Calendar Girls Quotes

We've searched our database for all the quotes and captions related to Calendar Girls. Here they are! All 72 of them:

When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calendar that showed the wrong month. I could have cried over it. I did. Where the smoke from a chimney ended. How an overturned bottle rested at the edge of a table. I spent my life learning to feel less. Every day I felt less. Is that growing old? Or is it something worse? You cannot protect yourself from sadness without protecting yourself from happiness.
Jonathan Safran Foer (Everything Is Illuminated)
But on a Sunday morning when I want to grab an omelet over girl talk, I’m at a loss. My Chicago friends are the let’s-get-dinner-on-the-books-a-month-in-advance type. We email, trading dates until we find an open calendar slot amidst our tight schedules of workout classes, volunteer obligations (no false pretenses here, the volunteers are my friends, not me, sadly), work events, concert tickets and other dinners scheduled with other girls. I’m looking for someone to invite to watch The Biggest Loser with me at the last minute or to text “pedicure in half an hour?” on a Saturday morning. To me, that’s what BFFs are.
Rachel Bertsche (MWF Seeking BFF: My Yearlong Search For A New Best Friend)
Yet, I can still love you and set you free. But you will always carry my love with you when you go, and forever. That piece of my love is yours for as long as you live.
Audrey Carlan (February (Calendar Girl #2))
Girls love cat calendars.
Holly Black (The Bronze Key (Magisterium, #3))
No one knew what the future would bring, just that there was no stopping it.
Audrey Carlan (February (Calendar Girl #2))
more muscles than brains, and a winky the size of a circus peanut. Probably
Audrey Carlan (January (Calendar Girl, #1))
......anything worth having is worth working for.
Audrey Carlan (December (Calendar Girl, #12))
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
I'm not any kind of girl. I don't need man, but I don't hate romance. I think I'm kinda obsessed with romance, really, which is probably why I'm still single. -Mia
Audrey Carlan (January (Calendar Girl, #1))
Now this girl was about twenty-one years old. A sweet little coed. Spends a night with a married man. Goes home the next day and tells her mama and daddy. Don’t ask me why. Maybe just to rub their faces in it. They decide she needs a lesson. Whole family drives out into the desert, right out to that spot we just passed. All three of them plus the girl’s pet dog. Papa tells the girl to dig a shallow grave. Mama gets down on her hands and knees and holds the dog by the collar. When the girl is all through digging, papa gives her a .22 caliber revolver and tells her to shoot the dog. A real touching family scene. Make a good calendar for some religious group to give away. The girl puts the weapon to her temple and kills herself. Now isn’t that a heartwarming story? Restores my faith in just about everything.
Don DeLillo (Américana)
Okay, okay,' I said to my husband as he picked up a food dehydrator off the table and shot me a look. 'Maybe I did get carried away. Maybe the world won't end in a year, maybe it won't end until 2028, when the Aztec calendar stops.' 'The Bugles will be very old by then,' my husband said. 'They will have lost their snappy crunch.' 'They weren't to eat,' I said. 'They were to put on our fingers and poke the eyes out of looters.
Laurie Notaro (We Thought You Would Be Prettier: True Tales of the Dorkiest Girl Alive)
Unwillingly Miranda wakes, Feels the sun with terror, One unwilling step she takes, Shuddering to the mirror. Miranda in Miranda's sight Is old and gray and dirty; Twenty-nine she was last night; This morning she is thirty. Shining like the morning star, Like the twilight shining, Haunted by a calendar, Miranda is a-pining. Silly girl, silver girl, Draw the mirror toward you; Time who makes the years to whirl Adorned as he adored you. Time is timelessness for you; Calendars for the human; What's a year, or thirty, to Loveliness made woman? Oh, Night will not see thirty again, Yet soft her wing, Miranda; Pick up your glass and tell me, then-- How old is Spring, Miranda?
Ogden Nash
The Elizabethan Failure may engage in battle, but the blow that fells him will most likely be an accidental one. And the cup of water so gallantly offered will, at the last moment, slip from his weak grasp, thus rendering two people thirsty instead of one.
