Byron White Quotes

Henry, who can drone on about Lord Byron until you threaten to block his number.

Like most guys, I had bought into the stereotype that all feminists were white, lesbian, unattractive male bashers who hated all men. But after reading the work of these black feminists, I realized that this was far from the truth. After digging into their work, I came to really respect the intelligence, courage and honesty of these women. Feminists did not hate men. In fact, they loved men. But just as my father had silenced my mother during their arguments to avoid hearing her gripes, men silenced feminists by belittling them in order to dodge hearing the truth about who we are.

Come to the jacaranda tree at seven o'clock and you will hear something to your advantage. Destroy this note.' No signature, no clue to the identity. Just what sort of heroine do you think I am? Phryne asked the air. Only a Gothic novel protagonist would receive that and say, 'Goodness, let me just slip into a low-cut white nightie and put on the highest heeled shoes I can find,' and, pausing only to burn the note, slip out of the hotel by a back exit and go forth to meet her doom in the den of the monster - to be rescued in the nick of time by the strong-jawed hero (he of the Byronic profile and the muscles rippling beneath the torn shirt). 'Oh, my dear,' Phryne spoke aloud as if to the letter-writer. 'You don't know a lot about me, do you?

our tragedy begins humid. in a humid classroom. with a humid text book. breaking into us. stealing us from ourselves. one poem. at a time. it begins with shakespeare. the hot wash. the cool acid. of dead white men and women. people. each one a storm. crashing. into our young houses. making us islands. easy isolations. until we are so beleaguered and swollen with a definition of poetry that is white skin and not us. that we tuck our scalding. our soreness. behind ourselves and learn poetry. as trauma. as violence. as erasure. another place we do not exist. another form of exile where we should praise. honor. our own starvation. the little bits of langston. phyllis wheatley. and angelou during black history month. are the crumbs. are the minor boats. that give us slight rest. to be waterdrugged into rejecting the nuances of my own bursting extraordinary self. and to have this be called education. to take my name out of my name. out of where my native poetry lives. in me. and replace it with keats. browning. dickson. wolf. joyce. wilde. wolfe. plath. bronte. hemingway. hughes. byron. frost. cummings. kipling. poe. austen. whitman. blake. longfellow. wordsworth. duffy. twain. emerson. yeats. tennyson. auden. thoreau. chaucer. thomas. raliegh. marlowe. burns. shelley. carroll. elliot… (what is the necessity of a black child being this high off of whiteness.) and so. we are here. brown babies. worshipping. feeding. the glutton that is white literature. even after it dies. (years later. the conclusion: shakespeare is relative. white literature is relative. that we are force fed the meat of an animal that our bodies will not recognize. as inherent nutrition. is not relative. is inert.)

and line of cases. Justice Byron R. "Whizzer" White, a JFK appointee, dissented, calling Doe an act of "raw judicial power," as it took these decisions from the states and enshrined their determination in the Supreme Court's reasoning.

if our story was a fairytale you’d be a great white shark and I would be the goldfish that fell in love with him

She hovered, her fine-boned face and slender form revealed in the low light of the fire. Her hair was the pale blond hue of moon glow, her eyes the soft, silvery blue of a mist-shrouded lake. Dusted pink as new blush roses, the color of her lips and cheeks gleamed against the creamy whiteness of her skin. For a second he wondered if she was a phantom brought on by too much drink, her ethereal beauty more in keeping with a faerie story than reality.

The Assyrian came down like the wolf on the fold, And his cohorts were gleaming in purple and gold; And the sheen of their spears was like stars on the sea, When the blue wave rolls nightly on deep Galilee. Like the leaves of the forest when Summer is green, That host with their banners at sunset were seen: Like the leaves of the forest when Autumn hath blown, That host on the morrow lay withered and strown. For the Angel of Death spread his wings on the blast, And breathed in the face of the foe as he passed; And the eyes of the sleepers waxed deadly and chill, And their hearts but once heaved, and for ever grew still! And there lay the steed with his nostril all wide, But through it there rolled not the breath of his pride; And the foam of his gasping lay white on the turf, And cold as the spray of the rock-beating surf. And there lay the rider distorted and pale, With the dew on his brow, and the rust on his mail: And the tents were all silent, the banners alone, The lances unlifted, the trumpet unblown. And the widows of Ashur are loud in their wail, And the idols are broke in the temple of Baal; And the might of the Gentile, unsmote by the sword, Hath melted like snow in the glance of the Lord!

