β
You don't have to burn books to destroy a culture. Just get people to stop reading them.
β
β
Ray Bradbury
β
First they ignore you. Then they ridicule you. And then they attack you and want to burn you. And then they build monuments to you.
β
β
Nicholas Klein
β
There are worse crimes than burning books. One of them is not reading them.
β
β
Joseph Brodsky
β
Fire is catching! And if we burn, you burn with us!
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Love is a fire. But whether it is going to warm your hearth or burn down your house, you can never tell.
β
β
Joan Crawford
β
[...]the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes βAwww!
β
β
Jack Kerouac (On the Road)
β
To burn with desire and keep quiet about it is the greatest punishment we can bring on ourselves.
β
β
Federico GarcΓa Lorca (Blood Wedding and Yerma)
β
I suppose a fire that burns that bright is not meant to last.
β
β
Veronica Roth (Allegiant (Divergent, #3))
β
Fear is a phoenix. You can watch it burn a thousand times and still it will return.
β
β
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
β
In order to rise
From its own ashes
A phoenix
First
Must
Burn.
β
β
Octavia E. Butler (Parable of the Talents (Earthseed, #2))
β
There's things that happen in a person's life that are so scorched in the memory and burned into the heart that there's no forgetting them.
β
β
John Boyne
β
Happiness is having a large, loving, caring, close-knit family in another city.
β
β
George Burns
β
There must be something in books, something we canβt imagine, to make a woman stay in a burning house; there must be something there. You donβt stay for nothing.
β
β
Ray Bradbury (Fahrenheit 451)
β
There is more than one way to burn a book. And the world is full of people running about with lit matches.
β
β
Ray Bradbury
β
I don't care," Clary said. "He'd do it for me. Tell me he wouldn't. If I were missing-"
"He'd burn the whole world down till he could dig you out of the ashes. I know," Alec said.
β
β
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
β
A great fire burns within me, but no one stops to warm themselves at it, and passers-by only see a wisp of smoke
β
β
Vincent van Gogh
β
She burned too bright for this world.
β
β
Emily BrontΓ« (Wuthering Heights)
β
Double, double, toil and trouble;
Fire burn, and cauldron bubble!
β
β
William Shakespeare (Macbeth)
β
Religion has actually convinced people that there's an invisible man living in the sky who watches everything you do, every minute of every day. And the invisible man has a special list of ten things he does not want you to do. And if you do any of these ten things, he has a special place, full of fire and smoke and burning and torture and anguish, where he will send you to live and suffer and burn and choke and scream and cry forever and ever 'til the end of time!
But He loves you. He loves you, and He needs money! He always needs money! He's all-powerful, all-perfect, all-knowing, and all-wise, somehow just can't handle money!
β
β
George Carlin
β
I am going to take this bucket of water and pour it on the flames of hell, and then I am going to use this torch to burn down the gates of paradise so that people will not love God for want of heaven or fear of hell, but because He is God.
β
β
John Green (Looking for Alaska)
β
you must be ready to burn yourself in your own flame;
how could you rise anew if you have not first become ashes?
β
β
Friedrich Nietzsche (Thus Spoke Zarathustra)
β
Even in half demon hunter clothes, Clary thought, he looked like the kind of boy who'd come over your house to pick you up for a date and be polite to your parents and nice to your pets.
Jace on the other hand, looked like the kind of boy who'd come over your house and burn it down just for kicks.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
Bitterness is like cancer. It eats upon the host. But anger is like fire. It burns it all clean.
β
β
Maya Angelou
β
Will has always been the brighter burning star, the one to catch attention β but Jem is a steady flame, unwavering and honest. He could make you happy.
β
β
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
β
You believe in a book that has talking animals, wizards, witches, demons, sticks turning into snakes, burning bushes, food falling from the sky, people walking on water, and all sorts of magical, absurd and primitive stories, and you say that we are the ones that need help?
