“
A bullet from a gun does not make a distinction between practice and combat. You are training to be one and the same way in your life
”
”
Miyamoto Musashi
“
You could love the sleek, efficient beauty of a brand-new bullet train, but only a fool could imagine it would love you back.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Like building muscle, we need to train our intentions to make them resilient and strong.
”
”
Ryder Carroll (The Bullet Journal Method: Track Your Past, Order Your Present, Plan Your Future)
“
Fire would barrel along that chain like a bullet train, he knew. It surged and jumped and gorged itself. It raced like an animal. It ravaged with inhuman efficiency.
”
”
Jane Harper (The Dry (Aaron Falk, #1))
“
Often the case with people who don't read fiction. Hollow inside, monochrome, so they can switch gears no problem. They swallow something and forget about it as soon as it goes down their throat. Constitutionally incapable of empathy. These are people who most need to read, but in most cases it's already too late.
”
”
Kōtarō Isaka (Bullet Train)
“
Easy come, easy go,
That's just how you live, oh,
Take, take, take it all,
But you never give.
Should've known you was trouble
From the first kiss,
Had your eyes wide open.
Why were they open?
Gave you all I had and you tossed it in the trash,
You tossed it in the trash, you did.
To give me all your love is all I ever asked, 'cause
What you don't understand is
I'd catch a grenade for ya
Throw my hand on a blade for ya
I'd jump in front of a train for ya
You know I'd do anything for ya
Oh, oh, I would go through all of this pain,
Take a bullet straight through my brain!
Yes, I would die for ya, baby,
But you won't do the same.
”
”
Bruno Mars
“
The tortured mind is a worse fate than a bullet in the train.
”
”
Tahereh Mafi (Defy Me (Shatter Me, #5))
“
She'd been trained to survive many things: starvation and bullet wounds. Winter nights and scouring sun. Double-tied knots and interrogations at knifepoint. But this? A boy's lips on hers. Moving and melding. Soft and strength, velvet and iron. Opposite elements that tugged and tor Yael from the inside. Feelings bloomed, hot and warm. Deep and dark.
”
”
Ryan Graudin (Wolf by Wolf (Wolf by Wolf, #1))
“
I have traveled around the world. I’ve walked the Great Wall of China, eaten dinner at the top of the Eiffel Tower, and ridden the bullet train from Tokyo to Osaka. That’s not all. I’ve led an army into battle on dragonback, seduced a vicious mafia boss, and journeyed back in time to fall in love with everyone from Vikings to the Knights of the Round Table. I’ve lived a thousand lives. Too bad the only real one fucking sucks.
”
”
Elizabeth Helen (Bonded by Thorns (Beasts of the Briar, #1))
“
Tell me what to do, not how to do it.' Decentralize command and allow subordinates to operate freely within the framework of the commander's intent. Train them as a team. Develop trust, loyalty, initiative.
”
”
Nathaniel Fick (One Bullet Away: The Making of a Marine Officer)
“
A soldier must be like a bullet, constantly ready to be fired.’ I learnt that by heart. You go to war in order to kill. Killing is my profession — that’s what I was trained to do.
”
”
Svetlana Alexievich (Zinky Boys: Soviet Voices from the Afghanistan War)
“
Olson sat up. He put his hands against his belly and stared calmly at the poised soldiers on the deck of the squat vehicle. the soldiers stared back. 'You bastards!' McVries sobbed. 'You bloody bastards!' Olson began to get up. Another volley of bullets drove him flat again. Now there was a sound from behind Garraty. He didn't have to turn his head to know it was Stebbins. Stebbins was laughing softly. Olson sat up again. The guns were still trained on him, but the soldiers did not shoot. Their silhouettes on the halftrack seemed almost to indicate curiosity. Slowly, reflectively, Olson gained his feet, hands crossed on his belly. He seemed to sniff the air for direction, turned slowly in the direction of the Walk, and began to stagger along.
”
”
Richard Bachman
“
Reporters. Honestly. What an exhausting profession, to be professionally trained to be relentless.
”
”
Mary Louise Kelly (The Bullet: A Novel)
“
Safety is paramount.” “If safety were paramount,” Whitmer declared, “we’d stay in the barracks and play pickup basketball. Good training is paramount.
”
”
Nathaniel Fick (One Bullet Away: The Making of a Marine Officer)
“
I fell in love with a sniper - a man whose basic training instills psychopathic tendencies. I loved a professional dehumanizer. I loved a man who lived in a world where empathy was suicide. I loved a man who had to be ready to put a bullet through a toddler’s skull if necessary. I loved a man highly skilled in burying his emotions, resurrecting them if and when he chose. I loved a man who saw me as his enemy. I loved a man I was disposable to.
”
”
Maggie Georgiana Young (Just Another Number)
“
Here’s what I’ve got, the reasons why our marriage
might work: Because you wear pink but write poems
about bullets and gravestones. Because you yell
at your keys when you lose them, and laugh,
loudly, at your own jokes. Because you can hold a pistol,
gut a pig. Because you memorize songs, even commercials
from thirty years back and sing them when vacuuming.
You have soft hands. Because when we moved, the contents
of what you packed were written inside the boxes.
Because you think swans are overrated.
Because you drove me to the train station. You drove me
to Minneapolis. You drove me to Providence.
Because you underline everything you read, and circle
the things you think are important, and put stars next
to the things you think I should think are important,
and write notes in the margins about all the people
you’re mad at and my name almost never appears there.
Because you make that pork recipe you found
in the Frida Khalo Cookbook. Because when you read
that essay about Rilke, you underlined the whole thing
except the part where Rilke says love means to deny the self
and to be consumed in flames. Because when the lights
are off, the curtains drawn, and an additional sheet is nailed
over the windows, you still believe someone outside
can see you. And one day five summers ago,
when you couldn’t put gas in your car, when your fridge
was so empty—not even leftovers or condiments—
there was a single twenty-ounce bottle of Mountain Dew,
which you paid for with your last damn dime
because you once overheard me say that I liked it.
”
”
Matthew Olzmann
“
The breeze carried the music into the distant country plains, past the bullet trains, across the majestic cornfields and the Christmas tree farms. The music swept past the Georgia orange trees, the droning honeybees, and the shining seas of the Atlantic. It wafted past the London Pier. Young Britney wanted all of Nod to hear.
”
”
David Paul Kirkpatrick (The Address Of Happiness)
“
Marine training is essentially a psychological battle against the instinct for self-preservation.
”
”
Nathaniel Fick (One Bullet Away: The Making of a Marine Officer)
“
For a once renowned woman who loved telling tales of dodging bullets, wielding grenades and subverting dogs trained to kill, Christine's story is, surprisingly, little known today.
”
”
Clare Mulley (The Spy Who Loved: The Secrets and Lives of Christine Granville)
“
My buddy Thomas helped me survive.
”
”
Kōtarō Isaka (Bullet Train (Assassins, #2))
“
I rushed through the patio of an abandoned Au Bon Pain restaurant and paused just long enough to take hold of one of the metal tables crowding the patio space. One thing you learn in explosives training with the Secret Service is that glass can kill you just as easily as bullets can.
”
”
Evy Poumpouras (Becoming Bulletproof: Protect Yourself, Read People, Influence Situations, and Live Fearlessly)
“
Suicide by train is also popular in many developed countries. Without ready access to firearms, suicidal people often turn to trains. —Der Spiegel, July 27, 2011
Once it happens you can’t remember
how you started out: innocent,
barreling into the tunnel,
shooting out at each station
like a dolphin out of a dim green pool.
Pneumatic doors inhale open, puff shut,
lock with a solid thump.
Up and down the line, fifty times a day,
it’s a long slow song. You
feel the rumble as much as hear it.
In your dim green trance
the words retain wonder:
Vorsicht, Türe werden geschloßen.
Caution, the doors are closing.
Then the first time:
someone decides darkness will answer,
hides out in the tunnel,
steps out in front of the train
like he knows where he’s going,
steps out at you, dying at you,
knowing you can’t stop in time.
Now each time the doors close,
they seal you in. You are a human bullet
shot into the tunnels, hoping no one
will block the light far ahead,
each station one minute’s reprieve.
”
”
Karen Greenbaum-Maya
“
The night before I left on the sealed bullet train, I reread my old diary, and then I knew what the Gardeners meant when they said, Be careful what you write. There were my own words from the time when I was so happy, except that now it was torture to read them. I took the diary down the street and around the corner and shoved it into a garboil dumpster. It would turn into oil and then all those red hearts I’d drawn would go up in smoke, but at least they would be useful along the way.
”
”
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
“
the bridge and across the water we go, and I transfer to the bullet train at Okayama Station. I sink back in my seat and close my eyes. My body gradually adjusts to the train’s vibration. The tightly wrapped painting of Kafka on the Shore is at my feet. I can feel it there.
