Camouflage Quotes

We've searched our database for all the quotes and captions related to Camouflage. Here they are! All 100 of them:

You can’t turn love on and off like a light switch, no matter how hard you try. All you can do is wall it off, one brick at a time, until you’ve created an impenetrable fortress around your emotions. And once that fortress is built, you camouflage it so well that even you can’t see it anymore.
Katherine Allred (The Sweet Gum Tree)
Bones has always been smart," I muttered. "His intelligence was just camouflaged under a mountain of p**sy." Cat
Jeaniene Frost (Destined for an Early Grave (Night Huntress, #4))
Annabeth came up to me. She was dressed in black camouflage with her Celestial bronze knife strapped to her arm and her laptop bag slung over her shoulder—ready for stabbing or surfing the Internet, whichever came first.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
But although the cliche says that power always corrupts, what is seldom said ... is that power always reveals. When a man is climbing, trying to persuade others to give him power, concealment is necessary. ... But as a man obtains more power, camouflage becomes less necessary.
Robert A. Caro (The Passage of Power)
I'd have to ask Oberon to leave him a present on his front doorstep. He'd do it camouflaged too, so that even if Mr. Semerdjian was watching - and he probably would be - it would appear to be undeniable, physical evidence that, sometimes, shit just happens.
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
On the theft of his material by Denis Leary: "I have a scoop for you. I stole his act. I camouflaged it with punchlines, and to really throw people off, I did it before he did.
Bill Hicks
I’m half chameleon, half camouflage, and wholly in love with you, though you’d never be able to see it.
Jarod Kintz (This Book is Not for Sale)
Truth' and 'facts' are 'sworn enemies,' but facts are often torn into a smokescreen and camouflaged into an appearance of alluring reliability. Only gullible people might swallow this for fear of being treated like dummies. ("The hidden sides of his character")
Erik Pevernagie
Realisation is not acquisition of anything new nor is it a new faculty. It is only removal of all camouflage
Ramana Maharshi
In the battle that is philosophy all the techniques of war, including looting and camouflage, are permissible.
Louis Althusser (Philosophy and the Spontaneous Philosophy of the Scientists: And Other Essays)
A joke is a good camouflage. Next best comes sentiment... But the best camouflage of all - in my opinion - is the plain and simple truth. Because nobody ever believes it.
Max Frisch
Last night my shadow exploded into hundreds of fluttering black birds, foreshadowing my love taking flight under the cover of camouflage.
Jarod Kintz (This Book is Not for Sale)
She always camouflaged herself as a crowd. I've never been lonely, she said, but sometimes it's hard to think above the noise.
Brian Andreas (Story People)
It’s the final word in camouflage. Forget chucking weights around. Peeta should have gone into his private session with the Gamemakers and painted himself into a tree. Or a boulder. Or a muddy bank full of weeds.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Guys, we’re so screwed. The women know we didn’t go hunting. (Kyrian) You think? What idiot came up with that lie? (Zarek) I’m not an idiot. And it’s not like I lied. I just omitted what exactly we were hunting and where we were doing it. (Talon) Like your wives wouldn’t know better? When was the last time Mr. Armani hunted something that didn’t have a price tag on it? Oh, and the loafers and trousers are perfect camouflage. (Zarek)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
I often wear camouflaged pants so when I walk I look like a floating torso. I love with the same air of mystery.
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
The extraordinary hides behind the camouflage of the ordinary. Assume nothing, Maisie.
Jacqueline Winspear (Maisie Dobbs (Maisie Dobbs, #1))
I just developed a gun that shoots mustaches. Sometimes a disguise can be deadly, especially if it’s your love you’re trying to camouflage.
Jarod Kintz (This Book is Not for Sale)
She had so mastered the strategies of camouflage that her own history had seemed a series of well-placed mirrors that kept her hidden from herself.
Pat Conroy (Beach Music)
Camouflage doesn't help when the other guy is willing to defoliate the whole jungle.
Andrew Vachss (False Allegations (Burke, #9))
Mediocrity, I discovered, was the great camouflage; the great protective coloring. Those boys who did not fail, yet did not excel, were left alone, free of the demands of the master who might wish to groom them for glory and of the school bully who might make them his scapegoat. That simple fact was the first great discovery of my life.
Alan Bradley (The Sweetness at the Bottom of the Pie (Flavia de Luce, #1))
When you hunt predators, the best camouflage is weakness.
Andrew Vachss (Sacrifice (Burke, #6))
When Josey woke up and saw the feathery frost on her windowpane, she smiled. Finally, it was cold enough to wear long coats and tights. It was cold enough for scarves and shirts worn in layers, like camouflage. It was cold enough for her lucky red cardigan, which she swore had a power of its own. She loved this time of year. Summer was tedious with the light dresses she pretended to be comfortable in while secretly sure she looked like a loaf of white bread wearing a belt. The cold was such a relief.
Sarah Addison Allen (The Sugar Queen)
Mother used to say escape is never further than the nearest book. Well, Mumsy, no, not really. Your beloved large-print sagas of rags, riches, and heartbreak were no camouflage against the miseries trained on you by the tennis ball launcher of life, were they? But, yes, Mum, there again, you have a point. Books don’t offer real escape, but they can stop a mind scratching itself raw.
David Mitchell (Cloud Atlas)
If you ever threaten Vane or his brothers again, I’m going to show you just how human I am. I will don my camouflage, hunt you down, and skin you while you scream. Do you understand me?
