Buy Her Flowers Quotes

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So let me get this straight.”... “He threw the note at Tommy and then told him to fuck off? Or do I have it backwards?” “I’m detecting some sarcasm.” “And then got himself sent the principal’s office because he was ready to defend your honor?” “Quinn.” “Her friend waved a hand. “No, I think you might be on to something. This is clearly an elaborate plot to screw with you. He asks you out, he defends you from that meathead—what next?” Quinn’s eyes flashed wide in mock surprise. “Crap, Bex, do you think he will do something truly horrible like buy you flowers?
Brigid Kemmerer (Storm (Elemental, #1))
I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.
Ali Hazelwood (Love on the Brain)
It takes a strong man to love my sister. And you are a strong man. So her are some twin-tips for you from yours truly: Read her Shakespeare when she cries. Take walks in the rain and jump in the puddles with her. Don't mind her when she calls you an asshole during 'that time of the month' - she's a total bitch at those times. Buy her flowers because it's Tuesday. Make her do things that scare her. Don't be a pushover - we don't like that. Don't be a dick either - we hate that. Smile at her when you're mad. Dance with her in the middle of the day. Kiss her just because. Love her forever.
Brittainy C. Cherry (Loving Mr. Daniels)
She lays the book face down on her chest. Already her bedroom (no, their bedroom) feels more densely inhabited, more actual, because a character named Mrs. Dalloway is on her way to buy flowers.
Michael Cunningham (The Hours)
One can even buy a so-called Religion, which is really but common morality sanctified with flowers and music. Rob the Church of her accessories and what remains behind?
Kakuzō Okakura (The Book of Tea)
I want to be the be-all and end-all when it comes to my daughter. I want to be the man that every other man has to look up to. I will treat her like a princess because if I don’t, she might go out and latch on to the first man who does. So yeah, I open car doors and I take her on dates and I buy her flowers for no reason. Because I want her to know she’s worthy of all of those things. And I fix hair.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
I want to run out and buy her flowers and candy and other things that will wilt and die or rot her teeth.
S.G. Browne (Fated)
Anyone could buy a green Jaguar, find beauty in a Japanese screen two thousand years old. I would rather be a connoisseur of neglected rivers and flowering mustard and the flush of iridescent pink on an intersection pigeon's charcoal neck. I thought of the vet, warming dinner over a can, and the old woman feeding her pigeons in the intersection behind the Kentucky Fried Chicken. And what about the ladybug man, the blue of his eyes over gray threaded black? There were me and Yvonne, Niki and Paul Trout, maybe even Sergei or Susan D. Valeris, why not? What were any of us but a handful of weeds. Who was to say what our value was? What was the value of four Vietnam vets playing poker every afternoon in front of the Spanish market on Glendale Boulevard, making their moves with a greasy deck missing a queen and a five? Maybe the world depended on them, maybe they were the Fates, or the Graces. Cezanne would have drawn them in charcoal. Van Gogh would have painted himself among them.
Janet Fitch (White Oleander)
Once she was standing by her locker and her puka shells broke and scattered and she made a joke about it but he could tell she was upset. He wanted to buy her some more. He wanted to give her a million strands of little nesting polished shells, and tropical flowers and ice creams and lemonades and a pale blue surfboard to teach her to surf on and anything else she wanted. Instead he let his checkered Vans step on one of the rolling shells and crush it.
Francesca Lia Block (Wasteland)
After forty-odd years you stop asking," she says. "Want some free advice?" I nod. "Don't trip over yourselves trying to be a perfect couple, love. Get out of each other's way; don't be afraid of falling out, shutting up, or telling little porky pies; do your share of the cleaning; don't leave your dirty undies inside out on the carpet; leave the seat down; buy her flowers once a month; and pinch her bum once a week - the rest's up to you.
Andy Jones (The Two of Us)
Dear Deborah, Words do not come easily for so many men. We are taught to be strong, to provide, to put away our emotions. A father can work his way through his days and never see that his years are going by. If I could go back in time, I would say some things to that young father as he holds, somewhat uncertainly, his daughter for the very first time. These are the things I would say: When you hear the first whimper in the night, go to the nursery leaving your wife sleeping. Rock in a chair, walk the floor, sing a lullaby so that she will know a man can be gentle. When Mother is away for the evening, come home from work, do the babysitting. Learn to cook a hotdog or a pot of spaghetti, so that your daughter will know a man can serve another's needs. When she performs in school plays or dances in recitals, arrive early, sit in the front seat, devote your full attention. Clap the loudest, so that she will know a man can have eyes only for her. When she asks for a tree house, don't just build it, but build it with her. Sit high among the branches and talk about clouds, and caterpillars, and leaves. Ask her about her dreams and wait for her answers, so that she will know a man can listen. When you pass by her door as she dresses for a date, tell her she is beautiful. Take her on a date yourself. Open doors, buy flowers, look her in the eye, so that she will know a man can respect her. When she moves away from home, send a card, write a note, call on the phone. If something reminds you of her, take a minute to tell her, so that she will know a man can think of her even when she is away. Tell her you love her, so that she will know a man can say the words. If you hurt her, apologize, so that she will know a man can admit that he's wrong. These seem like such small things, such a fraction of time in the course of two lives. But a thread does not require much space. It can be too fine for the eye to see, yet, it is the very thing that binds, that takes pieces and laces them into a whole. Without it, there are tatters. It is never too late for a man to learn to stitch, to begin mending. These are the things I would tell that young father, if I could. A daughter grown up quickly. There isn't time to waste. I love you, Dad
Lisa Wingate (Dandelion Summer (Blue Sky Hill #4))
I’m going to pick every star from the sky for you. I’m going to buy you every flower in this world. I’m going to give you all my love. One word from you and my heart is yours. I’m yours,” I whispered against her lips. And there it was. A smile. A huge, beaming smile formed on her face. A smile that probably shone as brightly as the moon in the darkness.
J.C. Böhme (His Savior (Butterflies and Death, #1))
I want to buy her flowers, food, books.
Ali Hazelwood (Love on the Brain)
What’s your favorite flower?” The sudden change in topic left her spinning out like a top. “What?” “Your favorite flower,” he repeated. “You said you don’t like roses, but there are over four hundred thousand types of flowering plants.” He spoke in a slur, his words running all together. “It’d be easier if you told me which you liked to save me from having to buy them all.
Kelly Andrew (The Whispering Dark)
Eyes landing on the flowers, she pursed her lips in confusion. “Okay, a puzzle. I like puzzles. You bought me flowers, but you’re clearly angry with me. Were they that expensive?” “I didn’t buy them.” Daniel took little comfort in her look of surprise. He couldn’t think past the foreign emotions burning through his gut. “They’re from him.” “Him…who?” Recognition dawned in her eyes. “Fisher? Why would he send me flowers?” She shook her head. “Roses, at that. He always bought me sunflowers.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
If only, I thought, I could talk to Eugene just one more time. This was before I came to understand that you cannot make someone fall in love with you But here's what you can do. By arguing and pleading and screaming and crying and throwing plates and phoning a lot and bringing hot food and sending flowers and buying gifts and doing unsolicited favors and remembering a birthday and being nice and declaring your abiding love and trying hard or sometimes merely by being present, you can make someone who was hitherto lukewarm really detest you.
Patricia Marx (Him Her Him Again the End of Him)
I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.
Ali Hazelwood (Love on the Brain)
I’d like to buy every rose in your store,” I tell the woman who remains silent, as though she’s stunned. “And if you have any apologetic balloons, I’ll buy those too,” I tell her as I scrub a hand over my face. “Better make it every single flower in your store. I have a lot more to apologize for than I can say with just roses. I don’t want her as frigid with me as she is with Vance. Personally, I still think he’s the bigger ass out of the two of us, but I still should apologize properly.” “I’m sorry?” she says. “Yes. That’s what I want every single card to say,” I tell her. “This is all very confusing,” she says quietly, more to herself than me. Staring at the partially eaten green apple in my hand, I tell her, “You have no idea.” - Damien
Kristy Cunning (Gypsy Freak (All The Pretty Monsters, #2))
One can even buy a so-called Religion, which is really but common morality sanctified with flowers and music. Rob the Church of her accessories and what remains behind? Yet the trusts thrive marvelously, for the prices are absurdly cheap, --a prayer for a ticket to heaven, a diploma for an honourable citizenship.
Kakuzō Okakura (The Book of Tea)
On an impulse he cannot explain, he buys himself a one-way ticket - and the evening of that very same day finds him wandering the streets of the old colonial quarter of the Colombian town. Girls in love with boys on scooters, screeching birds, tropical flowers on winding vines, saudade, and solitude, One Hundred Years of it; and then, as the tropical dusk darkens the corners of the Plaza de la Adana, he sees a woman, her fingers toying with a necklace of lapis lazuli, and they stand still as the world eddies about them.
David Mitchell (The Bone Clocks)
My sister’s partner leaves the room at some point and strides down the wide hallway to inspect the elevator my mother takes to the lobby every morning to buy her newspapers and flowers. My sister’s partner is a handy person and wishes to inspect the elevator doors to see if there’s any way to rig them to open onto a void when my mother pushes the button.
Vicki Laveau-Harvie (The Erratics)
Behold the complacent salesman retailing the Good and True. One can even buy a so-called Religion, which is really but common morality sanctified with flowers and music. Rob the Church of her accessories and what remains behind? Yet the trusts thrive marvelously, for the prices are absurdly cheap,--a prayer for a ticket to heaven, a diploma for an honorable citizenship.Hide yourself under a bushel quickly, for if your real usefulness were known to the world you would soon be knocked down to the highest bidder by the public auctioneer.
Kakuzō Okakura (The Book of Tea)
She deserves the best version of me, and that version trusts and supports his girlfriend. He also buys her flowers when he's a dick.