”
”
Haruki Murakami (Kafka on the Shore)
“
I hear a swelling swoosh; from the south a bullet train whizzes into view on the tracks, knives through the landscape in a matter of moments, then disappears with a whoosh. It has just covered in a few seconds what has taken me hours to walk. That very fast train reminds me that, as a pilgrim, travel is made holy in its slowness. I see things that neither the passengers of the train nor the drivers of the automobiles see. I feel things that they will never feel. I have time to ponder, imagine, daydream. I tire. I thirst. In my slow walking, I find me.
”
”
Kevin A. Codd (Beyond Even the Stars: A Compostela Pilgrim in France)
“
In December 1981, the American-trained Atlacatl Battalion began its systemic execution of over 750 civilians in the Salvadoran village of El Mozote, including hundreds of children under the age of 12. The soldiers were thorough and left only one survivor. At first they stabbed and decapitated their victims, but they turned to machine guns when the hacking grew too tiresome (a decade later, an exhumation team digging through the mass graves found hundreds of bullets with head stamps indicating that the ammunition was manufactured in Lake City, Missouri, for the U.S. government).
”
”
Greg Grandin (Empire's Workshop: Latin America, the United States, and the Rise of the New Imperialism)
“
It's a line from one of the characters in the novel. It means that everyone dies, and they're alone when they do.'
Lemon sneers. 'I'm not gonna die.'
'You'll die, and you'll die alone.'
'Even if I do die, I'll come back.'
'Yeah, it's like you to be so stubborn. But I'm going to die someday. Alone.
”
”
Kōtarō Isaka (Bullet Train (Assassins, #2))
“
I spent the whole bullet-train ride mentally reviewing my eighteen years and realised that almost everything that had happened to me was pretty embarrassing. I’m not exaggerating. I didn’t want to remember any of it - it was so pathetic. The more I thought about my life up to then, the more I hated myself.
”
”
Haruki Murakami
“
KIMURA Tokyo Station is packed. It’s been a while since Yuichi Kimura was here last, so he isn’t sure if it’s always this crowded. He’d believe it if someone told him there was a special event going on. The throngs of people coming and going press in on him, reminding him of the TV show he and Wataru had watched together, the one about penguins, all jammed in tight together. At least the penguins have an excuse, thinks Kimura. It’s freezing where they live. He waits for an opening in the stream of people, cuts between the souvenir shops and kiosks, quickening his pace. Up a short flight of stairs to the turnstile for the Shinkansen high-speed bullet train. As he passes through the automated ticketing gate
”
”
Kōtarō Isaka (Bullet Train (Assassins #2))
“
....I'd rather travel in Cargo-nanoships than a Bullet-train to reach my target.
”
”
Farooq A. Shiekh
“
We all are passengers to a train called life, the duration & destination to which is pre-planned.
”
”
Nikhil Kushwaha (Heart of Bullets)
“
Like a fighter pilot that goes full throttle,
Like a bullet train that wants to lead,
Like an inspiring game of spin the bottle,
I desired creativity and its unique speed.
Like a lady who walks with dignity and pride,
Like a gentleman who stands by justice and truth,
Like a loose cannon with a constructive attitude,
I treasured the power of gratitude.
”
”
Aida Mandic (On The Edge of Town)
“
As any athlete will tell you, you need to tear muscle to build it, over and over again. Like building muscle, we need to train our intentions to make them resilient and strong.
”
”
Ryder Carroll (The Bullet Journal Method: Track Your Past, Order Your Present, Plan Your Future)
“
He thought of all the living species that train their young in the art of survival, the cats who teach their kittens to hunt, the birds who spend such strident effort on teaching their fledglings to fly – yet man, whose tool of survival is the mind, does not merely fail to teach a child to think, but devotes the child’s education to the purpose of destroying his brain, of convincing him that thought is futile and evil, before he has started to think.
From the first catch-phrases flung at a child to the last, it is like a series of shocks to freeze his motor, to undercut the power of his consciousness. “Don’t ask so many questions, children should be seen and not heard!” – “Who are you to think? It’s so, because I say so!” – “Don’t argue, obey!” – “Don’t try to understand, believe!” – “Don’t struggle, compromise!” – “Your heart is more important than your mind!” – “Who are you to know? Your parents know best!” – “Who are you to know? The bureaucrats know best!” – “Who are you to object? All values are relative!” – “Who are you to want to escape a thug’s bullet? That’s only a personal prejudice!”
Men would shudder, he thought, if they saw a mother bird plucking the feathers from the wings of her young, then pushing him out of the nest to struggle for survival – yet that was what they did to their children.
”
”
Ayn Rand (Atlas Shrugged)
“
Raindrops the size of bullets thundered on the castle windows for days on end; the lake rose, the flowerbeds turned into muddy streams and Hagrid's pumpkins swelled to the size of garden sheds. Oliver Wood's enthusiasm for regular training sessions, however, was not dampened, which was why Harry was to be found, late one stormy Saturday afternoon a few days before Hallowe'en, returning to the Gryffindor Tower, drenched to the skin and splattered with mud.
”
”
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
“
Nanao can’t escape this thought: if it happened once it can happen again, and if it happened twice it can happen three times, and if three times then four, so we might as well say that if something happens once it’ll keep happening forever.
”
”
Kōtarō Isaka (Bullet Train (Assassins #2))
“
The Peacemaker Colt has now been in production, without change in design, for a century. Buy one to-day and it would be indistinguishable from the one Wyatt Earp wore when he was the Marshal of Dodge City. It is the oldest hand-gun in the world, without question the most famous and, if efficiency in its designated task of maiming and killing be taken as criterion of its worth, then it is also probably the best hand-gun ever made. It is no light thing, it is true, to be wounded by some of the Peacemaker’s more highly esteemed competitors, such as the Luger or Mauser: but the high-velocity, narrow-calibre, steel-cased shell from either of those just goes straight through you, leaving a small neat hole in its wake and spending the bulk of its energy on the distant landscape whereas the large and unjacketed soft-nosed lead bullet from the Colt mushrooms on impact, tearing and smashing bone and muscle and tissue as it goes and expending all its energy on you.
In short when a Peacemaker’s bullet hits you in, say, the leg, you don’t curse, step into shelter, roll and light a cigarette one-handed then smartly shoot your assailant between the eyes. When a Peacemaker bullet hits your leg you fall to the ground unconscious, and if it hits the thigh-bone and you are lucky enough to survive the torn arteries and shock, then you will never walk again without crutches because a totally disintegrated femur leaves the surgeon with no option but to cut your leg off. And so I stood absolutely motionless, not breathing, for the Peacemaker Colt that had prompted this unpleasant train of thought was pointed directly at my right thigh.
Another thing about the Peacemaker: because of the very heavy and varying trigger pressure required to operate the semi-automatic mechanism, it can be wildly inaccurate unless held in a strong and steady hand. There was no such hope here. The hand that held the Colt, the hand that lay so lightly yet purposefully on the radio-operator’s table, was the steadiest hand I’ve ever seen. It was literally motionless. I could see the hand very clearly. The light in the radio cabin was very dim, the rheostat of the angled table lamp had been turned down until only a faint pool of yellow fell on the scratched metal of the table, cutting the arm off at the cuff, but the hand was very clear. Rock-steady, the gun could have lain no quieter in the marbled hand of a statue. Beyond the pool of light I could half sense, half see the dark outline of a figure leaning back against the bulkhead, head slightly tilted to one side, the white gleam of unwinking eyes under the peak of a hat. My eyes went back to the hand. The angle of the Colt hadn’t varied by a fraction of a degree. Unconsciously, almost, I braced my right leg to meet the impending shock. Defensively, this was a very good move, about as useful as holding up a sheet of newspaper in front of me. I wished to God that Colonel Sam Colt had gone in for inventing something else, something useful, like safety-pins.
”
”
Alistair MacLean (When Eight Bells Toll)
“
Put me on a train with no windows where nighttime lasts forever and a speed-mad engineer with a mechanical heart high balls a coal-black engine through time tunnels like a bullet leaving a gun where the speed of darkness is faster than the speed of light.
”
”
D.B. Cox
“
Zombie nerds. They probably had the flyers already made up for this. There was nobody creepier than the zombie nerds, college guys who not only watched zombie movies and read zombie novels and played zombie video games, but actually formed clubs and collected zombie-killing weapons. Gun shops around there actually stocked zombie targets, and special zombie bullets with glow-in-the-dark tips. Not toy bullets, mind you. These guys would go out in the woods and train and shoot and defend to the death their right to stay in childhood until age thirty-five.
”
”
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
“
That was the first time in my life that anyone had rejected me so completely.' Tsukuru said. 'And the ones who did it were the people I trusted the most, my four best friends in the world. I was so close to them that they had been like an extension of my own body. Searching for the reason, or correcting a misunderstanding, was beyond me. I was simply, and utterly, in shock. So much so that I thought I might never recover. It felt like something inside me snapped.'