Naomi Neale (Calendar Girl)
The walls, where there was room, were well decorated with calendars and posters showing bright, improbable girls with pumped-up breasts and no hips - blondes, brunettes and redheads, but always with this bust development, so that a visitor of another species might judge from the preoccupation of artist and audience that the seat of procreation lay in the mammaries. Alice Chicoy...who worked among the shining girls, was wide-hipped and sag-chested and she walked well back on her heels...She was not in the least jealous of the calendar girls and the Coca-Cola girls. She had never seen anyone like them, and she didn't think anyone ever had.
John Steinbeck (The Wayward Bus)
On this Sunday morning in May, this girl who later was to be the cause of a sensation in New York, awoke much too early for her night before. One minute she was asleep, the next she was completely awake and dumped into despair. It was the kind of despair that she had known perhaps two thousand times before, there being 365 mornings in a calendar year.
John O'Hara (BUtterfield 8)
Negative thoughts are planted like a seed in the brain, and then once they grow, they take over the whole mind. Infecting your ability to see truth and beauty clearly. To see the honesty behind a person or situation. In the end those thoughts take over, and you lose sight of the joy of having that person in your life. Like the weed. It will grow and infest the entire planter box until all the beauty is destroyed and all that remains is the one thing you didn’t want in the first place. The weed or in this case, the negative thought.
Audrey Carlan (July (Calendar Girl #7))
A good man could light up a room and make the world smaller, like something that could fit into the space where your entire focus lives.
Audrey Carlan (Calendar Girl: Volume One (Calendar Girl #1-3))
the road to hell is paved with good intentions.
Audrey Carlan (August (Calendar Girl, #8))
I was right on the edge when he stopped in the middle of a perfect combination of tongue and finger action. I groaned loudly.
Audrey Carlan (Calendar Girl: Volume One (Calendar Girl #1-3))
Twas on October third he ask’d the date— By calendar, not for a date, I mean. ’Twas two weeks later when we spake again.
Ian Doescher (William Shakespeare's Much Ado About Mean Girls (Pop Shakespeare Book 1))
People who are that kind, that good, and come from solid
Audrey Carlan (May (Calendar Girl #5))
I’ve been tracking Nick’s moods. Toward me. Just to make sure I’m not crazy. I’ve got a calendar, and I put hearts on any day Nick seems to love me again, and black squares when he doesn’t.
Gillian Flynn (Gone Girl)
Always will be, but you know that your best friend has to play both sides. Protect you even when you won’t. It’s in the fucking book of best friends, right under the part that says pat them on the back and make them feel better when they’ve had a one night stand and can’t remember the name of the guy they fucked, totally making them a whore. It’s my job to make sure that even when you’re being a whore, you don’t feel like a whore.
Audrey Carlan (August (Calendar Girl, #8))
God had looked down at a little baby girl poking out between her mother’s legs back in early 1882 and had said to Himself: I got to keep her around a goodish time. She’s got work in 1990, on the other side of a whole heap of calendar pages.
Stephen King (The Stand)
If I didn’t make it a year with this gig, at the very least I’d have some serious cash in designer shoes and clothes I could hock if I had to. These shoes alone were listed as twelve hundred and fifty dollars online. It may sound gold-diggerish, but I had to check.
Audrey Carlan (Calendar Girl: Volume One (Calendar Girl #1-3))
When I get back to my dorm room, there it is, staring at me from above my bed. The Vladimir Putin calendar. Ha! I guess Katerina got a copy of it for me after my drunken rant at the secret supper club about how I had to ironically have one. This is a girl after my own heart. You have to see this calendar. July: Vladimir Putin fly-fishing topless. March: Vladimir Putin smelling a flower. November: Vladimir Putin holding a puppy. I'm not kidding. Holding a puppy! I laugh to myself. Katerina sure has my number. Maybe she will be my BFF even after I go back to the States.