Hannah Grace (Icebreaker (UCMH, #1))
When, the following year, Oklahoma entered the Union as the forty-sixth state, members of the tribe were able to sell their surface land in what was now Osage County. But to keep the mineral trust under tribal control, no one could buy or sell headrights. These could only be inherited. Mollie and her family had become part of the first underground reservation.
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
Her blue bicycle was waiting against the front stoop. It was the French kind, with wide wheels and a woven basket for trips to the flower shop and buying baguettes on Sunday mornings.
Kristy Cambron (The Butterfly and the Violin (Hidden Masterpiece, #1))
Mrs. Dalloway said she would buy the flowers herself. Then she remembered the florist was closed. And the party was cancelled. Finally, some time to rest and reflect on her marital choices.
Virginia Woolf (Mrs. Dalloway)
luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand,
Ali Hazelwood (Love on the Brain)
I opened the bag and pulled out a small box of chocolates. “Happy anniversary.” “Oh. Thanks.” She flashed me a huge smile that would have looked totally real … if I didn’t know her better. “Simon said that’s what I should get you. That or flowers. So you like it?” “Sure.” “Liar.” Her face went bright red now as she stammered, “N-no, really. It’s great. It’s—” “Completely and totally impersonal. Like something you’d buy in bulk for all your teachers.” “No, I like this kind. You know I do and—” She stopped as I held out the bag. “Your real gift,” I said. She looked in and let out a choking laugh. Then, still grinning, she reached in and pulled out a penlight, a Swiss army knife and a purse-sized can of mace. She sputtered another laugh. “This is …” “Practical?” I said. “In my life, it is definitely practical. But I was going to say thoughtful.” She smiled up at me. “The most thoughtful gift I’ve ever gotten.” “And the most completely unromantic? Simon almost had a heart attack when I showed him. He made me get the chocolates, as a backup.” “I’m sure he did. Which I suppose explains why I ended up with you instead.” She rose on tiptoes again and put her arms around my neck. “Because buying me gifts to keep me safe? That’s my idea of romantic.”
Kelley Armstrong (Belonging (Darkest Powers, #3.5))
Education, in order to keep up the mighty delusion, encourages a species of ignorance. People are not taught to be really virtuous, but to behave properly. We are wicked because we are frightfully self-conscious. We nurse a conscience because we are afraid to tell the truth to others; we take refuge in pride because we are afraid to tell the truth to ourselves. How can one be serious with the world when the world itself is so ridiculous! The spirit of barter is everywhere. Honour and Chastity! Behold the complacent salesman retailing the Good and True. One can even buy a so-called Religion, which is really but common morality sanctified with flowers and music. Rob the Church of her accessories and what remains behind? Yet the trusts thrive marvelously, for the prices are absurdly cheap, --a prayer for a ticket to heaven, a diploma for an honourable citizenship. Hide yourself under a bushel quickly, for if your real usefulness were known to the world you would soon be knocked down to the highest bidder by the public auctioneer. Why do men and women like to advertise themselves so much? Is it not but an instinct derived from the days of slavery?
Kakuzō Okakura (The Book of Tea)
Tell me something true about you.” “Okay …” She mentally rifled through birthplace (Portland, Oregon), college major (sociology), astrological sign (Virgo), favorite movie (The Apple Dumpling Gang—don’t judge), until she hit a fact that wasn’t completely mundane. “One of my favorite things in the world are those charity events where everyone buys a rubber ducky with a number and the first person’s duck to get down the river wins.” “Why?” “I like seeing the river teeming with all those outrageously yellow and orange ducks. It’s so friendly. And I love the hope of it. Even though it doesn’t matter if you win, because all that wonderful, candy-colored money is going to something really important like a free clinic downtown or cleft palate operations for children in India, you still have that playful hope that you will win. You run alongside the stream, not knowing which is your duck but imagining the lead one is yours.” “And this is the essence of your soul—the ducky race?” “Well, you didn’t ask for the essence of my soul. You asked for something true about me, and so I went for something slightly embarrassing and secret but true nonetheless. Next time you want the essence of my soul, I’ll oblige you with sunsets and baby’s laughter and greeting cards with watercolor flowers.” He squinted at her thoughtfully. “No, so far as I’m concerned, the yellow duckies are the essence of your soul.
Shannon Hale (Midnight in Austenland (Austenland, #2))
Aman thinks he scores high with a woman when he does something very big for her, like buying her a new car or taking her on a vacation. He assumes he scores less when he does something small, like opening the car door, buying her a flower, or giving her a hug. Based on this kind of score keeping, he believes he will fulfill her best by focusing his time, energy, and attention into doing something large for her. This formula, however, doesn’t work because women keep score differently.
John Gray (Men Are from Mars, Women Are from Venus: The Classic Guide to Understanding the Opposite Sex)
Lou took a deep breath, inhaling the scent of just-cut flowers, fresh tamales from the food stands, and sunshine. She preferred the West Allis farmers' market to all others in the area, with its open sides, wide walkways, and rows of stalls. More recently, small tents serving hot sandwiches and fresh Mexican food had popped up outside the brick walls. It all looked so good, she'd learned long ago to come with limited funds or she would buy more produce than she could possibly use. She relished talking to the farmers, learning about what they grew and where. She liked to search for farmers growing something new and interesting she could use at Luella's. But today's visit was personal, not business. Sue had dragged her out to West Allis for a little lunch and some girl time with fall squash and Honeycrisp apples.
Amy E. Reichert (The Coincidence of Coconut Cake)
Drab and colorless as her existence would seem to have been, Mrs. Harris had always felt a craving for beauty and color and which up to this moment had manifested itself in a love for flowers.... Outside the windows of her basement flat were two window boxes of geraniums, her favorite flower, and inside, wherever there was room, there was a little pot containing a geranium struggling desperately to conquer its environment, or a single hyacinth or tulip, bought from a barrow for a hard-earned shilling. Then too, the people for whom she worked would sometimes present her with the leavings of their cut flowers which in their wilted state she would take home and try to nurse back to health, and once in a while, particularly in the spring, she would buy herself a little box of pansies, primroses or anemones. As long as she had flowers Mrs. Harris had no serious complaints concerning the life she led. They were her escape from the somber stone desert in which she lived. These bright flashes of color satisfied her. They were something to return to in the evening, something to wake up to in the morning.
Paul Gallico (Mrs. 'Arris Goes to Paris)
members of the tribe were able to sell their surface land in what was now Osage County. But to keep the mineral trust under tribal control, no one could buy or sell headrights. These could only be inherited. Mollie and her family had become part of the first underground reservation.
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
The progress of Sybilla though a market was the progress of worker bee through a bower of intently propagating blossoms. Everything stuck. From the toy stall she bought two ivory dolls, a hen whistle, a rattle and a charming set of miniature bells for a child’s skirts: all were heroically received and borne by Tom, henceforth marked by a faint, distracted jingling. From the spice booth, set with delicious traps for the fat purse, she took cinnamon, figs, cumin seed and saffron, ginger, flower of gillyflower and crocus and—an afterthought—some brazil for dyeing her new wool. These were distributed between Christian and Tom. They listened to a balladmonger, paid him for all the verses of “When Tay’s Bank,” and bought a lengthy scroll containing a brand-new ballad which Tom Erskine read briefly and then discreetly lost. “No matter,” said the Dowager cheerfully, when told. “Dangerous quantity, music. Because it spouts sweet venom in their ears and makes their minds all effeminate, you know. We can’t have that.” He was never very sure whether she was laughing at him, but rather thought not. They pursued their course purposefully, and the Dowager bought a new set of playing cards, some thread, a boxful of ox feet, a quantity of silver lace and a pair of scissors. She was dissuaded from buying a channel stone, which Tom, no curling enthusiast, refused utterly to carry, and got a toothpick in its case instead. They watched acrobats, invested sixpence for an unconvincing mermaid and finally stumbled, flattened and hot, into a tavern, where Tom forcibly commandeered a private space for the two women and brought them refreshments. “Dear, dear,” said Lady Culter, seating herself among the mute sea of her parcels, like Arion among his fishes. “I’m afraid I’ve forgotten which are the squashy ones. Never mind. If we spread them out, they can’t take much hurt, I should think. Unless the ox feet … Oh. What a pity, Tom. But I’m sure it will clean off.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
She even told me how to treat a girl on a date, which was very interesting. She said that with a girl like Mary Elizabeth, you shouldn't tell her she looks pretty. You should tell her how nice her outfit is because her outfit is her choice whereas her face isn't. She also said that with some girls, you should do things like open car doors and buy flowers, but with Mary Elizabeth (especially since it's the Sadie Hawkins' dance), I shouldn't do that. So, I asked her what I should do, and she said that I should ask a lot of questions and not mind when Mary Elizabeth doesn't stop talking. I said that it didn't sound very democratic, but Sam said she does it all the time with boys.
Stephen Chbosky
I knew- with a sudden, uncoiling clarity- that Nesta would buy Elain time to run. Not my father, whom she resented with her entire steely heart. Not me, because Nesta had always known and hated that she and I were two sides of the same coin, and that I could fight my own battles. But Elain, the flower-grower, the gentle heart... Nesta would go down swinging for her.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
She's nowt spesh, didn't even have any ornaments. All her walls were painted white, no wallpaper, just black and white photos in black frames, big things they were. There was no carpet on the floor, bare floorboards and she could only afford to have one flower in a vase. Who buys just one flower Lil? Bit of a cheapskate if you ask me. All top show and no knickers, I reckon.