The bartender brought over the glass of wine and replenished the bowl of nuts. Once he'd left, Sara turned to Tsukuru.
'I've never experienced that myself, but I think I can imagine how stunned you must have been. I understand that you couldn't recover from it quickly. But still, after time had passed and the shock had worn off, wasn't there something you could have done? I mean, it was so unfair. Why didn't you challenge it? I don't see how you could stand it.'
Tsukuru shook his head slightly. 'The next morning I made up some excuse to tell my family and took the bullet train back to Tokyo. I couldn't stand being in Nagoya for one more day. All I could think of was getting away from there.'
'If it had been me, I would have stayed there and not left until I got to the bottom of it,' Sara said.
'I wasn't strong enough for that.' Tsukuru said.
'You didn't want to find out the truth?'
Tsukuru stared at his hands on the tabletop, careful choosing his words. 'I think I was afraid of pursuing it, of whatever facts might come of light. Of actually coming face-to-face with them. Whatever the truth was, I didn't think it would save me. I'm not sure why, but I was certain of it.'
'And you're certain of it now?'
'I don't know,' Tsukuru said. 'But I was then.'
'So you went back to Tokyo, stayed holed up in your apartment, closed your eyes, and covered up your ears.'
'You could say that, yes.
”
”
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
“
Probably nothing going on inside', thinks Tangerine. Often the case with people who don’t read fiction. Hollow inside, monochrome, so they can switch gears no problem. They swallow something and forget about it as soon as it good down their throats. Constitutionally incapable of empathy. These are the people who most need to read, but in most cases it’s too late.
”
”
Kōtarō Isaka (Bullet Train (Assassins, #2))
“
Probably nothing going on inside, thinks Tangerine. Often the case with people who don’t read fiction. Hollow inside, monochrome, so they can switch gears no problem. They swallow something and forget about it as soon as it goes down their throat. Constitutionally incapable of empathy. These are the people who most need to read, but in most cases it’s already too late.
”
”
Kōtarō Isaka (Bullet Train (Assassins #2))
“
People act based on the influence of those around them. Human beings aren’t primarily motivated by reason but by instinct. So even when it looks like someone is acting up their own individual will , they’re always taking input from other people. They might think they have an independent, original existence, but once you put them on a graph they’re just another data point . - The Prince
”
”
Kōtarō Isaka (Bullet Train (Assassins, #2))
“
The train, I was later told by my mother, only had about ten carriages to it, and there were hundreds of people fighting to get on. I don’t think anybody knew where the train was going, only that it was leaving Strausberg and would take us away from the Russians, who were now arriving on the far end of the platform. Some German SS soldiers and Police were shooting at the Russian troops, and many people – men, women and children – were hit by the flying bullets.
”
”
Alfred Nestor (Uncle Hitler: A Child's Traumatic Journey Through Nazi Hell to the Safety of Britain)
“
But she was not prepared to understand me. And so we parted. Thinking about all the things that made her so much nicer than the other girls at home, I sat on the bullet train to Tokyo feeling terrible about what I'd done, but there was no way to undo it. I would try to forget her. There was only one thing for me to do when I started my new life in the dorm: stop taking everything so seriously; establish a proper distance between myself and everything else. Forget about green baize pool tables and red N-360s and white flowers on school desks; about smoke rising from tall crematorium chimneys, and chunky paperweights in police interrogation rooms. It seemed to work at first. I tried hard to forget, but there remained inside me a vague knot of air. And as time went by, the knot began to take on a clear and simple form, a form that I am able to put into words, like this: Death exists, not as the opposite but as a part of life
”
”
Haruki Murakami (Norwegian Wood)
“
The story of Kelly is easily told. He was a murderous thug who deserved to be hanged and was. He came from a family of rough Irish settlers, who made their living by stealing livestock and waylaying innocent passers-by. Like most bushrangers he was at pains to present himself as a champion of the oppressed, though in fact there wasn’t a shred of nobility in his character or his deeds. He killed several people, often in cold blood, sometimes for no very good reason. In 1880, after years on the run, Kelly was reported to be holed up with his modest gang (a brother and two friends) in Glenrowan, a hamlet in the foothills of the Warby Range in north-eastern Victoria. Learning of this, the police assembled a large posse and set off to get him. As surprise attacks go, it wasn’t terribly impressive. When the police arrived (on an afternoon train) they found that word of their coming had preceded them and that a thousand people were lined up along the streets and sitting on every rooftop eagerly awaiting the spectacle of gunfire. The police took up positions and at once began peppering the Kelly hideout with bullets. The Kellys returned the fire and so it went throughout the night. The next dawn during a lull Kelly stepped from the dwelling, dressed unexpectedly, not to say bizarrely, in a suit of home-made armour – a heavy cylindrical helmet that brought to mind an inverted bucket, and a breastplate that covered his torso and crotch. He wore no armour on his lower body, so one of the policemen shot him in the leg. Aggrieved, Kelly staggered off into some nearby woods, fell over and was captured. He was taken to Melbourne, tried and swiftly executed. His last words were: ‘Such is life.
”
”
Bill Bryson (In a Sunburned Country)
“
The report was so loud Nicholas thought the guard had fired into his head. He staggered as the man’s grip fell away, his hand going to his cheek. He felt the warm wetness of blood, but it wasn’t his. He looked for the Gardier and saw him sprawled on the ground, one neat bullet hole in his forehead. He straightened up, reaching for a handkerchief until he remembered the damn uniform jacket had no pockets. Wiping the blood away with his hand, he said under his breath, “I knew emphasizing firearms training over deportment lessons would benefit in the long run.”
His daughter moved toward him, lowering the pistol, staring.
”
”
Martha Wells (The Ships of Air (The Fall of Ile-Rien, #2))
“
This accounted not only for the habit of abbreviating whenever possible, but also for the almost exaggerated care that was taken to make every word easily pronounceable. In Newspeak, euphony outweighed every consideration other than exactitude of meaning. Regularity of grammar was always sacrificed to it when it seemed necessary. And rightly so, since what was required, above all for political purposes, were short clipped words of unmistakable meaning which could be uttered rapidly and which roused the minimum of echoes in the speaker’s mind. The words of the B vocabulary even gained in force from the fact that nearly all of them were very much alike. Almost invariably these words—goodthink, Minipax, prolefeed, sexcrime, joy camp, Ingsoc, bellyfeel, thinkpol, and countless others—were words of two or three syllables, with the stress distributed equally between the first syllable and the last. The use of them encouraged a gabbling style of speech, at once staccato and monotonous. And this was exactly what was aimed at. The intention was to make speech, and especially speech on any subject not ideologically neutral, as nearly as possible independent of consciousness. For the purposes of everyday life it was no doubt necessary, or sometimes necessary, to reflect before speaking, but a Party member called upon to make a political or ethical judgment should be able to spray forth the correct opinions as automatically as a machine gun spraying forth bullets. His training fitted him to do this, the language gave him an almost foolproof instrument, and the texture of the words, with their harsh sound and a certain willful ugliness which was in accord with the spirit of Ingsoc, assisted the process still further. So did the fact of having very few words to choose from. Relative to our own, the Newspeak vocabulary was tiny, and new ways of reducing it were constantly being devised.
”
”
George Orwell (1984)
“
I'm living in a horror movie, all right. Only the horror doesn't have anything to do with necrophilia or black masses or crosses hung upside down, or with vampires who can't swim or zombies who work in sugar cane fields and can't stop shambling off cliffs when some guy with a jawbreaker accent says so, No, this is real life. It was running out all around him. the footprints of assassins and neo-fascists and government officials with secret closets full of tutus, private armies training in ships named after the wives of oilmen, of drunken presidents in bed with the mob and the cartels that slice up the world and stick FOR SALE signs on the pieces; while the real kings of earth lie moldering in their graves, their brains stolen away in the night and their bullet wounds altered to match storybook plots that would be laughed out of any preschool classroom. And all this while the billions sweat and grow old like the living dead, their lifeblood sucked dry by the takers of souls who need our labor to feed a hunger for power without end. The undead? What a cheapjack explanation for so much misery. There is more than enough to account for it all without falling back on the unnameable. It's already here. The trick is to see it and not flinch- there's no future in denial. It's as simple, and as enormous, as that. The truth, however bleak, was almost comforting.
”
”
Dennis Etchison (California Gothic)
“
For possession of a single bullet, Shaykh Farhan al-Sa‘di, an eighty-one-year-old rebel leader, was put to death in 1937. Under the martial law in force at the time, that single bullet was sufficient to merit capital punishment, particularly for an accomplished guerrilla fighter like al-Sa‘di.57 Well over a hundred such sentences of execution were handed down after summary trials by military tribunals, with many more Palestinians executed on the spot by British troops.58 Infuriated by rebels ambushing their convoys and blowing up their trains, the British resorted to tying Palestinian prisoners to the front of armored cars and locomotives to prevent rebel attack, a tactic they had pioneered in a futile effort to crush resistance of the Irish during their war of independence from 1919 to 1921.
