Skeleton Love Quotes

The cafe windows wrapped all the way around the observation floor, which gave us a beautiful panoramic view of the skeleton army that had come to kill us.

Every vertebra, every knuckle, both kneecaps, both hips. I am a pile of bones on the floor and no one knows it but me. I am a broken skeleton with a beating heart.

Maybe the flies knew we were leaving. Maybe they were happy for us.

Still hiding, Cupid said, smashing another skeleton to pieces. You do not have the strength. "Nico," Jason managed to say, "it's okay. I get it." Nico glanced over, pain and misery washing across his face. "No you don't," he said. "There's no way you can understand." And so you run away again, Cupid chided. From your friends, from yourself.

Images flashed through his mind. He saw Nico and his sister on a snowy cliff in Maine, Percy Jackson protecting them from a manticore. Percy's sword gleamed in the dark. He'd been the first demigod Nico had ever seen in action. Later, at Camp Half-Blood, Percy took Nico by the arm, promising to keep his sister Bianca safe. Nico believed him. Nico looked into his sea-green eyes and thought, How can he possibly fail? This is a real hero. He was Nico's favorite game, Mythomagic, brought to life. Jason saw the moment when Percy returned and told Nico that Bianca was dead. Nico had screamed and called him a liar. He'd felt betrayed, but still... when the skeleton warriors attacked, he couldn't let them harm Percy. Nico had called on the earth to swallow them up, and then he'd run away- terrified of his own powers, and his own emotions.

...I begin with songs. They provide a sort of skeleton grammar for me to flesh out. Songs of longing for future tense, songs of regret for past tense, and songs of love for present tense.

That pissed me the hell off. I took in a deep breath and blurted out everything without thinking twice. “Fuck you! You want to know who I am, Marcus. Well here it goes! I am temperamental, over-sensitive, and outspoken. I’m honest! I cry at stupid love movies, and I'm a sucker for a romantic novel. I don’t allow people to walk all over me, I have trust issues, and I have insecurities. I’ve slept with four men in my entire life! And the one thing I don’t do is take shit from men who try to act like they’re better than me as if they don’t have any hidden skeletons! I’m not keeping shit hidden, how ‘bout you? You can fuck off. I'll find my own way home. Have a nice fucking life!” - Mia

Do you see anything when you dream or are your dreams as empty as your eyes?

eat, baby. eat. chew. please. I know it hurts. I know it doesn’t feel good. please. I know your hunger is different than mine. I know it doesn’t taste the same as mine. imagine you could grow up all over again and pinpoint the millisecond that you started counting calories like casualties of war, mourning each one like it had a family. would you? sometimes I wonder that. sometimes I wonder if you would go back and watch yourself reappear and disappear right in front of your own eyes. and I love you so much. I am going to hold your little hand through the night. just please eat. just a little. you wrote a poem once, about a city of walking skeletons. the teacher called home because you told her you wished it could be like that here. let me tell you something about bones, baby. they are not warm or soft. the wind whistles through them like they are holes in a tree. and they break, too. they break right in half. they bruise and splinter like wood. are you hungry? I know. I know how much you hate that question. I will find another way to ask it, someday. please. the voices. I know they are all yelling at you to stretch yourself thinner. l hear them counting, always counting. I wish I had been there when the world made you snap yourself in half. I would have told you that your body is not a war-zone, that, sometimes, it is okay to leave your plate empty.

Grab onto my arm now. Hold tight. We are going into a number of dark places, but I think I know the way. Just don't let go of my arm. And if I should kiss you in the dark, it's no big deal; it's only because you are my love.

The termites of reduction have always gnawed away at life: even the greatest love ends up as a skeleton of feeble memories.

Do you know where most skeletons come from?" "When a mommy skeleton loves a daddy skeleton very much...

When I put my hands on your body on your flesh I feel the history of that body. Not just the beginning of its forming in that distant lake but all the way beyond its ending. I feel the warmth and texture and simultaneously I see the flesh unwrap from the layers of fat and disappear. I see the fat disappear from the muscle. I see the muscle disappearing from around the organs and detaching iself from the bones. I see the organs gradually fade into transparency leaving a gleaming skeleton gleaming like ivory that slowly resolves until it becomes dust. I am consumed in the sense of your weight, the way your flesh occupies momentary space the fullness of it beneath my palms. I am amazed at how perfectly your body fits to the curves of my hands. If I could attach our blood vessels so we could become each other I would. If I could attach our blood vessels in order to anchor you to the earth to this present time I would. If I could open up your body and slip inside your skin and look out your eyes and forever have my lips fused with yours I would. It makes me weep to feel the history of your flesh beneath my hands in a time of so much loss. It makes me weep to feel the movement of your flesh beneath my palms as you twist and turn over to one side to create a series of gestures to reach up around my neck to draw me nearer. All these memories will be lost in time like tears in the rain.

I kept the speed at a steady hundred. We didn’t need to go any faster. When you are ugly you don’t need to go any faster than one hundred miles an hour. All you need to do is find someone as ugly as yourself and take them to the beach. That way, there are no expectations, and without expectations, no disappointment. And that’s as close to love anyone who is ugly should ever get.

I picked up a fallen branch and struck a tree with it. Apples fell from the tree. The rope around one of the skeletons gave way and it fell to the ground. It lay there, crumpled and bent in ridiculous angles. I wondered if the person who the skeleton used to live inside would be embarrassed if he or she could see themselves now. I looked around the area but didn’t see any ghosts. Why would I see a ghost? They didn’t exist. Still, I looked a second time.

It is in the heart and not in the words - not even in the most beautiful ones - but in the heart, in the skeleton bird pushing against your chest, wanting to fly, that we know for certain who and what we love. That is all we have, and all there is.