You may remember the old question, the one that’s supposed to define your outlook on life when you answer it. For Byron Hadley the answer would always be half empty, the glass is half empty. Forever and ever, amen. If you gave him a cool drink of apple cider, he’d think about vinegar. If you told him his wife had always been faithful to him, he’d tell you it was because she was so damn ugly. So there he sat, talking to Mert Entwhistle loud enough for all of us to hear, his broad white forehead already starting to redden with the sun. He had one hand thrown back over the low parapet surrounding the roof. The other was on the butt of his .38.

Is yet within the unread events of time. Thus far, go forth, thou lay, which I will back Against the same given quantity of rhyme, For being as much the subject of attack As ever yet was any work sublime, By those who love to say that white is black. So much the better!—I may stand alone, But would not change my free thoughts for a throne.

…the rising movement of romanticism, with its characteristic idealism, one that tended toward a black-and-white view of the world based on those ideas, preferred for different reasons that women remain untinged by “masculine” traits of learning. Famous romantic writers such as Lord Byron, Samuel Taylor Coleridge, and William Hazlitt criticized the bluestockings. …and Hazlitt declared his 'utter aversion to Bluestockingism … I do not care a fig for any woman that knows even what an author means.' Because of the tremendous influence that romanticism gained over the cultural mind-set, the term bluestocking came to be a derogatory term applied to learned, pedantic women, particularly conservative ones. ... Furthermore, learned women did not fit in with the romantic notion of a damsel in distress waiting to be rescued by a knight in shining armor any more than they fit in with the antirevolutionary fear of progress.

The garden shimmered with candlelight from dozens of sweetly scented beeswax tapers set around to illuminate the space. In the center stood her painting table, now neatly draped in a crisp, white linen tablecloth and laid with her best china, crystal and silver. More lighted candles were arranged on the table, a small vase of flowers set in the middle, tender petals of red, pink and ivory adding a pleasing burst of color. More color glowed in the sky, sunset turning the horizon a glorious golden apricot.

Very Like a Whale One thing that literature would be greatly the better for Would be a more restricted employment by authors of simile and metaphor. Authors of all races, be they Greeks, Romans, Teutons or Celts, Can'ts seem just to say that anything is the thing it is but have to go out of their way to say that it is like something else. What foes it mean when we are told That the Assyrian came down like a wolf on the fold? In the first place, George Gordon Byron had had enough experience To know that it probably wasn't just one Assyrian, it was a lot of Assyrians. However, as too many arguments are apt to induce apoplexy and thus hinder longevity, We'll let it pass as one Assyrian for the sake of brevity. Now then, this particular Assyrian, the one whose cohorts were gleaming in purple and gold, Just what does the poet mean when he says he came down like a wolf on the fold? In heaven and earth more than is dreamed of in our philosophy there are a great many things, But i don't imagine that among then there is a wolf with purple and gold cohorts or purple and gold anythings. No, no, Lord Byron, before I'll believe that this Assyrian was actually like a wolf I must have some kind of proof; Did he run on all fours and did he have a hairy tail and a big red mouth and big white teeth and did he say Woof woof? Frankly I think it very unlikely, and all you were entitled to say, at the very most, Was that the Assyrian cohorts came down like a lot of Assyrian cohorts about to destroy the Hebrew host. But that wasn't fancy enough for Lord Byron, oh dear me no, he had to invent a lot of figures of speech and then interpolate them, With the result that whenever you mention Old Testament soldiers to people they say Oh yes, they're the ones that a lot of wolves dressed up in gold and purple ate them. That's the kind of thing that's being done all the time by poets, from Homer to Tennyson; They're always comparing ladies to lilies and veal to venison, And they always say things like that the snow is a white blanket after a winter storm. Oh it is, is it, all right then, you sleep under a six-inch blanket of snow and I'll sleep under a half-inch blanket of unpoetical blanket material and we'll see which one keeps warm, And after that maybe you'll begin to comprehend dimly, What I mean by too much metaphor and simile.