”
”
Rashid Khalidi (The Hundred Years' War on Palestine: A History of Settler Colonialism and Resistance, 1917–2017)
“
I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb.
Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion.
If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could.
“It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.”
Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands.
I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.”
“That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.”
“Lucky is better than unlucky,” I say. “We can work on skill now.”
I glance at Tris. She grins at me, then leans in to whisper something to Christina.
“Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.”
Tris makes a face at me, then she and Christina cross the room to get their own weapons.
“Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.”
He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile.
“There’s no need to giggle,” Caleb says irritably.
“Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.”
“I wasn’t trying to look cool!”
Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training.
“Oh, good,” I say. “You hit the air around your target’s body. How useful.”
“I’m a little rusty,” Christina admits, grinning.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Unwashed and undernourished, having spent over four days on five different trains and four military jeeps, Alexander got off at Molotov on Friday, June 19, 1942. He arrived at noon and then sat on a wooden bench near the station. Alexander couldn’t bring himself to walk to Lazarevo. He could not bear the thought of her dying in Kobona, getting out of the collapsed city and then dying so close to salvation. He could not face it. And worse—he knew that he could not face himself if he found out that she did not make it. He could not face returning—returning to what? Alexander actually thought of getting on the next train and going back immediately. The courage to move forward was much more than the courage he needed to stand behind a Katyusha rocket launcher or a Zenith antiaircraft gun on Lake Ladoga and know that any of the Luftwaffe planes flying overhead could instantly bring about his death. He was not afraid of his own death. He was afraid of hers. The specter of her death took away his courage. If Tatiana was dead, it meant God was dead, and Alexander knew he could not survive an instant during war in a universe governed by chaos, not purpose. He would not live any longer than poor, hapless Grinkov, who had been cut down by a stray bullet as he headed back to the rear. War was the ultimate chaos, a pounding, soul-destroying snarl, ending in blown-apart men lying unburied on the cold earth. There was nothing more cosmically chaotic than war. But Tatiana was order. She was finite matter in infinite space. Tatiana was the standard-bearer for the flag of grace and valor that she carried forward with bounty and perfection in herself, the flag Alexander had followed sixteen hundred kilometers east to the Kama River, to the Ural Mountains, to Lazarevo. For two hours Alexander sat on the bench in unpaved, provincial, oak-lined Molotov. To go back was impossible. To go forward was unthinkable. Yet he had nowhere else to go. He crossed himself and stood up, gathering his belongings. When Alexander finally walked in the direction of Lazarevo, not knowing whether Tatiana was alive or dead, he felt he was a man walking to his own execution.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
The physical technique is important,” I say. “But it’s mostly a mental game, which is lucky for you, because you know how to play those. You don’t just practice the shooting, you also practice the focus. And then, when you’re in a situation where you’re fighting for your life, the focus will be so ingrained that it will happen naturally.”
“I didn’t know the Dauntless were so interested in training the brain,” Caleb says. “Can I see you try it, Tris? I don’t think I’ve ever really seen you shoot something without a bullet wound in your shoulder.”
Tris smiles a little and faces the target. When I first saw her shoot during Dauntless training, she looked awkward, birdlike. But her thin, fragile form has become slim but muscular, and when she holds the gun, it looks easy. She squints one eye a little, shifts her weight, and fires. Her bullet strays from the target’s center, but only by inches. Obviously impressed, Caleb raises his eyebrows.
“Don’t look so surprised!” Tris says.
“Sorry,” he says. “I just…you used to be so clumsy, remember? I don’t know how I missed that you weren’t like that anymore.”
Tris shrugs, but when she looks away, her cheeks are flushed and she looks pleased. Christina shoots again, and this time hits the target closer to the middle.
I step back to let Caleb practice, and watch Tris fire again, watch the straight lines of her body as she lifts the gun, and how steady she is when it goes off. I touch her shoulder and lean in close to her ear. “Remember during training, how the gun almost hit you in the face?”
She nods, smirking.
“Remember during training, when I did this?” I say, and I reach around her to press my hand to her stomach. She sucks in a breath.
“I’m not likely to forget that anytime soon,” she mutters.
She twists around and draws my face toward hers, her fingertips on my chin. We kiss, and I hear Christina say something about it, but for the first time, I don’t care at all.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
Our team’s vision for the facility was a cross between a shooting range and a country club for special forces personnel. Clients would be able to schedule all manner of training courses in advance, and the gear and support personnel would be waiting when they arrived. There’d be seven shooting ranges with high gravel berms to cut down noise and absorb bullets, and we’d carve a grass airstrip, and have a special driving track to practice high-speed chases and real “defensive driving”—the stuff that happens when your convoy is ambushed. There would be a bunkhouse to sleep seventy. And nearby, the main headquarters would have the feel of a hunting lodge, with timber framing and high stone walls, with a large central fireplace where people could gather after a day on the ranges. This was the community I enjoyed; we never intended to send anyone oversees. This chunk of the Tar Heel State was my “Field of Dreams.” I bought thirty-one hundred acres—roughly five square miles of land, plenty of territory to catch even the most wayward bullets—for $900,000. We broke ground in June 1997, and immediately began learning about do-it-yourself entrepreneurship. That land was ugly: Logging the previous year had left a moonscape of tree stumps and tangled roots lorded over by mosquitoes and poisonous creatures. I killed a snake the first twelve times I went to the property. The heat was miserable. While a local construction company carved the shooting ranges and the lake, our small team installed the culverts and forged new roads and planted the Southern pine utility poles to support the electrical wiring. The basic site work was done in about ninety days—and then we had to figure out what to call the place. The leading contender, “Hampton Roads Tactical Shooting Center,” was professional, but pretty uptight. “Tidewater Institute for Tactical Shooting” had legs, but the acronym wouldn’t have helped us much. But then, as we slogged across the property and excavated ditches, an incessant charcoal mud covered our boots and machinery, and we watched as each new hole was swallowed by that relentless peat-stained black water. Blackwater, we agreed, was a name. Meanwhile, within days of being installed, the Southern pine poles had been slashed by massive black bears marking their territory, as the animals had done there since long before the Europeans settled the New World. We were part of this land now, and from that heritage we took our original logo: a bear paw surrounded by the stylized crosshairs of a rifle scope.
”
”
Anonymous
“
A stranger. Young, well-dressed, pale and visibly sweaty, as if he’d endured some great shock and needed a drink. West would have been tempted to pour him one, if not for the fact that he’d just pulled a small revolver from his pocket and was pointing it in his direction. The nose of the short barrel was shaking.
Commotion erupted all around them as patrons became aware of the drawn pistol. Tables and chairs were vacated, and shouts could be heard among the growing uproar.
“You self-serving bastard,” the stranger said unsteadily.
“That could be either of us,” Severin remarked with a slight frown, setting down his drink. “Which one of us do you want to shoot?”
The man didn’t seem to hear the question, his attention focused only on West. “You turned her against me, you lying, manipulative snake.”
“It’s you, apparently,” Severin said to West. “Who is he? Did you sleep with his wife?”
“I don’t know,” West said sullenly, knowing he should be frightened of an unhinged man aiming a pistol at him. But it took too much energy to care. “You forgot to cock the hammer,” he told the man, who immediately pulled it back.
“Don’t encourage him, Ravenel,” Severin said. “We don’t know how good a shot he is. He might hit me by mistake.” He left his chair and began to approach the man, who stood a few feet away. “Who are you?” he asked. When there was no reply, he persisted, “Pardon? Your name, please?”
“Edward Larson,” the young man snapped. “Stay back. If I’m to be hanged for shooting one of you, I’ll have nothing to lose by shooting both of you.”
West stared at him intently. The devil knew how Larson had found him there, but clearly he was in a state. Probably in worse condition than anyone in the club except for West. He was clean-cut, boyishly handsome, and looked like he was probably very nice when he wasn’t half-crazed. There could be no doubt as to what had made him so wretched—he knew his wrongdoings had been exposed, and that he’d lost any hope of a future with Phoebe. Poor bastard.
Picking up his glass, West muttered, “Go on and shoot.”
Severin continued speaking to the distraught man. “My good fellow, no one could blame you for wanting to shoot Ravenel. Even I, his best friend, have been tempted to put an end to him on a multitude of occasions.”
“You’re not my best friend,” West said, after taking a swallow of brandy. “You’re not even my third best friend.”
“However,” Severin continued, his gaze trained on Larson’s gleaming face, “the momentary satisfaction of killing a Ravenel—although considerable—wouldn’t be worth prison and public hanging. It’s far better to let him live and watch him suffer. Look how miserable he is right now. Doesn’t that make you feel better about your own circumstances? I know it does me.”
