Camel Color Quotes

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Wait until a year from now where you say, “Holy fuck, I can’t believe I was going to kill myself before I etcetera’d… before I went skinny dipping in Tennessee, made my own IPA, tried out for a game show, rode a camel drunk, learned to waltz with clumsy old people, photographed electric jellyfish, built a sailboat from trash, taught someone how to read, ect. Ect. Etc.” The red washing down the bathtub can’t change the color of the sea at all.
Derrick Brown
He wore camel-colored breeches and dark brown Hessian riding boots, a snow-white shirt held together at the throat with a gold pin and a dark brown vest with little gold fleurs-de-lis embroidered on it. Kingsley looked magnificent, like a Regency-era fever dream. If Jane Austen had set eyes on Kingsley, she would never have written her genteel comedies of manner. She would have written porn.
Tiffany Reisz (The Queen)
The dark place with the lousy color TV that unshaven and unemployed men spend the day watching game shows on? Where the piss in the men’s room smells two thousand years old and there’s always a sodden Camel butt unraveling in the toilet bowl? Where the beer is thirty cents a glass and you cut it with salt and the jukebox is loaded with seventy country oldies?
Stephen King (The Shining)
When I close my eyes to see, to hear, to smell, to touch a country I have known, I feel my body shake and fill with joy as if a beloved person had come near me. A rabbi was once asked the following question: ‘When you say that the Jews should return to Palestine, you mean, surely, the heavenly, the immaterial, the spiritual Palestine, our true homeland?’ The rabbi jabbed his staff into the ground in wrath and shouted, ‘No! I want the Palestine down here, the one you can touch with your hands, with its stones, its thorns and its mud!’ Neither am I nourished by fleshless, abstract memories. If I expected my mind to distill from a turbid host of bodily joys and bitternesses an immaterial, crystal-clear thought, I would die of hunger. When I close my eyes in order to enjoy a country again, my five senses, the five mouth-filled tentacles of my body, pounce upon it and bring it to me. Colors, fruits, women. The smells of orchards, of filthy narrow alleys, of armpits. Endless snows with blue, glittering reflections. Scorching, wavy deserts of sand shimmering under the hot sun. Tears, cries, songs, distant bells of mules, camels or troikas. The acrid, nauseating stench of some Mongolian cities will never leave my nostrils. And I will eternally hold in my hands – eternally, that is, until my hands rot – the melons of Bukhara, the watermelons of the Volga, the cool, dainty hand of a Japanese girl… For a time, in my early youth, I struggled to nourish my famished soul by feeding it with abstract concepts. I said that my body was a slave and that its duty was to gather raw material and bring it to the orchard of the mind to flower and bear fruit and become ideas. The more fleshless, odorless, soundless the world was that filtered into me, the more I felt I was ascending the highest peak of human endeavor. And I rejoiced. And Buddha came to be my greatest god, whom I loved and revered as an example. Deny your five senses. Empty your guts. Love nothing, hate nothing, desire nothing, hope for nothing. Breathe out and the world will be extinguished. But one night I had a dream. A hunger, a thirst, the influence of a barbarous race that had not yet become tired of the world had been secretly working within me. My mind pretended to be tired. You felt it had known everything, had become satiated, and was now smiling ironically at the cries of my peasant heart. But my guts – praised be God! – were full of blood and mud and craving. And one night I had a dream. I saw two lips without a face – large, scimitar-shaped woman’s lips. They moved. I heard a voice ask, ‘Who if your God?’ Unhesitatingly I answered, ‘Buddha!’ But the lips moved again and said: ‘No, Epaphus.’ I sprang up out of my sleep. Suddenly a great sense of joy and certainty flooded my heart. What I had been unable to find in the noisy, temptation-filled, confused world of wakefulness I had found now in the primeval, motherly embrace of the night. Since that night I have not strayed. I follow my own path and try to make up for the years of my youth that were lost in the worship of fleshless gods, alien to me and my race. Now I transubstantiate the abstract concepts into flesh and am nourished. I have learned that Epaphus, the god of touch, is my god. All the countries I have known since then I have known with my sense of touch. I feel my memories tingling, not in my head but in my fingertips and my whole skin. And as I bring back Japan to my mind, my hands tremble as if they were touching the breast of a beloved woman.
