Bunk Partner Quotes

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Essentially, we become more selective about the fucks we're willing to give. This is something called maturity. It's nice; you should try it sometime. Maturity is what happens when one learns to only give a fuck about what's truly fuck-worthy. As Bunk Moreland said to his partner Detective McNulty in THE WIRE: "That's what you get for giving a fuck when it wasn't your turn to give a fuck.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Maturity is what happens when one learns to only give a fuck about what’s truly fuckworthy. As Bunk Moreland said to his partner Detective McNulty in The Wire (which, fuck you, I still downloaded): “That’s what you get for giving a fuck when it wasn’t your turn to give a fuck.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
yourself.” “Maybe we should analyze it. Maybe a little discovery is in order.” “Maybe a little getting under the covers is in order. Baby?” “Yes?” “Are you going to take off your overcoat? Feels like making it with a flasher.” “Good point. Jesus, Pep,” he sighed soulfully. “Keep taking off the coat. That’s it. Now how about the jacket? There you go. . . .” “Six months ago I was happily married.” Pepper rolled her eyes. “Married, okay. Happily? Let’s look at it. But could we maybe be in the now instead of the then?” “Sorry, I’m so damned awkward sometimes. Do you like the top or the bottom?” Pepper stared. “This ain’t summer camp, and I ain’t a bunk bed. Now look here, Chiefy, we are two grown adults, we are colleagues, we have discovered a mutual attraction. We are neither of us cheating on anyone, inasmuch as our spouses filed for divorce. We are both heterosexual—” “What’s that supposed to mean?” “It’s a statement of fact intended to differentiate myself from your prior partner for the purpose of putting you at ease so as to . . . oh, c’mere . . . initiate foreplay . . .
Christopher Buckley (Supreme Courtship)
Well, go in,” said Pandora. “It’s open to the public.” “So, for once, we won’t have to destroy private property,” Uncle Mort said, opening the door. “Look how far we’ve come, gang—” A shriveled, bony fist punched him in the face. Since there wasn’t much force behind the blow, however, it just sort of shoved him off balance for a second. Uncle Mort rubbed his cheek, as if he’d been stung by a mosquito. “Ow.” “Don’t you dare come in here!” a little man in a bow tie and suspenders yelled. He stared out at them from behind a pair of humongous old-man glasses, his wispy white hairs quivering as he shouted. When the Juniors came in anyway, he got even angrier. “Don’t you dare take another step!” They took another step. “Don’t you dare—” “Turlington!” Pandora blared, holding up a balled fist of her own. “You shut that pie hole of yours or I’ll stuff it with a hearty slice of knuckle cobbler!” “Knuckle cobbler?” Lex whispered to Driggs. “Good name for a band,” he replied. The man almost fainted. “Pan—Pandora?” “Damn straight!” She puffed out her chest and trapped him up against the wall. “Now, you’re going to let these friends of mine bunk here for the evening, and you’re going to be real nice and real pleasant about it, and above all, you’re not even going to think of ratting us out. Got it?” “Yes, yes,” he said, shaking. “Whatever you need. I think I might even have some pillows and blankets left over from the last overnight camp, in the closet behind the—” Pandora karate-chopped the side of his head. The Juniors watched as he went down like a sack. “What’d you do that for?” Uncle Mort asked once the poor man stopped twitching. “He would have ratted,” Pandora said with confidence. “Old Turly was my partner for a brief stint back in our younger days. Thick as thieves, we were. But he’s a squirrelly bastard, I know that much.” “So are you,” Uncle Mort pointed out. “That’s why we were such good friends!” Uncle Mort stared at her for a moment more, then rubbed his eyes. “Okay. Fine. Make yourselves at home, kids. Just step right on over the unconscious senior citizen.
Gina Damico (Rogue (Croak, #3))
As Bunk Moreland said to his partner Detective McNulty in The Wire (which, fuck you, I still downloaded): “That’s what you get for giving a fuck when it wasn’t your turn to give a fuck.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
Essentially, we become more selective about the fucks we’re willing to give. This is something called maturity. It’s nice; you should try it sometime. Maturity is what happens when one learns to only give a fuck about what’s truly fuckworthy. As Bunk Moreland said to his partner Detective McNulty in The Wire (which, fuck you, I still downloaded): “That’s what you get for giving a fuck when it wasn’t your turn to give a fuck.
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
In the world of physics, when two spatially separated events occur at the same time, the question of whether they are absolute is a function of witnesses’ time frames, a phenomenon known as the relativity of simultaneity. The marriage of CAA and TPG arrived at a time when the CAA partners were still grappling with a radically changing media landscape and trying to get their own house in order financially. People believed TPG had summoned a series of budgetary reviews, but just as Noah started work on an ark before even a drop of rain, some financial controls were put in motion before TPG had to request, or insist upon, a single one. One affected area, expense accounts, may sound trifling, but not in the representation game. So it was that modifications in CAA’s travel and entertainment policies brought about changes in the culture as well. One example: For years the opulent St. Regis Hotel in New York City had served as a virtual dorm for CAA agents traveling on business. No more. New regulations were put in place prohibiting midlevel and junior agents from bunking there. Limits were also placed on dining allowances for midlevel and junior agents no matter what the city.
James Andrew Miller (Powerhouse: The Untold Story of Hollywood's Creative Artists Agency)