Capturing Moments With Friends Quotes

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Just once" Blay said softly. "Do it just once. So I'll know what it's like." Qhuinn started to shake his head. "No...I don't think–" "Yes" After a moment, Qhuinn slid both his hands up Blay's thick neck and captured the male's sturdy jaw in his palms. "You sure?" When Blay nodded, Qhuinn titled his friend's head back and to the side and held it in place as he slowly closed the distance. Just before their mouths touched, Blay's eyelashes fluttered down and he trembled and– Oh, it was sweet. Blay's lips were incredibly sweet and soft. The tongue probably wasn't supposed to be part of it, but there was no helping that. Qhuinn licked inside and then sank deep as his arms slipped around Blay and held him hard. When he finally lifted his head, the look in Blay's eyes said he would let anything happen between them. Let it all happen.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
I Love Loving You You are my favorite song; a rhythm of beauty that captures my spirit. You are my favorite poem; an exquisite grouping of ideas set in motion with an unmatched enchanting elegance. You are my best friend; from our laughter to our deep conversations, our moments together are a timeless pleasure. You are my soul mate; a connection so pure, so powerful, that it can only be considered divine. You are my lover; a passionate entwinement, a chorus of ecstasy, and a feeling of complete unity that words could never adequately describe. You are my angel; you remind me of the goodness in this world and inspire me to be the greatest version of myself. You are my home; it is in your loving gaze that I find the comfort, acceptance, and the sense of belonging. You are my love ~ mi amor; there are not enough days in forever to allow me to fully express my love for you. I love loving you.
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
We didn't finish that dance." "Here?" "Why not?" Echo's high heel tapped against the sidewalk, the telltale sign of nerves. I took a deliberate step forward and caught her waist before she coud back away from me. My siren had sung to me for way too long, capturing my heart, tempting me with her body, driving me slowly insane. Now, I expected her to pay up. "Do you hear that?" I aked. Echo raised an eyebrow when she heard nothing but the sound of water trickling in the fountain. "Hear what?" I slid my right hand down her arm, cradled her hand against my chest and swayed us from side to side. "The music." Her eyes danced. "Maybe if you could tell me what i'm supposed to be hearing." "Slow drum beat." With one finger i tapped the beat into the small of her back. "Acoustic quitar." I leaned down and hummed my favorite song in her ear. Her sweet cinnamon smell intoxicated me. She relaxed, fitting perfectly into my body. In the crisp, cold February air, we swayed together, moving to our own personal beat. For one moment, we escaped hell. No teachers, no therapist, no well-meaning friends, no nightmares-just the two of us, dancing. My song ended, my finger stopped tapping the beat, and we ceased swaying from side to side. She held perfectly still, keeping her hand in mine, her head resting on my shoulder. I nuzzled into the warmth of her silky curls, tightening my hold on her. Echo was becoming essential, like air. I eased my hand to her chin, lifting her face toward me. My thumb caressed her warm, smooth cheek. My heart beat faster. A ghost of that siren smile graced her lips as she tilted her head closer to mine, creating the undeniable pull of the sailor lost to the sea to the beautiful goddess calling him home. I kissed her lips. Soft, full, warm-everything i'd fantasized it would be and more, so much more. Echo hesitantly pressed back, a curious question for which i had a response. I parted my lips and teased her bottom one, begging, praying, for permission. Her smooth hands inched up my neck and pulled at my hair, bringing me closer. She opened her mouth, her tongue seductively touching mine, almost bringing me to my knees. Flames licked through me as our kiss deepened. Her hands massaged my scalp and neck, only stoking the heat of the fire. Forgetting every rule i'd created for this moment, my hands wandered up her back, twining in her hair, bringing her closer to me. I wanted Echo. I needed Echo. Her eyes met mine again. "So what does this mean for us?" I lowered my forehead to hers. "It means you 're mine.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
For me… it was excruciating.” He closed his eyes for a moment then focused on her. “It is so painful to truly love someone so much and not have them. For years I practiced tolerating that pain. Around the time I was sixteen I could finally stand to look at you. So, I did, all the damn time. I watched you so carefully. I captured every smile, every frown, every tear from you. I wanted you… but I couldn’t have you. Then one day we became friends and the pain came back, but I didn’t care because you were my friend, my best friend. But when you kissed me, I realized the feeling I had before was nothing compared to what I felt when we kissed. I felt alive… and guilty and betrayed, because it’s not fair. It’s not fair for me to go through that… to want to kiss you every day, every hour, every minute for the rest of my miserable life, but I want to. I’m afraid that it will get to a point where I need to. I have been in love with you since I was eight years old. I have hated the way my father has treated me, but nothing has hurt me as much as the pain of my mother’s death except seeing you and my brother in bliss. What I want is for you to stay in this room with me. I want to feel how you feel, taste how you taste, and completely fall in you because I’m just… tired of always wanting what I can’t have. I want to make you smile, make you happy… I want to be inside you… I want to give you pleasure in every way… mind, body, and soul… I am completely, madly… and utterly in love with you… and it hurts… because I can’t have you. And it hurts because if there is a chance that I can then it is possible that it will turn out to be my tragedy and misfortune. And all I can say to that … I accept my tragedy… but I don’t wish it.