Nikos Kazantzakis (Travels in China & Japan)
The waiting room, like most waiting rooms, was deserted and unremarkable. The benches were miserably uncomfortable, the ashtrays swollen with waterlogged cigarette butts, the air stale. On the walls were travel posters and most-wanted lists. The only other people there were an old man wearing a camel-color sweater and a mother with her four-year-old son. The old man sat glued in position, poring through a literary magazine. He turned the pages as slowly as if he were peeling away adhesive tape. Fifteen minutes from one page to the next. The mother and child looked like a couple whose marriage was on the rocks.
Haruki Murakami (A Wild Sheep Chase (The Rat Series, #3))
Or else you can say, like the camel driver who took me there: "I arrived here in my first youth, one morning, many people were hurrying along the streets toward the market, the women had fine teeth and looked you straight in the eye, three soldiers on a platform played the trumpet, and all around wheels turned and colored banners fluttered in the wind. Before then I had known only the desert and the caravan routes. In the years that followed, my eyes returned to contemplate the desert expanses and the caravan routes; but now I know this path is only one of the many that opened before me on that morning in Dorothea.
Italo Calvino (Invisible Cities)
If we go, how long will it be before you find the local hole in Sidewinder? a voice inside him asked. The dark place with the lousy color TV that unshaven and unemployed men spend the day watching game shows on? Where the piss in the men’s room smells two thousand years old and there’s always a sodden Camel butt unraveling in the toilet bowl? Where the beer is thirty cents a glass and you cut it with salt and the jukebox is loaded with seventy country oldies? How long? Oh Christ, he was so afraid it wouldn’t be long at all. “I can’t win,” he said, very softly. That was it. It was like trying to play solitaire with one of the aces missing from the deck.
Stephen King (The Shining (The Shining, #1))
I stepped from the desert doorway with nothing except the clothes on my back and a shoulder bag filled with notebooks—blue-lined paper pads bound together with rubber bands and stained with my sweat, with camel shit, by smears of my own blood. The pages crazed with jottings about devastating heat. The bearings for remote wells. Inked maps of pilgrim roads. The divinations of Bedouin fire cures. Mile upon mile of sentences from an austere kingdom still largely closed to the world. I walked along the concrete highway and spotted the first alcoholic artifacts I had seen in seven months (bottles, cans), past a large potash mine, and up the wrinkled coast to a tourist town. I saw women in colorful sarongs. Some drove cars. Nobody watched me. I floated out of a desert wadi like windblown trash. I found an ATM. I asked directions to a posh hotel with knockoff Mies van der Rohe tubular furniture in the lobby. Men gave camel rides to tourists outside. “And where”—asked the clerk, without the least curiosity, as I signed the paperwork—”are you coming from, Mr. Salopek?
Paul Salopek
At eight-thirty that night Ian stood on the steps outside Elizabeth’s uncle’s town house suppressing an almost overwhelming desire to murder Elizabeth’s butler, who seemed to be inexplicably fighting down the impulse to do bodily injury to Ian. “I will ask you again, in case you misunderstood me the last time,” Ian enunciated in a silky, ominous tone that made ordinary men blanch. “Where is your mistress?” Bentner didn’t change color by so much as a shade. “Out!” he informed the man who’d ruined his young mistress’s life and had now appeared on her doorstep, unexpected and uninvited, no doubt to try to ruin it again, when she was at this very moment attending her first ball in years and trying bravely to live down the gossip he had caused. “She is out, but you do not know where she is?” “I did not say so, did I?” “Then where is she?” “That is for me to know and you to ponder.” In the last several days Ian had been forced to do a great many unpleasant things, including riding across half of England, dealing with Christina’s irate father, and finally dealing with Elizabeth’s repugnant uncle, who had driven a bargain that still infuriated him. Ian had magnanimously declined her dowry as soon as the discussion began. Her uncle, however, had the finely honed bargaining instincts of a camel trader, and he immediately sensed Ian’s determination to do whatever was necessary to get Julius’s name on a betrothal contract. As a result, Ian was the first man to his knowledge who had ever been put in the position of purchasing his future wife for a ransom of $150,000. Once he’d finished that repugnant ordeal he’d ridden off to Montmayne, where he’d sopped only long enough to switch his horse for a coach and get his valet out of bed. Then he’d charged off to London, stopped at his town house to bathe and change, and gone straight to the address Julius Cameron had given him. Now, after all that, Ian was not only confronted by Elizabeth’s absence, he was confronted by the most insolent servant he’d ever had the misfortune to encounter. In angry silence he turned and walked down the steps. Behind him the door slammed shut with a thundering crash, and Ian paused a moment to turn back and contemplate the pleasure he was going to have when he sacked the butler tomorrow.