Andrea Portes (Liberty: The Spy Who (Kind of) Liked Me)
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
Inside each man, though he did not know it, nor ever considered it, was the image of the woman he someday must love. Whether she was composed of all the music he had ever heard or all the trees he had ever seen or all the friends of his childhood, certainly no one could tell. Whether the eyes were his mother's, and the chin that of a girl cousin swimming in a summer lake twenty-five years ago, this was unknowable also. But most men carried this image, like a locket, like a pearl-cameo, in their head a lifetime, taking it out only rarely, taking it never, after marriage, afraid then to compare it to the reality. And most men never saw the woman they would love anywhere, in the dark theatre, in a book, or passing on the street. They saw her only after midnight when the city was asleep and the pillow was cool under their heads. And she was a composite of all dreams and all women and every moonlit night since the calendar began
Ray Bradbury (Summer Morning, Summer Night)
How’s going, Harpy?” He teased Harper like we were back in high school. Like he hadn’t skipped out to go fight wildfires and left me naked in his bed. Like I hadn’t had to sneak out before his mom found me… like I was just another girl on his rotating calendar. “Pretty good until you got here, Bash-hole,” she answered in kind.
Rebecca Yarros (Point of Origin (Legacy, #0.5))
He chuckled against my neck, the puffs of air stirring my hair. Out of nowhere he flipped my body around, sank to his knees, and yanked down my panties. They were stuck at the ankles where I had neglected to remove my heels. As I locked eyes with his, he opened me with his thumbs, flattened his tongue, and went to town on my clit.
Audrey Carlan (Calendar Girl: Volume One (Calendar Girl #1-3))
Inside each man, though he did not know it, nor ever considered it, was the image of the woman he someday must love. Whether she was composed of all the music he had ever heard or all the trees he had ever seen or all the friends of his childhood, certainly no one could tell. Whether the eyes were his mother's, and the chin that of a girl cousin swimming in a summer lake twenty-five years ago, this was unknowable also. But most men carried this image, like a locket, like a pearl-cameo, in their head a lifetime, taking it out only rarely, taking it never, after marriage, afraid then to compare it to the reality. And most men never saw the woman they would love anywhere, in the dark theatre, in a book, or passing on the street. They saw her only after midnight when the city was asleep and the pillow was cool under their heads. And she was a composite of all dreams and all women and every moonlit night since the calendar began.
Ray Bradbury
When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calendar that showed the wrong month. I could have cried over it. I did. Where the smoke from the chimney ended. How an overturned bottle rested at the edge of a table. I spent my life learning to feel less. Every day I felt less. Is that growing old? Or is it something worse? You cannot protect yourself from sadness without protecting yourself from happiness.
Jonathan Safran Foer
Dude, wait until you see the hot little number on there!” He was grinning like the Cheshire cat. “What are you talking about? Aren’t all flight attendant’s middle-aged, blonde women?” “Not this one. She’s feisty too, kneed me right in the balls.” I smiled, and it was actually genuine. I wondered if he was fucking with me. But, it was enough to peak my curiosity. I slowly walked towards the plane wondering if it was going to be a grandma, or something. It wouldn’t be the first time. I really hoped that it wasn’t some die-hard groupie either. As soon as I reached the top of the stairs I almost tripped and fell on my face when I got my first look at her. She was gorgeous! She looked like she walked straight off of a pin-up girl calendar. She had long, black hair with strands of hot pink. I appraised my way down her body. She had a slim waist and curvy hips. She was built like an hourglass. I noticed a couple of sexy facial piercings. She had an adorable little nose and big brown eyes. Then I saw a tattoo peeking out on her shoulder. I could tell that she had a chest piece. I was instantly hard. Awesome…
Sophie Monroe (Battlescars (Battlescars, #1))