Chelsea Ballinger (The Kindness of Kings)
The next time you feel a sense of dissatisfaction, of something being missing or not quite right, turn inward as an experiment. See if you can capture the energy of that very moment. Instead of picking up a magazine or going to the movies, calling a friend or looking for something to eat or acting up in one way or another, make a place for yourself. Sit down and enter into your breathing, if only for a few minutes. Don't look for anything - neither flowers not light nor a beautiful view. Don't extol the virtues of anything or condemn the inadequacy of anything. Don't even think to yourself, "I am going inward now." Just sit. Reside at the center of the world. Let things be as they are.
Jon Kabat-Zinn (Wherever You Go, There You Are: Mindfulness Meditation in Everyday Life)
If she captured Tamlin’s power once, who’s to say she can’t do it again?” It was the question I hadn’t yet dared voice. “He won’t be tricked again so easily,” he said, staring up at the ceiling. “Her biggest weapon is that she keeps our powers contained. But she can’t access them, not wholly—though she can control us through them. It’s why I’ve never been able to shatter her mind—why she’s not dead already. The moment you break Amarantha’s curse, Tamlin’s wrath will be so great that no force in the world will keep him from splattering her on the walls.” A chill went through me. “Why do you think I’m doing this?” He waved a hand to me. “Because you’re a monster.” He laughed. “True, but I’m also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool’s bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm … Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.” I didn’t want to think much about his abilities. “Who’s to say he won’t splatter you as well?” “Perhaps he’ll try—but I have a feeling he’ll kill Amarantha first. That’s what it all boils down to, anyway: even your servitude to me can be blamed on her. So he’ll kill her tomorrow, and I’ll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.” He picked at his nails. “And I have a few other cards to play.” I lifted my brows in silent question. “Feyre, for Cauldron’s sake. I drug you, but you don’t wonder why I never touch you beyond your waist or arms?” Until tonight—until that damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared. “It’s the only claim I have to innocence,” he said, “the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It’s the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you—but there are bigger things at stake than taking a human woman to my bed.” I knew, but I still asked, “Like what?” “Like my territory,” he said, and his eyes held a far-off look that I hadn’t yet seen. “Like my remaining people, enslaved to a tyrant queen who can end their lives with a single word. Surely Tamlin expressed similar sentiments to you.” He hadn’t—not entirely. He hadn’t been able to, thanks to the curse. “Why did Amarantha target you?” I dared ask. “Why make you her whore?” “Beyond the obvious?” He gestured to his perfect face. When I didn’t smile, he loosed a breath. “My father killed Tamlin’s father—and his brothers.” I started. Tamlin had never said—never told me the Night Court was responsible for that. “It’s a long story, and I don’t feel like getting into it, but let’s just say that when she stole our lands out from under us, Amarantha decided that she especially wanted to punish the son of her friend’s murderer—decided that she hated me enough for my father’s deeds that I was to suffer.” I might have reached a hand toward him, might have offered my apologies—but every thought had dried up in my head. What Amarantha had done to him … “So,” he said wearily, “here we are, with the fate of our immortal world in the hands of an illiterate human.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
He’s always drawn a lot, but there’s something different about him lately. He used to disappear into the background like he was part of it. Now when he draws, you can’t miss him. He’s there in the middle of things, with this new ferocity, like if he doesn’t capture this moment, he’ll never get the chance. That’s how it is these days. You hesitate, and your neighbors have vanished. You look away, and your friends have been stolen from you. You blink, and you’re gone.
Traci Chee (We Are Not Free)
Psychologists call missing information in plain sight inattentional blindness. You believe with confidence your eyes capture everything before them and your memories are recorded versions of those captured images. The truth, though, is you see only a small portion of your environment at any one moment. Your attention is like a spotlight, and only the illuminated portions of the world appear in your perception.
David McRaney (You Are Not So Smart: Why You Have Too Many Friends on Facebook, Why Your Memory Is Mostly Fiction, and 46 Other Ways You're Deluding Yourself)
On the other hand, the militant left, and many socialist intellectuals such as my old friend Ralph Miliband (whose sons were to become important figures in the offices of Prime Minister Tony Blair and Chancellor Gordon Brown), also wrote off the Labour Party until the moment when it had been captured and was ready to become ‘a real socialist party’, whatever that meant. I outraged some of my friends by pointing out that they were not seriously trying to defeat Mrs Thatcher. Whatever they thought, ‘they acted as though another Labour government like the ones we have had before from time to time since 1945 were not just unsatisfactory, but worse than no Labour government … (i.e.) worse than the only alternative government on offer, namely Mrs Thatcher’s
Eric J. Hobsbawm (Interesting Times: A Twentieth-Century Life)
The late Curt Cobain captured the attitude of today’s culture with the line, “Here we are; now entertain us.” I believe that, unfortunately, many Christians have made Cobain’s line the refrain of their friendships. In my opinion, our cultural obsession with entertainment is really just an expression of selfishness. The focus in entertainment is not producing something useful for the benefit of others but consuming something for the pleasure of self. And a friendship based on this self-serving, pleasure-seeking mind-set can easily slip into a similarly self-serving romantic relationship that meets the needs of the moment. But when we shift our relationship orientation from entertainment to service, our friendships move from a focus on ourselves to a focus on the people we can serve. And here’s the punch line: In service we find true friendship. In service we can know our friends in a deeper way than ever before.
