β
...disbelief in magic can force a poor soul into believing in government and business....
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
There are many things worth living for, a few things worth dying for, and nothing worth killing for.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
I went down like a drunken cowgirl trying to line dance to Metallica.
β
β
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
β
Love easily confuses us because it is always in flux between illusion and substance, between memory and wish, between contentment and need.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Let us live for the beauty of our own reality.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
I believe in everything; nothing is sacred. I believe in nothing; everything is sacred. Ha Ha Ho Ho Hee Hee.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
To live fully, one must be free, but to be free one must give up security. Therefore, to live one must be ready to die. How's that for a paradox?
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Escape plan #5: Open an alpaca ranch in Texas, one that requires all blond-haired, brown-eyed, brainy girls to wear sexy cowgirl outfits.
β
β
Richelle Mead (The Fiery Heart (Bloodlines, #4))
β
When you get real big baby, remember that little old cowgirl. Waiting for you back in that red river valley.
β
β
Lana Del Rey
β
Growing up is a trap," snapped Dr. Robbins. "When they tell you to shut up, they mean stop talking. When they tell you to grow up, they mean stop growing. Reach a nice level plateau and settle there, predictable and unchanging, no longer a threat.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Don't confuse symmetry with balance.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
All a person can do in this life is gather about him his integrity, his imagination, and his individuality β and with these ever with him, out front and in sharp focus, leap into the dance of experience.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
I need a Stetson, so I can ride you like a cowgirl" - Mercy to Riley
β
β
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
β
Cries for help are frequently inaudible.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Whatever goes wrong can be used to your advantage, providing it goes wrong enough.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Love is dope, not chicken soup.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Be your own flying saucer! Rescue yourself!
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Umm. Wow. Did it grow? Because it looks bigger."
"Kissin' your red-hot love flower made this stem grow big and hard just for you, baby doll."
AJ managed to meet his eyes. "Love flower?"
"Thought maybe you wanted some kinda sweet-talkin' love words first.
β
β
Lorelei James (Cowgirl Up and Ride (Rough Riders, #3))
β
Normality is the Great Neurosis of civilization.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
The enemy is the tyranny of the dull mind.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Purpose! Purposes are for animals with a hell of a lot more dignity than the human race! Just hop on that strange torpedo and ride it to wherever it's going
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
If a girl wants to grow up to be a cowgirl, she ought to be able to do it, or else this world ain't worth living in.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
The brown paper bag is the only thing civilized man has produced that does not seem out of place in nature.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Plans are one thing and fate another. When they coincide, success results. Yet success mustn't be considered the absolute. It is questionable, for that matter, whether success is an adequate resposne to life. Success can eliminate as many options as failure.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
I didn't mean to interupt you if you were looking for your friends Miss--'
'Callihan,' but you can call my Jasmine. Or Jas.' Or Snookums. Honeybunch. Hotsie Totsie Cowgirl. My Little--
'It's nice to meet you Jasmine, I'm Jack.
β
β
Michele Jaffe (Bad Kitty (Bad Kitty, #1))
β
This sentence is made of lead (and a sentence of lead gives a reader an entirely different sensation from one made of magnesium). This sentence is made of yak wool. This sentence is made of sunlight and plums. This sentence is made of ice. This sentence is made from the blood of the poet. This sentence was made in Japan. This sentence glows in the dark. This sentence was born with a caul. This sentence has a crush on Norman Mailer. This sentence is a wino and doesn't care who knows it. Like many italic sentences, this one has Mafia connections. This sentence is a double Cancer with a Pisces rising. This sentence lost its mind searching for the perfect paragraph. This sentence refuses to be diagrammed. This sentence ran off with an adverb clause. This sentence is 100 percent organic: it will not retain a facsimile of freshness like those sentences of Homer, Shakespeare, Goethe et al., which are loaded with preservatives. This sentence leaks. This sentence doesn't look Jewish... This sentence has accepted Jesus Christ as its personal savior. This sentence once spit in a book reviewer's eye. This sentence can do the funky chicken. This sentence has seen too much and forgotten too little. This sentence is called "Speedoo" but its real name is Mr. Earl. This sentence may be pregnant. This sentence suffered a split infinitive - and survived. If this sentence has been a snake you'd have bitten it. This sentence went to jail with Clifford Irving. This sentence went to Woodstock. And this little sentence went wee wee wee all the way home.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Puttinβ on a cowboy hat & a pair of boots doesnβt make you country; Like puttinβ on a ball gown & glass heels wonβt make me Cinderella.
