Cabinet Doors Quotes

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But the plans were on display…” “On display? I eventually had to go down to the cellar to find them.” “That’s the display department.” “With a flashlight.” “Ah, well, the lights had probably gone.” “So had the stairs.” “But look, you found the notice, didn’t you?” “Yes,” said Arthur, “yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying ‘Beware of the Leopard.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
I'm no optimist", she said as she opened the cabinet door. " I'm just a realist who smiles too much.
Tiffany Reisz (The Siren (The Original Sinners, #1))
Medicine cabinets are dangerous. Those doors, man. They'll just spring on you like a ninja.
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
The pain, so unexpected and undeserved, had for some reason cleared away the cobwebs. I realized I didn’t hate the cabinet door, I hated my life… My house, my family, my backyard, my power mower. Nothing would ever change; nothing new could ever be expected. It had to end, and it did. Now in the dark world where I dwell, ugly things, and surprising things, and sometimes little wondrous things, spill out in me constantly, and I can count on nothing.
Philip K. Dick (A Scanner Darkly)
A Gift for You I send you... A cottage retreat on a hill in Ireland. This cottage is filled with fresh flowers, art supplies, and a double-wide chaise lounge in front of a wood-burning fireplace. There is a cabinet near the front door, where your favorite meals appear, several times a day. Desserts are plentiful and calorie free. The closet is stocked with colorful robes and pajamas, and a painting in the bedroom slides aside to reveal a plasma television screen with every movie you've ever wanted to watch. A wooden mailbox at the end of the lane is filled daily with beguiling invitations to tea parties, horse-and-carriage rides, theatrical performances, and violin concerts. There is no obligation or need to respond. You sleep deeply and peacefully each night, and feel profoundly healthy. This cottage is yours to return to at any time.
S.A.R.K. (Make Your Creative Dreams Real: A Plan for Procrastinators, Perfectionists, Busy People, and People Who Would Really Rather Sleep All Day)
I had a dream about you. I opened your chest like a cabinet, it had doors, and when I opened the doors, I saw all kinds of soft things inside you--teddy bears, tiny fuzzy animals, all these soft, cuddly things.
Charles Bukowski (Women)
This little theater of mine has as many doors into as many boxes as you please, ten or a hundred thousand, and behind each door exactly what you seek awaits you. It is a pretty cabinet of pictures, my dear friend; but it would be quite useless to go through it as you are. You would be checked and blinded by it at every turn by what you are pleased to call your personality. You have no doubt guessed long since that the conquest of time and the escape from reality, or however else it may be that you choose to describe your longing, means simply the wish to be relieved of your so-called personality. That is the prison where you lie.
Hermann Hesse (Steppenwolf)
But the kitchen will not come into its own again until it ceases to be a status symbol and becomes again a workshop. It may be pastel. It may be ginghamed as to curtains and shining with copper like a picture in a woman's magazine. But you and I will know it chiefly by its fragrances and its clutter. At the back of the stove will sit a soup kettle, gently bubbling, one into which every day are popped leftover bones and vegetables to make stock for sauces or soup for the family. Carrots and leeks will sprawl on counters, greens in a basket. There will be something sweet-smelling twirling in a bowl and something savory baking in the oven. Cabinet doors will gape ajar and colored surfaces are likely to be littered with salt and pepper and flour and herbs and cheesecloth and pot holders and long-handled forks. It won't be neat. It won't even look efficient. but when you enter it you will feel the pulse of life throbbing from every corner. The heart of the home will have begun once again to beat.
Phyllis McGinley
The next morning, when I went in to the bathroom to brush my teeth, I noticed the index card over the sink. RIGHT FAUCET DRIPS EASILY, it said. TIGHTEN WITH WRENCH AFTER USING. And then there was an arrow, pointing down to where a small wrench was tied with bright red yarn to one of the pipes. This is crazy, I thought. But that wasn't all. In the shower, HOT WATER IS VERY HOT! USE WITH CARE was posted over the soap dish. And on the toilet: HANDLE LOOSE. DON'T YANK. (As if I had some desire to do that.) The overhead fan was clearly BROKEN, the tiles by the door were LOOSE so I had to WALK CAREFULLY. And I was informed, cryptically, that the light over the medicine cabinet works, BUT ONLY SOMETIMES.
Sarah Dessen (Keeping the Moon)
A Cabinet Minister, the responsible head of thar most vital of all departments, wandering alone - grieving - sometimes near audibly lamenting - for a door, for a garden!
H.G. Wells (The Door in the Wall)
The moving parts of the house were all silent, its surfaces smooth. The closet doors had no handles. None of the woodwork had fixtures. Drawers had gentle indents. The kitchen cabinets pushed open and shut with a click. Franklin, the whole house was on Zoloft. You
Lionel Shriver (We Need to Talk About Kevin)
Don't raise your girls to be porcelain roses protected behind a cabinet's glass sliding doors. Raise your girls to be wild roses growing on mountaintops, exposed to the sunlight and to bees. I give you this guarantee: that life requires the latter and the prior is a myth.
C. JoyBell C.
It was a “severe” disappointment to Henry Wilson who laid it all at the door of Kitchener and the Cabinet for having sent only four divisions instead of six. Had all six been present, he said with that marvelous incapacity to admit error that was to make him ultimately a Field Marshal, “this retreat would have been an advance and defeat would have been a victory.
Barbara W. Tuchman (The Guns of August)
Marlena and I were very different, but sometimes, when we were together, we could erase our separate histories just by talking, sharing a joke or a look. But in the kitchen with Mom, the kitchen that was always clean, where there was always something to eat, where the water flowed predictably from the tap and behind every cabinet door were dishes, only dishes, I saw how wrong I was to feel like Marlena and I had so much in common, and how lucky. Because here was the difference that mattered. My skinny mom with her Chardonnay smell and her forgetting to unplug the flat iron, with her corny jokes about broccoli farts and her teeth bared in anger and her cleaning gloves in the backseat of the car, my mom who refused to stop loving me, who made dumb mistakes and drank too much and was my twin in laughter, my mom who would never, ever, leave, who I trusted so profoundly that a world without her in it exceeded the limits of my imagination. That was the difference, and it was huge, and my never seeing it before is something that I still regret.
Julie Buntin (Marlena)
The first I knew about it was when a workman arrived at my home yesterday. I asked him if he'd come to clean the windows and he said no, he'd come to demolish the house. He didn't tell me straight away of course. Oh no. First he wiped a couple of windows and charged me a fiver. Then he told me." "But Mr. Dent, the plans have been available in the local planning office for the last nine months." "Oh yes, well, as soon as I heard I went straight round to see them, yesterday afternoon. You hadn't exactly gone out of your way to call attention to them, had you? I mean, like actually telling anybody or anything." "But the plans were on display..." "On display? I eventually had to go down to the cellar to find them." "That's the display department." "With a flashlight." "Ah, well, the lights had probably gone." "So had the stairs." "But look, you found the notice didn't you?" "Yes," said Arthur, "yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying 'Beware of the Leopard.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
She shut the door and moved on to the floor-to-ceiling cabinets. “There is nothing here. Nothing. What do you eat?” “Ah…” Assail found himself looking at the cousins for aid. “usually we take our meals in town.” The scoffing sound certainly appeared like the old-lady equivalent of Fuck that. “I need the staples.
J.R. Ward
The sun rises bright and beautiful as if it feels no pain. It must not see, it must not hear, it can't possibly or it would not be able to overcome so defiantly. My bed creaks and whines when I leave it behind. I don't know why it tries so hard to hold onto me but yet I continue to try and overcome. I put on my shirt, my pants that fit me, find my socks and glue my heel back to my boot. My gloves are lost, my coat is torn but my scarf still keeps me warm and so I continue to try and overcome. Work has no pride, no place for me but I have no other place to be. My broken dreams continue to rise, my hopes continue to fade but still I try to overcome. A broken window and a gas tank on E, it's not Friday so I have to walk each day for at least another three. And so I walk while the world cries and pleas and tries to swallow me but still I continue and try to overcome. My lock on my door only turns halfway, but I don't have anything to steal anyway. My fridge is bare but my cabinet still holds three so I continue to try and overcome. The news haunts me, the weather threatens to rain down on me but another day has gone by. And I have overcome, I have overcome … I have overcome - the sun has nothing on me.
Jennifer Loren
Because of my love of excessive efficiency, my former decluttering efforts went something like this: Oh, this goes in the master bathroom. I’ll make a master bathroom pile here. That goes in the playroom, so I’ll make a playroom pile. These nails should be in the garage, so here’s a garage pile. Six piles later, life happened. I left the decluttering project to go take care of life with every intention of coming back as soon as I could. But I didn’t. Either more life happened, or I forgot. When I finally returned to the project a few hours (or a few days or a few months) later, those totally logical little piles had morphed into one big pile that was no longer the least bit sorted. The clutter that once drove me crazy while it sat behind the cabinet door or inside the drawer? Now it was out in the open, outside the area I was decluttering. I’d created a bigger mess.
Dana K. White (How to Manage Your Home Without Losing Your Mind: Dealing with Your House's Dirty Little Secrets)
It was not the house of someone who liked books. It did not have a well-stocked library. It was not even stuffed with books. Thomas could not see any part of the house that was not mostly book. Books rose from the floor to the ceiling in unruly, tottering towers. Books held up tables and chairs—and sat in the chairs, at the tables, as though quite ready for supper to be served, so long as supper was more books. They sprawled over the dining table like a feast of many colors. Books climbed the stairs, ran up and down the hallways, curled up before the fireplace, were wedged into the cabinets beside cups and saucers, held open doors and locked them shut. They left no room on the sofa to sit, nor in the kitchen to stand, nor on the floor to lie down. Books had already taken every territory and occupied it.