Nestled into a bed of shiny cream satin lay a heart-shaped pendant on a simple gold chain. The heart itself was created from over a dozen delicate round amethyst stones, while the center held a miniature painted on porcelain. Done in a series of fine, delicate strokes, the artist's rendering depicted a tiny garden, alive with masses of yellow and white hollyhocks. Right away, they reminded her of the flowers she'd been drawing that long-ago day in Bath. The day of her and Jack's very first kiss. Her gaze went to his, breath stilled in her chest. "Oh, Jack. It's Sydney Gardens, isn't it?" "That's right, with those stalky, puff-headed flowers." He gave her a gentle smile. "Do you like it?" "I love it." "I chose amethyst, since you said it's your favorite stone. I hope I remembered right?" "You did. It's so lovely. Thank you. I'll wear it each and every day," she promised. "Your heart tucked against my own." A peculiar shadow flickered momentarily across his eyes before he reached for the necklace. "Here, let me help you put it on." "Yes. Please," she said, relieved he'd offered. Her hands were trembling with so much emotion that she doubted she could have managed the task on her own. Turning slightly, she angled herself so he could place the chain around her neck and fasten the clasp. The slight weight of the gold and stones grew instantly warm against her skin. "There. How does it look?" she asked as she moved to face him again. "Beautiful," he said. But when she glanced up, she realized he wasn't looking at the pendant. Instead, he was looking at her.

Multiculturalism denies historical and scientific evidence that people differ in important biological and cultural ways that makes their assimilation into host countries problematic. It is also extreme in the viciousness with which it attacks those who differ on this issue. These attacks are accompanied by a very generalized and one-sided denigration of Western traditions and Western accomplishments, and claims that a collective guilt should be assumed by all Europeans (whites) for the sins of their forebears. In the semireligious formulation of this view, expiation of these sins can only come through an absolute benevolence toward the poor of the world whose suffering is claimed to be the result of the white race and its depredations. In practical terms this can only be accomplished through aid to Third World peoples and generous immigration policies that allow large numbers of people to escape the poverty of the Third World.

The salty, slightly stagnant smell of the marsh filled my nose. On the other side of the bed, a French door opened to what looked like the balcony. The curtain was drawn but a silhouette moved outside the gauzy white veil.

Leptin is a hormone that is secreted by fat cells in white adipose tissue (figure 1). Leptin was found to be a signal to the brain, having a primary influence on body weight. It was also discovered to be involved with insulin, cardiovascular health, reproductive function, sex hormones, immune function, adrenal function, stress, thyroid function, bone health, cancer, and inflammation. Indeed, it has a major determining role in many aspects of healthy function. When leptin falls out of natural balance and loses its ability to communicate efficiently, health problems follow. Thus, the concept of fat as a storage place has been transformed to fat as a major endocrine organ, like the thyroid gland, adrenal glands, and sex glands.19

In a remarkable book, The End of Southern Exceptionalism, Byron Shafer and Richard Johnston make the case that white southerners switched to the Republican Party not because of racism but because they identified the GOP with economic opportunity and upward mobility.

I followed Margo into the kitchen. “I want some friddiggity for dessert.” she announced. “What’s friddiggity?” Mom asked. “Dog diggity fridge,” Claire replied. Dad spun around. “The dog’s in the fridge?” As Byron fell off his chair in hysterics, Adam yanked open the refrigerator and gasped. “Pow’s frozen solid!” Poor Claire turned bone-white.

He supposed there were worse things than marriage, although right now he couldn't seem to think of any. 'Cade looks happy enough,' Jack reasoned, as his attention returned to the ceremony. 'Why wouldn't he though, when he is marrying an angel?' His brother's bride, Meg, certainly looked the part, dressed all in white, with her blond hair swept upward in soft waves beneath her lace veil, her lake blue eyes aglow with unconcealed joy. Her love for Cade was clear, as was her gentle sweetness and caring ways. 'Cade is a fortunate man,' he thought. 'I should be half so lucky.

My leg is sore," he told her, clasping her thighs to settle astride his hips. "I thought you could ride me tonight." Her eyes widened, her lips parting on a stunned breath as his wide palms raised her up, then angled her so he could thrust himself inside. "That's right," he urged, showing her how to accept him in this new position. "Take me in. Take me deep." And she did, obeying him implicitly, following his every demand and direction as he taught her each delicious, sinuous move. Her hair fell forward in a pale circle, framing her face and his as he leaned up to take her lips in a series of wild, rapacious kisses. Surrendering completely, she clung as he surged up into her, driving himself completely deep. She moaned, her body burning like white hot ash, need enslaving her as she fell into a dazed, relentless rhythm. When she tired, he took command, pushing her farther and faster than she imagined she could go until finally she broke on a long, tormented cry. Bliss roared through her, everything she was, given over to the ecstasy of the man and the moment. Collapsing over him, she lay drained and dreamy as he thrust into her with relentless intensity. He took his own release seconds later, his rough shout captured against a pillow.