Judith McNaught (Almost Heaven (Sequels, #3))
Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.
Mary Spillane (Color Me Beautiful's Looking Your Best: Color, Makeup and Style)
Nobody knows how old Petra is, but it was a thriving city when Abraham left Ur of the Chaldees, and for a full five thousand years it has had but that one entrance, through a gorge that narrows finally until only one loaded camel at a time can pass. Army after army down the centuries have tried to storm the place, and failed, so that even the invincible Alexander and the Romans had to fall back on the arts of friendship to obtain the key. We, the last invaders, came as friends, if only Grim could persuade the tyrant to believe it. The sun rose over the city just as we reached the narrowest part of the gut, Grim leading, and its first rays showed that we were using the bed of a watercourse for a road. Exactly in front of us, glimpsed through a twelve-foot gap between cliffs six hundred feet high, was a sight worth going twice that distance, running twice that risk, to see—a rose-red temple front, carved out of the solid valley wall and glistening in the opalescent hues of morning. Not even Burkhardt, who was the first civilized man to see the place in a thousand years, described that temple properly; because you can’t. It is huge—majestic—silent—empty—aglow with all the prism colors in the morning sun. And it seems to think.
Talbot Mundy (The Lion of Petra)
Lawrence’s suggestion for a starter wardrobe: a black dress, a fitted black jacket, black pants, a black skirt, a camel-colored skirt, a white blouse, a trendy-looking cardigan in a color (red could be good, for instance), several cool, inexpensive blouses (from places such as H&M or Zara) that pick up or work with the color of the cardigan and will go with your pants and skirts. For shoes, go for black heels and a pair of colored ones (they will make one of your all-black outfits look totally fab). Then build from there.
Kate White (I Shouldn't Be Telling You This: Success Secrets Every Gutsy Girl Should Know)
Mr. Lefkowitz—sixty-five, a widower—was having a very lonely time in Miami Beach, and he observed a man of his age who was never without a companion; people forever streamed around him, extending invitations, swapping jokes. So Lefkowitz screwed up his courage, leaned over, and said to the popular paragon, “Mister, excuse me. What should I do to make friends?” “Get—a camel,” the other said with a sneer. “Ride up and down Collins Avenue every day, and before you know it, everyone in Miami will be asking, ‘Who is that man?’ and you’ll have to hire a social secretary to handle all the invitations! Don’t bother me again with such a foolish question.” So Mr. Lefkowitz bought a paper and looked through the ads, and by good fortune he read of a circus, stranded in Miami, that needed capital. Mr. Lefkowitz telephoned the circus owner and within half an hour had rented a camel. The next morning, Mr. Lefkowitz, wearing khaki shorts and a pith helmet, mounted his camel and set forth on Collins Avenue. Everywhere people stopped, buzzed, gawked, pointed. Every day for a week, Lefkowitz rode his trusty steed. One morning, just as he was about to get dressed, the telephone rang. “Mr. Lefkowitz! This is the parking lot! Your camel—it’s gone! Stolen!” At once, Mr. Lefkowitz phoned the police. A Sergeant O’Neill answered: “What? … It sounded as though you said someone had stolen your camel.” “That’s right!” “Er—I’ll fill out a form…. How tall was the animal?” “From the sidewalk to his back, where I sat, a good six feet.” “What color was it?” “What color?” echoed Lefkowitz. “Camel color: a regular, camel-colored camel!” “Male or female?” “Hanh?” “Was the animal male or female?” “How am I supposed to know about the sex of a camel?” Lefkowitz exclaimed. “Wait! Aha! It was a male!” “Are you sure?” “Absolutely.” “But Mr. Lefkowitz, a moment ago you—” “I’m positive, Officer, because I just remembered: Every time and every place I was riding on that camel, I could hear people yelling: ‘Hey! Look at the shmuck on that camel!
