“
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right.
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints. I love thee with the breath,
Smiles, tears, of all my life; and, if God choose,
I shall but love thee better after death.
”
”
Elizabeth Barrett Browning (Sonnets from the Portuguese)
“
I love to watch the fine mist of the night come on,
The windows and the stars illumined, one by one,
The rivers of dark smoke pour upward lazily,
And the moon rise and turn them silver. I shall see
The springs, the summers, and the autumns slowly pass;
And when old Winter puts his blank face to the glass,
I shall close all my shutters, pull the curtains tight,
And build me stately palaces by candlelight.
”
”
Charles Baudelaire (Les Fleurs du Mal)
“
When does real love begin?
At first it was a fire, eclipses, short circuits, lightning and fireworks; the incense, hammocks, drugs, wines, perfumes; then spasm and honey, fever, fatigue, warmth, currents of liquid fire, feast and orgies; then dreams, visions, candlelight, flowers, pictures; then images out of the past, fairy tales, stories, then pages out of a book, a poem; then laughter, then chastity.
At what moment does the knife wound sink so deep that the flesh begins to weep with love?
At first power, power, then the wound, and love, and love and fears, and the loss of the self, and the gift, and slavery. At first I ruled, loved less; then more, then slavery. Slavery to his image, his odor, the craving, the hunger, the thirst, the obsession.
”
”
Anaïs Nin (Fire: From A Journal of Love - The Unexpurgated Diary of Anaïs Nin (1934-1937))
“
I watched her die many times. In my way, not in hers. In sunlight, in shadow, by moonlight, by candlelight. In the long afternoons when the house was empty. Only the sun was there to keep us company. We shut him out. And why not? Very soon she was as eager for what's called loving as I was - more lost and drowned afterwards.
”
”
Jean Rhys (Wide Sargasso Sea)
“
Dear God, thank you for warm summer nights and candlelight and good food. But thank you most of all for friends. We appreciate the complicated and wonderful gifts you give us in each other. And we appreciate the task you put down before us, of loving each other the best we can, even as you love us. We pray in Christ's name, Amen.
”
”
Kate DiCamillo (Because of Winn-Dixie)
“
Be gentle with me, new love.
Treat me tenderly.
I need the gentle touch,
the soft voice,
the candlelight after nine.
There's been so many who didn't understand
so give me all the love I see in your timid eyes
but give it gently
Please.
”
”
Rod McKuen (Listen to the Warm)
“
You are like a god, like an immortal one,' she whispered to me one night in our bed, her naked body pressed to mine, our sweat golden and glistening in the candlelight. 'Oh, my love,' I whispered back to her, 'I am more mortal than all. It seems that a part of me dies every night that I lie with you.
”
”
Roman Payne
“
Nehemia was gone. That vibrant, fierce, loving soul; the princess who had been called the Light of Eyllwe; the woman who had been a beacon of hope—just like that, as if she were no more than a wisp of candlelight, she was gone.
When it had mattered most Celaena hadn't been there.
Nehemia was gone.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
How I used to love the dark, sad evenings of late autumn and winter, how eagerly I imbibed their moods of loneliness and melancholy when wrapped in my cloak I strode for half the night through rain and storm, through the leafless winter landscape, lonely enough then too, but full of deep joy, and full of poetry which later I wrote down by candlelight sitting on the edge of my bed!
”
”
Hermann Hesse (Steppenwolf)
“
Light the candle of love. Spread the rays of happiness in every direction in every breath.
”
”
Amit Ray (Walking the Path of Compassion)
“
Ô, the wine of a woman
from heaven is sent,
more perfect than all
that a man can invent.
When she came to my bed and begged me with sighs
not to tempt her towards passion nor actions unwise,
I told her I’d spare her and kissed her closed eyes,
then unbraided her body of its clothing disguise.
While our bodies were nude bathed in candlelight fine
I devoured her mouth, tender lips divine;
and I drank through her thighs her feminine wine.
Ô, the wine of a woman
from heaven is sent,
more perfect than all
that a man can invent.
”
”
Roman Payne
“
I love thee to the level of every day's
Most quiet need, by sun and candle-light.
”
”
Elizabeth Barrett Browning (Sonnets from the Portuguese)
“
Terry loved candlelight dinners and red wine. It was a nice contrast from work.
And killing people.
”
”
Jonas Eriksson (Everyday Psychopaths)
“
Love is what brings you together. But it’s the blood, sweat, and tears of hard work that keeps you together. Love isn’t just about flowers, candlelight, and romance. It’s hard work, and trust, and tears and misery. But at the end of each day if you can still look at the person at your side and can’t imagine anyone else you’d rather have there, the pain and heartache and the ups and downs of love are worth it.
”
”
Nicole Williams (Clash (Crash, #2))
“
Marriage is more about snore strips and flannel nightgowns than candlelight dinners.
”
”
Barbara Bartlein (Why Did I Marry You Anyway?: Overcoming the Myths That Hinder a Happy Marriage)
“
Let love be like a firefly light, pure and alive. Not like candlelight that glows nonstop for a while and once it stops, it stops forever.
”
”
Sajan Kc. (After Love)
“
or maybe love is summed up in moments - that day in the park, the time you had chinese food by candlelight, when the boy you liked left a message, finally, on your machine. maybe the telling of those moments is even better than the moments themselves.
”
”
Emily Franklin (The Girls' Almanac)
“
How great is the love of God! He loved me long before I knew His name. He wooed me, chased me, enthralled me, and captured my heart. He didn’t prove His love at a candlelight dinner. There were no long-stemmed roses, but there were thorns. Yes, there were thorns.
”
”
Katherine J. Walden
“
But as it turns out, love doesn’t set us free—love keeps standing outside the jail on an endless candlelight vigil. So love? Yes, love was pain as well. Especially love.
”
”
Adrian Barnes (Nod)
“
He calls me his Queen of the Night. He shows me the wonders in this incredible city. He encourages me to find my own way, and to choose what I think is right or wrong.
And the sex, God, the sex! I never knew what sex was until him! It’s not soft music and candlelight, a choice, a deliberate action.
It’s as involuntary as breathing, and as impossible not to do. It’s slammed up against a wall in a dark alley, or flat on my back on cold concrete because I can’t stand one more second without him. It’s on my hands and knees, dry-mouthed, heart-in-my-throat, waiting for the moment he touches me, and I’m alive again. It’s punishing and purifying, velvet and violent, and it makes everything else melt away, until nothing matters but getting him inside me and I wouldn’t just die for him—I’d kill for him, too.
Like I did tonight.
”
”
Karen Marie Moning (Faefever (Fever, #3))
“
It made her chest hurt, how much she felt in this moment. She knew she should not say anything impetuously. But under the light of the stained glass window, the flickering candlelight of their shared memories, it felt like simple unexamined honesty. No matter what the darkness brought back to her tomorrow.
"I'm in love with you.
”
”
Joey W. Hill (Mirror of My Soul (Nature of Desire, #4))
“
Listen to the silence,’ said Margarita to the master, the sand rustling under her bare feet. 'Listen to the silence and enjoy it. Here is the peace that you never knew in your lifetime. Look, there is your home for eternity, which is your reward. I can already see a Venetian window and a climbing vine which grows right up to the roof. It’s your home, your home for ever. In the evenings people will come to see you- people who interest you, people who will never upset you. They will play to you and sing to you and you will see how beautiful the room is by candlelight. You shall go to sleep with your dirty old cap on, you shall go to sleep with a smile on your lips.
”
”
Mikhail Bulgakov
“
Put your arms around my waist,
Hold me close for a kiss and savour the taste,
I love you now I love you true,
Can I drown please in your eyes so blue?
Let’s hang our hearts on a crescent moon,
And skinny-dip in starlit lakes to loves sweet tune,
Let’s dance on boithrins grassy line,
And waltz 'Neath the canopied leaves of nature fine.
Lets sit afore fires on a winters night
Let me read you poetry aloud by candlelight,
Let’s lay under the skylight and tell constellations apart,
And I’ll remind you of the place you have in my heart.
”
”
Michelle Geaney (Under These Rebel Skies)
“
Eager to see the colours of life
The darkness giving away to light
I set my soul ablaze
By books at candlelight
And my heart on fire
By decisions under sunlight.
”
”
Tania Ferguson (Transcend and Love)
“
Candlelight is one of the most popular symbols of romance. ~ Herbalist Tracie
”
”
Herbalist Tracie
“
Miss Daventry is fair and true, with eyes of such a beautiful hue! Not quite green, never dull brown: they are the color of the sea, and they are round. Miss Daventry Is true and fair, I love the color of her hair! It shimmers in the candlelight, its amber hue, oh so bright!
”
”
-Julianne Donaldson Edenbrooke
“
My dearest,
I write this letter by candlelight as you lie sleeping. And though I can't hear the soft sounds of your slumber, I know you are there, and soon I will be lying next to you again as I always have. And I will feel your warmth and your comfort, and your breaths will slowly guide me to the place where I dream of you and the wonderful man you are. I see the flame beside me and it reminds me of another fire, (with me in your soft clothes and you in your jeans) of me and you. I knew then we would always be together. My heart had been captured, and I knew inside that it had always been yours. Who was I to question a love that rode on shooting stars and roared like crashing waves? For that is what is was between us then and that is what it is today. You are my best friend as well as my lover, and I do not know which side of you I enjoy the most. I treasure each side, just as I have treasured our life together. You have something inside you, something beautiful and strong. Kindness, that's what I see when I look at you, that's what everyone sees. Kindness. You are the most forgiving and peaceful man I know. God is with you, He must be, for you are the closest thing to an angel that I've ever seen. We have lived a lifetime most couples never know, and yet, when I look at you, I am frightened by the knowledge that all this will be ending soon. (For we both know my prognosis and what it will mean to us.) I see your tears and I worry more about you than I do about me, because I fear the pain I know you will go through. There are no words to express my sorrow for this, and I am at a loss for words. So I love you so deeply, so incredibly much. Know that I love you, that I always will, and that no matter what happens, know I have led the greatest life possible. My life with you. I love you. I love you now as I write this, and I love you now as you read this. And I am so sorry if I am not able to tell you. I love you deeply. You are, and always have been, my dream.