β
β
Mark Twain
β
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
β
β
Dylan Thomas (Do Not Go Gentle Into That Good Night)
β
Closing my eyes doesn't help. Fire burns brighter in the darkness.
β
β
Suzanne Collins (Mockingjay (The Hunger Games, #3))
β
Nothing burns like the cold.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
Letters are just pieces of paper," I said. "Burn them, and what stays in your heart will stay; keep them, and what vanishes will vanish.
β
β
Haruki Murakami (Norwegian Wood)
β
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?
β
β
William Blake
β
Your hair is winter fire
January embers
My heart burns there, too.
β
β
Stephen King (It)
β
It's better to burn out than to fade away.
β
β
Neil Young
β
Holding on to anger is like grasping a hot coal with the intent of throwing it at someone else; you are the one who gets burned.
β
β
Gautama Buddha
β
And on the subject of burning books: I want to congratulate librarians, not famous for their physical strength or their powerful political connections or their great wealth, who, all over this country, have staunchly resisted anti-democratic bullies who have tried to remove certain books from their shelves, and have refused to reveal to thought police the names of persons who have checked out those titles.
So the America I loved still exists, if not in the White House or the Supreme Court or the Senate or the House of Representatives or the media. The America I love still exists at the front desks of our public libraries.
β
β
Kurt Vonnegut Jr. (A Man Without a Country)
β
I hope your bacon burns.
β
β
Diana Wynne Jones (Howlβs Moving Castle (Howlβs Moving Castle, #1))
β
Adam smiled cheerily. Ronan would start wars and burn cities for that true smile, elastic and amiable.
β
β
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
β
Laura felt a warmth inside her. It was very small, but it was strong. It was steady, like a tiny light in the dark, and it burned very low but no winds could make it flicker because it would not give up.
β
β
Laura Ingalls Wilder (The Long Winter (Little House, #6))
β
I was burning through books every day - stories about people and places I'd never heard of. They were perhaps the only thing that kept me from teetering into utter despair.
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
We cross our bridges when we come to them and burn them behind us, with nothing to show for our progress except a memory of the smell of smoke, and a presumption that once our eyes watered.
β
β
Tom Stoppard (Rosencrantz and Guildenstern Are Dead)
β
The flame that burns Twice as bright burns half as long.
β
β
Lao Tzu (Te-Tao Ching)
β
My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friendsβ
It gives a lovely light!
β
β
Edna St. Vincent Millay (A Few Figs from Thistles)
β
No sight so sad as that of a naughty child," he began, "especially a naughty little girl. Do you know where the wicked go after death?"
"They go to hell," was my ready and orthodox answer.
"And what is hell? Can you tell me that?"
"A pit full of fire."
"And should you like to fall into that pit, and to be burning there for ever?"
"No, sir."
"What must you do to avoid it?"
I deliberated a moment: my answer, when it did come was objectionable: "I must keep in good health and not die.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
I can see he's not in your good books,' said the messenger.
'No, and if he were I would burn my library.
β
β
William Shakespeare (Much Ado About Nothing)
β
Now I have neither happiness nor unhappiness.
Everything passes.
That is the one and only thing that I have thought resembled a truth in the society of human beings where I have dwelled up to now as in a burning hell.
Everything passes.
β
β
Osamu Dazai (No Longer Human)
β
Once upon a time, in a land long since burned to ash, there lived a young princess who loved her kingdom β¦
β
β
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
β
if you want to shine like sun first you have to burn like it.
β
β
Adolf Hitler
β
What is to give light must endure burning.
β
β
Viktor E. Frankl
β
Poetry is just the evidence of life. If your life is burning well, poetry is just the ash.
β
β
Leonard Cohen
β
We the mortals touch the metals,
the wind, the ocean shores, the stones,
knowing they will go on, inert or burning,
and I was discovering, naming all the these things:
it was my destiny to love and say goodbye.
β
β
Pablo Neruda (Still Another Day)
β
It was a pleasure to burn.
