "You are right," said Pangloss, "for when man was put in the Garden of Eden, he was put there ut operaretur eum, to work; which proves that man was not born to rest." "Let us work without reasoning," said Martin, "it is the only way to make life endurable." All the little society entered into this laudable plan; each one began to exercise his talents. The little piece of land produced much. True, Cunégonde was very ugly; but she became and excellent pastry cook; Paquette embroidered; the old woman took care of the linen. No one, not even Friar Giroflée, failed to perform some service; he was a very good carpenter, and even became an honorable man; and Pangloss sometimes said to Candide: "All events are linked together in the best of all possible worlds. for after all, if you had not been expelled from a fine castle with great kicks in the backside for love of Mademoiselle Cunégonde, if you had not been subjected to the Inquisition, if you had not traveled about America on foot, if you had not given the Baron a great blow with your sword, if you had not lost all your sheep from the good country of Eldorado, you would not be here eating candied citrons and pistachios." "That is well said," replied Candide, "but we must cultivate our garden.
Voltaire (Candide)
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
The following year the house was substantially remodeled, and the conservatory removed. As the walls of the now crumbling wall were being torn down, one of the workmen chanced upon a small leatherbound book that had apparently been concealed behind a loose brick or in a crevice in the wall. By this time Emily Dickinson was a household name in Amherst. It happened that this carpenter was a lover of poetry- and hers in particular- and when he opened the little book and realized that that he had found her diary, he was “seized with a violent trembling,” as he later told his grandson. Both electrified and terrified by the discovery, he hid the book in his lunch bucket until the workday ended and then took it home. He told himself that after he had read and savored every page, he would turn the diary over to someone who would know how to best share it with the public. But as he read, he fell more and more deeply under the poet’s spell and began to imagine that he was her confidant. He convinced himself that in his new role he was no longer obliged to give up the diary. Finally, having brushed away the light taps of conscience, he hid the book at the back of an oak chest in his bedroom, from which he would draw it out periodically over the course of the next sixty-four years until he had virtually memorized its contents. Even his family never knew of its existence. Shortly before his death in 1980 at the age of eighty-nine, the old man finally showed his most prized possession to his grandson (his only son having preceded him in death), confessing that his delight in it had always been tempered by a nagging guilt and asking that the young man now attempt to atone for his grandfather’s sin. The grandson, however, having inherited both the old man’s passion for poetry and his tendency towards paralysis of conscience, and he readily succumbed to the temptation to hold onto the diary indefinitely while trying to decide what ought to be done with it.
Jamie Fuller (The Diary of Emily Dickinson)
I doubt very much that the lengths of wood we nail together into a frame could be considered up to code, but we do the best we can. I suspect they will take it all apart and start over as soon as we are gone, but it looks good on camera since Jesus was a carpenter. Daddy would say that segments like this lend an air of humility to the show, but he says it while wearing a three-hundred-dollar tie, so I'm not entirely sure he knows what the word humility really means.
Meghan MacLean Weir (The Book of Essie)
The only thing better than taking a walk, just Tara and me, is taking a walk, Tara, Laurie, and me. They are my two loves, and living under the same roof as them, and sharing walks with them, make every day the best one of my life. The only obvious exceptions to that are the two days that the Giants beat the Patriots in the Super Bowls.
David Rosenfelt (Unleashed (Andy Carpenter #11))
Sometimes the best people have the hardest shells to crack.
Emily Carpenter (The Weight of Lies)
Although the ending was more John Carpenter than John Updike, Carroll hadn't come across anything like it in any of the horror magazines, either, not lately. It was, for twenty-five pages, the almost completely naturalistic story of a woman being destroyed a little at a time by the steady wear of survivor's guilt. It concerned itself with tortured family relationships, shitty jobs, the struggle for money. Carroll had forgotten what it was like to come across the bread of everyday life in a short story. Most horror fiction didn't bother with anything except rare bleeding meat. ("Best New Horror")
Joe Hill (20th Century Ghosts)
Some people bring out the worst in you, others bring out the best, and then there are those remarkably rare, addictive ones who just bring out the most. Of everything. They make you feel so alive that you’d follow them straight into hell, just to keep getting your fix.