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
To: Anna Oliphant From: Etienne St. Clair Subject: Uncommon Prostitues I have nothing to say about prostitues (other than you'd make a terrible prostitute,the profession is much too unclean), I only wanted to type that. Isn't it odd we both have to spend Christmas with our fathers? Speaking of unpleasant matters,have you spoken with Bridge yet? I'm taking the bus to the hospital now.I expect a full breakdown of your Christmas dinner when I return. So far today,I've had a bowl of muesli. How does Mum eat that rubbish? I feel as if I've been gnawing on lumber. To: Etienne St. Clair From: Anna Oliphant Subject: Christmas Dinner MUESLY? It's Christmas,and you're eating CEREAL?? I'm mentally sending you a plate from my house. The turkey is in the oven,the gravy's on the stovetop,and the mashed potatoes and casseroles are being prepared as I type this. Wait. I bet you eat bread pudding and mince pies or something,don't you? Well, I'm mentally sending you bread pudding. Whatever that is. No, I haven't talked to Bridgette.Mom keeps bugging me to answer her calls,but winter break sucks enough already. (WHY is my dad here? SERIOUSLY. MAKE HIM LEAVE. He's wearing this giant white cable-knit sweater,and he looks like a pompous snowman,and he keeps rearranging the stuff on our kitchen cabinets. Mom is about to kill him. WHICH IS WHY SHE SHOULDN'T INVITE HIM OVER FOR HOLIDAYS). Anyway.I'd rather not add to the drama. P.S. I hope your mom is doing better. I'm so sorry you have to spend today in a hospital. I really do wish I could send you both a plate of turkey. To: Anna Oliphant From: Etienne St. Clair Subject: Re: Christmas Dinner YOU feel sorry for ME? I am not the one who has never tasted bread pudding. The hospital was the same. I won't bore you with the details. Though I had to wait an hour to catch the bus back,and it started raining.Now that I'm at the flat, my father has left for the hospital. We're each making stellar work of pretending the other doesn't exist. P.S. Mum says to tell you "Merry Christmas." So Merry Christmas from my mum, but Happy Christmas from me. To: Etienne St. Clair From: Anna Oliphant Subject: SAVE ME Worst.Dinner.Ever.It took less than five minutes for things to explode. My dad tried to force Seany to eat the green bean casserole, and when he wouldn't, Dad accused Mom of not feeding my brother enough vegetables. So she threw down her fork,and said that Dad had no right to tell her how to raise her children. And then he brought out the "I'm their father" crap, and she brought out the "You abandoned them" crap,and meanwhile, the WHOLE TIME my half-dead Nanna is shouting, "WHERE'S THE SALT! I CAN'T TASTE THE CASSEROLE! PASS THE SALT!" And then Granddad complained that Mom's turkey was "a wee dry," and she lost it. I mean,Mom just started screaming. And it freaked Seany out,and he ran to his room crying, and when I checked on him, he was UNWRAPPING A CANDY CANE!! I have no idea where it came from. He knows he can't eat Red Dye #40! So I grabbed it from him,and he cried harder, and Mom ran in and yelled at ME, like I'd given him the stupid thing. Not, "Thank you for saving my only son's life,Anna." And then Dad came in and the fighting resumed,and they didn't even notice that Seany was still sobbing. So I took him outside and fed him cookies,and now he's running aruond in circles,and my grandparents are still at the table, as if we're all going to sit back down and finish our meal. WHAT IS WRONG WITH MY FAMILY? And now Dad is knocking on my door. Great. Can this stupid holiday get any worse??
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
this was not about being forgotten. This was about being in a file cabinet with my name on it and they closed the door. I was a corpse with a tag on my toe. A
Janet Fitch (White Oleander)
In her studio, one wall provides cabinets, two pairs of tall doors that serve two sets of shelves.
Dean Koontz (The House at the End of the World)
It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying ‘Beware of the Leopard.’ 
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
I love you, Kayla Martin. I want to spend the rest of my life wondering what will happen when I turn on the microwave. I want to explain the X-files to you in bed every night and replace cabinet doors that are dented from your feet.....I want to go to sleep at night knowing that you're puttering around in the other room inventing something that will baffle and confuse me.
Lena Matthews (Call Me (Joker's Wild, #1))
I shall never go back, I said to myself. A door had shut, the low door in the wall I had sought and found in Oxford; open it now and I should find no enchanted garden. I had come to the surface, into the light of common day and the fresh sea-air, after long captivity in the sunless coral palaces and waving forests of the ocean bed. I had left behind me – what? Youth? Adolescence? Romance? The conjuring stuff of these things, "the Young Magician's Compendium," that neat cabinet where the ebony wand had its place beside the delusive billiard balls, the penny that folded double and the feather flowers that could be drawn into a hollow candle. "I have left behind illusion," I said to myself. "Henceforth I live in a world of three dimensions — with the aid of my five senses." I have since learned that there is no such world; but then, as the car turned out of sight of the house, I thought it took no finding, but lay all about me at the end of the avenue.
Evelyn Waugh (Brideshead Revisited)
...[T]wo of you can be no match for the three giants, I will find you, if I can, a third brother, who will take on himself the third share of the fight, and the preparation...I will show him to you in a glass, and, when he comes, you will know him at once. If he will share your endeavors, you must teach him all you know, and he will repay you well, in present song, and in future deeds.' She opened the door of a curious old cabinet that stood in the room. On the inside of this door was an oval convex mirror...we at length saw reflected the place where we stood, and the old dame seated in her chair...at the feet of the dame lay a young man...weeping. 'Surely this youth will not serve our ends,' said I, 'for he weeps.' The old woman smiled. 'Past tears are present strength,'said she.
George MacDonald (Phantastes)
Don’t you let them forget about you,” she said. But this was not about being forgotten. This was about being in a file cabinet with my name on it and they closed the door. I was a corpse with a tag on my toe.
Janet Fitch (White Oleander)
But look, you found the notice, didn’t you?” “Yes,” said Arthur, “yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying ‘Beware of the Leopard.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
Are you okay?” I want to grab him by the shoulders and check for physical damage. I’ll crack open his chest to check how bad his heart looks. “Me?” He thinks for a second. “Everyone just asks if she’s okay.” “Yeah, because she’s just lost you . Are you okay? Do I need to go and beat the shit out of her?” I notice one of the cabinets above me is ajar. For something to do, I put a hand up to close it. When my fingers hook into the tiny handle, the web-thin hinge breaks. Now I’m standing here with a broken door in my hand. I lean it against my leg and try to look cool, but I’m practically auditioning for SmackDown. Unwillingly, he laughs. I am going to beat Megan with this door until she realizes what a fuckup she’s made. He knows exactly what I’m thinking. “You’re always so vicious, DB.
Sally Thorne (99 Percent Mine)
I grabbed a cloud-shaped oven mitt, opened the oven door, and took out the apricot bars. The smell of warm fruit, sugar, and melted butter filled the kitchen, along with a blast of heat. A combination I never grew tired of, especially on a cold, gray night like this one. I grabbed another oven mitt, set it on the table, then put the pan on top of it. Finn’s fingers crept toward the edge of the container, but I smacked his hand away. “I’m not done with them yet,” I said. “Come on, Gin,” he whined. “I just want a taste.” “And you’re just going to have to wait, like the rest of us.” Jo-Jo chuckled, amused by our squabbling. I moved over to the cabinets and got out four bowls, some spoons, and a couple of knives. I also grabbed a gallon of vanilla bean ice cream out of the freezer. After the apricot bars had cooled enough so they wouldn’t immediately fall apart, I cut out big chunks of the bars, dumped them in the bowls, and topped them all with two scoops of the ice cream. My own version of a quick homemade cobbler. Jo-Jo swallowed a mouthful of the confection and sighed. “Heaven, pure, sweet heaven.
Jennifer Estep (Web of Lies (Elemental Assassin, #2))
I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.
David Foster Wallace (Infinite Jest)
I knew that Clara kept Carax's book in a glass cabinet by the arch of the balcony. I crept up to it. My plan, or my lack of it, was to lay my hands on the book, take it out of there, give it to that lunatic, and lose sight of him forever after. Nobody would notice the book's absence, except me. Carax's book was waiting for me, as it always did, its spine just visible at the end of a shelf. I took it in my hands and pressed it against my chest, as if embracing an old friend whom I was about to betray. Judas, I thought. I decided to leave the place without making Clara aware of my presence. I would take the book and disappear from Clara's life forever. Quietly, I stepped out of the library. The door of her bedroom was just visible at the end of the corridor...I walked slowly up to the door. I put my fingers on the doorknob. My fingers trembled. I had arrived too late. I swallowed hard and opened the door.
Carlos Ruiz Zafón
located inside, he entered the bathroom and opened the top cabinet above the towels. He felt around and felt nothing metallic or hard plastic that might rattle against the weapons. He then placed them on the top shelf of the cabinet and slowly closed the door. Back in the bedroom he paused to listen to her breathing. He satisfied himself that she was still asleep—very asleep. She had worked a long, hard shift and her body was tired and resting deeply. So he crossed to the dresser, found her purse, and stuck his hand inside. Instantly he located the clip of 65 $100 bills with his fingers, and eased them out.
John Ellsworth (Thaddeus Murfee Box Set: Thaddeus Murfee / The Defendants / Beyond a Reasonable Death (Thaddeus Murfee Legal Thriller, #1-3))
When Elisa arrives at McDonald’s, the manager unlocks the door and lets her in. Sometimes the husband-and-wife cleaning crew are just finishing up. More often, it’s just Elisa and the manager in the restaurant, surrounded by an empty parking lot. For the next hour or so, the two of them get everything ready. They turn on the ovens and grills. They go downstairs into the basement and get food and supplies for the morning shift. They get the paper cups, wrappers, cardboard containers, and packets of condiments. They step into the big freezer and get the frozen bacon, the frozen pancakes, and the frozen cinnamon rolls. They get the frozen hash browns, the frozen biscuits, the frozen McMuffins. They get the cartons of scrambled egg mix and orange juice mix. They bring the food upstairs and start preparing it before any customers appear, thawing some things in the microwave and cooking other things on the grill. They put the cooked food in special cabinets to keep it warm.
Eric Schlosser (Fast Food Nation: The Dark Side of the All-American Meal)
The population of his feelings Could not be governed By the authorities He had reasons why Reason disobeyed him And voted him out of office Anxiety His constant companion Made it difficult to rest Unruly party of one Forget about truces or compromises The barricades will be stormed Every day was an emergency Every day called for another emergency Meeting of the cabinet In his country There were scenes Of spectacular carnage Hurricanes welcomed him He adored typhoons and tornadoes Furies unleashed Houses lifted up And carried to the sea Uncontained uncontainable Unbolt the doors Fling open the gates Here he comes Chaotic wind of the gods He was trouble But he was our trouble
Edward Hirsch (Gabriel: A Poem)
Her mind raced through the dark, throwing open doors, knocking over cabinets, searching for anything it ever remembered seeing. Then the lightning flashed again. Carolina captured it before it even struck land, a jagged scar of silver light suspended over the black chimneys of a sleeping city. She narrowed her eyes at the incomplete bolt until it shimmered and broke. With one sweeping glance, she cast the bits of light across the eastern sky as stars. Thunder roared in her ears and lightning cut the sky again. Her stars held steady over a ghostly desert. Another bolt charged down the night, but she caught it before it could turn the sand to glass, broke it into pieces, and lit the west.
Carey Wallace (The Blind Contessa's New Machine)
Fortunately you took the towel on top and you didn’t find your bras stashed under the bottom towel. Hopefully, you didn’t open the medicine cabinet in the bathroom and find your scratched-up silver hair clip (I stole it the first day I stepped into your apartment, those clips are everywhere, you’d never miss it, right?). I needed it because a few delicious strands of your hair are woven in, holding your DNA, your scent. Did you open the refrigerator door and find your leftover bottle of Nantucket Nectar diet iced tea, half-empty? Your lips touched it and I wanted to keep your lips in my refrigerator. You did pour a glass of water and there is always the possibility that you would have mistaken your iced tea bottle for my own.
