Cage Me Quotes

We've searched our database for all the quotes and captions related to Cage Me. Here they are! All 200 of them:

It’s true, I can’t make you love me. But I can refuse to let you out of your cage.
Jarod Kintz (This Book is Not for Sale)
They rattled my cage to see if I'd bite. When they released me, they'd see that the answer was yes.
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
Leo dropped into the pool and approched the cage. "Hola, Tia. Little bit of trouble?" She [Hera] crossed her arms and sighed in exasperation. "Don't inspect me like I'm one of your machines, Leo Valdez. Get me out of here!
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
I crush her against me. I want to be part of her. Not just inside her but all around her. I want our rib cages to crack open and our hearts to migrate and merge. I want our cells to braid together like living thread.
Isaac Marion (Warm Bodies (Warm Bodies, #1))
Do not get distracted. Do not linger. You are a warrior, and warriors know when to pick their fights.' I nodded, our breath mingling. Rhys growled. 'They took what is ours. And we do not allow those crimes to go unpunished.' His power rippled and swirled around me. 'You do not fear,' Rhys breathed. 'You do not falter. You do not yield. You go in, you get her, and you come out again.' I nodded again, holding his stare. 'Remember that you are a wolf. And you cannot be caged.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
You can die of a broken heart -- it's scientific fact -- and my heart has been breaking since that very first day we met. I can feel it now, aching deep behind my rib cage the way it does every time we're together, beating a desperate rhythm: Love me. Love me. Love me.
Abby McDonald (Getting Over Garrett Delaney)
May I suggest that you all read? And often. Believe me, it's nice to have something to talk about other than the weather and the Queen's health. Your mind is not a cage. It's a garden. And it requires cultivating.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
I am afraid of getting older. I am afraid of getting married. Spare me from cooking three meals a day—spare me from the relentless cage of routine and rote. I want to be free. (...) I want, I think, to be omniscient… I think I would like to call myself "The girl who wanted to be God." Yet if I were not in this body, where would I be—perhaps I am destined to be classified and qualified. But, oh, I cry out against it. I am I—I am powerful—but to what extent? I am I.
Sylvia Plath (Letters Home)
Then he pulled out a handgun and shot me in the chest. I was standing on the lawn and I fell. The bullet hole opened wide and my heart rolled out of my rib cage and down into a flower bed. Blood gushed rhythmically from my open wound, then from my eyes, my ears, my mouth. It tasted like salt and failure. The bright red shame of being unloved soaked the grass in front of our house, the bricks of the path, the steps of the porch. My heart spasmed among the peonies like a trout.
E. Lockhart (We Were Liars)
Well, I have lost you; and I lost you fairly; In my own way, and with my full consent. Say what you will, kings in a tumbrel rarely Went to their deaths more proud than this one went. Some nights of apprehension and hot weeping I will confess; but that's permitted me; Day dried my eyes; I was not one for keeping Rubbed in a cage a wing that would be free. If I had loved you less or played you slyly I might have held you for a summer more, But at the cost of words I value highly, And no such summer as the one before. Should I outlive this anguish, and men do, I shall have only good to say of you.
Edna St. Vincent Millay
Man is the Reasoning Animal. Such is the claim. I think it is open to dispute. Indeed, my experiments have proven to me that he is the Unreasoning Animal... In truth, man is incurably foolish. Simple things which other animals easily learn, he is incapable of learning. Among my experiments was this. In an hour I taught a cat and a dog to be friends. I put them in a cage. In another hour I taught them to be friends with a rabbit. In the course of two days I was able to add a fox, a goose, a squirrel and some doves. Finally a monkey. They lived together in peace; even affectionately. Next, in another cage I confined an Irish Catholic from Tipperary, and as soon as he seemed tame I added a Scotch Presbyterian from Aberdeen. Next a Turk from Constantinople; a Greek Christian from Crete; an Armenian; a Methodist from the wilds of Arkansas; a Buddhist from China; a Brahman from Benares. Finally, a Salvation Army Colonel from Wapping. Then I stayed away for two whole days. When I came back to note results, the cage of Higher Animals was all right, but in the other there was but a chaos of gory odds and ends of turbans and fezzes and plaids and bones and flesh--not a specimen left alive. These Reasoning Animals had disagreed on a theological detail and carried the matter to a Higher Court.
Mark Twain (Letters from the Earth: Uncensored Writings)
The beast in me Is caged by frail and fragile bars.
Johnny Cash
« Barabas pulled Christopher out of the cage. The man stared up at him. “I died, didn’t I? Are you an angel?” “Sure,” Barabas said. “Follow me to the Heavenly Shower »
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Let them go, I tell myself. Say good-bye and forget them. I do my best, thinking of them one by one, releasing them like birds from the protective cages inside me, locking the doors against their return.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Wolfy, is it? And what do you know about my turning?" "I asked around when I figured out I was your... mate." He stood, crossing to her. "Well, let's hear it." "Basically, you'll lose your mind, turning animalistic, hunting me down until you claim me repeatedly, biting my neck and marking me as your possession. Nothing will stop you- no cage can hold you. Did I miss anything? "Aye, Lousha." His gaze raked over her and his voice deepened. "The fact that you're going to like it.
Kresley Cole (Pleasure of a Dark Prince (Immortals After Dark, #8))
At fifteen life had taught me undeniably that surrender, in its place, was as honorable as resistance, especially if one had no choice.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
Life was not to be sitting in hot amorphic leisure in my backyard idly writing or not-writing, as the spirit moved me. It was, instead, running madly, in a crowded schedule, in a squirrel cage of busy people. Working, living, dancing, dreaming, talking, kissing - singing, laughing, learning.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Fate. As a child, that word was often my only companion. It whispered to me from dark corners during lonely nights. It was the song of the birds in spring and the call of the wind through bare branches on a cold winter afternoon. Fate. Both my anguish and my solace. My escort and my cage.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
When I draw it, I’m going to make my skin see-through and what you’ll see is that all the animals in the zoo of me have broken out of their cages.
Jandy Nelson (I'll Give You the Sun)
There are pieces of me, small pieces, still in love with a fiction.
Victoria Aveyard (King's Cage (Red Queen, #3))
Once he had me panting for breath he broke the kiss and burried his head in the curve of my neck. "I fucking love you." I giggled. That was a very cage response.
Abbi Glines (While It Lasts (Sea Breeze, #3))
Don't you see, Ren? That's exactly why I have to go. You need to know that you can survive without me. That's there's more to life than just me. You need to see this world that's opened up to you and know that you have choices. I refuse to be your cage
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
For the first time in my life, I feel wanted... like I finally belong. There is nowhere on Earth I would rather be than here with you. You do not cage me, Styx. You make me soar.
Tillie Cole (It Ain't Me, Babe (Hades Hangmen, #1))
Those who deserve respect are given it freely. If one must demand such a thing, he’ll never truly command it. I am your daughter, not your horse, sir.” I stepped closer, enjoying the way Father leaned away from me as if he were just now discovering that a cat, while precious and cute, also had sharp claws. “I’d rather be a lowly wretch on the streets than live in a house full of cages. Do not lecture me on propriety when it’s a virtue you so grossly lack.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
Without willing it, I had gone from being ignorant of being ignorant to being aware of being aware. And the worst part of my awareness was that I didn't know what I was aware of. I knew I knew very little, but I was certain that the things I had yet to learn wouldn't be taught to me at George Washington High School.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
Someone asked me what home was, and all I could think of were the stars on the tip of your tongue, the flowers sprouting from your mouth, the roots entwined in the gaps between your fingers, the ocean echoing inside of your rib cage.
E.E. Cummings
I’d like to see you carry on with a corset digging its bones into your rib cage,” I said, returning the favor and eyeing his clothing. “And manage a skirt still covering most of your breeches and whipping around your thighs in this wind.” “If you’d like to see me out of my breeches, simply ask, Wadsworth. I’m more than happy to accommodate you on that front.” “Scoundrel.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
That I am your heart's secret fills me with song. I wish I could sing of you here in my cage. You are my heart's hidden poem. I reread you, memorize you every moment we're apart.
Laura Whitcomb (A Certain Slant of Light (Light, #1))
I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids.
William Goldman (The Princess Bride)
I thought I knew what heartbreak was. I thought that was what Maven did to me. When he stood and left me kneeling. When he told me everything I ever thought him to be was a lie. But then, I believed I loved him. I know now, I didn't know what love was. Or what even the echo of heartbreak felt like. To stand in front of a person who is your whole world and be told you are not enough. You are not the choice. You are a shadow to the person who is your sun.
Victoria Aveyard (King's Cage (Red Queen, #3))
Should've thought of that before you told my ex-girlfriend I eat live kittens for breakfast." A tiny twinge of guilt. Then the cat wondered what Riley would think of her last successful "shoo-away." "Who knew she'd believe me?" [Mercy responded.] "Oh no? When you 'accidentally' opened the cupboard to expose my 'kitten cage' full of the poor, sad kitties I was going to snack on?" A raised eyebrow. "Wasn't the cage next to my special 'kitten defurring' tools?" "They were obviously fake." Bas just stared at her.
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
No, no, no, no! Come, let's away to prison: We two alone will sing like birds i' the cage: When thou dost ask me blessing, I'll kneel down, And ask of thee forgiveness: so we'll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news; and we'll talk with them too, Who loses and who wins; who's in, who's out; And take upon's the mystery of things, As if we were God's spies: and we'll wear out, In a wall'd prison, packs and sects of great ones, That ebb and flow by the moon.
William Shakespeare (The Tragedy Of King Lear (Turtleback School & Library Binding Edition) (Signet Classic Shakespeare))
You cannot free someone who is caged in their own self.
Anjum Choudhary (Souled Out)
I need to feel your lips on mine." He planted his hands on the carriage wall, caging me in. "I need to feel your breath in my lungs. I need to feel your life inside me. I just need you. It's an ache. This need. Can I have you? All of you?
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
There are pieces of me, small pieces, still in love with a fiction. A ghost living inside a living boy I cannot begin to fathom. The ghost who sat by my bed while I dreamed in pain. The ghost who kept Samson from my mind as long as he could, I know, delaying an inevitable torture. The ghost who loves me, in what poisoned way he can. And I feel that poison working in me.
Victoria Aveyard (King's Cage (Red Queen, #3))
When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would cure this itch. When years described me as mature, the remedy prescribed was middle age.In middle age I was assured greater age would calm my fever and now that I am fifty-eight perhaps senility will do the job. Nothing has worked. Four hoarse blasts of a ships's whistle still raise the hair on my neck and set my feet to tapping. The sound of a jet, an engine warming up, even the clopping of shod hooves on pavement brings on the ancient shudder, the dry mouth and vacant eye, the hot palms and the churn of stomach high up under the rib cage. In other words, once a bum always a bum. I fear this disease incurable. I set this matter down not to instruct others but to inform myself....A journey is a person in itself; no two are alike. And all plans, safeguards, policing, and coercion are fruitless. We find after years of struggle that we not take a trip; a trip takes us.
John Steinbeck (Travels with Charley: In Search of America)
He has tears in his eyes now. The sight is more than I can bear. He takes two steps away from me and then turns back like a caged animal. “Do you even love me?” he suddenly asks. He grips both of my shoulders. “I’ve said it to you before, and I still mean it. But I’ve never heard it from you.
Marie Lu (Champion (Legend, #3))
Ninja chicken isn't he?" You grinned at me, rolling your sleeves up."We'll see about that." You reached into the cage. Instantly Dick was onto your hand, clawing at you, biting chunks with his beak. "Godamn rooster!
Lucy Christopher (Stolen (Stolen, #1))
Keep me rather in this cage, and feed me sparingly, if you dare. Anything that brings me closer to illness and the edge of death makes me more faithful. It is only when you make me suffer that I feel safe and secure. You should never have agreed to be a god for me if you were afraid to assume the duties of a god, and we know that they are not as tender as all that. You have already seen me cry. Now you must learn to relish my tears.
Pauline Réage
I pointed at the little kids goading each other to jump from rib cage to shoulder and Gus answered just loud enough for me to hear over the din, 'Last time, I imagined myself as the kid. This time, the skeleton.
John Green (The Fault in Our Stars)
Do you love me, Westley? Is that it?’ He couldn’t believe it. ‘Do I love you? My God, if your love were a grain of sand, mine would be a universe of beaches. If your love were—‘ ‘I don’t understand the first one yet,’ Buttercup interrupted. She was starting to get very excited now. ‘Let me get this straight. Are you saying my love is the size of a grain of sand and yours is this other thing? Images just confuse me so—is this universal business of yours bigger than my sand? Help me, Westley. I have the feeling we’re on the verge of something just terribly important.’ ‘I have stayed these years in my hovel because of you. I have taught myself languages because of you. I have made my body strong because I thought you might be pleased by a strong body. I have lived my life with only the prayer that some sudden dawn you might glance in my direction. I have not known a moment in years when the sight of you did not send my heart careening against my rib cage. I have not known a night when your visage did not accompany me to sleep. There has not been a morning when you did not flutter behind my waking eyelids….Is any of this getting through to you, Buttercup, or do you want me to go on for a while?’ ‘Never stop.’ ‘There has not been—‘ ‘If you’re teasing me, Westley, I’m just going to kill you.’ ‘How can you even dream I might be teasing?’ ‘Well, you haven’t once said you loved me.’ ‘That’s all you need? Easy. I love you. Okay? Want it louder? I love you. Spell it out, should I? I ell-oh-vee-ee why-oh-you. Want it backward? You love I.’ ‘You are teasing now; aren’t you?’ ‘A little maybe; I’ve been saying it so long to you, you just wouldn’t listen. Every time you said ‘Farm boy do this’ you thought I was answering ‘As you wish’ but that’s only because you were hearing wrong. ‘I love you’ was what it was, but you never heard, and you never heard.
