Cable Girls Quotes

But then you slammed a door handle into my gut. And when a girl does that to a guy; it means she likes him.

So I Lyfted to Home Depot, where I bought random stuff, rope and duct tape, plastic bags, cable ties, and plastic gloves. The girl at the register winked and said she’s also a big fan of Fifty Shades and this is what has become of our society. Fucking and killing are the same damn thing. Now

He looked down at himself and laughed softly. ‘‘My dark side dresses better than I do.’’ He stood up and reached for clothes folded neatly on a table to the side as he loosened the tie on his robe. He hesitated, smiled, and raised his eyebrows. ‘‘If you don’t mind, Claire . . . ?’’ ‘‘Oh. Sorry.’’ Claire turned her back. She didn’t like turning her back on him, even with the cell door locked. He was better behaved when he knew she was watching. She focused on the faint, distorted image of his reflection on the TV screen as he shed the dressing gown and began to pull on his clothing. She couldn’t see much, except that he was very pale all over. Once she was sure his pants were up, she glanced behind her. He had his back to her, and she couldn’t help but compare him with the only other man she’d really studied half-naked. Shane was broad, strong, solid. Myrnin looked fragile, but his muscles moved like cables under that pale skin—far stronger than Shane’s, she knew. Myrnin turned as he buttoned his shirt. ‘‘It’s been a while since a pretty girl looked at me with such interest,’’ he said. She looked away, feeling the blush work its heat up through her neck and onto her cheeks. ‘‘It’s all right, Claire. I’m not offended.

I broke up with this girl, and they put me with a psychiatrist who said, 'Why did you get so depressed, and do all those things you did?' I said, 'I wanted this girl and she left me.' And he said,'Well, we have to look into that.' And I said, 'There's nothing to look into! I wanted her and she left me.' And he said, 'Well, why are you feeling so intense?' And I said, 'Cause I want the girl!' And he said, 'What's underneath it?' And I said, 'Nothing!' He said, 'I'll have to give you medication.' I said, 'I don't want medication! I want the girl!' And he said, 'We have to work this through.' So, I took a fire extinguisher from the casement and struck him across the back of his neck. And before I knew it, guys from Con Ed had jumper cables in my head and the rest was...

I’m a mad scientist. We don’t need lip gloss. We have jumper cables.

The Watcher. The Watcher of what? Of teenage girls forced to spend their holiday break filming cable TV specials?

I know I found his lips and let him caress me without realizing that I, too, was crying and didn't know why. That dawn, and all the ones that followed in the two weeks I spent with Julian, we made love to one another on the floor, never saying a word. Later, sitting in a cafe or strolling through the streets, I would look into his eyes and know, without any need to question him, that he still loved Penelope. I remember that during those days I learned to hate that seventeen-year-old girl (for Penelope was always seventeen to me) whom I had never met and who now haunted my dreams. I invented excuses for cabling Cabestany to prolong my stay. I no longer cared whether I lost my job or the grey existence I had left behind in Barcelona. I have often asked myself whether my life was so empty when I arrived in Paris that I fell into Julian's arms - like Irene Marceau's girls, who, despite themselves, craved for affection.

After thirty minutes of learning and rehearsing this routine, I've decided to never show my aforementioned self-taught moves to the public. Today's dance style seems to involve a dash of bump and a cup of grind, with a heavy dose of attitude...ingredients I haven't incorporated before. Not having cable television can really keep a girl out of the loop.

Then as the decade made way for the new millennium, cable exploded with its own original content and film studios began to obsess over international box office sales. Somewhere along the line, we became unrelatable and invisible to the Hollywood system. Our images and diverse portrayals just weren’t worth the dollars and effort anymore. The images I had grown up with and grown so accustomed to seeing slowly disappeared, and it seemed to happen all at once.

Kerah!" "Opal, finally, you little puke," Ronan said. A creature capered from between the woods, a scrawny, hollow-eyed child. She wore an oversized cable-knit sweater and a skullcap pulled down low over her short white-blond hair. Someone might have mistaken her for a human girl if not for her legs, which were densely furred and ended in hooves. "I told you, that's Chansaw's word. You have lips. Call me Ronan," he told her. The little creature threw her arms around his legs and then pranced around him in a hectic circle, her hooves leaving divots. He lifted a foot. "That was my food, come on.