Caroline Kepnes (You (You, #1))
I go to the cupboard. I open the doors to a lacquered red interior the color of the Chinese music box in Aunt Fanniebelle’s curio cabinet. Out drifts lemon, mint, salt, vinegar, and the metallic whiff of blood. In the middle is a line of matching bottles labeled Stump, Ditch, Willow, Lightning, and Urine. Baskets of tiny silk bags tied with ribbons and dried roots are in orderly rows.
Leah Weiss (All the Little Hopes)
The laugh of Doctor Prunesquallor was part of his conversation and quite alarming when heard for the first time. It appeared to be out of control as though it were a part of his voice, a top-storey of his vocal range that only came into its own when the doctor laughed. There was something about it of wind whistling through high rafters and there was a good deal of the horse’s whinny, with a touch of the curlew. When giving vent to it, the doctor’s mouth would be practically immobile like the door of a cabinet left ajar. Between the laughs he would speak very rapidly, which made the sudden stillness of his beautifully shaven jaws at the time of laughter all the more extraordinary. The laugh was not necessarily connected with humour at all. It was simply a part of his conversation.
Mervyn Peake (Titus Groan (Gormenghast, #1))
Grandma, he had often wanted to say, Is this where the world began? For surely it had begun in no other than a place like this. The kitchen, without doubt, was the center of creation, all things revolved about it; it was the pediment that sustained the temple. Eyes shut to let his nose wander, he snuffed deeply. He moved in the hell-fire steams and sudden baking-powder flurries of snow in this miraculous climate where Grandma, with the look of the Indies in her eyes and the flesh of two warm hens in her bodice, Grandma of the thousand arms, shook, basted, whipped, beat, minced, diced, peeled, wrapped, salted, stirred. Blind, he touched his way to the pantry door. A squeal of laughter rang from the parlor, teacups tinkled. But he moved on into the cool underwater green and wild-persimmon country where the slung and hanging odor of creamy bananas ripened silently and bumped his head. Gnats fizzed angrily about vinegar cruets and his ears. He opened his eyes. He saw bread waiting to be cut into slices of warm summer cloud, doughnuts strewn like clown hoops from some edible game. The faucets turned on and off in his cheeks. Here on the plum-shadowed side of the house with maple leaves making a creek-water running in the hot wind at the window he read spice-cabinet names.
Ray Bradbury (Dandelion Wine)
She was confusing me. This was my tragedy. Why were we talking about her? “I’d get there and people would stare at me,” I said. “Look at me!” “Look at me!” she shot back. She pointed accusingly at herself in the full-length mirror. Her hair looked wilty. Her bottom lip sagged. “I’m thirty-eight years old and still living with my mother. I’ve wanted to get away from that woman all my life. And here it is, ten-thirty at night. I’m tired, Dolores. I just want to go to bed. But instead, I’m on my way to work, dressed up like . . . one of the goddamned Andrews sisters.” In the mirror, we shared a smile. I wanted to reach over and rub her back, tell her I loved her. I opened my mouth to say it, but something else came out. “What if I get so depressed down there that I slit my wrists? They could call here and say they found me in a pool of blood.” “Oh for Christ’s sweet sake!” Her hairbrush flew past me and hit the wall. She slammed into the bathroom, banging the medicine-cabinet door once, twice, three times. Tap water ran for several minutes. When she came back, her eyes were red. She bent over and picked up the brush, picked strands of hair from the bristles. “You don’t want to go to college? Don’t go. I can’t keep this up. I thought I could, but I can’t.” “I’ll get a job,” I said. “Maybe I’ll go on a diet. I’m sorry.” “You’re sorry, I’m sorry, everybody’s sorry,” she sighed. “Write that girl a letter. Don’t let her get stuck with those bedspreads.” I stopped her as she headed for the stairs. “Ma?” I said. She turned and faced me and I saw, in her eyes, the dazed woman she’d been those first days when she’d returned from the mental hospital years before. “Goddamnit, Dolores,” she said. “You’ve made me so goddamned tired.” Then she was down the stairs and out the door.
Wally Lamb (She's Come Undone)
The gospel does have many of the earmarks of a fairy tale. In fairy tales you have the poor boy who becomes rich, the leaden cabinet which turns out to have the treasure in it, the ugly duckling who turns out to be a swan, the frog who becomes a prince. Then we come to the gospel, where it's the Pharisees, the good ones, who turn out to he the villains. It's the whores and tax collectors who turn out to he the good ones. Just as in fairy tales, there is the impossible happy ending when Cinderella does marry the prince, and the ugly duckling is transformed into a swan, so Jesus is not, in the end, defeated. He rises again. In all these ways there is a kind of fairy tale quality to the gospel, with the extraordinary difference, of course, that this is the fairy tale that claims to he true. The difference is that this time it's not just a story being told-it's an event. It did happen! Here's a fairy tale come true. -Frederich Buechner, interview in The Door In a utilitarian age, of all other times, it is a matter of grave importance that fairy tales should he respected.
Ranelda Mack Hunsicker (Faerie Gold: Treasures From The Land Of Enchantment (Classics for Young Readers))
I learned to baby the rabbit in sour cream, tenderer than chicken and less forgiving of distraction, as well as the banosh the way the Italians did polenta. You had to mix in the cornmeal little by little while the dairy simmered - Oksana boiled the cornmeal in milk and sour cream, never water or stock - as it clumped otherwise, which I learned the hard way. I learned to curdle and heat milk until it became a bladder of farmer cheese dripping out its whey through a cheesecloth tied over the knob of a cabinet door; how to use the whey to make a more protein-rich bread; how to sear pucks of farmer cheese spiked with raisins and vanilla until you had breakfast. I learned patience for the pumpkin preserves - stir gently to avoid turning the cubes into puree, let cool for the runoff to thicken, repeat for two days. How to pleat dumplings and fry cauliflower florets so that half the batter did not remain stuck to the pan. To marinate the peppers Oksana made for my grandfather on their first day together. To pickle watermelon, brine tomatoes, and even make potato latkes the way my grandmother made them.
Boris Fishman (Savage Feast: Three Generations, Two Continents, and a Dinner Table (A Memoir with Recipes))
Blakeley took Elwood through the front door and it was swiftly clear that outside was one thing and inside another. The warped floors creaked incessantly and the yellow walls were scuffed and scratched. Stuffing dribbled from the couches and armchairs in the recreation room. Initials and epithets marked the tables, gouged by a hundred mischievous hands. Elwood fixated on the housekeeping chores Harriet would have ticked off for his attention: the fuzzy haloes of finger grime around every cabinet latch and doorknob, the balls of dirt and hair in the corners.
Colson Whitehead (The Nickel Boys)
Come to my bedchamber now,' he whispered against her mouth ... 'I don't take -' 'Orders. I know.' He kissed her, over and over now, a delectable repetition that despite its simplicity made her cling to him tighter. 'Then your bedchamber.' ... 'It shares a wall with Madame Roche. I cannot -' He grabbed her hand and dragged her along the corridor. He opened the first door they came to. 'A linen cabinet?' But they had managed perfectly well on a staircase once. *Perfectly.* ... 'You are yanking me about a lot.' She was breathless. 'I am. Feel free to reciprocate.
Katharine Ashe (How to Be a Proper Lady (Falcon Club, #2))
We paid that gardener three dollars an hour and all he did was sneak in here and drink up my Scotch. The sitter we had before we got Mrs. Henlein used to water my bourbon, and I don’t have to remind you about Rosemary. The cook before Rosemary not only drank everything in my liquor cabinet but she drank all the rum, kirsch, sherry, and wine that we had in the kitchen for cooking. Then, there’s that Polish woman we had last summer. Even that old laundress. And the painters. I think they must have put some kind of a mark on my door. I think the agency must have checked me off as an easy touch.
John Cheever (The Stories of John Cheever)
A room furnished comfortably and tastefully, but not extravagantly. At the back, a door to the right leads to the entrance-hall, another to the left leads to Helmer’s study. Between the doors stands a piano. In the middle of the left-hand wall is a door, and beyond it a window. Near the window are a round table, armchairs and a small sofa. In the right-hand wall, at the farther end, another door; and on the same side, nearer the footlights, a stove, two easy chairs and a rocking-chair; between the stove and the door, a small table. Engravings on the wall; a cabinet with china and other small objects; a small
Henrik Ibsen (A Doll's House)
Nothing in here except some empty wine bottles,” Red said, opening drawers and cabinets on the hutch. “Wait! I think I found Gaz’s sense of humor.” He held up something small between two fingers. “Nope. Just a withered old piece of fruit.” Gaz had found a small bedchamber at the rear of the room, through the door that Veil had noticed. “If you do find my sense of humor, kill it,” he called from inside. “That will be more merciful than forcing it to deal with your jokes, Red.” “Brightness Shallan thinks they’re funny. Right?” “Anything that annoys Gaz is funny, Red,” she said. “Well, I annoy myself!” Gaz called. (less)
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
Oh yes, well as soon as I heard I went straight round to see them, yesterday afternoon. You hadn’t exactly gone out of your way to call attention to them, had you? I mean like actually telling anybody or anything.’ ‘But the plans were on display . . .’ ‘On display? I eventually had to go down to the cellar to find them.’ ‘That’s the display department.’ ‘With a torch.’ ‘Ah, well the lights had probably gone.’ ‘So had the stairs.’ ‘But look, you found the notice, didn’t you?’ ‘Yes,’ said Arthur, ‘yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying Beware of the Leopard.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
It’s finger time!” Steve simply grunted. Li responded like she always had to the request over the past years, by walking over to the tall oak cabinet in his office and pulling out a pack of Vienna Fingers. She then closed the door and walked around the desk and dropped to her knees, crawling the few extra feet under his desk. Li handed the red and white plastic package of cookies to Steve, who slid the tray open while his virtual slave unzipped the trousers of his blue Armani pinstripe suit and then dug deep to find his pleasure source. Twenty seconds later, when both of them had consumed their mid-afternoon snacks, Steve transitioned back into his unrelenting work persona.
Phil Wohl (Law Street)
screen T.V. A comfortable and well-stocked family room, including a wet bar with a locked liquor cabinet and a closet with door standing open, shelves packed with tennis rackets and snowshoes and ice skates. All the accoutrements of a well-off, athletic family in a room now tainted with the overwhelming presence of death. The father was slumped in a club chair in front of the television with a rifle at his feet and a bloody cavern where his head had been. Blood and brains sprayed the carpet beneath him. At first glimpse just about anyone would see it as a suicide. “Basement is concrete block,” Epps said. “Family probably never heard the shot.” “The gun his?” Roarke asked, and heard the edge in his voice. “From the cabinet upstairs. Guy is a sportsman,” Aceves answered.