β
β
Ray Bradbury (Fahrenheit 451)
β
I threw myself into that fire, threw myself into it, into him, and let myself burn.
β
β
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
β
The so-called βpsychotically depressedβ person who tries to kill herself doesnβt do so out of quote βhopelessnessβ or any abstract conviction that lifeβs assets and debits do not square. And surely not because death seems suddenly appealing. The person in whom Its invisible agony reaches a certain unendurable level will kill herself the same way a trapped person will eventually jump from the window of a burning high-rise. Make no mistake about people who leap from burning windows. Their terror of falling from a great height is still just as great as it would be for you or me standing speculatively at the same window just checking out the view; i.e. the fear of falling remains a constant. The variable here is the other terror, the fireβs flames: when the flames get close enough, falling to death becomes the slightly less terrible of two terrors. Itβs not desiring the fall; itβs terror of the flames. And yet nobody down on the sidewalk, looking up and yelling βDonβt!β and βHang on!β, can understand the jump. Not really. Youβd have to have personally been trapped and felt flames to really understand a terror way beyond falling.
β
β
David Foster Wallace
β
Love is a temporary madness, it erupts like volcanoes and then subsides. And when it subsides, you have to make a decision. You have to work out whether your roots have so entwined together that it is inconceivable that you should ever part. Because this is what love is. Love is not breathlessness, it is not excitement, it is not the promulgation of promises of eternal passion, it is not the desire to mate every second minute of the day, it is not lying awake at night imagining that he is kissing every cranny of your body. No, don't blush, I am telling you some truths. That is just being "in love", which any fool can do. Love itself is what is left over when being in love has burned away, and this is both an art and a fortunate accident.
β
β
Shawn Slovo (Captain Corelli's Mandolin filmscript)
β
I'm a candle flame that sways in currents of air you can't see. You need to be the one who steadies me to burn.
β
β
Nadine Gordimer (The House Gun)
β
You have to be burning with an idea, or a problem, or a wrong that you want to right. If you're not passionate enough from the start, you'll never stick it out.
β
β
Steve Jobs
β
Once she was gone, I knelt next to Annabeth and felt her forehead. She was still burning up.
"You're cute when you're worried," she muttered. "Your eyebrows get all scrunched together."
"You are not going to die while I owe you a favor," I said. "Why did you take that knife?"
"You would've done the same for me."
It was true. I guess we both knew it. Still, I felt like somebody was poking my heart with a cold metal rod.
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
When writing a novel, that's pretty much entirely what life turns into: 'House burned down. Car stolen. Cat exploded. Did 1500 easy words, so all in all it was a pretty good day.
β
β
Neil Gaiman
β
You are an ember in the ashes, Elias Veturius. You will spark and burn, ravage and destroy. You cannot change it. You cannot stop it.
β
β
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
β
Sit in a room and read--and read and read. And read the right books by the right people. Your mind is brought onto that level, and you have a nice, mild, slow-burning rapture all the time.
β
β
Joseph Campbell (The Power of Myth)
β
I should have warned her about your habit of never doing what you're told." Jace squinted at her. "Are those Isabelle's clothes? They look ridiculous on you."
"I could point out that you burned my clothes." -Jace and Clary pg. 63
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
Extinguish my eyes, I'll go on seeing you.
Seal my ears, I'll go on hearing you.
And without feet I can make my way to you,
without a mouth I can swear your name.
Break off my arms, I'll take hold of you
with my heart as with a hand.
Stop my heart, and my brain will start to beat.
And if you consume my brain with fire,
I'll feel you burn in every drop of my blood.
β
β
Rainer Maria Rilke
β
unless it comes out of
your soul like a rocket,
unless being still would
drive you to madness or
suicide or murder,
don't do it.
unless the sun inside you is
burning your gut,
don't do it.
when it is truly time,
and if you have been chosen,
it will do it by
itself and it will keep on doing it
until you die or it dies in you.
there is no other way.
and there never was.