If we lived for ever, what you say would be true. But we have to die, we have to leave life presently. Injustice and greed would be the real thing if we lived for ever. As it is, we must hold to other things, because Death is coming. I love death - not morbidly, but because He explains. He shows me the emptiness of Money. Death and Money are the eternal foes. Not Death and Life. . . . Death destroys a man: the idea of Death saves him. Behind the coffins and the skeletons that stay the vulgar mind lies something so immense that all that is great in us responds to it. Men of the world may recoil from the charnel-house that they will one day enter, but Love knows better. Death is his foe, but his peer, and in their age-long struggle the thews of Love have been strengthened, and his vision cleared, until there is no one who can stand against him.

Sometimes you find the panel, but it doesn’t open; sometimes it opens, and your gaze meets nothing but a mouse skeleton. But at least you’ve looked. That’s the real distinction between people: not between those who have secrets and those who don’t, but between those who want to know everything and those who don’t. This search is a sign of love I maintain.

Because it seems like a lot of hassle, liking someone. Your brain runs hot, the cogs inside your mind jarring together until all the oil of your thoughts is burned away. The fire spreads to your chest, where it chars your lungs and turns your heart to embers. And right when you think the flames have burned away everything but your skeleton, the spark skips from your bones to immolate not only your flesh, but your entire life.

Magical thinking might seem like nonsense to some people, but he had danced with skeletons by the light of a marigold moon, he had kissed the glimmering skull of a girl with no lips and loved her as he had never loved anything or anyone in his life, and he thought he’d earned a certain amount of nonsense, as long as it helped him get by.

Do not allow yourself to be full of hate, princess. Hate is a heavy thing. It weighs us down, chaining us in a dark place. You focus on your love. If you want to be free of this heavy darkness you feel, focus on your love. Love is a chariot with a skeleton key to the chains which hate can wrap around you. To love is to be free.

The skeleton was as happy as a madman whose straightjacket had been taken off. He felt liberated at being able to walk without flesh. The mosquitoes didn't bite him anymore. He didn't have to have his hair cut. He was neither hungry nor thirsty, hot nor cold. He was far from the lizard of love.

Music made my day so much easier. Walking through the halls at school was somehow easier; sitting alone all the time was easier. I loved that no one could tell i was listening to music and that, because no one knew, i was never asked to turn it off. I'd had multiple conversations with teachers who had no idea i was only half hearing whatever they were saying to me, and for some reason this made me happy. Music seemed to steady me like a second skeleton; I leaned on it when my own bones were too shaken to stand. I always listened to music on the iPod i'd stolen from my brother, and here- as i did last year, when he first bought the thing- I walked to class like i was listening to the soundtrack of my own shitty movie. It gave me an inexplecable kind of hope.

Our embrace lasted too long. We loved right down to the bone. I hear the bones grind, I see our two skeletons.

I've missed you so much it's felt like missing you is all I am. Like if someone looked inside me, there wouldn't be a skeleton and muscles and blood and nerves. There'd just be memories of you and all the things I've tried to say and ripped out of this notebook, all the things I want to say but can't because I don't have the words.

Kate Gompert’s always thought of this anhedonic state as a kind of radical abstracting of everything, a hollowing out of stuff that used to have affective content. Terms the undepressed toss around and take for granted as full and fleshy—happiness, joie de vivre, preference, love—are stripped to their skeletons and reduced to abstract ideas. They have, as it were, denotation but not connotation. The anhedonic can still speak about happiness and meaning et al., but she has become incapable of feeling anything in them, of understanding anything about them, of hoping anything about them, or of believing them to exist as anything more than concepts. Everything becomes an outline of the thing. Objects become schemata. The world becomes a map of the world. An anhedonic can navigate, but has no location. I.e. the anhedonic becomes, in the lingo of Boston AA, Unable To Identify.

I often wish I could go back in time and tell my young, anxious self that my dreams weren't in vain and my sorrows weren't permanent. I can't do that, but I can do something better. I can tell you that teachers are all around to help you; with four legs or two or eight or even none; some with internal skeletons, some without. All you have to do is recognize them as teachers and be ready to hear their truths.

I love crafting. Knitting, decoupage, scrapbooking, any "lady-ish" art form, I'm a fan. For about six months each. Then I shove all the supplies in a closet, alongside the skeletons of long dead New Year's resolutions, like saber fencing, playing the ukulele, and Japanese brush painting.

Grant liked kids—it was impossible not to like any group so openly enthusiastic about dinosaurs. Grant used to watch kids in museums as they stared open-mouthed at the big skeletons rising above them. He wondered what their fascination really represented. He finally decided that children liked dinosaurs because these giant creatures personified the uncontrollable force of looming authority. They were symbolic parents. Fascinating and frightening, like parents. And kids loved them, as they loved their parents.

We all have skeletons in our closets. Some of us are just better at hiding them behind the hangers filled with clothes." "Yeah, right, you don't seem like the type of guy who has a pile of femur bones stuffed behind your collared shirts and navy blue blazers." Nick and Wilson

If thieves see us on the road, I think they’ll wait for more worthwhile victims.” Patricius smiled. He held out his hand to help a monk up from the ground. The monk’s bones were so thin that Patricius was scared to grip him tightly lest the bone crumble beneath his fingers. Their feet and shins looked like those of skeletons.

All the same, you don’t do it for money, or you’re a monkey. You don’t think of the bottom line, or you’re a monkey. You don’t think of it in terms of hourly wage, yearly wage, even lifetime wage, or you’re a monkey. In the end you don’t even do it for love, although it would be nice to think so. You do it because to not do it is suicide.

In the spring and summer I watched my plants flower, but it was, perhaps, in winter that I loved them best, when their skeletons were exposed. Then I felt they had more to say to me, were not simply dressing themselves for the crowds. Stripped of their leaves, their identities showed forth stark, essential.