Alexandra Sokoloff (Blood Moon (The Huntress/FBI Thrillers, #2))
Thanks, Elizabeth,” Rachel said, jumping eagerly to her feet. “Sorry to have wasted your time.” “Oh, it was nice to have something to do,” Elizabeth replied. “I usually see a dozen or more campers every day with various bumps and bruises, but you’re the only ones I’ve seen so far today.” She picked up another roll of bandages. “So I decided to organize my medicine cabinet instead.” “That’s because of Leona’s unicorn,” Kirsty whispered to Rachel as they went to the door of the cabin. “His healing powers mean that the campers don’t need the nurse!” “Help yourself to a lollipop from my jar on your way out, girls,” Elizabeth called. There was a big glass jar of brightly colored lollipops on a shelf near the door. As Rachel reached for it, she noticed that the jar had a strange
Daisy Meadows (Leona the Unicorn Fairy (Magical Animal Fairies #6))
When I began writing these pages I believed their subject to be children, the ones we have and the ones we wish we had, the ways in which we depend on our children to depend on us, the ways in which we encourage them to remain children, the ways in which they remain more unknown to us than they do to their most casual acquaintances; the ways in which we remain equally opaque to them. The ways in which our investments in each other remain too freighted ever to see the other clear. The ways in which neither we nor they can bear to contemplate the death or the illness or even the aging of the other. As the pages progressed it occurred to me that their actual subject was not children after all, at least not children per se, at least not children qua children: their actual subject was this refusal even to engage in such contemplation, this failure to confront the certainties of aging, illness, death. This fear. Only as the pages progressed further did I understand that the two subjects were the same. When we talk about mortality we are talking about our children. Once she was born I was never not afraid. I was afraid of swimming pools, high-tension wires, lye under the sink, aspirin in the medicine cabinet, The Broken Man himself. I was afraid of rattlesnakes, riptides, landslides, strangers who appeared at the door, unexplained fevers, elevators without operators and empty hotel corridors. The source of the fear was obvious: it was the harm that could come to her. A question: if we and our children could in fact see the other clear would the fear go away? Would the fear go away for both of us, or would the fear go away only for me?
Joan Didion (Blue Nights)
Flour on the floor makes my sandals slip and I tumble into your arms. Too hot to bake this morning but blueberries begged me to fold them into moist muffins. Sticks of rhubarb plotted a whole pie. The windows are blown open and a thickfruit tang sneaks through the wire screen and into the home of the scowly lady who lives next door. Yesterday, a man in the city was rescued from his apartment which was filled with a thousand rats. Something about being angry because his pet python refused to eat. He let the bloom of fur rise, rise over the little gnarly blue rug, over the coffee table, the kitchen countertops and pip through each cabinet, snip at the stumpy bags of sugar, the cylinders of salt. Our kitchen is a riot of pots, wooden spoons, melted butter. So be it. Maybe all this baking will quiet the angry voices next door, if only for a brief whiff. I want our summers to always be like this—a kitchen wrecked with love, a table overflowing with baked goods warming the already warm air. After all the pots are stacked, the goodies cooled, and all the counters wiped clean—let us never be rescued from this mess.
Aimee Nezhukumatathil
Well, now, if we’d known we were going to have such…ah…gra…that is, illustrious company, we’d have-“ “Swept off the chairs?” Lucinda suggested acidly. “Shoveled off the floor?” “Lucinda!” Elizabeth whispered desperately. “They didn’t know we were coming.” “No respectable person would dwell in such a place even for a night,” she snapped, and Elizabeth watched in mingled distress and admiration as the redoubtable woman turned around and directed her attack on their unwilling host. “The responsibility for our being here is yours, whether it was a mistake or not! I shall expect you to rout your servants from their hiding places and have them bring clean linens up to us at once. I shall also expect them to have this squalor remedied by morning! It is obvious from your behavior that you are no gentleman; however, we are ladies, and we shall expect to be treated as such.” From the corner of her eye Elizabeth had been watching Ian Thornton, who was listening to all of this, his jaw rigid, a muscle beginning to twitch dangerously in the side of his neck. Lucinda, however, was either unaware of or unconcerned with his reaction, for, as she picked up her skirts and turned toward the stairs, she turned on Jake. “You may show us to our chambers. We wish to retire.” “Retire!” cried Jake, thunderstruck. “But-but what about supper?” he sputtered. “You may bring it up to us.” Elizabeth saw the blank look on Jake’s face, and she endeavored to translate, politely, what the irate woman was saying to the startled red-haired man. “What Miss Throckmorton-Jones means is that we’re rather exhausted from our trip and not very good company, sir, and so we prefer to dine in our rooms.” “You will dine,” Ian Thornton said in an awful voice that made Elizabeth freeze, “on what you cook for yourself, madam. If you want clean linens, you’ll get them yourself from the cabinet. If you want clean rooms, clean them! Am I making myself clear?” “Perfectly!” Elizabeth began furiously, but Lucinda interrupted in a voice shaking with ire: “Are you suggesting, sirrah, that we are to do the work of servants?” Ian’s experience with the ton and with Elizabeth had given him a lively contempt for ambitious, shallow, self-indulgent young women whose single goal in life was to acquire as many gowns and jewels as possible with the least amount of effort, and he aimed his attack at Elizabeth. “I am suggesting that you look after yourself for the first time in your silly, aimless life. In return for that, I am willing to give you a roof over your head and to share our food with you until I can get you to the village. If that is too overwhelming a task for you, then my original invitation still stands: There’s the door. Use it!” Elizabeth knew the man was irrational, and it wasn’t worth riling herself to reply to him, so she turned instead to Lucinda. “Lucinda,” she said with weary resignation, “do not upset yourself by trying to make Mr. Thornton understand that his mistake has inconvenienced us, not the other way around. You will only waste your time. A gentleman of breeding would be perfectly able to understand that he should be apologizing instead of ranting and raving. However, as I told you before we came here, Mr. Thornton is no gentleman. The simple fact is that he enjoys humiliating people, and he will continue trying to humiliate us for as long as we stand here.” Elizabeth cast a look of well-bred disdain over Ian and said, “Good night, Mr. Thornton.” Turning, she softened her voice a little and said, “Good evening, Mr. Wiley.
Judith McNaught (Almost Heaven (Sequels, #3))
But I was in search of love in those days, and I went full of curiosity and the faint, unrecognized apprehension that here, at last, I should find that low door in the wall, which others, I knew, had found before me, which opened on an enclosed and enchanted garden, which was somewhere, not overlooked by any window, in the heart of that grey city.... (Book I, Ch. 1) I shall never go back, I said to myself. A door had shut, the low door in the wall I had sought and found in Oxford; open it now and I should find no enchanted garden. I had come to the surface, into the light of common day and the fresh sea-air, after long captivity in the sunless coral palaces and waving forests of the ocean bed. I had left behind me – what? Youth? Adolescence? Romance? The conjuring stuff of these things, "the Young Magician's Compendium," that neat cabinet where the ebony wand had its place beside the delusive billiard balls, the penny that folded double and the feather flowers that could be drawn into a hollow candle. "I have left behind illusion," I said to myself. "Henceforth I live in a world of three dimensions — with the aid of my five senses." I have since learned that there is no such world; but then, as the car turned out of sight of the house, I thought it took no finding, but lay all about me at the end of the avenue." (Book II, Ch. 1)
Evelyn Waugh (Brideshead Revisited)
But I was in search of love in those days, and I went full of curiosity and the faint, unrecognized apprehension that here, at last, I should find that low door in the wall, which others, I knew, had found before me, which opened on an enclosed and enchanted garden, which was somewhere, not overlooked by any window, in the heart of that grey city.... (Book I, Ch. 1) I shall never go back, I said to myself. A door had shut, the low door in the wall I had sought and found in Oxford; open it now and I should find no enchanted garden. I had come to the surface, into the light of common day and the fresh sea-air, after long captivity in the sunless coral palaces and waving forests of the ocean bed. I had left behind me – what? Youth? Adolescence? Romance? The conjuring stuff of these things, "the Young Magician's Compendium," that neat cabinet where the ebony wand had its place beside the delusive billiard balls, the penny that folded double and the feather flowers that could be drawn into a hollow candle. "I have left behind illusion," I said to myself. "Henceforth I live in a world of three dimensions — with the aid of my five senses." I have since learned that there is no such world; but then, as the car turned out of sight of the house, I thought it took no finding, but lay all about me at the end of the avenue." (Book II, Ch. 1)
Evelyn Waugh (Brideshead Revisited)
... - the Age of Anxiety, dating from around August 1945, is twenty three years old this very month - and her daily life is in essence a sandbagging operation against its seas and their tides. But this is worry and it is a little different from anxirty: Particular rather than pervasive, it arrives unannounced, without anxiety's harbingers, dread and forboding, the fearful tea in which we steep awaiting oblivion. Instead, worry turns up on the door step, the overbearing, passive aggressive out-of-town relative who insists he "won't be any trouble" even as he displaces every known routine and custom of the house for days and weeks on end; as he expropriates the sofa, the bathroom, the contents of the liqour cabinet and cigarette carton, and monopolises the telephone and the ear of anyone within shouting distance. Worry displaces the entire mood, the entire ethos of the house - even if that mood hitherto consisted largely of anxiety - and replaces it with something more substantive, more real than mere mood. You would be mightily pleased to have ordinary anxiety back in residence, for under worry there is no peace whatsoever, not even the peace of cynicism, pessimism or despair. Even when the rest of the world is abed, worry is awake, plundering the kitchen cupboards, raiding the refrigerator, playing the hifi, watching the late show until the national anthem closes the broadcast day; then noisily treading the halls, standing in your bedroom door, wondering if by any chance you are still up (knowing that of course you are), breathing and casting its shadow upon you, the silhouette of its slope-shouldered hulk and towering black wings.
Robert Clark (Love Among the Ruins)
Fatigued by her journey, the Countess soon after supper proposed retiring to rest; a proposal extremely agreeable to Madeline, whose spirits still felt agitated. The Countess conducted her to her chamber, which was near her own, and at the end of a long gallery that overlooked the hall; here they parted; but a servant remained, who offered to assist Madeline in undressing; an offer which she, never accustomed to such attendance, refused; and, feeling a restraint in her presence, dismissed her; yet scarcely had she done so, ere she felt an uneasy sensation, something like fear, stealing over her mind as she looked round her spacious and gloomy apartment; nor could she prevent herself from starting as the tapestry, which represented a number of grotesque and frightful figures, agitated by the wind that whistled through the crevices, every now and then swelled from the walls. She sat down near the door, wishing herself again in her own little chamber, and attentively listening for a passing step that she might desire the servant she had dismissed to be recalled; but all was profoundly still, and continued so; and at length she recollected herself, blushed for the weakness she had betrayed; and, recommending herself to the protection of heaven, retired to bed, where she soon forgot her cares and fears. She awoke in the morning with renovated spirits; and, impatient to gratify her curiosity by examining the contents of the chamber, instantly rose: the furniture was rich but old-fashioned; and as she looked over the great presses and curious inlaid cabinets, she thought indeed she must have not only a great fortune, but great vanity if she could ever fill them.