Joshua Harris
Although thrilled that the era of the personal computer had arrived, he was afraid that he was going to miss the party. Slapping down seventy-five cents, he grabbed the issue and trotted through the slushy snow to the Harvard dorm room of Bill Gates, his high school buddy and fellow computer fanatic from Seattle, who had convinced him to drop out of college and move to Cambridge. “Hey, this thing is happening without us,” Allen declared. Gates began to rock back and forth, as he often did during moments of intensity. When he finished the article, he realized that Allen was right. For the next eight weeks, the two of them embarked on a frenzy of code writing that would change the nature of the computer business.1 Unlike the computer pioneers before him, Gates, who was born in 1955, had not grown up caring much about the hardware. He had never gotten his thrills by building Heathkit radios or soldering circuit boards. A high school physics teacher, annoyed by the arrogance Gates sometimes displayed while jockeying at the school’s timesharing terminal, had once assigned him the project of assembling a Radio Shack electronics kit. When Gates finally turned it in, the teacher recalled, “solder was dripping all over the back” and it didn’t work.2 For Gates, the magic of computers was not in their hardware circuits but in their software code. “We’re not hardware gurus, Paul,” he repeatedly pronounced whenever Allen proposed building a machine. “What we know is software.” Even his slightly older friend Allen, who had built shortwave radios, knew that the future belonged to the coders. “Hardware,” he admitted, “was not our area of expertise.”3 What Gates and Allen set out to do on that December day in 1974 when they first saw the Popular Electronics cover was to create the software for personal computers. More than that, they wanted to shift the balance in the emerging industry so that the hardware would become an interchangeable commodity, while those who created the operating system and application software would capture most of the profits.
Walter Isaacson (The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution)
She found it difficult to discuss physics, much less debate it, with her predominantly male classmates. At first they paid a kind of selective inattention to her remarks. There would be a slight pause, and then they would go on as if she had not spoken. Occasionally they would acknowledge her remark, even praise it, and then again continue undeflected. She was reasonably sure her remarks were not entirely foolish, and did not wish to be ignored, much less ignored and patronized alternately. Part of it—but only a part—she knew was due to the softness of her voice. So she developed a physics voice, a professional voice: clear, competent, and many decibels above conversational. With such a voice it was important to be right. She had to pick her moments. It was hard to continue long in such a voice, because she was sometimes in danger of bursting out laughing. So she found herself leaning toward quick, sometimes cutting, interventions, usually enough to capture their attention; then she could go on for a while in a more usual tone of voice. Every time she found herself in a new group she would have to fight her way through again, just to dip her oar into the discussion. The boys were uniformly unaware even that there was a problem. Sometimes she would be engaged in a laboratory exercise or a seminar when the instructor would say, “Gentlemen, let’s proceed,” and sensing Ellie’s frown would add, “Sorry, Miss Arroway, but I think of you as one of the boys.” The highest compliment they were capable of paying was that in their minds she was not overtly female. She had to fight against developing too combative a personality or becoming altogether a misanthrope. She suddenly caught herself. “Misanthrope” is someone who dislikes everybody, not just men. And they certainly had a word for someone who hates women: “misogynist.” But the male lexicographers had somehow neglected to coin a word for the dislike of men. They were almost entirely men themselves, she thought, and had been unable to imagine a market for such a word. More than many others, she had been encumbered with parental proscriptions. Her newfound freedoms—intellectual, social, sexual—were exhilarating. At a time when many of her contemporaries were moving toward shapeless clothing that minimized the distinctions between the sexes, she aspired to an elegance and simplicity in dress and makeup that strained her limited budget. There were more effective ways to make political statements, she thought. She cultivated a few close friends and made a number of casual enemies, who disliked her for her dress, for her political and religious views, or for the vigor with which she defended her opinions. Her competence and delight in science were taken as rebukes by many otherwise capable young women. But a few looked on her as what mathematicians call an existence theorem—a demonstration that a woman could, sure enough, excel in science—or even as a role model.
Carl Sagan (Contact)
Daniel Mas Masumoto: The blade slices into the soil. My muscles tense and push the shovel into the moist ground. Dark and damp, the sweet warm smell of wet earth…I can’t count the thousands of shovelfuls of earth I have moved in my life. But I like to think of the thousands that lie in my future, if I am fortunate. Spring irrigation brings life to the orchards and vineyards. Peaches ripen and the scent of bloom lingers in the air…I guide the water into my fields in an act of renewal, I think of Paul, a farmer and oil painter friend. He enjoys experimenting with green, capturing the subtle nuances of a fresh leaf or the thriving growth of mid-spring or the weak yellow green of a cover crop on bad soil… Paul knows his paintings work when the farmers gravitate toward a few, attracted by the colors, and begin talking about his greens. The true green of a field has depth, like the mysterious colors of a clear by deep lake. Each shade has meaning we interpret differently. Paul says farmers are his best art critics, we know more of greens than anyone else. I’ve lost raisin crops, peach harvests, whole trees and vines. I’ve lost money, my time, and my labor. I’ve lost my temper, my patience, and, at time, hope. Most of the time, it’s due to things beyond my control, like the weather, market prices, or insects or disease. Ironically, the moment I step off my farm I enter a world where it seems that everything, life and nature, is regulated and managed. Homes are built to insulate families from the outside weather. People work in climate controlled environments designed to minimize the impact of weather. In America, a lack of control means failure…I’ve abandoned my attempts to control and compete with nature, but letting go has been a challenge. I’m trying to listen to my farm. Before I had not reason to hear the sounds of nature. The sole strategy of conventional farming seems to be dominance. Now, with each passing week, I venture into fields full of life and change, clinging to a belief in my work and a hope that it’s working.