William Goldman (The Princess Bride)
There was something in her eyes that drew me in. I wanted to make the sadness she tried to hide go away." -Cage York
Abbi Glines (While It Lasts (Sea Breeze, #3))
Very well." He sat cross-legged on the floor of the cage. "You haven't run off so you want to talk. I will hear your explanation now." "Really, Your Majesty? So good of you to condescend. I'll try to use small words and go slow." "You're wasting my time. I know Jim betrayed me and you're covering for him. This is your chance to dazzle me wih your brillance or baffle me with your bullshit. You won't get another. When I get out, I won't be in the mood to listen.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Through it all, I stare at the boy on the throne. He maintains his mask. Jaw clenched, lips pressed into a thin, unforgiving line. Still fingers, straight back. But his gaze wavers. Something in his eyes has gone far away. And at his collar, the slightest gray flush rises, painting his neck and the tips of his ears. He's terrified. For a second, it makes me happy. Then I remember―monsters are most dangerous when they're afraid.
Victoria Aveyard (King's Cage (Red Queen, #3))
Mare,” he whispers. “Choose me.” Choose a crown. Choose another king’s cage. Choose a betrayal to everything you’ve bled for. I find my thread of steel too. Thin but unbreakable. “I am in love with you, and I want you more than anything else in the world.” His words sound hollow coming from me. “Anything else in this world.” Slowly, my eyelids flutter open. He finds the spine to match my gaze. “Think what we could do together,” he murmurs, trying to pull me closer. My feet hold firm. “You know what you are to me. Without you, I have no one. I am alone. I have nothing left. Don’t leave me alone.” My breathing turns ragged. I kiss him for what could be, what might be, what will be—the last time. His lips feel strangely cold as we both turn to ice. “You aren’t alone.” The hope in his eyes cuts deeply. “You have your crown.
Victoria Aveyard (King's Cage (Red Queen, #3))
I will do those things which make me happy today and which I can also live with ten years from now.
Greg Iles (The Quiet Game (Penn Cage #1))
Hello? This is Clary Fairchild.” “Clary? It’s me, Emma.” “Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.” “Tahiti sounds nice.” “It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.” “Is this a bad time?” “What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.” “What’s a trebuchet?” “It’s a huge catapult.” “What are they going to use it for?” “I have no idea. Alec, you’re enabling! You’re an enabler!” “Maybe it is a bad time.” “I doubt there’ll be a better one. Is something wrong? Is there anything I can do?” “I think we have your cat.” “What?” “Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.” “Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.” “I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.” “How did you wind up with him?” “Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.” “Brother Zachariah left you a cat.” “But I don’t even really know him. And he’s not a Silent Brother any more.” “You may not know him, but he clearly knows you.” “What do you think the J stands for?” “His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.” “Are you sure? The Lightwoods —“ ‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.” “Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.” “Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.” “Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.” “I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.” “That’s good. I have a feeling we’re going to need it.” “Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.” “But we can keep the cat?” “You can keep the cat.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
You're a good man, Greg Cage. You give me some time, and I might just fall in love with you." "That's the plan, Beauty.
Harper Sloan (Cage (Corps Security, #2))
I tried to warn you, But girls never listen. Got your innocence insured? ’Cause it’s ’bout to be stolen Right out from under your nose. Prepare to curl your toes. I’ve got a one-track mind. You’ve got a nice behind. Chorus: I had a good thing goin’ All numb in my shell, Then you took me by surprise And now I’m scared as hell. I don’t wanna feel for you, I don’t wanna feel. If feeling means hurting, Then I don’t wanna be real. You crank up my lust, girl, You tame down my rage. You let your inner vixen Roam out of her cage. The moment our lips met I saw it in your eyes, But you were seeing me, too, I now realize. Chorus What do I want from you? I want everything. And I’m not gonna share— This ain’t a casual fling. You can be my bad girl, I’ll even be your good boy. How’d the tables get turned? F*** it, I’ll be your love toy.
Wendy Higgins (Sweet Peril (Sweet, #2))
You’re crowding me. I need— room.”... What I needed were boundaries. I needed willpower. I needed to be caged up, since yet again I was proving I couldn’t be trusted in Patch’s presence. I should have been bolting for the door, and yet … I wasn’t.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Are you not going to talk? Just sit there and stare at me like a creeper?" Aiden cracked a half smile. "You called me that once before." "Yeah, because you are a creeper.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
At home, they'd clipped my wings and then caged me so I couldn't fall. Here, they bandaged one another's broken wings, helped each other fly.
Holly Cupala (Don't Breathe a Word)
Four wanders through the crowd of initiates, watching us as we go through the movements again. When he stops in front of me, my insides twist like someone is stirring them with a fork. He stares at me, his eyes following my body from my head to my feet, not lingering anywhere - a practical, scientific gaze. "You don't have much muscle", he says, "which means you're better off using your knees and elbows. You can put more power behind them." Suddenly he presses a hand to my stomach. His fingers are so long that, though the heel of his hand touches one side of my rib cage, his fingertips still touch the other side. My heart pounds so hard my chest hurts, and I stare at him, wide-eyed. "Never forget to keep tension here", he says in a quiet voice. Four lifts his hand and keeps walking. I feel the pressure of his palm even after he's gone. It's strange, but I have to stop and breathe for a few seconds before I can keep practicing again.
Veronica Roth (Divergent (Divergent, #1))
Someone asked me what home was, and all I could think of were the stars on the tip of your tongue, the flowers sprouting from your mouth, the roots entwined in the gaps between your fingers, the ocean echoing inside of your rib cage.
Ec
You don’t have to be strong all the time. Let me take it, Beauty. Let me be your rock. Let ME fight. For Christ sake, let me be who you need.
Harper Sloan (Cage (Corps Security, #2))
You're like Thomas was. You are the only person I care about, the only person who reminds me I am alive. Not empty. And not alone.
Victoria Aveyard (King's Cage (Red Queen, #3))
You want me to level, here it is: I need you. I need you because I love you. Three months without you will be hell. But even if we weren’t together, I would still need you. You’re a good fighter, you’ve worked as a bodyguard, and you know magic. We may not have many magic users, but we don’t know if those packs do, and if they hit us with magic, we have no way to counter.” He spread his arms. “But I love you and I don’t want you to be hurt. I’m not going to ask you to come with me. That would be like stepping in front of a moving train and saying, ‘Hey, honey, come stand next to me.’” I hopped off the wall and stood next to him. “Anytime.” He just looked at me. “I’ve never killed a train before. It might be fun to try.” “Are you sure?” “One time I was dying in a cage inside a palace that was flying over a magic jungle. And some idiot went in there, chased the palace down, fought his way through hundreds of rakshasas, and rescued me.” “I remember,” he said. “That’s when I realized you loved me,” I said. “I was in the cage and I heard you roar.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
There’s something simmering inside of me. Something I’ve never dared to tap into, something I’m afraid to acknowledge. There’s a part of me clawing to break free from the cage I’ve trapped it in, banging on the doors of my heart, begging to be free. Begging to let go. Every day I feel like I’m reliving the same nightmare. I open my mouth to shout, to fight, to swing my fists, but my vocal cords are cut, my arms are heavy and weighted down as if trapped in wet cement and I’m screaming but no one can hear me, no one can reach me and I’m caught. And it’s killing me. I’ve always had to make myself submissive, subservient, twisted into a pleading, passive mop just to make everyone else feel safe and comfortable. My existence has become a fight to prove I’m harmless, and I’m not a threat, that I’m capable of living among other human beings without hurting them. And I’m so tired I’m so tire I’m so tired I’m so tired and sometimes I get so angry. I don’t know what’s happening to me.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
I am afraid of getting older. I am afraid of getting married. Spare me from cooking three meals a day, spare me from the relentless cage of routine and rote. I want to be free. I want, I think, to be omniscient.
Sylvia Plath (Letters Home)
Maven Calore is not his own self. He told me as much. He is a construct, a creation of his mother's additions and subtractions. A mechanical, a machine, soulless and lost. What a horror, to know that someone like this holds our fates in the palm of his quivering hand.
Victoria Aveyard (King's Cage (Red Queen, #3))
We're Bonnie and Clyde! Wanted and unwanted. Caged and cornered. We're lost and we're alone. We're a big, tangled mess. We're a shot in the dark. We're two people who have nowhere else, no one else, and yet, suddenly that feels like enough for me! I'm sorry if it's not enough for you.
Amy Harmon (Infinity + One)
A relationship is like a bird: If you set it free, it will thrive. If you put it in a cage, it will struggle to survive.
Mouloud Benzadi
I'd worried that letting her get too close would break me. Unfortunately, I'd worried about that a little too late. Because I was broken. The Cage I was before Eva no longer existed. As much as I didn't want to admit it, I'd fallen in love with her. I'd allowed someone in and she hadn't want me. I hadn't been good enough. I never was.
Abbi Glines (While It Lasts (Sea Breeze, #3))
I could never be what she wanted. She thought I was like Cage and the right girl could tame me. It wasn't about that. I didn't need taming. I needed fucking saving.
Abbi Glines (Just for Now (Sea Breeze, #4))
A black-sharded lady keeps me in a parrot cage.
Sylvia Plath
I know why the caged bird sings, ah me, When his wing is bruised and his bosom sore,- When he beats his bars and would be free; It is not a carol of joy or glee, But a prayer that he sends from his heart's deep core, But a plea, that upward to Heaven he flings- I know why the caged bird sings!
Paul Laurence Dunbar
He’d raised me to look at the bars of my cage and call them trees.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
His touch both consoles and devastates me; I feel my heart pulse, then wither, naked as a stone on the roaring mattress while the lovely, moony night slides through the window to dapple the flanks of this innocent who makes cages to keep the sweet birds in. Eat me, drink me; thirsty, cankered, goblin-ridden, I go back and back to him to have his fingers strip the tattered skin away and clothe me in his dress of water, this garment that drenches me, its slithering odour, its capacity for drowning.
Angela Carter (The Bloody Chamber and Other Stories)
In a lightning-fast move, he placed both of his hands on the brick wall, caging me with his body. He leaned toward me and my heart shifted into a gear I didn't know existed. His warm breath caressed my neck, melting my frozen skin. I tilted my head, waiting for the solid warmth of his body on mine. I could see his eyes again and those dark orbs screamed hunger . "I heard a rumor." "What's that?" I struggled to get out. "It's your birthday." Terrified speaking would break the spell, I licked my suddenly dry lips and nodded. "Happy birthday." Noah drew his lips closer to mine; that sweet musky smell overwhelmed my senses. I could almost taste his lips when he unexpectedly took a step back, inhaling deeply. The cold air slapped me into the land of sober.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I have no illusions where Maven is concerned. I know his twisted heart, and that it feels something for me. Something he wants to get rid of, but can never part with.
Victoria Aveyard (King's Cage (Red Queen, #3))
I wasn't free... I realized that I had been living in a birdcage all that time .. The world was so big but the'd forced me into a tiny cage
Hajime Isayama (進撃の巨人 18 [Shingeki no Kyojin 18])
This isn’t a bargain, it’s a deal.” “I’m not in the business of striking deals with girls in cages.” I twist my lips into a cruel smile. “Then by all means, let me out.” Elian laughs, pulls a pistol out, and shakes his head once again. “You know,” he says, approaching the cell, “I think I might like you. Thing is” – he taps his gun against my prison – “there’s a difference between liking someone and trusting them.” “I wouldn’t know. I’ve never done either.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
But a person can be genocided-can have every connection to his past severed- and live to be an old man whose rib cage is a haunted house built around his heart.
Sherman Alexie (You Don't Have to Say You Love Me)
Tiberias.” I’ve never said his real name before. It doesn’t suit him. It doesn’t suit us. But that’s who he is. “Choose me.
Victoria Aveyard (King's Cage (Red Queen, #3))
I had hoped one day to find someone who loves my monsters, the wolves that I feed, the demons I sing to sleep, the tiger that is my caged heart, the parts of me I do not talk about. I prayed and wished and yearned until I realized that I had already found her within me.
Nikita Gill (Wild Embers: Poems of Rebellion, Fire and Beauty)
Your faces are very beautiful, but they are wooden cages. You had better run from me. My words are fire.