Regina Maria Roche (Clermont (Jane Austen Northanger Abbey Horrid Novels))
The first thing I want to say about Boyfriend is that he’s an extraordinarily decent human being. He’s kind and generous, funny and smart, and when he’s not making you laugh, he’ll drive to the drugstore at two a.m. to get you that antibiotic you just can’t wait until morning for. If he happens to be at Costco, he’ll text to ask if you need anything, and when you reply that you just need some laundry detergent, he’ll bring home your favorite meatballs and twenty jugs of maple syrup for the waffles he makes you from scratch. He’ll carry those twenty jugs from the garage to your kitchen, pack nineteen of them neatly into the tall cabinet you can’t reach, and place one on the counter, accessible for the morning. He’ll also leave love notes on your desk, hold your hand and open doors, and never complain about being dragged to family events because he genuinely enjoys hanging out with your relatives, even the nosy or elderly ones. For no reason at all, he’ll send you Amazon packages full of books (books being the equivalent of flowers to you), and at night you’ll both curl up and read passages from them aloud to each other, pausing only to make out. While you’re binge-watching Netflix, he’ll rub that spot on your back where you have mild scoliosis, and when he stops, and you nudge him, he’ll continue rubbing for exactly sixty more delicious seconds before he tries to weasel out without your noticing (you’ll pretend not to notice). He’ll let you finish his sandwiches and sentences and sunscreen and listen so attentively to the details of your day that, like your personal biographer, he’ll remember more about your life than you will. If this portrait sounds skewed, it is.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Trash first. Then supplies. Stepping forward, I kicked a pile of takeout containers to one side, wanting to clear a path to the cabinets so I could look for latex gloves. But then I stopped, stiffening, an odd scratching sound coming from the pile I’d just nudged with my foot. Turning back to it, I crouched on the ground and lifted a greasy paper at the top of the mess. And that’s when I saw it. A cockroach. In Ireland. A giant behemoth of a bug, the likes I’d only ever seen on nature programs about prehistoric insects. Okay, perhaps I was overexaggerating its size. Perhaps not. Honestly, I didn’t get a chance to dwell on the matter, because the roach-shaped locust of Satan hopped onto my hand. I screamed. Obviously. Jumping back and swatting at my hand, I screamed again. But evil incarnate had somehow crawled up and into the sleeve of my shirt. The sensation of its tiny, hairy legs skittering along my arm had me screaming a third time and I whipped off my shirt, tossing it to the other side of the room as though it was on fire. “What the hell is going on?” I spun toward the door, finding Ronan Fitzpatrick and Bryan Leech hovering at the entrance, their eyes darting around the room as though they were searching for a perpetrator. Meanwhile, I was frantically brushing my hands over my arms and torso. I felt the echo of that spawn of the devil’s touch all over my body. “Cockroach!” I screeched. “Do you see it? Is it still on me?” I twisted back and forth, searching. Bryan and Ronan were joined in the doorway by more team members, but I barely saw them in my panic. God, I could still feel it. I. Could. Still. Feel. It. Now I knew what those hapless women felt like in horror movies when they realized the serial killer was still inside the house.
L.H. Cosway (The Cad and the Co-Ed (Rugby, #3))
The Clintons’ last act before leaving the White House was to take stuff that didn’t belong to them. The Clintons took china, furniture, electronics, and art worth around $360,000. Hillary literally went through the rooms of the White House with an aide, pointing to things that she wanted taken down from shelves or out of cabinets or off the wall. By Clinton theft standards $360,000 is not a big sum, but it certainly underlines the couple’s insatiable greed—these people are not bound by conventional limits of propriety or decency. When the House Government Reform and Oversight Committee blew the whistle on this misappropriation, the Clintons first claimed that the stuff was given to them as gifts. Unfortunately for Hillary, gifts given to a president belong to the White House—they are not supposed to be spirited away by the first lady. The Clintons finally agreed to return $28,000 worth of gifts and reimburse the government $95,000, representing a fraction of the value of what they took. One valuable piece of art the Clintons attempted to steal was a Norman Rockwell painting showing the flame from Lady Liberty’s torch. Hillary had the painting taken from the Oval Office to the Clinton home in Chappaqua, but the Secret Service got wind of it and sent a car to Chappaqua to get it back. Hillary was outraged. Even here, though, the Clintons got the last laugh: they persuaded the Obama administration to let the Clinton Library have the painting, and there it hangs today. In Living History, Hillary put on a straight face and dismissed media reports about the topic. “The culture of investigation,” she wrote, “followed us out the door of the White House when clerical errors in the recording of gifts mushroomed into a full-blown flap, generating hundreds of news stories over several months.”17
Dinesh D'Souza (Hillary's America: The Secret History of the Democratic Party)
For most people moving is a tiring experience. When on the verge of moving out to a new home or into a new office, it's only natural to focus on your new place and forget about the one you’re leaving. Actually, the last thing you would even think about is embarking on a heavy duty move out clean. However, you can be certain that agents, landlords and all the potential renters or buyers of your old home will most definitely notice if it's being cleaned, therefore getting the place cleaned up is something that you need to consider. The process of cleaning will basically depend to things; how dirty your property and the size of the home. If you leave the property in good condition, you'll have a higher the chance of getting back your bond deposit or if you're selling, attracting a potential buyer. Below are the steps you need to consider before moving out. You should start with cleaning. Remove all screws and nails from the walls and the ceilings, fill up all holes and dust all ledges. Large holes should be patched and the entire wall checked the major marks. Remove all the cobwebs from the walls and ceilings, taking care to wash or vacuum the vents. They can get quite dusty. Clean all doors and door knobs, wipe down all the switches, electrical outlets, vacuum/wipe down the drapes, clean the blinds and remove all the light covers from light fixtures and clean them thoroughly as they may contain dead insects. Also, replace all the burnt out light bulbs and empty all cupboards when you clean them. Clean all windows, window sills and tracks. Vacuum all carpets or get them professionally cleaned which quite often is stipulated in the rental agreement. After you've finished the general cleaning, you can now embark on the more specific areas. When cleaning the bathroom, wash off the soap scum and remove mould (if any) from the bathroom tiles. This can be done by pre-spraying the tile grout with bleach and letting it sit for at least half an hour. Clean all the inside drawers and vanity units thoroughly. Clean the toilet/sink, vanity unit and replace anything that you've damaged. Wash all shower curtains and shower doors plus all other enclosures. Polish the mirrors and make sure the exhaust fan is free of dust. You can generally vacuum these quite easily. Finally, clean the bathroom floors by vacuuming and mopping. In the kitchen, clean all the cabinets and liners and wash the cupboards inside out. Clean the counter-tops and shine the facet and sink. If the fridge is staying give it a good clean. You can do this by removing all shelves and wash them individually. Thoroughly degrease the oven inside and out. It's best to use and oven cleaner from your supermarket, just take care to use gloves and a mask as they can be quite toxic. Clean the kitchen floor well by giving it a good vacuum and mop . Sometimes the kitchen floor may need to be degreased. Dust the bedrooms and living room, vacuum throughout then mop. If you have a garage give it a good sweep. Also cut the grass, pull out all weeds and remove all items that may be lying or hanging around. Remember to put your garbage bins out for collection even if collection is a week away as in our experience the bins will be full to the brim from all the rubbish during the moving process. If this all looks too hard then you can always hire a bond cleaner to tackle the job for you or if you're on a tight budget you can download an end of lease cleaning checklist or have one sent to you from your local agent. Just make sure you give yourself at least a day or to take on the job. Its best not to rush through the job, just make sure everything is cleaned thoroughly, so it passes the inspection in order for you to get your bond back in full.
Tanya Smith
office into a sauna. She dropped her purse and keys on the credenza right inside the door and flipped the light switch. Nothing happened. The electricity had already gone out. The only light in the house came from the glowing embers of scrub oak and mesquite logs in the fireplace. She held her hands out to warm them, and the rest of the rush from the drive down the slick, winding roads bottomed out, leaving her tired and sleepy. She rubbed her eyes and vowed she would not cry. Didn’t Grand remember that the day she came home from the gallery showings was special? Sage had never cut down a Christmas tree all by herself. She and Grand always went out into the canyon and hauled a nice big cedar back to the house the day after the showing. Then they carried boxes of ornaments and lights from the bunkhouse and decorated the tree, popped the tops on a couple of beers, and sat in the rocking chairs and watched the lights flicker on and off. She went to the kitchen and opened the refrigerator, but it was pitch-black inside. She fumbled around and there wasn’t even a beer in there. She finally located a gallon jar of milk and carried it to the cabinet, poured a glass full, and downed it without coming up for air. It took some fancy maneuvering to get the jar back inside the refrigerator, but she managed and flipped the light switch as she was leaving. “Dammit! Bloody dammit!” she said a second time using the British accent from the man who’d paid top dollar for one of her paintings. One good thing about the blizzard was if that crazy cowboy who thought he was buying the Rockin’ C could see this weather, he’d change his mind in a hurry. As soon as she and Grand got done talking, she’d personally send him an email telling him that the deal had fallen through. But he’d have to wait until they got electricity back to even get that much. Sage had lived in the house all of her twenty-six years and
Carolyn Brown (Mistletoe Cowboy (Spikes & Spurs, #5))
let my thoughts be bestowed on her who has shown so much devotion for me. Madame de Belliere ought to be there by this time," he said, as he turned towards the secret door. After he had locked himself in, he opened the subterranean passage, and rapidly hastened towards the means of communicating between the house at Vincennes and his own residence. He had neglected to apprise his friend of his approach, by ringing the bell, perfectly assured that she would never fail to be exact at the rendezvous; as, indeed, was the case, for she was already waiting. The noise the superintendent made aroused her; she ran to take from under the door the letter he had thrust there, and which simply said, "Come, marquise; we are waiting supper for you." With her heart filled with happiness Madame de Belliere ran to her carriage in the Avenue de Vincennes, and in a few minutes she was holding out her hand to Gourville, who was standing at the entrance, where, in order the better to please his master, he had stationed himself to watch her arrival. She had not observed that Fouquet's black horse arrived at the same time, all steaming and foam-flaked, having returned to Saint-Mande with Pelisson and the very jeweler to whom Madame de Belliere had sold her plate and her jewels. Pelisson introduced the goldsmith into the cabinet, which Fouquet had not yet left. The superintendent thanked him for having been good enough to regard as a simple deposit in his hands, the valuable property which he had every right to sell; and he cast his eyes on the total of the account, which amounted to thirteen hundred thousand francs. Then, going for a few moments to his desk, he wrote an order for fourteen hundred thousand francs, payable at sight, at his treasury, before twelve o'clock the next day. "A hundred thousand francs profit!" cried the goldsmith. "Oh, monseigneur, what generosity!" "Nay, nay, not so, monsieur," said Fouquet, touching him on the shoulder; "there are certain kindnesses which can never be repaid. This profit is only what you have earned; but the interest of your money still remains to be arranged." And, saying this, he unfastened from his sleeve a diamond button, which the goldsmith himself had often valued at three thousand pistoles.