David Landis Barnhill
When you complete a major quest and return home, do take a few moments to celebrate with friends and family, or simply celebrate alone with your thoughts. If there’s a chance to capture a memento or stick your achievement on the wall, go for it. You’ve earned it, and you should be proud of your accomplishments. However, after a little while it’s time to grab the sword, don your cape once again, and set out on another adventure. If your life is a movie, then you just got green-lit for a sequel with an even bigger budget.
Steve Kamb (Level Up Your Life: How to Unlock Adventure and Happiness by Becoming the Hero of Your Own Story)
The proliferation of social media has significantly impacted the industry. Families now have a platform to share these treasured photographs with friends and loved ones, expanding the reach and impact of baby photography. The ability to connect with other parents and share the joy of parenthood through social media has also contributed to the growth of this niche. These photographs are more than just decorative pieces; they become a source of pride and a lasting symbol of the love and joy a baby brings. They play a pivotal role in documenting a child's growth and development, creating a visual timeline of milestones, from the first coo to the first step. Hyderabad baby photoshoot are not merely photography sessions but celebrations of the purest moments of life. They capture the fragile beauty of a new life, the wonder and love of parenthood, and the universal experience of the early days of a baby.
chickvijaya
But there are some to-do list essentials that we should all know if we want to help our brains navigate the day, based on the science of working memory, motivation, and goal pursuit. I don’t always see people applying these brain-friendly essentials, so here’s a checklist for you to consider: Write it down as soon as it comes to mind. Never waste your brain’s precious working memory by trying to hold your tasks or ideas in your head. Use your intelligence for getting things done, rather than trying to remember what you need to do. That means having a process for capturing to-dos as soon as they occur to you, even if you then end up transferring them to a master list. Only keep today’s tasks in view. You might have a grand list of tasks you’d like to complete in the coming weeks or months. But once you’ve decided what you really need and want to get done today, work off that list, and hide the rest. As long as your longer-term items are visible, they’ll use up a little of your brain’s processing capacity—and may even depress you a little if your long list is very long. Make it satisfying to check off. If you’re online, give yourself a box to check, and a ping or a swoosh to hear. If you’re working on paper, give yourself the satisfaction of a big bold line through everything you’ve done. The more rewarding it feels to track your progress, the more your brain will tend to spur you toward getting things done. Be realistic about what you can do in a day. Progress feels good to your brain’s reward system; failure doesn’t. Do you have five things you’d like to tackle today, but know you probably only have time for three? It’s better to feel great about nailing three tasks. If you succeed and find you’ve got more time, you’ll be flushed with motivation to seek out one or two more tasks. Include mind-body maintenance. Put exercise, rest, and other physical health goals on your list alongside your other tasks. If you take a moment to put “take a walk” on the list, you’re way more likely to build it into your day rather than let it be crowded out by other demands—just as defining goals for anything makes it more likely you’ll get it done.
Caroline Webb (How To Have A Good Day: The Essential Toolkit for a Productive Day at Work and Beyond)
Others have argued that moral virtue in and by itself will naturally bring happiness in its train. Plato, for instance, argues that the moral integrity of the virtuous individual constitutes a sort of inner harmony, which he contrasts with the disharmony exhibited by the wicked. Since a person cannot fail, at some level, to experience this internal condition, the virtuous will be fundamentally content, while those who lack virtue will be unavoidably dissatisfied. Plato’s conclusion is endorsed by most of the classical thinkers who came after him. The Stoics in particular insistently emphasize the supreme importance of moral virtue over all other good things. Thus Marcus Aurelius, echoing Socrates, insists that the only real harm one can ever suffer is harm to one’s character,1 while Seneca asserts that “virtue per se is sufficient for a happy life.”2 Hard-bitten cynics may think it easy to dismiss all this as a kind of wishful thinking. But in fact this view—that good people should nearly always be considered more fortunate than those who lack the moral virtues—is very plausible. Compare two people: Jill, who genuinely feels pleasure at a colleague’s success, and Jane, who feels intense pleasure at a colleague’s failure. Who would you prefer to be? Most of us will of course opt to be Jill. An obvious reason for this is that we view her as the nicer person. But what if we put aside moral considerations? We grant that Jill is the more admirable person, but who do we think it is pleasanter to be? Plato’s thinking suggests that Jill’s condition is also the more enviable. One obvious reason is that, being a nicer person, she is likely to have more friends, to have better friends, to be more confident of their affection, and to enjoy relationships not sullied by resentment. But a subtler reason, not so easy to articulate, is that Jill’s generous-spirited pleasure in another person’s good fortune is superior to—and not just in moral terms—the mean-spirited enjoyment of a colleague’s failure. Of course, it is not easy to abstract this sense of nonmoral superiority from its moral trappings. It is not a matter of the intensity or duration of the pleasure. But it is perhaps captured fairly well by Plato’s metaphor of inner harmony, a metaphor that extends beyond any particular moment of pleasure to take in the person’s total experience. Self-centered, cruel, mean-spirited individuals are never at ease with—in harmony with—themselves or the world, which is why they can never achieve lasting contentment. Generous spirits, by contrast, experience less conflict between what they in fact feel and what at least some part of them thinks they should feel; furthermore, there is less disharmony between what they experience as their inner reality and the way they present themselves to the world.