THE GHOST OF THE AUTHOR'S MOTHER HAS A CONVERSATION WITH HIS FIANCÉE ABOUT HIGHWAYS ...and down south, honey. When the side of the road began to swell with dead and dying things, that's when us black children knew it was summer. Daddy didn't keep clocks in the house. Ain't no use when the sky round those parts always had some flames runnin' to horizon, lookin' like the sun was always out. back when I was a little girl, I swear, them white folk down south would do anything to stop another dark thing from touching the land, even the nighttime. We ain't have streetlights, or some grandmotherly voice riding through the fields on horseback tellin' us when to come inside. What we had was the stomach of a deer, split open on route 59. What we had was flies resting on the exposed insides of animals with their tongues touching the pavement. What we had was the smell of gunpowder and the promise of more to come, and, child, that'll get you home before the old folks would break out the moonshine and celebrate another day they didn't have to pull the body of someone they loved from the river. I say 'river' because I want you to always be able to look at the trees without crying. When we moved east, I learned how a night sky can cup a black girl in its hands and ask for forgiveness. My daddy sold the pistol he kept in the sock drawer and took me to the park. Those days, I used to ask him what he feared, and he always said "the bottom of a good glass." And then he stopped answering. And then he stopped coming home altogether. Something about the first day of a season, honey. Something always gotta sacrifice its blood. Everything that has its time must be lifted from the earth. My boys don't bother with seasons anymore. My sons went to sleep in the spring once and woke up to a motherless summer. All they know now is that it always be colder than it should be. I wish I could fix this for you. I'm sorry none of my children wear suits anymore. I wish ties didn't remind my boys of shovels, and dirt, and an empty living room. They all used to look so nice in ties. I'm sorry that you may come home one day to the smell of rotting meat, every calendar you own, torn off the walls, burning in a trashcan. And it will be the end of spring. And you will know.
Hanif Abdurraqib (The Crown Ain't Worth Much (Button Poetry))
Well, sister, here’s the truth, and it may or may not surprise you that I’ve given this answer before, but it remains true. You aren’t going to find the time to pursue your goals; you’re going to make the time to pursue your goals. And the first thing you’re going to need to accept is that you are in control of your schedule. Yes, you, high-level executive. Yes, you, mama of four. Yes, you, college student with twenty-seven events this week. Yes, you, entry-level assistant with a demanding boss. You are in control of your schedule. In fact, there isn’t one thing in your life or your calendar right now that you didn’t allow to be there. Let that sink in for a second. Being overscheduled? That’s on you. Not finding time to feed yourself? You. Spending two hours a night watching TV or scrolling Instagram as a way to relax? Also your choice.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals (Girl, Wash Your Face))
Those who know your name will trust in you, for you, LORD, have never forsaken those who seek you. PSALM 9:10 SEPTEMBER 29 A missionary’s wife in central China during World War II knew the Japanese were approaching her city. She was with her baby girl, two months old, and her son, just over a year old. Her husband had been taken to a hospital, himself ill. He was one hundred and fifteen miles away and would not be back for perhaps a month. The poor woman was filled with fear—she was alone and unprotected, in bitter January weather. When morning came, she realized that she was without food for her children. She pulled off the calendar page. That day’s verse stated simply: “So then, don’t be afraid. I will provide for you and your children” (Genesis 50:21). There was a rap at the door. “We knew you would be hungry,” said a longtime neighbor, “and you didn’t know how to milk the goats. So I have milked your goats. Here is milk for your children.” Will you try to explain this away, handle it on an intellectual basis as just pure coincidence? When you come right down to it, what is coincidence? It is an act of God in the midst of time.
Norman Vincent Peale (Positive Living Day by Day)
MARCH 22 Eostre RENEWAL Eostre (YO-ster) is the Germanic goddess of spring. She is also called Ostara or Eastre, and her name is the origin of the word Easter, the name of the only feast day in the Christian calendar that is still tied to the moon. Eostre is a goddess of dawn, rebirth, and new beginnings. Her festival is celebrated on the first day of spring, when she is invoked at dawn with ritual fire, quickening the land, while the full moon symbolically sets behind her. Eostre’s return each spring warms the ground, preparing for a new cycle of growth. One year the goddess was late, and a little girl found a bird near death from the cold. The child turned to Eostre for help. In response a rainbow bridge appeared and Eostre came, clothed in her red robe of vibrant sunlight, melting the snows. Because the creature was wounded beyond repair, Eostre changed it into a snow hare, who then brought gifts of rainbow eggs. Hares and rainbows are sacred to her, as is the full moon, since the ancients saw the image of a hare in its markings. CONTEMPLATION Sometimes, old forms must be surrendered gracefully in order for life to be reborn in new and higher forms.
