Canvas Inspirational Quotes

A painter should begin every canvas with a wash of black, because all things in nature are dark except where exposed by the light.

I’m…getting there. I’m beginning to think that maybe it’s okay to be a blank canvas. Maybe it’s okay that my future is unknown. And maybe,” I say with another smile, “it’s okay to be inspired by the people who do know their future.” “It goes both ways, you know.” I link his icicle fingers through mine. “What does?” “Artists are inspired by blank canvases.” My smile grows wider.

Make your lives a masterpiece, you only get one canvas.

Mix up a little more shadow color here, then we can put us a little shadow right in there. See how you can move things around? You have unlimited power on this canvas -- can literally, literally move mountains

The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.

Your life is your artwork and you are to paint life as a beautiful struggle. With your brush, paint the colors of joy in vibrant shades of red. Color the sky a baby blue, a color as free as your heart. With rich, earthy tones shade the valleys that run deep into the ground where heaven meets hell. Life is as chaotic as the color black, a blend of all colors, and this makes life a beautiful struggle. Be grateful for the green that makes up the beautiful canvas, for nature has given you everything that you need to be happy. Most of all, don’t ever feel the need to fill the entire canvas with paint, for the places left blank are the most honest expressions of who you are.

You are the artist, and your days the canvas. Will you create an original masterpiece, or live a paint-by-numbers kind of life?

The sky is a canvas, so paint your own life.

One of the strangest things is the act of creation. You are faced with a blank slate—a page, a canvas, a block of stone or wood, a silent musical instrument. You then look inside yourself. You pull and tug and squeeze and fish around for slippery raw shapeless things that swim like fish made of cloud vapor and fill you with living clamor. You latch onto something. And you bring it forth out of your head like Zeus giving birth to Athena. And as it comes out, it takes shape and tangible form. It drips on the canvas, and slides through your pen, it springs forth and resonates into the musical strings, and slips along the edge of the sculptor’s tool onto the surface of the wood or marble. You have given it cohesion. You have brought forth something ordered and beautiful out of nothing. You have glimpsed the divine.

Every run is a work of art, a drawing on each day's canvas. Some runs are shouts and some runs are whispers. Some runs are eulogies and others celebrations. When you're angry, a run can be a sharp slap in the face. When happy, a run is your song. And when your running progresses enough to become the chrysalis through which your life is viewed, motivation is almost beside the point. Rather, it's running that motivates you for everything else the day holds.

I thought...it was easy when I thought it was something to do with the flesh. But what I'm seeing is more than that. It's love, and love isn't a sin. So how can God be so cruel as to give that feeling to two men or two women if it's a sin? I've always believed God to be compassionate. Loving.

She preferred the quiet solitary atmosphere, to create in her own world of paint and colour, the thrill of anticipating how her works would turn out as she eyed the blank sheets of paper or canvas before starting her next masterpiece. How satisfying it was to mess around in paint gear, without having to worry about spills, starch or frills, that was the life!

The only thing that ever scared him was finding out there was something he couldn't do, so he damn well made sure there was anything he couldn't.

If you’re to choose to paint your life today... What will it be? Remember, you’re the artist, not the canvas.

Life is a great big canvas; throw all the paint you can on it.

As artist Nature splashes color across the vast canvas of the sky with the radiance and splendor of sunrise and sunset. She arches rainbows against the passing storm, creates flowers and foliage, sets autumn woods on fire with the beauty of turning leaves and touches mountaintops with snow crystals.

Tomorrow is a blank canvas and you are the artist.

Solitude is the canvas of a thinking mind.

I do not possess the ability to draw or paint. I can’t sing or dance. I can’t knit or sew. But I am an artist. I have the ability to put onto paper, words that tell an intriguing story. I am a writer. A writer is someone who, with just words, can paint a beautiful picture. A writer can open up a world of imagination you didn’t realize was possible. When you open up a book and become so consumed in the story, you feel like you’re a part of it… you’re standing next to that character and feeling the same way that character feels, That’s the art of a writer. I am an artist. My inspiration is the world around me. My paintbrush is my words. My easel is my computer. My canvas is the mind of my reader.