Ann Perry (The Gin Queens)
I know I give Matt a hard time about turning in his man card, but the true definition of manhood is doing what needs to be done when it needs to be done. It doesn’t matter if it’s fixing hair, changing the oil in the car, or washing dishes. If it needs to be done it gets done. That’s manhood. It’s instilling in our daughters that dads can and will do anything that needs to be accomplished. I want to be the be-all and end-all when it comes to my daughter. I want to be the man that every other man has to look up to. I will treat her like a princess because if I don’t, she might go out and latch onto the first man who does. So yeah, I open car doors and I take her on dates and I buy her flowers for no reason. Because I want her to know she’s worthy of all of those things. And I fix hair.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
This is one of the most singular experiences, waking on what feels like a good day, preparing to work but not yet actually embarked. At this moment there are infinite possibilities, whole hours ahead. Her mind hums. This morning she may penetrate the obfuscation, the clogged pipes, to reach the gold. She can feel it inside her, an all but describable second self, or rather a parallel, purer self. If she were religious, she would call it the soul. It is more than the sum of her intellect and her emotions, more than the sum of her experiences, though it runs like veins of brilliant metal through all three. It is an inner faculty that recognizes the animating mysteries of the world because it is made of the same substance, and when she is very fortunate she is able to write directly through that faculty. Writing in that state is the most profound satisfaction she knows, but her access to it comes and goes without warning. she may pick up her pen and follow it with her hand as it moves across the paper; she may pick up her pen and find that she’s merely herself, a woman in a housecoat holding a pen, afraid and uncertain, only mildly competent, with no idea about where to begin or what to write. She picks up her pen. Mrs. Dalloway said she would buy the flowers herself.
Michael Cunningham (The Hours)
-"Do you know what it's like to be condemned to love?" -"But isn't it always like that?" Svetlana asked, trembling with indignation. "When people love each other, when they find each other out of thousands and millions of people. It's always destiny!" Once again I sensed that infinitely naive girl in her, the girl who couldn't hate anything except herself. The girl who was already beginning to disappear. -"No, Sveta, haven't you ever heard love compared to a flower?" -"Yes." -"A flower can be grown, Sveta. But it can be bought too, or given as a gift." -"Did Anton buy it?" -"No," I said, a bit too sharply. "It was a gift. From destiny." -"What difference does that make? If it is love?" -"Sveta, cut flowers are beautiful, but they don't live for long. They're already dying, even the ones that are carefully placed in a crystal vase and given fresh water.
Sergei Lukyanenko
There are things that cannot wait. You have to rush and run and march if you must fight or take the best place in the market. You strain your nerves and are on the alert when you chase opportunities that are always on the wing. But there are ideals which do not play hide-and-seek with our life; they slowly grow from seed to flower, from flower to fruit; they require infinite space and heaven's light to mature, and the fruits that they produce can survive years of insult and neglect. The East with her ideals, in whose bosom are stored the ages of sunlight and silence of stars, can patiently wait till the West, hurrying after the expedient, loses breath and stops. Europe, while busily speeding to her engagements, disdainfully casts her glance from her carriage window at the reaper reaping his harvest in the field, and in her intoxication of speed cannot but think him as slow and ever receding backwards. But the speed comes to its end, the engagement loses its meaning and the hungry heart clamours for food, till at last she comes to the lowly reaper reaping his harvest in the sun. For if the office cannot wait, or the buying and selling, or the craving for excitement, love waits and beauty and the wisdom of suffering and the fruits of patient devotion and reverent meekness of simple faith. And thus shall wait the East till her time comes. I
Rabindranath Tagore (Nationalism)
One can even buy a so-called Religion, which is really but common morality sanctified with flowers and music. Rob the Church of her accessories and what remains behind? Yet the trusts thrive marvelously, for the prices are absurdly cheap, -- a prayer for a ticket to heaven, a diploma for an honourable citizenship. Hide yourself under a bushel quickly, for if your real usefulness were known to the world you would soon be knocked down to the highest bidder by the public auctioneer.
Kakuzō Okakura (The Book of Tea)
Like others on the Osage tribal roll, Mollie and her family members each received a headright—essentially, a share in the tribe’s mineral trust. When, the following year, Oklahoma entered the Union as the forty-sixth state, members of the tribe were able to sell their surface land in what was now Osage County. But to keep the mineral trust under tribal control, no one could buy or sell headrights. These could only be inherited. Mollie and her family had become part of the first underground reservation.
David Grann (Killers of the Flower Moon: The Osage Murders and the Birth of the FBI)
He led Jess to a painting of a Black woman selling flowers. She leaned in and read the wall plate. “Frédéric Bazille, Young Woman with Peonies. I don’t know this artist.” “He was in the outer circle of the French Impressionists. Look how she offers the bouquet to a potential client, but she doesn’t seem to care if he buys them or not. She’s got that little frown line between her eyes—see, there?—‘Take it or leave it, mister’—as if she’s impatient that he can’t make up his mind. She’s not a bit ingratiating. And the peonies, of course, are Bazille’s bisou to Manet, who was the leader of the French avant-garde at the time. Manet loved peonies, cultivated them. There’s a peony at the center of the bouquet that the Black servant is offering the prostitute in Manet’s Olympia. That painting was at the height of its notoriety when Bazille painted this one. Everyone in the Paris art world would’ve got the reference.” “A Black servant in Olympia? I only remember the scowly White nude, and how upset everyone was that Manet didn’t paint her in a classical style.” Theo pulled out his cell phone and called up the image with a few taps. “Here,” he said, handing it to Jess. “Wow. I’ve looked at that picture dozens of times. How could I not have noticed her?” Theo frowned. “I’d be surprised, I guess, except that I once sat through a forty-minute lecture on that painting and the professor didn’t mention her. He spent more time on the black cat at the nude’s feet than the interesting woman who occupies half the canvas. I call it the Invisible Man effect, or in this case, Invisible Woman. Which is kind of the whole point of my work. To say, Hey, we’re here. We’ve always been here.
Geraldine Brooks (Horse)
….two slate-colored gravestones settled at a slant into the lower corner of the field beside the lane. She could not read the names engraved on them, but she knew what they were. Joseph Watson, 1820-1891, and James Watson, son of Joseph and Hannah Watson, 1844-1863. The grave of Hannah Watson lay beside her husband’s and because she had died last, she had no marker, unless the pine tree growing there might count as one. To-morrow two men would drive up and leave a basket of flowers and a flag for Joseph because he had fought in the Civil War, and for James because he had died on his way home from it, but they would not have anything for Hannah because she had only identified her son James one hot summer day on the platform of North Derwich Station, and raised all the food her husband ate for twenty years as he sat in a chair in her kitchen, and done washings for Mrs. Hale to buy monuments for them at the end. But the flowers would die in the boxes; even if Jen found time to go down and set out the pansy plants in the ground, stray cows were sure to eat them off before the summer was over; and the Forrest children would take the flags to play with. Nothing would interfere with the tree.
Gladys Hasty Carroll (As the Earth Turns)
It wasn't that Elain was cruel. She wasn't like Nesta, who had been born with a sneer on her face. Elain sometimes just... didn't grasp things. It wasn't meanness that kept her from offering to help; it simply never occurred to her that she might be capable of getting her hands dirty. I'd never been able to decide whether she actually didn't understand that we were truly poor or if she just refused to accept it. It still hadn't stopped me buying her seeds for the flower garden she tended in the milder months, whenever I could afford it. And it hadn't stopped her from buying me three small tins of paint- red, yellow, and blue- during that same summer I'd had enough to buy the ash arrow. It was the only gift she'd ever given me, and out house still bore the marks of it, even if the paint was now fading and chipped: little vines and flowers along the windows and thresholds and edges of things, tiny curls of flame on the stones bordering the hearth. And spare minute I'd had that bountiful summer, I used to bedeck out house in colour, sometimes hiding clever decorations inside drawers, behind the threadbare curtains, underneath the chairs and table. We hadn't had a summer that easy since.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Why, all our art treasures of to-day are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The “old blue” that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried. Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes blue. Its nose is a delicate red, with spots. Its head is painfully erect, its expression is amiability carried to verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her. But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was. We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as “those grand old artists that flourished in the nineteenth century, and produced those china dogs.” The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.
Jerome K. Jerome (Complete Works of Jerome K. Jerome)
Each time they’d met, he’d gone out of his way to prove that he had absolutely no interest in her beyond a professional capacity. He hadn’t offered to buy her coffee, he hadn’t volunteered to carry her lunch tray, he hadn’t even opened a door for her—including that time when her arms were so full of books he couldn’t even see her head. Nor did he faint when she accidentally backed into him at the sink and he caught a whiff of her hair. He didn’t even know hair could smell like that—as if it had been washed in a basin of flowers. Was she to give him no credit for his work-and-nothing-more behavior? The whole thing was infuriating.