β
β
Charles Bukowski
β
They say a good love is one that sits you down, gives you a drink of water, and pats you on top of the head. But I say a good love is one that casts you into the wind, sets you ablaze, makes you burn through the skies and ignite the night like a phoenix; the kind that cuts you loose like a wildfire and you can't stop running simply because you keep on burning everything that you touch! I say that's a good love; one that burns and flies, and you run with it!
β
β
C. JoyBell C.
β
Too bad that all the people who know how to run the country are busy driving taxicabs and cutting hair.
β
β
George Burns
β
I would rather be ashes than dust!
I would rather that my spark should burn out in a brilliant blaze than it should be stifled by dry-rot.
I would rather be a superb meteor, every atom of me in magnificent glow, than a sleepy and permanent planet.
The function of man is to live, not to exist.
I shall not waste my days trying to prolong them.
I shall use my time.
β
β
Jack London
β
I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of the night.
β
β
Allen Ginsberg (Howl, Kaddish and Other Poems)
β
I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to gods, loved women, and written songs that make the minstrels weep. You may have heard of me.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
You collect scars because you want proof that you are paying for whatever sins you've committed. And I know this because I've been doing the same damn thing for two hundred years. Tell me, do you think you will go to some blessed Afterworld, or do you expect a burning hell? You're hoping for hell--because how could you face them in the Afterworld? Better to suffer, to be damned for eternity and--
β
β
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
β
If you live to be one hundred, you've got it made. Very few people die past that age.
β
β
George Burns
β
You see, women are like fires, like flames. Some women are like candles, bright and friendly. Some are like single sparks, or embers, like fireflies for chasing on summer nights. Some are like campfires, all light and heat for a night and willing to be left after. Some women are like hearthfires, not much to look at but underneath they are all warm red coal that burns a long, long while.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
Once on a yellow piece of paper with green lines
he wrote a poem
And he called it "Chops"
because that was the name of his dog
And that's what it was all about
And his teacher gave him an A
and a gold star
And his mother hung it on the kitchen door
and read it to his aunts
That was the year Father Tracy
took all the kids to the zoo
And he let them sing on the bus
And his little sister was born
with tiny toenails and no hair
And his mother and father kissed a lot
And the girl around the corner sent him a
Valentine signed with a row of X's
and he had to ask his father what the X's meant
And his father always tucked him in bed at night
And was always there to do it
Once on a piece of white paper with blue lines
he wrote a poem
And he called it "Autumn"
because that was the name of the season
And that's what it was all about
And his teacher gave him an A
and asked him to write more clearly
And his mother never hung it on the kitchen door
because of its new paint
And the kids told him
that Father Tracy smoked cigars
And left butts on the pews
And sometimes they would burn holes
That was the year his sister got glasses
with thick lenses and black frames
And the girl around the corner laughed
when he asked her to go see Santa Claus
And the kids told him why
his mother and father kissed a lot
And his father never tucked him in bed at night
And his father got mad
when he cried for him to do it.
Once on a paper torn from his notebook
he wrote a poem
And he called it "Innocence: A Question"
because that was the question about his girl
And that's what it was all about
And his professor gave him an A
and a strange steady look
And his mother never hung it on the kitchen door
because he never showed her
That was the year that Father Tracy died
And he forgot how the end
of the Apostle's Creed went
And he caught his sister
making out on the back porch
And his mother and father never kissed
or even talked
And the girl around the corner
wore too much makeup
That made him cough when he kissed her
but he kissed her anyway
because that was the thing to do
And at three a.m. he tucked himself into bed
his father snoring soundly
That's why on the back of a brown paper bag
he tried another poem
And he called it "Absolutely Nothing"
Because that's what it was really all about
And he gave himself an A
and a slash on each damned wrist
And he hung it on the bathroom door
because this time he didn't think
he could reach the kitchen.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
She leaned forward and caught at his hand, pressing it between her own. The touch was like white fire through his veins. He could not feel her skin only the cloth of her gloves, and yet it did not matter. You kindled me, heap of ashes that I am, into fire. He had wondered once why love was always phrased in terms of burning. The conflagration in his own veins, now, gave the answer.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Here's what's not beautiful about it: from here, you can't see the rust or the cracked paint or whatever, but you can tell what the place really is. You can see how fake it all is. It's not even hard enough to be made out of plastic. It's a paper town. I mean, look at it, Q: look at all those culs-de-sac, those streets that turn in on themselves, all the houses that were built to fall apart. All those paper people living in their paper houses, burning the future to stay warm. All the paper kids drinking beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail. And all the people, too. I've lived here for eighteen years and I have never once in my life come across anyone who cares about anything that matters.