Sherrilyn Kenyon (Night Play (Dark-Hunter, #5; Were-Hunter, #1))
Like all other lonely or hungry things, ego loves the light. It sees light, and the possibility of being close to the soul, and it creeps up to it and steals one of its essential camouflages. In a hunger for soul, our own ego-self steals the pelt
Clarissa Pinkola Estés
Holy cow,” Chloe said faintly. “No kidding,” Gwen breathed. The sexy Fae prince flashed them a smile that was pure devilish charm, sexy and playful and mischievous, briefly catching the tip of his tongue between white teeth, before his lip curved, dark eyes sparkling gold. Gabby groaned. She choked on it hastily, camouflaging it with a dry little cough. Her own private stash of eye candy had just been made available for public consumption and she didn’t like it one bit. Apparently she wasn’t the only one. “Are you thinking what I’m thinking, Dageus?” Drustan said irritably. “Och, aye,” Dageus said darkly. “You liked him better invisible too?” “Och, aye.” “Should I curse him again?” “Och, aye.” Adam threw back his head and laughed, eyes sparkling with gold fire. “Bloody hell, it’s good to be back,” he purred.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
The only sure camouflage was unpredictability.
Margaret Atwood (MaddAddam (MaddAddam, #3))
Sergeant Major to a young soldier: “I didn’t see you at camouflage training this morning, soldier.” Soldier: “Thank you very much, sir.” All
Mariana Zapata (Dear Aaron)
There he stood, in the camouflage of sun and shade, disfigured by them and masked by his own nakedness.
Vladimir Nabokov (Lolita)
The morphlings from District 6 are in the camouflage station, painting each other's faces with bright pink swirls.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
A blanket could be used to hide my shame and cover my insecurities. But so could a camouflaged condom.

Jarod Kintz (A brick and a blanket walk into a bar)
But a myth, to speak plainly, to me is like a menu in a fancy French restaurant: glamorous, complicated camouflage for a fact you wouldn't otherwise swallow, like maybe lima beans.
William Peter Blatty (The Exorcist)
Masks camouflage the faces of both good and evil. Keeps hidden what is a truth and what is a lie.
Patti Roberts (The Angels Are Here (Paradox, #1))
You'd be surprised what poison is often hidden in the most beautiful camouflage.
Evelyn Klebert (Ghost Soldier (The Ghost Files, #2))
So what do you wear to dump somebody?" she asked me, twirling a lock of hair around one finger. "Black, for mourning? Or something cheerful and colorful, to distract them from their pain? Or maybe you wear some sort of camouflage, something that will help you disappear quickly in case they don't take it well.
Sarah Dessen (This Lullaby)
They were wearing camouflage gear direct from central casting, and if it hadn't been for the guns I might have laughed, not yet realizing that female laughter would soon be in short supply.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
Mediocrity is the best camouflage known to man.
Bryce Courtenay (The Power of One (The Power of One, #1))
Science doesn't have all the answers, but it is good at spotting the important questions when they are camouflaged against a background of common sense.
Richard Dawkins (The Oxford Book of Modern Science Writing)
She told me that while my father’s body might be crushed under tons of black earth, the body is nothing but camouflage. She whispered that every soul is a river trying to find its way back to the sea.
Simon Van Booy (The Secret Lives of People in Love)
The State in particular is turned into a quasi-animate personality from whom everything is expected. In reality it is only a camouflage for those individuals who know how to manipulate it.
C.G. Jung (The Essential Jung: Selected Writings)
Glory is largely a theatrical concept. There is no striving for glory without a vivid awareness of an audience... The desire to escape or camouflage their unsatisfactory selves develops in the frustrated a facility for pretending -- for making a show -- and also a readiness to identify themselves wholly with an imposing spectacle.
Eric Hoffer (The True Believer: Thoughts on the Nature of Mass Movements)
There are moments in life that change us irreparably. Sometimes those moments are grand and dramatic, tragic or beautiful in their intensity. Sometimes those moments are quiet and small like footsteps fading behind a closed door. The subtlety of those moments can sometimes camouflage their impact and sometimes the impact is felt profoundly, but the quietness of the moment is lost on everyone else around you adding loneliness to the equation.
Samantha Young (Moonlight on Nightingale Way (On Dublin Street, #6))
I watch her as she leaves. Everything about her is fluid as a river. Her messy hair, her xylophone voice, the strokes of her paintbrush. Even her camouflage army jacket hangs loose, flowing like ribbons.
Lisa Ann Sandell (A Map of the Known World)
She spent an astonishing amount of time in attending lectures and demonstrations, distributing literature for the Junior Anti-Sex League, preparing banners for Hate Week, making collections for the savings campaign, and such-like activities. It paid, she said; it was camouflage. If you kept the small rules you could break the big ones.
George Orwell (1984)
Happiness is seeing blessings in disguise, beauty under camouflage, and love amid conflict.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Being in a shadow is never just as simple as stepping out of it. Shadows can camouflage a lot of things.
Leah Henderson (Black Enough: Stories of Being Young & Black in America)
I feel guilty looking at those "People of Walmart" photos you see on the Internet. It's not cool to make fun of pitiful people. You really think anyone who wasn't batshit crazy would walk out of the house in a camouflage mankini and a Confederate flag ball cap to go buy some new furnace filters? No, he's cray-cray.
Celia Rivenbark (You Don't Sweat Much for a Fat Girl: Observations on Life from the Shallow End of the Pool)
The tattoos had become more than a camouflage to hide the girl I'd once been, they were a declaration that I was never going back. I could never again fit into the life I'd previously led.