Light pierced her eyes like a thousand needles. Shea stumbled, then felt a strong hand close like a vise around her upper arm, preventing her from falling. Murmuring a thank you, she fumbled in her pocket for her dark glasses to cover her streaming eyes. “What are you doing here alone, unprotected?” The voice was pitched low, the dialect and accent eerily similar to Jacques’. Shea’s breath caught in her throat, and she struggled for release. The tall, dark-haired man merely pushed her into the shadows, her back to the wall of the building, his large frame easily blocking hers. “Who are you?” he asked. “You are small and fair for one of us.” His hand caught her chin so that she met the penetration of his sunglass-shaded eyes. “Your scent is familiar to me but elusive. How is it I did not know of your existence?” For just a moment satisfaction curved his mouth. “You are free. That is good.” “I don’t know you, sir, and you’re scaring me. I’m in a great hurry, so please let me go.” Shea used her coolest, most disdainful voice, and she deliberately spoke English. The man was enormously strong, and it terrified her. “I am Byron.” He gave only his first name, as if that should be enough. “I am a male of our race, you a single female. The sun is climbing, and you did not give yourself enough time to seek refuge from the dawn. I can do no other than help you, offer my protection.” He switched easily to heavily accented English. His voice seemed to slide right inside her. He gave the illusion of being a gentleman, so friendly, yet he had not released her or moved even an inch to allow her to get by him. He inhaled, dragged her scent into his lungs. Suddenly his entire demeanor changed. His body stiffened. His fingers dug into her arm. White teeth gleamed a predator’s flash of warning. “Why did you not answer me when I spoke to you?

He gave the illusion of being a gentleman, so friendly, yet he had not released her or moved even an inch to allow her to get by him. He inhaled, dragged her scent into his lungs. Suddenly his entire demeanor changed. His body stiffened. His fingers dug into her arm. White teeth gleamed a predator’s flash of warning. “Why did you not answer me when I spoke to you?” His words were low and menacing. The suave stranger was frightening. “Let go of me.” She kept her voice even, her mind working at top speed, looking for a way out. He seemed to hold all the cards, but… “Tell me who you are,” he demanded. “Let go of me now.” She lowered her voice, pitched it to a soft, hypnotic melody. “You want to let me go.” The stranger shook his head, his eyes narrowing, recognizing the hint of compulsion in her voice. He inhaled a second time, drinking in her fragrance. At once his face seemed to go still. “I recognize that scent. Jacques. He is dead these seven years, yet his blood runs in your veins.” His voice crawled with deadly threat. For a moment she was frozen with fear. Was this the betrayer Jacques had spoken of? Shea swung her head sideways to remove his fingers from her chin. “I have no idea what you’re talking about. Let go of me now!” Byron let out his breath in a low, venomous hiss. “If you wish to see another night, you will tell me what you have done with him.” “You’re hurting me.” He was drawing closer, leaning toward her neck, bending her backward like a bow as she tried to elude him. His breath was hot on her throat, and Shea gasped as she felt needle-sharp teeth pierce her skin. With a low cry she jerked sideways, her heart pounding. Without warning he caught at the neckline of her shirt to examine the bruises at her throat. She could feel his puzzlement, his confusion. Shea took advantage of his momentarily distraction. As hard as she was able, she brought up her knee and screamed for all she was worth. Byron looked so shocked, she nearly laughed. He had been absolutely certain she wouldn’t want attention drawn to her. His hiss, a deadly promise of retaliation, was the last thing she heard before he melted away. And he literally melted away. Shea never saw him move. One moment he was there, his body trapping hers against the wall, and then he was gone. A fine mist was mixing with the layers of fog covering the ground to about knee level.