”
”
Nicholas Sparks
“
The Christian soul knows it needs Divine Help and therefore turns to Him Who loved us even while we were yet sinners. Examination of conscience, instead of inducing morbidity, thereby becomes an occasion of joy. There are two ways of knowing how good and loving God is. One is by never losing Him, through the preservation of innocence, and the other is by finding Him after one has lost Him. Repentance is not self-regarding, but God-regarding. It is not self-loathing, but God-loving. Christianity bids us accept ourselves as we really are, with all our faults and our failings and our sins. In all other religions, one has to be good to come to God—in Christianity one does not. Christianity might be described as a “come as you are” party. It bids us stop worrying about ourselves, stop concentrating on our faults and our failings, and thrust them upon the Saviour with a firm resolve of amendment. The examination of conscience never induces despair, always hope…Because examination of conscience is done in the light of God’s love, it begins with a prayer to the Holy Spirit to illumine our minds. A soul then acts toward the Spirit of God as toward a watchmaker who will fix our watch. We put a watch in his hands because we know he will not force it, and we put our souls in God’s hands because we know that if he inspects them regularly they will work as they should…it is true that, the closer we get to God, the more we see our defects. A painting reveals few defects under candlelight, but the sunlight may reveal it as daub. The very good never believe themselves very good, because they are judging themselves by the Ideal. In perfect innocence each soul, like the Apostles at the Last Supper, cries out, “Is it I, Lord” (Matt. 26:22).
”
”
Fulton J. Sheen (Peace of Soul: Timeless Wisdom on Finding Serenity and Joy by the Century's Most Acclaimed Catholic Bishop)
“
Graceful. Lean. Coordinated as she whirls, though how she knows what dancing is, [her grandfather] could never guess.
The song plays on. He lets it go too long. The antenna is still up, probably dimly visible against the sky, the whole attic might as well shine like a beacon. But in the candlelight, in the sweet rush of a concerto, Marie-Laure bites her lower lip, and her face gives off a secondary glow, reminding him of the marshes beyond the town walls, in those winter dusks when the sun has set but isn't fully swallowed, and big patches of red pools of light burn - places he used to go with his brother, in what seems like lifetimes ago.
”
”
Anthony Doerr (All the Light We Cannot See)
“
It was evenings like that when beneath dim light and relaxing in a sultry bath that she missed him the most. A flicker of candlelight, wind breathing snow against the window and the soothing scent of creme caramel – all were a comfort to her as she closed her eyes, summoned memories and many a tender thought. She didn't feel deserving of the devotion bestowed upon her, but she had finally learned to accept its wondrous gift, knowing that love was the source of existence and its only end.
”
”
Donna Lynn Hope
“
The trees were dappling again. They loved to dapple, it seemed to be their favorite pastime. They could use anything of course: moonlight, starshine, candlelight, and rain. Today they used the sunlight that the sky supplied, and dappled nearly everything with it, from grass, water, and stones, to Lydia and Livy themselves as they walked along the trail that led out of Mulberry Glen.
”
”
Millie Florence (Lydia Green Of Mulberry Glen)
“
West had always congratulated himself on being too clever to desire a woman he couldn't have. But Phoebe was as rare as a year with two blue moons. All through dinner, he'd marveled at how beautiful she was, the candlelight striking gleams from her hair and skin like rubies and pearls. She was clever, perceptive, quick as a whip. There had been hints of an absolutely lacerating wit, which he loved, but there were also touches of shyness and melancholy that went straight to his heart. She was a woman who badly needed to enjoy herself, and he wanted to indulge her in some thoroughly adult fun.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
The duke brought her hand to his mouth and, his azure eyes glittering in the candlelight, pressed a kiss to the inside of her wrist.
And then the edge of his teeth.
She felt the warm softness of his lips, the prickle of against tender skin, and a sort of shock seemed to go straight through the center of her body.
He let her go and her wrist felt the cold of night. "Séraphine. The burning one. I should've known.
”
”
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
“
He called me Jess because that is the name of the hood which restrains the falcon.
I was his falcon. I hung on his arm and fed at his hand.
He said my nose was sharp and cruel and that my eyes had madness in them. He said I would tear him to pieces if he dealt softly with me.
At night, if he was away, he had me chained to our bed. It was a long chain, long enough for me to use the chamber pot or to stand at the window and wait for the late owls. I love to hear the owls. I love to see the sudden glide of wings spread out for prey, and then the dip and the noise like a lover in pain.
He used the chain when we went riding together. I had a horse as strong as his, and he’d whip the horse from behind and send it charging through the trees, and he’d follow, half a head behind, pulling on the chain and asking me how I liked my ride.
His game was to have me sit astride him when we made love and hold me tight in the small of my back. He said he had to have me above him, in case I picked his eyes out in the faltering candlelight.
I was none of these things, but I became them.
At night, in June I think, I flew off his wrist and tore his liver from his body, and bit my chain in pieces and left him on the bed with his eyes open.
He looked surprised, I don’t know why. As your lover describes you, so you are.
”
”
Jeanette Winterson (Sexing the Cherry)
“
Candlelight flickered in the adjacent bedroom. She followed the ambient warmth to the threshold and paused there, marveling at what she saw. Lucan’s austere bedroom had been transformed into something out of a dream. Four tall black pillar candles set into intricate silver sconces burned in each corner. Red silk draped the bed. On the floor before the fireplace was a cushioned next of fluffy pillows and even more crimson silk. It looked so romantic, so inviting.
A room intended for lovemaking.
She took a step farther inside. Behind her, the door closed softly on its own.
No, not quite on its own. Lucan was there, standing on the other side of the room, watching her. His hair was damp from a shower. He wore a loosely tied, satiny red robe that skated around his bare calves, and there was a heated look in his eyes that melted her where she stood.
“For you,” he said, indicating the romantic setting. “For us tonight. I want things to be special for you.”
Gabrielle was moved, instantly aroused by the sight of him, but she couldn’t bear to make love the way things had been left between them.
“When I left tonight, I wasn’t going to come back,” she told him from the safety of distance. If she went any closer, she didn’t think she’d have the strength to say what had to be said. “I can’t do this anymore, Lucan. I need things from you that you can’t give me.”
“Name them.” It was a soft command, but still a command. He moved toward her with careful steps, as though he sensed she might bolt on him at any second. “Tell me what you need.”
She shook her head. “What would be the use?”
A few more slow steps. He paused just beyond an arm’s length. “I’d like to know. I’m curious what it would take to convince you to stay with me.”
“For the night?” she asked quietly, hating herself for how badly she needed to feel his arms around her after what she’d been through these past several hours.
“I want you, and I’m prepared to offer you anything, Gabrielle. So, tell me what you need.
”
”
Lara Adrian (Kiss of Midnight (Midnight Breed, #1))
“
But my parents understood that the world that they made within the walls of our house was what constituted home. So I grew up in spaces framed by art and color, filled with candlelight, marked by beauty. I grew up within a rhythm of time made sacred by family devotions in the morning and long conversations in the evening. I grew up with the sense of our daily life as a feast and delight; a soup-and-bread dinner by the fire, Celtic music lilting in the shadows, and the laughter of my siblings gave me a sense of the blessedness of love, of God's life made tangible in the food and touch and air of our home.
It was a fight for my parents, I know. Every day was a battle to bring order to mess, peace to stressful situations, beauty to the chaos wrought by four young children. But that's the reality of incarnation as it invades a fallen world....What my parents-bless them-knew...is that to make a home right in the midst of the fallen world is to craft out a space of human flesh and existence in which eternity rises up in time, in which the kingdom comes, in which we may taste and see the goodness of God.
”
”
Sally Clarkson (The Lifegiving Home: Creating a Place of Belonging and Becoming)
“
Nehemia was gone. That vibrant, fierce, loving soul; the princess who had been called the Light of Eyllwe; the woman who had been a beacon of hope—just like that, as if she were no more than a wisp of candlelight, she was gone.
”
”
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
“
It happens this way sometimes, we can discover truths about ourselves in a moment, sometimes in the midst of drama, sometimes quietly. A sunset wind can be blowing off the sea, we might be alone in bed on a winter night, or grieving by a grave among leaves. We are drunk in a tavern, dealing with desperate pain, waiting to confront enemies on a battlefield. We are bearing a child, falling in love, reading by candlelight, watching the sun rise, a star set, we are dying . . . But there is something else to all of this, because of how the world is for us, how we are within it. Something can be true of our deepest nature and the running tide of days and years might let it reach the shore, be made real there—or not.
”
”
Guy Gavriel Kay (Children of Earth and Sky)
“
An electric charge surrounds us. The aroma of hot blood perfumes the air. Candlelight flickers on the web. Every detail sharpens, as though the universe has narrowed to this single room. And Sloane the goddess of chaos at the heart of it all.
”
”
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
“
He may have liked many other things, but we know for certain only that he liked a sweet summer breeze, stars shining softly above, memories (made of This), his mother's rosary and her posary, an old-fashioned melody, broken hearts, baby shoes, a garden of love made just for two, moments passing into hours, pretty hubbahubba babies, the roses of Picardy, the moment when the band started playing, a little home for two, gleaming candlelight, beautiful Alsace-Lorraine, heavens above, and smiles that make you happy.
”
”
Gilbert Sorrentino
“
Yes. All the worth-while things in life. All mixed up. Rooms in candle-light. Leisure. Colour. Travel. Books. Music. Pictures. People—all kinds of people. Work that you love. And growth—growth and watching people grow. Feeling very strongly about things and then developing that feeling to—to make
”
”
Edna Ferber (So Big)
“
The first one to bed always lit the candle, and the last one turned out the lamp....The tradition had seen them through quite a bit by now, and Rebecca had come to love the candlelight, not only because it meant that Mike loved to see her just the way she was, which was incredibly liberating once you began to actually believe it, but also because the light just felt holy to her. It made the end of the day into a kind of prayer, whether they made love or just lay in each other's arms and chewed over the day's portion of craziness; and there was that beautiful little puff of "Amen" when they blew the candle out and settled into sleep.