“Stop talking,” Larson snapped.
As Severin had intended, Larson was distracted long enough for another man to come up behind him unnoticed. In a deft and well-practiced move, the man smoothly hooked an arm around Larson’s neck, grasped his wrist, and pushed the hand with the gun toward the floor.
Even before West had a good look at the newcomer’s face, he recognized the smooth, dry voice with its cut-crystal tones, so elegantly commanding it could have belonged to the devil himself. “Finger off the trigger, Larson. Now.”
It was Sebastian, the Duke of Kingston . . . Phoebe’s father.
West lowered his forehead to the table and rested it there, while his inner demons all hastened to inform him they really would have preferred the bullet.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
We don't talk about the danger -- but what I imagine is a cartoon version, bullets flying and each boy a super hero, running, invincible, through a spray of gunfire.
”
”
Christina Baker Kline (Orphan Train)
“
But Soli. Poor Soli. Soli met and loved and lost her man in a matter of seven days, and before she could learn that he had a villainous mother or waxy ears or an insurmountable fear of bees, he was gone. She fell in love with the pure essence of Checo the train rider, Checo the pioneer. And before she could settle into the normalcy of their attachment, he had vanished among dust clouds and a spray of bullets. Whether he'd made it to safety or fallen there on the valley floor, Soli could not know.
”
”
Shanthi Sekaran (Lucky Boy)
“
to the left, shattering the glass on the door leading to the train car in front of them. She gripped the flash-bang, engaged it, and threw it through the opening. She whirled and shot out the glass in the window to the rear. The bullet was followed by the second flash-bang, which Robie tossed through the new opening.
”
”
David Baldacci (The Hit (Will Robie, #2))
“
My aunt sat with me under the wheels and took out a little notebook that contained the names and addresses of our relatives in America. She told me to learn all of this by heart because you never know who the bullet will hit, and when the war would end, I should contact these relatives and ask them to take me in. I listened to her and learned everything by heart. Even today, I remember some of these names and addresses. Leslie
”
”
Matthew A. Rozell (A Train Near Magdeburg―The Holocaust, the survivors, and the American soldiers who saved them)
“
A seeker of radical strenght
Keeps everything on track,
Feeble force yields at length,
Not sure where to go back.
When one can't find courage,
And all the efforts seem vain,
It's advised to fight like a sage:
Be powerful like a bullet train!
Too much work and no play
Can make a brain go astray!
Determined to live and stay
Can lead life into a long way.
”
”
Ana Claudia Antunes (The Tao of Physical and Spiritual)
“
Love doesn't stand in line waiting for its turn. It speeds along like a bullet train. You can either stand on the tracks and be run over, or you can jump on for the ride.
”
”
Ali Spooner (Hat Trick)
“
People are easy if they can be motivated with money .
”
”
Kōtarō Isaka (Bullet Train (Assassins, #2))
“
They’re friendlier when you’re not driving like an arsehole with a death wish. You do realize this ain’t a road, right?” Tucker stopped. “What do you mean? The GPS lady told me to turn here.” Did he not notice that people on both sides were looking down at them from the platform like they were idiots? “Nope, she told you to turn on the road. This is where the train runs. In case you’ve forgotten what a train is, it’s a bit like a high-speed bullet that kills everything stupid enough to get in its path.” Tucker’s eyes went wide. “Holy shit. Holy shit. We’re going to get hit by a train. What should I do?” Brody yawned again. It had already been a long damn day. Why had he thought bringing the brain-damaged puppy along for the ride would be a good idea?
”
”
Lexi Blake (Love Another Day (Masters and Mercenaries #14))
“
Sam was too good for my self-control, and he sent me onto a bullet train to Climaxville way ahead of schedule. Premature isn’t just for guys, and I was embarrassingly too quick.
”
”
Alessa Kelly (Montana's Bravest (Red Mark Rescue & Protect))
“
We’re the kind of friends who interrupt each other constantly, talk faster than a bullet train to Busan, and can also communicate an entire conversation if we need to, purely with facial expressions.
”
”
Sarah Alderson (The Weekend Away)
“
The ability to survive the unthinkable, Phoenix. Your body runs on instincts you don’t even realize you have to keep you alive, and your training only heightens those moments and your survival rate. It does not make you immune to bullets, or poison, or magic. But it will show you the way to escape any situation if you let it. If you embrace that side of you, your chance at surviving the impossible will increase a thousand-fold.
”
”
Shannon Mayer (Blood of a Phoenix (Nix, #2))
“
If you don't look up from time to time life will fly by like a bullet train
”
”
Anonymous
“
I have traveled around the world. I've walked the Great Wall of China, eaten dinner at the top of the Eiffel Tower, and ridden the bullet train from Tokyo to Osaka. That's not all. I've led an army into battle on dragonback, seduced a vicious mafia boss, and journeyed back in time to fall in love with everyone from Vikings to the Knights of the Round Table. I've lived a thousand lives. Too bad the only real one fucking sucks.
”
”
Elizabeth Helen (Bonded by Thorns (Beasts of the Briar, #1))
“
Then he (Tangerine) reaches into a pocket and pulls out a different gun. "I do have this," he says somewhat sheepishly.
"Where'd you get that?"
"One of those guys holding the kid had it. I thought it was cute so I took it."
"Cute? Guns aren't cute. It's not like they have Thomas stickers on them. Thomas and Friends is for kids. Cute stuff and gun stuff are totally separate.
”
”
Kōtarō Isaka (Bullet Train (Assassins, #2))
“
Well, dying like this doesn't help the people trying to solve the case at all. Just for future reference, Tangerine, if you think someone's about to kill you, make sure you leave behind some useful clues." -Lemon
”
”
Kōtarō Isaka (Bullet Train (Assassins, #2))
“
I want this house. I really want this house.” Everything in this world is an exchange. Isaac knew this all too well. To shapeshift into a new person, you had to abandon the person you were. To bullet into a foreign, fresh, thrumming city, you had to turn your back on whatever city you came from. All we’re ever doing is bartering one precious thing for another. It’s commerce, plain and simple—though Isaac preferred to think of it as a conversation. Life as give-and-take, a listener for every speaker. Without this balance, the universe wouldn’t hold together right. It was why Isaac kept a pocketful of train-flattened nickels: the piper must, eternally, be paid. In short—no one gets something for nothing.
”
”
GennaRose Nethercott (Thistlefoot)
“
Lemon knows all too well how dangerous Tangerine can be when he's angry. Usually Tangerine is content to read his novels and keep violence to an absolute minimum. But once he loses his temper he becomes ruthless and nearly unstoppable. It's impossible to tell from his demeanour whether he's angry or not, which makes him even more dangerous. He erupts all at once, without any warning, terrible to behold. But Lemon knows that when Tangerine starts quoting books and movies it's time to be wary. It's as if in his frenzied state the box of memories inside his head gets tipped over and the contents spill out, making him start quoting his favourite likes. It's the surest sign he's about to get violent.
”
”
Kōtarō Isaka (Bullet Train (Assassins, #2))
“
Then he (Lemon) leans in to Little Minegishi's corpse and takes hold of the back of the head, nodding it up and down like he's operating a puppet. "Lemon, you are a useful train," he says, doing his best ventriloquist act.
”
”
Kōtarō Isaka (Bullet Train (Assassins, #2))
“
Somewhere, he thought, there was this boy’s mother, who had trembled with protective concern over his groping steps, while teaching him to walk, who had measured his baby formulas with a jeweler’s caution, who had obeyed with a zealot’s fervor the latest words of science on his diet and hygiene, protecting his unhardened body from germs—then had sent him to be turned into a tortured neurotic by the men who taught him that he had no mind and must never attempt to think. Had she fed him tainted refuse, he thought, had she mixed poison into his food, it would have been more kind and less fatal. He thought of all the living species that train their young in the art of survival, the cats who teach their kittens to hunt, the birds who spend such strident effort on teaching their fledglings to fly—yet man, whose tool of survival is the mind, does not merely fail to teach a child to think, but devotes the child’s education to the purpose of destroying his brain, of convincing him that thought is futile and evil, before he has started to think. From the first catch-phrases flung at a child to the last, it is like a series of shocks to freeze his motor, to undercut the power of his consciousness. “Don’t ask so many questions, children should be seen and not heard!”—“Who are you to think? It’s so, because I say so!”—“Don’t argue, obey!”—“Don’t try to understand, believe!”—“Don’t rebel, adjust!”—“Don’t stand out, belong!”—“Don’t struggle, compromise!”—“Your heart is more important than your mind!”—“Who are you to know? Your parents know best!”—“Who are you to know? Society knows best!” “Who are you to know? The bureaucrats know best!”—“Who are you to object? All values are relative!”—“Who are you to want to escape a thug’s bullet? That’s only a personal prejudice!