Meghan March (Beneath This Mask (Beneath, #1))
All I do know is that the plant manager himself took me outside to the gate, waved down a passing police open-top jeep, greased the palm of the officer who was driving, and pushed me into the back next to a man dressed in camouflage with an automatic rifle on his lap. Sirens blaring, I was driven to the airport, scared out of my skin.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
Wait,” Eric said. “Do you have any camouflaged condoms?” “Camouflaged?” The cashier’s forehead crinkled in concentration. “I don’t think so. We have every flavor and color imaginable, but I don’t think we have any camouflaged.” “Why would you need a camouflaged condom?” Rebekah asked. “So you won’t see me coming.
Olivia Cunning (Wicked Beat (Sinners on Tour, #4))
In Hidden Writing, a main plot is constructed to camouflage other plots (which can register themselves as plot holes) by overlapping them with the surface (superficially dynamic plot) or the grounded theme. In terms of such a writing, the main plot is the map or the concentration blueprint of plot holes (the other plots).
Reza Negarestani (Cyclonopedia: Complicity with Anonymous Materials (Anomaly))
She had learned that words are not always promises, that music cannot save you, that your own abilities do not always lead to their predestined objective, that love is sometimes just camouflage for something much worse; she had learned to tame her dreams, had learned to paint over her disappointments with a dash of lipstick;
Nino Haratischwili (The Eighth Life)
I find that, usually, answers present themselves. They are not hidden under rocks or camouflaged among trees. Answers are right there, in front of our eyes. But if you haven't cause to look, then of course you will probably never find them.
Cecelia Ahern (Thanks for the Memories)
Our gathering was not as strange a thing as it might have appeared. A xenophobe would see a company of foreigners in camouflage uniforms, carrying out military drills and calisthenics, and might imagine us to be the lead element of some nefarious Asian invasion of the American homeland, a Yellow Peril in the Golden State, a diabolical dream of Ming the Merciless sprung to life. Far from it. The General's men, by preparing themselves to invade our now communist homeland, were in fact turning themselves into new Americans. After all, nothing was more American than wielding a gun and committing oneself to die for freedom and independence, unless it was wielding that gun to take away someone else’s freedom and independence.
Viet Thanh Nguyen (The Sympathizer (The Sympathizer, #1))
Ah, yes, pink camo,” I murmur, gesturing my chin at her tank top and hoodie. “Because you never know when you’ll have to hide in a bubblegum factory.
Elisabeth Wheatley (Fanged Princess (Fanged Princess #1))
Do you care about your image?' Even as the words were coming out of my mouth, I was mentally kicking myself. He'd been kidding around, and meanwhile I sounded like an afternoon special. But he didn't seem to mind. 'Sure. It's my armor.' 'Your what?' The WALK sign flashed, and he put a hand on my elbow as we crossed the street. And yes, even that faint pressure on that small spot made my entire arm tingle. 'My armor. You know. Self-protective camouflage. Everybody has an armor. Even you, I bet, even though I still haven't figured out what form yours takes.
Jennifer Sturman (And Then Everything Unraveled)
Those who have greatest cause for guilt and shame Are quickest to besmirch a neighbour's name. When there's a chance for libel, they never miss it; When something can be made to seem illicit They're off at once to spread the joyous news, Adding to fact what fantasies they choose. By talking up their neighbour's indiscretions They seek to camouflage their own transgressions, Hoping that other's innocent affairs Will lend camouflage to theirs, Or that their own black guilt will come to seem Part of a gerenal shady color-sheme
Molière
We all try to camouflage the monotony, But it takes a lot of energy. To insist on being special all the time. When we're so much like one another anyway. Our triumphs are the same. Our pain. Try for a moment to feel what relief there is in the ordinary.
Peter Høeg (The Quiet Girl)
The strain of constant adaptation to so many fearful events and discoveries is already too much to bear with sanity; one has to keep pretending to slip successfully into the new mould; a time will come when the tailored and camouflaged mind breaks beneath the burden; the stick insect in our brains no longer cares to resemble a twig on the same habitual human tree in the mere hope that it may survive extinction.
Janet Frame (Towards Another Summer)
American racism has many moving parts, and has had enough centuries in which to evolve an impressive camouflage. It can hoard its malice in great stillness for a long time, all the while pretending to look the other way. Like misogyny, it is atmospheric. You don’t see it at first. But understanding comes.
Teju Cole (Known and Strange Things: Essays)
No, she knows you're here. She can see through the camouflage. But I think she's hiding something from me, and I'm waiting for the other shoe to drop. Never mind. Just listen. Once she drinks the tea, she will try ot surprise me with something. She is waiting for the contrast to be fully in effect before she says anything. I knew I never should have let you watch The Wizard of Oz.
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
Miri took genuine comfort in studying Mathematics that day. She could sort numbers into two simple ideas: true and not true. Unlike numbers, words were rarely just one thing. They moved and changed, camouflaging and leaping out unexpectedly. Words were slippery and alive; words wrestled out of her grip and became something new. Words were dangerous.
Shannon Hale (Palace of Stone (Princess Academy, #2))
I'd like to have two armies: one for display with lovely guns, tanks, little soldiers, staffs, distinguished and doddering Generals, and dear little regimental officers who would be deeply concerned over their General's bowel movements or their Colonel's piles, an army that would be shown for a modest fee on every fairground in the country. The other would be the real one, composed entirely of young enthusiasts in camouflage uniforms, who would not be put on display, but from whom impossible efforts would be demanded and to whom all sorts of tricks would be taught. That's the army in which I should like to fight.