Alexandre Dumas (Premium Collection - 27 Novels in One Volume: The Three Musketeers Series, The Marie Antoinette Novels, The Count of Monte Cristo, The ... Hero of the People, The Queen's Necklace...)
Top-performing salespeople tend to be productively selfish with their time. They have no trouble abruptly ending a conversation with a time-wasting associate. When the top sales hunter finds the copy machine jammed, he doesn’t open the cabinet and start reading the maze of directions. He kicks the copier door and yells for someone to get the damn thing unjammed because he has a major proposal to get out today.
Mike Weinberg (New Sales. Simplified.: The Essential Handbook for Prospecting and New Business Development)
I have a quick remedy for the lack of contentment. Clean your house. Clean every room. Start with your child’s bedroom and then move to the playroom, family room, or wherever you store their playthings. Dump out the toy bins and boxes. Pull out all the books, every toy, game, electronic game system (or systems), and the software and accessories. Next, go to your own room. Clean your bedroom closet. Then go down the hall and clean out the closet you use in the spare bedroom. Go through the cabinets and drawers in your kitchen. Clean the basement. Clean the garage, if you have one. Go visit the storage space you’re renting. Just open the door and look at all the stuff you’ve accumulated over the years. I dare you.
Anonymous (The 21-Day Financial Fast: Your Path to Financial Peace and Freedom)
There's this sailor with a pet parrot. But the parrot swears like an old sea captain. He can swear for five minutes straight without repeating himself! Trouble is, the sailor who owns him is a quiet, conservative type, and this bird's foul mouth is driving him crazy. One day, it gets to be too much, so the sailor grabs the bird by the throat, shakes him really hard, and yells, "QUIT IT!" But this just makes the bird mad and he swears more than ever. Then the sailor locks the bird in a kitchen cabinet. This really aggravates the bird and he claws and scratches everything inside. Finally the sailor lets the bird out. The bird cuts loose with a stream of vulgarities that would make a veteran seaman blush. The sailor is so mad that he throws the bird into the freezer. For the first few seconds there is a terrible racket from inside. Then it suddenly gets very quiet. At first the sailor just waits, but then he starts to think that the bird may be hurt. He's opens up the freezer door. The bird calmly climbs onto the man's outstretched arm and says, "Awfully sorry about the trouble I gave you. I'll do my best to improve my vocabulary from now on." The man is astounded. He can't understand the transformation that has come over the parrot. The parrot speaks again, "By the way, what did the chicken do?
Ed Robinson (Poop, Booze, and Bikinis)
Grateful she had locked it, she crept to the door and peered out the peephole, then smiled as she unlocked the deadbolt and opened the door. “Kyle. I didn’t expect to see you tonight.” “I couldn’t leave you all by yourself. And I’ll bet you haven’t had dinner. Am I right?” “Yes, but only because I fell asleep.” “My point exactly. You need someone to take care of you.” Jessica laughed and allowed him to enter. “I’m perfectly capable of taking care of myself.” “I know you are. But I think you deserve a little pampering, don’t you?” “I won’t argue with that.” Though she knew having him here would just make it harder to say good-bye later, she was willing to put it off for a little while longer. “What did you have in mind?” He held up a bag. “I brought Chinese.” He winked at her. “Your favorite.” Surprised by his apparent need to take care of her, if she didn’t know he was engaged to Melanie she’d think he was flirting with her. But he was engaged to Melanie, so she could only take his actions to mean that he was taking care of an old friend. He walked into the kitchen and set the bag on the table. “Where are the plates?” When she started walking toward the cabinets, he gently held on to her arms and steered her toward the table. “I can find them myself. You need to sit.” She smiled, loving the attention and soaking it up while it lasted. He found the plates as well as utensils and glasses, and set the table before sitting across from her. “I know you like the orange chicken and the fried rice, so I got plenty of both.” He scooped out a generous helping onto her plate, then filled his own. Jessica dug in, surprised by how hungry she was. “This is delicious. Thanks for bringing it over.” “My pleasure,” he said, grinning. He took a few more bites, then set his fork down. “I have to admit, it bothers me that your fiancé didn’t make the effort to be here with you after all you’ve been through.” Jessica froze, her fork midway to her mouth. She set it down and straightened the napkin in her lap before meeting Kyle’s eyes. “The truth is, I didn’t
Christine Kersey (Over You (Over You #1))
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Did you need to use the bathroom?” he asks. He doesn’t look like he has enough strength to stand. “I was going to take a shower,” I say. “But I can wait.” He gets up, groaning. “I think I’m good for now.” He smiles a watery smile. “But I might have to barge in on you.” He removes a towel from the cabinet and lays it by the sink for me. “You’ll be here to puke and not to look at me naked,” I say. “I don’t mess with Logan’s women,” he says. Then he goes on to say, “Ever. It’s a brother thing.” He burps, and I worry that he’s about to toss up his cookies again, but he doesn’t. He smiles at me and walks out, closing the door behind him. “I’m not Logan’s,” I say more to myself than to him. He opens the door back up, startling me. “Yes, you are.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
Just before dawn, he received his final visitors. They were the same every night: a trio of cardboard robots, painted dull silver. Of the costumes’ occupants, John could see very little: pallid lips and burst blood vessels glimpsed through mouth and eye slits. The tiny automatons moved on stiffened limbs, trudging forward to claim their prizes. They held plastic garbage bags, quarter-filled with fresh blood. Shivering, John tossed them some Smarties and slammed the door. Something about this last group always unnerved him.
Jeremy Thompson (The Phantom Cabinet)
Texans had very different feelings toward guns, associating them with personal safety, defense of the home, and sport (e.g., target practice, hunting). The first time I visited my next-door neighbors, I was introduced to their gun collection, which was displayed in a quite impressive gun cabinet. I was puzzled. I couldn’t reconcile the fact that my neighbors and many other good upstanding citizens owned and enjoyed guns.
Suzanne L. Davis (Ten Interesting Things about Human Behavior)
Perkins’s grandmother had told her that when somebody opens a door, you should always walk through. So Perkins confronted FDR with terms if she was to become his labor secretary. If she were to join the cabinet, FDR would have to commit to a broad array of social insurance policies: massive unemployment relief, a giant public works program, minimum wage laws, a Social Security program for old age insurance, and the abolition of child labor. “I suppose you are going to nag me about this forever,” Roosevelt told her. She confirmed she would.
David Brooks (The Road to Character)
He had been working on damage control ever since Twelve had limped out of the church hall and called for emergency pickup. He had taken the response team himself to ensure that there was no trace of Twelve ever having been there. The blood from his leg had been scrubbed away and footage from local CCTV cameras had been deleted. The dead man—Rutherford—was left where he was. Twelve had explained what had happened. The surprise of Rutherford’s appearance had saved Milton’s life, so now, in death, he would have to pay back the damage that he had caused. His body would prove to be useful. It was easy to fabricate the story. CCTV footage placed Milton at the scene and showed Rutherford arriving moments before he was shot. A camera at the entrance to the park had footage of Milton heading north. He was wounded, too, a bullet to the shoulder. They had immediately checked local hospitals for admissions, but it was perfunctory; Milton was much too savvy to do something as foolish as that. An hour later they had intercepted a call to local police of a break-in. A couple had returned to their house on the edge of the nearby park to find that someone had forced the door to the garden. Their car and a few clothes had been stolen. That, in itself, would have been enough for Control to have investigated, but they had also reported that their first aid cabinet had been ransacked, that a lamp had been moved onto the kitchen table, and that kitchen utensils had been found covered in blood.
Mark Dawson (The Cleaner (John Milton, #1))
Jamie nodded back. ‘Ms Cartwright—’ ‘It’s Mrs,’ she said automatically, the colour still drained from her cheeks. Her hand had moved from her mouth to her collarbones now as she processed it. ‘Would you mind if I took a look at those files?’  She shook her head, her eyes vacant. ‘No, no — there’s nothing much to see, but… Of course—’ She cut off, squeezing her face into a frown. ‘He’s… dead? But how? What happened? My God,’ she muttered. ‘He was… My God.’ Jamie stepped around her, leaving Roper to the interview. He was better at that sort of thing anyway. She rarely found interviewees easy to deal with. They always got emotional, blathered.  ‘Do you mind if I record this conversation?’ Roper asked behind her as she walked towards the back room. ‘No,’ Mary said quietly. ‘Great, thanks.’ He exhaled slowly, fiddling with the buttons, adding the audio file to the case. ‘What can you tell me about Ollie?’  The voices faded away as she reached the door and pushed on the handle. Inside looked to be a rehearsal room. On the left there were two steps leading up to a red door that opened onto the side of the stage, and the floor was bare concrete painted red. The paint had been chipped from years of use and the blue paint job underneath was showing through. Mary had a desk set up with two chairs in front of it, but no computer. In fact there was nothing of any value in the room.  On the right there was an old filing cabinet, and laid against it were rusted music stands as well as a mop and bucket and a couple of bottles of bargain cleaning supplies that had the word ‘Value’ written across them.  At the back of the room there was an old bookcase filled with second-hand literature — mostly children’s books and charity shop novels. Next to that an old plastic covered doctor’s examination bed was pushed against the wall. Sponge and felt were showing through the ripped brown covering.  Stood on the floor was a trifold cotton privacy screen that looked new, if not cheap. On the cracked beige walls, there was also a brand new hand-sanitiser dispenser and wide paper roll holder. She approached and checked the screws. They were still shiny. Brass. They had been put up recently. At least more recently than anything else in there.  The dispenser looked like it had come straight out of a doctor’s office, the roll holder too. Paper could be pulled out and laid over the bed so patients didn’t have to sit on the bare covering. Jamie stared at them for a second and then reached out, squirting sanitiser onto her hands.  She massaged it in before moving on.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
A door in the corner was painted the same colour as the walls. Beige. An old padlock kept it closed. She checked the seams and saw that they’d been painted over. It didn’t look like the door had been opened in years. An old storage cupboard. She made a mental note of it and headed for the filing cabinet. The bottom two drawers were empty, but the top one had a number of hanging files. She walked her fingers over them, reading the names as she went. When she reached Hammond, she stopped and pulled it out. Pausing only when she spotted another name. Grace Melver. The person who had reported him missing. She pulled that one too and pinned them under her arm as she closed the top drawer.  She took one more look around and then headed for the desk, putting the files down. Roper would keep Mary busy for a few more minutes, which meant she could dig into the cold hard facts.  Her father was at the back of her chair, looking over her head, his big hands resting on her shoulders. Information is your friend, he’d say. Acquire it ruthlessly.  She rubbed her eyes, ignoring the sting from the alcohol-based sanitiser, and dove in.  If there was anything to find, she’d find it.  Chapter
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
the bathroom down the hall, but she couldn’t bring herself to do it, not knowing whom she’d run into and when. Indoor plumbing seemed unnecessary anyway. Getting water from the well and using the outdoor toilet was easy enough. But that shower, now that was a thing of beauty! She took the brush from the cabinet and let loose her single braid, as thick and long as the grasses that stood by the river back home. She shook her head so that her black hair fell loose, then brushed it, slowly and carefully, treating it as if every inch held a story. One stroke and then another, until it was smooth and silky, like the pajamas she slept in. They were different from the ones she wore at home, which she had made for herself. The stitching was too regular, too perfect to have been made by a young woman’s hand. Obviously, they were made by machine, like everything in Kabul. When Sunny had presented the room to her, she had been particularly proud of the full-length mirror that was framed in a shiny dark wood and sat on its own four legs. But Yazmina thought of it as vanity and had turned it away once Sunny had departed. Today, though, she turned it to face her. She put her hands on her stomach, where the life inside was growing with each new day, and looked at herself. She pulled the sleeping gown over her head, removed her undergarments, and there was her body, which she was seeing naked, in full, for the first time in her life. She was slim, her legs long and lean, her right leg still red and scraped from knee to thigh where she had fallen on the pebbled road when she was pushed out of the car. Her arms were slender but muscled from daily chores, still bruised by the rough grip of strong hands. She looked at her breasts, which were larger than usual because of her condition, but nothing like the long, low ones of Halajan, the old busybody who lived next door to the café and had an opinion about everything. Yazmina thought that woman had been sent by God himself to test her patience. No, Yazmina’s breasts were still “as glowing and round as the midnight moon,” as Najam used to tell her. She saddened at the memory of her husband’s face, his kisses and his touch. She would never feel such sweetness again. But she was with his baby. She turned to the side to look at her belly and stroked it with her two hands. She took a deep breath as if the air would give her all she and her baby needed to thrive. This will be my baby, she thought, my Najam, or if a girl, Inshallah, God willing, Najama (for Yazmina was convinced it was a girl, perhaps because it was Najam’s wish to have many children—a son or two, of course, but also a daughter who had the same light in her eyes as Yazmina). Not only would the baby be named after her father, but she would be a star lighting up the night sky, as the name meant. Najam’s seed was part of her, and she would cherish it and die trying to protect it.
