Car Showroom Quotes

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Suppose you woke up one morning to discover that you were the last person on earth. [...] In the situation described, you could satisfy many material desires that you can't satisfy in our actual world. You could have the car of your dreams. You could even have a showroom full of expensive cars. You could have the house of your dreams - or live in a palace. You could wear very expensive clothes. You could acquire not just a big diamond ring but the Hope Diamond itself. The interesting question is this: without people around, would you still want these things?
William B. Irvine (On Desire: Why We Want What We Want)
I just don’t want to die without a few scars, I say. It’s nothing anymore to have a beautiful stock body. You see those cars that are completely stock cherry, right out of a dealer’s showroom in 1955, I always think, what a waste.
Chuck Palahniuk (Fight Club)
So here we are. The two of us. Me and this geezer I gotta kill. Sittin here in a car showroom office, lookin at each other, lettin Shostakovich's Fifth Symphony take us to places too beautiful and too fuckin sad for words.
Ian Ayris
I wanted to give up the fear that you fell in love with the car of me at the showroom only to find out that the breaks were worn and a spring was coming through the upholstery. That I tricked you into wanting me, but now you were stuck.
Anne Lamott (Somehow: Thoughts on Love)
When steel sagged, when clothes grew moth-eaten on haberdashery racks, when cars rusted on showroom floors for want of customers, the film industry nevertheless flourished. In bad times as in good, the only two absolute necessities were food and illusions.
Dean Koontz (The Face)
It was the world-without-adults daydream. In my dream I'd never quite figured out where the adults went but we kids were free to roam, to help ourselves to anything we wanted. We'd pick up a Merc from a showroom when we wanted wheels, and when it ran out of petrol we'd get another one. We'd change cars the way I change socks. We'd sleep in different mansions every night, going to new houses instead of putting new sheets on the beds. Life would be one long party. Yes, that had been the dream.
John Marsden (The Dead of Night (Tomorrow, #2))
Dodge Demon behind the car. It’s a black Shelby Super Snake, the quintessential high-performance car, possibly $125,000 off the showroom floor. He
Dean Koontz (Devoted)
Iacocca made his pitch: He wanted Ford to build the Fiesta, but with a Honda engine and transmission in it. Honda was delighted: He would like nothing better than this joint production with an American company, whose very name he revered. The price of the Japanese parts would be only $711. He could deliver 300,000 and do it quickly. Iacocca was even more delighted; he had an instant car and an unbeatable one at that. It could be in the dealers’ showrooms in only eighteen months.
David Halberstam (The Reckoning)
That night he got up out of bed and put on his maroon polo shirt, which everyone said he looked so handsome in, and went downstairs and drove off in his car, where he did not know. He just drove. ..drove around in that crimson glow of doughnut shops and new-car showrooms, in which all things, cars, faces, bodies, gleam with an otherworldly light, and he kept driving—never admitting what he was about—until he came to Dupont Circle and there he stopped and got out under the green trees and met a man and went into the park and blew him.
Andrew Holleran (Dancer from the Dance)
That night he got up out of bed and put on his maroon polo shirt, which everyone said he looked so handsome in, and went downstairs and drove off in his car, where he did not know. He just drove. (...)drove around in that crimson glow of doughnut shops and new-car showrooms, in which all things, cars, faces, bodies, gleam with an otherworldly light, and he kept driving—never admitting what he was about—until he came to Dupont Circle and there he stopped and got out under the green trees and met a man and went into the park and blew him.
Andrew Holleran (Dancer from the Dance)
What do you get yourself into every weekend?” I just don’t want to die without a few scars, I say. It’s nothing anymore to have a beautiful stock body. You see those cars that are completely stock cherry, right out of a dealer’s showroom in 1955, I always think, what a waste.
Chuck Palahniuk (Fight Club)
The very rich, having fundamentally missed the point of urban living, have long been frustrated by the fact that it’s impossible to squeeze the amenities of a country mansion—car showroom, swimming pool, cinema, servants quarters etc.—into the floor space of your average London terrace. Those without access to trans-dimensional engineering, a key Time Lord discovery, have had to resort to extending their houses into the ground. Thus proving that all that stands between your average rich person and a career in Bond villainy is access to an extinct volcano.