Emrys Westacott (The Wisdom of Frugality: Why Less Is More - More or Less)
What makes them resist coming to class but enjoy it once they are here? The answer is Timing.  And this is linked to the physiological development and growth of their brain.  Quite frankly, children (and some adults) have not developed an understanding of the concept of scheduling and timing. That is to say that, once they have become involved in something, that is what they want to do. Anything else, regardless of how pleasurable or necessary, at that moment is seen as a hindrance to 'this moment's fun.' Whether it is watching TV or playing with their friends, or whatever, once a child becomes involved in something, anything, that "thing" gets ALL of their attention - period. Don't blame the child or think that you must be a bad parent or the only one dealing with this sort of thing. It is completely natural. The reality of the matter is that your child cannot do what you ask because: 1) He or she is NOT an adult in a smaller body. 2) The parts of the brain that process this type of information and data, quite literally, haven't developed yet, and... 3) He or she has been ALLOWED to get involved in something that you know will capture his or her attention before you need them to go to class. And, therein lies the secret for overcoming both the frustration and the confusion. Just don't allow your young martial artist to get into anything that you KNOW will make him or her not want to stop when it's time to go to martial arts or karate class. Won't they go stir-crazy? What's a child to do while waiting? Good question. And the answer is practice "preparing for class." This simple step will actually help your child to develop the skills you're looking for and promote brain growth in those areas. So, instead of letting them drift into TV Land or glued to the computer screen, at least for the hour or so before you'll be leaving for class have them "get ready." Make it a rule that they have to make sure that they have their uniform, belt, and equipment. Have them practice their moves by "showing you what they learned last class" or "what their favorite techniques are.
Jeff Thompson (Atlanta Kick Student Handbook)
Then a spotlight came on over a table near the front of the room. It had a white tablecloth and there was a single red rose in a vase with a yellow ribbon tied around the top. A place setting with an upside down glass, a single candle, and an empty chair completed the setup. The lights dimmed and a man at the front of the room began to speak. “The cloth is white—symbolizing the purity of their motives when answering the call to serve. The single red rose reminds us of the lives of these Americans…and their loved ones and friends who keep the faith, while seeking answers. The yellow ribbon symbolizes our continued uncertainty, hope for their return and determination to account for them. A slice of lemon reminds us of their bitter fate, captured and missing in a foreign land. A pinch of salt symbolizes the tears of our missing and their families—who long for answers after decades of uncertainty. The lighted candle reflects our hope for their return—alive or dead. The glass is inverted—to symbolize their inability to share a toast. The chair is empty—they are missing. A moment of silence for the lost heroes.
Susan Stoker (Rescuing Kassie (Delta Force Heroes, #5))
The Jerusalem Report captures this Holocaust kitsch moment on the March: “‘I’m so scared, I can’t go on, I want to be in Israel already,’ repeats a young Connecticut woman over and over. Her body is shaking. . . . Suddenly her friend pulls out a large Israeli flag. She wraps it around the two of them and they move on.” An Israeli flag: don’t leave home without it.87
Norman G. Finkelstein (The Holocaust Industry: Reflections on the Exploitation of Jewish Suffering)
Dear Christopher, You’ve made me realize that words are the most important things in the world. And never so much as now. The moment Audrey gave me your last letter, my heart started beating faster, and I had to run to my secret house to read it in private. I haven’t yet told you…last spring on one of my rambles, I found the oddest structure in the forest, a lone tower of brick and stonework, all covered with ivy and moss. It was on a distant portion of the Stony Cross estate that belongs to Lord Westcliff. Later when I asked Lady Westcliff about it, she said that keeping a secret house was a local custom in medieval times. The lord of the manor might have used it as a place to keep his mistress. Once a Westcliff ancestor actually hid there from his own bloodthirsty retainers. Lady Westcliff said I could visit the secret house whenever I wanted, since it has long been abandoned. I go there often. It’s my hiding place, my sanctuary…and now that you know about it, it’s yours as well. I’ve just lit a candle and set it in a window. A very tiny lodestar, for you to follow home. Dearest Prudence, Amid all the noise and men and madness, I try to think of you in your secret house…my princess in a tower. And my lodestar in the window. The things one has to do in war…I thought it would all become easier as time went on. And I’m sorry to say I was right. I fear for my soul. The things I have done, Pru. The things I have yet to do. If I don’t expect God to forgive me, how can I ask you to? Dear Christopher, Love forgives all things. You don’t even need to ask. Ever since you wrote to me about the Argos, I’ve been reading about stars. We’ve loads of books about them, as the subject was of particular interest to my father. Aristotle taught that stars are made of a different matter than the four earthly elements--a quintessence--that also happens to be what the human psyche is made of. Which is why man’s spirit corresponds to the stars. Perhaps that’s not a very scientific view, but I do like the idea that there’s a little starlight in each of us. I carry thoughts of you like my own personal constellation. How far away you are, dearest friend, but no farther than those fixed stars in my soul. Dear Pru, We’re settling in for a long siege. It’s uncertain as to when I’ll have the chance to write again. This is not my last letter, only the last for a while. Do not doubt that I am coming back to you someday. Until I can hold you in my arms, these worn and ramshackle words are the only way to reach you. What a poor translation of love they are. Words could never do justice to you, or capture what you mean to me. Still…I love you. I swear by the starlight…I will not leave this earth until you hear those words from me.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Daydream Jethro crept closer, working his cock, a dangerous glint in his eyes. The moment I was within grabbing distance, he captured my waist. “I need to be inside you, Nila.” I put words into Jethro’s mouth, but it was his voice I heard in my heart. I moaned again, angling the showerhead harder against my clit. “How do you want it?” my fantasy whispered in my ear as he spun me around and pressed me hard against the wall. I swallowed hard, answering in my mind. “Fast and…” “Filthy?” Daydream Jethro’s nose nuzzled the back of my ear, sending shockwaves down my spine. “I can fuck you filthy.” I couldn’t speak. But I didn’t have to. My fantasy knew exactly how I needed it. Jethro bit the back of my shoulder, spreading my legs wider with his. “Fuck me, Jethro Hawk,” I whispered. “Oh, I will. Believe me, I will.” Without further warning, he dug his fingers into my hips and slammed inside me. My fingers went numb as I slid the showerhead from clit to entrance. I cried out as water shot inside at the same time as Jethro thrust into me from behind, sliding deep and fast, stretching me deliciously painfully. My heart exploded with bliss. An orgasm squeezed every atom, getting ready to hurl me into the stratosphere. Jethro thrust again and I rode my new friend the showerhead. “Oh, God. Yes,” I hissed, rocking harder. “Yes, yes…” A masculine cough sounded. “You continue to surprise me, Ms. Weaver; at least this time, I rather enjoy it.