”
”
Ayn Rand (Atlas Shrugged)
“
Somewhere, he thought, there was this boy’s mother, who had trembled with protective concern over his groping steps, while teaching him to walk, who had measured his baby formulas with a jeweler’s caution, who had obeyed with a zealot’s fervor the latest words of science on his diet and hygiene, protecting his unhardened body from germs—then had sent him to be turned into a tortured neurotic by the men who taught him that he had no mind and must never attempt to think. Had she fed him tainted refuse, he thought, had she mixed poison into his food, it would have been more kind and less fatal. He thought of all the living species that train their young in the art of survival, the cats who teach their kittens to hunt, the birds who spend such strident effort on teaching their fledglings to fly—yet man, whose tool of survival is the mind, does not merely fail to teach a child to think, but devotes the child’s education to the purpose of destroying his brain, of convincing him that thought is futile and evil, before he has started to think. From the first catch-phrases flung at a child to the last, it is like a series of shocks to freeze his motor, to undercut the power of his consciousness. “Don’t ask so many questions, children should be seen and not heard!”—“Who are you to think? It’s so, because I say so!”—“Don’t argue, obey!”—“Don’t try to understand, believe!”—“Don’t rebel, adjust!”—“Don’t stand out, belong!”—“Don’t struggle, compromise!”—“Your heart is more important than your mind!”—“Who are you to know? Your parents know best!”—“Who are you to know? Society knows best!” “Who are you to know? The bureaucrats know best!”—“Who are you to object? All values are relative!”—“Who are you to want to escape a thug’s bullet? That’s only a personal prejudice!” Men would shudder, he thought, if they saw a mother bird plucking the feathers from the wings of her young, then pushing him out of the nest to struggle for survival—yet that was what they did to their children. Armed with nothing but meaningless phrases, this boy had been thrown to fight for existence, he had hobbled and groped through a brief, doomed effort, he had screamed his indignant, bewildered protest—and had perished in his first attempt to soar on his mangled wings.
”
”
Ayn Rand (Atlas Shrugged)
“
We spent so much time together. But at the end, we’re all alone.
”
”
Kōtarō Isaka (Bullet Train (Assassins, #2))
“
C'mon, Jack! Time to eat!" From the trees, her crow shot towards her like a bullet. Rain didn't even look. She just held up her arm, giving him a place to land. In that moment, I realized she was definitely the Morrigan. Not one in training, and not going to grow into one. No, Rain was already embracing her power - and it looked amazing on her.
”
”
A.H. Hadley (Pixie Problems (An Accidental Fairy Tale Book 2))
“
Noah startled as well, and, without thinking, turned and ran. The Nazis shot at the escaping boy, but Noah was so little and so dizzy that he couldn’t run straight. Their bullets missed his uncontrollable serpentine zigzag. He ran crookedly into the woods. Dirk ran after him, shooting indiscriminately into the trees. Adler, unused to any exertion, remained by the river. Noah’s footsteps were so light that even in the forest, he barely made a sound. He rounded a clump of trees.
”
”
Jana Zinser (The Children's Train)
“
He guarded him . . . like an eagle that stirs up its nest and hovers over its young, that spreads its wings to catch them and carries them on its pinions. The Lord alone led him; no foreign god was with him. (Deuteronomy 32:10–12) Our almighty God is like a parent who delights in leading the tender children in His care to the very edge of a precipice and then shoving them off the cliff into nothing but air. He does this so they may learn that they already possess an as-yet-unrealized power of flight that can forever add to the pleasure and comfort of their lives. Yet if, in their attempt to fly, they are exposed to some extraordinary peril, He is prepared to swoop beneath them and carry them skyward on His mighty wings. When God brings any of His children into a position of unparalleled difficulty, they may always count on Him to deliver them. from The Song of Victory When God places a burden upon you, He places His arms underneath you. There once was a little plant that was small and whose growth was stunted, for it lived under the shade of a giant oak tree. The little plant valued the shade that covered it and highly regarded the quiet rest that its noble friend provided. Yet there was a greater blessing prepared for this little plant. One day a woodsman entered the forest with a sharp ax and felled the giant oak. The little plant began to weep, crying out, “My shelter has been taken away. Now every fierce wind will blow on me, and every storm will seek to uproot me!” The guardian angel of the little plant responded, “No! Now the sun will shine and showers will fall on you more abundantly than ever before. Now your stunted form will spring up into loveliness, and your flowers, which could never have grown to full perfection in the shade, will laugh in the sunshine. And people in amazement will say, ‘Look how that plant has grown! How gloriously beautiful it has become by removing that which was its shade and its delight!’ ” Dear believer, do you understand that God may take away your comforts and privileges in order to make you a stronger Christian? Do you see why the Lord always trains His soldiers not by allowing them to lie on beds of ease but by calling them to difficult marches and service? He makes them wade through streams, swim across rivers, climb steep mountains, and walk many long marches carrying heavy backpacks of sorrow. This is how He develops soldiers—not by dressing them up in fine uniforms to strut at the gates of the barracks or to appear as handsome gentlemen to those who are strolling through the park. No, God knows that soldiers can only be made in battle and are not developed in times of peace. We may be able to grow the raw materials of which soldiers are made, but turning them into true warriors requires the education brought about by the smell of gunpowder and by fighting in the midst of flying bullets and exploding bombs, not by living through pleasant and peaceful times. So, dear Christian, could this account for your situation? Is the Lord uncovering your gifts and causing them to grow? Is He developing in you the qualities of a soldier by shoving you into the heat of the battle? Should you not then use every gift and weapon He has given you to become a conqueror? Charles H. Spurgeon
”
”
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
“
Driving a car versus riding a bike is on par with watching television rather than living your own life.” —Bruce MacAlister, Calgary
”
”
Silver Bullet (The Great Big World of Biking: The Ever-Changing Evolution of Road Biking, Mountain Biking, and Cyclist Training (How To Bike Book 1))
“
In a simple description, Hyperloop is conceptualized to be the 5th mode of transportation that has the speed of a bullet train, powered by solar energy, and the overall design that seemed to have been taken from a SyFy film. This hyper-speedy transportation also targets to transport people in just a matter of minutes.
”
”
Wiroon Tanthapanichakoon (Elon Musk: 2nd Edition - A Billionaire Entrepreneur Changing the World Future with SpaceX, Tesla Motors, Solar City, and Hyperloop)
“
Even in 1963, only a year before opening, the director-general of the Construction Department of JNR, stated to new JNR employees: The Tokaido Shinkansen is the height of madness. As the gauge of the Tokaido Shinkansen is different from existing lines, track sharing is not possible. Even if the journey time between Tokyo and Osaka is shortened, passengers have to change trains at Osaka in order to travel further west. A railway system which lacks smooth connections and networks with other lines is meaningless and destined to fail.
”
”
Christopher P. Hood (Shinkansen: From Bullet Train to Symbol of Modern Japan (Routledge Contemporary Japan Series Book 5))
“
Luke climbed up next to Georgie. “You did real good, honey. Since we’re done for now, you just put your thumb here on the hammer and pull back, then ease it forward. Make sure your barrel isn’t pointing at anyone when you do it, though.” He cocked it again. “Now you try.” She aimed in the direction of his horse. Luke gently lowered the barrel. “These bullets go far. You don’t want to accidentally shoot anything.” Keeping the pistol trained to the ground, she released the hammer, then looked up at him, her green eyes sparkling with pride. “That’s the way,” he said. “You can relax now. I’ll guard the men while you drive. You needn’t be afraid to put your back to them. I’ll protect you.” Her eyes softened. “Thank you.
”
”
Deeanne Gist (Love on the Line)
“
Surprised at Kaye’s belated display of maternal instincts, Sean relented, promising he’d get in touch with Lily. Besides, he knew his own mother would never forgive him if he refused such a simple request. As he made his way down the narrow streets to the pensione opposite the Pantheon, where Lily and her roommate were staying, Sean steadfastly refused to acknowledge any other reason for agreeing to take Lily out. It had been three years since they’d left for college, not once had she come home to visit. But Sean still couldn’t look at a blonde without comparing her to Lily.
He’d mounted the four flights of narrow, winding stairs, the sound of his steps muffled by red, threadbare carpet. At number seventeen, he’d stopped and stood, giving his racing heart a chance to quiet before he knocked.
Calm down, he’d instructed himself. It’s only Lily.
His knock echoed loudly in the empty hall. Through the door he heard the sound of approaching footsteps. Then it opened and there she was. She stood with her mouth agape. Her eyes, like beacons of light in the obscurity of the drab hallway, blinked at him with astonishment. “What are you doing here?” The question ended on a squeak. As if annoyed with the sound, she shut her mouth with an audible snap.
Was it possible Kaye hadn’t bothered to tell Lily he’d be coming?