Julie Loar (Goddesses for Every Day: Exploring the Wisdom and Power of the Divine Feminine around the World)
Wait a second,” said Ash. “How is there a ‘moon in springtime before the start of the new year’? I think it’s a riddle. It makes no sense.” “Yes, it does,” said Jared. “The new year was in March in England until the 1700s, when the pope introduced a new calendar.” Everyone stared at him. Jared flushed slightly, scar thrown into relief, and muttered, “I read a lot of old books.” “Well done,” said Jon. “See where learning gets you, lads? So much better than messing around with girls or playing those video games which one hears are full of violence.” Kami, as a witness to many of her father’s video game marathons, gave him a long judgmental stare. “You total hypocrite.” “Hypocrisy is what being a parent is all about,” Jon said. “Well done for cracking the books, Jared and Holly. You see how it pays off.” Holly smiled and the light of her smile seemed to spill all over the room, reflections of light refracted all over everywhere. “It’s true reading is a wonderful thing,” Rusty observed. “I read a Cosmo a year ago, and I still remember how to keep my nails in perfect condition and also ten top tips on how to dress to accentuate my ass.” Now everybody was staring at Rusty. Unlike Jared, he did not blush. “Those tips are working,” he said. “Don’t pretend you haven’t all noticed. I know the truth.” Kami rolled up a magazine on the table—sadly, for the sake of dramatic irony, not a Cosmo—and hit Rusty over the head with it. “Does anybody have anything else to say—I can’t stress this enough—specifically about Elinor Lynburn and medieval New Year?” “Want to know what it was called? You’ll like this,” Jared added, and he looked at Kami. It was a simple glance from his gray eyes, but it felt like being put in a room that was just the two of them. “Lady Day.” Kami beamed at him. “You know what I like, sugarprune
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
Life within a Templar house was designed where possible to resemble that of a Cistercian monastery. Meals were communal and to be eaten in near silence, while a reading was given from the Bible. The rule accepted that the elaborate sign language monks used to ask for necessities while eating might not be known to Templar recruits, in which case "quietly and privately you should ask for what you need at table, with all humility and submission." Equal rations of food and wine were to be given to each brother and leftovers would be distributed to the poor. The numerous fast days of the Church calendar were to be observed, but allowances would be made for the needs of fighting men: meat was to be served three times a week, on Tuesdays, Thursdays and Saturdays. Should the schedule of annual fast days interrupt this rhythm, rations would be increased to make up for lost sustenance as soon as the fasting period was over. It was recognized that the Templars were killers. "This armed company of knights may kill the enemies of the cross without stated the rule, neatly summing up the conclusion of centuries of experimental Christian philosophy, which had concluded that slaying humans who happened to be "unbelieving pagans" and "the enemies of the son of the Virgin Mary" was an act worthy of divine praise and not damnation. Otherwise, the Templars were expected to live in pious self-denial. Three horses were permitted to each knight, along with one squire whom "the brother shall not beat." Hunting with hawks—a favorite pastime of warriors throughout Christendom—was forbidden, as was hunting with dogs. only beasts Templars were permitted to kill were the mountain lions of the Holy Land. They were forbidden even to be in the company of hunting men, for the reason that "it is fitting for every religious man to go simply and humbly without laughing or talking too much." Banned, too, was the company of women, which the rule scorned as "a dangerous thing, for by it the old devil has led man from the straight path to paradise the flower of chastity is always [to be] maintained among you.... For this reason none Of you may presume to kiss a woman' be it widow, young girl, mother, sister, aunt or any other.... The Knighthood of Christ should avoid at all costs the embraces of women, by which men have perished many times." Although married men were permitted to join the order, they were not allowed to wear the white cloak and wives were not supposed to join their husbands in Templar houses.