Have you ever had a difference with a dear friend? How his letters, written in the period of love and confidence, sicken and rebuke you! What a dreary mourning it is to dwell upon those vehement protests of dead affection! What lying epitaphs they make over the corpse of love! What dark, cruel comments upon Life and Vanities! Most of us have got or written drawers full of them. They are closet-skeletons which we keep and shun

‪'Do you love?' This question had begun to plague her, and she did not even know what it meant.

A love nurtured from the breast of loneliness knows no fulfilment.

It’s like the P-38 is an old skeleton key I’m trying to fit into an old padlock and when I make that connection I’ll hear a click and a door will open and I’ll walk through and be saved.

Leaving for the night, it came to me. What I should have told her. Life goes on - that's what I should have said. That's what you say to people when a loved one dies. But, thinking it over, I was glad I didn't. Because maybe that's what she was afraid of.

What makes us want to know the worst? Is it that we tire of preferring to know the best? Does curiosity always hurdle self-interest? Or is it, more simply, that wanting to know the worst is love’s favourite perversion? … I loved Ellen, and i wanted to know the worst. I never provoked her; I was cautious and defensive, as is my habit; I didn’t even ask questions; but I wanted to know the worst. Ellen never returned this caress. She was fond of me - she would automatically agree, as if the matter weren’t worth of discussing, that she loved me - but she unquestioningly believed the best about me. That’s the difference. She didn’t ever search for that sliding panel which opens the secret chamber of the heart, the chamber where the memory and corpses are kept. Sometimes you find the panel but it doesn’t open; sometimes it opens, and your gaze meets nothing but a mouse skeleton. But at least you’ve looked. That’s the real distinction between people: not between those who have secrets and those who don’t, but between those who want to know everything and those who don’t. This search is a sign of love, I maintain.

There were people who escaped Hiroshima and rushed to Nagasaki to see that their loved ones were safe. Arriving just in time to be incinerated. He went there after the war with a team of scientists. My father. He said that everything was rusty. Everything looked covered with rust. There were burnt-out shells of trolleycars standing in the streets. The glass melted out of the sashes and pooled on the bricks. Seated on the blackened springs the charred skeletons of the passengers with their clothes and hair gone and their bones hung with blackened strips of flesh. Their eyes boiled from their sockets. Lips and noses burned away. Sitting in their seats laughing. The living walked about but there was no place to go. They waded by the thousands into the river and died there. They were like insects in that no one direction was preferable to another. Burning people crawled among the corpses like some horror in a vast crematorium. They simply thought that the world had ended. It hardly even occurred to them that it had anything to do with the war. They carried their skin bundled up in their arms before them like wash that it not drag in the rubble and ash and they passed one another mindlessly on their mindless journeyings over the smoking afterground, the sighted no better served than the blind. The news of all this did not even leave the city for two days. Those who survived would often remember these horrors with a certain aesthetic to them. In that mycoidal phantom blooming in the dawn like an evil lotus and in the melting of solids not heretofore known to do so stood a truth that would silence poetry a thousand years. Like an immense bladder, they would say. Like some sea thing. Wobbling slightly on the near horizon. Then the unspeakable noise. They saw birds in the dawn sky ignite and explode soundlessly and fall in long arcs earthward like burning party favors. p.116

Yes, Mom. It did. Your love was like organ donation. You and Dad and Leo gave me pieces of your hearts and lungs and skeletons so I could put myself back together again. And now you hardly have the strength to stand up and keep breathing yourselves. I think about that so often, and I think about all the girls who don’t have you. I feel like I only just managed to survive this. How the hell does everyone who doesn’t have you as their mom even stand a chance?” Good luck having a daughter and not going to pieces when you hear that.

Sea fleas,” Frank said. “They’re everywhere, very wee, practically invisible. They love our bait. If you fell overboard and weren’t picked up until the next day, those sea fleas would eat you right up, and your skeleton would sink to the bottom!” Cody lifted me up and hung me over the side. “Want to try it?” he said. “Not funny, Cody,” I said. I didn’t much like the idea of sea fleas nibbling me down to my bones.

Brave the skeletons, darling.

When those who found this skeleton attempted to disengage it from that which it held in its grasp, it crumbled to dust.

You must befriend a few skeletons before you'll find your deepest self.

‪Yes, I love; I have loved, anyway, or at least tried to love, but memory is so wide and so deep, and I cannot cross.

End of summer comes falling like a waterfall of midnight stars and I'm crawling out of this nymphal skeleton leaving you like cicada do

I saw on his face a glimpse of his past. The damage, the unhappiness and the pain, and I wondered what kind of skeletons he has been hiding and for how long. It’s one of those mutual attraction moments that are unexplainable, but as real as anything you’ve ever seen. Almost like my soul knows his soul.

Let him who thinks war is a glorious, golden thing, who loves to roll forth stirring words of exhortation, invoking honour and praise and valour and love of country … Let him but look at a little pile of sodden grey rags that cover half a skull and a shin-bone and what might have been its ribs, or at this skeleton lying on its side, resting half crouching as it fell, perfect that it is headless, and with the tattered clothing still draped round it; and let him realize how grand and glorious a thing it is to have distilled all youth and joy and life into a fetid heap of hideous putrescence! Who is there who has known and seen who can say that victory is worth the death of even one of these?

If you think you’re immune to my charms, you’re fooling yourself.” I pull my hand away and ignore how fiercely it tingles as I place it in my lap. “So, you don’t think any woman can resist you?” “I’m sure plenty of women could. But you? No. You’re so starved of romance in your life, you’re like an emotional skeleton. I intend to put some meat back on your bones. Make you believe in something other than a bleak apocalypse.

