Carole Lombard Quotes

From the race’s conception, the press viewed it with skepticism. Sportswriters argued that the rich event was a farce arranged to pad Seabiscuit’s bankroll. Del Mar, conscious of the potential conflict of interest for the Howards and Smiths, barred public wagering on the race. But the press’s distrust and the absence of gambling did nothing to cool the enthusiasm of racing fans. On the sweltering race day, special trains and buses poured in from San Diego and Los Angeles, filling the track with well over twenty thousand people, many more than the track’s official capacity. Lin plastered a twenty-foot LIGAROTI sign on the wall behind the “I’m for Ligaroti” section, and scores of Crosby’s movie friends, including Clark Gable and Carole Lombard, Spencer Tracy and Ray Milland, took up their cerise and white pennants and filed in. “Is there anyone left in Hollywood?” wondered a spectator. Dave Butler led a chorus of Ligaroti cheers, and the crowd grew boisterous. Crosby perched on the roof with Oscar Otis, who would call the race for a national radio broadcast. In the jockeys’ room, Woolf suited up to man the helm on Seabiscuit while Richardson slipped on Ligaroti’s polka dots. Just before the race, Woolf and Richardson made a deal. No matter who won, they would “save,” or split, the purse between them.

Only those are fit to live who do not fear to die, and none are fit to die who have shrunk from the joy and duty of life. Those whom we have come to honor and, in God’s name to bless, never shrank from life, but welcomed it—welcomed life and its every aspect—loved life and were responsible to both its duties and its joys…. Each believed steadfastly in the glorious life to come.

When Jim found a bone that had been part of somebody’s hand, I understood that this wasn’t just Carole Lombard’s story. It was the pilot’s story and the co-pilot’s and the stewardess’s. It was the story of 15 Army Air Corps personnel who perished, men as young as 19 and as “old” as 28, and it was the story of three other civilians, all of whom died right there, on the spot where I stood shivering in the fading October sunshine at 7,700 feet. I started writing on the plane ride home and haven’t stopped since. I have had extreme good fortune in my research, accessing the complete Civil Aeronautics Board investigation, including the exhibits and testimony. I have examined the U.S. House of Representatives

Joan Blondell had it all: looks, talent, energy, humor. If she never became a top-flight superstar, the fault lies mostly with Warner Brothers. At MGM, Joan could have easily had Jean Harlow’s career; at Paramount, Claudette Colbert’s or Carole Lombard’s; at Fox, Loretta Young’s; at RKO, Ginger Rogers’. Some of the fault lies, too, with Blondell herself, who later admitted, “The instant they said ‘cut!’ I was whammo out of that studio and into the car . . . In order to be a top star and remain a top star and to get all the fantastic roles that you yearned for, you’ve got to fight for it and you’ve got to devote your twenty-four hours to just that; you’ve got to think of yourself as a star, operate as a star; do all the press that is necessary . . . What meant most to me was getting home, and that’s the truth.” But if Joan Blondell got slightly lost in the shuffle at Warners, she still managed to turn in some delightfully snappy performances and typify the warm-hearted, wisecracking Depression dame. And when she aged, she did so with grace and humor.

Carole Lombard made me believe that anything is possible if I just put my mind to it.

But this month is all about CITY OF JASMINE which I hope you already have in your hot little hands. My favorite review snippet? KIRKUS REVIEWS said it’s “part screwball comedy”. I can’t tell you how much time I spent with Carole Lombard and William Powell and Irene Dunne when I was writing it. I adore the 30s comedies for their light-hearted take on relationships and adventure—and the glamorous settings and occasional dash of intrigue only heighten the magic. (Did you know that Nicholas Brisbane from my Lady Julia series was named for THE THIN MAN’s Nick Charles? And apologies to Dashiell Hammett, but I fell in love with the film long before I read the book and appreciated how much it had been lightened in the adaptation!) So when you’re reading CITY OF JASMINE, give some thought to who you’d like to see playing Evie and Gabriel—I’d love to hear who you’d cast in your own production.

I tried to hammer my red curls into something closer to Carole Lombard than Harpo Marx but eventually gave it up for lost.

He read the 23rd Psalm, then a poem.” The poem, by Grant Colfax Tullar, was one of Carole’s favorites: My life is but a weaving Between my Lord and me; I cannot choose the colors He worketh steadily. Oft times He weaveth sorrow And I, in foolish pride, Forget He sees the upper, And I the under side. Not til the loom is silent And the shuttles cease to fly, Shall God unroll the canvas

With young Bobby Stack as her coach, Lombard learned the ways of the shotgun. It was a skill that would pay off later as would her association with the boy who would grow up to be Academy Award-nominated actor Robert Stack. Until the day he died, Stack would be in love with her and never attempt to hide it.