Pepper Winters (Second Debt (Indebted, #3))
I want you now. Always. Everywhere and as my everything-my lover, my friend, my sharp-tongued beauty, my drinking companion, my children's mother, my courage in the face of certain defeat. My sactuary." He captured her lips. "My duchess." He kissed her. She returned his kiss with great enthusiasm. "But at this specific moment," he said between kisses, "I just really want you in my bed." With eager compliance, she accepted his kisses on her throat. "I can oblige you in that, your grace." "Or your bed. Whichever we come to first." "You are all that is wise and efficient." "Or the carriage." She grabbed his hand. "Let's be off then, shall we?" Laughter bubbling from her, she dragged him toward the carriage. He snatched her back to him and with his hands around her face said, "Arabella, I love you." -Luc & Arabella
Katharine Ashe (I Married the Duke (The Prince Catchers, #1))
I hit the arrow key one last time and froze. I’d captured it, all right. It nearly filled the frame, so big it would have to squeeze through the loft’s doors to move around. Or squirm through. I couldn’t take it all in at first. My eyes darted around, trying to make sense of what I was seeing. There were broken arms and opposite-facing legs, a bloated torso lined with sewn-on hands that grasped and pinched. And there were heads. I counted five, sprouting like tumors from the creature’s body, including the head on the floor being dragged along by a tentacle of meat. A man’s head and torso rose up from the back of the creature, spine curved like a scorpion’s tail. His one arm aimed directly at the camera lens, pointing an accusing finger. That was when I realized all of the heads were staring right at me. And screaming. They had seen me photographing them from across the street. While I was watching the loft, they were watching me. I shut the laptop’s lid and sat very still, alone in my motel room. A moment later, I got up and turned on the television set, tuning it to some inane sitcom. The silence wasn’t my friend.
Craig Schaefer (A Plain-Dealing Villain (Daniel Faust, #4))
Idling the dinghy, bringing it quietly in closer and closer to the croc, Steve would finally make his move. He’d creep to the front of the boat and hold the spotlight until the last moment. Then he would leap into the water. Grabbing the crocodile around the scruff of the neck, he would secure its tail between his legs and wrap his body around the thrashing creature. Crocodiles are amazingly strong in the water. Even a six-foot-long subadult would easily take Steve to the bottom of the river, rolling and fighting, trying to dislodge him by scraping against the rocks and snags at the bottom of the river. But Steve would hang on. He knew he could push off the bottom, reach the surface for air, flip the crocodile into his dinghy, and pin the snapping animal down. “Piece of cake,” he said. That was the most incredible story I had ever heard. And Steve was the most incredible man I had ever seen--catching crocodiles by hand to save their lives? This was just unreal. I had an overwhelming sensation. I wanted to build a big campfire, sit down with Steve next to it, and hear his stories all night long. I didn’t want them to ever end. But eventually the tour was over, and I felt I just had to talk to this man. Steve had a broad, easy smile and the biggest hands I had ever seen. I could tell by his stature and stride that he was accustomed to hard work. I saw a series of small scars on the sides of his face and down his arms. He came up and, with a broad Australian accent, said, “G’day, mate.” Uh-oh, I thought. I’m in trouble. I’d never, ever believed in love at first sight. But I had the strangest, most overwhelming feeling that it was destiny that took me into that little wildlife park that day. Steve started talking to me as if we’d known each other all our lives. I interrupted only to have my friend Lori take a picture of us, and the moment I first met Steve was forever captured. I told him about my wildlife rescue work with cougars in Oregon. He told me about his work with crocodiles. The tour was long over, and the zoo was about to close, but we kept talking. Finally I could hear Lori honking her horn in the car park. “I have to go,” I said to Steve, managing a grim smile. I felt a connection as I never had before, and I was about to leave, never to see him again. “Why do you love cougars so much?” he asked, walking me toward the park’s front gate. I had to think for a beat. There were many reasons. “I think it’s how they can actually kill with their mouths,” I finally said. “They can conquer an animal several times their size, grab it in their jaws, and kill it instantly by snapping its neck.” Steve grinned. I hadn’t realized how similar we really were. “That’s what I love about crocodiles,” he said. “They are the most powerful apex predators.” Apex predators. Meaning both cougars and crocs were at the top of the food chain. On opposite sides of the world, this man and I had somehow formed the same interest, the same passion. At the zoo entrance I could see Lori and her friends in the car, anxious to get going back to Brisbane. “Call the zoo if you’re ever here again,” Steve said. “I’d really like to see you again.” Could it be that he felt the same way I did? As we drove back to Brisbane, I was quiet, contemplative. I had no idea how I would accomplish it, but I was determined to figure out a way to see him. The next weekend, Lori was going diving with a friend, and I took a chance and called Steve. “What do you reckon, could I come back for the weekend?” I asked. “Absolutely. I’ll take care of everything,” came Steve’s reply.