Leo Rosten (The New Joys of Yiddish: Completely Updated)
natives who were laughing with that light, eternal laughter which is their way of enduring all things I don’t know where the English dug up all that damned self-assurance, but T imagine it’s just part of their sense of humor. the odd thing is that, whether it s true or not, the consequences are the same: one large group of human beings or another turned out to be triple-distilled sons-of-bitches, which proves that we all have it in us There's one merit nobody will ever be able to take away from the Communists: that of having looked man in the face. They didn't send him to Eton to learn protective coloration. Maybe the West is a civilization, but the Communists are an ugly truth about man. Don't accuse them of inhuman methods: everything about them is human. We're all one great, lovely zoological family, and we shouldn't forget it. That's how you came to be in the gutter Colonel and it's no use your taking refuge on an island and behaving like an ostrich— being English, I mean; the gutter is there, it's you, or rather in you; it flows in your veins. Have you ever seen a baby elephant lying on its side, with its tnink inert, gazing at you with eyes in which there seem to have taken refuge all those so highly praised human qualities of which humanity is so largely devoid? that spark of misanthropy which most people carry in them, a presentiment of some different and better company than their own kind, He had spent five years in the Sahara himself, at the head of a Camel Corps unit, and those years had been the happiest of his life.It was true that in the desert a man felt less lonely than elsewhere, perhaps because he lived there in constant, almost physical contact with the sky, and so had all the company he needed. For what remained, a pipe was enough. He wanted to say all this to Haas, but his years in the desert hadn’t made him very talkative, and he also noticed that certain things which he felt deeply changed their meaning at the touch of words, so that he could no longer recognize them himself as he spoke. So that indeed he often wondered whether thinking were enough, whether thoughts were not a mere groping for something that was forever out of reach, whether days of real vision were not still ahead, and whether the mysterious cells which lay still unused in man’s brain would not, one day, lead toward light. he felt less and less need to exchange ideas with other men, because essentially they no longer came to him as questions, but as certainties. the man who changed species’ and of the last ‘fighter for dignity.’ Men are dying to preserve a certain splendor of life. Call it freedom, or dignity . . . They are dying to preserve a certain natural splendor.” people who mistake their private neurosis for a philosophical outlook.” Men are dying to preserve a certain splendor of life. Call it free- dom, or dignity . . . They are dying to preserve a certain natural .splendor.