Jalal ad-Din Muhammad ar-Rumi (The Book of Love: Poems of Ecstasy and Longing)
Thank you,” I whisper. Words I never thought I would say to her. They unsettle us both.” “You want to thank me, Barrow?” she mutters, kicking away the last of my bindings. “Then keep your word. And let this fucking place burn.” (300)
Victoria Aveyard (King's Cage (Red Queen, #3))
i am best prepared for the worst case scenario. the best case scenario scares me. flight response. my mother tells me i am a bird. when she says i am a bird, she means the whole world is my cage.
Sabrina Benaim (Depression & Other Magic Tricks)
I dread the loss of her I've never touched love keeps me a slave in a cage of tears I gnaw my tongue with which to her I can never speak I miss a woman who was never born I kiss a woman across the years that say we shall never meet Everything passes Everything perishes Everything palls my thought walks away with a killing smile leaving discordant anxiety which roars in my soul No hope No hope No hope No hope No hope No hope No hope
Sarah Kane (4.48 Psychosis)
Once I was free; there was no cage that could bind me, and I had yet to create my box of numbness within my mind to be my silent protector.
J.D. Stroube (Caged in Spirit (Caged, #3))
We two alone will sing like birds i' th' cage. When thou dost ask me blessing, I’ll kneel down And ask of thee forgiveness. So we’ll live, And pray, and sing, and tell old tales, and laugh At gilded butterflies, and hear poor rogues Talk of court news, and we’ll talk with them too— Who loses and who wins, who’s in, who’s out— And take upon ’s the mystery of things As if we were God’s spies.
William Shakespeare (King Lear)
Another round," she goads, and holds out a hand for the cards. "I bet a week of laundry." Across from us, Cal stops his preparatory stretching to snort. "You think Mare does laundry?" "Do you, Your Highness?" I snap back, grinning. He just pretends not to hear me.
Victoria Aveyard (King's Cage (Red Queen, #3))
Dear sir: twelve hours is as twelve years to me. I imagine you in your home, smiling, thinking of me. That I am your heart's secret fills me with song. I wish I could sing of you here in my cage. You are my heart's hidden poem. I reread you, memorize you, every moment we're apart.
Laura Whitcomb (A Certain Slant of Light (Light, #1))
The city became for me the ideal of what I wanted to be as a grown-up. Friendly, but never gushing, cool but not frigid or distant, distinguished without the awful stiffness.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
Those blue eyes that had stopped my heart the first time she looked at me found me in the crowd." -Cage
Abbi Glines (Because of Low (Sea Breeze, #2))
I hate to burst your bubble, but you're really not as scary as you think you are. I don't find you scary at all, actually," I lied casually. He stopped, raising his eyebrows in blatant disbelief. Then he flashed a wide, wicked smile. "You really shouldn't have said that," he chuckled. He growled, a low sound in the back of his throat; his lips curled back over his perfect teeth. His body shifted suddenly, half-crouched, tensed lika a lion about to pounce. I backed away from him, glaring. "You wouldn't." I didn't see him leap me - it was much too fast. I only found myself suddenly airborne, and then we crashed onto the sofa, knocking it into the wall. All the while, his arms formed an iron cage of protection around me - I was barely jostled. But I still was gasping as I tried to right myself. He wasn't having that. He curled me into a ball against his chest, holding me more securely than iron chains. I glared at him in alarm, but he seemed well in control, his jaw relaxed as he grinned, his eyes bright only with humor. "You were saying?" he growled playfully. "That you are a very, very terrifying monster," I said, my sarcasm marred a bit my breathless voice. "Much better," he approved.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
I wasted so much time living in fear that I thought I was comfortable, but I was writing in a cage that I didn't know existed, making lists of all my worries with no intent to do anything about them.
Joya Goffney (Excuse Me While I Ugly Cry)
That’s really sweet.” He grinned and reached for a plate. “Then I believe my mission is accomplished.” Laughing softly so I didn’t wake up Cage, I walked over and took the plate he was offering to me.
Abbi Glines (Because of Low (Sea Breeze, #2))
I was caged in our body and caged in his arms and, somehow, the former was the real prison.
Kat Zhang (What's Left of Me (The Hybrid Chronicles, #1))
My body is a cage that keeps me from dancing with the one I love, but my mind holds the key.
Arcade Fire
In the cage, you feel loved, not trapped. Just like me.
Caroline Kepnes (You (You, #1))
Maybe there's a way out of the cage where you live Maybe one these days you can let the light in Show me...how BIG your BRAVE is!
Sara Bareilles (The Blessed Unrest)
Wondering where Ranger was now, when I needed him. Why wasn’t he here, insisting on locking me up in a safe house? Now that my hamster’s cage was clean, I’d be happy to oblige.
Janet Evanovich (Hot Six (Stephanie Plum, #6))
Maven is a talented liar, and I don't trust a single word he speaks. Even if he was telling the truth. Even if he is a product of his mother's meddling, a thorned flower forced to grow a certain way. That doesn't change things. I can't forget everything he's done to me and so many others. When I first met him, I was seduced by his pain. He was the boy in shadow, a forgotten son. I saw myself in him. Second always to Gisa, the bright star in my parents' world. I know now that was by design. He caught me back then, ensnaring me in a prince's trap. Now I'm in a king's cage. But so is he. My chains are Silent Stone. His is the crown.
Victoria Aveyard (King's Cage (Red Queen, #3))
Music frees my soul, under its spell I heal and sorrow continues to fail at keeping me enraged, caged as if a circus animal. Armed with it, ready and willing I sit to crush the horns of Baphomet.
The Raveness (Night Tide Musings)
I didn’t ask to be married to a stranger and shipped across the continent. I didn’t ask to come to Turah. I didn’t ask to be jailed in a wilderness treehouse. Those were decisions made for me by the whims of men. So you can threaten to take away my freedom all you want, but I will fight you. Every step of the way. Until my last breath. And I will not go quietly into a cage.
Devney Perry (Shield of Sparrows (Shield of Sparrows, #1))
I want him to be my white knight. I want him to save me from me.
Harper Sloan (Cage (Corps Security, #2))
THE TAME BIRD WAS IN A CAGE THE tame bird was in a cage, the free bird was in the forest. They met when the time came, it was a decree of fate. The free bird cries, "O my love, let us fly to the wood." The cage bird whispers, "Come hither, let us both live in the cage." Says the free bird, "Among bars, where is there room to spread one's wings?" "Alas," cries the caged bird, "I should not know where to sit perched in the sky." The free bird cries, "My darling, sing the songs of the woodlands." The cage bird sings, "Sit by my side, I'll teach you the speech of the learned." The forest bird cries, "No, ah no! songs can never be taught." The cage bird says, "Alas for me, I know not the songs of the woodlands." There love is intense with longing, but they never can fly wing to wing. Through the bars of the cage they look, and vain is their wish to know each other. They flutter their wings in yearning, and sing, "Come closer, my love!" The free bird cries, "It cannot be, I fear the closed doors of the cage." The cage bird whispers, "Alas, my wings are powerless and dead.
Rabindranath Tagore
As I ate she began the first of what we later called “my lessons in living.” She said that I must always be intolerant of ignorance but understanding of illiteracy. That some people, unable to go to school, were more educated and even more intelligent than college professors. She encouraged me to listen carefully to what country people called mother wit. That in those homely sayings was couched the collective wisdom of generations.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
Even knowing that my presence brought a shadow over the lives of my loved ones, I can't regret the experiences I've had with them. They gave me life, becoming an integral part of my soul. They healed me when I was broken and somehow they recovered those parts of me, I thought lost forever.
J.D. Stroube (Caged by Damnation (Caged, #2))
Remember when we told each other no distractions? Yes. He runs a blazing finger over my earrings, touching each one in turn. Distract me.
Victoria Aveyard (King's Cage (Red Queen, #3))
You should be thanking me. Don't -" He puts his hands up in defense as I spit at him. "You really need to figure out another way to express your anger," he grumbles, wiping at his uniform.
Victoria Aveyard (King's Cage (Red Queen, #3))
Never,” said he, as he ground his teeth, “never was anything at once so frail and so indomitable. A mere reed she feels in my hand!” (And he shook me with the force of his hold.) “I could bend her with my finger and thumb: and what good would it do if I bent, if I uptore, if I crushed her? Consider that eye: consider the resolute, wild, free thing looking out of it, defying me, with more than courage—with a stern triumph. Whatever I do with its cage, I cannot get at it—the savage, beautiful creature! If I tear, if I rend the slight prison, my outrage will only let the captive loose. Conqueror I might be of the house; but the inmate would escape to heaven before I could call myself possessor of its clay dwellingplace. And it is you, spirit—with will and energy, and virtue and purity— that I want: not alone your brittle frame. Of yourself you could come with soft flight and nestle against my heart, if you would: seized against your will, you will elude the grasp like an essence—you will vanish ere I inhale your fragrance.
Charlotte Brontë (Jane Eyre)
Inside my chest, my lungs are wild animals, clawing at the cage. "Oh, man," Autumn mumbles from beside me. "His smile makes me stupid." Her words are a dim echo of my own thoughts: His smile ruins me. The feeling makes me uneasy, a dramatic lurch that tells me I need to have him or I won't be okay.
Christina Lauren (Autoboyography)
I'm all these words, all these strangers, this dust of words, with no ground for their settling, no sky for their dispersing, coming together to say, fleeing one another to say, that I am they, all of them, those that merge, those that part, those that never meet, and nothing else, yes, something else, that I'm something quite different, a quite different thing, a wordless thing in an empty place, a hard shut dry cold black place, where nothing stirs, nothing speaks, and that I listen, and that I seek, like a caged beast born of caged beasts born of caged beasts born of caged beasts born in a cage and dead in a cage, born and then dead, born in a cage and then dead in a cage, in a word like a beast, in one of their words, like such a beast, and that I seek, like such a beast, with my little strength, such a beast, with nothing of its species left but fear and fury, no, the fury is past, nothing but fear, nothing of all its due but fear centupled, fear of its shadow, no, blind from birth, of sound then, if you like, we'll have that, one must have something, it's a pity, but there it is, fear of sound, fear of sounds, the sounds of beasts, the sounds of men, sounds in the daytime and sounds at night, that's enough, fear of sounds all sounds, more or less, more or less fear, all sounds, there's only one, continuous, day and night, what is it, it's steps coming and going, it's voices speaking for a moment, it's bodies groping their way, it's the air, it's things, it's the air among the things, that's enough, that I seek, like it, no, not like it, like me, in my own way, what am I saying, after my fashion, that I seek, what do I seek now, what it is, it must be that, it can only be that, what it is, what it can be, what what can be, what I seek, no, what I hear, I hear them, now it comes back to me, they say I seek what it is I hear, I hear them, now it comes back to me, what it can possibly be, and where it can possibly come from, since all is silent here, and the walls thick, and how I manage, without feeling an ear on me, or a head, or a body, or a soul, how I manage, to do what, how I manage, it's not clear, dear dear, you say it's not clear, something is wanting to make it clear, I'll seek, what is wanting, to make everything clear, I'm always seeking something, it's tiring in the end, and it's only the beginning.
Samuel Beckett (The Unnamable)
No one can be healed of death. All they can do is tame it. Death is a wild animal, sharp-fanged. I am just trying to build a cage to keep it locked in. It is there, beside me, drooling as it waits to devour me. The bars of the cage that protect me are made of paper.
Antoine Leiris (Vous n'aurez pas ma haine)
I try to be one of the exceptional people who can live with the complexity of things, who are at peace with the unknown and the unknowable, who leave all the cages open. I tell myself: There's so much that you don't know, you can't know, you aren't ever going to know.
Kelly Corrigan (Tell Me More: Stories About the 12 Hardest Things I'm Learning to Say)
He backed me into a wall, caging me in, got in my face and explained he is most definitely into me.” When I was done speaking, her lips were parted and her eyes were glazed. “KC?” I called when she didn’t say anything. “Shh,” she shushed me. “I’m having an orgasm.
Kristen Ashley (Raid (Unfinished Hero, #3))
Come forward, Mare." That is Maven's voice. Not Maven, but Maven. The boy I thought I knew. Gentle, tender. He keeps that voice stored away, ready to be used against me like a sword. It strikes me to my core, as he knows it will. In spite of myself, I feel the familiar longing for a boy who does not exist.
Victoria Aveyard (King's Cage (Red Queen, #3))
How do you plan to keep me here during the day? An unblooded Forbearer shouldn’t be so hard to vanquish.” Vanquished by her? Amusing. “I’ll send you back to the cell. You want to be my pet? I’ll take you out and put you back in your cage at my pleasure.” She blinked at him. “You don’t want to send me back. Who will entertain you? I can deal poker and make shadow animals.
Kresley Cole (The Warlord Wants Forever (Immortals After Dark, #0.5))
He isn’t like us Low. You know that right.” I knew what Cage was saying. Marcus was out of my league. He didn’t want me thinking there could ever be anything between me and his roommate. I was low class. Marcus was a rich kid. “I’m not stupid Cage.