β
β
John Green (Paper Towns)
β
You can't help getting older, but you don't have to get old.
β
β
George Burns
β
And it came to me then. That we were wonderful traveling companions but in the end no more than lonely lumps of metal in their own separate orbits. From far off they look like beautiful shooting stars, but in reality they're nothing more than prisons, where each of us is locked up alone, going nowhere. When the orbits of these two satellites of ours happened to cross paths, we could be together. Maybe even open our hearts to each other. But that was only for the briefest moment. In the next instant we'd be in absolute solitude. Until we burned up and became nothing.
β
β
Haruki Murakami (Sputnik Sweetheart)
β
Nothing whets the intelligence more than a passionate suspicion, nothing develops all the faculties of an immature mind more than a trail running away into the dark.
β
β
Stefan Zweig (The Burning Secret and other stories)
β
We two have paddled in the stream,
from morning sun till dine;
But seas between us broad have roared
since days of long ago.
β
β
Robert Burns
β
Black for hunting through the night
For death and mourning the color's white
Gold for a bride in her wedding gown
And red to call the enchantment down
White silk when our bodies burn
Blue banners when the lost return
Flame for the birth of a Nephilim
And to wash away our sins.
Gray for the knowledge best untold
Bone for those who don't grow old
Saffron lights the victory march
Green to mend our broken hearts
Silver for the demon towers
And bronze to summon wicked powers
-Shadowhunter children's rhyme
β
β
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
β
When you go into the ER, one of the first things they ask you to do is rate your pain on a scale of one to ten, and from there they decide which drugs to use and how quickly to use them. I'd been asked this question hundreds of times over the years, and I remember once early on when I couldn't get my breath and it felt like my chest was on fire, flames licking the inside of my ribs fighting for a way to burn out of my body, my parents took me to the ER. nurse asked me about the pain, and I couldn't even speak, so I held up nine fingers.
Later, after they'd given me something, the nurse came in and she was kind of stroking my head while she took my blood pressure and said, "You know how I know you're a fighter? You called a ten a nine."
But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
β
β
John Green (The Fault in Our Stars)
β
The Journey
One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice --
though the whole house
began to tremble
and you felt the old tug
at your ankles.
"Mend my life!"
each voice cried.
But you didn't stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do --
determined to save
the only life you could save.
β
β
Mary Oliver
β
Night gathers, and now my watch begins. It shall not end until my death. I shall take no wife, hold no lands, father no children. I shall wear no crowns and win no glory. I shall live and die at my post. I am the sword in the darkness. I am the watcher on the walls. I am the fire that burns against cold, the light that brings the dawn, the horn that wakes the sleepers, the shield that guards the realms of men. I pledge my life and honor to the Night's Watch, for this night and all the nights to come.
β
β
George R.R. Martin
β
The vampire stared at me, his mouth slack as Ghastek assessed his options. I took a couple of forms from my desk, put them into the vamp's mouth, and pulled them up by their edges.
"What are you doing?" Ghastek asked.
"My hole puncher broke."
"You have no respect for the undead.