Kel Carpenter (Fortune Favors the Cruel (Dark Maji, #1))
After hours of wearing stifling suits while seated on rigid pews and high-backed dining chairs, to enter water and splay our limbs was freeing. The midday sun fell full on the pool, so when we waded in up to our waists, heat and cold balanced as if by a carpenter's level. That was the best sensation, knowing in a moment, but not quite yet, I'd dive into cold but emerge into warmth. Years later at Wake Forest, when I still believed I might create literature, I'd write a mediocre poem about those mornings in church and afterward the 'baptism of nature.
Ron Rash (The Risen)
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
FOR NEARLY THIRTY years, the One who had crafted the universe with His voice crafted furniture with His hands. And He was good at what He did—no crooked table legs ever came out of the carpenter’s shop in Nazareth.1 But Jesus was more than a master carpenter. He was also God incognito. His miraculous powers rank as history’s best-kept secret for nearly three decades, but all that changed the day water blushed in the face of its Creator.
Mark Batterson (The Grave Robber: How Jesus Can Make Your Impossible Possible)
My point is, it’s clear to me that any great artist—musician, painter, sculptor, a fine prose stylist—is on a subconscious level a mathematician and a carpenter and a mason and an engineer. A great artist intuitively understands how the world is built and how it works and how people best fit into it. That’s how they’re able to create beauty—because they know the truth of things. An artist is a mathematician who knows the formulas of the soul. ‘Beauty is truth, truth beauty.
Dean Koontz (The House at the End of the World)
visual artist. My point is, it’s clear to me that any great artist—musician, painter, sculptor, a fine prose stylist—is on a subconscious level a mathematician and a carpenter and a mason and an engineer. A great artist intuitively understands how the world is built and how it works and how people best fit into it. That’s how they’re able to create beauty—because they know the truth of things. An artist is a mathematician who knows the formulas of the soul. ‘Beauty is truth, truth beauty.
Dean Koontz (The House at the End of the World)
Who says you have to be the best anyway?” “My dad.” Michael gave him a curious look. “Is it because you’ve done time that you think you’re not as good as anybody else?” “Oh, I think I’m as good. Other people are the problem.” “Because you’re an ex-con?” “And a carpenter. Not as much status in that as in what your dad does.” “But if you do it well, that’s all that counts. That’s what Mom always says. She says I can be whatever I want in life, as long as I do it with passion. Do you do your work with passion?
Barbara Delinsky (More Than Friends)
A couple of days after the letter arrived, I was discharged from the hospital, in the custody, so to speak, of about three yards of adhesive tape around my ribs. Then began a very strenuous week's campaign to get permission to attend the wedding. I was finally able to do it by laboriously ingratiating myself with my company commander, a bookish man by his own confession, whose favorite author, as luck had it, happened to be my favorite author-L. Manning Vines. Or Hinds. Despite this spiritual bond between us, the most I could wangle out of him was a three-day pass, which would, at best, give me just enough time to travel by train to New York, see the wedding, bolt a dinner somewhere, and then return damply to Georgia.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
The truth of Woodstock? The nonstop music was good but few bands played their best due to the confusion and pervasive drug ingestion. Yes it was peaceful, but after that first glorious day it was cold and wet, and we sat in the mud shivering, drenched, hungry, and thirsty. Huddled in the rain, a half million of us worked hard to relax, insistent in our success at finding freedom and joy outside the system. Peace, brother! In the downpour, over and over again we told ourselves that all we needed was love. We really had jumped outside the everyday world, but in our T-shirts, jeans, and little else, we were utterly unprepared as the relentless torrent hammered down. It was no contest as soft theory met bare-knuckled reality.