On the great canvas of time We all create our own masterpiece. Choreographing our steps across minutes and hours Dancing over the days Painting pictures over months and Writing our stories on the years. Singing our songs that echo across eons. We are all a thread in the talent tapestry. A snapshot in the cosmic, collective collage.

The paper is your canvas. The pen is your brush. Create your masterpiece.

There are no mistakes in art.

The whole world's a canvas for our sketches Horizons as far as the mind stretches A work of art with soft edges Waiting to come alive Now's the time

Love is when unknowingly I am moving to a world of no return, Where my desire and your fragrance together burn all your thoughts in canvas of my mind and soul turns in to a masterpiece as my life's aim and goal looks I am taken over and over away by you showering in me as a rain of you and only you

Life is a great big canvas; throw all tje paint you can at it.

Hearts shall dance once again; when canvas of ice is painted with the brush of skates.

Beauty is the only human aspect which cannot be captured on any canvas howsoever hard an artist tries. At the most, the undaunted artist can replicate the beauty on paper but what is a replica in comparison to the original! The humbling resemblance can only be respected, not truly adored. Beauty cannot be imprisoned in the lens of a camera. The images of beauty are a moment of its essence. Beauty cannot be displayed to evoke pleasure for all on a cinema screen. Those are just its imprints, mere illusions of its existence. Beauty cannot be described by words; it cannot be written or read about. There are no suitable words in all the languages of the world, ancient or modern to hold it between a paper and a pen or a script and an eye. Beauty can only be experienced from far, its delightful aroma can only be tasted through one’s eyes and its pleasurable sight can only be felt from the soul. Beauty can only be best described at its origin through a befuddling silence, the kind that leaves one almost on the verge of a pleasurable death, just because one chooses beauty over life. There is nothing in this world to hold something so pure, so divine except a loving heart. And it is the only manner through which love recognises love; the language of love has no alphabet, no words.

I’m beginning to think that maybe it’s okay to be a blank canvas. Maybe it’s okay that my future is unknown. And maybe,” I say with another smile, “it’s okay to be inspired by the people who do know their future.

I have always been jealous of artists. The smell of the studio, the names of the various tools, the look of a half-finished canvas all shout of creation. What do writers have in comparison? Only the flat paper, the clacketing of the typewriter or the scrape of a pen across a yellow page. And then, when the finished piece is presented, there is a small wonder on one hand, a manuscript smudged with erasures or crossed out lines on the other. The impact of the painting is immediate, the manuscript must unfold slowly through time.

All that summer and fall she painted, mornings, afternoons, evenings, then walked around the streets that were still echoing the music of the masters, and every stone, every pebble seemed to have a life and reason of its own and she somehow felt, though vaguely, a part of that reason. Some nights she would sit in the café with other young artists and poets and musicians and who knows what else, drinking wine and talking and laughing and discussing and arguing and life was exciting and tangible and crisp like the clear Mediterranean sunlight. Then as the grayness of winter slowly seeped down from the north the energy and inspiration seemed to ooze from her as paint from a tube and now when she looked at a bare canvas it was only a bare canvas, a piece of material stretched over a few pieces of wood, it was no longer a painting waiting to be painted. It was just, canvas. She went further south. Sicily. North Africa. Trying to follow the sun to the past, the very recent past, but all she found was herself.

Life is a wave of love for a lover, a gift for a giver, a drama for an actor, and a canvas for a painter.

This is your life; this is your canvas; draw everything you can with love, with all the colors your have; draw all the days you are alive.

Life is a canvas, so make your life as an ageless art. Everybody will be able to look at it and enjoy it. And, with time, it will get more valuable.

Art is an expression of love, which you can see on the canvas.

The greatness of the tattoo artist lies in her ability to gauge the degree to which she can push her art before the art kills the canvas.

Nothingness is the beginning of everything. Fret not that you have nothing; be merry that you have a canvas upon which to paint your own reality.

Never look back. The past is done. The future is a blank canvas. Work on creating a masterpiece. Only you have the power to make your painting beautiful.

Life is an experiment and experience. Life is miraculous and a miracle. Life is a giant canvas and an elusive art. Life is playing field for spirit and spiritual. Life is for love and love is for life.

