Grim Reaper Short Quotes

She have to go pick up prescription, so I watch Sophie for short time. And tiny bears are happy when I go in bathroom." "Hamsters, Mrs. Korjev, not bears." .... "I've got her now," Charlie said. "One of you stay with her while I get rid of the H-A-M-S-T-E-R-S." "He mean the tiny bears.

The Grim Reaper isn't grim at all; he's a life-saver. He isn't grim because he isn't anything. . . . he is nothing. And nothing is a hell of a lot better than anything. So long, boys.

You hold in your hands a very special book. It contains one hundred carnival rides of terror. You must remember: horror can come from any direction. It can be as subtle as a spider web's caress, or as vicious as the drop of an axe blade. It can be grim as the reaper, or as sardonic as, well, Sardonicous. It can wear the garments of science or superstition; can be dressed in the trappings of fantasy or the fancy-free. But always it will terrify. And one of the bluntest of its instruments is the short-short story, one of the most difficult of literary devices to master. Not only must each word be perfect-but each comma and period. Nothing can be wasted. In the hands of master executioners, like the authors who fill this book-it can be deadly. So... Die-and die again- one hundred times...

The cemetery watchman left the room and returned with a tray holding three small skulls and a large one. I could feel the short hairs on the back of my neck standing up of their own accord. None of them were real though; they were wood or celluloid imitations. They all had flaps that opened at the top; one was a jug and the other three steins. The man behind the desk named the toast. 'To our Friend!' I thought he meant myself at first; he meant that shadowy enemy of all mankind, the Grim Reaper. 'We are called The Friends of Death,' he explained to me when the grisly containers had been emptied. 'To outline our creed and purpose briefly, it is this: That death is life, and life is death. We have mastered death, and no member of the Friends of Death need ever fear it. They 'die,' it is true, but after death they are buried in special graves in our private cemetery - graves having air vents, such as you discovered. Also, our graves are equipped with electric signals, so that after the bodies of our buried members begin to respond to the secret treatment our scientists have given them before internment, we are warned. Then we come and release them - and they live again. Moreover, they are released, freed of their thralldom; from then on death is an old familiar friend instead of an enemy. They no longer fear it. Do you not see what a wonderful boon this would be in your case, Brother Bud; you who have suffered so from that fear?' ("Graves For The Living")

How the hell can it end happily? Raise your hand if you survived your own death because you had a trick up your sleeve when the Grim Reaper showed up at your doorstep. The end is known and unavoidable. Life is a fucking tragedy, which no one survives. That's how it is. Mankind cannot escape the inevitable, and Earth cannot avert its pending demise. The sun, the universe and everything that exists will not survive. It will all come to an end one day. That is the only unquestionable truth.

Jane was tall, angular, and wore her short platinum hair sculpted into various unlikely permutations, from angry spikes to soft finger waves, all of which played counterpoint to the tailored men’s suits she wore when she worked at the bank, making her appear either fiercely pretty, or frightfully confused. Right now she wore a houndstooth tweed Savile Row suit she’d inherited from Charlie, waistcoat with watch chain, and a pair of eight-inch patent-leather red pumps the same shade as her bow tie. She might have been the result of a time-travel accident where Doctor Who parts were woven into the warp with those of a robot stripper.

There is no doubt that 'force multipliers' - squad automatic weapons - have changed the character of warfare once again, just as their predecessors did during the First World War, if perhaps not to quite the same degree. In the immediate future it seems that most armies will be using some form of 5.56mm machine-gun at squad level, be it a box-fed LSW or belt-fed SAW. If there is a cloud on the horizon where modern light machine-guns are concerned it is that they are not powerful enough for long-range work, or for penetrating cover and light armour. Nevertheless, the new generation of light machine-guns will remain in use well into the next century, not least because they are popular with the soldiers who operate them, the machine-gunners. Likewise, there will still be a place for the heavier GPMG, which does have the 'punch' that the LSW lacks. Machine-guns themselves have become lighter, and their operating principles both more secure and more efficient; the ammunition they use has shrunk to a quarter of its original size and become almost 100 percent reliable. The one important thing which has not changed dramatically is the human component; the attitude with which man faces the prospect of death in battle, and how he prepares himself to face that possibility quite deliberately, for it was the original invention of the machine-gun which reformed that. More than any other single 'advance' in weapons technology, the machine-gun allowed an individual (or actually, a small team of men) to dominate a sector of the battlefield. They had an inhuman advantage which simply had to be exploited if they were to be on the winning side, whether their opponents were Zulus, Sioux, or Dervishes, or other industrialized nations to be beaten into last place in the race toward economic supremacy. Whether the machine-gun has been as important, in any sense at all of the word, as it near-contemporary, the internal combustion engine - or even, date one say it, the bicycle or sewing machine - is still to be decided, but there is one clear, irrefutable fact connected with its short history: it has killed tens of millions of men, women and children and blighted the lives of tens of millions more.