“I heard you were spending a few days in Rome.” Sean realized he was staring like a dolt, but couldn’t help himself. It rattled him, seeing Lily again. A barrage of emotions and impressions mixed and churned inside him: how good she looked, different somehow, more self-confident than in high school, how maybe this time they might get along for more than 3.5 seconds. He became aware of a happy buzz of anticipation zinging through him. He was already picturing the two of them at a really nice trattoria. They’d be sitting at an intimate corner table. A waiter would come and take their order and Sean would impress her with his flawless Italian, his casual sophistication, his sprezzatura. By the time the waiter had served them their dessert and espresso, she’d be smiling at him across the soft candlelight. He’d reach out and take her hand. . . .
Then Lily spoke again and Sean’s neat fantasy evaporated like a puff of smoke.
“But how did you know I was here?” she’d asked, with what he’d conceitedly assumed was genuine confusion—that is, until a guy their age appeared. Standing just behind Lily, he had stared back at Sean through the aperture of the open door with a knowing smirk upon his face.
And suddenly Sean understood.
Lily wasn’t frowning from confusion. She was annoyed. Annoyed because he’d barged in on her and Lover Boy.
Lily didn’t give a damn about him. At the realization, his jumbled thoughts at seeing her again, all those newborn hopes inside him, faded to black.
His brain must have shorted after that. Suave, sophisticated guy that he was, Sean had blurted out, “Hey, this wasn’t my idea. I only came because Kaye begged me to—”
Stupendously dumb. He knew better, had known since he was eight years old. If you wanted to push Lily Banyon into the red zone, all it took was a whispered, “Kaye.”
The door to her hotel room had come at his face faster than a bullet train.
He guessed he should be grateful she hadn’t been using a more lethal weapon, like the volleyball she’d smashed in his face during gym class back in eleventh grade. Even so, he’d been forced to jump back or have the number seventeen imprinted on his forehead.
Their last skirmish, the one back in Rome, he’d definitely lost. He’d stood outside her room like a fool, Lover Boy’s laughter his only reply. Finally, the pensione’s night clerk had appeared, insisting he leave la bella americana in peace. He’d gone away, humiliated and oddly deflated.
”
”
Laura Moore (Night Swimming: A Novel)
“
The building was a sniper’s heaven; it was long with dozens of windows and many points of view. Three floors. Someone had put cardboard in each of the panes, dozens of cardboard boxes, making it almost impossible to see inside. The marines kept firing, thousands and thousands of rounds. The barrels of their machine guns glowed and sagged. “Get me another barrel,” one of the kids said. More firing commenced. “I don’t know who he is, but he is very well trained,” said Lieutenant Steven Berch, another one of the platoon leaders. Omohundro was downstairs. He listened to the commotion and called in an airstrike. “Just blow the building to shit,” he said. First a 2,000 -pound bomb, then a 500 -pounder flew into the building and burst. A cloud unfolded upward and revealed a gigantic fire. It rose through the ruined ceiling. Part of a wall collapsed. Crack! Crack! Crack! The marines ducked, cursed loudly and returned fire. No one spotted the sniper this time. The sniper fired back. The marines responded with another blast of gunfire, many thousands of rounds. I stood with some guys at the back of the roof, behind a shed. A blue and green parakeet fluttered out of the sky and hovered in tight circles. Bullets flew past. The parakeet landed on a slumping power line. The marines stared in amazement. “Someone’s pet?” a marine said. I ran across the top of the roof and the sniper took a shot. Crack! The bullet whizzed by. An artillery barrage began. First came the 155 mm shells, each filled with fifty pounds of high explosives. One after the other the shells sailed into the building. Fire swept through the three floors. What was left of the ceiling collapsed in the smoke. Cardboard sailed out of shattered windows. Twenty shells, then thirty, each one large enough to end the world. The shelling ceased and the shooting stopped. The building burned. Remarkably it still had a frame, and parts of its three floors still stood. Suddenly a sound rustled from a storefront on the first floor. The marines tensed. A cat sauntered out, dirty yellow, tail in the air. It walked like a runway model in front of a construction site. “Can I shoot it, sir?” a marine asked his squad leader. “Absolutely not,” came the reply. Crack!
”
”
Dexter Filkins (The Forever War)
“
The Boxers believed that after one hundred days of training in martial arts they would be impervious to bullets. After three hundred days they would be able to fly.
”
”
Niall Ferguson (The Abyss: World War I and the End of the First Age of Globalization-A Selection from The War of the World (Tracks))
“
You live here in Copper Creek, Miss Ashford?” She dipped a fresh cloth in the water and washed the bullet wound in the patient’s shoulder as best she could. “I do now. We arrived today.” She paused and straightened, the muscles in her back in spasms from bending over the table, and from too much riding on trains and coaches and wagons. She thought of Janie waiting at home, watching for her, and hoped she wasn’t worrying. Robert’s only concern would be that she’d left him overlong with people he didn’t know. He hated making chitchat. She just hoped he wasn’t acting sullen and stone-faced with Vince, Janie, and Emma, like he so often did with her. Hearing a clock ticking somewhere behind her, she rethreaded the needle and focused again on her task. Suturing a man was different from suturing a horse, and very definitely different from sewing saddles. Yet something about the repetition of the act felt similar, which made her wonder if she was doing it right. “We?” Finishing the third suture in the man’s shoulder, she peered up at Caradon, the needle poised between her right thumb and forefinger. “I beg your pardon?” “You said ‘we arrived today.’” Not wanting to talk, she tied off a fourth suture, and a fifth, aware of him watching her. “My brother and I.” “Where did you move from?” She raised her head to find him leaning close, their faces inches apart. “If you don’t mind, Marshal Caradon, could we . . . not talk right now?” The tanned lines at the corners of his eyes tightened ever so slightly. “Not much on that, are you, ma’am? Talking, I mean.” Though his expression denied it, she heard a smile in his voice, yet she held back from responding to it. Outwardly anyway. Someone like Wyatt Caradon was the last person she, or Robert, needed in their lives right now. “I don’t mind talking, Marshal. When I’m not exhausted, famished, and stitching up a gunshot wound.” Catching his grin before she looked away, she finished suturing and bandaging the wound.
”
”
Tamera Alexander (The Inheritance)
“
Real bullets are for keeps, and concealment is not necessarily good cover.
”
”
Dick Couch (Chosen Soldier: The Making of a Special Forces Warrior)
“
Creed must have responded in kind, because with a gasp, she broke off the kiss. Time crawled to a standstill, then shifted to a sprint. Nieve shoved the gun lodged between them into his ribs. His hand still covered hers, and with the well-trained instincts of an assassin, he jerked the gun to the side so that the bullet she fired embedded into the ground, kicking up dirt, and not in his heart.
”
”
Paula Altenburg (The Demon Creed (Demon Outlaws, #3))
“
Damned bad luck! “Stop that locomotive!” he yelled. His men drew carbines from their saddle packs and let loose a volley at the train. The engineer spun round in agony, two bullets having smashed into his chest, and he collapsed dying on the footplate, but the stoker kept his head down and ensured the train carried on past the station and away to get help. “Hell, bad luck,” Stuart muttered. “Okay men, leave the ammunition and clothing in a huge pile and set it on fire! And the alcohol. No drink is to be taken, d’ya hear?” “Yes general,” his aide saluted, and trotted away, barking orders. They burned the station and rode off south, knowing now that the Union pursuit would be closing in on them. Ahead was the Chickahominy
”
”
Tony Roberts (Johnny Reb (Casca, #26))
“
The two wars that I have participated in were not horribly fascinating like the devil-protected, fiery gates at all. Rather, war is unspeakably disgusting. War is seeing poorly trained American boys committing atrocities—savagely cutting the ears off of injured enemy soldiers. It is stopping them and then wondering about being shot in the back. War is a young husband with his privates blown away and begging you for a grenade and you are tempted to give him one. War is the elderly, half-crazed peasant suffering from “interrogation wounds” lying in the mud beside his dead wife who had been sexually assaulted because he would not tell secrets that he probably did not possess. War is to see an American Marine cut in two by machine gun bullets; seeing him writhing in the dirt, trying to pull his own intestines out of the black, gritty sand and shove them back into the cavity that was his abdomen while pleading with his eyes for you to come out in front of the lines and help him; war is seeing that tortured silent plea just after seeing two of his buddies try, but be killed immediately by sinister, hissing sniper fire from nowhere. War is a young man, your own brother (say), with half his face shot away, while he is choking and drowning in his own vomit as it pulsates out of his throat. This is war. To veil it with the word, “hell,” is a manipulative lie, like calling it “heaven.” Face it; be able to discuss it for what it is—horrible death over and over—so that we are truly motivated to stop it.