β
β
Kellie Elmore
β
Live the beauty or your own reality.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
If I could have been a cowgirl, I might have never written a word.
β
β
Carolyn Haines
β
People aren't trees, so it is false when they speak of roots.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
You looking for a firsthand demonstration of my heterosexual prowess, cowgirl? Because I'm more than up for a challenge.
β
β
Lorelei James (All Jacked Up (Rough Riders #8))
β
A book no more contains reality than a clock contains time. A book may measure so-called reality as a clock measures so-called time; a book may create an illusion of reality as a clock creates an illusion of time; a book may be real, just as a clock is real (both more real, perhaps, than those ideas to which they allude); but let's not kid ourselves - all a clock contains is wheels and springs and all a book contains is sentences.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Reverse cowgirl on a drum throne with the hottest man Iβve ever laid eyes on? Yes, please, and thank you.
β
β
Kendall Grey (Beats (Hard Rock Harlots, #2))
β
How we shape our understanding of others' lives is determined by what we find memorable in them, and that in turn is determined not by any potentially accurate overview of another's personality but rather by the tension and balance that exist in our daily relationships.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Should I tell her that I canβt sleep, I canβt eat and I miss talkinβ to her? Or just sittinβ with her? That I miss the secret way she smiles at me? That I constantly think about the way she smells, the taste of her mouth, the feel of her skin, and the sound of her laughter?
β
β
Lorelei James (Cowgirl Up and Ride (Rough Riders, #3))
β
Anarchy is like custard cooking over a flame; it has to be constantly stirred or it sticks and gets heavy, like government.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Heterosexual relationships seem to lead only to marriage, and for most poor dumb brainwashed women marriage is the climactic experience. For men, marriage is a matter of efficient logistics: the male gets his food, bed, laundry, TV, pussy, offspring and creature comforts all under one roof, where he doesn't have to dissipate his psychic energy thinking about them too much - then he is free to go out and fight the battles of life, which is what existence is all about.
But for a woman, marriage is surrender. Marriage is when a girl gives up the fight, walks off the battlefield and from then on leaves the truly interesting and significant action to her husband, who has bargained to 'take care' of her. What a sad bum deal.
Women live longer than men because they really haven't been living. Better blue-in-the-face dead of a heart attack at fifty than a healthy seventy-year old widow who hasn't had a piece of life's action since girlhood.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Your author has found love to be the full trip, emotionally speaking; the grand tour: fall in love, visit both Heaven and Hell for the price of one.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Politics is for people who have a passion for changing life but lack a passion for living it.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
I believe in political solutions to political problems. But man's primary problems aren't political; they're philosophical. Until humans can solve their philosophical problems, they're condemned to solve their political problems over and over and over again. It's a cruel, repetitious bore.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Lord, Iβm gettinβ addicted to your kisses, AJ. I feel plain, damn drugged when youβre kissinβ me. I feel plain, damn lost myself when you ainβt around.
β
β
Lorelei James (Cowgirl Up and Ride (Rough Riders, #3))
β
Unfortunately, little darlings, there is no such thing as a simple love story.The most transitory puppy crush is complex to the extent of lying beyond the far reaches of the brain's understanding.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
In times of widespread chaos and confusion, it has been the duty of more advanced human beings--artists, scientists, clowns and philosophers--to create order. In times such as ours, however, when there is too much order, too much management, too much programming and control, it becomes the duty of superior men and women to fling their favorite monkey wrenches into the machinery. To relive the repression of the human spirit, they must sow doubt and disruption.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Personally, I prefer Stevie Wonder," confessed the Chink, "but what the hell. Those cowgirls are always bitching because the only radio station in the area plays nothing but polkas, but I say you can dance to anything if you really feel like dancing." To prove it, he got up and danced to the news.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
If you want to change the world, change yourself.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
The ugly may be beautiful, the pretty never.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Ride em, cowgirl,' he said.
And she did.
β
β
Beverly Barton (Blackwood's Woman (The Protectors, #6))
β
And this is when I know weβre only about an hour and a half from Harlow riding Finn reverse-cowgirl on the floor somewhere.