She could have wept. It was bad, it was bad, it was infinitely bad! She could have done it differently of course; the colour could have been thinned and faded; the shapes etherealised; that was how Paunceforte would have seen it. But then she did not see it like that. She saw the colour burning on a framework of steel; the light of a butterfly’s wing lying upon the arches of a cathedral. Of all that only a few random marks scrawled upon the canvas remained. And it would never be seen; never be hung even, and there was Mr Tansley whispering in her ear, “Women can’t paint, women can’t write ...” She now remembered what she had been going to say about Mrs Ramsay. She did not know how she would have put it; but it would have been something critical. She had been annoyed the other night by some highhandedness. Looking along the level of Mr Bankes’s glance at her, she thought that no woman could worship another woman in the way he worshipped; they could only seek shelter under the shade which Mr Bankes extended over them both. Looking along his beam she added to it her different ray, thinking that she was unquestionably the loveliest of people (bowed over her book); the best perhaps; but also, different too from the perfect shape which one saw there. But why different, and how different? she asked herself, scraping her palette of all those mounds of blue and green which seemed to her like clods with no life in them now, yet she vowed, she would inspire them, force them to move, flow, do her bidding tomorrow. How did she differ? What was the spirit in her, the essential thing, by which, had you found a crumpled glove in the corner of a sofa, you would have known it, from its twisted finger, hers indisputably? She was like a bird for speed, an arrow for directness. She was willful; she was commanding (of course, Lily reminded herself, I am thinking of her relations with women, and I am much younger, an insignificant person, living off the Brompton Road). She opened bedroom windows. She shut doors. (So she tried to start the tune of Mrs Ramsay in her head.) Arriving late at night, with a light tap on one’s bedroom door, wrapped in an old fur coat (for the setting of her beauty was always that—hasty, but apt), she would enact again whatever it might be—Charles Tansley losing his umbrella; Mr Carmichael snuffling and sniffing; Mr Bankes saying, “The vegetable salts are lost.” All this she would adroitly shape; even maliciously twist; and, moving over to the window, in pretence that she must go,—it was dawn, she could see the sun rising,—half turn back, more intimately, but still always laughing, insist that she must, Minta must, they all must marry, since in the whole world whatever laurels might be tossed to her (but Mrs Ramsay cared not a fig for her painting), or triumphs won by her (probably Mrs Ramsay had had her share of those), and here she saddened, darkened, and came back to her chair, there could be no disputing this: an unmarried woman (she lightly took her hand for a moment), an unmarried woman has missed the best of life. The house seemed full of children sleeping and Mrs Ramsay listening; shaded lights and regular breathing.

Ultimately, we are all products of the experiences we have and the decisions we make as children, and it remains a peculiar detail of the human condition that something as precious as a future is entrusted to us when we possess so little foresight. Perhaps that’s what makes hindsight so intriguing. When you’re young the future is a blank canvas, but looking back you are always able to see the big picture.

Retirement with its open canvas, is an especially opportune time to cultivate expanded experiences.

Love is the canvas covering the furniture that you've become a part of

Our tragedy is their beauty. Our pain is their art. The beatific bereavement that is our life captured on a canvas for all the world to see.

Imagination is a vision with vivid pictures in the canvas of the mind.

Life is a beautiful song written on the canvas of your mind.

Life is a giant canvas and an elusive art.

Life is neither misery nor bliss. Life is an empty canvas, paint your life with color of your choice, start with a day. Let horses of your imagination run wild.

Style jazzes up your canvas.

I am LIMITLESS not bent by the foundations of my own mind.I can create endless possibilities with the world as my canvas

The world is but a canvas for our imagination

On the canvas of life, you are the creative painter of your success. Paint your life into a wonderful masterpiece of excellence.

A battlefield; the canvas. The paint; blood. The brush; your sword. The painter; you.

Every dream, every vision is a masterpiece canvas on the wall of our minds. So as artists we should make an effort to bring the artwork to the the exhibition.

Like the perfect collision of oils on a canvas. She was a walking piece of art. Words and all.

Henry had written a novel because there was a hole in him that needed filling, a question that needed answering, a patch of canvas that needed painting—that blend of anxiety, curiosity and joy that is at the origin of art—and he had filled the hole, answered the question, splashed colour on the canvas, all done for himself, because he had to. Then complete strangers told him that his book had filled a hole in them, had answered a question, had brought colour to their lives. The comfort of strangers, be it a smile, a pat on the shoulder or a word of praise, is truly a comfort.