Jean Lartéguy
There's a darkness in each of us, afraid to show itself, wrestling with such blunt tools as words and deeds to make itself known to the darkness in another person similarly hidden behind walls of camouflage, disguise, interpretation. Honesty is a knife that we can use to pare away those layers, but one slip, go too deep, and who knows what injuries might be inflicted … The wounds an honest tongue can open sometimes take a lifetime to heal.
Mark Lawrence (The Girl and the Stars (Book of the Ice, #1))
Any assemblage comprising human beings, any family, any party, any tribe, any nation, will bind itself together not by what it shares but ultimately by what it fears, which is often so much greater. Perhaps it abhors the outsider as camouflage for its own alarms; dreading what it would do to itself were the binding to fall asunder.
Joseph O'Connor (Star of the Sea)
Wilder went into his sons' bedroom. Glad to see Wilder, they banged their empty feeding-bowls with their plastic machine-pistols. They were dressed in miniature paratroopers' camouflage suits and tin helmets -- the wrong outfit, Wilder reflected, in light of what had been taking place in the high-rise. The correct combat costume was stockbrokers' pin-stripe, briefcase and homburg.
J.G. Ballard (High-Rise)
In recent years I had begun to be interested in fashion, to educate my taste under Adele's guidance, and now I enjoyed dressing up. But sometimes - especially when I had dressed not only to make a good impression in general, but for a man - preparing myself (this was the word) seemed to me to have something ridiculous about it. All that struggle, all that time spent camouflaging myself when I could be doing something else. The colors that suited me, the ones that didn't, the styles that made me look thinner, those that made me fatter, the cut that flattered me, the one that didn't. A lengthy, costly preparation. Reducing myself to a table set for the sexual appetite of the male, to a well-cooked dish to make his mouth water.
Elena Ferrante (Those Who Leave and Those Who Stay (The Neapolitan Novels, #3))
We want you to write it down--to camouflage it. Only for the present, of course. Once the thing gets going we shan't have to bother about the great heart of the British public. We'll make the great heart what we want it to be. But in the meantime, it does make a difference how things are put. For instance, if it were even whispered that the N.I.C.E. wanted powers to experiment on criminals, you'd have all the old women of both sexes up in arms and yapping about humanity. Call it re-education of the mal-adjusted, and you have them all slobbering with delight that the brutal era of retributive punishment has at last come to and end. Odd thing it is--the word 'experiment' is unpopular, but not the word 'experimental.' You must'nt experiment on children; but offer the dear little kiddies free education in an experimental school attached to the N.I.C.E. and it's all correct!
C.S. Lewis (That Hideous Strength (The Space Trilogy, #3))
To know a thing you have to trust what you know, and all that you know, and as far as you know in whatever direction your knowing drags you. I once had a pet pine squirrel named Omar who lived in the cotton secret and springy dark of our old green davenport; Omar knew that davenport; he knew from the Inside what I only sat on from the Out, and trusted his knowledge to keep from being squashed by my ignorance. He survived until a red plaid blanket--spread to camouflage the worn-out Outside--confused him so he lost his faith in his familiarity with the In. Instead of trying to incorporate a plaid exterior into the scheme of his world he moved to the rainspout at the back of the house and was drowned in the first fall shower, probably still blaming that blanket: damn this world that just won't hold still for us! Damn it anyway!
Ken Kesey (Sometimes a Great Notion)
I circled the site before I came in. If there's anyone within five kilometers, I'll eat my quiver." Halt regarded him, eyebrow arched once more. "Anyone?" "Anyone other than Crowley," Will amended, making a dismissive gesture. "I saw him watching me from that hide he always uses about two kilometers out. I assumed he'd be back in here by now." Halt cleared his throat loudly. "Oh, you saw him, did you?" he said. "I imagine he'll be overjoyed to hear that." Secretly, he was pleased with his former pupil. In spite of his curiosity and obvious excitement, he hadn't forgotten to take the precautions that had been drilled into him. THat augured well for what lay ahead, Halt thought, a sudden grimness settling onto his manner. Will didn't notice the momentary change of mood. He was loosening Tug saddle girth. As he spoke, his voice was muffled against the horses's flank. "he's becoming too much a creature of habit," he said. "he's used that hide for the last three Gatherings. It's time he tried something new. Everyone must be onto it by now." Rangers constantly competed with each other to see before being seen and each year's Gathering was a time of heightened competition. Halt nodded thoughtfully. Crowley had constructed teh virtually invisible observation post some four years previously. Alone among the younger Rangers, Will had tumbled to it after one year. Halt had never mentioned to him that he was the only one who knew of Crowley's hide. The concealed post was the Ranger Commandant's pride and joy. "Well, perhaps not everyone," he said. Will emerged from behind his horse, grinning at the thought of the head of the Ranger Corps thinking he had remained hidden from sight as he watched Will's approach. "All the same, perhaps he's getting a bit long in the tooth to be skulking around hiding in the bushes, don't you think?" he said cheerfully. Halt considered the question for a moment. "Long in the tooth? Well, that's one opinion. Mind you, his silent movement skills are still as good as ever," he said meaningfully. The grin on Will's face slowly faded. He resisted the temptation to look over his shoulder. "He's standing behind me, isn't he?" he asked Halt. THe older Ranger nodded. "He's standing behind me, isn't he?" Will continued and Halt nodded once more. "Is he...close enough to have heard what I said?" Will finally managed to ask, fearin teh worst. This time, Halt didn't have to answer. "Oh, good grief no," came a familiar voice from behind him. "he's so old and decrepit these days he's as deaf as a post." Will's shoulders sagged and he turned to see the sandy-haired Commandant standing a few meters away. The younger man's eyes dropped. "Hullo, Crowley," he said, then mumbled, "Ahhh...I'm sorry about that." Crowley glared at teh young Ranger for a few more seconds, then he couldn't help teh grin breaking out on his face. "No harm done," he said, adding with a small note of triumph, "It's not often these days I amange to get the better of one of you young ones." Secretly, he was impressed at teh news that Will had spotted his hiding place. Only the sarpest eyes could have picked it. Crowley had been in the business of seeing without being seen for thirty years or more, and despite what Will believed, he was still an absolute master of camouflage and unseen movement.