My shaking jerked to a stop; heat flooded through me, stronger than before, but it was a new kind of heat—not a burning. It was a glowing. Everything inside me came undone as I stared at the tiny porcelain face of the half-vampire, half-human baby. All the lines that held me to my life were sliced apart in swift cuts, like clipping the strings to a bunch of balloons. Everything that made me who I was—my love for the dead girl upstairs, my love for my father, my loyalty to my new pack, the love for my other brothers, my hatred for my enemies, my home, my name, my self—disconnected from me in that second—snip, snip, snip—and floated up into space. I was not left drifting. A new string held me where I was. Not one string, but a million. Not strings, but steel cables. A million steel cables all tying me to one thing—to the very center of the universe. I could see that now—how the universe swirled around this one point. I’d never seen the symmetry of the universe before, but now it was plain.

Tiffany’s basket was on the table. It had a present in it, of course. Everyone knew you took a small present along when you went visiting, but the person you were visiting was supposed to be surprised when you gave it to her, and say things like “Oooh, you shouldn’t have.” “I brought you something,” said Tiffany, swinging the big black kettle onto the fire. “You’ve got no call to be bringing me presents, I’m sure,” said Granny sternly. “Yes, well,” said Tiffany, and left it at that. She heard Granny lift the lid of the basket. There was a kitten in it. “Her mother is Pinky, the Widow Cable’s cat,” said Tiffany, to fill the silence. “You shouldn’t have,” growled the voice of Granny Weatherwax. “It was no trouble.” Tiffany smiled at the fire. “I can’t be havin’ with cats.” “She’ll keep the mice down,” said Tiffany, still not turning around. “Don’t have mice.” Nothing for them to eat, thought Tiffany. Aloud, she said, “Mrs. Earwig’s got six big black cats.” In the basket, the white kitten would be staring up at Granny Weatherwax with the sad, shocked expression of all kittens. You test me, I test you, Tiffany thought. “I don’t know what I shall do with it, I’m sure. It’ll have to sleep in the goat shed,” said Granny Weatherwax. Most witches had goats. [...] When Tiffany left, later on, Granny Weatherwax said good-bye at the door and very carefully shut the kitten outside. Tiffany went across the clearing to where she’d tied up Miss Treason’s broomstick. But she didn’t get on, not yet. She stepped back up against a holly bush, and went quiet until she wasn’t there anymore, until everything about her said: I’m not here. Everyone could see pictures in the fire and in clouds. You just turned that the other way around. You turned off that bit of yourself that said you were there. You dissolved. Anyone looking at you would find you very hard to see. Your face became a bit of leaf and shadow, your body a piece of tree and bush. The other person’s mind would fill in the gaps. Looking like just another piece of holly bush, she watched the door. The wind had got up, warm but worrisome, shaking the yellow and red leaves off the sycamore trees and whirring them around the clearing. The kitten tried to bat a few of them out of the air and then sat there, making sad little mewling noises. Any minute now, Granny Weatherwax would think Tiffany had gone and would open the door and— “Forgot something?” said Granny by her ear. She was the bush. “Er...it’s very sweet. I just thought you might, you know, grow to like it,” said Tiffany, but she was thinking: Well, she could have got here if she ran, but why didn’t I see her? Can you run and hide at the same time? “Never you mind about me, my girl,” said the witch. “You run along back to Miss Treason and give her my best wishes, right now. But”—and her voice softened a little—“that was good hiding you did just then. There’s many as would not have seen you. Why, I hardly heard your hair growin’!” When Tiffany’s stick had left the clearing, and Granny Weatherwax had satisfied herself in other little ways that she had really gone, she went back inside, carefully ignoring the kitten again. After a few minutes, the door creaked open a little. It may have been just a draft. The kitten trotted inside...

I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.