Bonnie Garmus (Lessons in Chemistry)
Has he invited you to dinner, dear? Gifts, flowers, the usual?” I had to put my cup down, because my hand was shaking too much. When I stopped laughing, I said, “Curran? He isn’t exactly Mr. Smooth. He handed me a bowl of soup, that’s as far as we got.” “He fed you?” Raphael stopped rubbing Andrea. “How did this happen?” Aunt B stared at me. “Be very specific, this is important.” “He didn’t actually feed me. I was injured and he handed me a bowl of chicken soup. Actually I think he handed me two or three. And he called me an idiot.” “Did you accept?” Aunt B asked. “Yes, I was starving. Why are the three of you looking at me like that?” “For crying out loud.” Andrea set her cup down, spilling some tea. “The Beast Lord’s feeding you soup. Think about that for a second.” Raphael coughed. Aunt B leaned forward. “Was there anybody else in the room?” “No. He chased everyone out.” Raphael nodded. “At least he hasn’t gone public yet.” “He might never,” Andrea said. “It would jeopardize her position with the Order.” Aunt B’s face was grave. “It doesn’t go past this room. You hear me, Raphael? No gossip, no pillow talk, not a word. We don’t want any trouble with Curran.” “If you don’t explain it all to me, I will strangle somebody.” Of course, Raphael might like that . . . “Food has a special significance,” Aunt D said. I nodded. “Food indicates hierarchy. Nobody eats before the alpha, unless permission is given, and no alpha eats in Curran’s presence until Curran takes a bite.” “There is more,” Aunt B said. “Animals express love through food. When a cat loves you, he’ll leave dead mice on your porch, because you’re a lousy hunter and he wants to take care of you. When a shapeshifter boy likes a girl, he’ll bring her food and if she likes him back, she might make him lunch. When Curran wants to show interest in a woman, he buys her dinner.” “In public,” Raphael added, “the shapeshifter fathers always put the first bite on the plates of their wives and children. It signals that if someone wants to challenge the wife or the child, they would have to challenge the male first.” “If you put all of Curran’s girls together, you could have a parade,” Aunt B said. “But I’ve never seen him physically put food into a woman’s hands. He’s a very private man, so he might have done it in an intimate moment, but I would’ve found out eventually. Something like that doesn’t stay hidden in the Keep. Do you understand now? That’s a sign of a very serious interest, dear.” “But I didn’t know what it meant!” Aunt B frowned. “Doesn’t matter. You need to be very careful right now. When Curran wants something, he doesn’t become distracted. He goes after it and he doesn’t stop until he obtains his goal no matter what it takes. That tenacity is what makes him an alpha.” “You’re scaring me.” “Scared might be too strong a word, but in your place, I would definitely be concerned.” I wished I were back home, where I could get to my bottle of sangria. This clearly counted as a dire emergency. As if reading my thoughts, Aunt B rose, took a small bottle from a cabinet, and poured me a shot. I took it, and drained it in one gulp, letting tequila slide down my throat like liquid fire. “Feel better?” “It helped.” Curran had driven me to drinking. At least I wasn’t contemplating suicide.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
One thing that has surprised Julie about going through the process of watching herself die is how vivid her world has become. Everything that she used to take for granted produces a sense of revelation, as if she were a child again. Tastes- the sweetness of a strawberry, it’s juice dripping onto her chin; a buttery pastry melting in her mouth. Smells - flowers on a front lawn, a colleague‘s perfume, seaweed washed up on the shore, Matt’s sweaty body in bed at night. Sounds – the strings on a cello, the screech of a car, her nephew’s laughter. Experiences - dancing at a birthday party, people-watching at Starbucks, buying a cute dress, opening the mail. All of this, no matter how mundane, delights her to no end. She’s become hyper-present. When people delude themselves into believing they have all the time in the world, she noticed, they get lazy. She hadn’t expected to experience this pleasure in her grief, to find it invigorating, in a way. But even as she’s dying, she’s realized, life goes on - even as the cancer invades her body, she still checks Twitter. At first she thought, why would I waste even ten minutes of the time I have left checking Twitter? And then she thought, why wouldn’t I? I like Twitter! She also tries not to dwell on what she’s losing. “I can breathe fine now, “Julie says, “but it’ll get harder, and I’ll grieve for that. Until then, I breathe.
Lori Gottlieb (Maybe You Should Talk to Someone)
What bothered her most was how mundane it all was. This terrible thing had happened - this huge, life-changing thing that meant the world would never be the same. But outside their house, whose life had changed? Even inside the house, what, really, had changed beyond repair? They still had to get up every morning. They still had to eat breakfast. They had to pay bills and buy toilet paper and smile at the postman. They didn't wander through moonlit rooms tearing at their hair. They didn't curse an unfeeling god. The whole world should have shifted on its axis, should have shaken the petals from every flower, uprooted every mountain. And here they were, going through the motions, as if they'd lost a pet cat or a set of keys.
Kirsty Logan (The Gloaming)
I just care about you so much … but I’ve always got this fear that … one day you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends. Because I’m never going to have that one special person.’ ‘Can you let me be that person?’ Rooney said quietly. I sniffed loudly. ‘What d’you mean?’ ‘I mean I want to be your special person.’ [...] ‘But you know what I realised on my walk?’ she said. ‘I realise that I love you, Georgia.’ My mouth dropped open. ‘Obviously I’m not romantically in love with you. But I realised that whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I am in love. Me and you – this is a fucking love story! I feel like I’ve found something most people just don’t get. I feel at home around you in a way I have never felt in my fucking life. And maybe most people would look at us and think that we’re just friends, or whatever, but I know that it’s just … so much MORE than that.’ She gestured dramatically at me with both hands. ‘You changed me. You … you fucking saved me, I swear to God. I know I still do a lot of dumb stuff and I say the wrong things and I still have days where I just feel like shit but … I’ve felt happier over the past few weeks than I have in years.’ I couldn’t speak. I was frozen. Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.’ She grabbed the bunch of flowers and practically threw them at me. ‘And I bought these for you because I honestly didn’t know how else to express any of that to you.’ I was crying. I just started crying again. Rooney wiped the tears off my cheeks.
Alice Oseman (Loveless)
I see you staring at him,' Nicasia says, sitting down beside me. Tonight she wears a gown of gold lacework. Her dark tourmaline hair is pulled up with two golden combs the shape of a shark jaw, complete with golden teeth. 'Perhaps I am looking only at the trinkets and gold with which your mother thinks she can buy the Court's favour,' I say.' She picks up one of the violets from my plate and places it delicately on her tongue. 'I lost Cardan's love for Locke's easy words and easier kisses, sugared like these flowers,' she says. 'Your sister lost your love to get Locke's, didn't she? But we all know what you lost.' 'Locke?' I laugh. 'Good riddance.' Her brows knit together. 'Surely it's not the High King himself you were gazing at.' 'Surely not,' I echo, but I don't meet her eyes.
Holly Black (The Wicked King (The Folk of the Air, #2))
She began to take exercise far too late, embarking on tiny cycling tours to music festivals, or flower shows, or doing the rounds of churches – there were so many spires in her uninspiring adopted home. Three kids, one episiotomy, two continents, many phobias, lots of depressions. Old fat lady's underwear. It was all a curse upon cycling, which she'd taken up for what reason? Believe it or not, not even the bulbous seventies there were still bulbous, middle-aged women such as she, who thought that the principle of cycling meant something. They cycled and they ate in health-food restaurants like Cranks or Ceres, their cussedness aimed at appeasing the Earth Goddess herself. They almost fucking overdosed on grated carrot; while sipping fucking prune juice. They invented being environmentally-conscious, with their vegetable-buying co-operatives which gave them an excuse to put gumboots on in town.
Will Self (How the Dead Live)
• Can I give a smile at almost everyone I see even if I have a bad day! .. Yes I can • Can I tell a new co-worker a shortcut way to come to work instead of the long one he told us to save him/her sometime every day! .. Yes, I can. • Can I buy a flower or a bouquet and visit a sick person that I do not know at the hospital maybe once a week or once a month! .. Yes, I can. • Can I say Happy Birthday to someone you don’t know but you heard like today years ago he/she was born! .. Yes, I can. • Can I congratulate my neighbor for their newborn child by sending a greeting card or even verbally! .. Yes, I can. • Can I buy a hot meal or give away a coat to a homeless person when it is too cold or the same meal and an ice-cream when it is too hot! .. Yes I can • Can ask someone about another one who is important to the first to inquire about his health, condition, how he/she is doing so far! .. Yes I can • Can I give a little bit of time to my child (or children) every day as a personal time where we could talk, play, discuss, solve, think, enjoy, argue, hang out, play sports, watch, listen, eat, and/or entertain together! .. Yes I can. • Can I allow some time to listen to my wife without judgment but encouragement almost every day! … Yes I can. • Can I respectfully talk to my husband at least once a day to show respect and appreciation to the head of our house and family! .. Yes, I can. • Can I buy a flower and give it to someone I care about and say "I love you" and when the person asks you "what this for" you reply "because I love you". Yes, I can. • Can I listen to anyone who I feel needs someone else to listen to him/her! .. Yes, I can. • Can I give away the things that I do not use anyone to others who might need them! .. Yes, I can. • Can I buy myself something that I do adore and then enjoy it! .. Yes, I can. • Can I (fill in the blanks)! .. Yes I can.
Isaac Nash (The Herok)
Love Minus Zero / No Limit" My love she speaks like silence Without ideals or violence She doesn't have to say she's faithful Yet she's true, like ice, like fire People carry roses And make promises by the hours My love she laughs like the flowers Valentines can't buy her In the dime stores and bus stations People talk of situations Read books, repeat quotations Draw conclusions on the wall Some speak of the future My love she speaks softly She knows there's no success like failure And that failure's no success at all The cloak and dagger dangles Madams light the candles In ceremonies of the horsemen Even a pawn must hold a grudge Statues made of match-sticks Crumble into one another My love winks, she does not bother She knows too much to argue or to judge The bridge at midnight trembles The country doctor rambles Bankers' nieces seek perfection Expecting all the gifts that wise men bring The wind howls like a hammer The night blows rainy My love she's like some raven At my window with a broken wing Bringing It All Back Home (1965)
Bob Dylan
somewhere there is a women in China holding a black umbrella so she won’t taste the salt of the rain when the sky begins to weep, there is a 17 year old girl who smells like pomegranates and has summer air tight on her naked skin, wrapping around her scars like veins in a bloody garden, who won’t make it past tomorrow, there is a young man, who buys yellow flowers for the woman in apartment 84B, who learned braille when he realized she couldn’t read his poetry about her white neck and mint eyes there are people watching films, making love for the first time, opening mail with the heading of ‘i miss you’, cooking noodles with organic spices and red sauces, buying lemon detergent, ignoring ‘do not smoke’ signs, painting murals of his lips in abandoned warehouses, chewing the words ‘i love you’ over and over again, swallowing phone numbers and forgotten birthdays, eating strawberry pies, drinking white wine off of each others open mouths, ignoring the telephone, reading this poem somewhere someone is thinking i’m alone somewhere someone finally understands they never really were
Anonymous
The right Brand Promise isn’t always obvious. Naomi Simson — founder of one of the fastest-growing companies in Australia, RedBalloon — was sure she knew what to promise customers who want to give experiences such as hot air balloon rides as gifts, rather than flowers and chocolates. Her promises included an easy-to-use website for choosing one of over 2,000 experiences; recognizable packaging and branding (think Tiffany blue, only in red); and onsite support. It wasn’t until a friend and client mentioned that she was using the website as a source of ideas — but buying the experiences directly from the vendors — that Simson had an “Aha!” moment. She realized that other customers might be doing the same thing, assuming that RedBalloon must be marking up the price of the experiences to cover the costs of the website, packaging, and onsite support. To grow the business, she promised customers they would pay no more for the experiences they bought through RedBalloon than for those purchased directly from the suppliers; otherwise, customers would get 100% of their fee refunded. The company calls this promise, which is technically a pricing guarantee, a “100% Pleasure Guarantee,” to fit its brand.