”
”
Tim Farrington (The Monk Upstairs)
“
I’m afraid he’s going to hurt me. I’m afraid to lose someone I love again. I’m afraid to let go. To acknowledge what I feel for him. And yet he has proven himself to me. Over and over. He found me on my darkest day. He followed me to war, to the front lines. He came between me and Death, taking wounds that were supposed to be mine. There is something electric within me. Something that is begging me to remove the last of my armor and let him see me as I am. To choose him. And yet here I sit, alone, typing word after word as I seek to make sense of myself. I watch the candlelight flicker and all I can think is … I am so afraid. And yet how I long to be vulnerable and brave when it comes to my own heart.
”
”
Rebecca Ross (Divine Rivals (Letters of Enchantment, #1))
“
She wore a dress of white satin, elegant and unusual in its simplicity, with no fussy ruffles and frills to distract from the lovely shape of her figure. Instead of wearing the traditional veil, she had drawn the sides of her hair up to the crown of her head and let the rest cascade down her back in long golden coils. Her only ornamentation was a tiara of graduated diamond stars, which Tom had sent upstairs that morning as a Christmas gift. The wealth of rose-cut gems glittered madly in the candlelight, but they couldn't eclipse her sparkling eyes and radiant face. She looked like a snow queen walking through a winter forest, too beautiful to be entirely human.
And there he stood, with his heart in his fist.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night.
Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset.
All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic.
She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic.
When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all.
The boat rocked and an actual laugh pierced the quiet.
Tella froze.
The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses.
Tella’s skin prickled; gooseflesh rose on her bare arms.
At her feet a puddle of petals formed a seductive trail of red.
Tella might not have known Legend’s true name, but she knew he favored red and roses and games.
Was this his way of toying with her? Did he know what she was up to?
The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges.
She turned the knob.
And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine.
But none of it was for Tella.
It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch.
Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian.
They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of.
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
”
”
Stephanie Garber (Legendary (Caraval, #2))
“
He lay stretched full length along his glorified cot, and while his bandage masked his shoulder, plenty of bare skin remained for her gaze to lap up. Bare, musclely skin. Skin that was somehow otherworldly in the soft glow of the flickering candlelight. Skin that made her want to touch, feel, and…and…lick. Until her gaze snagged on the scar-tattoo combo, and ice again crystallized in her gut.
”
”
Angela Quarles (Must Love More Kilts (Must Love, #4))
“
Seated face to face in complete relaxation, staring into each other's eyes and murmuring Sanskrit words that could send them all the way to nirvana but that generally had the opposite effect, and they would wind up slipping out of other people's sight, stretched out beneath the tall reeds in the garden, desperately making love; the books they had read by candlelight, drowning in passion and smoke...
”
”
Isabel Allende (The House of the Spirits)
“
Autumn used to be our favorite, drinking spiced apple cider between caramel apple kisses. Flannels and new love flickering in candlelight. So, I hoped for a change in us in the fading summer. That we might remember the smells of the cider and the sweet sticky kisses. The warmth of our love, so vibrant and new. But as the seasons changed, I saw a change in us. And, I watched our love wither as the last leaves fell.
”
”
Liz Newman
“
But if you could just pay her some small attention-or better yet, escort her yourself-it would be ever so helpful, and I would be grateful forever.”
“Alex, if you were married to anyone but Jordan Townsende, I might consider asking you how you’d be willing to express your gratitude. However, since I haven’t any real wish to see my life brought to a premature end, I shall refrain from doing so and say instead that your smile is gratitude enough.”
“Don’t joke, Roddy, I’m quite desperately in need of your help, and I would be eternally grateful for it.”
“You are making me quake with trepidation, my sweet. Whoever she is, she must be in a deal of trouble if you need me.”
“She’s lovely and spirited, and you will admire her tremendously.”
“In that case, I shall deem it an embarrassing honor to lend my support to her. Who-“ His gaze flicked to a sudden movement in the doorway and riveted there, his eternally bland expression giving way to reverent admiration. “My God,” he whispered.
Standing in the doorway like a vision from heaven was an unknown young woman clad in a shimmering silver-blue gown with a low, square neckline that offered a tantalizing view of smooth, voluptuous flesh, and a diagonally wrapped bodice that emphasized a tiny waist. Her glossy golden hair was swept back off her forehead and held in place with a sapphire clip, then left to fall artlessly about her shoulders and midway down her back, where it ended in luxurious waves and curls that gleamed brightly in the dancing candlelight. Beneath gracefully winged brows and long, curly lashes her glowing green eyes were neither jade nor emerald, but a startling color somewhere in between.
In that moment of stunned silence Roddy observed her with the impartiality of a true connoisseur, looking for flaws that others would miss and finding only perfection in the delicately sculpted cheekbones, slender white throat, and soft mouth.
The vision in the doorway moved imperceptibly. “Excuse me,” she said to Alexandra with a melting smile, her voice like wind chimes, “I didn’t realize you weren’t alone.”
In a graceful swirl of silvery blue skirts she turned and vanished, and still Roddy stared at the empty doorway while Alexandra’s hopes soared. Never had she seen Roddy display the slightest genuine fascination for a feminine face and figure. His words sent her spirits even higher: “My God,” he said again in a reverent whisper. “Was she real?”
“Very real,” Alex eagerly assured him, “and very desperately in need of your help, though she mustn’t know what I’ve asked of you. You will help, won’t you?”
Dragging his gaze from the doorway, he shook his head as if to clear it. “Help?” he uttered dryly. “I’m tempted to offer her my very desirable hand in marriage!
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
When she opened her eyes, she returned her attention to the candle, still and unmoving even as it burned unbearably bright. And then it did move, dancing and flickering in an unexpected draft.
A draft followed by a great woof and a thud as Trotula left the bed, tail wagging madly, and threw herself at the doors that led out to the narrow balcony just off Pippa's bedchamber. Doors once closed, now open, now framing the man Pippa loved, frozen just inside the room, tall and serious and beautifully disheveled.
As she watched, he took a deep breath and ran both hands through thick red hair, pushing it off his face, his high cheekbones and long straight nose stark and angled in the candlelight.
He was unbearably handsome. She'd never in her life longed for anything the way she longed for him. He'd promised to teach her about temptation and desire and he'd done powerfully well; her heart raced at the sight of him, at the sound of his heavy breath. And yet... she did not know what came next.
"You are beautiful," he said.
What came next was anything he wished.
”
”
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
“
She stole surreptitious glances at Christopher, as she had been doing all evening, mesmerized by the sight of him. He was tawny and sun glazed, the candlelight finding threads of gold in his hair. The yellow glow struck sparkling glints in the new growth of bristle on his face. She was fascinated by the raw, restless masculinity beneath his quietness. She wanted to revel in him as one might dash out-of-doors in a storm, letting the elements have their way. Most of all she longed to talk with him... to pry each other open with words, share every thought and secret.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Gloria Dump looked over at the preacher. He nodded his head at Gloria and cleared his throat and said, “Dear God, thank you for warm summer nights and candlelight and good food. But thank you most of all for friends. We appreciate the complicated and wonderful gifts you give us in each other. And we appreciate the task you put down before us, of loving each other the best we can, even as you love us. We pray in Christ’s name. Amen.” “Amen,” said Gloria Dump. “Amen,” I whispered. “Gertrude,” croaked Gertrude. “Are we fixing to eat now?” Sweetie Pie asked. “Shhhh,” said Amanda.
”
”
Kate DiCamillo (Because of Winn-Dixie)
“
night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she sat up, rubbed the drowsiness from her eyes, and took it out. Its pages rustled promisingly when she opened it. Meggie thought this first whisper sounded a little different from one book to another, depending on whether or not she already knew the story it was going to tell her. But she needed light. She had a box of matches hidden in the drawer of her bedside table. Mo had forbidden her to light candles at night. He didn’t like fire. “Fire devours books,” he always said, but she was twelve years old, she surely could be trusted to keep an eye on a couple of candle flames. Meggie loved to read by candlelight. She had five candlesticks on the windowsill, and she was just holding the lighted match to one of the black wicks when she heard footsteps outside. She blew out the match in alarm—oh, how well she remembered it, even many years later—and knelt to look out of the window, which was wet with rain. Then she saw him. The rain cast a kind of pallor on the darkness, and the stranger was little more than a shadow. Only his face gleamed white as he looked up at Meggie. His hair clung to his wet forehead. The rain was falling on him, but he ignored it. He stood there motionless, arms crossed over his chest as if that might at least warm him a little. And he kept on staring at the house. I must go and wake Mo, thought Meggie. But she stayed put, her heart thudding, and went on gazing out into the night as if the stranger’s stillness had infected her. Suddenly, he turned his head, and Meggie felt as if he were looking straight into her eyes. She shot off the bed so fast the open book fell to the floor, and she ran barefoot out into the dark corridor. This was the end of May, but it was chilly in the old house. There was still a light on in Mo’s room. He often stayed up reading late into the night. Meggie had inherited her love of books from her father. When she took refuge from a bad dream with him, nothing could lull her to sleep better than Mo’s calm breathing beside her and the sound of the pages turning. Nothing chased nightmares away faster than
”
”
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
“
For you, I would
bring down the stars,
wreath their fire
around your neck
like diamonds,
and watch them
pulse
to the beat of your heart
For you, I would
capture the candlelight
in the palm of my hand
Give my breath
to give it life
A whisper,
'My love'
So that it may grow
Bright and hot
And burn me
For you, I would
drink the salted oceans
Until their depths
Were swallowed
into the depth of me
How deep it is, this life
This love, for you
I cannot touch bottom
I never will
For you, I would
mine the stony earth
Until it relinquished
The secrets of time
Cracks in the stone
wrinkles of the Earth
As she turns her face
to another new day
And so I wish to live
Every one of mine
With you
For you, I would
be myself
At long last
I would live in my skin
And breathe my words
in my own voice
Tinged with the accent
Of a child calling to a car
that will never stop
And in the fading echo
Nothing remains but the truth
of me
that is the love
of you
I have loved you with both
Hands tied behind my back
Bound with pen and ink
Paper and words
Sealed with someone else's name
until this moment
in which I am nothing
but a man
who loves a woman.