She stayed with buses after that, getting off only now and then to walk so she'd keep awake. What fragments of dreams came had to do with the post horn. Later, possibly, she would have trouble sorting the night into real and dreamed. At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo-any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night. In Golden Gate Park she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they'd been up most of the night. When their mothers thought they were out playing they were really curled in cupboards of neighbors' houses, in platforms up in trees, in secretly-hollowed nests inside hedges, sleeping, making up for these hours. The night was empty of all terror for them, they had inside their circle an imaginary fire, and needed nothing but their own unpenetrated sense of community. They knew about the post horn, but nothing of the chalked game Oedipa had seen on the sidewalk. You used only one image and it was a jump-rope game, a little girl explained: you stepped alternately in the loop, the bell, and the mute, while your girlfriend sang: Tristoe, Tristoe, one, two, three, Turning taxi from across the sea… "Thurn and Taxis, you mean?" They'd never heard it that way. Went on warming their hands at an invisible fire. Oedipa, to retaliate, stopped believing in them.

Would my head were a head of lettuce. I drove the last car over the Sagamore Bridge before the state police closed it off. The Cape Cod Canal all atempest beneath. No cars coming, no cars going. The bridge cables flapping like rubber bands. You think in certain circumstances a few thousand feet of bridge isn’t a thousand miles? The hurricane wiped out Dennis. Horace thanked God for insurance. I saved our little girl. You want me to say, Hurrah! Hurrah! but I can’t, I won’t, because to save her once isn’t to save her, and still she thumps as if the world was something thumpable. As if it wasn’t silence on a fundamental level. Yap on, wife, yap on. Thump, daughter, thump. Louder, Orangutan, louder. I can’t hear you.

movie The Girl Next Door, which plays on basic-cable channels with a constancy normally reserved for documentaries about Kim Jong-un on North Korean TV.

It was true that the unexpectedness of the summons had rather taken his breath away. It had come as a laconic cable: Come Naples next boat if you want to marry. Cable reply. Agatha - which made him rub his eyes. But Simeon Jackson was a man of action, and his deep-rooted belief in the romantic waywardness of women had suggested to him that his little girl had been taught by the backwardness of Europe to realize the rock-bottom solidity of the American business man [...}

Right now, my idiot husband is in the thick of it,” she says. “I told him, you put these babies inside me; now you are going to keep them alive all by yourself while I drink myself silly and dine out on world cuisine and sleep in until nine a.m. every day and watch Golden Girls repeats on the hotel cable.

That afternoon, I wrapped up my latest round of calls to agents, requesting callbacks for a part in a TV show. Thanks to my reputation, a premium cable network had contracted me for one of its racier shows about a cadre of Los Angeles party girls who travel to New York City for a bachelorette weekend. The girls go to an invite-only strip club—as one does—for its “Parade of Firemen” night. My task was to find five smoking hot actors who could be the best “firemen” in New York City

no cables being unrolled, no copy being written. They were all huddled together, allegiances to individual stations forgotten, grieving the loss of one of their own. An unscheduled funeral cortege on West End.

Machine guns, missile launchers, grappling hooks and cables—what more could a girl want?

My friends advised me that buying a couple more televisions would restore peace to my home. I just cancelled the cable.

Benjamin Philson was not about to let a girl's whims derail his plans. He was of the fire-and-brimstone sort, firmly on the punishment side of the punishment versus rehabilitation argument. He was not swayed by Marie's youth nor by her sex nor by the incredulity that she would be cable of committing such heinous murders. He wanted her brought to Nebraska in chains. He wanted her dragged before a jury. He may have also been coming up for relection

The prince with the red hair also lifted a beckoning finger that gestured to a nearby chair over which lay a network of fine wires that led to a cable lying on the floor. Lori bent a suspicious look at the wires that seemed to promise trickery, but the maiden pushed him back gently and he sank into the chair. Another slave girl approached and laced upon his head an odd-shaped metal cap, smiling as she did so. He heard a light whisper in his own familiar tongue as she bent over him. “Be not afraid. The Red One is kindly. You have nothing to fear from these wires.” Lori stiffened, still suspicious, and sat motionless, awaiting the event. He became aware of a silvery mist that began to form between himself and the throned prince, a mist that as it grew thicker shaped strangely into pictures and words and he realized with a start that the pictures came from his own mind as did the thoughts there framed into words. At this betraying mist the Red One looked long, reading his captive’s inmost self. Then words issued absently from his lips, as if he spoke only to himself.