Verne Harnish (Scaling Up: How a Few Companies Make It...and Why the Rest Don't (Rockefeller Habits 2.0))
So Beaujolais is like this hybrid---a red that drinks like a white, we even put a chill on it. Maybe that's why it has trouble, it doesn't quite fit. No one takes Gamay seriously---too light, too simple, lacks structure. But..." I swirled the glass and it was so... optimistic. "I like to think it's pure. Fleurie sound like flowers doesn't it?" "Girls love flowers," she said judiciously. "They do." I put her wine down, then moved it two inches closer to her, where I knew the field of her focus began. "None of that means anything. It just speaks to me. I feel invited to enjoy it. I get roses." "Child, what is wrong with you? There's no roses in the damn wine. Wine is wine and it makes you loose and helps you dance. That's it. The way you kids talk, like everything is life or death." "It's not?" "You ain't even learned about living yet!" I thought about buying wine. About how I would scan the different Beaujolais crus at the liquor store---the Morgan, the Côte de Brouilly, the Fleurie would be telling me a story. I would see different flowers when I looked at the labels. I thought about the wild strawberries dropped off from Mountain Sweet Berry Farm just that afternoon and how the cooks laid out paper towels and sheet trays in the kitchen, none of them touching, as if they would disintegrate, their fragrance euphoric.
Stephanie Danler (Sweetbitter)
And Ut Pictura Poesis Is Her Name" You can’t say it that way any more. Bothered about beauty you have to Come out into the open, into a clearing, And rest. Certainly whatever funny happens to you Is OK. To demand more than this would be strange Of you, you who have so many lovers, People who look up to you and are willing To do things for you, but you think It’s not right, that if they really knew you . . . So much for self-analysis. Now, About what to put in your poem-painting: Flowers are always nice, particularly delphinium. Names of boys you once knew and their sleds, Skyrockets are good—do they still exist? There are a lot of other things of the same quality As those I’ve mentioned. Now one must Find a few important words, and a lot of low-keyed, Dull-sounding ones. She approached me About buying her desk. Suddenly the street was Bananas and the clangor of Japanese instruments. Humdrum testaments were scattered around. His head Locked into mine. We were a seesaw. Something Ought to be written about how this affects You when you write poetry: The extreme austerity of an almost empty mind Colliding with the lush, Rousseau-like foliage of its desire to communicate Something between breaths, if only for the sake Of others and their desire to understand you and desert you For other centers of communication, so that understanding May begin, and in doing so be undone.
John Ashbery (Houseboat Days)
Blissfully unaware of all that, Elizabeth continued to love him without reservation or guile, and as she grew more certain of his love, she became more confident and more enchanting to Ian. On those occasions when she saw his expression become inexplicably grim, she teased him or kissed him, and, if those ploys failed, she presented him with little gifts-a flower arrangement from Havenhurst’s gardens, a single rose that she stuck behind his ear, or left upon his pillow. “Shall I have to resort to buying you a jewel to make you smile, my lord?” she joked one day three months after they were married. “I understand that is how it is done when a lover begins to act distracted.” To Elizabeth’s surprise, her remark made him snatch her into his arms in a suffocating embrace. “I am not losing interest in you, if that’s what you’re suggesting,” he told her. Elizabeth leaned back in his arms, surprised by the unwarranted force of his declaration, and continued to tease. “You’re quite certain?” “Positive.” “You wouldn’t lie to me, would you?” she asked in a voice of mock severity. “I would never lie to you,” Ian said gravely, but then he realized that by withholding the truth from her, he was, in effect, deceiving her, which in turn, amounted to little less than lying outright. Elizabeth knew something was bothering him, and that as time passed, it was bothering him with increasing frequency, but she never dreamed she was even remotely the cause of his silences or preoccupation. She thought of Robert often, but not since the day of her marriage had she permitted herself to think of Mr. Wordsworth’s accusations, not even for an instant. In the first place, she couldn’t bear it; in the second, she no longer believed there was the slightest possibility he was right. “I have to go to Havenhurst tomorrow,” she said reluctantly when Ian finally let her go. “The masons have started on the house and bridge, and the irrigation work has begun. If I spend the night, though, I shouldn’t have to go back for at least a fornight.” “I’ll miss you,” he said quietly, but there was no trace of resentment in his voice, nor did he attempt to persuade her to postpone the trip. He was keeping to his bargain with the integrity that Elizabeth particularly admired in him. “Not,” she whispered, kissing the side of his mouth, “as much as I’ll miss you.
Judith McNaught (Almost Heaven (Sequels, #3))
I just care about you so much … but I’ve always got this fear that … one day you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends. Because I’m never going to have that one special person.’ ‘Can you let me be that person?’ Rooney said quietly. I sniffed loudly. ‘What d’you mean?’ ‘I mean I want to be your special person.’ [...] ‘But you know what I realised on my walk?’ she said. ‘I realise that I love you, Georgia.’ My mouth dropped open. ‘Obviously I’m not romantically in love with you. But I realised that whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I am in love. Me and you – this is a fucking love story! I feel like I’ve found something most people just don’t get. I feel at home around you in a way I have never felt in my fucking life. And maybe most people would look at us and think that we’re just friends, or whatever, but I know that it’s just … so much MORE than that.’ She gestured dramatically at me with both hands. ‘You changed me. You … you fucking saved me, I swear to God. I know I still do a lot of dumb stuff and I say the wrong things and I still have days where I just feel like shit but … I’ve felt happier over the past few weeks than I have in years.’ I couldn’t speak. I was frozen. Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.’ She grabbed the bunch of flowers and practically threw them at me. ‘And I bought these for you because I honestly didn’t know how else to express any of that to you.’ I was crying. I just started crying again. Rooney wiped the tears off my cheeks.
Alice Oseman (Loveless)
What’s going on?’ she said. ‘Talk to me.’ ‘I …’ I looked down. I didn’t want her to see me. But Rooney was looking at me, eyebrows furrowed, so many thoughts churning behind her eyes, and it was that look that made me start spilling everything out. ‘I just care about you so much … but I’ve always got this fear that … one day you’ll leave. Or Pip and Jason will leave, or … I don’t know.’ Fresh tears fell from my cheeks. ‘I’m never going to fall in love, so … my friendships are all I have, so … I just … can’t bear the idea of losing any of my friends. Because I’m never going to have that one special person.’ ‘Can you let me be that person?’ Rooney said quietly. I sniffed loudly. ‘What d’you mean?’ ‘I mean I want to be your special person.’ ‘B-but … that’s not how the world works, people always put romance over friendships –’ ‘Says who?’ Rooney spluttered, smacking her hand on the ground in front of us. ‘The heteronormative rulebook? Fuck that, Georgia. Fuck that.’ She stood up, flailing her arms and pacing as she spoke. ‘I know you’ve been trying to help me with Pip,’ she began, ‘and I appreciate that, Georgia, I really do. I like her and I think she likes me and we like being around each other and, yep, I’m just gonna say it – I think we really, really want to have sex with each other.’ I just stared at her, my cheeks tear-stained, having no idea where this was going. ‘But you know what I realised on my walk?’ she said. ‘I realise that I love you, Georgia.’ My mouth dropped open. ‘Obviously I’m not romantically in love with you. But I realised that whatever these feelings are for you, I …’ She grinned wildly. ‘I feel like I am in love. Me and you – this is a fucking love story! I feel like I’ve found something most people just don’t get. I feel at home around you in a way I have never felt in my fucking life. And maybe most people would look at us and think that we’re just friends, or whatever, but I know that it’s just … so much MORE than that.’ She gestured dramatically at me with both hands. ‘You changed me. You … you fucking saved me, I swear to God. I know I still do a lot of dumb stuff and I say the wrong things and I still have days where I just feel like shit but … I’ve felt happier over the past few weeks than I have in years.’ I couldn’t speak. I was frozen. Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.’ She grabbed the bunch of flowers and practically threw them at me. ‘And I bought these for you because I honestly didn’t know how else to express any of that to you.’ I was crying. I just started crying again. Rooney wiped the tears off my cheeks.
Alice Oseman
Claudette wasn’t just my lover. She was also my best friend. I wish that on everyone. Sure, I used the money I made from bussing tables to buy her flowers or take her to a restaurant every chance I had. And sure, the mere sight of her silhouette in a summer dress was enough to make me pass out with cum in my shorts. But she was also my pal. 
Andrew Armacost (The Poor Man's Guide to Suicide)
Love wears you down. We think of it as hearts and flowers and happily ever after but in real life, the things you have to do in the name of love kill you. I don’t know what it’s like for men, but that’s what it does to women. You end up doing a thousand things a day in the name of love that you wouldn’t ask a dog to do. And you never question it—not once. Why would you? It’s love, isn’t it? Then you wonder why you don’t feel romantic. Why, in fact, you don’t feel anything at all. I’ve been waiting for things to change, putting off my life till the kids are older or they sleep through the night or until my figure comes back, or my husband notices me…you name it, I’ve been waiting for it. And that’s not who I am.” She gestured to her body. “See this? I’m fed up with waiting. And I’m going to dress myself in the best bloody nightdress I can buy. So my question to you is: Are you going to make it? Or,” her eyes flashed, “are you going to write me off as another fat middle-aged middle-class woman who will just have to mend and make do?