Romain Gary
The Messianic movement implemented economic equality among its members: "No one said that any of the things which he possessed was his own, but they had everything in common…There was not a needy person among them, for as many as were possessors of lands or houses sold them, and brought the proceeds of what was sold… distribution was made to each as any had need." 185 In order to achieve this, the believers were required to renounce the natural human propensity for gathering property. The destructive influence of greed upon the soul was portrayed by Jesus in a most colorful parable: "Truly, I say to you, it will be hard for a rich man to enter the kingdom of heaven. Indeed, it is easier for a camel to pass through the eye of a needle than for a rich man to enter the kingdom of God." 186
Alexander Balman (THE OTHER JESUS)
Here it is claimed is the fatal defect of all monistic schemes: they disclose hopeless contradiction of our necessary laws of thought and truths of experience, as their inevitable corollaries. Thus Spinoza, having assumed that all real existence must be absolute, existence and therefore one is obliged to teach that modes of extension and modes of thought can both qualify and at the same time be the law; and thus, that phenomenal beings as real and true to our experience as any a priori cognition, or as this very law itself, are both modes of the One, although a part of them are qualified by size, figure, ponderosity, impenetrability, color; and the other part universally and utterly lack every one of these qualities, and are qualified by thought, sensibility, desire, spontaneity, and self-action. But this is not a mystery, it is a self-contradiction. The qualities of matter and extension cannot be relevant to spirit, nor those of thought, feeling, and volition to matter. They utterly exclude each other. Descartes was right: the common sense of mankind is right in thus judging. The proof is that just so soon as we attempt to ascribe intelligence and will to matter, or qualities of extension to spirit, utterly absurd and impossible fancies are asserted. Spinoza teaches us that the Absolute Being must inevitably have an immutable sameness and necessity of being so strict, as to necessitate its absolute unity. Yet he has to teach, in order to carry out this monism, that this monad exists, at the same instant of time, not only in numberless diversities of mode, but in utterly opposite modes, as for instance, as solid, liquid, and gaseous at the same instant...Or, worse yet, that this One so necessary, eternal and absolute in its unity, may at the same moment of time, hate a Frenchman and love a Frenchman in the two modal manifestations of German and Gaul, and may hate sin and love the same sin in the two manifestations, at the same moment, of good souls and bad souls! Yet this Spinoza could not admit that infinite, eternal power and wisdom can make a beginning of real being objective to itself. Truly, this is 'straining out the gnat and swallowing the camel.
Robert Lewis Dabney (Discussions: Secular)
Elle shifted the bags from her left arm to the right and tried—subsequently failing—to smother her smile when Darcy opened the door, this time wearing a camel-colored pencil skirt that hugged her hips, and a polka-dotted pussy-bow blouse in off-white that Darcy would probably dub something fancy like eggshell or mascarpone. On anyone else it would’ve been very blah, but the fall of Darcy’s copper hair over one shoulder and her curves made it less boring and more librarian chic. Never before had Elle met someone so pretty that it pissed her off.
Alexandria Bellefleur (Written in the Stars (Written in the Stars, #1))
She didn't look like she would hold up to much. She was petite---thin, really, except for the store-bought breasts; attractive, but in a way that didn't appeal to him. It wasn't any one thing. She was dressed well in camel slacks and a rust-colored silk blouse. She was nicely made-up. But there was something about her that made him think cheap. Something in the gaunt hollows of her long face, the shape and set of her eyes, the limp blond hair shagged off at shoulder length. Or maybe it was just that Kovac had taken an instant hatred to her because he had it in his head that this was the woman David Moore had been screwing while his wife was lying in a hospital bed.
Tami Hoag (Prior Bad Acts (Kovac and Liska, #3))
But the innovation that would most transform the subcontinent—and its economic relationship to the rest of the world—did not involve separating the seeds from their fibers; every society that domesticated cotton for textile use ultimately developed some kind of mechanical gin. What made Indian cotton unique was not the threads themselves, but rather their color. Making cotton fiber receptive to vibrant dyes like madder, henna, or turmeric was less a matter of inventing mechanical contraptions as it was dreaming up chemistry experiments. The waxy cellulose of the cotton fiber naturally repels vegetable dyes. (Only the deep blue of indigo—which itself takes its name from the Indus Valley where it was first employed as a dye—affixes itself to cotton without additional catalysts.) The process of transforming cotton into a fabric that can be dyed with shades other than indigo is known as “animalizing” the fiber, presumably because so much of it involves excretions from ordinary farm animals. First, dyers would bleach the fiber with sour milk; then they attacked it with a range of protein-heavy substances: goat urine, camel dung, blood. Metallic salts were then combined with the dyes to create a mordant that permeated the core of the fiber. The result was a fabric that could both display brilliant patterns of color and retain that color after multiple washings.
Steven Johnson (Enemy of All Mankind: A True Story of Piracy, Power, and History's First Global Manhunt)