He put the fork, knife, and spoon back in his pocket and tucked the flower behind his ear, then walked to the door, reaching it right before that butler did. He gave the man a glare—it was only a matter of time before he cracked and tried to kill them all—then pulled open the door. (...) “Nice flower,” the kandra said. “Can I have your skeleton when you’re dead?” “My…” Wayne felt at his head. “You’re a Bloodmaker, correct? Can heal yourself? Bloodmaker bones tend to be particularly interesting, as your time spent weak and sickly creates oddities in your joints and bones that can be quite distinctive. I’d love to have your skeleton. If you don’t mind.” Taken aback by this request, Wayne stopped in place. Then he ran past him, pushing into the room where Wax and Steris were talking. “Wax,” he complained, pointing, “the immortal bloke is being creepy again.

Your apologies hang heavy like the skeleton of the man I once thought I’d marry. I loved you more than I knew what to do with most days. But I do not know you now. And this stranger you’ve become makes my stomach hurt.

I mean that it is possible to be unselfish without a moral code, sophisticated without and education, and beautiful wearing a skeleton on the outside.

You will never be skeleton, when I am in ghost.

Do you love?

The horrors of the Inquisition are nothing compared to the fates your mind can imagine for your loved ones. I grabbed them both hard and jerked them away.

I love a girl with a little meat on her bones. Who wants to snuggle up with a skeleton?

Just a little sense of humor, a little laughter, a childlike innocence—and what have you got to lose? What is the fear? We don’t have anything. We have come without anything, we will go without anything. Before it happens, just a little adventure inward to see who is this fellow hiding behind the clothes, inside the skeleton; who is this person who is born, becomes a youth, falls in love and one day dies and nobody knows where he goes.… Just a little curiosity to inquire into one’s own being. It is very natural; there is no question of fear.

Your life, sir, is propelled By a dream of the fear of having nightmares; your love Is the fear of being alone; your world's history The fear of a possible leap by a possible antagonist Out of a possible shadow, or a not-improbable Skeleton out of your dead-certain cupboard.

What is a fanatic? One who believes passionately and acts desperately upon what he believes. I was always believing in something and so getting into trouble. The more my hands were slapped the more firmly I believed. I believed- and the rest of the world did not! If it were only a question of enduring punishment one could go on believing till the end; but the way of the world is more insidious than that. Instead of being punished you are undermined, hollowed out, the ground taken from under your feet. It isn't even treachery, what I have in mind. Treachery is understandable and combatable. No, it is something worse, something less than treachery. It's a negativism that causes you to overreach yourself. you are perpetually spending your energy in the act of balancing yourself. You are seized with a sort of spiritual vertigo, you totter on the brink, your hair stands on end, you can't believe that beneath your feet lies an immeasurable abyss. It comes about through excess of enthusiasm, through a passionate desire to embrace people, to show them your love. The more you reach out toward the world the more the world retreats. Nobody wants real love, real hatred. Nobody wants you to put your hand in his sacred entrails- that's only for the priest in the hour of sacrifice. While you live, while the blood's still warm, you are to pretend that there is no such thing as blood and no such thing as a skeleton beneath the covering of flesh. "Keep off the grass!" That's the motto by which people live.

If you put nothing down,” she replied, “the people you love will only remember the skeleton of your experience. Your mind dies with you. If you must write for someone, write for Skuld. Write for me.

We caught the tread of dancing feet, We loitered down the moonlit street, And stopped beneath the harlot's house. Inside, above the din and fray, We heard the loud musicians play The 'Treues Liebes Herz' of Strauss. Like strange mechanical grotesques, Making fantastic arabesques, The shadows raced across the blind. We watched the ghostly dancers spin To sound of horn and violin, Like black leaves wheeling in the wind. Like wire-pulled automatons, Slim silhouetted skeletons Went sidling through the slow quadrille, Then took each other by the hand, And danced a stately saraband; Their laughter echoed thin and shrill. Sometimes a clockwork puppet pressed A phantom lover to her breast, Sometimes they seemed to try to sing. Sometimes a horrible marionette Came out, and smoked its cigarette Upon the steps like a live thing. Then, turning to my love, I said, 'The dead are dancing with the dead, The dust is whirling with the dust.' But she--she heard the violin, And left my side, and entered in: Love passed into the house of lust. Then suddenly the tune went false, The dancers wearied of the waltz, The shadows ceased to wheel and whirl. And down the long and silent street, The dawn, with silver-sandalled feet, Crept like a frightened girl.

What do you know about me? What do you know about love that comes into a life in which everything has become questionable? What is your cheap intoxication compared to that? When falling and falling suddenly changes, when the endless Why becomes the final You, when like a fata morgana above the desert of silence feeling suddenly arises, takes shape, and inexorably the delusion of the blood becomes a landscape compared with which all dreams are pale and commonplace? A landscape of silver, a city of filigree and rose quartz, shining like the bright reflection of blooming blood—what do you know about it? Do you think that one can talk about it so easily? That a glib tongue can quickly press it into a cliché of words or even of feelings? What do you know about graves that open and how one stands in dread of the many colorless empty nights of yesterday—yet they open and no skeletons now lie bleaching there, only earth is there, earth, fertile seeds, and already the first green. What do you know about that? You love the intoxication, the conquest, the Other You that wants to die in you and that will never die, you love the stormy deceit of the blood, but your heart will remain empty because one cannot keep anything that does not grow from within oneself. And not much can grow in a storm. It is in the empty nights of loneliness that it grows, if one does not despair. What do you know about it?

This is going to sound slightly stalkerish, but I can't help but notice you’ve decapitated Jack Skellington and put him on your ears." "What can I say?" Yvette shrugs. "I like bones." "So do I, actually, because our skeletons support a massive interconnected muscular structure and without them we would be blobs of flesh. Also we wouldn't have middle fingers to flip people off with. Are you in Room 14B?" Yvette's eyes widen. "Yeah, so you're -" "MY ROOMMATE!" I screech. A passing guy winces and flips me off. I loudly inform him he has his skeleton to thank for that.