Sam Carpenter (Work The System: The Simple Mechanics of Making More and Working Less)
No profession, trade, or calling, is overcrowded in the upper story. Wherever you find the most honest and intelligent merchant or banker, or the best lawyer, the best doctor, the best clergyman, the best shoemaker, carpenter, or anything else, that man is most sought for, and has always enough to do. As a nation, Americans are too superficial—they are striving to get rich quickly, and do not generally do their business as substantially and thoroughly as they should, but whoever excels all others in his own line, if his habits are good and his integrity undoubted, cannot fail to secure abundant patronage and the wealth that naturally follows. Let your motto then always be "Excelsior," for by living up to it there is no such word as fail
P.T. Barnum (Art of Getting Money in the 21st Century)
You guys hitting that party tonight?” “Which one?” Becca said drily. “We try to make the circuit.” He smiled in a way that said he saw right through her. “Well—and I want to make sure I get this straight—Monica said Claire said her boyfriend’s best friend’s brother was home from college with that skank Melissa—” “No,” said Becca sharply. “We’re not.” His eyebrows went up. “Jesus,” said Quinn. “You followed that?” Becca faltered, knowing she sounded like a freak. But Claire’s boyfriend was Matt Carpenter. The goalie of the soccer team. And Drew McKay’s best friend. “I might have to work,” she said lamely. Her heart was kicking. “I hear you,” he said. “You said you weren’t working tonight,” said Quinn. “Free and clear, you said.” Becca slapped her water bottle on the table. “Damn it, Quinn.” “Free and clear, huh?” Hunter said.
Brigid Kemmerer (Storm (Elemental, #1))
Isn’t this a nice clean place? Loo! What d’you like best in all the world?” The answer came almost inaudibly from the white puckered lips: “Pictures.” “That exactly what you’re going to have, every day — twice a day. Think of that. Shut your eyes and have a nice sleep, and when you wake the pictures will begin. Shut your eyes! And I’ll tell you a story. Nothing’s going to happen to you. See! I’m here.” He thought she had closed her eyes, but pain gripped her suddenly again; she began whimpering and then screamed. “God!” murmured Hilary. “Another touch, doctor, quick!” The doctor injected morphia. “Leave us alone again.” The doctor slipped away, and the child’s eyes came slowly back to Hilary’s smile. He laid his fingers on her small emaciated hand. “Now, Loo, listen!   “‘The Walrus and the Carpenter were walking hand in hand, They wept like anything to see such quantities of sand. “If seven maids with seven brooms could sweep for half a year, Do you suppose,” the Walrus said, “that they could get it clear?” “I doubt it,” said the Carpenter, and shed a bitter tear!’”   On and on went Hilary, reciting ‘The Mad Hatter’s Tea-party.’ And, while he murmured, the child’s eyes closed, the small hand lost warmth. He felt its cold penetrating his own hand and thought: ‘Now, God, if you are — give her pictures!
John Galsworthy (Flowering Wilderness (The Forsyte Chronicles, #8))
I have only twenty acres," replied the Turk; "I cultivate them with my children; work keeps away the three great evils: boredom, vice, and need." As Candide went back to his farm, he reflected deeply on the Turk's remarks. He said to Pangloss and Martin: "That good old man seems to me to have made himself a life far preferable to that of the six Kings with whom we had the honor of having supper." "Great eminence," said Pangloss, " is very dangerous, according to the report of all philosophers. For after all, Eglon, King of the Moabites, was assassinated by Ehud; Absolom was hanged by his hair and pierced with three darts; King Naab son of Jeroboam was killed by Baasha..." "I also know", said Candide, "that we must cultivate our garden." "You are right," said Pangloss, "for when man was put in the Garden of Eden, he was put there ut operaretur eum, to work; which proves that man was not born to rest." "Let us work without reasoning," said Martin, "it is the only way to make life endurable." All the little society entered into this laudable plan; each one began to exercise his talents. The little piece of land produced much. True, Cunégonde was very ugly; but she became and excellent pastry cook; Paquette embroidered; the old woman took care of the linen. No one, not even Friar Giroflée, failed to perform some service; he was a very good carpenter, and even became an honorable man; and Pangloss sometimes said to Candide: "All events are linked together in the best of all possible worlds. for after all, if you had not been expelled from a fine castle with great kicks in the backside for love of Mademoiselle Cunégonde, if you had not been subjected to the Inquisition, if you had not traveled about America on foot, if you had not given the Baron a great blow with your sword, if you had not lost all your sheep from the good country of Eldorado, you would not be here eating candied citrons and pistachios." "That is well said," replied Candide, "but we must cultivate our garden.