There is nothing left to say
Except to give
all of my heart
For you
”
”
Emma Scott (Bring Down the Stars (Beautiful Hearts, #1))
“
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of being and ideal grace.
I love thee to the level of every day's
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for right.
I love thee purely, as they turn from praise.
I love thee with the passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints. I love thee with the breath,
Smiles, tears, of all my life; and, if God choose,
I shall but love thee better after death.
”
”
Lynn Austin (If I Were You)
“
With hardly a thought of what he was doing, he had consented to years of torture, to the crushing of his life in this torrid monotony for the sake of a little girl to whom he was vaguely related. Motivated by nothing but his good heart, he had set no conditions and asked nothing in return. To that little girl far away he was giving enough tenderness to make the whole world over, and he never showed it.
Suddenly he fell asleep in the candlelight. After a while I got up to look at his face. He slept like everybody else. He looked quite ordinary. There ought to be some mark by which to distinguish good people from bad.
”
”
Louis-Ferdinand Céline (Journey to the End of the Night)
“
Gabe watched, holding his breath as the figure slowly turned. The body moved in an almost unnatural way as it shifted and crawled slowly on all fours across the floor. When the candlelight at last fell on the figure, Gabe could make out the auburn hair of his beloved Sophie. Her hair was matted, greasy, and hung in her face.
Gabe saw her shoulders were hollow looking and her skin was almost glowing white. Gabe caught sight of Sophie’s fingers, her knuckles were bloody, and her nails cracked and peeling. Instinctively, Gabe fell to his knees and crawled to Sophie. Without even giving it a thought, he grabbed her hands and pulled them closer to the light.
”
”
Wendy Owens (Cursed (The Guardians, #2))
“
As she chats away, the candlelight is reflected in her pupils, making them shine like cats’ eyes. When she smiles, her nose crinkles and dimples appear in her cheeks. I look at her, stare at her, and I think: I wish I could pick you up and put you in my pocket. I wish I could carry you with me all the time, safe and warm. I wish there was a way I could be with you all the time, every hour of every day. Each time you smile, it’s like the first time all over again, and my heart flutters in my chest. I want to reach out and hold you – it’s like a physical ache. I want to stroke your face and kiss your eyelashes and feel your skin and smell your hair. I love you. I love you so much. And it hurts. I don’t know why.
”
”
Tabitha Suzuma (A Voice in the Distance (Flynn Laukonen, #2))
“
You need to get home, both of you. Louis, I’d like to keep the letters here, if you don’t mind. I want to go over them again.”
I came to my feet. “And ask the stars about them?”
Jesse nodded. Armand only shook his head, gloomy. There were bruises under his eyes that hadn’t been there yesterday.
“Ask the-fine. Splendid. Keep them if you like. Burn them. Turn them to gold or silver or lead. In the morning I’ll wake up and none of this will have happened.”
“No, lordling,” I said to him. “You’re never going to wake like that again, and you’re never going to be able to forget.”
“Bugger you, waif.”
“And you.”
He walked past both of us without another glance or another word, opened the door, and disappeared into the night.
I went to Jesse and wrapped my arms around him. After only a second’s hesitation, his arms lifted to embrace me, too.
“I don’t want to go,” I whispered.
I felt his chest expand beneath my cheek. “This is going to be much more difficult than I anticipated.”
“Which part?”
“All of it.” He brought a hand to my hair, his fingers weaving through. “Things are about to change rapidly now, Lora. He’ll come back to us stronger and stronger. He’s going to crave you more and more, and not having you will eat him raw.”
I frowned up at him. “What do you mean?”
Jesse tucked a strand behind my ear, his eyes emerald dark, his lashes tipped with candlelight. “It will be in his nature. He’ll feel compelled to claim you, and he won’t stop trying to do that. Ever. When that happens-“
“That is not bloody going to happen.”
“When that happens,” he said again resolutely, “I want you to remember two things. One: I’ve loved you since before he even knew you lived. Two: Spare a little pity for him. This isn’t entirely his fault. He was born into his role, just as you and I were. But, Lora-of-the-moon-only a little pity, all right?”
“My pity may reach as deep and wide as the ocean,” I answered. “But my heart is already claimed.”
To prove it, I clutched his shirt and lifted myself to my toes and brought my lips to his.
Sweeter than raspberry jam, warmer than candle flame, softer than bread.
People often spoke with religious rapture of milk and honey, but if I had nothing but Jesse to consume for the rest of my days, I’d die a heathen beast, content.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
The Proposal The diamond industry has pulled a fast one over on us. It has convinced us that there is no way to make public a lifetime commitment to another person without a very large, sparkly rock on a very slim band. This is, of course, nonsense. Often wedding books have engagement chapters that read like diamond-buying guides. But the truth is, the way to get engaged is for the two of you to decide that you want to get married. So the next time someone tries to imply that you are not engaged because you don’t have a dramatic enough engagement story or a ring, firmly say, “You know, I like to think of my partner as my rock,” and slowly raise your eyebrow. The modern wedding industry—along with a fair share of romantic comedies—has set a pretty high bar for proposals. We think they need to be elaborate and surprising. But they don’t. A proposal should be: • A decision to get married • Romantic (because you decide to spend the rest of your lives together, not necessarily because of its elaborate nature) • Possibly mutual • Possibly discussed in advance • Possibly instigated by you • Not used to judge the state of your relationship • An event that may be followed by the not-at-all-romantic kind of sobbing, because you realize your life is changing forever It’s exciting to decide to get married. And scary. But the moment of proposal is just that: a moment. It moves you to the next step of the process; it’s not the be-all, end-all. So maybe you have a fancy candlelight dinner followed by parachutists delivering you a pear-shaped, seven-carat diamond. Or maybe you decide to get married one Sunday morning over the newspaper and a cup of coffee. Either way is fine. The point is that you decided to spend your life with someone you love.
”
”
Meg Keene (A Practical Wedding: Creative Ideas for Planning a Beautiful, Affordable, and Meaningful Celebration)
“
Inside, on a bed of black velvet, lay an exquisite perfume bottle designed from rose-colored glass caged in a silver overlay that twined about the glass like living vines. In the very center of the oval shaped bottle, the silver was formed into the image of a lily in full bloom.
It was likely the most precious and expensive gift Lily had ever been given. She ran her fingertips over the delicate silver work before lifting the bottle from its velvet bed to allow the candlelight to shine through the rose-colored glass.
She noticed then a folded slip of paper still in the box. Setting the perfume bottle in the valley of her lap, she lifted the paper and broke the tiny wax seal.
In his precise, slanted script, Lord Harte had written:
I was unforgivably remiss in not having a gift for you the other night. I chose the elements for this blend myself. It made me think of you.
Lily brushed her thumb over the ink before setting the note back into the box. Then she shifted the bottle and removed the glass stopper. The scent wafting from the bottle was light, but heady. She noticed first the rich notes of clove and honey before her senses were claimed by the smooth, velvety scent of jasmine. Lily closed her eyes, allowing the aromatic infusion to settle into her awareness. There was another element hidden deep within the perfume. A layer of earthiness that warmed her blood. Sandalwood.
Lily was enthralled. It was a complex and lovely scent. Floral and exotic, light and dark. Impossibly sensual.
And it made him think of her.
Something deep and fundamental spread through her core, and she understood why young ladies were warned so often not to accept gifts from gentlemen. It was a personal and intimate thing to acknowledge how he had wanted her to have something he chose himself.
”
”
Amy Sandas (The Untouchable Earl (Fallen Ladies, #2))
“
Or are you suggesting you'd rather exchange passionate letters by candlelight?
Should I tell you that when we're apart, your body comes back to me in dreams? That when I sleep, I see you, the dip of your waist, the freckle above your hip, and when I wake up in the morning, it feels like I've just been with you, the phantom touch of your hand on the back of my neck fresh and not imagined? That I can feel your skin against mine, and it makes every bone in my body ache? That, for a few moments, I can hold my breath and be back there with you, in a dream, in a thousand rooms, nowhere at all?
I think perhaps Hamilton said it better in a letter to Eliza: You engross my thoughts too intirely to allow me to think of any thing else- you not only employ my mind all day; but you intrude upon my sleep. I meet you in every dream- and when I wake I cannot close my eyes again for ruminating on your sweetness.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
Who is that in the glass? She sees herself for the first time. She doesn't require soft
light, not at her age, not with her looks, so the effect of three candles is excessively
ravishing. Her hair sparks at every brush stroke. The candlelight carves a grotto in
the gloom around her. The mirror is a sacred pool, in it she sees the future: her lips
swollen with kissing, eyes caressing, come with me to my home beneath the sea and
I will love you.
She unbuttons her nightgown. My beautiful throat. Bares a white shoulder, ohh.
Parts the fabric to reveal her breasts, sailor take warning. Her image floating just
beneath the twilight surface, tempting herself overboard.
She hovers her hand above a nipple that gathers and pleats to a point seeking heat.
Kisses her palm with one eye on the mirror. Again, this time with her tongue.
Experiments with the creation of cleavage. Arranges her hair: Gibson girl, milkmaid,
madwoman, dryad. And leaves it there, spilling over her shoulders.
It's a self-portrait and the artist is in love.
”
”
Ann-Marie MacDonald (Fall on Your Knees)
“
Laurel stood on stage. She was very still. Her lovely blue eyes were lowered modestly. Her silver blonde hair fell in disheveled curls around her face, white roses and strands of pearls woven artfully throughout. A necklace of what looked like diamonds clasped her slender throat while white kid gloves were drawn up to her elbow. She held a fan of frosted silver in one hand, dangling at her side.