Abbi Glines (Because of Low (Sea Breeze, #2))
Dad got me a ... guinea pig?" "For breakfast," Zack said. "That's why I named her Toast. You aren't going to eat her, are you?" "No!" "Woot!" Zack hugged the cage to his chest, carrying it off in the direction of his bedroom. "I hope you don't want to eat Marmalade or Sugar Puff either!" "Marma-- oh, never mid.
Helen Keeble (Fang Girl)
Shut up," I hissed. Ticked that he was taller than me, I stepped up onto a nearby coffee table. "I'm not in a cage anymore," I said, keeping enough presence of mind not to poke him in the chest with a finger. His face went startled, then cloric. "The only thing between your head and my foot becoming real close and personal right now is my questionable professionalism. And if you ever threaten me again, I'll slam you halfway across the room before you can say number-two pencil. Got it, you tall freak of nature?
Kim Harrison (Every Which Way But Dead (The Hollows #3))
I was caged within a four dimensional cube that eclipsed the world around me in an icy mist. I screamed; begging someone, anyone to hear my pleas, but my voice had been extinguished and left me with a slight wheeze from what little oxygen I had. I could glimpse the field of energy as it shrank through the safety of my circle to envelop me in a blazing grip. I was alone; unbearably separated from my haven.
J.D. Stroube (Caged in Darkness (Caged, #1))
Your green eye is a reducing chamber. If I look into it long enough, I wil become as small as my own reflection, I will diminish to a point and vanish. I will be drawn down into that black whirlpool and be consumed by you. I shall become so small you can keep me in one of your osier cages and mock my loss of liberty.
Angela Carter (The Erl-King)
My parents had torn through my innocence and left me with a tar-like substance that was corrupting what was left of me. I could feel it at night; slithering and curling around my soul as it slowly devoured me. It was draining my energy and replacing it with an evil I was afraid to confront.
J.D. Stroube (Caged in Darkness (Caged, #1))
Then I'll Dog him, and I'll catch him, and I'll cage him again,' I said. 'And again, and again, and again, until his patron tires if him and the Snake tires of me.' 'Or until he kills you,' someone else said. 'Nobody's killing Beka,' Rosto told them, his eyes turned to black stone.
Tamora Pierce (Terrier (Beka Cooper, #1))
My voice hitches. "Is this the part where I ask you to choose me?
Victoria Aveyard (King's Cage (Red Queen, #3))
Yeah, weirdly, our cell doesn't have laundry facilities. So I figured I'll wash undies at one time and outerwear at another, anyways keeping some cover for the cameras. I'm not shy, but frankly, I've had my limit of men chubbing themselves to videos of me. It's moved from simple idolatry to something more sinister." She sauntered over to his desk, hopping atop it, sitting on his papers. "A little to Caged Heat, you know?
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
Sting told me if I love somebody I should set them free. I doubt Sting ever loved anyone with wings. If he did he might rethink such a stupid sentiment. I suppose the point is to wait for your love to come back to you voluntarily. I wonder if there’s a difference between setting something free and letting it go? I probably did it wrong. I should stop taking advice from my radio. I worry that you’re lost. I keep a heart-shaped cage unlocked for you, out on the street where it can easily be seen. So if one day you return at least you’ll have a place to stay.
Erin Morgenstern
When I was a little girl, I used to try and bring sunshine to my mother. I felt so bad that she had never really seen or felt it. So I would try and catch it in jars. When that failed, I captured jars and jars of lightening bugs and told her that if we could catch enough of them, then it would look like the sun. She’d laugh, hug me, and then set them free and tell me that nothing should have to live its life in a cage. (Cassandra)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
And he had the nerve once his powers were back to shove me into a cage. The nerve to say I was no longer useful; I was to be cloistered for his peace of mind. He’d given me everything I needed to become myself, to feel safe, and when he got what he wanted—when he got his power back, his lands back … he stopped trying. He was still good, still Tamlin, but he was just … wrong.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
He stops rocking the cage. "Oh, come on, Callie. It won't be fun if we don't rock it. In fact, the more we rock it, the better it'll feel." His voice drops to a deep whisper. "We can rock it nice and slow or really, really fast."... "Do I have your permission to rock away and give you the ride of your life?" Why does it feel like he's secretly talking dirty to me? "Yeah, go ahead, rock it nice and hard," I say without thinking, then bite down on my lip as the dirty section of my brain catches up with me. Honestly, I didn't even know that side existed.
Jessica Sorensen (The Coincidence of Callie & Kayden (The Coincidence, #1))
I wouldn't miss Mrs. Flowers, for she had given me her secret word which called forth a djinn who was to serve me all my life: books.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
Hi, my name is Ashley, and I’ll be your Harbinger today. I will be acting as an interim instructor for all your necromancy needs.” She flashed her best stewardess smile and gave a little Vanna wave. “Ashley, as delighted as I am to meet you, don’t you think it might be hard to teach me? I’m in a cage that you can’t get into. Oh, and—” I grabbed the bars with both hands, “I’m a little distracted right now by the fact that I’m being held by a psychotic killer.” Ashley cocked a single eyebrow, a look of mild amusement on her face. “Geez,” she said, looking at Brid. “Is he always this big of a drama queen?
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
There's a wonderful quote attributed to George Lucas: "We're all living in cages with the door wide open." That was me until I realized I had the power - and the responsibility - to set myself free. To step out of the cage of whatever I'd experienced in the past, to think for myself, and to believe in my choices.
Ina Garten (Be Ready When the Luck Happens)
You ask how much of it was me. Some. Enough.
Victoria Aveyard (King's Cage (Red Queen, #3))
We are silver houses of noble and ancient blood, allied with rebels, criminals, servants and thieves. Abilities or not, our ways of life stand in direct opposition. Our goals are not the same. The council chamber is a powder keg. If I'm lucky it will explode. Blow apart any threat of marriage. Destroy the cage they want to put me back in.
Victoria Aveyard (King's Cage (Red Queen, #3))
Trust me when I tell you that I have lived a life that makes me know when something is worth fighting for. I took one look at you and knew you were worth it to me. It’s new, I get that, but I know you feel it too.
Harper Sloan (Cage (Corps Security, #2))
My body cheerfully informed me that he felt really good pressed against me like that, all hard muscles and smooth contours and ominous bulges. My body liked the air of barely leashed strength and caged mayhem he was giving off. My body thought he smelled really good, like heat and coffee and electricity. My body was going to get me killed.
Karen Chance (Tempt the Stars (Cassandra Palmer, #6))
Pull yourself together, Detective. You're embarrassing yourself, and more imprtant, you're embarrassing me." "They're going to do it outside. In public." "So the fuck what?" "Public," Peabody said, head still between her knees. "You're being honored by this department and this city for having the integrity, the courage, and the skill to take out a blight on this department and this city. Dirty, murdering, greedy, treacherous cops are sitting in cages right now because you had that integrity, courage, and skill. I don't care if they do this damn thing in Grand Central, you will get on your feet. You will not puke, pass out, cry like a baby, or squeal like a girl. That's a goddamn order." "I had more of a 'Relax, Peabody, this is a proud moment' sort of speech in mind," McNab murmured to Roarke. Roarke shook his head, grinned. "Did you now? You've a bit to learn yet, haven't you?
J.D. Robb (New York to Dallas (In Death, #33))
MacRieve had been roaring in his cage in the basement for hours now, […] "Let me the bluidy hell out of here!" sounded up from below. Regin glared at Lucia, as if this were her fault. "He is harshing my buzz, and I am" – Regin turned to yell over her shoulder – "not interested!" "Open this fucking cage, you glowing bluidy freak!" Gods, he was fierce.
Kresley Cole (Pleasure of a Dark Prince (Immortals After Dark, #8))
Look- here's a table covered with red cloth. On it is a cage the size of a small fish aquarium. In the cage is a white rabbit with a pink nose and pink-rimmed eyes. [...] On its back, clearly marked in blue ink, is the numeral 8. [...] The most interesting thing here isn't even the carrot-munching rabbit in the cage, but the number on its back. Not a six, not a four, not nineteen-point-five. It's an eight. This is what we're looking at, and we all see it. I didn't tell you. You didn't ask me. I never opened my mouth and you never opened yours. We're not even in the same year together, let alone the same room... except we are together. We are close. We're having a meeting of the minds. [...] We've engaged in an act of telepathy. No mythy-mountain shit; real telepathy.
Stephen King (On Writing: A Memoir of the Craft)
He was watching me, and he chuckled. "Do you know how a man tames a wolf?" he asked me. "No," I said. "You get some clothing that you've been wearing for a while, and you toss it in with her. In the cage or the cavern where she sleeps. That first one, she rips up, shreds it to nothing. The second one, she just mouths it a bit, gets a taste. Inhales, like you're doing there. The third but of clothing, she starts dragging it around, loving on it, sleeping with it. And then you've got her under your spell. She's got the scent of you, wants to keep it around. She'll follow you everywhere." "Are you calling me a wolf?" I asked. "Are you calling me a man?" he said.
Delilah S. Dawson (Wicked as They Come (Blud, #1))
You need to stop this,” he said, smoothing her forehead again. “Keep frowning, and you’ll age thirty years in no time. Maybe forty.” She batted away his hand and deliberately deepened her frown. “That’s lovely,” he said. “Real charming.” “Have you always been this annoying?” Kiva asked. “You bring out the best in me, Sweet Cheeks.
Lynette Noni (The Gilded Cage (The Prison Healer #2))
Smiling, Vixen sat up and kneeled at the edge of the mattress. “Mmmm… I missed you.” She said, and grabbed me by the waist band, and pulled me on top of her.
J.D. Stroube (Caged in Darkness (Caged, #1))
Sara lay back on the cold rock floor and beckoned for him."I'll stay in here until you're starving," she said passionately,"until you understand you can trust me,that I give to you unconditionally,out of the purest love.I'll stay here until this cage becomes a place of peace,of pleasure-not torment."Her eyebrow lifted."I will stay in here until you can't resist me.
Laura Wright (Eternal Hunger (Mark of the Vampire, #1))
I’m going to miss you, Cohen. I know you don’t look at me like I look at you, but one day, you’re going to come back and I’ll still be waiting for you. Waiting for you to see me like I see you. Mark my words, Cohen Cage. One of these days, you’re going to be mine. And until you’re ready . . . I’ll be here. I’ll be waiting.
Harper Sloan (Unexpected Fate (Hope Town, #1))
It’s not something to fix,” he said. “It means strong. Outside of all expectation.” I looked at him. He looked at me. His hands were on his desk with the fingers touching, a tiny cage with air inside. Black hands. The knuckles almost blue-black. Silver wedding ring. He said, “You know, sometimes you hear about these miracles, where a car gets completely mangled in a wreck. But then the driver walks out of it alive? I’m saying you are that driver.
Barbara Kingsolver (Demon Copperhead)
Now I lay me down to sleep, I pray the Lord my soul to keep, if I should die before I wake, I pray the Lord my soul to take.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
Sometimes it’s about us, sometimes it’s about you, and sometimes it’s about me. This time it was about you. Now be quiet and enjoy the beach.
Sidney Halston (Against the Cage (Worth the Fight, #1))
You, sir," I said, "have all the dignity of a badger with the clap. Shark shit has more fiber than you. I'm going to tie your nuts-first to a monkey's cage and make a mix tape of the resulting noise. Then I'm going to take a bag of marshmallows and a pair of granny panties and-"... ... He didn't want to know what I was going to do with those granny panties. Surprisingly, Granuaile did. "Sensei, what were you going to do with those marshmallows and panties?" she whispered as we walked together. "I mean, I'm sure it had to be dire, but it just didn't sound as threatening as the potential havoc a monkey could wreak on his sack." "There was more to that recipe," I admitted. "He cut me off before I could get to the Icy Hot and the gopher snake.
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
After that day, I discovered one indelible truth. I discovered that love wasn’t everything that mattered in life. It was an emotion that not many had the luxury of feeling without any pain attached to it. Many say that love will set you free, but I disagree. Love is a cage, a very painful one; its gilded bars made with yearning, heartache, and unfulfilled dreams. And the moment I realized that love wasn’t necessary to one’s survival I became free. No one would have the power to hurt me again.
Mia Asher (Easy Virtue (Virtue, #1))
I heard a noise on the back patio and opened the door. The rabbit was there in a black metal cage. It was big, not some fluffy little ball of fur, but a big, ugly rabbit. It stood on its hind legs and sniffed the air. “Yes, you smell that,” I told the rabbit. “That’s the smell of your enemy. Get a good whiff. We are not friends.” It could probably smell the apple I still held, not me. I bit off a piece and threw it into the cage, sending it a very mixed message considering the speech I’d given. “Just keeping you on your toes.” “Who are you talking to
Kasie West (P.S. I Like You)
Forty-six point two billion dollars, I thought, my heart attacking my rib cage and my mouth sandpaper-dry. Tobias Hawthorne was worth forty-six point two billion dollars, and he left his grandsons a million dollars, combined. A hundred thousand total to his daughters. Another half million to his servants, an annuity for Nan... The math in this equation did not add up. It couldn't add up. One by one, the other occupants of the room of the room turned to stare at me. 'The remainder of my estate,' Mr. Ortega read, 'including all properties, monetary assets, and worldly possessions not otherwise specified, I leave to Avery Kylie Grambs.