Ben Aaronovitch (The Hanging Tree (Rivers of London, #6))
wedding rings’, a safe adventure that united all newcomers. These were young families no longer fearful of getting into debt: avid consumers since they possessed almost nothing; children of poor Irish, Italian, Jewish and other immigrants convinced that all their dreams for the future were about to come true. Levittown and communities like it nurtured a social change that was to turn traditional America on its head: the start of the move to the suburbs, the end of the old city and the old countryside. Another beginning, an elderly American once told me, was the advent of new cars. For him it all started with the cars, or rather their colours. He traced it back to the autumn of 1954, when he noticed people thronging in front of local car showrooms. Something extraordinary was
Geert Mak (In America: Travels with John Steinbeck)
In On Desire, Professor Irvine offers the following thought experiment: Suppose you woke up one morning to discover that you were the last person on earth: during the night, aliens had spirited away everyone but you. Suppose that despite the absence of other people, the world’s buildings, houses, stores, and roads remained as they had been the night before. Cars were where their now-vanished owners had parked them, and gas for these cars was plentiful at now-unattended gas stations. The electricity still worked. It would be a world like this world, except that everyone but you was gone. You would, of course, be very lonely, but let us ignore the emotional aspects of being the last person, and instead focus our attention on the material aspects. In the situation described, you could satisfy many material desires that you can’t satisfy in our actual world. You could have the car of your dreams. You could even have a showroom full of expensive cars. You could have the house of your dreams – or live in a palace. You could wear very expensive clothes. You could acquire not just a big diamond ring but the Hope Diamond itself. The interesting question is this: without people around, would you still want these things? Would the material desires you harbored when the world was full of people still be present in you if other people vanished? Probably not. Without anyone else to impress, why own an expensive car, a palace, fancy clothes, or jewelry? Irvine continues to suggest that, alone in this imagined world, you might try these luxuries for a while but would soon, for example, find a dwelling that was easy to maintain rather than live in a palace, obtain clothes that were comfortable rather than expensive, and would probably lose all interest in your appearance. The thought experiment shows that we choose our lifestyles – our houses, our clothes, our watches – with other people in mind. One way or another, we project a style designed
Derren Brown (Happy: Why More or Less Everything is Absolutely Fine)
The story of Cassius Clay’s lost bicycle would later be told as an indication of the boxer’s determination and the wonders of accidental encounters, but it carries broader meaning, too. If Cassius Clay had been a white boy, the theft of his bicycle and an introduction to Joe Martin might have led as easily to an interest in a career in law enforcement as boxing. But Cassius, who had already developed a keen understanding of America’s racial striation, knew that law enforcement wasn’t a promising option. This subject—what white America allowed and expected of black people—would intrigue him all his life. “At twelve years old I wanted to be a big celebrity,” he said years later. “I wanted to be world famous.” The interviewer pushed him: Why did he want to be famous? Upon reflection he answered from a more adult perspective: “So that I could rebel and be different from all the rest of them and show everyone behind me that you don’t have to Uncle Tom, you don’t have to kiss you-know-what to make it . . . I wanted to be free. I wanted to say what I wanna say . . . Go where I wanna go. Do what I wanna do.” For young Cassius, what mattered was that boxing was permitted, even encouraged, and that it gave him more or less equal status to the white boys who trained with him. Every day, on his way to the gym, Cassius passed a Cadillac dealership. Boxing wasn’t the only way for him to acquire one of those big, beautiful cars in the showroom window, but it might have seemed that way at the time. Boxing suggested a path to prosperity that did not require reading and writing. It came with the authorization of a white man in Joe Martin. It offered respect, visibility, power, and money. Boxing transcended race in ways that were highly unusual in the 1950s, when black Americans had limited control of their economic and political lives. Boxing more than most other sports allowed black athletes to compete on level ground with white athletes, to openly display their strength and even superiority, and to earn money on a relatively equal scale. As James Baldwin wrote in The Fire Next Time, many black people of Clay’s generation believed that getting an education and saving money would never be enough to earn respect. “One needed a handle, a lever, a means of inspiring fear,” Baldwin wrote. “It was absolutely clear the police would whip you and take you in as long as they could get away with it, and that everyone else—housewives, taxi
Jonathan Eig (Ali: A Life)
Zero Line Spender, Saver, Wealth Creator Your financial personality type determines your financial position in life. Let’s say there is a zero financial line that represents a position where you owe nothing and have nothing. Perhaps you can remember those days getting started on your own. So, let us assume you just graduated from college and you’re one of the lucky few who graduated at the zero line, you owe nothing. Pretty amazing considering that in 2013, the debt on student loans exceeded all credit card debt owed in America. But fortunately, you made it out free and clear to the zero line. You’re a “Spender” so you go to the showroom and pick one out. With your job and the car as collateral, you get a car loan and you drop below the zero line. You lifestyle gets more and more expensive and since you are a ‘Spender” you probably take on credit card debt to help finance your lifestyle desires. You are constantly working your way back to becoming a zero, financially speaking. Then, you get married and now there are two in debt working their way back to zero. Eventually, children come along, and the odds of being able to put away enough money to pay your debt and interest and live on the top side of the zero line are becoming virtually impossible. Unfortunately, many Americans live in this position with little or no chance of ever living debt free. When something comes along that requires their savings, they must deplete their funds in order to avoid paying interest and then they must start saving again for their next expense. They are constantly returning to the zero line. The money they have accumulated is compounding interest, giving them uninterrupted growth. Having access to capital allows them to negotiate more favorable loans by collateralizing against their accounts rather than depleting them. They make payments to the lending institution with dollars from their current cash flow, protecting the growth of the money they have saved and invested for their future. Saving and investing with uninterrupted compounding is an important wealth concept for moving further and further away from the zero line.
