Butcher Boy Book Quotes

So this book is a sidewalk strewn with junk, trash which I throw over my shoulders as I travel in time back to November eleventh, nineteen hundred and twenty-two. I will come to a time in my backwards trip when November eleventh, accidentally my birthday, was a sacred day called Armistice Day. When I was a boy, and when Dwayne Hoover was a boy, all the people of all the nations which had fought in the First World War were silent during the eleventh minute of the eleventh hour of Armistice Day, which was the eleventh day of the eleventh month. It was during that minute in nineteen hundred and eighteen, that millions upon millions of human beings stopped butchering one another. I have talked to old men who were on battlefields during that minute. They have told me in one way or another that the sudden silence was the Voice of God. So we still have among us some men who can remember when God spoke clearly to mankind.

Unbelievable,” Audrey’s voice squeaked as I pushed past her. “Here we are, talking to you about your freaky little-boy encounter back in Breaux Bridge and how your caramel macchiato tasted like cardboard, and boom! You just zone out like one of the kids from Children of the Corn.” “Um, Aud, babe … I don’t think those kids zone out. They’re just freaky twenty-four-seven. It’s a year-round thing.” Gabe’s response drew a half-hearted laugh from me, but it was quickly reined in when I reached the Book of the Ancients. “Whatever, Gabriel,” Audrey said to him. “My point is, it’s freaky, okay? She gets this glazed-over look in her eyes, like she’s gonna whip out a butcher knife and go all Michael Myers on us or something.” I glanced over my shoulder to cock an eyebrow at her. “Oh, now you pay attention.” She cocked an eyebrow back. “What is it with you and the cheesy horror-movie references?” Gabe muttered. “Hey, now. Halloween is a classic,” Gavin scolded him. “Don’t go hating on the classics.

Could he be my Bertie, the cheeky butcher’s boy? I had walked out with him when I was a reluctant servant in Mr Buchanan’s household. Dear funny Bertie, who had been so self-conscious about reeking of meat. Bertie, the boy who had taken me to the fair and won me the little black-and-white china dog that was in my suitcase now, carefully wrapped in my nightgown to prevent any chips.

Poem for My Father You closed the door. I was on the other side, screaming. It was black in your mind. Blacker than burned-out fire. Blacker than poison. Outside everything looked the same. You looked the same. You walked in your body like a living man. But you were not. would you not speak to me for weeks would you hang your coat in the closet without saying hello would you find a shoe out of place and beat me would you come home late would i lose the key would you find my glasses in the garbage would you put me on your knee would you read the bible to me in your smoking jacket after your mother died would you come home drunk and snore would you beat me on the legs would you carry me up the stairs by my hair so that my feet never touch the bottom would you make everything worse to make everything better i believe in god, the father almighty, the maker of heaven, the maker of my heaven and my hell. would you beat my mother would you beat her till she cries like a rabbit would you beat her in a corner of the kitchen while i am in the bathroom trying to bury my head underwater would you carry her to the bed would you put cotton and alcohol on her swollen head would you make love to her hair would you caress her hair would you rub her breasts with ben gay until she stinks would you sleep in the other room in the bed next to me while she sleeps on the pull-out cot would you come on the sheet while i am sleeping. later i look for the spot would you go to embalming school with the last of my mother's money would i see your picture in the book with all the other black boys you were the handsomest would you make the dead look beautiful would the men at the elks club would the rich ladies at funerals would the ugly drunk winos on the street know ben pretty ben regular ben would your father leave you when you were three with a mother who threw butcher knives at you would he leave you with her screaming red hair would he leave you to be smothered by a pillow she put over your head would he send for you during the summer like a rich uncle would you come in pretty corduroys until you were nine and never heard from him again would you hate him would you hate him every time you dragged hundred pound cartons of soap down the stairs into white ladies' basements would you hate him for fucking the woman who gave birth to you hate him flying by her house in the red truck so that other father threw down his hat in the street and stomped on it angry like we never saw him (bye bye to the will of grandpa bye bye to the family fortune bye bye when he stompled that hat, to the gold watch, embalmer's palace, grandbaby's college) mother crying silently, making floating island sending it up to the old man's ulcer would grandmother's diamonds close their heartsparks in the corner of the closet yellow like the eyes of cockroaches? Old man whose sperm swims in my veins, come back in love, come back in pain.