Writing is like painting with words, the paper is the canvas, the pen is the brush, the words are the colors and the verbs, nouns and adjectives are the blending of the hues that add depth to the picture you are creating. -Reed Abbitt Moore-

The arrival of New Year heralded a symphony of riveting colors awakening our inspiration, as the world is our canvas, our profound souls becomes inspired when the brushes of good deeds and triumph of our love make their way into the heart of beloved .

It was exciting to feel so much spite for somebody. It inspired me; I almost felt like dancing. If I was an artist, I thought, I would paint a huge black-and-red canvas, stabbing with my brush in a frenzy until I fell down on the floor in a heap, sweating and dizzy, the world spinning above me. I wished I could be breathless like that, and for so long I'd believed I couldn't.

When Jesus was wrapping up his days on earth, he didn't tell us to go to church. He didn't tell us to engage in a spiritualized version of channel surfing, as we hop from place to place in search of just the right programming to entertain us. He told us to get out and actually do the stuff he'd already been doing, painting the hope of God's reign on the canvas of God's world. He told us we're artists.

Hopper was neither an illustrator nor a narrative painter. His paintings don’t tell stories. What they do is suggest—powerfully, irresistibly—that there are stories within them, waiting to be told. He shows us a moment in time, arrayed on a canvas; there’s clearly a past and a future, but it’s our task to find it for ourselves.

I think that one of the worst things you can do to a person, is cast them in a negative light and paint them in negative hues, by using the malicious thoughts that are in your mind. We all have some kind of tape recorder in the back of our minds, a film strip, and there are lots of negative thoughts embedded onto that filstrip, and our minds act like projectors; projecting all of those images onto the new canvas that stands in front of us! It is a dark and harmful art that one engages in, when one paints the new canvas in old colours! We have to let it go, we just have to let it go. A person isn't all the other things that have happened to you; a person is a beautiful canvas with a painting that's already there and you need to sit still and see clearly and look at that painting. Then you need to be very careful what colours you dip your paintbrush into before making any new marks on what stands in front of you. Don't make the mistake of harming others and yourself, by painting them in colours that are not their own.

Description is the color in the canvas of your story.

You'd think someone who could see the beauty in nature and capture it on canvas could see mold on the shower tile.

Today is a new canvas, paint it with all your favorite colors.

My mind is my canvas; my thoughts are my color and paintbrush.

Life is a flower in the garden of humanity. It blooms for a short time and then slowly it disappears and becomes a memory on the canvas of infinite time.

Enjoy the beauty of a peacock to reveal your own beauty on the canvas of your mind.

Poetry of the universe is written with flowers and the lights of love on a canvas we call earth.

On the canvas of life,with the brushes of goodness, love and passion, paint your randomness, dynamism & desire to show your "art of living" to the world.

Life is a Canvas given to you to see how colourful you can make it

Mistakes serve as a reminder that life’s canvas is not perfect, but it’s the imperfections that make it a masterpiece worth cherishing.

The clouds may change shape and move, but the sky remains an infinite canvas of possibility.

As I start each day I have a blank canvas. I will make every effort to fill it with color.

I am an art work in constant progress; I am my own canvas, my own colors, my own brushes and my own inspiration.

We are all spawned from the same great canvas yet we lose ourselves through the melding of its vistas

Dark skies are a perfect canvas for bright stars.

There is no need to camouflage an already perfect canvas.

Romance was different in her world. In our world. She believed it lived all around us. In the trees, the blue sky hiding behind rain clouds, snow flakes clinging to windshields, squirrels hiding their food, blades of grass catching drops from a misty morning, and in every person to walk the earth. Ella loved to sit on city benches and make up stories about passing strangers. Since meeting her my entire world changed. I always turned life into strands of color on an empty canvas. People blurred by like flashes of light. Just blurs. Then Ella walked into my life and everything slowed down. The blurs of color became people with stories. People with hearts. People. Like me.