β
β
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
β
Cowgirl Courage isn't the lack of fear, but the courage to take action in the face of fear.
β
β
J.H. Lee
β
Laws, it is said, are for the protection of the people. It's unfortunate that there are no statistics on the number of lives that are clobbered yearly as a result of laws: outmoded laws; laws that found their way onto the books as a result of ignorance, hysteria or political haymaking; antilife laws; biased laws; laws that pretend that reality is fixed and nature is definable; laws that deny people the right to refuse protection. A survey such as that could keep a dozen dull sociologists out of mischief for months.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
If little else, the brain is an educational toy.
The problem with possessing such an engaging toy is that other people want to play with it, too. Sometime they'd rather play with yours than theirs. Or they object if you play with yours in a different manner from the way they play with theirs. The result is, a few games out of a toy department of possibilities are universally and endlessly repeated. If you don't play some people's game, they say that you have "lost your marbles," not recognizing that, while Chinese checkers is indeed a fine pastime, a person may also play dominoes, chess, strip poker, tiddlywinks, drop-the-soap or Russian roulette with his brain.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
You are an ignorant schoolgirl. You think civilization is a good thing.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
the greatest men that ever live pass away unknown. they put forth no claims for themselves, establish no schools of systems in their name. they never create or stir but just melt down into love
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
A book no more contains reality than a clock contains time.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
The Earth is God's pinball machine and each quake, tidal wave, flash flood and volcanic eruption is the result of a TILT that occurs when God, cheating, tries to win free games.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Most cowgirls are natural storytellers, their art honed by years of practice. . . . It serves as entertainment; it also preserves the humor and value of a unique way of life.
β
β
Teresa Jordan (Cowgirls: Women of the American West)
β
For the cowgirl in all of us. Ride hard. Ride often. Ride free.
β
β
Jessica Peterson (Cash (Lucky River Ranch, #1))
β
God, she loved this man. She loved his gruff, sweet, thoughtful sides. And his edgy side. She wasnβt in love with the perfect Cord McKay sheβs been fantasizing over forever, but the real flesh and blood man. The real man. Flaws and all.
β
β
Lorelei James (Cowgirl Up and Ride (Rough Riders, #3))
β
Right now, AJ. I wanna pin you against the wall and fuck you hard enough to rattle the stalls. Then I want to bend you over the railingβ and take you from behind, sinkinβ my teeth into that spot at the base of your neck that makes you scream my name.β
AJ swallowed. βUm. Letβs start with just one and work our way down the wish list, okay?
β
β
Lorelei James (Cowgirl Up and Ride (Rough Riders, #3))
β
Purple Hair stopped dusting blush over Cameronβs cheeks. βHold up. Are you talking about the dark-haired guy who came in with you? The one who searched me before I could do your makeup?β Cameron grimaced. βSorry about that.β βDonβt beβit was the highlight of my month.β Purple Hair threw her a get-real stare. βThatβs the guy youβre holding out on? Sweetie, you need to grab that stallion and ride him like a cowgirl.
β
β
Julie James (Something About You (FBI/US Attorney, #1))
β
The Cowboy Way
Being a Cowboy is doing the right thing; common
wisdom born of simple virtues and strong ideals.
Above all, it is a strict adherence to honesty
even when it is not in our best interests.
It is having an inherent sense of justice in a
world where the cards are often stacked against us.
We try to hold enough common sense to recognize
the value of a lost cause and the cost of lost values.
Generally speaking, we are quietly reserved in all
things except freedom, fresh air and Saturday night.
We have a keen eye for a
good horse, a good gun,and a good Cowgirl.
Constant to friends, we are more so when
friends need us, less so when they don't.
Familiar with hard work we also know
hard knocks and hard roads.
Often given to tears
when lesser individuals would display indifference;
we are as well given to joy in a few
places others would only find disdain.
We enjoy plain living, not because
we relish doing without, but because we have
discovered the treasures within.
And, finally, we have that elusive emotion called
courage which is, at worst, a badly directed sense of
conceit and, at best, it is the stuff
of which dreams are made. . . .