Voltaire (Candide)
The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright — And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done — "It's very rude of him," she said, "To come and spoil the fun." The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying overhead — There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: If this were only cleared away,' They said, it would be grand!' If seven maids with seven mops Swept it for half a year, Do you suppose,' the Walrus said, That they could get it clear?' I doubt it,' said the Carpenter, And shed a bitter tear. O Oysters, come and walk with us!' The Walrus did beseech. A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each.' The eldest Oyster looked at him, But never a word he said: The eldest Oyster winked his eye, And shook his heavy head — Meaning to say he did not choose To leave the oyster-bed. But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat — And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more — All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. The time has come,' the Walrus said, To talk of many things: Of shoes — and ships — and sealing-wax — Of cabbages — and kings — And why the sea is boiling hot — And whether pigs have wings.' But wait a bit,' the Oysters cried, Before we have our chat; For some of us are out of breath, And all of us are fat!' No hurry!' said the Carpenter. They thanked him much for that. A loaf of bread,' the Walrus said, Is what we chiefly need: Pepper and vinegar besides Are very good indeed — Now if you're ready, Oysters dear, We can begin to feed.' But not on us!' the Oysters cried, Turning a little blue. After such kindness, that would be A dismal thing to do!' The night is fine,' the Walrus said. Do you admire the view? It was so kind of you to come! And you are very nice!' The Carpenter said nothing but Cut us another slice: I wish you were not quite so deaf — I've had to ask you twice!' It seems a shame,' the Walrus said, To play them such a trick, After we've brought them out so far, And made them trot so quick!' The Carpenter said nothing but The butter's spread too thick!' I weep for you,' the Walrus said: I deeply sympathize.' With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes. O Oysters,' said the Carpenter, You've had a pleasant run! Shall we be trotting home again?' But answer came there none — And this was scarcely odd, because They'd eaten every one.
Lewis Carroll
This is a love story. But it is also a detective story. And best of all, it is a true story, told here for the first time.
Nancy Carpenter Brown (The Woman Who Was Chesterton)
QUALITY: The Carpenter’s House An elderly carpenter was about to retire. He told his employer-contractor of his plans to leave the house building business and live a more leisurely life with his wife, enjoying his extended family. He would miss the paycheck, but he needed to retire. They could get by. His contractor was sorry to see his good worker go.  He asked the carpenter to build just one more house before retiring. The carpenter accepted, even though he didn’t really want to do so. His heart was not in his work anymore. He put in a half-hearted effort, taking shortcuts and using inferior building materials. The quality of the finished building was much below his usual standards. When the project finished, the contractor came to see the house. He took a look around, then he took out the front-door key and handed it to the contractor. "My friend, this house is yours. This is my gift to you as a thank you for all these years of hard work." The contractor said. The old man was shocked and embarrassed. If only he had known, things would have been done in a different way. He would have taken care of every detail and this house would be the most beautiful house that he’d ever built.  Like the old carpenter, many of us do not give the job our best effort. Then we find ourselves living in the poor quality house we have built.
Barry Powell (99 Inspiring Stories for Presentations: Inspire your Audience & Get your Message Through)
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Hjordis’s house in Oslo is filled in the afternoons with sunlight. In the evenings and during winter she burns a score of candles to soften and lift the dark that flattens even the best artificial light. Her living room feels alive; it seems to dance. By contrast, the Carpenters’ front room, with its thick brown curtains, umber wool rug, and heavy furniture, felt stiff and formal, but Hjordis would have understood immediately the ritual aspects of the gathering; to the right of the fireplace, Jud sat in a wingbacked chair turned slightly to face the upholstered sofa, where I sat in a carefully nonconfrontational pose, briefcase tucked out of sight. Adeline’s chair faced Jud’s across the fire, turned to give him all her support.
Nicola Griffith (Stay (Aud Torvingen #2))
I admired Bolden’s abilities. I’ve long thought that a good prosecutor is a well-trained union carpenter building a sturdy house with shiny tools and freshly hewn wood. She follows blueprints to the letter, makes sure the framing is in plumb, lines up the two-by-fours, and hammers the nails straight. The best courtroom carpenters are Renaissance men and women. They double as bricklayers, installers, tapers, finishers, electricians, and even plumbers. They can build the whole damn house, and it’s a thing of beauty that will pass the toughest inspection by city inspectors . . . or juries. Until the defense lawyers come along. We’re the stealthy vandals wielding crowbars and spray paint. We tear down door frames, break windows, and spray graffiti on the walls. Our job is to destroy what the carpenters have built and feed it into the woodchipper.