Stop spending all day obsessing, cursing, perfecting your body like it's all you've got to offer the world. Your body is not your art, it's your paintbrush. Whether your paintbrush is a tall paintbrush or a thin paintbrush or a stocky paintbrush or a scratched up paintbrush is completely irrelevant. What is relevant is that you have a paintbrush which can be used to transfer your insides onto the canvas of your life - where others can see it and be inspired and comforted by it.

I do not want to live in a world without butterflies. A place where they only exist in oil on canvas or silver trinkets on a chain, in language, legends we pass to the next generation of memory-keepers, a place where tiny ghosts have painted wings.

She stood, finally, her canvas Keds tied tight, on May 3, 1955, atop the southern terminus of the Appalachian Trail, the longest continuous footpath in the world, facing the peaks on the blue-black horizon that stretched toward heaven and unfurled before her for days.

Lollipops and raindrops Sunflowers and sun-kissed daisies Rolling surf and raging sea Sailing ships and submarines Old Glory and “purple mountain’s majesty” Screaming guitar and lilting rhyme Flight of fancy and high-steppin’ dances Set free my mind to wander… Imagine the ant’s marching journeys. Fly, in my mind’s eye, on butterfly wings. Roam the distant depths of space. Unfurl tall sails and cross the ocean. Pictures made just to enthrall Creating images from my truth Painting hopes and dreams on my canvas Capturing, through my lens, the ephemeral Let me ruminate ‘pon sensual darkness… Tremble o’er Hollywood’s fluttering Gothics… Ride the edge of my seat with the hero… Weep with the heroine’s desperation. Yet… more than all these things… Give me words spun out masterfully… Terms set out in meter and rhyme… Phrases bent to rattle the soul… Prose that always miraculously inspires me! The trill runs up my spine, as I recall… A touch… a caress…a whispered kiss… Ebony eyes embracing my soul… Two souls united in beat of hearts. A butterfly flutter in my womb My lover’s wonder o’er my swelling The testament of our love given life Newly laid in my lover’s arms Luminous, sweet ebony eyes Just so much like his father’s A gaze of wonder and contentment From my babe at mother’s breast Words of the Divine set down for me Faith, Hope, Love, and Charity Grace, Mercy, and undeserved Salvation “My Shepherd will supply my need” These are the things that inspire me.

...Is it an inspiring sight to see a man commit a heroic gesture, and then learn that he goes to vaudeville shows for relaxation? Or see a man who’s painted a magnificent canvas—and learn that he spends his time sleeping with every slut he meets?” “What do you want? Perfection?” “—or nothing. So, you see, I take the nothing.

Actually, the eloquence of the wilderness is not a pattern for human eloquence. There is no hardier fool than whoever shouts, "The scene inspired me to set pen to paper," or brush to canvas, or thumb to lyre. The wilderness inspires nothing but itself. Our babblings and scratchings resume in den and studio, whenever things resume their comfortable and incorrect proportions.

They knew that a great painting could pull emotion out of a viewer. But the world’s different from how it was during the Renaissance, when beauty was as necessary as oxygen, and when religion was an entry point for art. So they tried to figure out what it would take to inspire that same flood of joy or grief or awe today. It’s what feeling would look like, on canvas, if it was in its most raw form.

The quality of interpersonal relationships that we forge when purposefully engaging in work that advances the interest of the multitudes is the shining endorsement to a life well lived. Within the corners of each person’s private and public canvas lies his or her masterpiece. Each person’s matchless artistry provides an indelible testament to how he or she lived. A person’s lifetime body of work unequivocally expresses a road map to their innermost salvation. Only by actualizing our innate natural mind can any of us funnel our motivational forces into directional inspiration that leads us to peacefulness and wisdom. All efforts to achieve meaningful tributes to a life well lived are noisy affairs that clang in our hearts. Only through death can any of us attain a state of soundless perfection.