β
β
Charly Gullett
β
I've lived most of my adult life outside the law, and never have I compromised with authority. But neither have I gone out and picked fights with authority. That's stupid. Theyβre waiting for that; they invite it; it helps keep them powerful. Authority is to be ridiculed, outwitted and avoided. And it is fairly easy to do all three. If you believe in peace, act peacefully; if you believe in love, act lovingly; if you believe every which way, then act every which way, thatβs perfectly validβbut donβt go out trying to sell your beliefs to the System. You end up contradicting what you profess to believe in, and you set a bum example. If you want to change the world, change yourself.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
we've produced a generation of spiritual panhandlers, begging for coins of wisdom, banging like bums on every closed door...if an old man moves into a shack or a cave and lets his beard grow, people will flock from miles around just to read his "no trespassing" sign
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Disorder is inherent in stability. Civilized man doesn't understand stability. He's confused it with rigidity. Our political and economic and social leaders drool about stability constantly. It's their favorite word, next to 'power.'
'Gotta stabilize the political situation in Southeast Asia, gotta stabilize oil production and consumption, gotta stabilize student opposition to the government' and so forth.
Stabilization to them means order, uniformity, control. And that's a half-witted and potentially genocidal misconception. No matter how thoroughly they control a system, disorder invariably leaks into it. Then the managers panic, rush to plug the leak and endeavor to tighten the controls. Therefore, totalitarianism grows in viciousness and scope. And the blind pity is, rigidity isn't the same as stability at all.
True stability results when presumed order and presumed disorder are balanced. A truly stable system expects the unexpected, is prepared to be disrupted, waits to be transformed.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
If complexity doesn't beat you, paradox will.
β
β
Tom Robbins (Even Cowgirls Get the Blues & My Own Private Idaho)
β
Time brought along its secretary, memory, and space brought its brat, loneliness.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Civilization is a mutant beast that emerged from the shattered egg of primitive stability.-Sissy Hankshaw
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Love is very powerful, but it has limits and itβs a costly mistake to spread it too thin.
β
β
Tom Robbins (Even Cowgirls Get the Blues: A Novel)
β
The second thing which made speechless--a state my dad would have found amusing--was the fact Mr. Hunky gave me a masculine grin--a naughty one which made me cream my panties--and said in a velvety baritone, βRun along, sweetheart. Iβve got this.β
Me, one of Hellβs most successful bounty hunters, dismissed with a smile and a wave of his hand. His treatment made me want to tear his pants off and ride him like a cowgirl--I mean, heβd called me sweetheart, how hot was that?--while at the same time making me see red. Iβm gonna wipe the smirk off his face. Then Iβm gonna kiss him. Then..
β
β
Eve Langlais (Last Minion Standing)
β
A sneeze travels at a peak velocity of two hundred miles per hour. A burp, more slowly; a fart, slower yet. But a kiss thrown by fingers- its departure is sudden, its arrival ambiguous, and there is no source that can state with authority what speeds are reached in its flight.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Beer does not satisfy magic, however. So the magic ordered a round of Harvey Wallbangers. But it takes more than vodka to fuel magic. It takes risks. It takes EXTREMES.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
The international situation is desperate, as usual.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
So you think that you're a failure, do ya? Well, you probably are. What's wrong with that? In the first place, if you have any sense at all, we pay just as dearly for our triumphs as we do for our defeats. Go ahead and fail! But fail with wit, fail with grace, fail with style. A mediocre failure is as insufferable as a mediocre success. Embrace failure! Seek it out. Learn to love it. That may be the only way any of us will ever be free.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
They accepted my donation, so they're aware they'd better serve my interests or I'll buy some leadership that will.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Perhaps sound carries farther across time than across space.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Unearth marvels as you walk the path,
Stand in awe,
Therein is the joy of life.
β
β
Barbara Neville (Cowgirls Just Wanna Have Fun (Spirit Animal, #2))
β
Sissy: You really don't believe in political solutions do you?
The Chink: I believe in political solutions to political problems. But man's primary problems aren't political; they're philosophical. Until humans can solve their philosophical problems, they're condemned to solve their political problems over and over and over again. It's a cruel, repetitious bore.
Sissy: Well, then, what are the philosophical solutions?
The Chink: Ha ha ho ho and hee hee. That's for you to find out. I'll say this much and no more: there's got to be poetry. And magic. At every level. If civilization is ever going to be anything but a grandiose pratfall, anything more than a can of deodorizer in the shithouse of existence, then statesmen are going to have to concern themselves with magic and poetry. Bankers are going to have to concern themselves with magic and poetry. Time magazine is going to have to write about magic and poetry. Factory workers and housewives are going to have to get their lives entangled in magic and poetry.