John Flanagan (The Sorcerer in the North (Ranger's Apprentice, #5))
Uninvited, the thought of you stayed too late in my head, so I went to bed, dreaming you hard, hard, woke with your name, like tears, soft, salt, on my lips, the sound of its bright syllables like a charm, like a spell. Falling in love is glamorous hell; the crouched, parched heart like a tiger ready to kill; a flame's fierce licks under the skin. Into my life, larger than life, beautiful, you strolled in. I hid in my ordinary days, in the long grass of routine, in my camouflage rooms. You sprawled in my gaze, staring back from anyone's face, from the shape of a cloud, from the pining, earth-struck moon which gapes at me as I open the bedroom door. The curtains stir. There you are on the bed, like a gift, like a touchable dream. "You
Carol Ann Duffy (Rapture)
The modern world is full of pundits, poseurs, and mall ninjas. Preparedness is not just about accumulating a pile of stuff. You need practical skills, and those come only with study, training, and practice. Any armchair survivalist with a credit card can buy a set of stylish camouflage fatigues and an "M4gery" carbine encrusted with umpteen accessories. Style points should not be mistaken for genuine skills and practicality.
James Wesley, Rawles (How to Survive the End of the World as We Know It: Tactics, Techniques, and Technologies for Uncertain Times)
There is another important difference as well. Human eyes have three visual pigments, allowing us to see color. Octopuses have only one—which would make these masters of camouflage, commanding a glittering rainbow of colors, technically color-blind. How, then, does the octopus decide what colors to turn? New evidence suggests cephalopods might be able to see with their skin.
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
I said that my current feelings of powerlessness had changed the way I looked at what happens and why, to the extent that I was beginning to see what other people called fate in the unfolding of events, as though living were merely an act of reading to find out what happens next. That idea – of one’s own life as something that had already been dictated – was strangely seductive, until you realised that it reduced other people to the moral status of characters and camouflaged their capacity to destroy. Yet the illusion of meaning recurred, much as you tried to resist it: like childhood, I said, which we treat as an explanatory text rather than merely as a formative experience of powerlessness.
Rachel Cusk (Transit)
The night stayed outside. She was surprised. She opened her mouth but no sound came out. Instead, blue things flew in, pieces of glass or tin, or necklaces of blue diamond, perhaps. The air was the blue of a pool when there are shadows, when clouds cross the turquoise surface, when you suspect something contagious is leaking, something camouflaged and disrupted. There is only this infected blue enormity, elongating defiantly. The blue that knows you and where you live and it's never going to forget.
Kate Braverman
The ego is definitely an advancement, but it can be compared to the bark of the tree in many ways. The bark of the tree is flexible, extremely vibrant, and grows with the growth beneath. It is a tree’s contact with the outer world, the tree’s interpreter, and to some degree the tree’s companion. So should man’s ego be. When man’s ego turns instead into a shell, when instead of interpreting outside conditions it reacts too violently against them, then it hardens, becomes an imprisoning form that begins to snuff out important data, and to keep enlarging information from the inner self. The purpose of the ego is protective. It is also a device to enable the inner self to inhabit the physical plane. It is in other words a camouflage. It is the
Jane Roberts (The Early Sessions: Book 1 of The Seth Material)
The sexy Fae prince flashed them asmile that was pure devilish charm, sexy and playful and mischievous, briefly catching the tip of his tongue between white teeth, before his lips curved, dark eyes sparking gold. Gabby groaned. She choked on it hastily, camouflaging it with a dry little cough. Her own private stash of eye candy had just been made available for public consumption and she didn't like it one bit. Apparently she wasn't the only one. "Are you thinking what I'm thinking. Dageus?" Drustan said irritably. "Och, aye," Dageus said darkly. "You liked him better invisible too?" "Och, aye." "Should I curse him again?" "Och, aye." Adam threw back his head and laughed, eyes sparkling with gold fire. "Bloody hell, it's good to be back," he purred.
Karen Marie Moning (The Immortal Highlander (Highlander, #6))
..:"Your greatest test, is when you are to bless someone else while you are going through your own storms." When what you have and need is the very thing someone else is in need of and you know deep down what's the right thing to do. That is the greatest challenge ever. But, that is also the greatest blessing and door of opportunity that comes camouflage knocking our door. That is the very key that will unlock the gates of Heaven over our lives if we just learn to listen, to be kind and to let go:..