The skeleton key unlocks the mind and swings open the door of imagination. A far better place than here A much safer place than there The quintessential somewhere The mystical nowhere The enigmatic anywhere My gift to you - the key to everywhere. The mortal will find itself lost while the soul always knows the way it is grateful for the darkness and celebrates the day I can give you peace my peace I give you... but I cannot be your savior or your god - I cannot be the light along your path - I can only give you the lamp and point the way. The blind will see... the deaf will hear... but those who choose reason will never understand. Woe to the ones who think they know the answers they will cease to ask the questions that may be their own salvation. We possess the knowledge of the Universe from conception. Once born we are taught to forget. If we cannot look out at our world and see our children's vision then we are truly blind we are unable to lead them to paradise. "Even people who are in the dark search for their shadows. Shadows exist only if there is light. We will never find total darkness - not even in death... ...and we always cast a shadow no matter how overcast our skies become. You are never alone." Do not listen to the voice that shouts to you from behind desks behind podiums behind altars. Do not pay attention to the orators and the opportunists. Do not be distracted by the promises made behind masks. Listen to the quiet. Listen to the whispers as they gently guide you through the assaults of man's absurdities. Listen to the gentle breathing of your mother and lay your head to rest in her peace and in her warm embrace and understand that truth and power lie within you. Breathe silence. The free bird will always return to the cage sooner or later to seek food and water and the loving hand of it's caretaker.

To belong to a clan, to a tight group of people allied by blood and loyalties and the mutual ownership of closeted skeletons. To see the family vices and virtues in a dozen avatars instead of in two or three. To know always, whether you were in Little Rock or Menton, that there was one place to which you belonged and to which you would return. To have that rush of sentimental loyalty at the sound of a name, to love and know a single place, from the newest baby-squall on the street to the blunt cuneiform of the burial ground . . . Those were the things that not only his family, but thousands of Americans had missed. The whole nation had been footloose too long, Heaven had been just over the next range for too many generations. Why remain in one dull plot of earth when Heaven was reachable, was touchable, was just over there? The whole race was like the fir tree in the fairy-tale which wanted to be cut sown and dressed up with lights and bangles and colored paper, and see the world and be a Christmas tree. Well, he said, thinking of the closed banks, the crashed market that had ruined thousands and cut his father’s savings in half, the breadlines in the cities, the political jawing and the passing of the buck. Well, we’ve been a Christmas tree, and now we’re in the back yard and how do we like it?

I wanted her bones, her blood, her tissues, the sinews that bound her together. I would have held her to me though time had stripped away the tones and textures of her skin. I could have held her for a thousand years until the skeleton itself rubbed away to dust. What are you that makes me feel thus? Who are you for whom time has no meaning? In the heat of her hands I thought, this is the campfire that mocks the sun. This place will warm me, feed me and care for me. I will hold on to this pulse against other rhythms. The world will come and go in the tide of a day but here is her hand with my future in its palm.

[...] The fact is that in order to be loved and to accept love you have to get naked to the very bone of your own being. Taking off every layer of skin that gives us humans the illusion that in some way we're different from the rest. For better or for worse. Truth is though that under that burden of skin and flesh we're all the same mortal skeletons dancing to the same bittersweet song of life. [...]

Ugly and futile: lean neck and thick hair and a stain of ink, a snail’s bed. Yet someone had loved him, borne him in her arms and in her heart. But for her the race of the world would have trampled him underfoot, a squashed boneless snail. She had loved his weak watery blood drained from her own. Was that then real? The only true thing in life? His mother’s prostrate body the fiery Columbanus in holy zeal bestrode. She was no more: the trembling skeleton of a twig burnt in the fire, an odour of rosewood and wetted ashes. She had saved him from being trampled underfoot and had gone, scarcely having been. A poor soul gone to heaven: and on a heath beneath winking stars a fox, red reek of rapine in his fur, with merciless bright eyes scraped in the earth, listened, scraped up the earth, listened, scraped and scraped.

She is here because no-one else was there when worn-to-skeleton her enemy died. Her love. Her twin. Marghanita dreamed the intravenous, the intensive the stainless steel before she ever saw them. She's not practical, you know, they used to say. She's the artist, she got away.

He loves this food that contains no disgusting proofs of slain animals, no bloody slab of cow haunch or hen’s sinewy skeleton; these ghosts have been minced and destroyed and painlessly merged with the shapes of mute vegetables, plump green bodies that invite his appetite’s innocent gusto.

Dogs are better than people. This is a complete and true verified fact. Dogs don’t care what you look like. Dogs don’t care what skeletons hide in your closet. They don’t care what color you are, or what weight, or how rich, or how guilty. They don’t care about your gender or your sexual orientation. They don’t care if you have deformities or illnesses. They care about being fed and played with and petted. They’ll lick your face because it’s your face. “I love dogs,

I don’t know what it’s like to be a friend any more than you do. I think “hard” when it should be “soft,” or “gentle” when “forceful” is the key. Often it’s giving every last drop of blood, then skinning myself and giving the skin too, when all you really want is my skeleton, wagging a bony finger, signing how much I love you. I’ve drained and skinned and boned. I’ve signed back obscenities and watched your bone dust drift away. No, I don’t know the meaning of “friend.” Teach me?

Heaven opened then, indeed. The flash sprang from east, west, north, south, and was a perfect dance of death. The forms of skeletons appeared in the air, shaped with blue fire for bones-- dancing, leaping, striding, and mingling in unparalleled confusion. With these were intertwined snakes of green, rising and falling, and behind these was a broad mass of lesser light. From every part of the tumbling sky came a shout. ... Gabriel was almost blinded, and he could feel Bathsheba's warm arm tremble in his hand-- a sensation new and thrilling. But love, life, everything human, seemed small and trifling beside the spectacle of an infuriated universe.