β
β
Ilona Andrews (Magic Burns (Kate Daniels, #2))
β
you are a horse running alone
and he tries to tame you
compares you to an impossible highway
to a burning house
says you are blinding him
that he could never leave you
forget you
want anything but you
you dizzy him, you are unbearable
every woman before or after you
is doused in your name
you fill his mouth
his teeth ache with memory of taste
his body just a long shadow seeking yours
but you are always too intense
frightening in the way you want him
unashamed and sacrificial
he tells you that no man can live up to the one who
lives in your head
and you tried to change didn't you?
closed your mouth more
tried to be softer
prettier
less volatile, less awake
but even when sleeping you could feel
him travelling away from you in his dreams
so what did you want to do love
split his head open?
you can't make homes out of human beings
someone should have already told you that
and if he wants to leave
then let him leave
you are terrifying
and strange and beautiful
something not everyone knows how to love.
β
β
Warsan Shire
β
Does it break my heart, of course, every moment of every day, into more pieces than my heart was made of, I never thought of myself as quiet, much less silent, I never thought about things at all, everything changed, the distance that wedged itself between me and my happiness wasn't the world, it wasn't the bombs and burning buildings, it was me, my thinking, the cancer of never letting go, is ignorance bliss, I don't know, but it's so painful to think, and tell me, what did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think, I've thought myself out of happiness one million times, but never once into it.
β
β
Jonathan Safran Foer
β
Anoshe was a word for strangers in the street, and lovers between meetings, for parents and children, friends and family. It softened the blow of leaving. Eased the strain of parting. A careful nod to the certainty of today, the mystery of tomorrow. When a friend left, with little chance of seeing home, they said anoshe. When a loved one was dying, they said anoshe. When corpses were burned, bodies given back to the earth and souls to the stream, those left grieving said anoshe.
Anoshe brought solace. And hope. And the strength to let go.
β
β
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
β
I painted stars and the moon and clouds and just endless, dark sky.β I finished the sixth, and was well on my way sawing through the seventh before I said, βI never knew why. I rarely went outside at nightβusually, I was so tired from hunting that I just wanted to sleep. But I wonder β¦ β I pulled out the seventh and final arrow. βI wonder if some part of me knew what was waiting for me. That I would never be a gentle grower of things, or someone who burned like fireβbut that I would be quiet and enduring and as faceted as the night. That I would have beauty, for those who knew where to look, and if people didnβt bother to look, but to only fear it β¦ Then I didnβt particularly care for them, anyway. I wonder if, even in my despair and hopelessness, I was never truly alone. I wonder if I was looking for this placeβlooking for you all.
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
Not only will you sleep with me, but you will say 'please.'"
I stared at him, shocked.
The smile widened. "You will say 'please' before and 'thank you' after."
Nervous laughter bubbled up. "You've gone insane. All that peroxide in your hair finally did your brain in, Goldilocks.
β
β
Ilona Andrews (Magic Burns (Kate Daniels, #2))
β
Nobody sees anybody truly but all through the flaws of their own egos. That is the way we all see ...each other in life. Vanity, fear, desire, competition-- all such distortions within our own egos-- condition our vision of those in relation to us. Add to those distortions to our own egos the corresponding distortions in the egos of others, and you see how cloudy the glass must become through which we look at each other. That's how it is in all living relationships except when there is that rare case of two people who love intensely enough to burn through all those layers of opacity and see each other's naked hearts.
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Tennessee Williams
β
This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. Itβs like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbalsβsounds that say listen to this, it is important.
β
β
Gary Provost
β
Do not go gentle into that good night,
Old age should burn and rage at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
β
β
Dylan Thomas (Do Not Go Gentle Into That Good Night)
β
Sometimes life gets in your
way.
it gets all up in your damn
way.
But it doesn't get all up in your damn way
because it wants you to just
give up
and let it
take control.
Life doesn't get all up in your damn way because it just wants you to
hand
it all
over
and be
carried along.
Life wants you to
fight
it
Learn how to make it your
own.
it wants you to grab and
axe
and
hack
through the
wood.
It wants you to get a
sledgehammer
and
break
through
concrete.