Jennifer Lynn Barnes (The Inheritance Games (The Inheritance Games, #1))
Good.” He straddled her, caging her with his body. “Were it up to me, all of London would know what we do here. -Griffin to Hero.
Elizabeth Hoyt (Notorious Pleasures (Maiden Lane, #2))
Birthdays were wretched, delicious things when you lived in Beau Rivage. The clock stuck midnight, and presents gave way to magic. Curses bloomed. Girls bit into sharp apples instead of birthday cake, chocked on the ruby-and-white slivers, and collapsed into enchanted sleep. Unconscious beneath cobweb canopies, frozen in coffins of glass, they waited for their princes to come. Or they tricked ogres, traded their voices for love, danced until their glass slippers cracked. A prince would awaken, roused by the promise of true love, and find he had a witch to destroy. A heart to steal. To tear from the rib cage, where it was cushioned by bloody velvet, and deliver it to the queen who demanded the princess's death. Girls became victims and heroines. Boys became lovers and murderers. And sometimes... they became both.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
I got to get back to work. I’ll be looking for you to come entertain me soon, Becca Lynn,” Cage said in a low whisper then stepped around her and headed out the door without a backward glance. The second the door closed behind him Becca pulled out a kitchen chair and sank down into it with a loud thump. “OHMYGOD!” she squealed. “I swear I think I just creamed my damn panties.
Abbi Glines (While It Lasts (Sea Breeze, #3))
I find me, leave me, go towards me, come from me, nothing ever but me, a particle of me, retrieved, lost, gone astray, I’m all these words, all these strangers, this dust of words, with no ground for their settling, no sky for their dispersing, coming together to say, fleeing one another to say, that I am they, all of them, those that merge, those that part, those that never meet, and nothing else, yes, something else, that I’m something quite different, a quite different thing, a wordless thing in an empty place, a hard shut dry cold black place, where nothing stirs, nothing speaks, and that I listen, and that I seek, like a caged beast born of caged beasts born of caged beasts born of caged beasts...
Samuel Beckett (The Unnamable)
Qhuinn’s head cranked around, leaving its cage of the hand that had remained, his blue and green eyes red rimmed and watery. “I have loved you for years. I have been in love with you for years and years and years… throughout school and training… before transitions and afterward… when you approached me and yes, even now that you’re with Saxton and you hate me. And that… shit… in my fucking head locked me down, locked everything down… and it cost me you.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
I had rather be a canker in a hedge than a rose in his grace; and it better fits my blood to be disdained of all than to fashion a carriage to rob love from any: in this, though I cannot be said to be a flattering honest man, it must not be denied but I am a plain-dealing villain. I am trusted with a muzzle and enfranchised with a clog; therefore I have decreed not to sing in my cage. If I had my mouth, I would bite; if I had my liberty, I would do my liking: in the meantime, let me be that I am, and seek not to alter me.
William Shakespeare (Much Ado About Nothing)
Do you ever feel lost?” The question hangs between us, intimate, awkward only on my end. He doesn’t scoff as Tactus and Fitchner would, or scratch his balls like Sevro, or chuckle like Cassius might have, or purr as Victra would. I’m not sure what Mustang might have done. But Roque, despite his Color and all the things that make him different, slowly slides a marker into the book and sets it on the nightstand beside the four-poster, taking his time and allowing an answer to evolve between us. Movements thoughtful and organic, like Dancer’s were before he died. There’s a stillness in him, vast and majestic, the same stillness I remember in my father. “Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.
Pierce Brown (Golden Son (Red Rising Saga, #2))
But Maven shut me out of a place that was rightfully mine. He didn't know to look for Elane. My lovely, invisible shadow. Her reports came later, under the cover of the night. They were very thorough. I feel them still, whispered against my skin with only the moon to listen. Elane Haven is the most beautiful girl I've ever seen in any capacity, but she looks best in moonlight
Victoria Aveyard (King's Cage (Red Queen, #3))
It’s—it’s as if there is a dragon inside me. I don’t know how big she is; she may still be growing. But she has wings, and strength, and—and I can’t keep her in a cage. She’ll die. I’ll die. I know it isn’t modest to say these things, but I know I’m capable of more than life in Scirland will allow. It’s all right for women to study theology, or literature, but nothing so rough and ready as this. And yet this is what I want. Even if it’s hard, even if it’s dangerous. I don’t care. I need to see where my wings can carry me.
Marie Brennan (A Natural History of Dragons (The Memoirs of Lady Trent, #1))
Of course I'm trying to trick you!" Olaf cried. "That's the way of the world, Baudelaires. Everybody runs around with their secrets and their schemes, trying to outwit everyone else. Ishmael outwitted me, and put me in this cage. But I know how to outwit him and all his islander friends. If you let me out. I can be king of Olaf-land, and you three can be my new henchfolk." "We don't want to be your henchfolk," Klaus said. "We just want to be safe." "Nowhere in the world is safe," Count Olaf said.
Lemony Snicket (The End (A Series of Unfortunate Events, #13))
Better is being my friend and my partner and realizing that you don't get to make decisions for me. Better is the way you make me see myself as a person who's capable of anything. I would jump out of a plane with you, Jameson, snowboard down the side of a volcano with you, bet everything that I have on you - on us, against the world. You don't get to run off and take risks and expect me to stay behind in a gilded cage of your making. That isn't who you are, and it's not what I want.
Jennifer Lynn Barnes (The Final Gambit (The Inheritance Games, #3))
It struck me that in every family, culture, or religion, ideas of right and wrong are the hot cattle prods, the barking sheepdogs that keep the masses in the herd. They are the bars that keep us caged. I decided that if I kept doing the "right" thing, I would spend my life following someone else's directions instead of my own. I didn't want to live my life without living my life. I wanted to make my own decision as a free woman, from my soul, not my training. But the problem was, I didn't know how.
Glennon Doyle (Untamed)
Eventually the Woodsman spoke. ‘We all have our routines,’ he said softly. ‘But they must have a purpose and provide an outcome that we can see and take some comfort from, or else they have no use at all. Without that, they are like the endless pacings of a caged animal. If they are not madness itself, then they are a prelude to it.’ The Woodsman stood and showed David his axe. ‘See here,’ he said, pointing with his finger at the blade. Every morning, I make certain that me axe is clean and keen. I look to my house and check that its windows and doors remain secure. I tend to my land, disposing of weeds and ensuring that the soil is watered. I walk through the forest, clearing those paths that need to be kept open. Where trees have been damaged, I do my best to repair what has been harmed. these are my routines and I enjoy doing them well.’ He laid a hand gently on David’s shoulder, and David saw understanding in his face. ‘Rules and routines are good, but they must give you satisfaction. Can you truly say you gain that from touching and counting?’ David shook his head. ‘No,’ he said, ‘but I get scared when I don’t do them. I’m afraid of what might happen.’ ‘Then find routines that allow you to feel secure when they are done. You told me that you have a new brother: look to him each morning. Look to your father, and your stepmother. Tend to the flowers in the garden, or in the pots upon the window sill. Seek others who are weaker than you are, and try to give them comfort where you can. Let these be your routines, and the rules that govern your life.
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
Life was not to be sitting in hot amorphic leisure in my backyard idly writing or not-writing, as the spirit moved me. It was, instead, running madly, in a crowded schedule, in a squirrel cage of busy people. Working, living, dancing, dreaming, talking, kissing — singing, laughing, learning. The responsibility, the awful responsibility of managing (profitably) 12 hours a day for 10 weeks is rather overwhelming when there is nothing, noone, to insert an exact routine into the large unfenced acres of time — which it is so easy to let drift by in soporific idling and luxurious relaxing. It is like lifting a bell jar off a securely clockwork-like functioning community, and seeing all the little busy people stop, gasp, blow up and float in the inrush, (or rather outrush,) of the rarified scheduled atmosphere — poor little frightened people, flailing impotent arms in the aimless air. That's what it feels like: getting shed of a routine. Even though one had rebelled terribly against it, even then, one feels uncomfortable when jounced out of the repetitive rut. And so with me. What to do? Where to turn? What ties, what roots? as I hang suspended in the strange thin air of back-home?
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
No free man needs a God; but was I free? How fully I felt nature glued to me And how my childish palate loved the taste Half-fish, half-honey, of that golden paste! My picture book was at an early age The painted parchment papering our cage: Mauve rings around the moon; blood-orange sun; Twinned Iris; and that rare phenomenon The iridule - when, beautiful and strange, In a bright sky above a mountain range One opal cloudlet in an oval form Reflects the rainbow of a thunderstorm Which in a distant valley has been staged - For we are most artistically caged.
Vladimir Nabokov
How funny you are today New York like Ginger Rogers in Swingtime and St. Bridget’s steeple leaning a little to the left here I have just jumped out of a bed full of V-days (I got tired of D-days) and blue you there still accepts me foolish and free all I want is a room up there and you in it and even the traffic halt so thick is a way for people to rub up against each other and when their surgical appliances lock they stay together for the rest of the day (what a day) I go by to check a slide and I say that painting’s not so blue where’s Lana Turner she’s out eating and Garbo’s backstage at the Met everyone’s taking their coat off so they can show a rib-cage to the rib-watchers and the park’s full of dancers with their tights and shoes in little bags who are often mistaken for worker-outers at the West Side Y why not the Pittsburgh Pirates shout because they won and in a sense we’re all winning we’re alive the apartment was vacated by a gay couple who moved to the country for fun they moved a day too soon even the stabbings are helping the population explosion though in the wrong country and all those liars have left the UN the Seagram Building’s no longer rivalled in interest not that we need liquor (we just like it) and the little box is out on the sidewalk next to the delicatessen so the old man can sit on it and drink beer and get knocked off it by his wife later in the day while the sun is still shining oh god it’s wonderful to get out of bed and drink too much coffee and smoke too many cigarettes and love you so much
Frank O'Hara
With all these occurrences of death facing me, I thought about issues of freedom. If government projects the idea that we, as people inhabiting this particular land mass, have freedom, then for the rest of our lives we will go out and find what appear to be the boundaries and smack against them like a heart against the rib cage. If we reveal boundaries in the course of our movements, then we will expose the inherent lie in the use of the word freedom. I want to keep breathing and moving until I arrive at a place where motion and strength and relief intersect. I don't know what's ahead of me in the course of my life and this civilization. I just don't feel I have reached the necessary things inside my history that would ease the pressure in my skull and in my future and in my present. It is exhausting, living in a population where people don't speak up if what they witness doesn't directly threaten them.
David Wojnarowicz (Close to the Knives: A Memoir of Disintegration)
In Summation A poem by Taylor Swift At this hearing I stand before my fellow members of the Tortured Poets Department With a summary of my findings A debrief, a detailed rewinding For the purpose of warning For the sake of reminding As you might all unfortunately recall I had been struck with a case of a restricted humanity Which explains my plea here today of temporary i n s a n i t y You see, the pendulum swings Oh, the chaos it brings Leads the caged beast to do the most curious things Lovers spend years denying what’s ill fated Resentment rotting away galaxies we created Stars placed and glued meticulously by hand next to the ceiling fan Tried wishing on comets. Tried dimming the shine. Tried to orbit his planet. Some stars never align. And in one conversation, I tore down the whole sky Spring sprung forth with dazzling freedom hues Then a crash from the skylight bursting through Something old, someone hallowed, who told me he could be brand new And so I was out of the oven and into the microwave Out of the slammer and into a tidal wave How gallant to save the empress from her gilded tower Swinging a sword he could barely lift But loneliness struck at that fateful hour Low hanging fruit on his wine stained lips He never even scratched the surface of me. None of them did. “In summation, it was not a love affair!” I screamed while bringing my fists to my coffee ringed desk It was a mutual manic phase. It was self harm. It was house and then cardiac arrest. A smirk creeps onto this poet’s face Because it’s the worst men that I write best. And so I enter into evidence My tarnished coat of arms My muses, acquired like bruises My talismans and charms The tick, tick, tick of love bombs My veins of pitch black ink All’s fair in love and poetry Sincerely, The Chairman of The Tortured Poets Department
Taylor Swift
A Partial History of My Stupidity Traffic was heavy coming off the bridge and I took the road to the right, the wrong one, and got stuck in the car for hours. Most nights I rushed out into the evening without paying attention to the trees, whose names I didn't know, or the birds, which flew heedlessly on. I couldn't relinquish my desires or accept them, and so I strolled along like a tiger that wanted to spring, but was still afraid of the wildness within. The iron bars seemed invisible to others, but I carried a cage around inside me. I cared too much what other people thought and made remarks I shouldn't have made. I was slient when I should have spoken. Forgive me, philosophers, I read the Stoics but never understood them. I felt that I was living the wrong life, spiritually speaking, while halfway around the world thousands of people were being slaughtered, some of them by my countrymen. So I walked on--distracted, lost in thought-- and forgot to attend to those who suffered far away, nearby. Forgive me, faith, for never having any. I did not believe in God, who eluded me.