Sigmund Freud was also frustrated here. In a city that later embraced his ideas with particular zeal, being organically inclined towards neurosis, he himself found only failure. He came to Trieste on the train from Vienna in 1876, commissioned by the Institute of Comparative Anatomy at Vienna University to solve a classically esoteric zoological puzzle: how eels copulated. Specialist as he later became in the human testicle and its influence upon the psyche, Freud diligently set out to discover the elusive reproductive organs whose location had baffled investigators since the time of Aristotle. He did not solve the mystery, but I like to imagine him dissecting his four hundred eels in the institute's zoological station here. Solemn, earnest and bearded I fancy him, rubber-gloved and canvas-aproned, slitting them open one after the other in their slimy multitudes. Night after night I see him peeling off his gloves with a sigh to return to his lonely lodgings, and saying a weary goodnight to the lab assistant left to clear up the mess — "Goodnight, Alfredo", "Goodnight, Herr Doktor. Better luck next time, eh?" But the better luck never came; the young genius returned to Vienna empty-handed, so to speak, but perhaps inspired to think more exactly about the castration complex.

It would be better if you didn’t exist, didn’t live in the world, but were the creation of an inspired artist! I would never leave the canvas, I would eternally gaze at you and kiss you. I would live and breathe by you, as the most beautiful dream, and then I would be happy. My desires could reach no further. I would call upon you as my guardian angel, before sleep and waking, and I would wait for you whenever I had to portray the divine and holy.

Never look back. The past is done. The future is a blank canvas. Work on creating a masterpiece. Only you have the power to make your painting beautiful. Do not waste time chasing after success or comparing yourself to others. Every flower blooms at a different pace. Excel at doing what your passion is and only focus on perfecting it. Eventually people will see what you are great at doing, and if you are truly great, success will come chasing after you.

I’m an overthinker. Many of us are. My mind gets racing a thousand miles a minute and I get anxious about my work, my career, or where I need to be in thirty minutes. Every day I need to shut down this machine and simply be still. Be aware of your breathing, really feel your breath going in, going out. Be aware of the feeling of the cloth on your shirt. Be aware of the grip on the steering wheel. Tell yourself--out oud--that the only thing that truly exists right now is this exact moment, and enjoy it, swim in it. Someone once said that your mind is like a raging river that’s full of debris, and when you’re floating in this river, you reach out and try to grab the branches and rocks. But what if you could climb onto the bank and watch the river? Suddenly you’re in a calm place. Maybe it sounds like a cliché to say, “Stop and smell the roses,” so I’ll tell you this instead: “Stop and watch the sunset.” Just the other night, driving home in L.A., I was struck by how beautiful the sky was--a dark blue canvas painted with strokes of bright orange and red. It was truly one of the most glorious sunsets I’d ever seen. I was stuck in traffic, worrying about one thing or another, and I just gazed out the window and drank it in. I let it fill my soul and inspire me. The world stopped revolving for just that split second, and my mind was still and calm. And to think, I could have missed it.

Have you ever just laid down on the grass and watch as the day slowly transitions to evening? The sky flows through hues of orange and slowly fades to greys, the incredible palette of dusk. This is where the magic begins to happen. First the planets reveal themselves as bright pinpoints of light against the bleak canvas, and for a few moments they are the only thing you can focus on - they’re so bright that they draw away from anything else. When you stare at only one, when there is so much distance between it and anything else, it almost seems to be dancing back and forth in space, playing mind tricks on you. However, as you emerge from its hypnotic trance, you begin to see the less significant stars awaken from what seems like nowhere. They too earn your attention, but in a different way. You can’t look at them directly because otherwise you won’t see their beauty. You have to glance at them from the side, from the corner of your eye to really see them in their fullness. The sky is not yet completely in darkness and the universe is already showing off. Distant stars even further light years away and planets orbiting from afar being to emerge and before you know it you almost don’t know where to look, there are little grains of sand lighting up the sky from everywhere. This happens every night - a spectacular natural light show but so many people miss it. It’s sad to think that, but it makes viewing it that much more special when you get to experience it. Just you and the universe, watching itself through your own very eyes.

As the room filled with tart, pleasant fumes Esther had never smelled before, her head became light with joy. These paints and and brushes and canvases were the tools real artists used. In the short hour left, inspired by Van Gogh, she chose a corner of the room as her subject and began to paint in tiny, furious brush strokes. To her amazement, yellow and blue combined into a vibrant green, red and blue turned a pulsating purple, and yellow and red mixed into a glowing orange. But beyond the colors, some new magic took over. Esther's eyes, clear as if the cumin had never blinded her, captured shapes and shadows and threw them on the canvas without effort, without thought. The urge to paint was a fountain that coursed through her, her fingers only a conduit to something so big it was hard to imagine her little heart contained it. Surely, this was the work of God. He must be guiding her hand.