Dan Jones (The Templars: The Rise and Spectacular Fall of God's Holy Warriors)
February 2009 January 4. January 4. January 4. I rubbed the paper on my red calendar. I cried into the little box, into the last day we had sex. I was a tornado. I puked hurricanes. I was Jodi Arias. There were no more tears for him. Swirling eddies of vodka, pills, fattening food, and tears. Vortexes corralled other vortexes. They joined forces with the eyes of other storms far out into the Gulf, and Atlantic, and castrated my heart first, then everything below the neck. Fuck the heart; my brain was mauled into mush. He didn’t have a heart—and possibly, neither did I. The heart had nothing to do with a whirlpool of circles and left and rights I navigated.
Christy Heron (Unrequited - One Girl, Thirteen Boyfriends, and Vodka.)
CONCERT CHECKLIST 1. Secure a date on the calendar. Be sure it is listed on the official school calendar to protect it. 2. Reserve a performance venue for the concert and for final rehearsals. 3. Have tickets printed if they are to be used. 4. Plan the printed program and get it to the printer by the deadline date. 5. Plan the publicity. The following types of publicity can be utilized to draw a sizable concert audience: Radio releases Television releases Newspaper releases Online listings School announcements Notices to other schools and/or organizations in the area Posters for public placement 6. Send complimentary tickets to: Civic leaders Board of Education Superintendent People who have helped in some way Key supporters Key people to stimulate their interest 7. Have the president of the choir send personal letters of invitation to people that are special to the music program (newspaper editor, Board of Education, Superintendent, civic club presidents, supporters etc.). 8. Appoint a stage manager. He should be someone who can control the stage lighting, pull curtains, shut off air circulation fans that are noisy, and see that the stage is ready for the concert. 9. Arrange for ushers. 10. Check wearing apparel. Be sure that all singers have the correct accessories (same type and color of shoes, no gaudy jewelry for girls, etc.). 11. Post on bulletin board and tell students the time they will meet for a pre-concert warm-up. High school students will perform best if they meet together at least forty-five minutes before the concert.
Gordon Lamb (Choral Techniques)
Try the coca leaves. They’ll help,” said the hot guy from earlier. Even next to the calendar men, he stood out. His aura was so bright that if I looked too close it felt like staring into the sun. With all that gold, he’d be a summer month for sure. Mr. July?
Aileen Erin (Bruja (Alpha Girl, #4))
They were so handsome that they made me feel self-conscious. They could definitely make a calendar of Peruvian hunks. Or more accurately, Peruvian werewolves. I knew Cosette would buy one. As
Aileen Erin (Bruja (Alpha Girl, #4))
Mi sarei concessa di affezionarmi a modo mio, ma non sarebbe stato un "ti amerò per sempre". Il "per sempre" era qualcosa di sacro, qualcosa che si sarebbe presentato al momento giusto, con la persona giusta.
Audrey Carlan (February (Calendar Girl, #2))
Stare senza di lui per due mesi era stato come sopravvivere alla siccità e poter bere solo adesso un piccolo sorso d'acqua. Ne volevo di più. Molto di più
Audrey Carlan (March (Calendar Girl #3))
Никога не се крий зад лъжа, никога не мълчи, щом трябва да се обсъжда нещо важно.
Audrey Carlan (Calendar Girl: Volume Three (3))
Rwanda in 1949 was a land of enchantment—a wilderness where people and animals lived in harmony untouched by the outside world. Shepherds led their cattle to drink at the lakes and pools until evening, when elephants began to migrate toward the watering holes to drink and bathe. Time was told by the sun, and the moon was the calendar. A house could be built in a few days, made from trees and bamboo gathered from the forests and roofed with grass. Men prayed that the weather would be favorable for their crops, young boys dreamed of owning large herds of cattle, and little girls cradled and sang to their dolls made of spiky flowers called red-hot pokers, imagining a baby of their own. The markets were social gathering places and trading centers where a finely woven grass mat was exchanged for forty pounds of potatoes or a basket for storing grain.
