Horseback Rider Quotes

Once Errol righted himself into some semblance of horsemanship, they set off at an easy canter. That is, the other horses set off at a canter, while Errol's horse settled into a teeth-shattering trot. After a hundred paces he could feel Horace's backbone through the saddle. The other riders pulled ahead without a backward glance, leaving him to his four-footed torture.

A cowboy is someone who loves his work. Since the hours are long—ten to fifteen hours a day—and the pay is $30 he has to. What's required of him is an odd mixture of physical vigor and maternalism. His part of the beef-raising industry is to birth and nurture calves and take care of their mothers. For the most part his work is done on horseback and in a lifetime he sees and comes to know more animals than people. The iconic myth surrounding him is built on American notions of heroism: the index of a man's value as measured in physical courage. Such ideas have perverted manliness into a self-absorbed race for cheap thrills. In a rancher's world, courage has less to do with facing danger than with acting spontaneously—usually on behalf of an animal or another rider. If a cow is stuck in a bog hole he throws a loop around her neck, takes his dally (a half hitch around the saddle horn), and pulls her out with horsepower. If a calf is born sick, he may take her home, warm her in front of the kitchen fire, and massage her legs until dawn. One friend, whose favorite horse was trying to swim a lake with hobbles on, dove under water and cut her legs loose with a knife, then swam her to shore, his arm around her neck lifeguard-style, and saved her from drowning. Because these incidents are usually linked to someone or something outside himself, the westerner's courage is selfless, a form of compassion.

For those of you unfamiliar with barrel racing: a buzzer rings and a rider hangs on for dear life as a horse shoots off like a bat out of hell toward some big empty oil barrels placed strategically at one end of an arena and runs around them as fast as he can and then races back to the other end of the arena completely of his own free will while the rider tries not to fall off or cry because she thinks she broke her vagina and thank God the horse finally stopped and is that my pee? It's really fun.

her breast seemed unbearable, and a ragged sigh did not ease the pain. Though the view could have been appeasing, she yearned to have the lush green lawns of Belle Chêne in sight and to know within her mind that she was Ashton’s beloved, no matter what name she bore. Her chin lifted, and her heart quickened as she detected a man on horseback riding at a full canter toward the house. For a moment she held her breath, wanting it to be Ashton, but all the while knowing it could not be. She fell further into despondency as the rider came nearer. The man’s body was too thick, and he rode without the skill of the other man. Recognizing Malcolm Sinclair, she waited with quaking heart as he dismounted and came into the house. Eons seemed to pass before she heard the scrape of his boot against the stairs. His footsteps came down the hall, pausing before each door as if he searched for her in the other rooms. A rising panic took hold of her as he drew near, and she cast her gaze about for someplace to hide, but she forced herself to remain where she was, knowing that reality had to be dealt with and that

The emphasis was on “soft.” No matter what else happened, the wranglers were to stay soft while riding the horses. Soft hands, soft seat, and soft legs. There was to be absolutely no hitting, kicking, slapping, or yelling at any time for any reason. The penalty for doing such things was to be placed on a two-day suspension. A second offense would lead to termination. Neither penalty was ever needed. At times it wasn’t easy to stay quiet with the horses because so many of them had been “used up” over the years, dulled to any form of cue. However, we remained consistent in our focus and the horses responded. The wranglers were instructed to ride the horses with the softest cues possible, often using nothing more than a light squeeze to get forward movement and a shift of weight in the saddle, along with light pressure on the reins, for a stop. They were also instructed to look for, find, and then release their cues at the slightest try from the horse—something they all became very adept at doing. With everyone riding in the same manner from one day to the next, all the horses began to respond within a few weeks. Before we knew it, all of our horses, including the very old ones that had been in the program for years and years, became responsive to the lightest of cues. We’d taught our horses to be responsive to these light cues, but a question remained. How could we keep them that way, particularly with the hundreds of different people who would be riding each horse over the summer? The answer was simple. Everyone needed to remain consistent. So, instead of expecting our horses to respond to the conflicting cues that each new rider was bound to give, we taught each rider how to communicate with our horses. Each week when a new batch of guests arrived at the ranch, we held an orientation in the riding arena. During this orientation, we explained how our horses were trained and what was expected of them as a rider of one of our horses. We gave them a demonstration in the saddle of proper seat and hand position, so they could keep their balance. We showed them the cues for walk, stop, trot, lope, and turn, using a horse right out of the string. Once we had demonstrated how our horses worked, we got everyone on horseback in the arena and helped them to practice giving the cues, allowing the horse to respond, and releasing the cues so that the horse would remain responsive. Of note is the fact that after