Annette Wise
Regent honda is an authorized Honda dealer with largest showroom and highly professional staff offering honda Jazz, honda amaze booking for test drive in Thane and Ghodbunder, India.
regenthonda
The boys walked to Chet’s jalopy, nicknamed Queen, parked in the station lot. The Queen had been painted a brilliant yellow, and “souped up” by Chet during one of the periods when engines were his hobby. It was a familiar and amusing sight around the streets of Bayport. “She’s not fancy, but she gets around pretty quick,” Chet often maintained stoutly. “I wouldn’t trade her for all the fancy cars in the showrooms.” “Some adjustment!” Joe grimaced. “Think we’ll get to town in one piece?” “Huh!” Chet snorted. “You don’t appreciate great mechanical genius when you see it!” In the business center of Bayport, the boys found traffic heavy. Fortunately, Chet found a parking spot across the street from the Scientific Specialties Store and swung the car neatly into the space. “See what I mean?” he asked. “Good old Queen. And boy, I can’t wait to start working with that microscope!” Chet exclaimed as the three boys got out and walked to the corner. “All bugs beware.” Joe grinned. “You ought to be a whiz in science class next year,” Frank said while they waited for the light to change.
Franklin W. Dixon (The Secret of the Old Mill (Hardy Boys, #3))
I don’t know where to look first. He’s like the shiniest new car in the showroom.
Lily Morton (The Sunny Side (The Model Agency, #1))
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Cruising California Auto Detailing and Ceramic Coating
Lizzy, maybe it would be easier for you to understand their disposition if you viewed those black kids you encounter like new cars fresh off the showroom floor. Just like those cars, those kids are their prettiest and most problem free when they are sheltered from the world. But, when they are brought outside and exposed to the elements, they aren’t as pristine. You wouldn’t expect a brand new car to remain clean after you’ve driven it through the mud, so why be appalled if a child from the ‘hood, whose been exposed to more of life’s mud by the age of ten than you experienced your entire life growing up in the Garden District, has a few stains and smudges on his attitude and outlook.
Brian W. Smith (A Murder in the Quarters)
Singing in the Car I can't stop myself from singing once I get in a car. I have been forcibly removed from several Hyundai showrooms.
Beryl Dov
Before We Begin Is Your Bug A nice clean original car that looks almost like it left the showroom yesterday? P.S. All work should be carried out in consultation with a reliable workshop manual with regard to torque settings, gaps, procedures, sequences disassembly, reassembly, where to hide the leftover parts, etc. I will accept no responsibility for anything resulting from you or anybody else trying anything as described in this document whatsoever – but if it works or you end up with some amusing stories to tell someone else’s grandchildren, please feel free to drop me a line. (No death threats please.) Sincerely, Christina Engela
Christina Engela (Bugspray)
going to church no more makes you holy than standing in a Porsche showroom makes you a sports car.
W.E.B. Griffin (The Traffickers (Badge Of Honor, #9))
Honda car on road price in Dombivli Regent Honda Thane commenced it operation on the 11th of December 2014. It is spread over a sprawling 25000 Sq.Ft. Facility and is currently considered to be the largest Honda cars showroom pan India.
Regent Honda
The clientele of Twin Farms is more or less David Christiansen’s target audience. On a hazy May afternoon, I sit down with Christiansen in a glass-walled sales office at Walnut Creek Luxury Cars, a Northern California dealership where he is not a salesman but a “brand manager.” Our conversation is interrupted every few minutes by the guttural roar of a staffer firing up a Maserati Ghibli or Quattroporte to move it out of the showroom. He hardly notices, but I startle each time. I’m unused to such sounds, having arrived here in a Toyota minivan.