Rosamond Halsey Carr (Land of a Thousand Hills: My Life in Rwanda)
Kai visata tau padalija sumautas kortas, lažinkis prieš dalytoją.
Audrey Carlan (Calendar Girl 1)
В мига, в който погледнеш в очите на човека, с когото ще прекараш остатъка от живота си, истината те удря. Това е последната жена, която ще целунеш. Последната жена, с която ще се въргаляш в легло с хладни чаршафи. Единствената жена, която ще те следва във всеки ден от отредените ти дни. Има нещо толкова окончателно, съдбовно в това. Но не го усещам така. За мене не е краят. За мен е облекчение. Както когато си работил милиони дни и накрая стигаш до целта си. Това е целта. Този миг е щастливият край. За двама ни.
Одри Карлан (Calendar Girl: Volume Four (4))
Pilon and Pablo staggered off to bed, and Jesus Maria lay comfortably on the floor, beside the stove. The fire died down. The house was filled with the deep sounds of slumber. In the front room only one thing moved. The blessed candle darted its little spear-pointed flame up and down with incredible rapidity. Later, this little candle gave Pilon and Pablo and Jesus Maria some ethical things to think about. Simple small rod of wax with a string through it. Such a thing, you would say, is answerable to certain physical laws, and to none other. Its conduct, you would think, was guaranteed by certain principles of heat and combustion. You light the wick; the wax is caught and drawn up the wick; the candle burns a number of hours, goes out, and that is all. The incident is finished. In a little while the candle is forgotten, and then, of course, it has never existed. Have you forgotten that this candle was blessed? That in a moment of conscience or perhaps pure religious exaltation, it was designed by Pablo for San Francisco? Here is the principle which takes the waxen rod outside the jurisdiction of physics. The candle aimed its spear of light at Heaven, like an artist who consumes himself to become divine. The candle grew shorter and shorter. A wind sprang up outside and sifted through the cracks in the wall. The candle sagged sideways. A silken calendar, bearing the face of a lovely girl looking out of the heart of an American Beauty rose,
John Steinbeck (The Short Novels of John Steinbeck)
It is believed the pyramid was built around 800 AD. It has ninety-one steps on each of its four sides. There are ninety-one days between each annual solar cycle—winter solstice, spring equinox, summer solstice, and fall equinox. So, if you take the four cycles per year, which is ninety-one times four, that equals three hundred and sixty-four days. Then you add the top step.” “That makes it three-hundred sixty-five. It matches up to our calendar,” Natalie said, and Felipe nodded. “Sí. And what’s also quite amazing is the alignment of the pyramid is such that in the late afternoon of March 21, the low sun casts a shadow resembling a wriggling snake. Thousands of people come during the spring equinox each year to watch the feathered serpent god appear to crawl down the side of the pyramid and illuminate one of the serpent heads at the bottom.
Liz Fenton (Girls' Night Out)
Mark had given her more value. Because she found other interests she was passionate about, he wanted to ditch his friends and spend time with her. If she would now change her own plans, he would have been in control all along and would subconsciously devalue her. Plus, it didn’t feel right. She wasn’t playing any games. She actually enjoyed improv and wanted to go (even though she, of course, wanted to spend more time with Mark too). So here’s how she replied. She said, “Great idea, Mark! However, this Sunday isn’t a good fit. I’m going to go to the improv group, and then we’re going out for a drink afterward. But let’s take our calendars and find a time that fits us both.
Brian Keephimattracted (F*CK Him! - Nice Girls Always Finish Single)
I've got three days available in July next year, she said. So, are we going to do this thing or not? —Calendar Girl
Brian Andreas (Theories of Everything)
What happens when you place dollar bills in the fridge? You get cool cash. What happened to the thief who stole a calendar?