Paul Levine (Cheater's Game (Jake Lassiter, #13))
but for all the sure knowledge that the mayor was a thief of epic proportion and the state senator on the take, the police commissioner a thug and the cardinal a man with a mistress, I do not remember that anyone was in the least resigned or cowed; it was more like you knew the score and worked around it, you assumed the worst but sought out and esteemed the best where you found it; and that was, as far as I could tell, on your street, in your neighborhood, among the shopkeepers and cops and nuns and bus drivers and carpenters and teachers who composed the small vibrant villages that collectively were the real Chicago.
Brian Doyle (Chicago)
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And there is a tree, whose leaves, we are told, are for the healing of the nations. And my how this world needs those leaves right now. All of which is to say that what we sort of know as we look through a glass darkly is that heaven is a glorious container for all the saints. Where life is free to flow unbounded, unencumbered. Where blessings—no longer contained—rush like whitewater. Where there are no more tears, no more pain, no more death. And because the former things have passed away, and because it is a city built by the Master Carpenter, there are also no more shims. It’s a most perfect, everlasting container, for all the saints. Praise God from whom all blessings flow. In the name of the Father, and of the Son, and of the Holy Spirit. As it was in the beginning, is now and ever shall be, world without end. Amen.
Eugene H. Peterson (Run with the Horses: The Quest for Life at Its Best)
Sometimes, we don't get what we plan for. Sometimes, everything can go wrong even when you do everything right. You're going to fail...and that's okay. The question is what you do with that knowledge. If you don't even try because you might miss your goal, you miss out on life. We are all going to face defeat, and more than just once or twice. How you react under those circumstances is what matters- do you give up? Do you push on? Do you give it your best shot for your own peace of mind even when you know it's a lost cause? That, to me, is the real measure of perseverance; it not only shows us who we are but also forces us to think about what we could become. p263
Kyle Carpenter (You Are Worth It: Building a Life Worth Fighting For)
The Internet is home to many a treatise about the Best This or the Cool New Way to Do That.16 But this obsession with tools is misguided. Unless you’re a carpenter, a mechanic, or a surgeon, choosing the perfect tool is usually a distraction, yet another way to stay busy instead of doing the work you want to be doing.
Jake Knapp (Make Time: How to Focus on What Matters Every Day)
Greenleaf concludes that the resurrection of Christ is one of the best-supported events in history according to the laws of legal evidence administered in courts of justice.
Josh McDowell (More Than a Carpenter)
My goal for this book is very straightforward. I want to bring together all the facts surrounding the most popular weight loss methods so you can make the best decisions for yourself, while also making sure that you don’t fall into the common trap of inadvertently sacrificing your health and well-being in the process.
Ben Carpenter (Everything Fat Loss: The Definitive No Bullsh*t Guide)
I want to help you make the best decisions, including how to avoid common pitfalls. And it may come as a surprise that some of those pitfalls may include seeking to lose weight in the first place. Not everyone should strive to lose weight, and I want you to consider why you feel the need to do so before you start on that journey;
Ben Carpenter (Everything Fat Loss: The Definitive No Bullsh*t Guide)
Unlike its countless imitators, there is no gore to be had in the 1978 film and almost no blood. Carpenter would instead prefer to leave those grisly details entirely to the viewer’s imagination. It’s all too easy to dismiss a mutilated body as being fake from the comfort of a theater seat. Of course, it’s fake. But when a filmmaker withholds those visuals, your mind may involuntarily fill in what you’re not seeing with something even more horrific. It’s much harder to dismiss what you see inside your mind’s eye. By avoiding such graphic violence, Carpenter is able focus on building tension through suspense. This is one of Halloween’s best qualities and yet also the one its own sequels tend to replicate the least. More than a few have
Dustin McNeill (Taking Shape: Developing Halloween From Script to Scream)
Here are four examples of Lead Magnets I use: A checklist that can be used to properly perform something I explained in a video. A template for determining, say, a business’s profit margin. An advanced guide that goes further into the details of a subject of one of my videos. A unique book that provides substantial value but is offered for free. For me, it is 11 Side Hustle Ideas to Make $500/Day from Your Phone. The appropriate opt-in incentive depends on your content. Here are other types of examples: A DIY carpenter could offer plans to make a corner table. A marketing YouTuber could offer scripts of what to say on sales phone calls. A landscaping expert might offer recommendations for which kinds of grass to use around the United States. YouTuber Nick True at Mapped Out Money, who makes video tutorials that teach the best practices for using the personal budgeting software YNAB, found that he gets the highest sign-up rates when he offers a checklist that relates to the video. His followers really like having a resource that they can use to put his advice into practice. Jess Dante of Love and London runs a YouTube channel helping viewers plan their trips to London by suggesting lesser-known restaurants and stores to visit. Her superstar opt-in incentive is a free London 101 Guide with everything a first-time visitor needs to know. It’s been downloaded more than 45,000 times. Where you make your call to action will also have an impact on your success building your email list. You can make your call to action in a variety of places or ways inside your videos. One of the best ways is to give a short, relevant tease of the bonus or resource you’re offering within the YouTube video and tell people where they can learn more. CHALLENGE Create a Lead Magnet. It’s time to create your first Lead Magnet using the process we’ve just outlined above. You can use your piece of content from the previous chapter as a base or start something new. Don’t spend more than two hours on the first iteration. If you want to turn it into a big thing later on, great. But start SMALL. Go to MillionDollarWeekend.com to get Lead Magnet templates! (See what I did there?)