Essay: Scientific Advances are Ruining Science Fiction I write science fiction thrillers for a living, set five to ten years in the future, an exercise that allows me to indulge my love of science, futurism, and philosophy, and to examine in fine granularity the impact of approaching revolutions in technology. But here is the problem: I’d love to write pure science fiction, set hundreds of years in the future. Why don’t I? I guess the short answer is that to do so, I’d have to turn a blind eye to everything I believe will be true hundreds of years from now. Because the truth is that books about the future of humanity, such as Kurzweil’s The Singularity is Near, have ruined me. As a kid, I read nothing but science fiction. This was a genre that existed to examine individuals and societies through the lens of technological and scientific change. The best of this genre always focused on human beings as much as technology, something John W. Campbell insisted upon when he ushered in what is widely known as the Golden Age of Science Fiction. But for the most part, writers in past generations could feel confident that men and women would always be men and women, at least for many thousands of years to come. We might develop technology that would give us incredible abilities. Go back and forth through time, travel to other dimensions, or travel through the galaxy in great starships. But no matter what, in the end, we would still be Grade A, premium cut, humans. Loving, lusting, and laughing. Scheming and coveting. Crying, shouting, and hating. We would remain ambitious, ruthless, and greedy, but also selfless and heroic. Our intellects and motivations in this far future would not be all that different from what they are now, and if we lost a phaser battle with a Klingon, the Grim Reaper would still be waiting for us.

shit. I’ve just got back from the funeral of my best friend.  He died after being hit on the head with a tennis ball.  It was a lovely service. Death is nature’s way of saying ‘Slow down’. I intend to live forever……or die trying. What happens when you get scared half to death twice? A man has died after falling into a vat of coffee.  It was instant. A Chinese man faked his death but his family were suspicious.  They didn’t bereave him. I saw an ad for burial plots.  I thought to myself ‘That’s the last thing I need’. I met a Dutch girl with inflatable shoes last week and phoned her up to arrange a date.  Unfortunately, she’d popped her clogs. My grandad gave me some sound advice on his deathbed.  He said that it’s worth shelling out on good speakers. A friend of mine always wanted to be run over by a steam train.  When it happened, he was chuffed to bits. The man who invented Velcro has died. RIP. A Mexican stuntman died while making a film.  At his funeral, his mother approached the director and said ‘Jesus died for your scenes’. The Grim Reaper came for me last night and I beat him

Jess, didn't we agree to take the town by storm? How can you do that in that orange shorts jumpsuit? You look like you escaped from a prison ward and kept the outfit." She smirked and took a spontaneous photo of Charlie and me. I teased back, "It's an on-trend romper, and I prefer it to your black-on-black grim reaper leisurewear, thank you very much.

The lawn of Boston Common, the low sloping part from the merry-go-round and the frog pond to the road that cut between the Common and the Public Garden, was a crowd. Of all sorts of people, old and young, black and Asian and white and brown, skinny and fat and short and tall, and they were all in costume, and because they were all in costume, it was like looking straight into their hearts at what they loved or who they wanted to be. There were Poes and ghosts and cats and ravens and Spider-Men and mermaids and fairies and grim reapers and Leatherfaces and a freaky good Jason Voorhees—he was huge, scary huge; when he passed Dorry, she was eye to belly button—a bat, an Uno card, Dracula vampires, Twilight vampires, their faces brushed with glitter, some Red Sox, some Bruins, a Celtic who could have been Kevin Garnett, but she couldn’t get close enough to tell for sure. Someone was dressed as Mayor Menino. Someone was dressed as Kermit the Frog. Someone, a guy, Dorry thought—he had big shoulders and an Adam’s apple—was dressed as Cher, which Dorry got only after Cher came up to Ned and said, “Prince!” and Ned said, “Cher!” and they hugged, because even though they were strangers, they knew each other.