Deborah Rodriguez (The Little Coffee Shop of Kabul)
This regression is necessary, Juliet. A fail-safe. When they regress, they lose their dexterity. Everything here—the guns, the cabinets, even the door latches—has been carefully designed to work only for five-fingers.
Megan Shepherd (The Madman's Daughter (The Madman's Daughter, #1))
when typical poltergeist activities occurred in their home - doors slamming, cabinets suddenly opening and closing, and items around the house moving around. Their first shocking experience was when they came home to two chairs stacked together on top of the table.
Jo Lavine (True Ghost Stories: True Ghost Stories Of Terrifying Paranormal Activity, Haunted Houses And Spooky Places From Around The World (True Paranormal, True Ghost Stories And Hauntings))
Had he used his real name, or had immigration officials dug deeper, it might have been evident that Artukovic was a top cabinet minister in the Nazi puppet government in Croatia, or that he had reputedly ordered the murder and imprisonment of some 600,000 of his countrymen, or even that Yugoslavian war crimes investigators wanted to arrest the man known there as the Butcher of the Balkans.
Eric Lichtblau (The Nazis Next Door: How America Became a Safe Haven for Hitler's Men)
I have a twitch sometimes. I keep my left eye open in my sleep. That hole in the bathroom door was not me. The scar on my forearm, an accident. Burst vessel in my eye, the blackened palms, tire marks on I-25—not me. The patch of scalp, doorknob through a bedroom wall, knife wound across the cabinet’s face, the sixth time we replaced a set of wine glasses, TV hurled like a dodge ball, the cell phone torn in half—I am not crazy, this is just Thursday. I live alone, pay rent and taxes. I cook and fold laundry. There are no monsters here, I don’t see ghosts. I did not sleep with a razor in my teeth last night. I do not keep count of my 16-year pill collection. Haven’t had a drink in 43 hours. I have four alarm clocks and too many shoes. This morning, I ripped open a tin can with my own hands, cursed a man at the bagel cart. One time, I said, Ma, calm down, and she slapped me so hard I forgot her name.
Jeanann Verlee
when her parents drove up from Iowa to visit. She crouched on the blue-and-green rag rug, the white-painted cabinet door giving a surprised squeak as she jerked it open and peered
Melanie Lageschulte (Growing Season)
You left the bathroom closet door open (typical woman) after you got a towel. Fortunately you took the towel on top and you didn’t find your bras stashed under the bottom towel. Hopefully, you didn’t open the medicine cabinet in the bathroom and find your scratched-up silver hair clip (I stole it the first day I stepped into your apartment, those clips are everywhere, you’d never miss it, right?). I needed it because a few delicious strands of your hair are woven in, holding your DNA, your scent. Did you open the refrigerator door and find your leftover bottle of Nantucket Nectar diet iced tea, half-empty? Your lips touched it and I wanted to keep your lips in my refrigerator. You did pour a glass of water and there is always the possibility that you would have mistaken your iced tea bottle for my own.
Caroline Kepnes (You (You, #1))
Hey!” It was Sukey, at the base of the tree. Others. Umbrellas and hooded ponchos and raincoats. Upturned faces. Rafe, Terry, Dee, Low, Juicy. “We’re moving out here!” shouted Sukey. “You don’t want to,” I called down. “It’s cold and wet!” “Don’t care!” yelled Low. “It’s vile in there!” THEY STRAPPED UP the tarps from the beach to extend our roof cover. They found a stash of paint-spattered groundsheets and swarmed over the canopy, lashing the bright-blue vinyl to the treehouse posts. They stretched them between platforms, over nets and ladders. I felt restless. If they didn’t want to go back to the house, whatever, but I did. I wanted the fireplace and the cabinets packed with snack cakes and miniature powdered donuts. The indoor plumbing. I asked Dee, then Terry, then Rafe what the deal was, but they refused to talk about it. It was only when Sukey finished setting up her sleeping bag, weighing it down with rocks, that I got a straight answer: during the night the older generation had dosed itself with Ecstasy. No one knew if it had been a plan or covert action, but they’d promptly ascended new heights of repulsive. It was true Juicy and Terry had watched them fool around from behind slatted doors at the beginning—even Low had done it. Out of a sense of desperate boredom, soon after the phones were taken away. Also vengeance. And scorn. Now they regretted it. Maybe they’d had had stronger stomachs, back then. “Plus that was just like, normal old-people sex,” said Juicy. “How would you know?” said Rafe. “Like, couples,” said Juicy. “This is . . . like, everything.” “They’re walking around butt naked,” said Low. “I saw two fathers and Dee’s mother in a three—” started Juicy.
Lydia Millet (A Children's Bible)
1930s Functionalism/Modernism Exterior •Facade: Cube shapes and light-color plaster facades, or thin, standing wood panels. •Roof: Flat roof, sometimes clad in copper or sheet metal. •Windows: Long horizontal window bands often with narrow—or no—architraves; large panes of glass without mullions or transoms. Emphasis on the horizontal rather than on the vertical. Windows run around corners to allow more light and to demonstrate the new possibilities of construction and materials. •Outside door: Wooden door with circular glass window. •Typical period details: Houses positioned on plots to allow maximum access to daylight. Curving balconies, often running around the corner; corrugated-iron balcony frontage. Balcony flooring and fixings left visible. The lines of the building are emphasized. Interior •Floors: Parquet flooring in various patterns, tongue-and-groove floorboards, or linoleum. •Interior doors: Sliding doors and flush doors of lamella construction (vaulted, with a crisscross pattern). Masonite had a breakthrough. •Door handles: Black Bakelite, wood, or chrome. •Fireplaces: Slightly curved, brick/stone built. Light-color cement. •Wallpaper/walls: Smooth internal walls and light wallpapers, or mural wallpaper that from a distance resembled a rough, plastered wall. Internal wall and woodwork were light in color but rarely completely white—often muted pastel shades. •Furniture: Functionalism, Bauhaus, and International style influences. Tubular metal furniture, linear forms. Bakelite, chrome, stainless steel, colored glass. •Bathroom: Bathrooms were simple and had most of today’s features. External pipework. Usually smooth white tiles on the walls or painted plywood. Black-and-white chessboard floor. Lavatories with low cisterns were introduced. •Kitchen: Flush cupboard doors with a slightly rounded profile. The doors were partial insets so that only about a third of the thickness was visible on the outside—this gave them a light look and feel. Metal-sprung door latches, simple knobs, metal cup handles on drawers. Wall cabinets went to ceiling height but had a bottom section with smaller or sliding doors. Storage racks with glass containers for dry goods such as salt and flour became popular. Air vents were provided to deal with cooking smells.