Noah Kagan (Million Dollar Weekend: The Surprisingly Simple Way to Launch a 7-Figure Business in 48 Hours)
at the seat. Instead of blowing his top, he picked me up in his arms and said, "You did it?" I nodded, "Yes I did it!" "But, look son." He tried to explain, "I can't go out with a bottomless pajama — I am a man". I whispered, "And so am I". He just stared, and embraced me. And from that day I got proper pajamas to wear. Dad was a great friend, a very understanding and loving person. Time flies fast — my father's leave was almost over, but the construction work still remained incomplete. He had to go back to Amritsar to resume his duties, and my mother badly needed more money. Two days before his departure he took a loan of Rs. 1,500 from a friend, a Zargar (ornament maker), to somehow finish the construction work, and mortgaged our part of the haveli for this amount. This Rs. 1,500 brought a lot of trouble and hardship to the family as the interest for the loan went on adding. My father resigned his job as a postman and searched for a new clerical job. He did his best to pay off the loan; he but could not. Destiny's smile had changed into a fearsome frown. Soon my little sister Guro was born. While my father slogged in Amritsar to support the family and pay the monthly interest, my mother and grandmother somehow managed to survive. I fell sick, very very sick and the chubby child was soon a bundle of bones. The fair skin was tarnished and looked quite dusky. The handsome Kidar Nath became an ugly urchin. Lack of nourishment also made me a dull boy. The only thought that kept me alive was that my father was my best friend, and that I must stand by my best friend and help him to surmount his difficulties. Having found a tenant for the rebuilt Haveli, we all moved to Amritsar. Across our house lived a shop-keeper known for being a miser. He called a carpenter to fix the main door to his dwelling, because the top of the frame had cracked. A robust argument ensued because the shop-keeper would pay only half a rupee, while the carpenter wanted one. His reason being that an appropriate piece of wood had to be cut to match the area being repaired and then he would have to level the surfaces at a very awkward angle. But the owner was adamant and said, "Just nail the piece of wood, do not level it or do any fancy work, because I shall pay you only half a rupee", as he walked away in a huff.
Kidar Sharma (The One and Lonely Kidar Sharma: An Anecdotal Autobiography)
If you are a carpenter, be the best carpenter in town
Sunday Adelaja (No One Is Better Than You)
My father gets quite mad at me; my mother gets upset— when they catch me watching our new television set. My father yells, “Turn that thing off!” Mom says, “It’s time to study.” I’d rather watch my favorite TV show with my best buddy. I sneak down after homework and turn the set on low. But when she sees me watching it, my mother yells out, “No!” Dad says, “If you don’t turn it off, I’ll hang it from a tree!” I rather doubt he’ll do it, ‘cause he watches more than me. He watches sports all weekend, and weekday evenings too, while munching chips and pretzels—the room looks like a zoo. So if he ever got the nerve to hang it from a tree, he’d spend a lot of time up there— watching it with me.