Kathleen Tessaro (The Flirt)
He turned, picked up a bundle he'd left propped against the steps, and, grinning, held it out. It was a beautiful bunch of red roses, tied with an expensive silk ribbon. "Here, I got you a present. It's to celebrate." "Gareth — " she shook her head and looked at him in mock exasperation — "if you're going to start being frugal, you can't be wasting money on buying me flowers. Money should be spent on necessities!" He grinned. "Do you like them?" "Of course I do, but that's not the point —" "I said, do you like them?" "Well, yes, but —" "Then they are a necessity. Now, go fetch Charlotte and let's get out of London before the neighborhood awakes, shall we?"  He gazed down at his humble clothes with a mixture of amusement and ruefulness. "I don't want to give those miserable old gits anything more to talk about than they already have."   ~~~~
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Inspiration struck Cade as he dismounted and crossed the field. Lily was doing her best to ignore him, but that couldn't go on forever. He took the sack from her shoulder and waited for her to straighten. He half expected her to come up swinging, but she merely raised her fists to her hips and glared at him coldly. "Why did you bother returning? Didn't your squaw stroke your masculine pride?" He didn't know whether to kiss her or hit her. Judging neither to be appropriate, Cade shouldered the bag and threw a damper on her hostility. "The child will need clothes. I have come to ask if you will go to town with me to buy the appropriate materials. Perhaps you would like some for yourself also. And Roy." Lily stood there for a full minute, staring at him. She supposed other men would have come with a mouthful of apologies and a handful of flowers. Cade simply skipped all the in-between arguments and pleas and went on to the next subject. She might as well try arguing with herself. "You're not forgiven," she informed him. "And I'm not going anywhere until I gather the rest of this." "Me and Roy will do it tomorrow," Ephraim intruded, seeing Roy's crestfallen expression. In the end it was easier to surrender than to fight. Lily gave in to the majority and agreed to accompany Cade to town. She knew perfectly well that the trip could wait until Saturday, but now that it had been mentioned, she was as eager to go as Roy was. Not
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
Mr. Phone took a swim when I was dropping the kids off at the pool.” “What?” Megan held up a bag of rice containing her damp phone. “Mr. Phone went for a dive and a backstroke in Mr. Toilet. Don’t worry, I’d already flushed when it happened.” “Not again,” Tina said, exasperated. “Why does that always happen to you?” “I blame Mr. Toilet. He has a gravitational pull that cannot be explained by modern science. We should get a team of researchers into the house to conduct tests.” Megan plopped the bag of rice and phone on the counter. “What were you calling me about?” Tina did an excited dance. “Your dentist came by looking for you.” “You met him? You met my Drew?” “Oh, Meenie, he’s so cute. Why didn’t you tell me he was so cute?” “I’m not shallow like you.” Tina said, “He’s a good one, Meenie. I think he might be the one.” “Don’t be gross. You know I hate stuff like that. If you and Luca start saying you’re soul mates, I’m going to throw up every time.” “Aren’t you going to ask what we talked about?” “He’d better not be buying me flowers from my own store. It’s cute when Luca does it, but he’s Luca. That sort of behavior from a man as dignified as Dr. Drew Morgan will not stand with me.” “Don’t worry. I told him not to ever buy you flowers or chocolates or any of that romantic stuff.” Megan frowned. “None of it?” “And I didn’t say anything embarrassing to him about our past.” Tina chewed her lower lip in that telltale way she did when she knew she’d done something Megan wouldn’t like.
Angie Pepper (Romancing the Complicated Girl (Baker Street #2))
The value of story—of creator reputation—was vividly demon- strated in a social experiment conducted by the street artist Banksy during a 2013 New York residency. This is an artist whose work has sold for as much as $1.87 million at auction. Banksy erected a street stall on a sidewalk bordering Central Park and had a vendor sell his prints for sixty dollars each. He then posted a video of his experi- ment. Footage from a hidden camera captures some of his most iconic images displayed on a table. Tourists and locals meander by. His first sale doesn’t come for hours. A woman buys two small works for her children, negotiating a fifty percent discount. Around four in the afternoon, a woman from New Zealand buys two more. A little over an hour later, a Chicago man who “just needs something for the walls,” buys four. With each sale, the vendor gives the buyer a hug or kiss. At 6 p.m., he closes the stall, having made $420. In June 2015, one of these stenciled prints, Love Is in the Air—an image of a masked protestor throwing a bouquet of flowers—sold for $249,000. How much of the value of Banksy’s art is tied up in his name, his global brand?
Alan Philips (The Age of Ideas: Unlock Your Creative Potential)
Photographs from Distant Places (1) In distant villages, You always see the same scenes: Farms Cattle Worship spaces Small local shops. Just basic the things humans need To endure life. (2) ‘Can you stay with me forever?’ She asked him in the airport, While hugging him tightly in her arms. ‘Sorry, I can’t. My flight leaves in two hours and a half.’ He responded with an artificially caring voice, As he kissed her on her right cheek. (3) I was walking in one of Bucharest’s old streets, In a neighborhood that looked harshly beaten by Time, And severely damaged by development and globalization. I saw a poor homeless man Combing his dirty hair In a side mirror of a modern and expensive car! (4) The shape and the color of the eyes don’t matter. What matters is that, As soon as you gaze into them, You know that they have seen a lot. All eyes that dare to bear witness To what they have seen are beautiful. (5) A stranger asked me how I chose my path in life. I told him: ‘I never chose anything, my friend.’ My path has always been like someone forced to sit In an airplane on a long flight. Forced to sit with the condition Of keeping the seatbelt on at all times, Until the end of the flight. Here I am still sitting with the seatbelt on. I can neither move Nor walk. I can’t even throw myself out of the plane’s emergency exit To end this forced flight! (6) After years of searching and observing, I discovered that despair’s favorite hiding place Is under business suits and tuxedos. Under jewelry and expensive night gowns. Despair dances at the tables where Expensive wines of corruption And delicious dinners of betrayal are served. (7) Oh, my poet friend, Did you know that The bouquet of fresh flowers in that vase On your table is not a source of inspiration or creativity? The vase is just a reminder Of a flower massacre that took place recently In a field Where these poor flowers happened to be. It was their fate to have their already short lives cut shorter, To wither and wilt in your vase, While breathing the not-so-fresh air In your room, As you sit down at your table And write your vain words. (8) Under authoritarian regimes, 99.9% of the population vote for the dictator. Under capitalist ‘democratic’ regimes, 99.9% of people love buying and consuming products Made and sold by the same few corporations. Awe to those societies where both regimes meet to create a united vicious alliance against the people! To create a ‘nation’ Of customers, not citizens! (9) The post-revolution leaders are scavengers not hunters. They master the art of eating up The dead bodies and achievements Of the fools who sacrificed themselves For the ‘revolution’ and its ideals. Is this the paradox and the irony of all revolutions? (10) Every person is ugly if you take a close look at them, And beautiful, if you take a closer look. (11) Just as wheat fields can’t thrive Under the shadow of other trees, Intellectuals, too, can’t thrive under the shadow Of any power or authority. (12) We waste so much time trying to change others. Others waste so much time thinking they are changing. What a waste! October 20, 2015
Louis Yako (أنا زهرة برية [I am a Wildflower])
who would guard it. Any who possess the Everbloom will use its power to serve their desires. Giving the flower to Kendra and her kind only increases their capacity to oppress you. Don’t give them the rope they will use to hang you. And don’t turn yourself into my enemy.” “I’d hate to do that,” Seth said. “So would I,” Ronodin said. “We have been allies up until now. You don’t want to see what I do to my enemies, Seth. Not firsthand. And what the Underking would do to you is a hundred times worse. Don’t ruin your life so you can give a flower to people who hate you. They want you in chains. Don’t let somebody else collect the flower for the Underking. Use the flower to buy your life back. You deserve to seek out your memories.” Seth glanced at the crack in the ground. “Maybe I’ll die in hot lava.” “Save the dramatics,” Ronodin said. “Bring the Everbloom to me. We’ll give it to the Underking. Remember that I plan for all contingencies. Don’t fight the inevitable.” “I hear you,” Seth said. “I just climb in?” “Chimney down using both sides,” Ronodin said. He handed Seth a glowing holly wand. “The descent isn’t too far. You’ll meet Dezia at the bottom. She will guide you to the bloom. Tread carefully—Baga Loa is not a typical volcano. A cave system like this one would never form in the natural world. You may cross paths with some unusual creatures.