Sissy: Do you think such a thing can ever happen?
The Chink: If you understood poetry and magic, you'd know that it doesn't matter.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Perhaps a person gains by accumulating obstacles. The more obstacles set up to prevent happiness from appearing, the greater the shock when it does appear, just as the rebound of a spring will be all the more powerful the greater the pressure that has been exerted to compress it. Care must be taken, however, to select large obstacles, for only those of sufficient scope and scale have the capacity to lift us out of context and force life to appear in an entirely new and unexpected light.
For example, should you litter the floor and tabletops of your room with small objects, they constitute little more than a nuisance, an inconvenient clutter that frustrates you and leaves you irritable; the petty is mean. Cursing, you step around the objects, pick them up, knock them aside.
Should you, on the other hand, encounter in your room a nine thousand pound granite boulder, the surprise it evokes, the extreme steps that must be taken to deal with it, compel you to see with new eyes. Difficulties illuminate existence, but they must be fresh and of high quality.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
In times such as ours, however, when there is too much order, too much management, too much programming and control, it becomes the duty of superior men and women to fling their favorite monkey wrenches into the machinery.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
They caressed one another until their hides shone. They embraced until their 206 bones squeaked like mice. Their bed was a boat in a weird sea.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
You have taught us much. Come with us and join the movement."
"This movement of yours, does it have slogans?" inquired the Chink.
"Right on!" they cried. And they quoted him some.
"Your movement, does it have a flag?" asked the Chink.
"You bet!" and they described their emblem.
"And does your movement have leaders?"
"Great leaders."
"Then shove it up your butts," said the Chink. "I have taught you nothing.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
The highest men are calm, silent and unknown...The true masters seldom reveal themselves, except in the vibrations the leave behind, and upon which the lesser gurus build their doctrines.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Water- the ace of elements. Water dives from the clouds without parachute, wings or safety net. Water runs over the steepest precipice and blinks not a lash. Water is buried and rises again; water walks on fire and fire gets the blisters.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Inside the house, near the hearth, Amiel had built a sort of fire pit with rocks. It was a safer place to cook than most campsites, really, because there was concrete all around, and I longed to be there when he had the fire going, when we could be cowgirl and cowboy and pretend we weren't a few miles from two million people.
β
β
Laura McNeal (Dark Water)
β
It is as if the soul of the continent is weeping.
Why does it weep? It weeps for the bones of the buffalo. It weeps for magic that has been forgotten. It weeps for the decline of poets.
It weeps
for the black people who think like white people.
It weeps
for the Indians who think like settlers.
It weeps
for the children who think like adults.
It weeps
for the free who think like prisoners.
Most of all, it weeps
for the cowgirls who think like cowboys.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Not aimless. Not in the least. It's just that my aims are different from most. There are plenty of aimless people on the road, all right. People who hitchhike from kicks to kicks, restlessly, searching for something: looking for America, as Jack Kerouac put it, or looking for themselves, or looking for some relation between America and themselves. But I'm not looking for anything. I've found something."
"What is it that you've found?"
"Hitchhiking.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
It's hard to have a serious conversation with you when you're wearin' lighted cocks on your head."
AJ defiantly thrust out her chin and the penises bobbled. "We aren't having a conversation. You're give me tough-guy attitude. If you won't acknowledge me in public, you don't have the right to chastise me for anything I do in public or in private. And now you lost the right to do anything to me in private either, bucko."
"Quit bein' so goddamm childish."
Her eyes narrowed to silver slits. "Quit bein' such a goddamn dickhead."
"You're the one with dicks on your head, baby doll."
"Yeah? I can take mine off any old time I please, but you wear your dickhead like a second skin. Or should I say as a second foreskin?
β
β
Lorelei James (Cowgirl Up and Ride (Rough Riders, #3))
β
there are countless ways to live upon this tremendous sphere in mirth and good health, and probably only one way - the industrialized, urbanized, herding way - to live here stupidly, and man has hit upon that one wrong way
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
If we're ever going to get the world back on a natural footing, back in tune with natural rhythyms, if we're going to nurture the Earth and protect it and have fun with it and learn from it - which is what mothers do with their children - then we've got to put technology (an aggressive masculine system) in its proper place, which is that of a tool to be used sparingly, joyfully, gently and only in the fullest cooperation with nature. Nature must govern technology, not the other way around.