Terri Irwin (Steve & Me)
Then before the big lug even knew what was happening, Dom lunged forward to catch him by the neck in a hold. Jabbing the tip of his blade into the brute’s back, Dom dragged him into the alley. A moment of struggle ensued until Dom hissed, “I’ll bury this knife in your ribs, you bloody fool, if you don’t stop fighting.” The man stilled. “If it’s money ye’re after--” “It’s not.” Dom tightened his forearm across the man’s throat, just enough to limit his breathing. “Who’s in the house with Barlow?” There was a long pause. “Don’t know what ye’re talking about,” the man wheezed. “Then we’ll stand here until you figure it out.” Dom stuck the bruiser with his blade just enough to make him bleed. “While we wait, I can do some carving.” “Now see here,” the man warned him, “if you cut me, my friends will hunt you down and smash your face to bits. You don’t know who ye’re dealing with.” “Neither do you. Ever hear of the Duke’s Men?” God, how he hated that term, but it was better known than Manton’s Investigations. “I’m one of them.” “Ye’re lying.” “Not a bit. I’ve got friends of my own. With guns. And plenty of reason to shoot them. My name’s Manton. Perhaps you’ve heard of me.” The man froze. “Dominick Manton? The runner what captured those rebels in Cato Street?” “The very one.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Whether we remember a particular event at all, and how accurate our memories of it are, largely depends on how personally meaningful it was and how emotional we felt about it at the time. The key factor is our level of arousal. We all have memories associated with particular people, songs, smells, and places that stay with us for a long time. Most of us still have precise memories of where we were and what we saw on Tuesday, September 11, 2001, but only a fraction of us recall anything in particular about September 10. Most day-to-day experience passes immediately into oblivion. On ordinary days we don’t have much to report when we come home in the evening. The mind works according to schemes or maps, and incidents that fall outside the established pattern are most likely to capture our attention. If we get a raise or a friend tells us some exciting news, we will retain the details of the moment, at least for a while. We remember insults and injuries best: The adrenaline that we secrete to defend against potential threats helps to engrave those incidents into our minds. Even if the content of the remark fades, our dislike for the person who made it usually persists.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
While there is something genuinely sweet about capturing special life moments and sharing them with friends and family on social media, there is a balance. It’s fun to share and be social, but not to the detriment of sacrificing our own personal experience of the extraordinary moments of our lives. The bliss and ecstasy of truly experiencing a moment—of experiencing God in a moment—will stay with us for a lifetime. The brief, fleeting elation of being more concerned with capturing the moment with our camera or video, so that we can post it to social media will probably stay with us for a day, maybe two. It isn’t possible to experience the moments of life and receive their many precious gifts, if we are only “partially present” in them. Once every glorious moment of our lives is gone, it’s gone forever. We can’t hit the “undo” or “back” button and try to relive them again. We may get to re-experience “the recorded moment” on social media, but that version will never hold the same beauty, truth and gifts—God, spirit—as the actual one—the ecstatic, blissful moment that just passed us by.
Valerie Rickel
Numbers from Heaven" by Kurtis C. R. Palmer & Ramona Palmer is the first picture book in the Womb to BLOOM to Classroom series. It has vividly beautiful 3D illustrations that almost leap out of the book's pages, quickly capturing the interest of young ones. From the very first pages, they'd want to follow Zoey, the Zebra and P.B., the Panda Bear, learning and even enhancing the power of their imagination. This book opens to children a whole new world that's not only educational but also fun and worth their time. Parents and their kids can spend precious bonding moments while learning to count and even recognize some colors. The story itself takes the child to simple exercises in counting, allowing the young one to master the number being taught. Zoey's story also contains some mystery that kids can look forward to. As she discovers the treasure chest left by her Grandpa, who knows what wonders await her and her friend as they try to unlock the secret behind each key that they possess! Being the first book in a whole series that promises to teach various subjects, parents and children can definitely look forward to new adventures with Zoey and her friends. I was so happy when the book even presented a bonus animated reading of the story for those who subscribe to their Newsletter. I watched it right away and I couldn't wait to watch for more. I'm certain my nephews would enjoy both the book and the animation as they get to know Zoey and her set of friends. Two thumbs up and five stars for this educational and fun-filled book!
Jocelyn Soriano
A dear friend of mine who was quite a lover of the chase, told me the following story: 'Rising early one morning,' he said, 'I heard the baying of a score of deerhounds in pursuit of their quarry. Looking away to a broad, open field in front of me, I saw a young fawn making its way across, and giving signs, moreover, that its race was wellnigh run. Reaching the rails of the enclosure, it leaped over and crouched within ten feet from where I stood. A moment later two of the hounds came over, when the fawn ran in my direction and pushed its head between my legs. I lifted the little thing to my breast, and, swinging round and round, fought off the dogs. I felt, just then, that all the dogs in the West could not, and should not capture that fawn after its weakness had appealed to my strength.' So is it, when human helplessness appeals to Almighty God. Well do I remember when the hounds of sin were after my soul, until, at last, I ran into the arms of Almighty God." - A. C. DIXON
E.M. Bounds (The Necessity of Prayer - Discover How To Pray Without Ceasing!)