Brandon Mull (Dragonwatch, Book 3: Master of the Phantom Isle (Dragonwatch, #3))
Next Day Moving from Cheer to Joy, from Joy to All, I take a box And add it to my wild rice, my Cornish game hens. The slacked or shorted, basketed, identical Food-gathering flocks Are selves I overlook. Wisdom, said William James, Is learning what to overlook. And I am wise If that is wisdom. Yet somehow, as I buy All from these shelves And the boy takes it to my station wagon, What I’ve become Troubles me even if I shut my eyes. When I was young and miserable and pretty And poor, I’d wish What all girls wish: to have a husband, A house and children. Now that I’m old, my wish Is womanish: That the boy putting groceries in my car See me. It bewilders me he doesn’t see me. For so many years I was good enough to eat: the world looked at me And its mouth watered. How often they have undressed me, The eyes of strangers! And, holding their flesh within my flesh, their vile Imaginings within my imagining, I too have taken The chance of life. Now the boy pats my dog And we start home. Now I am good. The last mistaken, Ecstatic, accidental bliss, the blind Happiness that, bursting, leaves upon the palm Some soap and water-- It was so long ago, back in some Gay Twenties, Nineties, I don’t know . . . Today I miss My lovely daughter Away at school, my sons away at school, My husband away at work--I wish for them. The dog, the maid, And I go through the sure unvarying days At home in them. As I look at my life, I am afraid Only that it will change, as I am changing: I am afraid, this morning, of my face. It looks at me From the rear-view mirror, with the eyes I hate, The smile I hate. Its plain, lined look Of gray discovery Repeats to me: “You’re old.” That’s all, I’m old. And yet I’m afraid, as I was at the funeral I went to yesterday. My friend’s cold made-up face, granite among its flowers, Her undressed, operated-on, dressed body Were my face and body. As I think of her I hear her telling me How young I seem; I am exceptional; I think of all I have. But really no one is exceptional, No one has anything, I’m anybody, I stand beside my grave Confused with my life, that is commonplace and solitary.
Randall Jarrell
One thing that has surprised Julie about going through the process of watching herself die is how vivid her world has become. Everything that she used to take for granted produces a sense of revelation, as if she were a child again. Tastes - the sweetness of a strawberry, its juice dripping onto her chin; a buttery pastry melting in her mouth, Smells - flowers on a front lawn, a colleague's perfume, seaweed washed up on the shore, Matt's sweaty body in bed at night. Sounds - the strings on a cello, the screech of a car, her nephew's laughter. Experiences - dancing at a birthday party, people-watching at Starbucks, buying a cute dress, opening the mail. All of this, no matter how mundane, delights her to no end. She's become hyper-present. When people delude themselves into believing they have all the time in the world, she's noticed, they get lazy. p310
Lori Gottlieb (Maybe You Should Talk to Someone & Into the Magic Shop 2 Books Collection Set)
One cannot win a woman's heart just with love, sex, and respect until one would not buy for her lipstick, perfume, and flowers from time to time. Otherwise, a serious conflict exists.
Ehsan Sehgal
It seems Poppy was right about the mosh pit, after all. And there she is, right in the middle of it. The flowers bounce along the grasping hands to tumble to the dance floor, where the women scramble for it like football players going after a greased fumble. Caylee hikes up her dress and scoots back from the incoming wave of women with a shout encouraging them to ‘get it!’ It’s a heap of tulle, lace, and pretty dresses, but Poppy squirms over and around them, dodging and weaving before popping up with the slightly crushed flowers in her hands. “Boo-yah!” She holds it up high in triumph, and the other women laugh, instantly realizing that they were going ham over a dozen roses they could buy at the grocery store.
Lauren Landish (One Day Fiance)
One woman told me that buying cut flowers lifted her spirits for days, but she felt like it was a frivolous indulgence, so she only did it on special occasions.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
True passion can only be achieved when the man is willing to walk away at a moment's notice. After all, if you say "I love you!" after a coffee date, then the passion is gone because you have shown that you will not walk away. Flowers and gifts should be used as a REWARD, not as an item to BUY her affections. When a woman treats you with indifference, you challenge her. When a woman treats you with disrespect, you punish her by withdrawing your affection and time. When a woman treats you well with respect and the affection you want, you reward her.
Pook (The Book of Pook)
That was the place to start. Jane Austen. A quick Internet search confirmed what I assumed: a diet full of fricassees, puddings and pies (savory and sweet), and stews, but few vegetables and a strong prejudice against salads until later in the nineteenth century. I looked up a Whole Foods nearby---a haven, albeit an expensive one, for fresh, organic, and beautiful produce---and then jotted down some recipes I thought would appeal to Jane's appetite. I landed on a green bean salad with mustard and tarragon and a simple shepherd's pie. She'd used mustard and tarragon in her own chicken salad. And I figured any good Regency lover would devour a shepherd's pie. I noted other produce I wanted to buy: winter squashes, root vegetables, kale and other leafy greens. All good for sautés, grilling, and stewing. And fava beans, a great thickener and nutritious base, were also coming into season. And green garlic and garlic flowers, which are softer and more delicate than traditional garlic, more like tender asparagus. I wanted to create comfortable, healthy meals that cooked slow and long, making the flavors subtle---comfortably Regency.
Katherine Reay (Lizzy and Jane)
Just saying, kid, you wanna keep your girl? Get her some flowers, call her pretty, buy snacks, and rub her back once in a while. She might like the whole asshole thing, but that doesn’t mean she wants it all the time.
K.A. Knight (Diver's Heart)
Japanese lilies and her beautiful face In a crowded market place, People walked, moved; and quite a few preferred to amble, While I searched for my known space, Where she sells beauty’s earthly samples without too much too gamble, I walked past the busy spaces and the bustling market views, People haggling, a few arguing, It was like life was tasked to seek reviews, In ways pleasing and many a time annoying, Finally I reached there where I wanted to be, And there she was this beautiful maiden, And as she prospected every face, her eyes finally rested on me, For a while nothing existed, as if time its pace had forgotten, Only to be revived back to life, When the maiden at the flower shop said, “Hello, and welcome to the shop of beautiful life,” My eyes moved, my lips shivered and in response I only shook my head, I looked at flowers with different colours, And her eyes followed mine to every spot where they rested, I could be there, with the flowers and the maiden, for many hours, Because at this flower shop, all the flowers only of her beauty attested, She knew it too because the sparkle in her eyes was brewing with confidence, She knew she was like the most beautiful summer rose that ever existed, And I only visited the shop to feel surrounded by this beauty’s appeal so dense, Her beauty was not just a visual act but an experience, where a new appeared as soon as the old exited, She was pure beauty, and maybe my only and my wilful addiction, While I was soaking in this experience of charm and beauty, She tenderly felt my hand trembling with love’s affliction, “Here, look at these new samples of eternal beauty,” She said this with a professional tone and demand, They were small clusters of white charm, Beautiful as anything beautiful can be resting peacefully in beauty’s eternal wand, Peaceful to look at that always kindled feelings warm, It was such a delight to witness and see, Then she silently quoth this, “They are called the Japanese lilies that sparkle like the pearls from the deepest sea, They look like joys suspended on the branches of bliss, These beautiful Japanese lilies bearing the sparkle of the pearl from the deepest sea.” I again nodded my head with a smile, As I looked at them closely, They indeed were clusters of white joy hanging there with a beautiful smile, And I said hurriedly, “certainly!” Then I realised something strange, They were bending downwards, as if gravity pulled them harder, It was nothing like flowers at other shops, so it indeed was very strange, I looked at all the flowers and then I looked at her, And there it was, in her eyes, her beautiful face her overall grace, That the flowers in her shop felt so inferior, Because all Japanese lilies and every Summer flower was but a reflection of her face, And it was difficult to tell whether they were her lovers or she was there lover, But to me, they all shone as the brilliance in her eyes, The rose had offered her its blush, The lies had granted her the twinkling miracle of the night skies, And all other flowers had rendered her eternally beautiful and lush, And whenever they looked at her, The flowers drooped a bit, And maybe that is why I buy all my flowers from her, Because like these helpless flowers I too love her every bit, and thus my love affair with her and her flowers has matured bit by bit! And now neither the flowers nor I can quit, So it is an affair that shall last till eternity and this is how I prefer it, She loving the flowers, I loving her, and as soon as my memory amidst her beautiful memories is lit, Then I am sure, like these flowers, and like me; now she too cannot quit, not even a bit!
Javid Ahmad Tak (They Loved in 2075!)
You said you didn't love her enough. How did you know in the end that you didn't?" ... "Because when she went away I didn't miss her. Because I could stand having her out of my sight; because I didn't want to touch her every time I saw her; because I didn't have the urge to buy her flowers every time I passed a flower stall; because I didn't look for her around every corner; because she wasn't in my head every time I looked up from a market report; because she didn't make me feel stoned - and didn't make me feel glad I wasn't; she didn't fire up my imagination; she didn't make me forget the gloom of the past, as the song goes. Because she didn't make me almost wish she'd disappear so I could find her.
Martha Grimes (The Grave Maurice (Richard Jury, #18))
Give her a compliment. Buy her flowers. Ask her to dance, or buy her a drink. Look after her. Treat her like there’s no one more important to you than her. She comes first, and by that, I don’t mean you go all caveman and protect her like she’s your fucking precious. I mean, ask her what she wants, and listen to her.
Lana Pecherczyk (Greed (The Deadly Seven, #2))
There were a lot of things to love about Dean, but there were things that drove her crazy, too. He giggled incessantly at GIFs of people falling over. His memory had more holes than a sieve. He couldn’t name a single political figure, not even the Prime Minister. He thought, for some unknown reason, there were seventy-two weeks in a year. He’d made her a million cups of tea but he could never remember how she liked it (Irish breakfast with milk and one sugar). Once he went to the shops to buy her dishwashing liquid, and he returned with flowers, a Boston bun, and a packet of double A batteries. If they were driving anywhere, he broke off mid-conversation to point out interesting-looking dogs. . .