Stephen Carpenter (Kids Pick The Funniest Poems: Poems That Make Kids Laugh (Giggle Poetry))
Michael OToole hated going to school, He wanted to stay home and play. So he lied to his dad and said he felt bad And stayed home from school one day. The very next day he decided to say That his stomach felt a bit queasy. He groaned and he winced ‘til his dad was convinced, And he said to himself, “This is easy!” At the end of the week, his dad kissed his cheek And said, “Son, you’ve missed too much school.” “But still I feel funny, and my nose is all runny,” Said the mischievous Michael OToole. Each day he’d complain of a new ache or pain, But his doctor could find nothing wrong. He said it was best to let Michael rest, Until he felt healthy and strong. Michael OToole never did get to school, So he never learned how to write— Or to read or to spell or do anything well, Which is sad, for he’s really quite bright. And now that he’s grown, he sits home alone ‘Cause there’s nothing he knows how to do. Don’t be a fool and stay home from school, Or the same thing could happen to you!
Stephen Carpenter (Kids Pick The Funniest Poems: Poems That Make Kids Laugh (Giggle Poetry))
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She pushes me aside as she gets up from the chair, and walks out of the kitchen. Mum and I are still scrutinising the CCTV image when Matt walks in. ‘Let me see,’ he says, swiping it from under our heads. Mum opens her mouth, but closes it again. Obviously she can bite her tongue when it’s someone else. Matt looks like shit. He slept in the same jeans and T-shirt he’s worn for days, bar the press conference. He only went to bed in the early hours of the morning after drinking the best part of two bottles of wine. ‘Can’t
Elisabeth Carpenter (99 Red Balloons)
Manchester City’s moved their training facilities from Carrington to the Etihad Complex - a purpose built £200million facility in the East of the city in December 2014. It is without doubt the best football club training facility in the UK.
Chris Carpenter (Manchester City Quiz Book: 2024/25 Season Edition)
bacon.” No, I do not bring home the bacon. At best, I bring home imitation bacon bits. “Fry it up in a pan.” When I announce that it is time to eat, my family doesn’t come to the table. They get into the car. “And never let him forget he’s a man.” No problem here. He won’t let me forget. I’m confused. Commercials on TV are telling me one thing while Aretha Franklin says I need r-e-s-p-e-c-t. Then I’ll feel like a natural woman. At least Mary Chapin Carpenter is honest when she sings, “Sometimes you’re the windshield and sometimes you’re the bug.
Jane Jenkins Herlong (Bury Me with My Pearls (Humor & Entertainment, Comedy))
Among the many important things I don't know about Jesus: whether he was a good carpenter; how he felt about Joseph not being his real father; his sexual orientation; his perspectives on slavery, abortion, and just war; his favorite kind of anything; his sense of humor; his best friend; why he raised Lazarus from the dead but nobody else; what he thought about between the crucifixion and the resurrection; and why he didn't make sure at least one of his disciples took better notes. I mean, seriously, I know way more about Abraham Lincoln--or Michael Jackson for that matter--than I do about Jesus.
Bart Campolo (Why I Left, Why I Stayed: Conversations on Christianity Between an Evangelical Father and His Humanist Son)
SELECTING THE RIGHT TOOLS FOR GOOD BIBLE STUDY Probably one of the best-kept secrets in Christendom is the availability of practical Bible study helps. Many Christians are not aware of the many excellent reference tools currently available to make personal Bible study possible and exciting. This is comparable to a carpenter who sets out to build a house without knowing that a hammer and saw are available to him.
Rick Warren (Rick Warren's Bible Study Methods: Twelve Ways You Can Unlock God's Word)
Here’s who it’s okay to share a bed with: Your sister if you’re a girl, your brother if you’re a boy, your mom if you’re a girl, and your dad if you’re under twelve or he’s over ninety. Your best friend. A carpenter you picked up at the key-lime-pie stand in Red Hook. A bellhop you met in the business center of a hotel in Colorado. A Spanish model, a puppy, a kitten, one of those domesticated minigoats. A heating pad. An empty bag of pita chips. The love of your life. Here’s who it’s not okay to share a bed with: Anyone who makes you feel like you’re invading their space. Anyone who tells you that they “just can’t be alone right now.” Anyone who doesn’t make you feel like sharing a bed is the coziest and most sensual activity they could possibly be undertaking (unless, of course, it is one of the aforementioned relatives; in that case, they should act lovingly but also reserved/slightly annoyed). Now, look over at the person beside you. Do they meet these criteria? If not, remove them or remove yourself. You’re better off alone.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
No profession, trade, or calling, is overcrowded in the upper story. Wherever you find the most honest and intelligent merchant or banker, or the best lawyer, the best doctor, the best clergyman, the best shoemaker, carpenter, or anything else, that man is most sought for, and has always enough to do.