Michael Mechanic (Jackpot: How the Super-Rich Really Live—and How Their Wealth Harms Us All)
A test drive is dangerous in many ways. Drivers are encountering a particular car for the first time, so they are basically beginners. They usually can't located what they need quickly and panic. Since they aren't yet used to the feel of the brakes and have trouble reining in their excitement, the car jerks or swerves. And they floor it without an ounce of hesitation, something they don't do in their own cars. The rpm gauge dances beyond the red line and their bodies are plastered to the seats, as if someone is pulling them from behind. A few times, Ma-ri has actually wondered whether men were aroused by the smell of a new car. As soon as their feet touch the accelerator, their breathing grows irregular and excited. Their upper bodies lean forward, in attack mode, and their aftershave mixes with their sweat, emitting musk. The scent of virile males. Forgetting that Ma-ri is sitting next to them, they swear and revert to a state of boyhood. In this tight space, their shoulders brushing against each other, a peculiar tension grows between the test drivers and Ma-ri. The men become attracted to her, a chick who understands cars, and Ma-ri sometimes feels a burning heat, sitting next to these toylike men. But as soon as they return to the showroom and the men hand over the keys, they revert to being nice, polite middle-aged men. They leave quickly, looking a little embarrassed. They bluff a little, acting as if they might buy the car right away, quickly going over their financial situations in their heads, then get back into their own cars, feeling a little shrivelled.
Young-ha Kim (Your Republic Is Calling You)
I don’t want to hear it,” Sophie growled. “What kind of a husband are you? You can’t even get it up for this?” She thrust out one hip and ran a hand down her side, like a showroom model caressing the curves of a new car.
Juliet Vega (Servicing Sophie: A Scorch Erotica Hot Shot)
The car wax market is huge and consists of all kinds of products With that said it is very hard to find a good long lasting car wax which provides your car with that showroom finish. If you are an owner of a black vehicle the search for the best car wax for your car becomes more difficult.
Groomyourcar
Dean Bithell started auto detailing over 21 years ago & quickly fell in love with the art of creating a showroom quality on any vehicle. After a few years, his passion turned into a full-time automotive detailing business servicing cars, trucks, SUVS, & more. With being his true passion, Dean is constantly improving his impressive skills with each new evolving technology such as recent ceramic coatings. Waxes are dead, a Ceramic coating creates a hydrophobic protective layer for up to 7 years.
Bithells Auto Detailing and Ceramic Coatings
With an extensive range of second hand cars featuring all makes and models, Worcester Used Car Centre can provide the right car at the right price. With so much choice on second hand cars why go anywhere else? Get the best prices and widest choice on quality used cars in Worcester! Contact us today! Our online showroom houses quality used cars with multiple photos and a full description so you can take a good look at our stock before coming to see us. The stocklist is updated constantly so the cars you are seeing are the ones for sale now so you don’t miss out.
Worcester Used Car Centre
That night he got up out of bed and put on his maroon polo shirt, which everyone said he looked so handsome in, and went downstairs and drove off in his car, where he did not know. He just drove. (..) Drove around in that crimson glow of doughnut shops and new-car showrooms, in which all things, cars, faces, bodies, gleam with an otherworldly light, and he kept driving—never admitting what he was about—until he came to Dupont Circle and there he stopped and got out under the green trees and met a man and went into the park and blew him.
Andrew Holleran
More red lights on top of the cars than on roads. Glamorous lifestyle coexisting with some underprivileged lives. Big showrooms on the left, begging kids on the right. Azaan from the mosque blending smoothly with the pleasant sound of temple bells. The modern travel miracle Delhi Metro passes by the ancient temples and monuments. Crowded streets coexist with lonely hearts. This city is like the most beautiful girl in a college. That is what I know about Delhi, the capital city of the nation.
Misbah Khan (Blanks & Blues)
In On Desire, Professor Irvine offers the following thought experiment: Suppose you woke up one morning to discover that you were the last person on earth: during the night, aliens had spirited away everyone but you. Suppose that despite the absence of other people, the world’s buildings, houses, stores, and roads remained as they had been the night before. Cars were where their now-vanished owners had parked them, and gas for these cars was plentiful at now-unattended gas stations. The electricity still worked. It would be a world like this world, except that everyone but you was gone. You would, of course, be very lonely, but let us ignore the emotional aspects of being the last person, and instead focus our attention on the material aspects. In the situation described, you could satisfy many material desires that you can’t satisfy in our actual world. You could have the car of your dreams. You could even have a showroom full of expensive cars. You could have the house of your dreams – or live in a palace. You could wear very expensive clothes. You could acquire not just a big diamond ring but the Hope Diamond itself. The interesting question is this: without people around, would you still want these things? Would the material desires you harbored when the world was full of people still be present in you if other people vanished? Probably not. Without anyone else to impress, why own an expensive car, a palace, fancy clothes, or jewelry?
Derren Brown (Happy: Why More or Less Everything is Absolutely Fine)