Was it the speciality of Mr and Mrs Lammle, or does it ever obtain with other loving couples? In these matrimonial dialogues they never addressed each other, but always some invisible presence that appeared to take a station about midway between them. Perhaps the skeleton in the cupboard comes out to be talked to, on such domestic occasions?

(re: Grace and Truth + Time = Growth) "Grace is the first ingredient necessary for growing up in the image of God. Grace is unbroken, uninterrupted, unearned, accepting relationship...Grace, then, is the relational aspect of God's character. [...] Truth is the second ingredient necessary...truth is the structural aspect of [God's] character. Truth is the skeleton life hangs upon; it adds shape to everything in the universe. God's truth leads us to what is real, to what is accurate. [...] Time is not just an act of God's grace, to us, 'giving us some space.' God is much too loving to allow us to continue in sin for one moment longer than necessary. Time is not a luxury, but a necessity.

You don't have to face every skeleton in your closet before you can make some room in there!

The Chinese food arrives. Delicious saliva fills his mouth. He really hasn’t had any since Texas. He loves this food that contains no disgusting proofs of slain animals, a bloody slab of cow haunch, a hen’s sinewy skeleton; these ghosts have been minced and destroyed and painlessly merged with the shapes of insensate vegetables, plump green bodies that invite his appetite’s innocent gusto. Candy. Heaped on a smoking breast of rice. Each is given such a tidy hot breast, and Margaret is in a special hurry to muddle hers with glazed chunks; all eat well. Their faces take color and strength from the oval plates of dark pork, sugar peas, chicken, stiff sweet sauce, shrimp, water chestnuts, who knows what else. Their talk grows hearty.

He ran his hand over his chest and stopped above his heart where a black tattoo of an ornate skeleton key was inked on his skin.She had its other half-a lock in the shape of a heart with a keyhole in the center-tattooed on her lower stomach beside her right hip bone. Laying on top of her, he'd slide down to kiss her breasts and their two tattoos would come together. Lock and key.

Because right now I am simply a rag doll in a boat with a skeleton whom I love. Madly, Feverishly. Floating through a town where my title doesn't matter. Queen, queen, queen. Where no one knows who I am.

Sometimes," he told her, leaning forward over the table, speaking without realizing how it would sound, "I begin with songs. They provide a sort of skeleton grammar for me to flesh out. Songs of longing for future tense, songs of regret for past tense, songs of love for the present." He blushed when he heard what he’d said, making it worse, but she took no offense; indeed, she seemed to miss any connection that might have been taken wrongly. Instead, she seemed struck by a coincidence and looked out the café window, her mouth open slightly. "Isn’t that interesting," she said, as though nothing else he’d told her so far had been, and continued thoughtfully, "I do the same thing. Have you noticed that lullabies nearly always use a lot of command form?

Do you know what a honey mushroom is?" she blurted out, plucking at the hairs on his arm, which was wrapped around her. He was silent for a moment before letting out a husky laugh "No. Why?" "It's the largest living thing on earth. Larger than trees, elephants, whales-this one living thing takes up over three square miles in Oregon." She could almost feel him turning that random fact over in his brain. She was glad she wasn't facing him. This would be so much harder if she had to look into his eyes instead of at the wall. "Like the mushroom cap is over three miles across?" he asked. Harper shook her head. "No, no. That's the amazing part. When you look at it-the part you see aboveground-it's this tiny little mushroom head. It looks so insignificant. They just pop up here and there" she gestures with her fingertips as though she could draw them in the air. "But it creates this root-like system called hyphae. And the hyphae-it spreads and grows and, kind of... takes over underground. One living thing, every cell genetically identical, spreading below the surface to take up this enormous amount of space." Dan was quiet for a moment. "Why are you telling me this?" he asked, placing a kiss into her neck. Harper swallowed and fiddled with the edge of the sheet. "Because thats' what my anxiety feels like-a honey mushroom." She felt Dan tense behind her, but she pushed on." A lot of times, someone on the outside, like you, maybe, sees these clues to it-my fidgeting, my mind seeming a million miles away, panic attacks. But inside" -she tapped her chest- "it's this intricate network of sharp pain and fear that's constantly growing and pulsing through me. It's always there, right beneath my skin, huge and controlling, but no one can see it. I just feel it. And it hurts. So badly. It makes me want to curl up into a ball or sprint out of my skeleton. This huge, inescapable thing inside me that controls me." she paused, picking aggressively at her nails; "It feels cruel to have your own body do that to you".

Bugle" Black beetles know where the most recent bones bake in the heat, tendons and meat long gone, bleached white, and if you give them cheap wine -- drizzle a few red drops on a flat stone-- they will lead you to a barren gulch surrounded by sages and nettles, dirt burnt to powdery sand and sharp thorns. Hunch above the skeleton, bow your head, start reciting verses you learned as a child, there, under the sun with rocks and brush, bare locust tree a telling reliquary of dust to dust, all so brutally hot. You must pull ribs from that rotting body, words that matter: love me, love me not.

Someday it will vanish here as well, replaced by the skeleton of the store where someone fell in love, someone had their heart broken, someone died, because that's the way it works here, in this palimpsest twilight, where America overwrites America in an eternal dance of old becoming new becoming old again.

Raindrops thump my poncho like pebbles falling into a broken drum. Half asleep, my face pressed into my gear, I listen to the sounds of the horror that is everywhere, buried just beneath the surface of the earth. In my dreams of blood I make love to a skeleton. Bones click, the earth moves, my testicles explode.