Edward Hirsch
Never being constrained, thinking about things freely—that’s what you’re hoping for?” “Exactly.” “But it seems to me that thinking about things freely can’t be easy.” “It means leaving behind your physical body. Leaving the cage of your physical flesh, breaking free of the chains, and letting pure logic soar free. Giving a natural life to logic. That’s the core of free thought.” “It doesn’t sound easy.” Haida shook his head. “No, depending on how you look at it, it’s not that hard. Most people do it at times, without even realizing it. That’s how they manage to stay sane. They’re just not aware that’s what they’re doing.
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
I could hear the chaotic laughter trailing behind me. It turned the ageless trees into a menace. They loomed around me, while hiding him. The branches tore at my skin in an effort to bind me, while weeds sought to shackle my ankles, so that I could go no further. The pain they caused was minor, when I compared it to the searing inferno at my core.
J.D. Stroube (Caged in Darkness (Caged, #1))
Once upon a time, there was a bird. He was adorned with two perfect wings and with glossy, colorful, marvelous feathers. One day, a woman saw this bird and fell in love with him. She invited the bird to fly with her, and the two travelled across the sky in perfect harmony. She admired and venerated and celebrated that bird. But then she thought: He might want to visit far-off mountains! And she was afraid, afraid that she would never feel the same way about any other bird. And she thought: “I’m going to set a trap. The next time the bird appears, he will never leave again.” The bird, who was also in love, returned the following day, fell into the trap and was put in a cage. She looked at the bird every day. There he was, the object of her passion, and she showed him to her friends, who said: “Now you have everything you could possibly want.” However, a strange transformation began to take place: now that she had the bird and no longer needed to woo him, she began to lose interest. The bird, unable to fly and express the true meaning of his life, began to waste away and his feathers to lose their gloss; he grew ugly; and the woman no longer paid him any attention, except by feeding him and cleaning out his cage. One day, the bird died. The woman felt terribly sad and spent all her time thinking about him. But she did not remember the cage, she thought only of the day when she had seen him for the first time, flying contentedly amongst the clouds. If she had looked more deeply into herself, she would have realized that what had thrilled her about the bird was his freedom, the energy of his wings in motion, not his physical body. Without the bird, her life too lost all meaning, and Death came knocking at her door. “Why have you come?” she asked Death. “So that you can fly once more with him across the sky,” Death replied. “If you had allowed him to come and go, you would have loved and admired him ever more; alas, you now need me in order to find him again.
Paulo Coelho (Eleven Minutes)
Because I love you more than any goddamn thing on this fucking planet, I’m gonna let you have one more day. You just lost your daddy, and I’ll never forgive my- self for not being here with you. I’ll live my life regretting it. But I’ll be back. You’re mine, Eva Brooks. Always. You told me that yourself and, sweetheart, I’m holding you to it.
Abbi Glines (Sometimes It Lasts (Sea Breeze, #5))
Sister, why do you do that?" "Do what?" "Cage the animals at night?" "Well..." She looked up and out through the barred window before answering me."We don't want to, Jennings, but we have to. You see, the animals that are given to us we have to take care of. If we didn't cage them up in one place, we might lose them, they might get hurt or damaged. It's not the best thing, but it's the only way we have to take care of them." "But if somebody loved one them," I asked, "wouldn't it be a good idea to let them have one? To keep, I mean?" "Yes, it would be. But not everyone would love them and take care of them as you would. I wish I could give them all away tomorrow." She looked at me. There were tears in her eyes. "But I can't. My heart would break if I saw just one of those animals lying by the wayside uncared for, unloved. No, Jennings. It's better if we keep them together.
Jennings Michael Burch (They Cage the Animals at Night: The True Story of an Abandoned Child's Struggle for Emotional Survival)
Our Father, thank you for letting me see this New Day. Thank you that you didn't allow the bed I lay on last night to be my cooling board, nor my blanket my winding sheet. Guide my feet this day along the straight and narrow, and help me to put a bridle on my tongue. Bless this house, and everybody in it. Thank you, in the name of your Son, Jesus Christ, Amen.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
I am a battery hen. I live in a cage so small I cannot stretch my wings. I am forced to stand night and day on a sloping wire mesh floor that painfully cuts into my feet. The cage walls tear my feathers, forming blood blisters that never heal. The air is so full of ammonia that my lungs hurt and my eyes burn and I think I am going blind. As soon as I was born, a man grabbed me and sheared off part of my beak with a hot iron, and my little brothers were thrown into trash bags as useless alive. My mind is alert and my body is sensitive and I should have been richly feathered. In nature or even a farmyard I would have had sociable, cleansing dust baths with my flock mates, a need so strong that I perform 'vacuum' dust bathing on the wire floor of my cage. Free, I would have ranged my ancestral jungles and fields with my mates, devouring plants, earthworms, and insects from sunrise to dusk. I would have exercised my body and expressed my nature, and I would have given, and received, pleasure as a whole being. I am only a year old, but I am already a 'spent hen.' Humans, I wish I were dead, and soon I will be dead. Look for pieces of my wounded flesh wherever chicken pies and soups are sold.
Karen Davis
Graduation, the hush-hush magic time of frills and gifts and congratulations and diplomas, was finished for me before my name was called. The accomplishment was nothing. The meticulous maps, drawn in three colors of ink, learning and spelling decasyllabic words, memorizing the whole of The Rape of Lucrece - it was for nothing. Donleavy had exposed us. We were maids and farmers, handymen and washerwomen, and anything higher that we aspired to was farcical and presumptuous.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
What is this?" she asked, her eyes scanning the page. "It's not..." She ran her fingertips over the words as if expecting them to vanish. "My contract." She whispered. "I don't want you beholden to Per Haskell. Or me." Another half-truth. His mind had concocted a hundred schemes to bind her to him, to keep her in this city. But she'd spent enough of her life caged by debts and obligations, and it would be better for them both when she was gone. "How?" she said. "The money-" "It's done." He'd liquidated every asset he had, used the last of the savings he'd accrued, every ill-gotten cent. She pressed the envelope to her chest, above her heart. "I have no words to thank you for this." "Surely the Suli have a thousand words for such an occasion?" "Words have not been invented for such an occasion." "If I end up on the gallows, you can say something nice over the corpse," he said.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
My power grew angry that it was confined to my petite frame and pulled against my taut skin. Growing bolder, it tore through my skin to lay flat against my outer edge. The glowing energy began to solidify against my flesh; it lengthened to mold itself to my frame and contained me in a transparent cocoon. I flexed my fingers against the waxy surface and began to panic. I was cut off from my coven now and could not feel their thoughts. I could see the panic on their faces as I fell onto my side to convulse.
J.D. Stroube (Caged in Darkness (Caged, #1))
Peter Parker: I mean, what I do sometimes requires violence, but I'm not a violent man, I'm really not. But I just-- Mary Jane: You wanted to deck her. Peter: Twice. And I hate feeling that way. Why is it that people feel the need to take whatever little authority they have and shove it down your throat? And the smaller the authority, the bigger the shove. Aunt May: It offends you, doesn't it? Peter: Yeah, it does. Aunt May: Why? Peter: I -- What do you mean, why? Aunt May: Why does it offend you? Peter: Shouldn't it? Aunt May: If a lion broke out of its cage at the zoo, and bit you, it would hurt, sure, and you'd be upset, of course. But would you be offended? Peter: No, of course not. Aunt May: Why? Peter: Because that's the nature of a lion. Aunt May: Some people by nature are kind and charitable. You could say that some people, including at least one person at this table, are by their nature heroes. Ben always reminded me that we each contain all the nobler and meaner aspects of humanity, but some get a bigger dose than others of one thing or another. Some are petty, and mean, and uncharitable. That's their nature. You can hope for better, even try to lead them to be and you may even succeed. But when they behave badly, it's right to be upset by it, or hurt by it, but you can be no more offended by it than you can when a lion bites you.
J. Michael Straczynski
I felt my resolve crumbling. I wanted him, wanted him badly. I needed him too. I almost gave in. I almost told him that there was nothing in the world I wanted more than to be with him. That I didn’t think I was capable of leaving him. That he was more precious to me than anything. That I’d give up anything to be with him. But then he pressed me close and spoke softly in my ear, “Pease don’t leave me, priya. I don’t think I could survive without you.” My eyes filled up with tears, and shiny wet drops spilled down my cheeks. I touched his face. “Don’t you see, Ren? That’s exactly why I have to go. You need to know that you can survive without me. That there’s more to life than just me. You need to see this world that’s opened up to you and know that you have choices. I refuse to be your cage. “I could capture you and keep you selfishly to indulge my own desires. Regardless of whether you’re willing or not, it would be wrong. I helped you so that you could be free. Free to see and do all of the things that you missed out on all these years.” My hand slipped from his cheek to his neck. “Should I put a collar on you? Chain you up so you spend your life connected to me out of a sense of obligation?” I shook my head. I wept openly now. “I’m sorry, Ren, but I won’t do that to you. I can’t. Because…I love you too.” I kissed him quickly one last time.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The moment we met, I saw it. I saw you. You are such a wonderfully kind person, but you don't want anyone to know it. You have secret depths of passion that you hide within yourself out of fear. You love too deeply, but you try to deny it, because you know that the deeper you love, the more you hurt. Your heart is so fragile, which is why you keep it locked in an iron cage. But I am pretty sure that this cage has a lock. And if it takes me five years, or ten, or fifty… I am determined to find the key. Because I will never break something so precious, just to find out what is inside. I could give you a thousand words, and describe you a thousand ways. But in the end it is very simple. I want you because I love you. No one else. You are the only one. You are my only one.” “You'd wait that long?” “Forever, mi corazón.
George DeValier
I’m so sorry,” she says, and she’s wringing her hands, looking away from me. “I’m so, so sorry.” I notice what she’s wearing. It’s a dark-green dress with fitted sleeves; a simple cut made of stretch cotton that clings to the soft curves of her figure. It complements the flecks of green in her eyes in a way I couldn’t have anticipated. It’s one of the many dresses I chose for her. I thought she might enjoy having something nice after being caged as an animal for so long. And I can’t quite explain it, but it gives me a strange sense of pride to see her wearing something I picked out myself. “I’m sorry,” she says for the third time. I’m again struck by how impossible it is that she’s here. In my bedroom. Staring at me without my shirt on. Her hair is so long it falls to the middle of her back; I have to clench my fists against this unbidden need to run my hands through it. She’s so beautiful.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
Say to my friends, when they look upon me, dead, Weeping for me and mourning me in sorrow, ‘Do not believe that this corpse you see is myself, In the name of God, I tell you, it is not I, I am a spirit, and this is naught but flesh, It was my abode and my garment for a time. I am a treasure, by a talisman kept hid, Fashioned of dust, which served me as a shrine, I am a pearl, which has left it’s shell deserted, I am a bird, and this body was my cage, Whence I have now flown forth and it is left as a token, Praise to God, who hath now set me free, And prepared for me my place in the highest of the Heavens, Until today I was dead, though alive in your midst. Now I live in truth, with the grave – clothes discarded. Today I hold converse with the Saints above, With no veil between, I see God face to face. I look upon “Loh-i-Mahfuz” and there in I read, Whatever was and is, and all that is to be. Let my house fall in ruins, lay my cage in the ground, Cast away the talisman, it is a token no more, Lay aside my cloak, it was but my outer garment. Place them all in the grave, let them be forgotten, I have passed on my way and you are left behind, Your place of abode was no dwelling place for me. Think not that death is death, nay, it is life, A life that surpasses all we could dream of here, While in this world, here we are granted sleep, Death is but sleep, sleep that shall be prolonged Be not frightened when death draweth nigh, It is but the departure for this blessed home, Think of the mercy and love of your Lord, Give thanks for His Grace and come without fear. What I am now, even so shall you be, For I know that you are even as I am, The souls of all men come forth from God, The bodies of all are compounded alike, Good and evil, alike it was ours. I give you now a message of good cheer May God’s peace and joy forever more be yours.
Abu Hamid al-Ghazali
I still carry you on the insides of me: cave paintings on rib-caging. If I were a peach, you would be the pit that holds me all together. When I met you, I was something small and whole; I do not know how to get back there. You have the warmest heart I have ever set up camp in. I still carry you on the insides of me: the contents of my suitcase heart. I will lug you around until it breaks my back and then some. I feel sometimes like I have scattered my pieces everywhere, but you are the piece I do not know how to leave at the foot of a stranger’s bed or between the lines of a free-verse poem. I want you to know that loving you is freeing; that loving you is like holding my head under water and coming up new again and again. I still carry you on the insides of me. This will not always make sense to you
Trista Mateer (Honeybee)
Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.” He folds his hands gently, a teacher arriving at his point. “So do I feel lost? Always. When Lea died at the Institute …” His lips slip gently downward. “… I was in a dark woods, blind and lost as Dante before Virgil. But Quinn helped me. Her voice calling me out of misery. She became my home. As she puts it, ‘Home isn’t where you’re from, it’s where you find light when all grows dark.’ ” He grasps the top of my hand. “Find your home, Darrow. It may not be in the past. But find it, and you’ll never be lost again.