Her dress was a shimmering sapphire blue, and it fit her exquisitely, molding to her form, hugging her small bosom and lifting her breasts until they appeared ready to spill from the satin bodice. A silver braided sash cinched her waist, emphasizing its narrowness.
And then, she lifted her head, raised the hand that held the fan, then the other one and, tipping her head back, opened her eyes.
They were haunting and luminous, soft in the candlelight. Her skin was pale and smooth.
The crowd was utterly quiet, watching her.
And then, she began to sing.
If Dare had thought Laurel Spencer beautiful before, now she became goddess-like to him in an instant as a melody so heart-wrenching and lovely spilled forth from her lips.
”
”
Fenna Edgewood (Kiss Me, My Duke (Blakeley Manor, #3))
“
Or are you suggesting you'd rather exchange passionate letters by candlelight?
Should I tell you that when we're apart, your body comes back to me in dreams? That when I sleep, I see you, the dip of your waist, the freckle above your hip, and when I wake up in the morning, it feels like I've just been with you, the phantom touch of your hand on the back of my neck fresh and not imagined? That I can feel your skin against mine, and it makes every bone in my body ache? That, for a few moments, I can hold my breath and be back there with you, in a dream, in a thousand rooms, nowhere at all?
I think perhaps Hamilton said it better in a letter to Eliza: You engross my thoughts too intirely to allow me to think of any thing else- you not only employ my mind all day; but you intrude upon my sleep. I meet you in every dream- and when I wake I cannot close my eyes again for ruminating on your sweetness.
We can't change the world, and a lot of time we can't even change people. No more than one bit at a time. So we do what we can to help whenever we get the chance, sweetheart. We save those we can. We do our best. Then we try to find a way to convince ourselves that that will just have to...be enough. So we can live with our failures without drowning.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
Closing the door, she turned back to him, taking in the long, muscled length of him on the bed, staring at her.
Waiting for her.
Perfection.
He was perfect, and she was bare before him, bathed in candlelight. She was instantly embarrassed- somehow more embarrassed than she had been that night in his office, when she'd touched herself under his careful guidance. At least then she'd been wearing a corset. Stockings.
Tonight, she wore nothing. She was all flaws, each one highlighted by his perfection. He watched her for a long moment before extending one muscled arm, palm up, an irresistible invitation.
She went to him without hesitation, and he rolled to his back, pulling her over his lovely, lean chest, staring up at her intently.
She covered her breasts in a wave of nerves and trepidation. "When you look at me like that... it's too much."
He did not look away. "How do I look at you?"
"I don't know what it is... but I feel as though you can see into me. As though, if you could, you would consume me."
"It's want, love. Desire like nothing I've never experienced. I'm fairly shaking with it. Come here." The demand was impossible to resist, carrying with it the promise of pleasure beyond her dreams. She went.
When she was close enough to touch, he lifted one hand, stroking his fingers along hers where they hid her breasts from view. "I tremble with need for you, Pippa. Please, love, let me see you."
The request was raw and wretched, and she couldn't deny him, slowly moving her hands to settle them on his chest, fingers splayed wide across the crisp auburn hair that dusted his skin. She was distracted by that hair, the play of it over muscle- the way it narrowed to a lovely dark line across his flat stomach.
He lay still as she touched him, his muscles firm and perfect. "You're so beautiful," she whispered, fingers stroking down his arms to his wrists.
His gaze narrowed on her. "I am happy you approve, my lady."
She smiled. "Oh I do, my lord. You are a remarkable specimen." White teeth flashed again as she gained her courage, retracing her touch, over his forearms, marveling in the feel of him, reciting from memory, "flexor digitorium superficialis, flexor capri radialis..." along his upper arms, "biceps brachii, tricipitis brachii..." over his shoulders, loving the way his muscles tensed and flexed beneath her touch, "deltoideus..." and down his chest, "subscapularis... pectoralis major..."
She stilled, brushing her fingers over the curve of that muscle, the landscape of him... the valleys of his body. He sucked in a breath as her fingers ran over the flat discs of his nipples, arching up to her touch, and she stilled, reveling in her power. He enjoyed her touch. He wanted it. She repeated the stroke, this time with her thumbs.
He hissed his pleasure, one wide hand falling to the inside of her knee, sending a river of heat through her. "Don't stop now, love. This is the most effective seduction I've ever experienced.
”
”
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
“
By the time Lillian had turned twelve ears old, cooking had become her family. It had taught her lessons usually imparted by parents- economy from a limp head of celery left too long in the hydrator, perseverance from the whipping of heavy cream, the power of memories from oregano, whose flavor only grew stronger as it dried. Her love of new ingredients had brought her to Abuelita, the owner of the local Mexican grocery store, who introduced her to avocados and cilantro, and taught her the magic of matching ingredients with personalities to change a person's mood or a life. But the day when twelve-year-old Lillian had handed her mother an apple- fresh-picked from the orchard down the road on an afternoon when Indian summer gave over to autumn- and Lillian's mother had finally looked up from the book she was reading, food achieved a status for Lillian that was almost mystical.
"Look how you've grown," Lillian's mother had said, and life had started all over again. There was conversation at dinner, someone else's hand on the brush as it ran through her hair at night. A trip to New York, where they had discovered a secret fondue restaurant, hidden behind wooden shutters during the day, open by candlelight at night. Excursions to farmers' markets and bakeries and a shop that made its own cheese, stretching and pulling the mozzarella like taffy. Finally, Lillian felt like she was cooking for a mother who was paying attention, and she played in an open field of pearl couscous and Thai basil, paella and spanakopita and eggplant Parmesan.
”
”
Erica Bauermeister (The Lost Art of Mixing)
“
By the time Lillian had turned twelve years old, cooking had become her family. It had taught her lessons usually imparted by parents- economy from a limp head of celery left too long in the hydrator, perseverance from the whipping of heavy cream, the power of memories from oregano, whose flavor only grew stronger as it dried. Her love of new ingredients had brought her to Abuelita, the owner of the local Mexican grocery store, who introduced her to avocados and cilantro, and taught her the magic of matching ingredients with personalities to change a person's mood or a life. But the day when twelve-year-old Lillian had handed her mother an apple- fresh-picked from the orchard down the road on an afternoon when Indian summer gave over to autumn- and Lillian's mother had finally looked up from the book she was reading, food achieved a status for Lillian that was almost mystical.
"Look how you've grown," Lillian's mother had said, and life had started all over again. There was conversation at dinner, someone else's hand on the brush as it ran through her hair at night. A trip to New York, where they had discovered a secret fondue restaurant, hidden behind wooden shutters during the day, open by candlelight at night. Excursions to farmers' markets and bakeries and a shop that made its own cheese, stretching and pulling the mozzarella like taffy. Finally, Lillian felt like she was cooking for a mother who was paying attention, and she played in an open field of pearl couscous and Thai basil, paella and spanakopita and eggplant Parmesan.
”
”
Erica Bauermeister (The Lost Art of Mixing)
“
She stole surreptitious glances at Christopher, as she had been doing all evening, mesmerized by the sight of him. He was tawny and sun glazed, the candlelight finding threads of gold in his hair. The yellow glow struck sparkling glints in the new growth of bristle on his face. She was fascinated by the raw, restless masculinity beneath his quietness. She wanted to revel in him as one might dash out-of-doors in a storm, letting the elements have their way. Most of all she longed to talk with him…to pry each other open with words, share every thought and secret.
“My sincere thanks for your hospitality,” Christopher finally said at the conclusion of the meal. “It was much needed.”
“You must return soon,” Cam said, “especially to view the timber yard in operation. We have installed some innovations that you may want to use at Riverton someday.”
“Thank you. I would like to see them.” Christopher looked directly at Beatrix. “Before I depart, Miss Hathaway, I wonder if you would introduce me to this notorious mule of yours?” His manner was relaxed…but his eyes were those of a predator.
Beatrix’s mouth went dry. There would be no escaping him. That much was clear. He wanted answers. He would have them either now or later.
“Now?” she asked wanly. “Tonight?”
“If you don’t mind,” he said in a far too pleasant tone. “The barn is but a short walk from the house, is it not?”
“Yes,” Beatrix said, rising from her chair. The men at the table stood obligingly. “Excuse us, please. I won’t be long.”
“May I go with you?” Rye asked eagerly.
“No, darling,” Amelia said, “it’s time for your bath.”
“But why must I wash if I can’t see any dirt?”
“Those of us who have a difficult time with godliness,” Amelia replied with a grin, “must settle for cleanliness.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Say you’ll marry me, angel. You have to marry me.”
With his tale of heartbreak in her mind, she feared that he wanted this for all the wrong reasons. “You just want to save me from Nathan.”
“Nothing so unselfish, I assure you.” He trailed his mouth down her throat. “I want you. I need you. God, how I need you.”
He spoke of need, but not of love. Then again, he didn’t believe in love. And though that stung, at least he was honest about it. He’d always been perfectly frank about what he wanted.
“You need me in your bed, you mean.”
“Not just there, and you know it.” He drew back, firm resolve sharpening his features. Cupping her head in his large hands, he met her gaze with an intense look. “I’ll prove it. Agree to marry me, and I’ll leave you to sleep alone tonight and every night until we’re joined in matrimony. I’ll behave like a respectable gentleman. And I’ve never done that for anyone.”
Her blood thundered in her ears. She could well believe it. And something beyond desire shone in his face. Or was she just wishing on rainbows?
“I don’t know, Oliver. Until I can find Nathan-“
“Nathan!” A change came over him, dark and tempestuous. “Forget about Nathan. I won’t let him have you.” His eyes smoldered with a passion like the one seething in her own breast. “I won’t.”
He started backing her toward the bed in an unconscious imitation of his blatantly sensual steps in the waltz earlier, and a thrill shot through her. “You said you would leave me to sleep alone.”