Rafael Garcia
Who would appreciate such candor? No one. None of us really likes honesty. We prefer deception –but only when it is unabashedly flattering or artfully camouflaged. Groups seem to need to believe that they are superior to others and that they have a purpose greater than just passing along their genes to the next generation. Individuals seem to need similar delusions – about who they are and why they do what they do. They need heroes, however fraudulent… Studies show that people are more likely to accept the opinion of a confident con man than the cautious view of someone who actually knows what he is talking about. And professionals who form overconfident opinions on the basis of incorrect readings of the facts are more likely to succeed than their more competent peers who display greater doubt. What’s more, deception works best, according to studies by psychologists, when the person doing the deceiving is fool enough to be deceived, too; that is, when he believes his own lies. That is why incompetent leaders – who are naïve enough to fall for their own guff – are such a danger to civilized life. If they are modern leaders, they must also delude themselves into thinking they know how to make the world a better place. Invariably, the answers they propose to problems are ones that bubble up from their own vanity, the essence of which is to make the rest of the world look just like them!
William Bonner (Mobs, Messiahs, and Markets: Surviving the Public Spectacle in Finance and Politics)
So it went. Bob was increasingly cynical, leery, uneasy; Jesse was increasingly cavalier, merry, moody, fey, unpredictable. If his gross anatomy suggested a strong smith in his twenties, his actual physical constitution was that of a man who was incrementally dying. He was sick with rheums and aches and lung congestions, he tilted against chairs and counters and walls, in cold weather he limped with a cane. He coughed incessantly when lying down, his clever mind was often in conflict, insomnia stained his eye sockets like soot, he seemed in a state of mourning. He counteracted the smell of neglected teeth with licorice and candies, he browned his graying hair with dye, he camouflaged his depressions and derangements with masquerades of extreme cordiality, courtesy, and good will toward others.
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
I never see you now,’ she said. ‘I never seem to see anyone I like. I don’t know why.’ But she spoke as though it were a matter of weeks rather than of years; as though, too, before our parting we had been firm friends. It was dead contrary to the common experience of such encounters, when time is found to have built its own defensive lines, camouflaged vulnerable points, and laid a field of mines across all but a few well-trodden paths, so that, more often than not, we can only signal to one another from either side of the tangle of wire.
Evelyn Waugh (Brideshead Revisited)
yet never once in his life had he experienced the unshakable certainty that he and he alone had arrived at a decision. He always had the sense that fate had forced him to decide things to suit its own convenience. On occasion, after the momentary satisfaction of having decided something of his own free will, he would see that things had been decided beforehand by an external power cleverly camouflaged as free will, mere bait thrown in his path to lure him into behaving as he was mean to. The only things that he had decided for himself with complete independence were the kind of trivial matters which, on closer inspection, revealed themselves to require no decision making at all.
Haruki Murakami (The Wind-Up Bird Chronicle)
The symbolic evidence of women’s invisibility in the human race is most clear perhaps in her suppression, her camouflage, her negation even in language. Women are subsumed, excised, erased by male pronouns, by male terminology, by male prayers about brotherhood and brethren, even and always by exclusively male images of God. The tradition that will call God spirit, rock, key door, wind, and bird will never ever call God mother. So much for the creative womb of God; so much for “I am who am.” So much for “Let us make human beings in our own image, male and female, let us make them.” What kind of spirituality is that? To take the position that using two pronouns for the human race is not important in a culture that has thirty words for car, multiple words for flowers, and dozens of words for dog breeds is to say that women are not important.
Joan D. Chittister (Heart of Flesh: Feminist Spirituality for Women and Men)
Once, when I was a child, I dreamed that Grimbeard the Ghastly, on the deck of his ship The Endless Journey, threw the sword Endeavor up into the air. Up and up it spun, through the inky blackness, across the cavernous span of a hundred years, until, entirely of its own accord, my own left hand sprang out of space and stars and never-ending time and caught it. Now that I am so very old, I am dreaming once again. And in my dream, I am the one throwing the sword. It is spinning now, in the black starlit waters of my dream, right above your head, dear reader. A sword that may look second-best, and secondhand, but but carries the memories of a thousand lost fights, a history lesson in itself. Reach out, and catch it by the hilt. Swear by its name, Endeavor, to do your utmost to make the world a better place than when you arrived in it. For look! There will be dragons all around you, as camouflaged as a Stealth Dragon.
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
For the anarch, little has changed; flags have meaning for him, but not sense. I have seen them in the air and on the ground like leaves in May and November; and I have done so as a contemporary and not just as a historian. The May Day celebration will survive, but with a different meaning. New portraits will head up the processions. A date devoted to the Great Mother is re-profaned. A pair of lovers in the wood pays more homage to it. I mean the forest as something undivided, where every tree is still a liberty tree. For the anarch, little is changed when he strips off a uniform that he wore partly as fool’s motley, partly as camouflage. It covers his spiritual freedom, which he will objectivate during such transitions. This distinguishes him from the anarchist, who, objectively unfree, starts raging until he is thrust into a more rigorous straitjacket.
Ernst Jünger (Eumeswil)
...feel the fierce way desire tourniquets itself around you and clings Clubland South of Market tweak- chic trannies powder their noses from bullet-shaped compacts and flick their forked tongues like switchblades as they burn the night down bleed day to night to day to Mission sidewalks where pythons hide twenty dollar balloons beneath their tongues which get bartered in smiles quicker than a coke buzz and tossed out through the cracks Cottonmouth kisses camouflage emotions and strike with a vengeance when he wants and she wants and they want and I won't Genet was right, I suppose when he wrote "The only way to avoid the horror of horror is to give in to it" it's the nature of the economy of the business it's the nature of things...