It wants you to grab a
torch
and
burn
through the metal and
steel
until you can reach through and
grab
it.
Life wants you to
grab
all the
organized,
the
alphabetized,
the
chronological,
the
sequenced.
It wants you to mix it all
together,
stir
it up,
blend
it.
β
β
Colleen Hoover (Slammed (Slammed, #1))
β
You know what I think?" she says. "That people's memories are maybe the fuel they burn to stay alive. Whether those memories have any actual importance or not, it doesn't matter as far as the maintenance of life is concerned. They're all just fuel. Advertising fillers in the newspaper, philosophy books, dirty pictures in a magazine, a bundle of ten-thousand-yen bills: when you feed 'em to the fire, they're all just paper. The fire isn't thinking 'Oh, this is Kant,' or 'Oh, this is the Yomiuri evening edition,' or 'Nice tits,' while it burns. To the fire, they're nothing but scraps of paper. It's the exact same thing. Important memories, not-so-important memories, totally useless memories: there's no distinction--they're all just fuel.
β
β
Haruki Murakami (After Dark)
β
One final paragraph of advice: do not burn yourselves out. Be as I am - a reluctant enthusiast....a part-time crusader, a half-hearted fanatic. Save the other half of yourselves and your lives for pleasure and adventure. It is not enough to fight for the land; it is even more important to enjoy it. While you can. While itβs still here. So get out there and hunt and fish and mess around with your friends, ramble out yonder and explore the forests, climb the mountains, bag the peaks, run the rivers, breathe deep of that yet sweet and lucid air, sit quietly for a while and contemplate the precious stillness, the lovely, mysterious, and awesome space. Enjoy yourselves, keep your brain in your head and your head firmly attached to the body, the body active and alive, and I promise you this much; I promise you this one sweet victory over our enemies, over those desk-bound men and women with their hearts in a safe deposit box, and their eyes hypnotized by desk calculators. I promise you this; You will outlive the bastards.
β
β
Edward Abbey
β
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
Tis some visitor," I muttered, "tapping at my chamber door β
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; β vainly I had sought to borrow
From my books surcease of sorrow β sorrow for the lost Lenore β
For the rare and radiant maiden whom the angels name Lenore β
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me β filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door β
Some late visitor entreating entrance at my chamber door; β
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"β here I opened wide the door; β
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" β
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore β
Let my heart be still a moment and this mystery explore; β
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door β
Perched upon a bust of Pallas just above my chamber door β
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore β
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaningβ little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door β
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore.
β
β
Edgar Allan Poe (The Raven)
β
I love that you get cold when it's 71 degrees out. I love that it takes you an hour and a half to order a sandwich. I love that you get a little crinkle above your nose when you're looking at me like I'm nuts. I love that after I spend the day with you, I can still smell your perfume on my clothes. And I love that you are the last person I want to talk to before I go to sleep at night. And it's not because I'm lonely, and it's not because it's New Year's Eve. I came here tonight because when you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.
β
β
Nora Ephron (When Harry Met Sally)
β
I am not the first person you loved.
You are not the first person I looked at
with a mouthful of forevers. We
have both known loss like the sharp edges
of a knife. We have both lived with lips
more scar tissue than skin. Our love came
unannounced in the middle of the night.
Our love came when weβd given up
on asking love to come. I think
that has to be part
of its miracle.
This is how we heal.
I will kiss you like forgiveness. You
will hold me like Iβm hope. Our arms
will bandage and we will press promises
between us like flowers in a book.
I will write sonnets to the salt of sweat
on your skin. I will write novels to the scar
of your nose. I will write a dictionary
of all the words I have used trying
to describe the way it feels to have finally,
finally found you.
And I will not be afraid
of your scars.
I know sometimes
itβs still hard to let me see you
in all your cracked perfection,
but please know:
whether itβs the days you burn
more brilliant than the sun
or the nights you collapse into my lap
your body broken into a thousand questions,
you are the most beautiful thing Iβve ever seen.