Napoleon Hill (The Prosperity Bible: The Greatest Writings of All Time on the Secrets to Wealth and Prosperity)
Yeah, who needs an extra two hundred dollars for three hours of work?” Kristen said, flipping a hand dismissively. “Not Miguel apparently.” I froze. “Two hundred dollars?” Sloan sprayed the counter with lemon-scented all-purpose cleaner. “Sometimes it’s more—right, Kristen? It depends on the style?” Kristen stared at her best friend like she was telling her to shut up. Then she dragged her eyes back to me. “The stairs run four to five hundred dollars apiece, plus shipping. I split the profits fifty-fifty, minus the materials, with my carpenter. So yeah. Sometimes it’s more.” “Do you have a picture of the stairs?” I asked. Kristen unenthusiastically handed me her phone and I scrolled through a website gallery of ridiculous tiny steps with Stuntman Mike posed on them in different outfits. These were easy. Well within my ability. “You know, I think I do have time for this. I’ll do it if you don’t have anyone else.” A few of these and I could pay off my Lowe’s card. This was real money. Kristen shook her head. “I think I’d rather take my chances with the organ thieves.” Sloan gasped, and Brandon froze and looked at Kristen and me. “Is that right?” I said, eyeballing her. “How about we talk about this over coffee.” Kristen narrowed her eyes and I arched an eyebrow. “Fine,” she said like it was physically painful. “You can build the damn stairs. But only until I find a different guy. And I will be looking for a different guy.” Sloan looked back and forth between us. “Is there something you guys want to tell us?” “I caught him staring at my ass,” Kristen said without skipping a beat. I shrugged. “She did. I have no excuse. It’s a great ass.” Brandon chuckled and Sloan eyed her best friend. Kristen tried to look mad, but I could tell she took the compliment.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
So, doing nothing, he simply remained on the alert, careful to preserve his failing memory against the decay that consumed everything around him, much as he had done from the moment that he — once the closing of the estate had been announced and he personally had decided to stay behind and survive on what remained until “the decision to reverse the closure should be taken” — had gone up to the mill with the elder Horgos girl to observe the terrible racket of the abandonment of the place, with everyone rushing round and shouting, the trucks in the distance like refugees fleeing the scene, when it seemed to him that the mill’s death-sentence had brought the whole estate to a condition of near collapse, and from that day on he felt too weak to halt by himself the triumphal progress of the wrecking process, however he might try, there being nothing he could do in the face of the power that ruined houses, walls, trees and fields, the birds that dived from their high stations, the beasts that scurried forth, and all human bodies, desires and hopes, knowing he wouldn’t, in any case, have the strength, however he tried, to resist this treacherous assault on humanity; and, knowing this, he understood, just in time, that the best he could do was to use his memory to fend off the sinister, underhanded process of decay, trusting in the fact that since all that mason might build, carpenter might construct, woman might stitch, indeed all that men and women had brought forth with bitter tears was bound to turn to an undifferentiated, runny, underground, mysteriously ordained mush, his memory would remain lively and clear, right until his organs surrendered and “conformed to the contract whereby their business affairs were wound up,” that is to say until his bones and flesh fell prey to the vultures hovering over death and decay.
László Krasznahorkai (Satantango)
From some of the worst situations, the best things happen.
Rebecca L. Carpenter (Butterfly Bones (Metamorphosis Book 1))
Ideally, members of the media should resist the temptation to speculate about what the promised information may say or be and let the story expire. (Unlikely.) But, Trump’s narratives would be more effectively countered if voters and the media mounted heavy pressure on Trump to deliver the goods. He rarely does. Boxing him in at this step and making it well known that he cannot prove his allegations to be true offers the best chance of mitigating Trump’s gaslighting.
Amanda Carpenter (Gaslighting America: Why We Love It When Trump Lies to Us)