I take a moment to imagine Stacey, fresh from a shower, finding me in her living room, unannounced. I picture her wrapped in a towel, hair wet, screaming, the friendly old man next door and his Doberman racing to her aid. Me, on a gurney, explaining to the police, my parents, and Ben how I came to be mauled by a dog outside Stacey Stallard's trailer, and Sloane Keating's smug little smirk, floating above us all as her cameraman captures every moment.
Aaron Hartzler (What We Saw)
We wish for portraits of our friends, hoping to be reminded of their appearance and to renew our affections towards them. But why is the result so disappointing? In order to understand aesthetic appreciation, Wittgenstein once said, ‘I would have to explain what our photographers do today – and why it is impossible to get a decent picture of your friend even if you pay £1,000’. Because photography is understood through a causal relation to its subject, it is always, for us, the record of a moment: that sudden smile, that vanishing embrace, that flicker of a long since dead emotion. Painting aims to capture the sense of time, and to present its subject as extended in time. Portraiture is not an art of the momentary, and the true portraitist paints into the features of his sitter a whole narrative history. The causal relation which fixes the photographic image is a relation between events, and it is only by deserting his craft and taking up a pen, a brush or a pencil, that the photographer can adjust his image so as to break free of the moment. (This is surely what Brady manages in his famous portrait of Queen Emma.)
Roger Scruton (An Intelligent Person's Guide to Modern Culture)
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By creating chaos in the moment, Trump establishes the conditions of warfare in which a strongman is expected to rise. With evil enemies threatening us from every direction and with chaos engulfing our lives, we look to the glorious leader for protection, and for the victory we deserve. Fear and chaos work in Trump’s favor. They are his best friends for sustaining the authoritarian dynamic. Conveniently for him, fear and chaos capture well how Donald Trump has always experienced the world. This is how he has always lived. And now we are living it, along with him.
Dan P. McAdams (The Strange Case of Donald J. Trump: A Psychological Reckoning)
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What about ‘The Girl I Left Behind’?” Abigail suggested. “I found the music in the piano bench.” She had heard that when soldiers used to leave the post, heading for battle, the company band would play that song. Oliver shook his head. “I don’t want to leave my girl behind. I want her by my side.” He gave Abigail a look so filled with longing that a lump formed in her stomach. Oh no, Oliver. You don’t mean it. You know I’m not your girl, and I won’t ever be. Oblivious to the thoughts that set Abigail’s insides churning, Charlotte nodded vigorously. “That shouldn’t stop us from singing it,” she insisted. “It’s a pretty song.” And it was. Were it not for her concerns that Oliver wanted something she could not give, Abigail could have spent hours listening to him and her sister, for their voices blended beautifully. At the end of the evening, Abigail accompanied Oliver to the door. Though she hoped he would simply say good night as he had before, the way he cleared his throat and the uneasiness she saw on his face made Abigail fear that her hopes would not be realized. Perhaps if she kept everything casual, he would take the cue. “Thank you for coming,” she said as they walked onto the front porch. “Charlotte always enjoys your duets.” “And you?” They were only two words, but Oliver’s voice cracked with emotion as he pronounced them. Please, Oliver, go home. Don’t say something you’ll regret. Though the plea was on the tip of her tongue, Abigail chose a neutral response. “I enjoy listening to both of you.” Oliver stroked his nose in a gesture Abigail had learned was a sign of nervousness. “That’s not what I meant. I hope you enjoy my company as much as I do yours. I look forward to these visits all day.” His voice had deepened, the tone telling Abigail he was close to making a declaration. If only she could spare him the inevitable pain of rejection. “It’s good to have friends,” she said evenly. Oliver shook his head. “You know I want to be more than your friend. I want to marry you.” “I’m sorry.” And she was. Though Ethan claimed Oliver bounced back from rejection, she hated being the one to deliver it. “You know marriage is not possible. Woodrow . . .” Abigail hesitated as she tried and failed to conjure his image. “Woodrow isn’t here.” Oliver completed the sentence. “I am. I lo—” She would not allow him to continue. While it was true that Oliver’s visits helped lift Charlotte’s spirits and filled the empty space left by Jeffrey’s absence, Abigail could not let him harbor any false hopes. “Good night, Lieutenant Seton.” Perhaps the use of his title would tell him she regarded him as a friend, nothing more. What appeared to be sadness filled Oliver’s eyes as his smile faded. “Is there no hope for me?” Abigail shook her head slowly. “I’m afraid not.” He stood for a moment, his lips flattened, his breathing ragged. At last, he reached out and captured her hand in his. Raising it to his lips, Oliver pressed a kiss to the back. “Good night, Miss Harding,” he said as he released her hand and walked away.
Amanda Cabot (Summer of Promise (Westward Winds, #1))
Tell me about your home.” “My home?” It took me a moment to realize he didn’t mean here. When had I come to think of this place as home? I shook away my shock. “Downington.” He nodded and kept working. “It’s not much different than Prater’s Junction, really.” “I guess you miss your friends there.” “Friends?” He’d edged closer to me now, the basket resting at the far end of the line. I scooted toward the porch, eased down on the step, leaving him to hang the last few things. “I didn’t have any close friends there.” “Really? I imagined you to be in the center of the social whirlwind.” “That would be Mama. Not me.” I sighed. “I thought maybe if I were in a bigger place, with more to do, more people to meet, life would be more exciting. Without Mama to direct everything. But it’s likely that’s not meant to be.” “I’m sure you’re appreciated wherever you are.” His gaze captured mine, held it even as he picked up the empty basket.
Anne Mateer (Wings of a Dream)
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