I’ll Open the Window Our embrace lasted too long. We loved right down to the bone. I hear the bones grind, I see our two skeletons. Now I am waiting till you leave, till the clatter of your shoes is heard no more. Now, silence. Tonight I am going to sleep alone on the bedclothes of purity. Aloneness is the first hygienic measure. Aloneness will enlarge the walls of the room, I will open the window and the large, frosty air will enter, healthy as tragedy. Human thoughts will enter and human concerns, misfortune of others, saintliness of others. They will converse softly and sternly. Do not come anymore. I am an animal very rarely.

Every one of these old people was over ninety. They were as shrivelled as prunes, and as bony as skeletons, and throughout the day, until Charlie made his appearance, they lay huddled in their one bed, two at either end, with nightcaps on to keep their heads warm, dozing the time away with nothing to do. But as soon as they heard the door opening, and heard Charlie’s voice saying, ‘Good evening, Grandpa Joe and Grandma Josephine, and Grandpa George and Grandma Georgina,’ then all four of them would suddenly sit up, and their old wrinkled faces would light up with smiles of pleasure – and the talking would begin. For they loved this little boy. He was the only bright thing in their lives, and his evening visits were something that they looked forward to all day long.

Once, some friends and I were driving back from partying up there, in the middle of winter, on one of those perfectly clear and freezing nights. It was four in the morning and I was nodding in and out of hammered sleep, my vision mashed potatoes, we stopped so I could throw up at least twice. But as we drove with my face smushed on the window I noticed the field of snow along that stretch of the highway, all still and unmucked with. It looked brushed, almost. Or whipped. Designed. The patterns were the kind you'd see up close in a big rock. Sometimes you see that for far distances out here on the prairie, like a long white-blue sea. It's so gorgeous. And even with my brain's skeleton-crew state, I just thought, man. Everyone calls our part of the world bleak. But it's not bleak. I don't think it's bleak.

Late-Flowering Lust My head is bald, my breath is bad, Unshaven is my chin, I have not now the joys I had When I was young in sin. I run my fingers down your dress With brandy-certain aim And you respond to my caress And maybe feel the same. But I've a picture of my own On this reunion night, Wherein two skeletons are shewn To hold each other tight; Dark sockets look on emptiness Which once was loving-eyed, The mouth that opens for a kiss Has got no tongue inside. I cling to you inflamed with fear As now you cling to me, I feel how frail you are my dear And wonder what will be-- A week? or twenty years remain? And then--what kind of death? A losing fight with frightful pain Or a gasping fight for breath? Too long we let our bodies cling, We cannot hide disgust At all the thoughts that in us spring From this late-flowering lust.

But it had seemed, when Cory broke up with Greer, that she became like a piece of knotted wire. Where were the qualities he had loved in her? He had taken on some of them himself. Because of course everyone was soft and hard. Skeleton and skin. But women claimed for themselves the province of softness, which men cast off. Maybe it was easier to say you liked it in a woman. But really, maybe you wished you had it yourself.

Lord, what will I be? Where will the careless conglomeration of environment, heredity and stimulus lead me? Someday I may say: It was of great significance that I sat and laughed at myself in a convertible with the rain coming down in rattling sheets on the canvas roof. It influenced my life that I did not find content immediately and easily - - and now I am I because of that. It was inestimably important for me to look at the lights of Amherstn town in the rain, with the wet black tree-skeletons against the limpid streetlights and gray November mist, and then look at the boy beside me and feel all the hurting beauty go flat because he wasn't the right one - not at all. And I may say that my philosophy has been deeply affected by the fact that windshield wipers ticked off seconds too loudly and hopelessly, that my clock drips loud sharp clicks too monotonously on my hearing. I can hear it even through the pillow I muffle it with - the tyrannical drip drip drip drip of seconds along the night. And in the day, even when I'm not there, the seconds come out in little measured strips of time. And I wind the clock. And I look at the windshield wipers cutting an arch out of the sprinkled raindrops on the glass. Click-click. Clip-clip. Tick-tick. snip-snip. And it goes on and on. I could smash the measured clicking sound that haunts me - draining away life, and dreams, and idle reveries. Hard, sharp, ticks. I hate them. Measuring thought, infinite space, by cogs and wheels. Can you understand? Someone, somewhere, can you understand me a little, love me a little? For all my despair, for all my ideals, for all that - I love life. But it is hard, and I have so much - so very much to learn.

Every one of these old people... were as shriveled as prunes, and as bony as skeletons, and throughout the day... they lay huddled in their... bed... dozing the time away with nothing to do. But as soon as they heard the door opening, and heard Charlie's voice saying, "Good evening, Grandpa Joe and Grandma Josephine, and Grandpa George and Grandma Georgina," then all four of them would suddenly sit up, and their old wrinkled faces would light up with smiles of pleasure-and the talking would begin. For they loved this little boy. He was the only bright thing in their lives, and his evening visits were something that they looked forward to all day long. Often, Charlie's mother and father would come in as well, and stand by the door, listening to the stories that the old people told; and thus, for perhaps half an hour every night, this room would become a happy place, and the whole family would forget that it was hungry and poor.

Unlike the hard, iron skeleton of war, the Izzy Doll is soft and cuddly. Not forced upon, it is given freely and accepted easily. It cannot be bought or sold therefore has no monetary power. It is created in the spirit of love and given in the same. A gesture of kindness, it brings hope to those who have lost hope. It is created by and distributed by volunteers, all who are in the mood for peace. In a world full of woes and wrongs, it is cheerful and right. And it is a gift of peace. from In the Mood for Peace: the Story of the Izzy Doll

I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’. Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing. Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission. Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system. This is the split second before Game Over. Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast. The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games. I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way. Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips. A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’ I really used to love that.