“Not so you can think about him and what you owe him. I’ll make love to you before I let that happen. Because one way or the other, I mean to have you as my wife.” Raw determination shone in his harsh features. “Even if I have to ruin you to manage it.”
That errant thrill made her shiver again, no matter how she tried to suppress it. “Then you won’t need to marry me. You’ll have everything you desire from me.”
A ragged laugh escaped his lips. “It will take a lifetime to have everything I desire from you.”
His words gave her pause. Perhaps he really did need her. Perhaps he felt something even more.
“Besides,” he said with a wry smile as he shucked his coat, then his waistcoat, “my family will roast my ballocks on a spit if I ruin you without making an honest woman of you.”
“I haven’t agreed to let you ruin me,” she pointed out.
His black eyes glittered in the candlelight. “Ah, but you will.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
Lights like stars whirled past me from out of the darkness, and when I opened my eyes, I was lying on a bed covered in rich tapestry and piled high with pillows. The room was lit by candles in colossal iron holders that flickered on the walls. A great fire was ablaze in the hearth. I recognized the triptych of slender, arched windows, though I was seeing them for the first time from the inside. No longer empty, they were fitted with glass through which I could make out some of the stars that hovered over Whitby on a clear night.
We were inside the abbey, though apparently outside time. The room was warm and the roof intact, and he was lying beside me.
'Every moment that has ever existed in time is still here, Mina- every thought, every memory, and every experience.'
Now that I saw him in the candlelight, he was more beautiful than I had imagined. Skin marble white, paler than mine and glowing, and hair like the night sea's glossy waves. His face was long and angular with a strong brow, like the artist's renderings I had of the Arthurian knights. With his midnight blue wolf eyes, he stared at me, taking me in.
"Who are you?" I asked, my voice timid and feeble.
'You and I have gone by many names. It does not matter what we call each other. What matters is that you remember. Do you remember, Mina?'
His lips did not move, and yet I heard every word that he said, I wanted to ask a thousand questions, but one long and slender finger reached out and touched my lips. Locking eyes with me, he slid my nightdress from my shoulder. Shock waves rippled through my body as his finger followed the curve under my neck, dusting my chin, and slowly sliding to the other ear. Surely just one finger could not create this bedlam inside me.
'Ah, so you do remember.'
My heart palpitated wildly, but I was not afraid. Something familiar about him prevented me from fearing him, though I had witnessed how dangerous he could be on the banks of the Thames when he had thrashed my attacker.
"Yes, yes, I remember," I said. I would have said anything to keep his hand on me, to wallow in the wild energy he brought to my body, and to stare into the infinite violet blue of his eyes. Though I said nothing else, every nerve in my body begged him to keep touching me.
'What is your desire?'
I did not have the audacity to say the words aloud, but this being knew me and knew my thoughts. Our eyes were locked, and our minds were linked. I felt connected to him in a way that I had not known with another person. We were not one, but we were in harmony, as if we were both parts of the same symphony.
”
”
Karen Essex (Dracula in Love)
“
Skiddy Cottontail—that was his name—and he defended LGBT equality. He was a flamboyant, colorful striped rabbit, with a headdress of a rainbow crown on his forehead. The radiance of his energy was violet, scarlet, and turquoise; as it represented his love for everyone.
In the infancy years of his existence, he was abandoned—alone—unwanted—unloved; rejected by a world that disdains him. His father wished him deceased, his family exiled him from the warren, he was physically mistreated and preyed on by homophobic mobs in the surrounding community by Elephants—Hyenas—rats.
They splashed spit at his face, advising him that God condemns homosexuality—as Christ did not. They would slam him on the pavement with their Bibles, strike him in the stomach with their feet, throw boulders of stone at his body: imploring—abusing—condemning him to a tyrannical sentence.
Skiddy Cottontail thought that his existence would end with this case of cruelty—violence—assault that was perpetrated against him. He wanted to cease to exist— he wanted to commit the ultimate murder on himself—he no more desired to go on living— he realized hope is already deceased.
He yearned to have the courage to emerge, to discover his bravery that would sever this spiral of sensations of oppression. Being a victim made him a slave to his opponent—as his adversaries have full leverage against him. Life has become a thread of light, which he longed to be liberated from its shackles. His demon—a voice that keeps blaming him for his crimes in the back of his mind—a glass that continually cracks in his heart—will keep breaking him if he does not devise a way out of this crisis.
He was conscious by his innermost conviction that there was candlelight with a key that had the potential to illuminate a new chapter that will erase this trail of obscurity behind him. He sees a new horizon with greater comprehension, a journey that can give him the roses of affection than a handful of dead birds that his adversaries handed him along the way. The stunning blossoming trees did have a forest—beautiful greenery that was colorful like the rainbow in the Heavens. This home will embrace him with a warm embrace of open arms, where cruelty is forbidden; where adoration can forever abound.
Dawn will know him when he arrives. No more hurricanes or strife will be here—no crying of a sad humanity are here—only a gift of harmony and devotion, beyond all explanation, will abide in the heart of Skiddy Cottontail—when he finds his way out from this opponent world for a beautiful existence that is called liberation. Skiddy Cottontail has found a happiness that can only bring him contentment like nothing in this hurtful world can. Find your own sense of balance like him, Skiddy Cottontail, and you will experience serenity as much as him.
”
”
Be Daring like Skiddy Cottontail by D.L. Lewis
“
Moreover, Nancy Sinatra was afflicted, as the overwhelming majority of Americans were, with monolingualism. Lana’s richer, more textured version of “Bang Bang” layered English with French and Vietnamese. Bang bang, je ne l’oublierai pas went the last line of the French version, which was echoed by Pham Duy’s Vietnamese version, We will never forget. In the pantheon of classic pop songs from Saigon, this tricolor rendition was one of the most memorable, masterfully weaving together love and violence in the enigmatic story of two lovers who, regardless of having known each other since childhood, or because of knowing each other since childhood, shoot each other down. Bang bang was the sound of memory’s pistol firing into our heads, for we could not forget love, we could not forget war, we could not forget lovers, we could not forget enemies, we could not forget home, and we could not forget Saigon. We could not forget the caramel flavor of iced coffee with coarse sugar; the bowls of noodle soup eaten while squatting on the sidewalk; the strumming of a friend’s guitar while we swayed on hammocks under coconut trees; the football matches played barefoot and shirtless in alleys, squares, parks, and meadows; the pearl chokers of morning mist draped around the mountains; the labial moistness of oysters shucked on a gritty beach; the whisper of a dewy lover saying the most seductive words in our language, anh oi; the rattle of rice being threshed; the workingmen who slept in their cyclos on the streets, kept warm only by the memories of their families; the refugees who slept on every sidewalk of every city; the slow burning of patient mosquito coils; the sweetness and firmness of a mango plucked fresh from its tree; the girls who refused to talk to us and who we only pined for more; the men who had died or disappeared; the streets and homes blown away by bombshells; the streams where we swam naked and laughing; the secret grove where we spied on the nymphs who bathed and splashed with the innocence of the birds; the shadows cast by candlelight on the walls of wattled huts; the atonal tinkle of cowbells on mud roads and country paths; the barking of a hungry dog in an abandoned village; the appetizing reek of the fresh durian one wept to eat; the sight and sound of orphans howling by the dead bodies of their mothers and fathers; the stickiness of one’s shirt by afternoon, the stickiness of one’s lover by the end of lovemaking, the stickiness of our situations; the frantic squealing of pigs running for their lives as villagers gave chase; the hills afire with sunset; the crowned head of dawn rising from the sheets of the sea; the hot grasp of our mother’s hand; and while the list could go on and on and on, the point was simply this: the most important thing we could never forget was that we could never forget.
”
”
Viet Thanh Nguyen (The Sympathizer)
“
Sophie?” He knocked, though not that hard, then decided she wasn’t going hear anything less than a regiment of charging dragoons over Kit’s racket. He pushed the door open to find half of Sophie’s candles lit and the lady pacing the room with Kit in her arms. “He won’t settle,” she said. “He isn’t wet; he isn’t hungry; he isn’t in want of cuddling. I think he’s sickening for something.” Sophie looked to be sickening. Her complexion was pale even by candlelight, her green eyes were underscored by shadows, and her voice held a brittle, anxious quality. “Babies can be colicky.” Vim laid the back of his hand on the child’s forehead. This resulted in a sudden cessation of Kit’s bellowing. “Ah, we have his attention. What ails you, young sir? You’ve woken the watch and disturbed my lady’s sleep.” “Keep talking,” Sophie said softly. “This is the first time he’s quieted in more than an hour.” Vim’s gaze went to the clock on her mantel. It was a quarter past midnight, meaning Sophie had gotten very little rest. “Give him to me, Sophie. Get off your feet, and I’ll have a talk with My Lord Baby.” She looked reluctant but passed the baby over. When the infant started whimpering, Vim began a circuit of the room. “None of your whining, Kit. Father Christmas will hear of it, and you’ll have a bad reputation from your very first Christmas. Do you know Miss Sophie made Christmas bread today? That’s why the house bore such lovely scents—despite your various efforts to put a different fragrance in the air.” He went on like that, speaking softly, rubbing the child’s back and hoping the slight warmth he’d detected was just a matter of the child’s determined upset, not inchoate sickness. Sophie would fret herself into an early grave if the boy stopped thriving. “Listen,” Vim said, speaking very quietly against the baby’s ear. “You are worrying your mama Sophie. You’re too young to start that nonsense, not even old enough to join the navy. Go to sleep, my man. Sooner rather than later.” The child did not go to sleep. He whimpered and whined, and by two in the morning, his nose was running most unattractively. Sophie would not go to sleep either, and Vim would not leave her alone with the baby. “This is my fault,” Sophie said, her gaze following Vim as he made yet another circuit with the child. “I was the one who had to go to the mews, and I should never have taken Kit with me.” “Nonsense. He loved the outing, and you needed the fresh air.” The baby wasn’t even slurping on his fist, which alarmed Vim more than a possible low fever. And that nose… Vim surreptitiously used a hankie to tend to it, but Sophie got to her feet and came toward them. “He’s ill,” she said, frowning at the child. “He misses his mother and I took him out in the middle of a blizzard and now he’s ill.” Vim put his free arm around her, hating the misery in her tone. “He has a runny nose, Sophie. Nobody died of a runny nose.” Her expression went from wan to stricken. “He could die?” She scooted away from Vim. “This is what people mean when they say somebody took a chill, isn’t it? It starts with congestion, then a fever, then he becomes weak and delirious…” “He’s not weak or delirious, Sophie. Calm down.