This is the very basis of inspiration and friendship, both of which are, in essence, spiritual connections. No two people are exactly the same, though they may share fragments of each other’s personality. Some may feel so uncannily connected as to be kindred spirits, watching the world through different eyes but hearts aligned, the canvas of consciousness cast in common colors, struggling to express the same thoughts and gleefully snapping their fingers when the other puts it just right, finishing each other’s sentences on page, screen, or scroll—across the decades, centuries, millennia. Great men and women influence “a number of people,” even after they die. People will take up their mantle and continue the endless work of human progress. By giving new voice to the echoes fading in time, we elevate both ourselves and the person from whom we draw inspiration. Our souls interpenetrate through the broken chains of eternity, and through us, they live once again.

I have made it an observation since our absence, that we are much fonder of the pictures of those we love when they are at a great distance than when they are near us. It seems to me as if the farther they are removed their pictures grow the more finished, and acquire a greater resemblance; or at least our imagination, which perpetually figures them to us by the desire we have of seeing them again, makes us think so. By a peculiar power, love can make that seem life itself which, as soon as the loved object returns, is nothing but a little canvas and flat color. I have your picture in my room; I never pass it without stopping to look at it; and yet when you are present with me I scarce ever cast my eyes on it. If a picture, which is but a mute representation of an object, can give such pleasure, what cannot letters inspire? They have souls; they can speak; they have in them all that force which expresses the transports of the heart; they have all the fire of our passions, they can raise them as much as if the persons themselves were present; they have all the tenderness and the delicacy of speech, and sometimes even a boldness of expression beyond it.

You know,” I said, “you don’t owe New Fiddleham anything. You don’t need to help them.” “Look,” Charlie said as we clipped past Market Street. He was pointing at a man delicately painting enormous letters onto a broad window as we passed. NONNA SANTORO’S, it read, although the RO’S was still just an outline. “That Italian restaurant?” “Yes,” he smiled. “They will be opening their doors for the first time very soon. Sweet family. I bought my first meal in New Fiddleham from that man. A couple of meatballs from a street cart were about all I could afford at the time. He’s an immigrant, too. He’s going to do well. His red sauce is amazing.” “That’s grand for him, then,” I said. “I like it when doors open,” said Charlie. “Doors are opening in New Fiddleham every day. It is a remarkable time to be alive anywhere, really. Do you think our parents could ever have imagined having machines that could wash dishes, machines that could sew, machines that do laundry? Pretty soon we’ll be taking this trolley ride without any horses. I’ve heard that Glanville has electric streetcars already. Who knows what will be possible fifty years from now, or a hundred. Change isn’t always so bad.” “Your optimism is both baffling and inspiring,” I said. “The sun is rising,” he replied with a little chuckle. I glanced at the sky. It was well past noon. “It’s just something my sister and I used to say,” he clarified. “I think you would like Alina. You often remind me of her. She has a way of refusing to let the world keep her down.” He smiled and his gaze drifted away, following the memory. “Alina found a rolled-up canvas once,” he said, “a year or so after our mother passed away. It was an oil painting—a picture of the sun hanging low over a rippling ocean. She was a beautiful painter, our mother. I could tell that it was one of hers, but I had never seen it before. It felt like a message, like she had sent it, just for us to find. “I said that it was a beautiful sunset, and Alina said no, it was a sunrise. We argued about it, actually. I told her that the sun in the picture was setting because it was obviously a view from our camp near Gelendzhik, overlooking the Black Sea. That would mean the painting was looking to the west. “Alina said that it didn’t matter. Even if the sun is setting on Gelendzhik, that only means that it is rising in Bucharest. Or Vienna. Or Paris. The sun is always rising somewhere. From then on, whenever I felt low, whenever I lost hope and the world felt darkest, Alina would remind me: the sun is rising.” “I think I like Alina already. It’s a heartening philosophy. I only worry that it’s wasted on this city.” “A city is just people,” Charlie said. “A hundred years from now, even if the roads and buildings are still here, this will still be a whole new city. New Fiddleham is dying, every day, but it is also being constantly reborn. Every day, there is new hope. Every day, the sun rises. Every day, there are doors opening.” I leaned in and kissed him on the cheek. “When we’re through saving the world,” I said, “you can take me out to Nonna Santoro’s. I have it on good authority that the red sauce is amazing.” He blushed pink and a bashful smile spread over his face. “When we’re through saving the world, Miss Rook, I will hold you to that.