Few Carpathian women carry to full term. The child rarely survives the first year of life. Do not be so certain we are out of the woods. You must rest and be cared for. The child comes first. Byron would say so also. Mikhail must take you far from this place, away from the vampire and the assassins. I will hunt and rid our people of the danger while your mate looks after you.” Gregori’s voice was low and pitched in silver tones, tones of light that beckoned and danced. Nearly impossible to resist. So calm and soothing and reasonable. Raven actually had to shake off the compulsion to do as he wished. She glared at him. “Don’t even try that with me, Gregori.” She included Mikhail in her stare. “And you, you big lunk, you would have gone along with him like the tree-swinging macho man you are. Watch these guys, Shea, they’re impossible. They’ll do anything to get their way.” Shea found herself smiling. “So I’ve noticed.” It was reassuring to see that Raven had learned to hold her own with the men. Shea was every bit as strong. “I can’t leave Byron out there to suffer the same fate as Jacques,” Raven insisted stubbornly. She looked beyond Gregori to Shea for support. “We can’t.” Shea had seen firsthand what the human butchers were capable of, and she could no more leave Byron to such a fate than she could walk away from Jacques. She nodded in agreement. “Once we have Byron’s location, you men can go after him. I’ll stay with raven, and we’ll wait for you here. The vampire can’t come out with the sun up, and we have guns if the humans show up.” “In any case, Mikhail, you know you could protect us from humans, even from a distance,” Raven reminded him. “Shea is right, healer.” Jacques suddenly threw his support to the women. He owed Byron. He could not allow anyone to suffer as he had. He glanced at Gregori. “You knew Raven and Mikhail were in trouble when their minds were connected to Byron’s. What is it? How does the vampire trap us?” “He ensnared Raven and me through Byron, a monumental feat,” Mikhail admitted. Then he rubbed his jaw ruefully. “Is it possible, little brother, you enjoyed hitting me just a bit too much?” Jacques’ teeth gleamed white in the semblance of a smile. He could not help but admire Mikhail’s coolness in the midst of a threat as lethal as the healer’s and the vampire’s combined. To be able to joke, to put aside the ego of the Carpathian male, was nothing short of a miracle.

Fields of opium poppies surrounded the infrequent villages shining their fresh green leaves against the storm-inked sky. Purple lightning danced on the horizon. It had rained here already, and out in the desert we could smell the aromatic camel-thorn as if it was on fire. Yellow lupins mingled with big clumps of mauve and white iris. Kariz itself was pervaded by an overpowering scent, as sweet as bean- flowers, but more languid, more poetic. I walked out to try and place it. The opium flowers called me, glowing in the dusk like lamps of ice.

Most early-twentieth-century books didn't have illustrations. Corporate cookbooks, you know, ones that were created to sell a brand of something like vegetable shortening or flour, popularized the use of black-and-white photograpic images in the nineteen twenties. By the nineteen forties, most cookbooks incorporated illustrations, and colour photography became more popular. But the cookbook as a sort of a coffee table book didn't take off until the eighties and nineties.

KEY PLAYERS J. Edgar Hoover: Director of the FBI. Tom White: Agent in charge of the Osage murders investigation. William K. Hale: The so-called “King of the Osage Hills”—was later convicted of first-degree murder in the investigation. Ernest Burkhart: Nephew of William Hale. Conspired with his uncle to murder several Osage for their wealth. Byron Burkhart: Nephew of William Hale, and brother to Ernest Burkhart. Mollie Burkhart: Wife of Ernest Burkhart. Was almost a victim of the deadly conspiracy.

Gregori’s body bent first, feathers shimmering iridescent in the moonlight. A six-foot wingspan spread, and he glided to the high branch of a nearby tree, razor-sharp talons digging into a branch. The owl’s body went motionless, blended into the night, simply waited. Aidan was next, a peculiar golden color, powerful and lethal, just as silent. Byron’s form was shorter, more compact, his feathers a mantle of white. Mikhail’s solid form wavered in the shadows, and he launched himself into the night sky, the other three following. As if in perfect understanding, they soared higher, shimmering feathers beating strongly as they raced silently toward the clouds high above the forest floor. The wind rushed against their bodies, under their wings, riffling feathers, brushing away every vestige of sadness and violence left behind by the vampire. In the air they wheeled and banked sharply, four great birds in perfect synchronization. Joy erased dread and the heavy weight of responsibility in Mikhail’s heart, lifted guilt and replaced it with rapture. The powerful wings beat strongly as they raced across the sky together, and Mikhail shared his joy with Raven because he couldn’t contain it, not even in the owl’s powerful body. It spilled out, an invitation, a need to share one more pleasure of Carpathian life. Think, my love. Visualize what I put in your head. Trust me as you have never trusted me before. Allow me to give you this gift. There was no hesitation on her part. With complete faith in him, Raven gave herself into his keeping, reaching eagerly for the vision. The slight discomfort, the strange disorientation as her physical body dissolved, did not faze her. Feathers shimmered, sprouted. Beside her, Jacques stepped back, allowing the smaller female owl to hop onto a tall stone angel before his own large frame compressed, reshaped. Together they launched themselves into the night and soared high to join the other four powerful birds circling above them.