Frida Ramstedt (The Interior Design Handbook: Furnish, Decorate, and Style Your Space)
These days, there are sheriff squads whose full-time job is to carry out eviction and foreclosure orders. There are moving companies specializing in evictions, their crews working all day, every weekday. There are hundreds of data-mining companies that sell landlords tenant screening reports listing past evictions and court filings.2 These days, housing courts swell, forcing commissioners to settle cases in hallways or makeshift offices crammed with old desks and broken file cabinets—and most tenants don’t even show up. Low-income families have grown used to the rumble of moving trucks, the early-morning knocks at the door, the belongings lining the curb.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
Lily pushed up the window and took careful aim at the man who had probably shot Caleb—the fat man with the funny hat. “Drop that gun and let him pass,” she said clearly, “or I’ll blow you into pieces so small they’ll be able to sweep you up and carry you off in that hat of yours.” Caleb grinned at that, despite his wound. When the bandit dropped his rifle into the dust Caleb dismounted, strode over to collect it, and entered the house through the back door. If the others were looking on, they were apparently afraid to move—Lily couldn’t see them from where she stood. Caleb glanced at Baker, still lying unconscious on the floor, his hands bound behind him with a cloth that had part of the word Tuesday embroidered on it. “What happened to him?” “He met up with the big skillet,” Lily answered, peering at Caleb’s wound. “Let me have a look at that.” “It’s nothing,” Caleb answered, shuffling her aside. “How many are there?” “Four, I think,” Lily answered, frowning thoughtfully. “Besides this fellow and the fat man, I mean.” “What do they want?” “Me,” Lily said succinctly. “Can’t blame the poor bastards for that,” Caleb remarked with a wry grin, striding to the gun cabinet and taking out a rifle. “Too bad I’m going to have to kill them.” “Caleb, you’re hurt—let me take care of you.” “That’ll have to wait,” Caleb answered, going to the front window to stand just to one side of it, looking out. “Get out of the middle of the room, Lily, before they take a potshot at you.” Lily ducked behind the wing-backed chair, her teeth biting into her lower lip. The glass in the window shattered in the next instant, and Caleb fired. “Never pays to stand out in the open!” he called to his victim. “Is he dead?” Lily’s fingers were digging into the leather of Caleb’s favorite chair. “No, but his mama will probably never have grandchildren.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Landon reappeared, wearing a shirt, and pointed to the trash bag. “All done with that? I’m taking them to the garage.” Colby did a quick scan of the kitchen. “Yeah, looks like we got it all.” “Cool.” He knotted the top together then lifted the bag. Glass bottles rattled inside. “This shit stinks. Our friends are pigs.” Matt pretended to clear his throat. “Says the beer pong champ.” He lifted his hands, his face masked in innocence. “Didn’t say a thing.” “Ha-ha, okay, okay. Yeah, so maybe I contributed.” Landon shouldered the weighted bag. “A lot. But I also kicked your ass.” “We,” I chimed in. “Considering how drunk you were, we should probably respect the solid seventy/thirty split of the win.” Landon opened the garage door and paused. “Hold that thought.” “Uh-oh, you got him all fired up now.” Matt laughed and plopped down on the couch in the now clean living room. “You got anything for a headache?” Colby nodded, reached into the kitchen cabinet where he stored the ibuprofen, then tossed him the bottle. The garage door reopened and Landon stepped through already talking. “Okay, so if I’m not mistaken, you’re saying you did seventy percent of the winning?” “Seems about right.” I grinned, just to egg him on. “What I’m thinking is we should just call it fifty/fifty because my drunkenness just took my superior beer pong skills down to average-guy range.” “Oh? So that’s what we want to call it? Hmm…Okay, if this helps keep your ego nice and inflated, I guess I can get on board with that.” “Hey now…” He forced back a smile. “Kidding. We all know I suck at beer pong. If it hadn’t been for my champion of a partner and Matt’s extreme inebriation, I wouldn’t have stood a chance. It was a team effort and we…how did you say it? Mopped the floors with the blood of our enemies?” “Damn girl, you’re feisty. This isn’t no red wedding. I just said we kicked some ass.” “Oh, you didn’t say something like that? Wow, now I see how the inflated ego comes about. That kind of win just really goes straight to the head. I’m like crazy with power.” “I’d say.” He laughed. “And remind me to never play against you.
Renita Pizzitola (Addicted to You (Port Lucia #1))
Because we were back in LA for the celebrity episode, we were able to attend a dinner party thrown by threes trading spaces on waters Jay and Rick from the Van Nuys shoot. It was wonderful to see them and Lisa and Teddy, who were on the other team. Jay and Rick at the room basically the same they rearrange the furniture to accommodate their TV, but that's about it. Lisa and Tony kept the room EXACTLY the same. Like, for real, exactly the same thing - the artwork, the flowers, everything. They even carried the design into the rest of their house. They took the street from the living room and extended all the way to the front door, then add molding on the hallway cabinets to match the detail work on the wall unit we built for them. And get this: Teddy added indirect lighting to the open shelves above the wall unit. The room looks fabulous. I can't wait to tell Laurie how inspired they were by her work.
Paige Davis (Paige by Paige: A Year of Trading Spaces)
My office is over here—” He stopped. Frowned. Looked about. Had to backtrack to the kitchen in order to find the various parties. Sola’s grandmother had her head in the Sub-Zero refrigerator, rather as if she were a gnome looking for a cool place in the summer. “Madam?” Assail inquired. She shut the door and moved on to the floor-to-ceiling cabinets. “There is nothing here. Nothing. What do you eat?” “Ah . . .” Assail found himself looking at the cousins for aid. “Usually we take our meals in town.” The scoffing sound certainly appeared like the old-lady equivalent of Fuck that. “I need the staples.” She pivoted on her little shiny shoes and put her hands on her hips. “Who is taking me to supermarket.” Not an inquiry. And as she stared up at the three of them, it appeared as though Ehric and his violent killer of a twin were as nonplussed as Assail was. The evening had been planned out to the minute—and a trip to the local Hannaford was not on the list. “You two are too thin,” she announced, flicking her hand in the direction of the twins. “You need to eat.” Assail cleared his throat. “Madam, you have been brought here for your safety.” He was not going to permit Benloise to up the stakes—and so he’d had to lock down potential collateral damage. “Not to be a cook.” “You have already refused the money. I no stay here for free. I earn my keep. That is the way it will be.” Assail exhaled long and slow. Now he knew where Sola got her independent streak. “Well?” she demanded. “I no drive. Who takes me.” “Madam, would you not prefer to rest—” “Your body rest when dead. Who.” “We do have an hour,” Ehric hedged. As Assail glared at the other vampire, the little old lady hitched her purse up on her forearm and nodded. “So he will take me.” Assail met Sola’s grandmother’s gaze directly and dropped his tone a register just so that the line drawn would be respected. “I pay. Are we clear—you are not to spend a cent.” She opened her mouth as if to argue, but she was headstrong—not foolish. “Then I do the darning.” “Our clothes are in sufficient shape—” Ehric cleared his throat. “Actually, I have a couple of loose buttons. And the Velcro strip on his flak jacket is—” Assail looked over his shoulder and bared his fangs at the idiot—out of eyesight of Sola’s grandmother, of course. Remarshaling his expression, he turned back around and— Knew he’d lost. The grandmother had one of those brows cocked, her dark eyes as steady as any foe’s he’d ever faced. Assail shook his head. “I cannot believe I’m negotiating with you.” “And you agree to terms.” “Madam—” “Then it is settled.” Assail threw up his hands. “Fine. You have forty-five minutes. That is all.” “We be back in thirty.” At that, she turned and headed for the door. In her diminutive wake, the three vampires played ocular Ping-Pong. “Go,” Assail gritted out. “Both of you.” The cousins stalked for the garage door—but they didn’t make it. Sola’s grandmother wheeled around and put her hands on her hips. “Where is your crucifix?” Assail shook himself. “I beg your pardon?” “Are you no Catholic?” My dear sweet woman, we are not human, he thought. “No, I fear not.” Laser-beam eyes locked on him. Ehric. Ehric’s brother. “We change this. It is God’s will.” And out she went, marching through the mudroom, ripping open the door, and disappearing into the garage. As that heavy steel barrier closed automatically, all Assail could do was blink.
J.R. Ward (The King (Black Dagger Brotherhood, #12))
Ivy slumped back against the cabinet doors. “What land have I fallen into?” Erin extended her arms wide. “Why a land filled with faeries, leprechauns, and Irish people with the gift of sight.” Ivy rolled her eyes. “A strange land… this Ireland.” Both women burst out in hysterical laughter.
Mary Morgan (Quest of a Warrior (Legends of the Fenian Warriors, #1))
Inside the brilliant, white, glossy enclosure was a large working space with some seats tucked tidily underneath it and along one wall, cages contained some small mice and other mammals packed into cages piled neatly on top of each other. At the other side of the enclosure was a long, grey cabinet with a sliding door, which housed the robotic frames Professor Heisner had built over the years with Latimer, another professor who he'd attended a research placement with in his younger years who specialised in robotics technology.
Jill Thrussell
It was strange to speak forthrightly, after living at Mrs. Bittle’s those years: exiting the bathroom with downcast eyes, sitting at supper while old Mr. Judd piped up with his yellowed news extras. Now it seems we shared a kindred silence, restraining our smiles on hearing that Limburger has flown across the Atlantic. But maybe I contrive this, as lovers reconfigure the days before, with every glance leading ultimately to union. In any event here she is, installed in my dining room. I hated to show her the mail, stored in bushel baskets in the empty spare bedroom. She did not flinch. Grasped each bushel by the handles, marched it downstairs, and dumped onto the maple table one mountain for each month. Bravely she dives in, even before we’ve found her a filing cabinet or acceptable typewriter. (Royal or L. C. Smith.) We shall put the bathroom door back on its hinges, as soon as I’ve cleared its surface of all piles and chapters, and found a proper
Barbara Kingsolver (The Lacuna)
He shrugged. “Most of the time poor stays poor.” I’d been fixing a cabinet door, but I stopped and gave Storm my full attention. “If you think like that, that usually is what happens. You have to be able to see yourself successful to have a shot at finding success. And you need to work harder than someone who has things handed to them.” I felt Autumn’s eyes on me, so I looked over. “No offense.” She smiled. “None taken.” “You ever run track at school?” I asked Storm. “Yeah.” “You know why the runners don’t all start from the same line?” “Because the inside track is shorter.” “That’s right. They make it fair for everyone. But in real life, that crap doesn’t happen. Some people start from behind—and for reasons other than just being poor.” I paused, making sure he was following. He gave the smallest of nods. “So learn to run faster, and never forget there are people starting even farther back than you.
Vi Keeland (The Spark)
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unjumbly
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Arun
You can disrupt a behavior you don’t want by removing the prompt. This isn’t always easy, but removing the prompt is your best first move to stop a behavior from happening. A few years ago I went to the South by Southwest conference in Austin, Texas. I walked into my hotel room and threw my bag on the bed. When I scanned the room, I saw something on the bureau. “Oh nooooo,” I said out loud to absolutely no one. There was an overflowing basket of goodies. Pringles. Blue chips. A giant lollipop. A granola bar. Peanuts. I try to eat healthy foods, but salty snacks are delicious. I knew the goody bin would be a problem for me at the end of every long day. It would serve as a prompt: Eat me! I knew that if the basket sat there I would eventually cave. The blue chips would be the first to go. Then I would eat those peanuts. So I asked myself what I had to do to stop this behavior from happening. Could I demotivate myself? No way, I love salty snacks. Can I make it harder to do? Maybe. I could ask the front desk to raise the price on the snacks or remove them from the room. But that might be slightly awkward. So what I did was remove the prompt. I put the beautiful basket of temptations on the lowest shelf in the TV cabinet and shut the door. I knew the basket was still in the room, but the treats were no longer screaming EAT ME at full volume. By the next morning, I had forgotten about those salty snacks. I’m happy to report that I survived three days in Austin without opening the cabinet again. Notice that my one-time action disrupted the behavior by removing the prompt. If that hadn’t worked, there were other dials I could have adjusted—but prompts are the low-hanging fruit of Behavior Design. Teaching the Behavior Model Now that you’ve seen how my Behavior Model applies to various types of behavior, I’ll show you more ways to use this model in the pages that follow.
B.J. Fogg (Tiny Habits: The Small Changes That Change Everything)