Clint Catalyst (Cottonmouth Kisses)
Many freeze types unconsciously believe that people and danger are synonymous, and that safety lies in solitude. Outside of fantasy, many give up entirely on the possibility of love. The freeze response, also known as the camouflage response, often triggers the individual into hiding, isolating and eschewing human contact as much as possible. This type can be so frozen in retreat mode that it seems as if their starter button is stuck in the ‘off’ position. It is usually the most profoundly abandoned child - ‘the lost child’ - who is forced to ‘choose’ and habituate to the freeze response… Unable to successfully employ fight, flight or fawn responses, the freeze type’s defenses develop around classical dissociation.
Pete Walker
Suddenly I know just what I’m going to do. Something that will blow anything Peeta did right out of the water. I go over to the knot-tying station and get a length of rope. I start to manipulate it, but it’s hard because I’ve never made this actual knot myself. I’ve only watched Finnick’s clever fingers, and they moved so fast. After about ten minutes, I’ve come up with a respectable noose. I drag one of the target dummies out into the middle of the room and, using some chinning bars, hang it so it dangles by the neck. Tying its hands behind its back would be a nice touch, but I think I might be running out of time. I hurry over to the camouflage station, where some of the other tributes, undoubtedly the morphlings, have made a colossal mess. But I find a partial container of bloodred berry juice that will serve my needs. The flesh-colored fabric of the dummy’s skin makes a good, absorbent canvas. I carefully finger paint the words on its body, concealing them from view. Then I step away quickly to watch the reaction on the Gamemakers’ faces as they read the name on the dummy. *SENECA CRANE.*
Suzanne Collins (Catching Fire (The Hunger Games, #2))
One day they would decide to shoot him. You could not tell when it would happen, but a few seconds beforehand it should be possible to guess. It was always from behind, walking down a corridor. Ten seconds would be enough. In that time the world inside him could turn over. And then suddenly, without a word uttered, without a check in his step, without the changing of a line in his face—suddenly the camouflage would be down and bang! would go the batteries of his hatred. Hatred would fill him like an enormous roaring flame. And almost in the same instant bang! would go the bullet, too late, or too early. They would have blown his brain to pieces before they could reclaim it. The heretical thought would be unpunished, unrepented, out of their reach for ever. They would have blown a hole in their own perfection. To die hating them, that was freedom.
George Orwell (1984)
I hate shopping for clothes," Kate said. "I liked when I was in the military and all I needed was camouflage gear." "Shopping can be fun. Especially when it's for a con. It's the first step in creating a character. Isn't there anything you enjoy buying? Lingerie? Shoes? Jewelry?" "Shoes are okay. I don't have to take my clothes off to try them on." "You don't like to take your clothes off?" "It's the lighting in the dressing rooms. It makes you look fat and anemic. And pulling clothes on and off wrecks my hair." Nick put his hand on her head and ruffled her hair. "Like this?" Kate jumped away. "Stop it! I have enough hair problems without you making it worse." "Maybe if you ran a brush through it once in a while." "Maybe if you'd keep your hands off it!" Nick grinned and hugged her into him. "Are we a team, or what? Stick with me and I'll get you to enjoy taking your clothes off." "You're flirting with me." "Stating a fact," Nick said.
Janet Evanovich (The Heist (Fox and O'Hare, #1))
Once upon a time there was a small-town girl who lived in a small world. She was perfectly happy, or at least she told herself she was. Like many girls, she loved to try different looks, to be someone she wasn't. But, like too many girls, life had chipped away at her until, instead of finding what truly suited her, she camouflaged herself, hid the bits that made her different. For a while she let the world bruise her until she decided it was safer not to be herself at all. There are so many versions of ourselves we can choose to be. Once, my life was destined to be measured out in the most ordinary of steps. I learnt differently from a man who refused to accept the version of himself he'd been left with, and an old lady who saw, conversely, that she could transform herself, right up to a point when many people would have said there was nothing left to be done. I had a choice. I was Louisa Clark from New York, or Stortfold. Or there might be a whole other Louisa I hadn't met yet. The key was making sure that anyone you allowed to walk beside you didn't get to decide which you were, and pin you down like a butterfly in a case. The key was to know that you could always somehow find a way to reinvent yourself again.
Jojo Moyes (Still Me (Me Before You, #3))
-so that for these few moments it actually seems that Ruprecht could be right, that everything, or at least the small corner of everything that is the Seabrook Sports Hall, is resonating to the same chord, the same feeling, the one that over a lifetime you learn a million ways to camouflage but never quite to banish - the feeling living in a world of apartness, of distances you cannot overcome; it's almost as if the strange out-of-nowhere voice is the universe itself, some hidden aspect of it that rises momentarily over the motorway-roar of space and time to console you, to remind you that although you can't overcome the distances, you can still sing the song -- out into the darkness over the separating voids, towards a fleeting moment of harmony...
Paul Murray (Skippy Dies)
Running in the rain steals my breath. Ruins it. Smashes it. Nearly eradicates it. When I arrive home, my soaked clothes are stuck to my skin. My shoes are slouching. My toes are cold and stiff. Erratic strands of my hair stick to my temples and forehead, dripping all over me. I stand in our small garden, catching my breath, and press a shaky palm to my chest. My heart’s palpitations grow uneven and out of beat as if protesting. I close my eyes and tip my head back, letting the rain beat down on me. Soak me. Rinse me. The droplets pound on my closed lids almost like a soothing caress. I’ve always loved the rain. The rain camouflaged everything. No one saw the tears. No one noticed the shame or the humiliation. It was just me, the clouds, and the pouring water. But that’s the thing about the rain, isn’t it? It’s only a camouflage, a temporary solution. It can only rinse the outside. It can’t seep under my skin and wash away my shaky insides. Wiping away my memories isn’t an option either. It’s been barely an hour since Aiden had his hands on me – all over me. I can still feel it. His breath. His nearness. His psychotic eyes.