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
When life demands more of people than they demand of life - as is ordinarily the case - what results is a resentment of life that is almost as deep-seated as the fear of death. Indeed, the resentment of life and the fear of death are virtually synonymous. Does it follow, then, that the more people ask of living, the less their fear of dying?
β
β
Tom Robbins (Even Cowgirls Get the Blues)
β
Perhaps everything was connected to everything, in a discernible if nebulous way, and if one might only trace the fibers and filaments of those connections, one might... One might what? Observe the Grand Design? Untangle all the puppet strings and discover whose hands (or claws) are pulling them? End the ancient search for order and meaning in the universe?
β
β
Tom Robbins (Even Cowgirls Get the Blues)
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Take now the clockworks... The clockworks, being genuine and not much to look at, don't generate the drama of an Earth-tilt or a flying saucer, nor do they seem to offer any immediate panacea for humanity's fifty-seven varieties of heartburn. But suppose that you're one of those persons who feels trapped, to some degree, trapped matrimonially, occupationally, eductionally or geographically, or trapped in something larger than all those; trapped in a system, or what you might descrbie as an "incresingly deadening technocracy" or a "theater of paranoia and desperation" or something like that. Now, if you are one of those persons... wouldn't the very knowledge that there are clockworks ticking away behind the wallpaper of civilization, unbeknownst to leaders, organizers and managers (the President included), wouldn't that knowledge, suggesting as it does the possibility of unimaginable alternatives, wouldn't that knowledge be a bubble bath for your heart?
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Tom Robbins (Even Cowgirls Get the Blues)
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i've lived most of my entire adult life outside the law, and never have i compromised with authority. but neither have i gone out and picked fights with authority. that's stupid. they're waiting for that; they invite it; it helps keep them powerful. authority is to be ridiculed, outwitted and avoided. and its fairly easy to do all three. if you believe in peace, act peacefully; if you believe in love, act lovingly; if you believe every which way, act every which way, that's perfectly valid - but don't go out trying to sell your beliefs to the system. you end up contradicting what you profess to believe in, and you set a bum example. if you want to change the world, change yourself.
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Tom Robbins (Even Cowgirls Get the Blues)
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America's industrial success produced a roll call of financial magnificence: Rockefellers, Morgans, Astors, Mellons, Fricks, Carnegies, Goulds, du Ponts, Belmonts, Harrimans, Huntingtons, Vanderbilts, and many more based in dynastic wealth of essentially inexhaustible proportions. John D. Rockefeller made $1 billion a year, measured in today's money, and paid no income tax. No one did, for income tax did not yet exist in America. Congress tried to introduce an income tax of 2 percent on earnings of $4,000 in 1894, but the Supreme Court ruled it unconstitutional. Income tax wouldn't become a regular part of American Life until 1914. People would never be this rich again.
Spending all this wealth became for many a more or less full-time occupation. A kind of desperate, vulgar edge became attached to almost everything they did. At one New York dinner party, guests found the table heaped with sand and at each place a little gold spade; upon a signal, they were invited to dig in and search for diamonds and other costly glitter buried within. At another party - possibly the most preposterous ever staged - several dozen horses with padded hooves were led into the ballroom of Sherry's, a vast and esteemed eating establishment, and tethered around the tables so that the guests, dressed as cowboys and cowgirls, could enjoy the novel and sublimely pointless pleasure of dining in a New York ballroom on horseback.
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Bill Bryson (At Home: A Short History of Private Life)
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A little boy, he can play like he's a fireman or a cop--although fewer and fewer are pretending to be cops, thank God--or a deep-sea diver or a quarterback or a spaceman or a rock 'n roll star or a cowboy, or anything else glamorous and exciting (Author's note: What about a novelist, Jellybean?), and although chances are by the time he's in high school he'll get channeled into safer, duller ambitions, the great truth is, he can be any of those things, realize any of those fantasies, if he has the strength, nerve and sincere desire...But little girls? Podner, you know that story as well as me. Give 'em doll babies, tea sets and toy stoves. And if they show a hankering for more bodacious playthings, call 'em tomboy, humor 'em for a few years and then slip 'em the bad news...And the reality is, we got about as much chance of growing up to be cowgirls as Eskimos have got being vegetarians.