The power and splendor of everyday life, how he had despised it in the past. If only instead of having to wait out here, he could go inside to be the butcher’s helper, a delivery boy for the spice dealer, a guest in one of these homes. In Westhofen he’d pictured a street here differently. He thought he would see a feeling of shame in every face, on every cobblestone, and that sorrow would mute the steps and voices and even the children’s games. The street here was calm; the people looked happy.

Hours later, the King of Adarlan stood at the back of the dungeon chamber as his secret guards dragged Rena Goldsmith forward. The butcher’s block at the center of the room was already soaked with blood. Her companion’s headless corpse lay a few feet away, his blood trickling toward the drain in the floor. Perrington and Roland stood silent beside the king, watching, waiting. The guards shoved the singer to her knees before the stained stone. One of them grabbed a fistful of her red-gold hair and yanked, forcing her to look at the king as he stepped forward. “It is punishable by death to speak of or to encourage magic. It is an affront to the gods, and an affront to me that you sang such a song in my hall.” Rena Goldsmith just stared at him, her eyes bright. She hadn’t struggled when his men grabbed her after the performance or even screamed when they’d beheaded her companion. As if she’d been expecting this. “Any last words?” A queer, calm rage settled over her lined face, and she lifted her chin. “I have worked for ten years to become famous enough to gain an invitation to this castle. Ten years, so I could come here to sing the songs of magic that you tried to wipe out. So I could sing those songs, and you would know that we are still here—that you may outlaw magic, that you may slaughter thousands, but we who keep the old ways still remember.” Behind him, Roland snorted. “Enough,” the king said, and snapped his fingers. The guards shoved her head down on the block. “My daughter was sixteen,” she went on. Tears ran over the bridge of her nose and onto the block, but her voice remained strong and loud. “Sixteen, when you burned her. Her name was Kaleen, and she had eyes like thunderclouds. I still hear her voice in my dreams.” The king jerked his chin to the executioner, who stepped forward. “My sister was thirty-six. Her name was Liessa, and she had two boys who were her joy.” The executioner raised his ax. “My neighbor and his wife were seventy. Their names were Jon and Estrel. They were killed because they dared try to protect my daughter when your men came for her.” Rena Goldsmith was still reciting her list of the dead when the ax fell.

The definition for the “Poop Deck” as found in nautical books would lead you to believe that the name was derived from the French word for the stern of the ship, la poupe which in turn was derived from the Latin puppis. On sailing ships this deck was higher than the main deck, making it ideal to navigate from. It also was where the binnacle and ship’s wheel were located for the helmsman. The deck of the poop deck formed the roof or overhead of the Captain’s cabin making it convenient for the Captain to reach. His after cabin was frequently irreverently referred to as the “poop cabin!” As wooden ships with iron men were replace with wooden men on iron ships, the navigational functions, with the exception of setting the sails, were moved to the bridge. According to my father who was a ship’s cook in the early 1920’s, the term poop deck remained, but took on a totally different meaning. During the turn of the last century, with coal fired reciprocating steam engines replacing wind and sails, this rear deck was where animals were kept to be butchered for food. Salted meat packed in barrels and the lack of fresh vegetables was the frequent cause of constipation and even worse scurvy. Many ships of that era, and before, didn’t yet have refrigeration and this was the way they continued to have fresh meat. A cabin boy tended to the chickens, pigs, lambs and goats and it was up to the butcher or cooks to slaughter and quarter them. Of course the deck nearest the stern was ideal for this, leaving the ensuing smell behind in the wake of the ship. Seldom is the term “Poop Deck” used now since with the advent of cruise ships nautical terms are fading. Bunks have become beds, cabins became staterooms and the head is now the restroom. Oh, what has become of the days of yore?