You think this Hunter of yours’ll like me?” Loretta set her trencher aside and gave her aunt a hard hug. “Oh, Aunt Rachel, I love you. It makes me so glad to have your blessing.” Suddenly Rachel stiffened. “Speak of the devil, there he comes.” Joy surged through Loretta. She leaped to her feet and ran toward the gate. Up on the rise she could see horses and riders outlined against the darkening sky. The Comanches reined in, forming a sparse front rank, a few others pulling in behind them. Loretta’s footsteps dragged to a stop. Even at this distance and with poor light, she could see the men wore war paint. Her heart plummeted. Surely Hunter didn’t believe she had willingly left with his people’s murderers? “Go into the house, Aunt Rachel,” Loretta called. “Why? What is it?” “I’m not sure. He comes in anger.” “You come with me, then!” Loretta swallowed an upsurge of fear. One Indian was taller on horseback than all the rest, broader across the shoulders and chest. Hunter. She kept her gaze on him. A month ago she would have fled in panic. She would never run from him again.

The other traffic issue concerned the park’s users. Vaux and Olmsted came up with three categories of roadway that they simply called the “Walk” (for pedestrians), the “Ride” (for horseback riding), and the “Drive” (for carriages). All together, there are today about seventy miles of Walk, Ride, and Drive wending through the park. In the master plan, none of these paths ever touched. If the Drive crossed the Walk, a bridge was constructed to pass pedestrian traffic below the carriages. Similarly, the Ride was kept separate from the other paths so that horseback riders would never have to rear up suddenly when confronted with an obstacle.

Maybe home is a choice; wherever you hang your hat, wherever you feel respected and secure, engaged in life and appreciated for who you are is a place you can call “home.

While it might seem strange, horseback riding requires balance and stamina to stay on a horse while you are riding it. To prepare for this for this recreational sport, riders will need to boost their upper and lower body strength. This allows you to better control the horse through the use of guiding moves and to hold on during jumps.

As Roosevelt took his place in the open carriage leading the procession, an additional surprise lay in store for him: 150 members of his Rough Rider unit, whom he had led so brilliantly in the Spanish-American War, appeared on horseback to serve as his escort of honor.

As I topped the highest point, I turned to look out over the valley, with the river winding lazily through it, and almost missed the fast-moving dot half obscured by the fine, silvery curtain of rain. I reined in my horse, shaded my eyes, and squinted at the dot, which resolved into a horseback rider racking cross-country at incredible speed. Of course it could be anyone, but… Turning my eyes back to the road, I saw Lumm in the distance, with a couple of loops of river between me and it. Hesitating only a moment, I plunged down the hillside.

A study of advertising found that the average person in Shanghai saw three times as many advertisements in a typical day as a consumer in London. The market was flooded with new brands seeking to distinguish themselves, and Chinese consumers were relatively comfortable with bold efforts to get their attention. Ads were so abundant that fashion magazines ran up against physical constraints: editors of the Chinese edition of Cosmopolitan once had to split an issue into two volumes because a single magazine was too thick to handle. My cell phone was barraged by spam offering a vast range of consumption choices. “Attention aspiring horseback riders,” read a message from Beijing’s “largest indoor equestrian arena.” In a single morning, I received word of a “giant hundred-year-old building made with English craftsmanship” and a “palace-level baroque villa with fifty-four thousand square meters of private gardens.” Most of the messages sold counterfeit receipts to help people file false expense reports. I liked to imagine the archetypal Chinese man of the moment, waking each morning in a giant English building and mounting his horse to cross his private garden, on the way to buy some fake receipts.