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
He loves you,’ I said, and smoothed the tumbled hair off her flushed face. ‘He won’t stop.’ I got up, brushing yellow leaves from my skirt. ‘We’ll have a bit of time, then, but none to waste. Jamie can send word downriver, to keep an eye out for Roger. Speaking of Roger …’ I hesitated, picking a bit of dried fern from my sleeve. ‘I don’t suppose he knows about this, does he?’ Brianna took a deep breath, and her fist closed tight on the leaf in her hand, crushing it. ‘Well, see, there’s a problem about that,’ she said. She looked up at me, and suddenly she was my little girl again. ‘It isn’t Roger’s.’ ‘What?’ I said stupidly. ‘It. Isn’t. Roger’s. Baby,’ she said, between clenched teeth. I sank down beside her once more. Her worry over Roger suddenly took on new dimensions. ‘Who?’ I said. ‘Here, or there?’ Even as I spoke, I was calculating – it had to be someone here, in the past. If it had been a man in her own time, she’d be farther along than two months. Not only in the past, then, but here, in the Colonies. I wasn’t planning to have sex, she’d said. No, of course not. She hadn’t told Roger, for fear he would follow her – he was her anchor, her key to the future. But in that case – ‘Here,’ she said, confirming my calculations. She dug in the pocket of her skirt, and came out with something. She reached toward me, and I held out my hand automatically. ‘Jesus H. Roosevelt Christ.’ The worn gold wedding band sparked in the sun, and my hand closed reflexively over it. It was warm from being carried next to her skin, but I felt a deep coldness seep into my fingers. ‘Bonnet?’ I said. ‘Stephen Bonnet?’ Her throat moved convulsively, and she swallowed, head jerking in a brief nod. ‘I wasn’t going to tell you – I couldn’t; not after Ian told me about what happened on the river. At first I didn’t know what Da would do; I was afraid he’d blame me. And then when I knew him a little better – I knew he’d try to find Bonnet – that’s what Daddy would have done. I couldn’t let him do that. You met that man, you know what he’s like.’ She was sitting in the sun, but a shudder passed over her, and she rubbed her arms as though she was cold. ‘I do,’ I said. My lips were stiff. Her words were ringing in my ears. I wasn’t planning to have sex. I couldn’t tell … I was afraid he’d blame me. ‘What did he do to you?’ I asked, and was surprised that my voice sounded calm. ‘Did he hurt you, baby?’ She grimaced, and pulled her knees up to her chest, hugging them against herself. ‘Don’t call me that, okay? Not right now.’ I reached to touch her, but she huddled closer into herself, and I dropped my hand. ‘Do you want to tell me?’ I didn’t want to know; I wanted to pretend it hadn’t happened, too. She looked up at me, lips tightened to a straight white line. ‘No,’ she said. ‘No, I don’t want to. But I think I’d better.’ She had stepped aboard the Gloriana in broad daylight, cautious, but feeling safe by reason of the number of people around; loaders, seamen, merchants, servants – the docks bustled with life. She had told a seaman on the deck what she wanted; he had vanished into the recesses of the ship, and a moment later, Stephen Bonnet had appeared. He had on the same clothes as the night before; in the daylight, she could see that they were of fine quality, but stained and badly crumpled. Greasy candle wax had dripped on the silk cuff of his coat, and his jabot had crumbs in it. Bonnet himself showed fewer marks of wear than did his clothes; he was fresh-shaven, and his green eyes were pale and alert. They passed over her quickly, lighting with interest. ‘I did think ye comely last night by candlelight,’ he said, taking her hand and raising it to his lips. ‘But a-many seem so when the drink is flowin’. It’s a good deal more rare to find a woman fairer in the sun than she is by the moon.
”
”
Diana Gabaldon (Drums of Autumn (Outlander, #4))
“
There is nothing about you that I could ever forget, You are burned in my memory. Your hair glittering in candlelight. Your skin, dewy and soft, as you step out of the shower. The way you move beneath me when we make love. And the way you look at me, as if there is nothing you could see inside me that would make you turn away.
”
”
J. Kenner (Claim Me (Stark Trilogy, #2))
“
Most of her recipes came from her father, but Noor learned how to make the luscious potato cake from Nelson's mother. The recipe her mother-in-law had whispered into Noor's ear was the authentic one used by Nelson's great-grandmother. In its own unpresumptuous way, the Spanish Tortilla is an honest love omelet, and every bite must be suffused with fragrant olive oil- in this case, too much of a good thing is not a sin. Even when Noor was an amateur and the potatoes were sometimes raw, Nelson would say, "Oh my God! That was the best tortilla of my whole life!" Which of course wasn't true, but he was acknowledging the effort of peeling and slicing immense quantities of potatoes.
What she loved most about Spanish food was its lusty simplicity, so unlike the gastronomical somersaults of French cuisine or the complexity of the Persian food she grew up with. When she was little she could eat pyramids of saffron rice and rich meat stews, but she now associated the colors and perfumes of her husband's native cuisine with their courtship, with paddleboats and honeymoons and champagne in silver buckets, with flamenco and candlelight and little fried sardines with sea salt by the water. Her postcards were menus, smudged and wine-stained, saved from their meals, addressed to herself and read carefully like romance manuals.
”
”
Donia Bijan (The Last Days of Café Leila)
“
He reached over and with one deft gesture stripped the black ribbon from her hair, freeing it around her shoulders. "Will you dance or will you play?"
She rose abruptly, angry, though she wasn't quite sure why. He was so determined to prove himself a villain- she could hardly have expected him to admit to honorable impulses. Still, she'd half hoped for a gentle word. Silly, of course.
"Neither, my lord," she said, pushing away from the clavichord and starting past him, carefully out of reach.
She should have known better. He barely seemed to move, but her hand was caught in his. "Dancing it is," he murmured.
She had learned long ago that there was no escape from a man like Killoran. The hand holding hers was neither tight nor painful, but it was a prison as he led her through the same, intricate moves that Nathaniel had.
There was no music, no off-tune humming, no sound at all but the rhythmic swish of her black skirts against the floor. The gathering darkness, broken only by the candlelight, threw eerie shadows that danced with them, ghosts of a darker time, hovering, watching them, mimicking their footsteps, embracing them with the chill of night.
Emma sank into a deep curtsy as Killoran bowed, all mocking flourish. She stayed down. Her heart was racing, her pulses pounding, her face flushed. Without music the silent dance had been strangely, frighteningly intimate.
”
”
Anne Stuart (To Love a Dark Lord)
“
Sonnet XLIII: How Do I Love Thee? ELIZABETH BARRETT BROWNING How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul can reach, when feeling out of sight For the ends of Being and ideal Grace. I love thee to the level of every day’s Most quiet need, by sun and candlelight.
”
”
Caroline Kennedy (She Walks in Beauty: A Woman's Journey Through Poems)
“
I tell Ceri, this is most likely when I developed an utter love of literature.
The Adventures of Tom Sayer.
David Copperfield.
The Little Prince.
Then Cervantes.
Balzac.
Nabokov.
Capote.
Some of Miller – but my folks found out and said I was too young for that.
I tell Ceri, most likely this is when I developed my inner fears.
But that would be an oversimplification.
Some-times he used to come around when my mum wasn't there, and Dad was always tired and angry cause he couldn't find a job.
And when they had done drinking and Dad was resting, sometimes he would come to my room and we'd read together.
He would pull me out of my bed, put me on his knees and hold me tight and read Verne or Rimbaud or Carroll.
In candlelight, we would read Dickens and Doyle.
Salinger as well.
I tell Ceri, this is most likely when my brain started to repress memories and wounds.
Then one day they had an argument, Mum was crying a lot that day and at one point came to my room and hugged me till night.
We moved out of there shortly after, we moved to a smaller house and I never saw him again.
The first time I meet her, I tell Ceri this is just another story now.
No need to worry about anything, really.
I tell her, I don't even read Rimbaud or Cervantes anymore, you know.
”
”
Gian Andrea (Connections)
“
But in this last moment of candlelight, if one more wish could come true; I'd move through the paper wall of this page, and pass on this flame to you: that it might spark your own dream's taper, and give you the power to see that the life you imagined in the heart of your childhood- with faith- may yet come to be. Trust in your instincts; be kind to yourself; sow love wherever you roam: and your soul in its wisdom will guide every footstep, and carry you all the way home.
”
”
Robert Sexton (All the Way Home: The Art and Words of Robert Sexton)
“
I really do have to make a choice between you and my parents, or you and God, or you and the whole stupid planet, then I choose you. From now until the end of time. I choose you.”
Thunder crashes outside our window, like the sky is splitting open, and all at once our room plunges into darkness. I can just make out Marcos’s face in the candlelight. Even in the chaos he hasn’t taken his eyes off me.
“I choose you too,” he says, stepping forward and taking my face in his hands. Then his lips are on mine and all I can taste is heaven.
”
”
Kevin Christopher Snipes (Milo and Marcos at the End of the World)
“
Andrei glances up. The angle of candlelight flushes his hollow, old man’s face with youth. He smiles at her. Although his eyes are only shadows in this light, she knows their exact colour. They are blue-black, like the waters of Lake Baikal. Andrei says that Lake Baikal is ten kilometres deep. No one knows what is down there, though they say that Baikal sturgeon can live for three hundred years. The waters of the lake are pure and life-giving. Even the stones from its shores bring luck.