Hmf, I certainly hope that cable holds.” “Don’t worry. I should be able to catch you if it breaks. Heh heh. Probably.

After Lauren disappeared, the police and the media saw what they wanted to see: a young, beautiful wife and mother who had married her high school sweetheart and settled in their hometown. She should have been cable news catnip, the pretty white girl from a good family whom viewers could ogle and pity at the same time. But this is what I've learned: the dead or missing girl is never the subject of the story. Sometimes she's not even the object. She is the circumstance, the accident, the nexus through which vectors cross. No one really knows her, not even the people who were closest to her in life. She becomes a stranger when you realize that her last moments were incomprehensible, an abyss you can't fathom.

I have decided to use my voice to tell you stuff that you may not otherwise know. Not to scare you or make you feel bad, but to inform you so you’re not totally taken by surprise as I have been. Maybe it’s my own ignorance. Maybe it’s lack of cable. After all, don’t they talk about this shit on Dr. Oz? By the way, how many of us can relate to a person who would be an audience member of daytime talk show?

So I Lyfted to Home Depot, where I bought random stuff, rope and duct tape, plastic bags, cable ties, and plastic gloves. The girl at the register winked and said she’s also a big fan of Fifty Shades and this is what has become of our society.

So I Lyfted to Home Depot, where I bought random stuff, rope and duct tape, plastic bags, cable ties, and plastic gloves. The girl at the register winked and said she’s also a big fan of Fifty Shades and this is what has become of our society. Fucking and killing are the same damn thing.

I have decided to use my voice to tell you stuff that you may not otherwise know. Not to scare you or make you feel bad, but to inform you so you’re not totally taken by surprise as I have been. Maybe it’s my own ignorance. Maybe it’s lack of cable. After all, don’t they talk about this shit on Dr. Oz? By the way, how many of us can relate to a person who would be an audience member of daytime talk show?

This was America's new cable-wired, online nationalism, honey-combed lives intersecting during collective agony, the knee-pad titillation of Oval Office sex, the rubbernecking of celebrity violence. Until the Women's World Cup, the two biggest sports-related stories of the 1990s were the murder trial of O.J. Simpson and the knee-whacking shatter of figure skating's porcelain myth. Fans cheer for professional city teams and alma maters, but there is no grand, cumulative rooting in the United States except for the disposable novelty of the Olympics. With the rare exception of the Super Bowl is background noise, commercials interrupted by a flabby game, the Coca-Cola bears more engaging than the Chicago Bears.

We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most.

Claire jumped right into the story. “There was a Thunderbolt cable

They’re coming!” Josh yelled. Like a whirlwind the twins rushed downstairs, where Peter was waiting. With Wally bringing up the rear they all went outside. The two older Malloy sisters, wearing jeans and long shirts down to their knees, were walking arm in arm across the swinging bridge, leaning on each other, like two girls who had more sadness than they could possibly bear, Wally thought. As they came closer, the Hatford brothers pretended to be looking down the road, at the sky, anywhere, in fact, except at the Malloys. “Ask!” Jake whispered to Josh. “You ask!” said Josh. “You always try to make me do it.” “Wally, you do it,” said Jake. “Why me? What the heck am I supposed to say?” The girls had reached the middle of the narrow bridge now and, still walking side by side, held on to the cable handrails as the bridge bounced slightly beneath their weight. “If one of us doesn’t ask, Peter will,” Josh warned. “He’ll say something dumb, like ‘Have you buried anyone lately?’” “I will not!” snapped Peter.

Women turn up at the beginning of every important wave in technology. We're not ancillary; we're central, often hiding in plain sight. Some of the most wondrous contributions . . . .bloomed in the grubby medians of the information superhighway. Before a new field developed its authorities, and long before there was money to be made, women experimented with new technologies and pushed them beyond their design. Again and again, women did the jobs nobody thought were important, until they were. Even computer programming was initially passed off onto the girls hired to patch cables and nothing more - until the cables became patterns, and the patterns became language, and suddenly programming was something worth mastering.