During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country, and at length found myself, as the shades of evening drew on, within view of the melancholy House of Usher. This one sentence could well serve as a crash course in how to create atmosphere. First the bare wires of where and when are suggested (a country road; an autumn day in a time period when men still road on horseback to reach their destinations). Then lights and sound are added: the scene is dark and shadowy; a palpable silence reigns. It’s not a peaceful quiet, the kind that might soothe a tired traveler. Rather, it’s a disturbing silence described only in terms of what it lacks : “soundless.” Other details add to the foreboding: clouds hanging low; a lone rider. And beneath it all a subliminal music plays. I imagine an oboe or a cello, its tones mournfully forlorn. Soon it’s joined by a chorus of deep vowels whose tones are split by harsh consonants and stopped rhythms striking like gongs foretelling doom: dull, dark, soundless, day. Each phrase of the description, like each step of the rider’s horse, draws us deeper toward the gloom that awaits us. Nothing

What is it about weather, one of nature’s many hands, that I so want to be a part of? I want it touching me, holding me in its track of infinite personalities. I want the wind crawling up my sleeves and my broadbrimmed hat resisting the sun’s belittling heat. I want to lie on the earth and let the tall grasses hold me. I’m enticed by the wild invigorating and unpredictable challenge of weathering a storm, of finding myself face to face with nature’s playful or unforgiving forces.

Essie swam in both the Pacific and Atlantic Oceans and three of the Great Lakes and crossed Death Valley (Mojave Desert) and the Sonoran Desert. She made two Canadian trips and traveled from Texas to Calgary. She crossed the United States twice, the Rocky Mountains nine times, and the Cascade Range four. I like to think it beat a long, slow, uninteresting life as a pasture potato.

Almost first was the light, but before it there was a girl on horseback, Aideen. She brought light to the island, and life

Robbie said he never saw a horse take so easily to a rider, but Annis wasn't surprised. Bits always understood what she wanted, from a slow walk to a trot, from a canter to a gallop. He was as eager as she for their more daring rides, the ones they made when no one could see them. He loved to run, and they both loved jumping. He sailed effortlessly over fallen trees, mane and tail rippling. He popped over rows of shrubs as easily as a leaping deer, making Annis feel as if she could fly.

With exceptional pluck and coolheadedness, young George Washington was soon riding all over the battlefield. Though he must have been exhausted, he kept going from sheer willpower and performed magnificently amid the horror. Because of his height, he presented a gigantic target on horseback, but again he displayed unblinking courage and a miraculous immunity in battle. When two horses were shot from under him, he dusted himself off and mounted the horses of dead riders. One account claimed that he was so spent from his recent illness that he had to be lifted onto his second charger. By the end, despite four bullets having torn through his hat and uniform, he managed to emerge unscathed.

I would no sooner be a lusty dawn rider, braving gales and approaching storms in a sinewy canter, only to receive a headfirst introduction to a steaming dunghill.

the invention of the stirrup gave the armed knight on horseback a formidable assault capability. He could now attack at full speed and not be thrown from the saddle by the impact of his lance striking a target. The military value of the heavy cavalry was further enhanced by an Asian, invention that penetrated through Western Europe in the tenth century; the nailed iron horseshoe. This further improved the durability of the horse on the road.27 Also adding to the improved effectiveness of the armed knight were the contoured saddle, which made it easier to wield heavy weapons, the spur, and the curb bit, which enabled a rider to control the horse with one hand while fighting.28 Together, these apparently minor technological innovations dramatically devalued the military importance of the smallholders, who could not afford to maintain war-horses and arm themselves. The cheaper of the horses specially bred for war, the large chargers known as destriers, were worth four oxen or forty sheep. The more expensive warhorses cost ten oxen or one hundred sheep. Armor also cost a sum that no small holder could afford, equivalent to the price of sixty sheep.29