How much you could hide, in water ten kilometres deep. But Andrei’s eyes don’t conceal anything from her in their depths. However deep she goes, there is still love, so complete and undistorted that it frightens her. She is used to living with tangled people, and their tangled stories. But Andrei isn’t like that. I love you, I want to be with you, come with me. She hasn’t grown up with such words. Maybe that was why she turned him away when he asked his question. Maybe he frightens her, just a little, because he’s at ease in such deep waters. He is going to make her join him there. And he asks her questions no one has ever asked before. ‘So you wouldn’t sit beside me?’
”
”
Helen Dunmore (The Siege (The Siege, #1))
“
Her throat interested him greatly, the lovely arc beneath her dainty earlobe, the milky skin, the silken cascade of her perfumed hair...
His mind drifted, the wine warming his senses. It had now been three days since he'd had a woman, and he had not forgotten the way she had felt beneath him last night. He still wanted her in spite of himself.
Her lips' dewy roses beguiled him, along with the teasing sparkle in those emerald green eyes beneath her black velvet lashes. The candlelight brought out a golden luster in the depths of her light brown hair and danced along the delicate lines of her bare shoulders.
Was it wrong to want to lick the caramel sauce out of her splendid cleavage instead of drizzling it politely on the cheesecake? He did his best to keep a tight rein on his dangerous hunger for her, even as his hands tingled with yearning to caress all her creamy, glowing skin.
As he took another large swallow of port, he contemplated the fact that there was one sure way to find out if she was really as innocent as she would have him believe.
If she was a part of her forebears' sinister conspiracy, it was unlikely that she was a virgin. He was keenly tempted to verify her status for himself by luring her into his bed and finishing what they had started last night.
”
”
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
“
You’ve had my heart for a long time, Sylvie. Before the baby—hell, even before the beach, I was so fucking gone for you. I have loved you for a long time. It’s always been you, but I was too afraid to say it. Afraid that if I said the words out loud, I’d somehow wake up from this dream, and it would all disappear. I wanted to tell you tonight over candlelight and with flowers just the two of us—but here in this moment, I feel it. I want to go with you to Savannah, and I don’t want to keep that from you for a second longer. I love you. I have always loved you. You’re it for me, and I can’t live this life without you.
”
”
Lena Hendrix (One Night (The Sullivan Family, #4))
“
Yes. All the worth-while things in life. All mixed up. Rooms in candle-light. Leisure. Colour. Travel. Books. Music. Pictures. People—all kinds of people. Work that you love. And growth—growth and watching people grow. Feeling very strongly about things and then developing that feeling to—to make something fine come of it.
”
”
Edna Ferber (So Big)
“
If only you'd take that silly cap off your head and get some decent dresses, the idea would come to him in no time."
"How uninspiring to have a gentleman fall in love with your wardrobe.
”
”
Diana Burke (The Impoverished Heiress (A Candlelight Regency Special #681))
“
While the stars and the moon swirl above the house, while the gulls glide through the clear skies, and you are lost in the moment, you are lost in time and space and you know everything is going to be just fine everything is alright, and your love shines through flickering like the candlelight casting shadows in the room, and you feel good, you feel content, you feel love
”
”
Kenan Hudaverdi (LA VIGIE : THE LOOKOUT)
“
She wanted to hold on to the rosy candlelight glow of romance, rather than have to deal with the bright, sometimes glaring day-to-day life with another person. And who could blame her?
”
”
Florence Falk
“
While it was bitterly cold outside, the two men in the stateroom glistened with sweat. Tom, his arms bound behind him and his ankles tied to the legs of the table, grunted and hissed as another stream of hot wax landed on his bare skin. Jon groaned in response; he loved the way Tom’s muscles tightened over his cock with the sudden pain. He thrust himself into Tom’s body a few times, his hands sliding over the tattooed skin of the bound man’s side. The candlelight made Tom’s skin pure gold, and Jon thought it was beautiful.
”
”
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
“
He'd discarded his shirt at some point, and the candlelight loved him. Bronzed skin, vivid ink, endless flexing muscles for the shadows to flirt with—he was a fucking god. Vengeful with everyone else, but never with them.
”
”
Kit Rocha (Beyond Happily Ever After: Blank Canvas (Beyond, #6.6))
“
How funny do you think it feels not to be able to play the piano when it’s all I’ve done of worth in the past twenty-some years? I did not excel at school, and I can’t point to an illustrious career like my brother, the former cavalry officer. I haven’t Westhaven’s head for business. I wasn’t a jolly good time like Bart or a charmer like Vic. But, by God, I could play the piano.” “And you can build stone walls and referee between Day and Phil and keep an eye on Nick Haddonfield when he hares all over the Home Counties,” Darius retorted. “Do you think one activity defines you?” “I’m like a whore, Darius, in that, yes, the one activity, in my case playing the piano, defines me.” Val heard weariness in his own voice. “When Dev was driven mad by nightmares, I played for him so he couldn’t hear the battles anymore. When his little Winnie was scared witless by all the changes in her life, I played for her and taught her a few things to play for herself. When Victor was so sick, I’d play for him, and he’d stop coughing for a little while. It’s how I let people know they matter to me, Darius, and now…” Darius got up and crossed the room, then lowered himself to sit beside Val in the shifting candlelight. “Now all this playing for others has left you one-handed, angry, and beating yourself up.” Not beating himself up, precisely, but feeling beaten up. “The piano is the way I have a soul, Dare. It’s always there for me, always able to say the things I can’t, always worth somebody’s notice, even if they don’t know they notice. It has never let me down, never ridiculed me before others, never taken a sudden notion not to know who I am or what I want. As mistresses go, the piano has been loyal, predictable, and lovely.” “You
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
Debbie truly had Tess’s best interest at heart with the promoting of romanticized contemplation, and she hoped that such contemplation would make transparent a roses and chocolate candy theme that would ignite a passionate desire in her friend for deep intimate companionship that would make lengthy modifications until it became a candlelight connection that would light up brightly and cause a common smile to take form in the lives of two singles. But the detailed scene of Tess’s grander purview on the overall picture placed her friend’s intent in a corner of stagnant nothingness that had no realistic chance of ever modifying into the romantic reality that she advocated.
”
”
Calvin W. Allison (Strong Love Church)
“
PARADOX
Paradoxes: best wakefulness in sleep, wealth in having nothing, a pearl necklace
fastened around an iron collar. Fire contained in boiling water. Revenues growing from funds flowing out. Giving is gainful employment. It brings in money. Taking time for
ritual prayer and meditation saves time. Sweet fruit hide in leaves. Dung becomes food
for the ground and generative power in trees. Nonexistence contains existence. Love
encloses beauty. Brown flint and gray steel have orange candlelight in them. Inside
fear, safety. In the black pupil of the eye, many brilliancies. Inside
the body-cow, a handsome prince.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
oh candlelight upon your face,
oh sad shadow of screen across your breast,
oh love of life in my shadow—
these, and the winter nights beside you,
I remember and forget.
”
”
Michael Burkard (Fictions from the Self)
“
I can still remember it so well, that last night I saw him alive. I'd just told him I was going to have his child. Oh, you should've seen his face ... so full of joy, then sober duty as he got down on one knee before me and asked me to marry him. And that is my last memory of him: Charles on his knee, his head bent, the candlelight flickering in that bright, gold hair of his." "As last memories go, that is not such a bad one, Miss Paige." "Yes — I know. Sometimes I'm thankful for the fact that I never did see his body, for that very same reason. It's much nicer to remember a person alive, don't you think? Still, in some ways, it makes it harder ... I never had the chance to weep over him, never had the chance to tell him good bye. And that's the part that still hurts. It's horrible to lose someone you love; it's even more horrible when that person is snatched from you with no warning whatsoever, and you never get the chance to say good bye.
”
”
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
“
Jt'i to-
You shall love your neighbor as yourself.
-LEVITICUS 19:18
Yes, I give you permission to be selfish at times. One thing I notice about so many people is that they are burned out because they spend so much time serving others that they have no time for themselves. As a young mom I was going from sunup to late in the evening just doing the things that moms do. When evening came around I was exhausted. All I wanted to do was take a hot bath and slip into bed and catch as much sleep as possible before I was awakened in the night by one of the children.
After several years I remember saying to myself, I've got to have some time just for me-I need help. One of the things I did was to get up a half hour before everyone else so I could spend time in the Scriptures over an early cup of tea. This one activity had an incredibly positive effect upon my outlook. I went on to making arrangements to get my hair and nails taken care of periodically. I was even known to
purchase a new outfit (on sale of course) occasionally. As I matured I discovered that I became a better parent and wife when I had time for myself and my emotional tank was filled up. I soon realized I had plenty left over to share with my loved ones.
When you're able to spend some time just for you, you will be more relaxed, and your family and home will function better. I find these to be beneficial time-outs:
• taking a warm bath by candlelight
• getting a massage
• having my hair and nails done
• meeting a friend for lunch
• listening to my favorite CD
• reading a good book
• writing a poem
”
”
Emilie Barnes (The Tea Lover's Devotional)
“
Charlem watched, his heart lodged somewhere in his windpipe, as she spun, the candlelight making love to the planes of her face, and her eyes locked on his own for a brief infinity.
”
”
March McCarron (Elevation of the Marked (The Marked #2))
“
Iris lay there, her eyes closed, her golden hair spread on the pillow, half-turned toward him.
She must've been exhausted to have fallen asleep so swiftly.
The candlelight sent shadows spilling from the tips of her eyelashes, made her brow and cheeks glow, and left the valley between her breasts in darkness. She was so lovely it felt like a hook digging into his heart, tearing a jagged hole.
He turned and went to his traveling trunk, then knelt to open it. Inside, under a layer of folded banyans and pairs of breeches, he found his sketchbook and pencil case. Then he picked up a straight-backed chair and set it down next to the bed.
And began to put on paper what he couldn't say in words.
”
”
Elizabeth Hoyt (Duke of Desire (Maiden Lane, #12))
Bella Brown (Christmas Love by Candlelight ~ 12-book box set)