”
”
Robert Humphrey (Values For A New Millennium: Activating the Natural Law to: Reduce Violence, Revitalize Our Schools, and Promote Cross-Cultural Harmony)
“
Do you know what it was like in that goddamn hellhole of a prison?” The words were torn from his throat. Caleb shook his head. “I wouldn’t presume to say I did.” “There were rats the size of house cats. Toward the end we ate them just to stay alive.” Caleb closed his eyes against an image that would never leave him. “I’m not sorry that I let you live,” he said after a brief silence. Joss glared at him in rage. “You’d put me through that hell all over again, wouldn’t you?” he demanded. “Damn you, you would!” “If it meant your life? You’re damned right I would. I’d put you through it a thousand times.” He paused and drew a deep, tremulous breath. “Joss, step into my boots for a minute. Go back to that day. Remember the screaming, and the cannon fire, and the sound of bullets whistling past your head. This time you’re the one that’s on your feet, and I’m lying on the ground with my arm gone. I ask you to shoot me—hell, I beg you to shoot me. What are you going to do?” Joss’s throat worked as he swallowed. He hesitated for a long time as a variety of emotions moved in his face. Then he said, “I’d shoot you.” “You’re a liar,” Caleb answered. The giant, the man he’d loved and admired from the first day he’d known what it meant to have a brother, glared at him. “God damn you, Caleb—” “You wouldn’t have been able to kill me, because I’m your brother. Because you taught me to ride and shoot, because the blood in your veins is the same blood that runs in mine. You would have done exactly what I did, Joss, and somewhere inside yourself you know it.” Joss shook his head as if to fling off an image. “You listen to me,” he yelled, waggling a finger in his brother’s face. “I hate you. Do you hear me? I hate your miserable Yankee guts, and I plan to go right on hating you from now until they put me in a box and throw dirt on top of me!” The
”
”
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
“
What’s the matter, chile? The debil chasin’ after you?” Emma paused to take a deep breath and recover her dignity. “Yes,” she said. “Do you know where Chloe put Mr. Fair—Steven’s pistol?” “She done locked it up in her desk drawer with the derringer. Why? You gonna give it back to him?” Emma nodded, then proceeded toward the hallway. “I most certainly am.” “Why you wanna do that?” Daisy fussed, following her out of the kitchen and into Chloe’s study. Finding the key in its customary hiding place, Emma unlocked Chloe’s desk and lifted the formidable Colt .45 gingerly from its depths. “There’s always the hope that he’ll shoot himself,” she said cheerfully. Daisy shrank back against the doorway. “Miss Emma, you put that thing down right now, or I’s gonna take you over my knee and paddle you!” Emma raised the gun and sited in on a book shelf across the room. She wondered what it would be like to fire the weapon. In the next instant she found out, for the gun went off with no intentional help from Emma, and several of Chloe’s leatherbound books exploded into a single smoldering tangle of paper. Daisy screamed and so did Emma, who dropped the gun in horror only to have it fire again, this time splintering the leg of Big John’s favorite chair. “Don’t you dare touch that thing again!” Daisy shrieked, when Emma bent to retrieve it. Emma left the pistol lying on the rug and straightened up again, one hand pressed to her mouth in shock. The two women stood in their places for a long time, afraid to move. Emma, for her part, was busy imagining all the dreadful things that could have happened. She was amazed to see Steven stumble into the room, fully dressed except for his boots, drenched in sweat from the effort of making his way down the stairs in a hurry. The expression in his eyes was wild and alert, almost predatory. “What the hell’s going on in here?” he rasped. Emma pointed to the pistol as though it were a snake coiled to strike. “It went off—twice.” Steven was supporting himself by grasping the edge of Chloe’s desk. “Pick it up very carefully and hand it to me,” he said. Emma bit her lower lip, remembering what had happened when she’d handled the gun before. “You can do it,” Steven urged. “Just make sure you don’t touch the hammer or the trigger.” Emma crouched and picked it up cautiously. The barrel was hot against her palm. “Here,” Steven said, holding out his hand. Emma surrendered the gun, and leaning back against the desk, Steven spun the chamber expertly, dropping the four remaining bullets into his palm. He gave a ragged sigh, then just stood there, cradling the pistol in his hands like a kitten or a puppy. “I was going to bring it to you,” Emma confessed in a small voice. “She was hopin’ you’d blow your brains out with it,” Daisy muttered, before she turned and went back to the kitchen. Steven
”
”
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
“
not really a scholar, not trained to be a university professor. The level of the university had dropped considerably, compared to what I experienced before, in two years of studies. Yet, we had a difficult time with the two new languages and also a course in military preparedness. All the students, men and women, had to learn military tactics and had to train in the fields, to become efficient shots. The training was done out-of-doors, in rain, snow or sleet. At every session, one was given three bullets. If you did not achieve a good score, you got a low grade. Fear of losing the scholarship made me try very hard and I lay so long on the frozen ground or soggy field, in order to do it right. In the end, in May 1941, I got very sick with pleurisy and just barely made it through the exams in June 1941, that fateful month when the Germans attacked.
”
”
Pearl Fichman (Before Memories Fade)
“
You crossed over? You were trained in Pakistan?’ Naga asked Aijaz once he was sure Ashfaq Mir was out of earshot. ‘No. I was trained here. In Kashmir. We have everything here now. Training, weapons . . . We buy our ammunition from the army. It’s twenty rupees for a bullet, nine hundred for –’ ‘From the army?’ ‘Yes. They don’t want the militancy to end. They don’t want to leave Kashmir. They are very happy with the situation as it is. Everybody on all sides is making money on the bodies of young Kashmiris. So many of the grenade blasts and massacres are done by them.
”
”
Arundhati Roy (Ministry of Utmost Happiness)
“
Riddled his body with bullets”—my da talked like that. Mam was always shushing him, but he waved her off. “It’s important they know this,” he said. “It’s their history! We might be over here now, but by God, our people are over there.
”
”
Christina Baker Kline (Orphan Train)
“
A mad person without the capacity for self-analysis or the support of professional therapy, is like a bullet-train
without breaks heading for a cliff. Everyone on board, spouses included, will finish themselves before they can stop it.
”
”
Robin Sacredfire
“
every executive and department, in addition to delivering specific and achievable and timely objectives, would also have to identify a stretch goal—an aim so ambitious that managers couldn’t describe, at least initially, how they would achieve it. Everyone, Welch said, had to partake in “bullet train thinking.
”
”
Charles Duhigg (Smarter Faster Better: The Secrets of Being Productive in Life and Business)
“
His fury peaked in that moment. He refused to die because of something so random, without cause or purpose. He had to know the reason. There had to be an answer to it.
He would not die now, ended by a bullet from a nameless assassin.
He saw the killer shift his stance, moving to line up his shot. He was heavy-set and broad across the shoulders, easily Marc’s superior in terms of muscle and power, even without the matter of the semi-automatic pistol in his hand.
He didn’t have a plan. There wasn’t any training he had gone through for a scenario such as this one. But he had no other choice
”
”
James Swallow (Nomad (Marc Dane, #1))
“
an instant, a simple swatch of light, then movement: the blond-haired executioner. She stood in a doorway just beyond the street corner, hiding, waiting, arms raised and weapon trained. The reflection in the car window saved Dewey from what would have been, in five feet or so, a warm bullet in the back of the head. Dewey stopped just before the corner, feet away from where the blond assassin lurked. He looked behind him, down the block he’d just run down, and saw a Laundromat. He dropped back and entered the Laundromat. He ran through the store, pushing his way past piles of laundry and women folding articles, to the back room, where a man sat, smoking a cigarette in front of a pile of papers. “Lo siento,” murmured Dewey as he charged through the office toward an alley entrance, gun in hand. The sirens became louder, multiple vehicles joining in the distance. Out the door and across the alley and through a dented steel door. Inside, stacks of bread loaves, other boxes of food, the smell of meat. He moved through the storage room and entered the back of a bodega. Colt .45 cocked in front of him, he passed a middle-aged woman who fainted as she saw the weapon in his hand. Catching the eye of the man at the cash register, Dewey held a finger to his lips. There, at the side of the entrance, her back to the store, stood the blond assassin. Suddenly another customer, an elderly woman, screamed as she saw Dewey with gun. The blonde turned abruptly, leveling what he now saw was an HK UMP compact machine gun with a six-inch suppressor on the end. A full auto hail of bullets crashed through the windows as she swept the weapon east-west. The elderly woman’s screams ended abruptly as a bullet ripped through her head and killed her. The assassin’s bullets shattered the storefront’s glass, but Dewey was already down and partially hidden by a chest freezer, which shielded him from the slugs. As soon as the blonde’s gun swept past him, Dewey had a clear sight. He fired twice, two quick shots into the assassin’s neck and chest, flinging her backward onto the brick sidewalk in a shower of blood and glass. Dewey ran
”
”
Ben Coes (Power Down (Dewey Andreas, #1))