Oh, Gray, she said. Oh, gray, indeed. As in, oh Gray what the holy hell has come over you and what the devil do you intend to do about it? He took the coward’s way out. He looked away. “I thought you were painting a portrait. Of me.” She turned her head, following his gaze to her easel. A vast seascape overflowed the small canvas. Towering thunderclouds and a violent, frothy sea. And slightly off center, a tiny ship cresting a massive wave. “I am painting you.” “What, am I on the little boat, then?” It was a relief to joke. The relief was short-lived. “No,” she said softly, turning back to look at him. “I’m on the little boat. You’re the storm. And the ocean. You’re…Gray, you’re everything.” And that was when things went from “very bad” to “worse.” “I can’t take credit for the composition. It’s inspired by a painting I once saw, in a gallery on Queen Anne Street. By a Mr. Turner.” “Turner. Yes, I know his work. No relation, I suppose?” “No.” She looked back at the canvas. “When I saw it that day, so brash and wild…I could feel the tempest churning in my blood. I just knew then and there, that I had something inside me-a passion too bold, too grand to keep squeezed inside a drawing room. First I tried to deny it, and then I tried to run from it…and then I met you, and I saw you have it, too. Don’t deny it, Gray. Don’t run from it and leave me alone.” She sat up, still rubbing his cheek with her thumb. Grasping his other hand, she drew it to her naked breast. Oh, God. She was every bit as soft as he’d dreamed. Softer. And there went his hand now. Trembling. “Touch me, Gray.” She leaned forward, until her lips paused a mere inch away from his. “Kiss me.” Perhaps that dagger had missed his heart after all, because the damned thing was hammering away inside his chest. And oh, he could taste her sweet breath mingling with his. Her lips were so close, so inviting. So dangerous. Panic-that’s what had his knees trembling and his heart hammering and his lips spouting foolishness. It had to be panic. Because something told Gray that he could see her mostly naked, and watch her toes curl as she reached her climax, and even cup her dream-soft breast in his palm-but somehow, if he touched his lips to hers, he would be lost. “Please,” she whispered. “Kiss me.

...I stared at that canvas. It called out my name. I knew I had to have that piece—I had connected with what the maker had said. “Almost perfect, yet still not quite right….. Continuing the struggle, a daily fight”.

A forced silence is a dangerous imposter, painting a canvas of safety while plotting our demise.

THE NEXT DAY WAS RAIN-SOAKED and smelled of thick sweet caramel, warm coconut and ginger. A nearby bakery fanned its daily offerings. A lapis lazuli sky was blanketed by gunmetal gray clouds as it wept crocodile tears across the parched Los Angeles landscape. When Ivy was a child and she overheard adults talking about their break-ups, in her young feeble-formed mind, she imagined it in the most literal of essences. She once heard her mother speaking of her break up with an emotionally unavailable man. She said they broke up on 69th Street. Ivy visualized her mother and that man breaking into countless fragments, like a spilled box of jigsaw pieces. And she imagined them shattered in broken shards, being blown down the pavement of 69th Street. For some reason, on the drive home from Marcel’s apartment that next morning, all Ivy could think about was her mother and that faceless man in broken pieces, perhaps some aspects of them still stuck in cracks and crevices of the sidewalk, mistaken as grit. She couldn’t get the image of Marcel having his seizure out of her mind. It left a burning sensation in the center of her chest. An incessant flame torched her lungs, chest, and even the back door of her tongue. Witnessing someone you cared about experiencing a seizure was one of those things that scribed itself indelibly on the canvas of your mind. It was gut-wrenching. Graphic and out-of-body, it was the stuff that post traumatic stress syndrome was made of.

Life is a Canvas. Every action of ours is a stroke of paint and at the end, how beautiful our painting is will depend upon all our strokes, all our Actions. -RVM