The Harlot’s House. We caught the tread of dancing feet, We loitered down the moonlit street, And stopped beneath the harlot’s house. Inside, above the din and fray, We heard the loud musicians play The ‘Treues Liebes Herz’ of Strauss. Like strange mechanical grotesques, Making fantastic arabesques, The shadows raced across the blind. We watched the ghostly dancers spin To sound of horn and violin, Like black leaves wheeling in the wind. Like wire-pulled automatons, Slim silhouetted skeletons Went sidling through the slow quadrille. They took each other by the hand, And danced a stately saraband; Their laughter echoed thin and shrill. Sometimes a clockwork puppet pressed A phantom lover to her breast, Sometimes they seemed to try to sing. Sometimes a horrible marionette Came out, and smoked its cigarette Upon the steps like a live thing. Then, turning to my love, I said, ‘The dead are dancing with the dead, The dust is whirling with the dust.’ But she—she heard the violin, And left my side, and entered in: Love passed into the house of lust. Then suddenly the tune went false, The dancers wearied of the waltz, The shadows ceased to wheel and whirl. And down the long and silent street, The dawn, with silver-sandalled feet, Crept like a frightened girl.

To be free, you have to examine authority, the whole skeleton of authority, tearing to pieces the whole dirty thing. And that requires energy, actual physical energy, and also it demands psychological energy. By the energy is destroyed, is wasted when one is in conflict. So when there is the understanding of the whole process of conflict, there is the ending of conflict, there is abundance of energy. Then you can proceed tearing the house that you have built throughout the centuries and that has no meaning at all. You know, to destroy is to create. We must destroy, not the buildings, not the social or economic system, - this comes about daily – but the psychological, the unconscious and the rationally, individually, deeply and superficially. We must tear through all that to be utterly defenseless, because you must be defenseless to love and have affection. Then you see and understand ambition, authority, and you begin to see when authority is necessary and at what level. Then there is no authority of learning, no authority of knowledge, no authority of capacity; no authority that function assumes and which becomes status. To understand all authority – of the gurus, of the Masters, and others – requires a very sharp mind, a clear brain, not a muddy brain, not a dull brain.

Chapter One: The Dawn and the Dread Heartbeat, heartbeat comes from Valhallan way, To meet down in judgment, to ply its trade. Two →swords← to join in worthy cross, Actions to be rendered, one to be lost. She did come now from ’yond northern slope, A day of reckoning did she again once hope. A devout meeting was her qwesterly bane, To stay her hand was to go insane. St. Kari of the Blade to meet her past, A wicked enemy, peerless of match. Rode Kari she her charger on down, Past the Dead Land where Gaul sat crowned. A killing job, yea, she desired to lastly kill, To set things right so her heart might lie still. Upon the mist and roaring plain, She entered in, a soul uncontained. A fierce wind in deed, and forever freed, Enemies she annihilhates (’tis hur’ creed). Her own advanced guard of a sort, Multitudes to follow in her report. Know this Valkyrie from on cold, An ancient maiden soft and bold. A warrior spirit from Ages past, A fragmented mind like broken glass. Solid in stature this eternal framed being, Yet crippled within from internaled bleedings. A sword saint so refined in the poetic art, A noble character yet with a banshee’s heart. Rhythmed horse now to the beats, Kari emboldened amid the sleet. Beyond the mountain she does come, Unto southern fields wherein rules hot sun. Far from that murderous Deadlands ground, The land up swells; the dead still abound. Traverses she those bygones of leprous civilizations Those cities crumbled by the exhalted of oblivions. Stark traces etched now bare in the land, That are no more again, save dust in the hand. A cool stream now in desert sans (Does more good when one is damned). Stopped she her mount to admire the flow, A lovely stream with skeletons packed below. Blue air whisps; dragon flied motion. Flintsteel striking!!! Sparked of commotion. Cold water chortles rushtish with tint, Told of past carnage, it whetted her glint. Fallen warriors, they are no more, Swirls and eddies mark their discord. Gurgled shouts slung and gathered, Faces glazed while steel lathered. Refreshing though it was to her mouth, She smelled an air; she flared about. Came up that ridge of loud, sanded hill, Below a man and his half-score of kills. Kari’s eyes waxed in smug contempt, Possibilities ran deep with no repent . . . On Kari, Valkyrie, Cold Steel Eternity Vol. II

Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S

Darkness: I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe.

I picked her up and carried her down the hall to the bathroom, just a pitiful skeleton with skin stretched over the top and a great red scar across her chest. She sank onto the plastic seat we had got from the hospital and closed her eyes as I washed her, leaning her poor bald head back exhaustedly against the back of the shower cubicle. "I'll just change the sheets," I said, "I won't be a minute - would you rather sit under the water, or shall I turn it off and wrap you up in a towel ?" "Under the water," she whispered. I had to strip the bed entirely, and two of the pillows were saturated. I replaced them with pillows from my bed, and while I was at it my duvet as well. Then I propped the poor woman up against the bathroom sink to dry and dress her, picked her up and carried her back to bed. Never have I been so grateful to be, after all, a strapping wench rather than a delicate wisp of a girl. As I pulled the covers up under her chin she opened her eyes, looked at me sternly and said with nearly her old decision, "This is not the way I wish to be remembered, Josephine." "I know," I whispered, the tears spilling unchecked down my cheeks. Nurses are supposed to be bright and matter-of-fact about these things: my bracing professional manner left a lot to be desired. "I'll get you some dinner." "No," she said. "Just my pills, love." Back in the kitchen I stood for a moment in a trance of indecision, wondering where the hell to start. It didn't really matter - when you're overcome with lethargy you just have to do something. And then the next thing, and then the next, and eventually, although you'd have sworn you were far too tired and depressed to accomplish anything, you're finished. I turned on the tap about the big concrete sink by the back door and began to scrub sheets and blankets.