Eve Dangerfield (Open Hearts (Bennett Sisters #2))
When the Bishop Projectius brought the relics of St. Stephen to the town called Aquae Tibiltinae, the people came in great crowds to honour them. Amongst there was a blind woman, who entreated the people to lead her to the bishop who had the HOLY RELICS. They did so, and the bishop gave her some flowers which he had in his hand. She took them, and put them to her eyes, and immediately her sight was restored, so that she passed speedily on before all the others, no longer requiring to be guided." In Augustine's day, the formal "worship" of the relics was not yet established; but the martyrs to whom they were supposed to have belonged where already invoked with prayers and supplications, and that with the high approval of the Bishop of Hippo, as the following story will abundantly show: Here, in Hippo, says he, there was a poor and holy old man, by name Florentius, who obtained a living by tailoring. This man once lost his coat, and not being able to purchase another to replace it, he came to the shrine of the Twenty Martyrs, in this city, and prayed aloud to them, beseeching that they would enable him to get another garment. A crowd of silly boys who overheard him, followed him at his departure, scoffing at him, and asking him whether he had begged fifty pence from the martyrs to buy a coat. The poor man went silently on towards home, and as he passed near the sea, he saw a large fish which had been cast up on the sand, and was still panting. The other persons who were present allowed him to take up this fish, which he brought to one Catosus, a cook, and a good Christian, who bought it from him for three hundred pence. With this he meant to purchase wool, which his wife might spin, and make into a garment for him. When the cook cut up the fish, he found within its belly a ring of gold, which his conscience persuaded him to give to the poor man from whom he brought the fish. He did so, saying, at the same time, "Behold how the Twenty Martyrs have clothed you!" Thus did the great Augustine inculcate the worship of dead men, and the honouring of their wonder-working relics. The "silly children" who "scoffed" at the tailor's prayer seem to have had more sense than either the "holy old tailor" or the bishop. Now, if men professing Christianity were thus, in the fifth century, paving the way for the worship of all manner of rags and rotten bones;
Alexander Hislop (The Two Babylons)
Four years in, she had discovered the gallery when a hailstorm chased her off the street. The door stuck - it still did - and was set back from the street between two shops that sold vintage clothing. Glenice climbed the stairs and went in. A grey-faced man peered out around a curtain at the far end of the room. He nodded, and returned to his heater and his laptop. He knew Glenice of old: she wouldn't buy, steal or vandalise anything, and he had no interest in her. His lumpy black cat strolled out, inspected Glenice, tested the patch of light that the window threw on the floor and stalked back into the office. Quite often there was something here for Glenice. Today it was a room with a table, a vase, a dish of fruit and part of a window. The hungry blue of the window frame clashed perfectly with the blue of the tablecloth without taking it over. The vase held flowers, mauve, pinky yellow, pale red, blackish - Glenice tried and failed to call up the names of black flowers. The wall was a quiet, mortal sort of pink, and there were sleepy-looking pears slumped on a green dish. It looked to Glenice like the kind of room in which someone had gradually recovered from a long illness. She stared at the painting until her feet died from the cold and then she left.
Michelle de Kretser (The Life to Come)
I need to find out who she is,” he told Javier as he entered the shower room with the rest of the team. “If they had to take her out on a stretcher, then chances are someone knows her name.” “Good for you, my friend, for not giving up in the face of obvious adversity. And because I am such a good friend, I shall come with you when you visit her so I might laugh when the female retaliates against you for messing up her face.” Javier flew backward with the force of the punch Ethan laid on him. Rubbing his jaw, his friend glared up at him. “That wasn’t very nice.” Ethan snarled. “Maybe if you hadn’t thrown the ball so damned hard, I wouldn’t be in this position in the first place. I’m glad you find my situation so g**damned funny.” Jumping to his feet, Javier raised his fists. “Alright, my friend. Let’s go. You obviously need to work off some tension, might as well do it now. Think of your coming beating as a courting favor because I’m going to give you some black eyes to match those of your mate.” “I’d like to see you try.” With a feral grin, Ethan lumbered at his friend, paws swinging as the other players in the shower room scattered. Old habits died hard, and when it came to working out frustration, the easiest route still involved violence. Ethan refused to view it as stalling out of fear. Kodiak bears feared nothing, especially not one fated female. But just in case, perhaps once he de-stressed, he would pick up flowers, or buy a whole damned floral shop for her.
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
The first,” Elise repeated, and for reasons she could only guess at, being first gave her a sense of pleasure. She decided to buy those flowers for Aurora, after all.
Debbie Macomber (A Good Yarn (Blossom Street #2))
I know I give Matt a hard time about turning in his man card, but the true definition of manhood is doing what needs to be done when it needs to be done. It doesn’t matter if it’s fixing hair, changing the oil in the car, or washing dishes. If it needs to be done, it gets done. That’s manhood. It’s instilling in our daughters that dads can and will do anything that needs to be accomplished. I want to be the be-all and end-all when it comes to my daughter. I want to be the man that every other man has to look up to. I will treat her like a princess because if I don’t, she might go out and latch on to the first man who does. So yeah, I open car doors and I take her on dates and I buy her flowers for no reason. Because I want her to know she’s worthy of all of those things. And I fix hair.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Not that I’m a fan of Valentine’s, really. I always thought that every day should be Valentine’s. Well, POTENTIALLY Valentine’s at least, if you see what I mean. You know, why wait for a certain day if you want to buy flowers now? Unimaginative really, isn’t it, buying overpriced roses on the same day as everybody else. You know, you see a woman walking home with a bouquet of flowers, you think, Wow, someone really loves her! You see the same woman with the same bouquet on Valentine’s and you just get the feeling that someone was going through the motions. But
Lisa Jewell (The House We Grew Up In)
A gentleman shouldn't give personal items to a lady he's courting." He lowered his voice, mindful of being overheard by Poppy and the housekeeper, who were talking by the threshold of the Rutledge apartments. "But I can't take it back- no other woman could do it justice. And Marks, you have no idea of the self-restraint I exercised, I wanted to buy you a pair of embroidered stockings with little flowers running that run all the way up the insides of your-" "My lord," Catherine whispered, a light blush covering her face. "You forget yourself." "I haven't forgotten a thing, actually. Not one detail of your beautiful body. Soon I may start sketching you naked again. Every time I put a pencil to paper, the temptation nearly overwhelms me." She tried to look severe. "You promised not to do that again." "But my pencil has a will of its own," he said gravely.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
I remember a woman called Máirín na Yanks Ni Mhurchú, who owned a shop near Mrs Hurley's.... I used to buy chocolate from her when I first came here, and sometimes we'd meet on the roads, picking blackberries. A few years ago, shortly before she died, she was interviewed for an Irish language television series. It was called Bibeanna, which is the Irish word for the wraparound aprons women here used to wear in the house and the farmyard. They were made of dark fabric, patterned with little flowers. I remember watching the series on television and thinking that Máirín's quiet voice hadn't changed since I'd first heard it. Sitting by her fire, wrapped in her flowery apron, she described her life, looking back on her childhood and the years she'd spent in her shop. She talked about the pleasure she took in the company of neighbours who'd drop in for a chat. Then she summed it all up in a sentence. 'I'm calm and easy in myself; I take each day as it comes and I keep my door open.
Felicity Hayes-McCoy (The House on an Irish Hillside)
One cannot win a woman's heart just with love, sex, and respect until one would not buy for her the lipstick, perfume, and flowers from time to time. Otherwise, a serious conflict exists.
Ehsan Sehgal
What would six dollars and fifty cents buy? Not a tape deck for Marla. Maybe a Christmas flower arrangement special for Mom. But she loved roses. He’d buy her one long-stemmed rose and get Dad a cactus plant. Something with prickers that you better not touch should suit him.
C.S. Adler (Willie, the Frog Prince)
Will you play the piano after dinner?” he asked. “I would, but I’m afraid we haven’t one.” “No piano anywhere in the house?” There was a calculating flicker in his dark eyes. “Please don’t buy one for me,” Helen said hastily. That produced a sudden grin, a flash of white against cinnamon skin, so appealing that it sent a shot of warmth down to her tummy. “There are at least a dozen pianos at my store,” he said. “Some of them have never been played. I could have one sent here tomorrow.” Her eyes widened at the thought of so many pianos in one place. “You’ve already been far too generous,” she told him. “The greatest kindness you could bestow is the gift of your company.” His gaze locked with hers. “Does that mean you’ve agreed to let me court you?” he asked softly. At her timid nod, he leaned a few degrees closer, barely an inch, but it made her feel overwhelmed by him. “Then you’ll have more of my company,” he murmured. “What other gifts would you like?” Blushing, she replied, “Mr. Winterborne, there is no need--” “I’m still considering the piano.” “Flowers,” she said quickly. “A tin of sweets, or a paper fan. Small gestures.” His lips curved. “Unfortunately I’m known for making large gestures.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
Nobody knows a woman as her milliner does. This is because, for a woman, buying a hat is an emotional thing. When she is in the full glory of youth and beauty, she buys a hat to cap the climax of her glamour. When she grows old, she buys a hat to turn back a little the relentless hands of time. When life slips out of the even way, a woman buys a hat. Sometimes in joy, sometimes in sorrow, but always for a purpose that is mixed up with her heart, and always she buys for her figure. Her figure cannot change from one moment to the next – but I have seen her face perform just this miracle. And when I see her eyes brighten and her chin lift as she turns her head, I feel very happy for my hat. Women have come to me for a hat to make their dreams come true. (Sometimes they do.) They have come to me in disappointment or grief, for a hat to take their minds off their troubles. (It very often works.) They have come for a hat to hold a husband. (This is more difficult, but not impossible.) They have come for a hat to catch a husband. (This is easy.) Being a milliner is sometimes like being a doctor. I prescribe a hat covered with pink roses to drive the blues away. I advise a daring hat for the woman who feels that she is in a rut, and wants to get out. For the girl who wants to get her man, I make a young, innocent, romantic hat, to make her look like a flower.
Lilly Daché
I’d never been able to decide whether she actually didn’t understand that we were truly poor or if she just refused to accept it. It still hadn’t stopped me from buying her seeds for the flower garden she tended in the milder months, whenever I could afford it.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I want any position she’ll have me in. Then, I want to buy her flowers, leave her love notes in her purse, and make her eggs the way she likes them tomorrow morning.
Christina Hill (Tips Up)
I want to bury myself inside her. I want any position she’ll have me in. Then, I want to buy her flowers, leave her love notes in her purse, and make her eggs the way she likes them tomorrow morning.
Christina Hill (Tips Up)