Pierce Brown (Golden Son (Red Rising Saga, #2))
A creator used to create' You got me young... You told what to want; you showed me in your movies and your shows. And I faithfully did your work. I created... I willingly clipped my wings and built myself a golden cage and you smiled and said, "well done." I let your fear tactics rule my actions until I could no longer hear my heart song. I took your medication and I ate your poison until my body was too sick to fight back. Ah, but I'm onto your game. I see it now and my only regret is that I didn't see it sooner. I made a life for myself only to realize it's never really what I wanted. My soul didn't want this hectic, materialistic life- your greed and your thirst for power wanted this. I don't belong here, but you've always known that, haven't you? You figured if you kept me caged long enough, kept me sick enough, kept me scared enough that I would eventually forget what I am. You slipped up with this one. So, hear me now. You had your fun with me, but I've had about enough of your bullshit for one lifetime. Watch me fly.
Brooke Hampton
There is still a chance to change things. We can provide fresh drinking water to all people. We can make sure crops are not regulated for profit; we can ensure that they are not genetically altered to benefit manufacturers. Our people are dying because we are feeding them poison. Animals are dying because we are forcing them to eat waste, forcing them to live in their own filth, caging them together and abusing them. Plants are withering away because we are dumping chemicals into the earth that make them hazardous to our health. But these are things we can fix.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
When she walks in that first Monday, of course I am awake - I am always up these days - I decide to lay it down. “Look”, I say, “I snort Ritalin. That’s what I do. I snort it all day long. I crush up the pills and inhale them like cocaine. I’m up to about forty a day. I can’t stop. I am planning to get help, to check into rehab or something like that, as soon as this book is finished. In the meantime, I can’t stop, and I am not going to.” She looks at me impassively. “I don’t care what you think about it. So you have a choice. I can sit here and do it in front of you, or I can keep running into the bathroom so you don’t have to see. Either way, it’s going to happen, so it’s just about how bad it’s going to make you feel to watch.” She doesn’t seem to know what to say. She stares. I think she is going to cry. I think she wants to give me a hug, maybe, but there is an invisible cage, a delicate netting of glass, an ice sculpture surrounding me that no one can walk through. I’m cold. I’ve frozen into someone who just can’t be touched. I dare you to try.
Elizabeth Wurtzel (More, Now, Again: A Memoir of Addiction)
Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this: But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur. And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth. I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth. And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something. I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
Centuries of navel-gazing. Millennia of masturbation. Plato to Descartes to Dawkins to Rhanda. Souls and zombie agents and qualia. Kolmogorov complexity. Consciousness as Divine Spark. Consciousness as electromagnetic field. Consciousness as functional cluster. I explored it all. Wegner thought it was an executive summary. Penrose heard it in the singing of caged electrons. Nirretranders said it was a fraud; Kazim called it leakage from a parallel universe. Metzinger wouldn't even admit it existed. The AIs claimed to have worked it out, then announced they couldn't explain it to us. Gödel was right after all: no system can fully understand itself. Not even the synthesists had been able to rotate it down. The load-bearing beams just couldn't take the strain. All of them, I began to realize, had missed the point. All those theories, all those drugdreams and experiments and models trying to prove what consciousness was: none to explain what it was good for. None needed: obviously, consciousness makes us what we are. It lets us see the beauty and the ugliness. It elevates us into the exalted realm of the spiritual. Oh, a few outsiders—Dawkins, Keogh, the occasional writer of hackwork fiction who barely achieved obscurity—wondered briefly at the why of it: why not soft computers, and no more? Why should nonsentient systems be inherently inferior? But they never really raised their voices above the crowd. The value of what we are was too trivially self-evident to ever call into serious question. Yet the questions persisted, in the minds of the laureates, in the angst of every horny fifteen-year-old on the planet. Am I nothing but sparking chemistry? Am I a magnet in the ether? I am more than my eyes, my ears, my tongue; I am the little thing behind those things, the thing looking out from inside. But who looks out from its eyes? What does it reduce to? Who am I? Who am I? Who am I? What a stupid fucking question. I could have answered it in a second, if Sarasti hadn't forced me to understand it first.
Peter Watts (Blindsight (Firefall, #1))
Practical advice.—People who read much must always keep it in mind that life is one thing, literature another. Not that authors invariably lie. I declare that there are writers who rarely and most reluctantly lie. But one must know how to read, and that isn't easy. Out of a hundred bookreaders ninety-nine have no idea what they are reading about. It is a common belief, for example, that any writer who sings of suffering must be ready at all times to open his arms to the weary and heavy-laden. This is what his readers feel when they read his books. Then when they approach him with their woes, and find that he runs away without looking back at them, they are filled with indignation and talk of the discrepancy between word and deed. Whereas the fact is, the singer has more than enough woes of his own, and he sings them because he can't get rid of them. L’uccello canta nella gabbia, non di gioia ma di rabbia, says the Italian proverb: "The bird sings in the cage, not from joy but from rage." It is impossible to love sufferers, particularly hopeless sufferers, and whoever says otherwise is a deliberate liar. "Come unto Me all ye that labour and are heavy laden, and I will give you rest." But you remember what the Jews said about Him: "He speaks as one having authority!" And if Jesus had been unable, or had not possessed the right, to answer this skeptical taunt, He would have had to renounce His words. We common mortals have neither divine powers nor divine rights, we can only love our neighbours whilst they still have hope, and any pretence of going beyond this is empty swagger. Ask him who sings of suffering for nothing but his songs. Rather think of alleviating his burden than of requiring alleviation from him. Surely not—for ever should we ask any poet to sob and look upon tears. I will end with another Italian saying: Non è un si triste cane che non meni la coda... "No dog so wretched that doesn't wag his tail sometimes.
Lev Shestov (All Things Are Possible and Penultimates Words and Other Essays (English and Greek Edition))
On Pleasure Pleasure is a freedom-song, But it is not freedom. It is the blossoming of your desires, But it is not their fruit. It is a depth calling unto a height, But it is not the deep nor the high. It is the caged taking wing, But it is not space encompassed. Aye, in very truth, pleasure is a freedom-song. And I fain would have you sing it with fullness of heart; yet I would not have you lose your hearts in the singing. Some of your youth seek pleasure as if it were all, and they are judged and rebuked. I would not judge nor rebuke them. I would have them seek. For they shall find pleasure, but not her alone; Seven are her sisters, and the least of them is more beautiful than pleasure. Have you not heard of the man who was digging in the earth for roots and found a treasure? And some of your elders remember pleasures with regret like wrongs committed in drunkenness. But regret is the beclouding of the mind and not its chastisement. They should remember their pleasures with gratitude, as they would the harvest of a summer. Yet if it comforts them to regret, let them be comforted. And there are among you those who are neither young to seek nor old to remember; And in their fear of seeking and remembering they shun all pleasures, lest they neglect the spirit or offend against it. But even in their foregoing is their pleasure. And thus they too find a treasure though they dig for roots with quivering hands. But tell me, who is he that can offend the spirit? Shall the nightingale offend the stillness of the night, or the firefly the stars? And shall your flame or your smoke burden the wind? Think you the spirit is a still pool which you can trouble with a staff? Oftentimes in denying yourself pleasure you do but store the desire in the recesses of your being. Who knows but that which seems omitted today, waits for tomorrow? Even your body knows its heritage and its rightful need and will not be deceived. And your body is the harp of your soul, And it is yours to bring forth sweet music from it or confused sounds. And now you ask in your heart, “How shall we distinguish that which is good in pleasure from that which is not good?” Go to your fields and your gardens, and you shall learn that it is the pleasure of the bee to gather honey of the flower, But it is also the pleasure of the flower to yield its honey to the bee. For to the bee a flower is a fountain of life, And to the flower a bee is a messenger of love, And to both, bee and flower, the giving and the receiving of pleasure is a need and an ecstasy.
Kahlil Gibran (The Prophet)
What do you envision for your future, Anna?” His abrupt question struck a nerve in me. It was the same question I'd been asking myself for months. “I don't know,” I said. “I used to know what I wanted, but not anymore.” He considered this, watching me with curiosity. “What did you want?” I reached down and touched the water. “A family, mostly.” “And you no longer want that?” I dried my hands on my jeans, trying not to get emotional. At one time, I wanted a loving husband and a houseful of kids more than anything in the world. But I'd let go of those dreams. I couldn't even adopt a child. What would the Dukes say if they caught me playing house? “I can't have those things,” I told him, still avoiding his stare. “And I'm tired of wanting things I can't have.” His voice was low when he responded. “Perhaps children are out of the question, but you could still have a husband, in secret.” My eyes flew up to his, and my skin sizzled as his words settled over me. I opened my mouth, but couldn't speak. His light eyes played chicken with mine, not backing down from his claim. “It's too dangerous,” I said. “You are young.” He didn't state it in a condescending way, but I still bristled. “Someday you may agree that there are dangers worth facing.” I swallowed, wishing my crazy heart would stop trying to break out of my rib cage.
Wendy Higgins (Sweet Evil (Sweet, #1))
You burn to have your photograph in a tennis magazine.” “I’m afraid so.” “Why again exactly, now?” “I guess to be felt about as I feel about those players with their pictures in magazines.” “Why?” “Why? I guess to give my life some sort of meaning, Lyle.” “And how would this do this again?” “Lyle, I don’t know. I do not know. It just does. Would. Why else would I burn like this, clip secret pictures, not take risks, not sleep or pee?” “You feel these men with their photographs in magazines care deeply about having their photographs in magazines. Derive immense meaning.” “I do. They must. I would. Else why would I burn like this to feel as they feel?” “The meaning they feel, you mean. From the fame.” “Lyle, don’t they?” “LaMont, perhaps they did at first. The first photograph, the first magazine, the gratified surge, the seeing themselves as others see them, the hagiography of image, perhaps. Perhaps the first time: enjoyment. After that, do you trust me, trust me: they do not feel what you burn for. After the first surge, they care only that their photographs seem awkward or unflattering, or untrue, or that their privacy, this thing you burn to escape, what they call their privacy is being violated. Something changes. After the first photograph has been in a magazine, the famous men do not enjoy their photographs in magazines so much as they fear that their photographs will cease to appear in magazines. They are trapped, just as you are.” “Is this supposed to be good news? This is awful news.” “LaMont, are you willing to listen to a Remark about what is true?” “Okey-dokey.” “The truth will set you free. But not until it is finished with you.” “Maybe I ought to be getting back.” “LaMont, the world is very old. You have been snared by something untrue. You are deluded. But this is good news. You have been snared by the delusion that envy has a reciprocal. You assume that there is a flip-side to your painful envy of Michael Chang: namely Michael Chang’s enjoyable feeling of being-envied-by-LaMont-Chu. No such animal.” “Animal?” “You burn with hunger for food that does not exist.” “This is good news?” “It is the truth. To be envied, admired, is not a feeling. Nor is fame a feeling. There are feelings associated with fame, but few of them are any more enjoyable than the feelings associated with envy of fame.” “The burning doesn’t go away?” “What fire dies when you feed it? It is not fame itself they wish to deny you here. Trust them. There is much fear in fame. Terrible and heavy fear to be pulled and held, carried. Perhaps they want only to keep it off you until you weigh enough to pull toward yourself.” “Would I sound ungrateful if I said this doesn’t make me feel very much better at all?” “LaMont, the truth is that the world is incredibly, incredibly, unbelievably old. You suffer with the stunted desire caused by one of its oldest lies. Do not believe the photographs. Fame is not the exit from any cage.” “So I’m stuck in the cage from either side. Fame or tortured envy of fame. There’s no way out.” “You might consider how escape from a cage must surely require, foremost, awareness of the fact of the cage.
David Foster Wallace (Infinite Jest)
It’s public knowledge. It’s not my problem you just found out,” his mother is saying, pacing double-time down a West Wing corridor. “You mean to tell me,” Alex half shouts, jogging to keep up, “every Thanksgiving, those stupid turkeys have been staying in a luxury suite at the Willard on the taxpayers’ dime?” “Yes, Alex, they do—” “Gross government waste!” “—and there are two forty-pound turkeys named Cornbread and Stuffing in a motorcade on Pennsylvania Avenue right now. There is no time to reallocate the turkeys.” Without missing a beat, he blurts out, “Bring them to the house.” “Where? Are you hiding a turkey habitat up your ass, son? Where, in our historically protected house, am I going to put a couple of turkeys until I pardon them tomorrow?” “Put them in my room. I don’t care.” She outright laughs. “No.” “How is it different from a hotel room? Put the turkeys in my room, Mom.” “I’m not putting the turkeys in your room.” “Put the turkeys in my room.” “No.” “Put them in my room, put them in my room, put them in my room—” That night, as Alex stares into the cold, pitiless eyes of a prehistoric beast of prey, he has a few regrets. THEY KNOW, he texts Henry. THEY KNOW I HAVE ROBBED THEM OF FIVE-STAR ACCOMMODATIONS TO SIT IN A CAGE IN MY ROOM, AND THE MINUTE I TURN MY BACK THEY ARE GOING TO FEAST ON MY FLESH. Cornbread stares emptily back at him from inside a huge crate next to Alex’s couch. A farm vet comes by once every few hours to check on them. Alex keeps asking if she can detect a lust for blood. From the en suite, Stuffing releases another ominous gobble.