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Tom Robbins (Even Cowgirls Get the Blues)
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Nature is not infallible. Nature makes mistakes. That's what evolution is all about: growth by trail and error. Nature can be stupid and cruel. Oh, my, how cruel! That's okay. There's nothing wrong with Nature being dumb and ugly because it is simultaneously--paradoxically--brilliant and superb.
But to worship the natural at the exclusion of the unnatural is to practice Organic Fascism--which is what many of my pilgrims practice. And in the best tradition of fascism, they are totally intolerant of those who don't share their beliefs; thus, they foster the very kinds of antagonism and tension that lead to strife, which they, pacifists one and all, claim to abhor. To insist that a woman who paints berry juice on her lips is somehow superior to the woman who wears Revlon lipstick is sophistry; it's smug sophistical skunkshit. Lipstick is a chemical composition, so is berry juice, and they both are effective for decorating the face. If lipstick has advantages over berry juice then let us praise that part of technology that produced lipstick. The organic world is wonderful, bot the inorganic isn't bad, either. The world of plastic and artifice offers its share of magical surprises.
A thing is good because it's good, not because it's natural. A thing is bad because it's bad, not because it's artificial. It's not a damn iota better to be bitten by a rattlesnake than shot by a gun.
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Tom Robbins (Even Cowgirls Get the Blues)
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I was a medic in the Army. I really should have become a doctor. Sometimes, though, I feel that pushing books is a whole lot like pushing medicine. Think of books as pills. I have pills that cure ignorance and pills that cure boredom. I have pills to elevate moods and open peopleβs eyes to the awful truth: uppers and downers as it were. I sell pills to help people find themselves and pills to help them lose themselves when they require escape from the pressures and anxieties of life in a complex societyβ¦
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Tom Robbins (Even Cowgirls Get the Blues)
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It is not a belly button. (The umbilicus serves, then withdraws, leaving but a single footprint where it stood: the navel, wrinkled and cupped, whorled and domed, blind and winking, bald and tufted, sweaty and powdered, kissed and bitten, waxed and fuzzy, bejeweled and ignored; reflecting as graphically as breasts, seeds or fetishes the omnipotent fertility in which Nature dangles her muddy feet, the navel looks in like a plugged keyhole to the center of our being, it is true, but O navel, though we salute your motionless maternity and the dreams that have gotten tangled in your lint, you are only a scar, after all; you are not it.)
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Tom Robbins (Even Cowgirls Get the Blues)
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To begin with, it was important for women to keep up their βcurb appeal,β to βlook and smell delicious,β to be βfeminine, soft, and touchable,β not βdumpy, stringy, or exhaustedββat least if they wanted husbands to come home to them. But that was just the beginning. To keep a husbandβs interest, Morgan was a strong believer in the power of costumes in the bedroom (or kitchen, living room, or backyard hammock), so that when a husband opened the front door each night it was like βopening a surprise package.β One day a βsmoldering sexpot,β another βan all-American fresh beauty,β a pixie, a pirate, βa cow-girl or a show girl.β (Contrary to popular belief, Morgan never recommended that women clothe themselves in nothing but Saran Wrap. She wasnβt sure where that rumor got its start, though she conceded it was βa great idea.β) 3
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Kristin Kobes Du Mez (Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation)
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...on a number of occasions this book has made reference to magic, and each time you've shaken your head, muttering such criticisms as "What does he mean by 'magic' anyhow? It's embarrassing to find a grown man talking about magic in such a manner. How can anybody take him seriously?" Or, as slightly more gracious readers have objected, "Doesn't the author realize that one can't write about magic? One can create it but not discuss it. It's much too gossamer for that. Magic can be neither described nor defined. Using words to describe magic is like using a screwdriver to slice roast beef."
To which the author now replies, Sorry, freeloaders, you're clever but you're not quite correct. Magic isn't the fuzzy, fragile, abstract and ephemeral quality you think it is. In fact, magic is distinguished from mysticism by its very concreteness and practicality. Whereas mysticism is manifest only in spiritual essence, in the transcendental state, magic demands a steady naturalistic base. Mysticism reveals the ethereal in the tangible. Magic makes something permanent out of the transitory, coaxes drama from the colloquial.
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Tom Robbins (Even Cowgirls Get the Blues)