Rina Kent (Deviant King (Royal Elite, #1))
She’s not happy in her marriage. Not unhappy exactly, but not happy. He doesn’t want kids, so that’s nothing to look forward to. Her life is chock-full of quiet tedium. Suddenly, she falls in love. And sure, there’s the excitement of being with her lover, but there’s also the excitement of not being with him. Of waiting and going on with her ordinary life. And all that dullness now becomes part of the drama. Because that’s her cover story. All the dreary anguish and monotony that fills ninety-eight percent of her life is electrified with meaning, since it now serves as the perfect camouflage to hide the two percent of passion. And, yes, she felt guilt and, yes, she felt shame. But those are powerful emotions too, and were all part of the glorious transformation of a featureless bland life into an adventure.
Phoef Sutton (Fifteen Minutes to Live)
Bodily agitation, then, is an enemy to the spirit. And by agitation I do not necessarily mean exercise or movement. There is all the difference in the world between agitation and work. Work occupies the body and the mind and is necessary for the health of the spirit. Work can help us to pray and be recollected if we work properly. Agitation, however, destroys the spiritual usefulness of work and even tends to frustrate its physical and social purpose. Agitation is the useless and ill-directed action of the body. It expresses the inner confusion of a soul without peace. Work brings peace to the soul that has a semblance of order and spiritual understanding. It helps the soul to focus upon its spiritual aims and to achieve them. But the whole reason for agitation is to hide the soul from itself, to camouflage its interior conflicts and their purposelessness, and to induce a false feeling that 'we are getting somewhere'.
Thomas Merton (No Man Is an Island)
Era domingo, no había duda de eso. Esperanto podía reconocer un domingo bajo cualquier disfraz; incluso escondido en la forma más refinada de camouflage. Una vez - Esperanto se había tomado el trabajo de memorizar la frase pero no el nombre del libro o del autor- había leído algo así como: "Era domingo; no un día exactamente sino una grieta entre dos días". Esperanto había caído demasiadas veces por esa grieta hasta tocar fondo. Esperanto odiaba los domingos casi tanto como los lunes. Es más, Esperanto no estaba del todo convencido de que se tratara de días diferentes. Los domingos y los lunes actuaban siempre en tándem; como esos perfectamente coordinados hermanos siameses; como en esas películas donde dos policías interrogaban bajo el haz de luz de una lámpara al inocente injustamente acusado del asesinato de una familia de pastores puritanos o del secuestro de un filatelista centenario a quien el pobre incauto nunca había visto en su vida. el domingo era el policía bueno y el lunes el policía malo. O viceversa
Rodrigo Fresán
Like that breeder-woman sitting at the bar, who thinks it's a buzz to go into a gay joint and has no doubt heard somewhere that this is one. Her lurid get-up's a joke, ludicrous. She's the type who dons the camouflage-green combat trousers, wraps a bandanna around her head and paints herself with black lipstick, imagining all the lesbians in the joint'll have the hots for her. Not so much imagining as secretly hoping. Naturally, no one goes and sits with her. She's been here before, and everyone gives the ice-cold shoulder, yet she still turns up again and again. Someone might argue we're zoo animals for her. But I've another theory. For her, we're noble savages, a kind of grey area outside the respectable, minutely organized community, an untamed wilderness it takes a lot of guts to step into. But if you do dare, there's a glorious smell of freedom floating around your trousers and giving the finger to society, making whoever an instant anarchist. Certainly, for her, coming here is like putting a washable tattoo on your shoulder : there's the thrill of deviance with none of the dull commitment - and she'll never have to wonder whether she's too weird to be seen out before dark.
Johanna Sinisalo (Troll: A Love Story)
The national bourgeoisie discovers its historical mission as intermediary. As we have seen, its vocation is not to transform the nation but prosaically serve as a conveyor belt for capitalism, forced to camouflage itself behind the mask of neocolonialism. The national bourgeoisie, with no misgivings and with great pride, revels in the role of agent in its dealings with the Western bourgeoisie. This lucrative role, this function as small-time racketeer, this narrow-mindedness and lack of ambition are symptomatic of the incapacity of the national bourgeoisie to fulfil its historic role as bourgeoisie. The dynamic, pioneering aspect, the inventive, discoverer-of-new-worlds aspect common to every national bourgeoisie is here lamentably absent. At the core of the national bourgeoisie of the colonial countries a hedonistic mentality prevails—because on a psychological level it identifies with the Western bourgeoisie from which it has slurped every lesson. It mimics the Western bourgeoisie in its negative and decadent aspects without having accomplished the initial phases of exploration and invention that are the assets of this Western bourgeoisie whatever the circumstances. In its early days the national bourgeoisie of the colonial countries identifies with the last stages of the Western bourgeoisie. Don’t believe it is taking short cuts. In fact it starts at the end. It is already senile, having experienced neither the exuberance nor the brazen determination of youth and adolescence.
Frantz Fanon (The Wretched of the Earth)
The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))