Bonny Lakze (SUMMER JOKES FOR 12 YEAR OLD KIDS: FUNNY RIDDLES AND JOKES FOR BOYS GIRLS TEENS TWEENS CHILDREN HUMOUR)
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Life and our experiences change the way we look outside, but never the whole of who we are on the inside.” I
Audrey Carlan (Calendar Girl: Volume Four)
Katwe has no street signs. No addresses. It is a maze of rutted alleys and dilapidated shacks. It is a place where time is measured by where your shadow hits the ground. There are no clocks. No calendars. Because it lies just a few degrees from the equator, Katwe has no seasons, which adds to the repetitive, almost listless, nature of daily life. Every day is just like the next. Survival in Katwe depends on courage and determination as well as guile and luck.
Tim Crothers (The Queen of Katwe: A Story of Life, Chess, and One Extraordinary Girl's Dream of Becoming a Grandmaster)
Ooh, let me see my one,” Megan cries, grabbing the camera from him and pressing at it wildly. My whole body tenses. Normally, I don’t mind sharing things—I even give half my advent-calendar chocolates to my brother, Tom—but my camera is different. It’s my most prized possession. It’s my safety net.
Zoe Sugg (Girl Online: The First Novel by Zoella (Girl Online Book Book 1))
Whatever I paid before I was a sperm, Lord,” he said under his breath, “I want it back. Every cent, or I’m reporting your ass to the Better Business Bureau. I was promised much that I did not receive. The marketing was deceptive. I am not completely satisfied. I would like a full refund and a personal apology from the maitre d’. And a free calendar. Not a shitty one. One with naked girls on it.
Johnny B. Truant (Fat Vampire (Fat Vampire, #1))
she’d instruct the sages to rewrite the calendars so that time would be measured in liquid—by “half a bottle ago,” or “when the vintage has matured.” Poetry would soar again, and music would fill the halls. It might subvert punctuality. But what really matters—birth, love, death—doesn’t abide by the clock
Derek B. Miller (The Girl in Green)
No obstante, puedo amarte y a la vez dejarte en libertad. Sin embargo, siempre llevarás mi amor contigo al partir. Siempre. Esa parte de mi amor será tuya mientras vivas.
Audrey Carlan (Calendar Girl)
A veces el arte tiene ese efecto. Depende de quien lo mira. Lo que tu ves y lo que veo yo tal vez no sea lo mismo, como debe ser.
Audrey Carlan (Calendar Girl: Volume One (Calendar Girl #1-3))
Everyone needs to release tensions, connect physically, and making love is the best way to do that.
Audrey Carlan (April (Calendar Girl #4))
In the end, love was love, and a person really didn’t get to choose who they fell in love with or how long that love would last.
Audrey Carlan (March (Calendar Girl #3))
It’s never going to be a good time to hurt someone.
Audrey Carlan (March (Calendar Girl #3))
never let another person choose what my happiness looks like.
Audrey Carlan (March (Calendar Girl #3))
You are in control of your schedule. In fact, there isn’t one thing in your life or your calendar right now that you didn’t allow to be there.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals (Girl, Wash Your Face))
I know now that Christmas is a time to be together as a family, and a time to reaffirm our unconditional love for each other. It doesn’t have to be with the family you are born into. I have learned you create your family anew and by choice along the way on life’s journey. I still see Christmas through the eyes of that little girl who was bedazzled by the Advent calendar. But now I give her permission to walk through each and every door and to celebrate each day fully and completely. After all, it is a time to dream and believe in the unbelievable.
Greg Wise (Last Christmas: Memories of Christmases Past and Hopes of Future Ones)
Wahre Liebe gibt es nicht
Audrey Carlan
Imagine; asking a girl out for a date and she tells you that she doesn't have time. What would you do? Would you but her a watch so that she'll have your your time? Or would you buy her a calendar so that she'll give you a date?
Tbreeze Madi
But it was time for Monday morning. The great arbiter of fresh starts and calendars stretching for days on end. Office workers in Park Avenue corner offices and pattern makers in Garment District walk-ups were drunk with the possibility of a whole week set before them like a new school year to a class full of wide-eyed kindergarteners. The idea that there was so much time to make things happen.
Susie Orman Schnall (The Subway Girls)
true love is something crafted by greeting card companies and people who write romance novels and romantic comedies.
Audrey Carlan (January (Calendar Girl, #1))