I will love you when you are a still day.
I will love you when you are a hurricane.
β
β
Clementine von Radics
β
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it.
I will love you as a dagger loves a certain personβs back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled.
I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively.
I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you donβt see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
β
β
Lemony Snicket
β
If I should have a daughterβ¦βInstead of βMomβ, sheβs gonna call me βPoint B.β Because that way, she knows that no matter what happens, at least she can always find her way to me. And Iβm going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say βOh, I know that like the back of my hand.β
Sheβs gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isnβt coming, Iβll make sure she knows she doesnβt have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, Iβve tried.
And βBaby,β Iβll tell her βdonβt keep your nose up in the air like that, I know that trick, youβre just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.β
But I know that she will anyway, so instead Iβll always keep an extra supply of chocolate and rain boats nearby, βcause there is no heartbreak that chocolate canβt fix. Okay, thereβs a few heartbreaks chocolate canβt fix. But thatβs what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because thatβs how my mom taught me. That thereβll be days like this, βThereβll be days like this my momma saidβ when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and youβll be up to your knees in disappointment and those are the very days you have all the more reason to say βthank you,β βcause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times itβs sent away.
You will put the βwindβ in win some lose some, you will put the βstarβ in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but donβt be afraid to stick your tongue out and taste it.
βBaby,β Iβll tell her βremember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.β
Remember that good things come in threes and so do bad things and always apologize when youβve done something wrong but donβt you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but donβt ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
β
β
Sarah Kay
β
That taught us how to block a sword with two knives. But what if an ax man's coming at me?"
Gilan looked suspicious. "An ax man? I don't recommend trying to block an ax with two knives."
But Will wouldn't take no for an answer. "But what if he's charging at me?" Horace walked over.
Gilan looked away. "Uh...shoot him."
Horace intervened. "Can't, his bowstring's broken."
Gilan gritted his teeth. "Run and hide."
Will kept on him. "There's a sheer cliff behind me."
Horace caught on. "There's a sheer cliff behind him, and his bowstring's broken. What should he do?"
Gilan thought for a moment. "Jump off the cliff, it'll be less messy that way.
β
β
John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
β
The letter had been crumpled up and tossed onto the grate. It had burned all around the edges, so the names at the top and bottom had gone up in smoke. But there was enough of the bold black scrawl to reveal that it had indeed been a love letter. And as Hannah read the singed and half-destroyed parchment, she was forced to turn away to hide the trembling of her hand.
βshould warn you that this letter will not be eloquent. However, it will be sincere, especially in light of the fact that you will never read it. I have felt these words like a weight in my chest, until I find myself amazed that a heart can go on beating under such a burden.
I love you. I love you desperately, violently, tenderly, completely. I want you in ways that I know you would find shocking. My love, you don't belong with a man like me. In the past I've done things you wouldn't approve of, and I've done them ten times over. I have led a life of immoderate sin. As it turns out, I'm just as immoderate in love. Worse, in fact.
I want to kiss every soft place of you, make you blush and faint, pleasure you until you weep, and dry every tear with my lips. If you only knew how I crave the taste of you. I want to take you in my hands and mouth and feast on you. I want to drink wine and honey from you.
I want you under me. On your back.
I'm sorry. You deserve more respect than that. But I can't stop thinking of it. Your arms and legs around me. Your mouth, open for my kisses. I need too much of you. A lifetime of nights spent between your thighs wouldn't be enough.
I want to talk with you forever. I remember every word you've ever said to me.
If only I could visit you as a foreigner goes into a new country, learn the language of you, wander past all borders into every private and secret place, I would stay forever. I would become a citizen of you.
You would say it's too soon to feel this way. You would ask how I could be so certain. But some things can't be measured by time. Ask me an hour from now. Ask me a month from now. A year, ten years, a lifetime. The way I love you will outlast every calendar, clock, and every toll of every bell that will ever be cast. If only youβ
And there it stopped.
β
β
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))