Casey McQuiston (Red, White & Royal Blue)
One night, very late, he rubs Willem's shoulder and when Willem opens his eyes, he apologizes to him. But Willem shakes his head, and then moves on top of him, and holds him so tightly that he finds it difficult to breathe. “You hold me back,” Willem tells him. “Pretend we're falling and we're clinging together from fear.” He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. “Harder,” Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes…through the fourth floor...and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months. That morning he feels fresh-scrubbed and cleansed, as if he is being given yet another opportunity to live his life correctly.
Hanya Yanagihara (A Little Life)
They turn the water off, so I live without water, they build walls higher, so I live without treetops, they paint the windows black, so I live without sunshine, they lock my cage, so I live without going anywhere, they take each last tear I have, I live without tears, ...they take my heart and rip it open, I live without heart, they take my life and crush it, so I live without a future, they say I am beastly and fiendish, so I have no friends, they stop up each hope, so I have no passage out of hell, they give me pain, so I live with pain, they give me hate, so I live with my hate, they have changed me, and I am not the same man, they give me no shower, so I live with my smell, they separate me from my brothers, so I live without brothers, who understands me when I say this is beautiful? who understands me when I say I have found other freedoms? I cannot fly or make something appear in my hand, I cannot make the heavens open or the earth tremble, I can live with myself, and I am amazed at myself, my love, my beauty, I am taken by my failures, astounded by my fears, I am stubborn and childish, in the midst of this wreckage of life they incurred, I practice being myself, and I have found parts of myself never dreamed of by me, they were goaded out from under rocks in my heart when the walls were built higher, when the water was turned off and the windows painted black. I followed these signs like an old tracker and followed the tracks deep into myself followed the blood-spotted path, deeper into dangerous regions, and found so many parts of myself, who taught me water is not everything, and gave me new eyes to see through walls, and when they spoke, sunlight came out of their mouths, and I was laughing at me with them, we laughed like children and made pacts to always be loyal, who understands me when I say this is beautiful?
Jimmy Santiago Baca
Nothing more then nothing can be said. We make our lives by what we love. Being American, having been trained to be sentimental, I fought for noises … when the war came along, I decided to use only quiet sounds. There seemed to me to be no truth, no good, in anything big. Somebody asked Debussy how he wrote music. He said: “I take all the tones there are, leave out he one’s I don’t want, and use all the others”. Satie said: “When I was young, people told me; you’ll see when you’re fifty years old. Now I’m fifty. I’ve seen nothing”. Slowly as the talk goes on, we are getting nowhere – and that is a pleasure. It is not irritating to be where one is, it is only irritating to think one would like to be somewhere else. If anybody is sleepy, let him go to sleep. All I know about method is that when I’m not working I sometimes think I know something, but when I’m working, it is quit clear I know nothing.
John Cage (Silence: Lectures and Writings)
To My Wife You are like a young white hen. Her feathers ruffle in the wind, her neck curves down to drink, and she rummages in the earth: but, in walking, she has your slow, queenly step, haughty and proud. She is better than the male. She is like the females of all the serene animals who draw near to God. Here, if my eye, if my judgment doesn’t deceive me, among these, you find your equals, and in no other woman. When evening lulls the little hens to sleep, they make sounds that call to mind those mild, sweet voices with which you argue with your pains, and don’t know that your voice has the soft, sad music of the henyard. You are like a pregnant heifer, still free, and without heaviness, merry, in fact; who, if someone strokes her, turns her neck, where a tender pink tinges her flesh. If you meet up with her, and hear her bellow, so mournful is this sound that you tear at the earth to give her a present. In the same way, I offer my gift to you when you are sad. You are like a tall, thin female dog, that always has so much sweetness in her eyes and ferociousness in her heart. At your feet, she seems a saint who burns with an indomitable fervor and in this way looks at you as her God and Lord. When you are at home, or going down the street, to anyone who tries, uninvited, to approach you, she uncovers her shining white teeth. And her love suffers from jealousy. You are like the fearful rabbit. Within her narrow cage, she stands upright to look at you, and extends her long, still ear; she deprives herself of the husks and roots that you bring her, and cowers, seeking the darkest corners. Who might take away this food? Who might take away the fur which she tears from her back to add to the nest where she will give birth? Who would ever make you suffer? You are like the swallow which returns in the spring. But each autumn will depart— you don’t have this art. You have this of the swallow: the light movements; that which, to me, seemed and was old, you proclaim another spring. You are like the provident ant. She whom the grandmother speaks of to the child as they go out in the countryside. And thus I find you in the bumble bee and in all the females of all the serene animals who draw near to God. And in no other woman.
Umberto Saba
No need to be embarassed. After seeing you in my cousin's nightgown, you've got nothing to hide. But why were you crying in the shower?" he murmured into her hair. She could feel his lips moving against her scalp, and feel the press of his hips through the covers, but his arms were an unyielding cage. She tried to turn over to face him, to welcome him under the covers with her, but he wouldn't let her. "I was crying because I'm frustrated! Why are you doing this?" she whispered into her pillow. "We can't, Helen," was all he said. He kissed her neck and said he was sorry over and over, but try as she might, he wouldn't let her face him. She began to feel like she was being used. "Please be patient," he begged as he stopped her hand from reaching back to touch him. She tried to sit up, to push him out of her bed, anything but suffer lying next to someone who would play with her so terribly. They wrestled a bit, but he was much better at it than she was and felt even heavier than he looked. He easily blocked every attempt she made to wrap her arms or legs or lips around him. "Do you want me at all, or do you just think it's fun to tease me like this?" she asked, feeling rejected and humiliated. "Won't you even kiss me?" She finally struggled onto her back where she could at least see his face. "If I kiss you, I won't stop," he said in a desperate whisper as he propped himself up on his elbows to look her in the eye. She looked back at him, really seeing him for the first time that night. His expression was vulnerable and uncertain. His mouth was swollen with want. His body was shaking and there was a fine layer of anxious sweat wilting his clothes. Helen relaxed back into the bed with a sigh. For some reason that obviously had nothing to do with desire, he wouldn't allow himself to be with her. "You're not laughing at me, are you?" she asked warily, just as a precaution. "No. There's nothing funny about this," he answered. He shifted himself off her and lay back down alongside her, still breathing hard. "But for some reason, you and I will never happen," she said, feeling calm. "Never say never," he said urgently, rolling back on top of her and using all of his unusually heavy mass to press her deep into the cocoon of her little-girl bed. "The gods love to toy with people who use absolutes." Lucas ran his lips around her throat and let her put her arms around him, but that was all.
Josephine Angelini (Starcrossed (Starcrossed, #1))
I’m also really sorry that I’ve been so rude to you. I’m not normally. I don’t know where all the sarcasm comes from.” Ren raised an eyebrow. “Okay. I have a cynical, evil side that is normally hidden. But when I’m under great stress or extremely desperate, it comes out.” He set down my foot, picked up the other one, and began massaging it with his thumbs. He didn’t say anything, so I continued, “Being cold-hearted and nasty was the only thing I could do to push you away. It was kind of a dense mechanism.” “So you admit you were trying to push me away.” “Yes. Of course.” “And it’s because you’re a radish.” Frustrated, I said, “Yes! Now that you’re a man again, you’ll find someone better for you, someone who complements you. It’s not your fault. I mean, you’ve been a tiger so long that you just don’t know how the world works.” “Right. And how does the world work, Kelsey?” I could hear the frustration in his voice but pressed on. “Well, not to put too fine a point on it, but you could be going out with some supermodel-turned-actress. Haven’t you been paying attention?” Angrily, he shouted, “Oh, yes, indeed I am paying attention! What you are saying is that I should be a stuck-up, rich, shallow, libertine who cares only about wealth, power, and bettering my status. That I should date superficial, fickle, pretentious, brainless women who care more about my connections than they do about me. And that I am not wise enough, or up-to-date enough, to know who I want or what I want in life! Does that sum it up?” I squeaked out a small, “Yes.” “You truly feel this way?” I flinched. “Yes.” Ren leaned forward. “Well, you’re wrong, Kelsey. Wrong about yourself and wrong about me!” He was livid. I shifted uncomfortably while he went on. “I know what I want. I’m not operating under any delusions. I’ve studied people from a cage for centuries, and that’s given me ample time to figure out my priorities. From the first moment I saw you, the first time I heard your voice, I knew you were different. You were special. The first time you reached your hand into my cage and touched me, you made me feel alive in a way I’ve never felt before.” “Maybe it’s all just a part of the curse. Did you ever think of that? Maybe these aren’t your true feelings. Maybe you sensed that I was the one to help you, and you’ve somehow misinterpreted your emotions.” “I highly doubt it. I’ve never felt this way about anyone, even before the curse.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Nothing is a masterpiece - a real masterpiece - till it's about two hundred years old. A picture is like a tree or a church, you've got to let it grow into a masterpiece. Same with a poem or a new religion. They begin as a lot of funny words. Nobody knows whether they're all nonsense or a gift from heaven. And the only people who think anything of 'em are a lot of cranks or crackpots, or poor devils who don't know enough to know anything. Look at Christianity. Just a lot of floating seeds to start with, all sorts of seeds. It was a long time before one of them grew into a tree big enough to kill the rest and keep the rain off. And it's only when the tree has been cut into planks and built into a house and the house has got pretty old and about fifty generations of ordinary lumpheads who don't know a work of art from a public convenience, have been knocking nails in the kitchen beams to hang hams on, and screwing hooks in the walls for whips and guns and photographs and calendars and measuring the children on the window frames and chopping out a new cupboard under the stairs to keep the cheese and murdering their wives in the back room and burying them under the cellar flags, that it begins even to feel like a religion. And when the whole place is full of dry rot and ghosts and old bones and the shelves are breaking down with old wormy books that no one could read if they tried, and the attic floors are bulging through the servants' ceilings with old trunks and top-boots and gasoliers and dressmaker's dummies and ball frocks and dolls-houses and pony saddles and blunderbusses and parrot cages and uniforms and love letters and jugs without handles and bridal pots decorated with forget-me-nots and a piece out at the bottom, that it grows into a real old faith, a masterpiece which people can really get something out of, each for himself. And then, of course, everybody keeps on saying that it ought to be pulled down at once, because it's an insanitary nuisance.
Joyce Cary (The Horse's Mouth)
When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would cure this itch. When years described me as mature, the remedy prescribed was middle age. In middle age I was assured greater age would calm my fever and now that I am fifty-eight perhaps senility will do the job. Nothing has worked. Four hoarse blasts of a ships's whistle still raise the hair on my neck and set my feet to tapping. The sound of a jet, an engine warming up, even the clopping of shod hooves on pavement brings on the ancient shudder, the dry mouth and vacant eye, the hot palms and the churn of stomach high up under the rib cage. In other words, I don't improve; in further words, once a bum always a bum. I fear the disease is incurable. I set this matter down not to instruct others but to inform myself. When the virus of restlessness begins to take possession of a wayward man, and the road away from Here seems broad and straight and sweet, the victim must first find in himself a good and sufficient reason for going. This to the practical bum is not difficult. He has a built-in garden of reasons to chose from. Next he must plan his trip in time and space, choose a direction and a destination. And last he must implement the journey. How to go, what to take, how long to stay. This part of the process is invariable and immortal. I set it down only so that newcomers to bumdom, like teen-agers in new-hatched sin, will not think they invented it. Once a journey is designed, equipped, and put in process, a new factor enters and takes over. A trip, a safari, an exploration, is an entity, different from all other journeys. It has personality, temperament, individuality, uniqueness. A journey is a person in itself; no two are alike. And all plans, safeguards, policing, and coercion are fruitless. We find after years of struggle that we do not take a trip; a trip takes us. Tour masters, schedules, reservations, brass-bound and inevitable, dash themselves to wreckage on the personality of the trip. Only when this is recognized can the blown-in-the glass bum relax and go along with it. Only then do the frustrations fall away. In this a journey is like marriage. The certain way to be wrong is to think you control it.
John Steinbeck (Travels with Charley: In Search of America)
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me. 'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.' Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.' She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build. I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right. I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.' Someone knocks, I ignore it. 'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth. 'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.' Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink. Never again. Those eyes will never reflect hurt I've inflicted ever again. 'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.' I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them. 'And if it's not possible?' 'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))