Bullet Girl Quotes

We've searched our database for all the quotes and captions related to Bullet Girl. Here they are! All 100 of them:

You can kill a man with those words. No gun. No bullets. Just words and a girl.
Markus Zusak (I Am the Messenger)
She soon says, "You're my best friend, Ed." You can kill a man with those words. No gun. No bullets. Just words and a girl.
Markus Zusak (I Am the Messenger)
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again.
Holly Black (Black Heart (Curse Workers, #3))
Time passes by you like a bullet,” he says, “and fear gives you the excuses you’re craving to not do the things you know you should. Don’t doubt yourself, don’t second-guess, don’t let fear hold you back, don’t be lazy, and don’t base your decisions on how happy it will make others. Just go for it, okay?
Penelope Douglas (Birthday Girl)
Are you done eating that?" "What?" "You shouldn't finish that, Dad's gonna want some." "The hell he will." "He will." "It's so nasty. Son, it's so nasty." "Then why are you finishing it?" "Taking a bullet.
Jesse Andrews (Me and Earl and the Dying Girl)
In my room, in the dark, I understood what I never had before, what no one else seemed to. I understood how a boy could go into the woods with a bullet and a gun and not come out. That there was no conspiracy, no evil influences or secret rituals; that sometimes there was only pain and the need to make it stop.
Robin Wasserman (Girls on Fire)
It's the oldest story in the world. Boy loves girl. Boy loses girl. Boy gets girl back thanks to the unethical behavior of megalomaniacal mad scientists who never met a corpse they wouldn't try to resurrect. Anyone coming within a hundred yards of my happy ending had better pray that they're immune to bullets. - Shaun Mason
Mira Grant (Blackout (Newsflesh, #3))
It's good not to be the only girl in the fight for once.
Laurell K. Hamilton (Bullet (Anita Blake, Vampire Hunter, #19))
Here: an exercise in choice. Your choice. One of these tales is true. She lived through the war. In 1959 she came to America. She now lives in a condo in Miami, a tiny French woman with white hair, with a daughter and a grand-daughter. She keeps herself to herself and smiles rarely, as if the weight of memory keeps her from finding joy. Or that's a lie. Actually the Gestapo picked her up during a border crossing in 1943, and they left her in a meadow. First she dug her own grave, then a single bullet to the back of the skull. Her last thought, before that bullet, was that she was four months' pregnant, and that if we do not fight to create a future there will be no future for any of us. There is an old woman in Miami who wakes, confused, from a dream of the wind blowing the wildflowers in a meadow. There are bones untouched beneath the warm French earth which dream of a daughter's wedding. Good wine is drunk. The only tears shed are happy ones.
Neil Gaiman (Fragile Things: Short Fictions and Wonders)
With most people suicide is like Russian roulette. Only one chamber has a bullet. With the Lisbon girls, the gun was loaded. A bullet for family abuse. A bullet for genetic predisposition. A bullet for historical malaise. A bullet for inevitable momentum. The two other bullets are impossible to name, but that doesn't mean the chambers were empty.
Jeffrey Eugenides (The Virgin Suicides)
The call from Momma was like a bullet piercing my Washington bubble. Janice had been on short trip with her baby daughter locked safely in a car seat in the back. The baby was fussy and, as Janice reached back to grab her daughter’s pacifier that had fallen, another vehicle had blindsided her car. She survived it but her baby girl didn’t.
Karen Hinton (Penis Politics: A Memoir of Women, Men and Power)
I ruin everything. I think that a bullet must have passed through my heart when I was very young, causing me to bleed out slowly, over things and people and every white surface that I’d ever come across.
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
Don’t confuse love with romance, young lady. Romance is beautiful, it’s a gesture, it’s a walk in a park with a pretty girl. Love is ugly sometimes. It’s a crawl into a war zone to save a friend. Romance whispers sweet nothings. Love tells painful truths. Romance gives an engagement ring. Love takes a bullet.
Tiffany Reisz (The Queen)
Time passes by you like a bullet," he says. "and fear gives you the excuses you're craving to not do the things you know you should. Don't doubt yourself, don't second guess, don't let fear hold you back, don't be lazy, and don't base your decisions on how happy it will make others. Just go for it, okay?
Penelope Douglas (Birthday Girl)
I drop my face to my hands and scrub hard. "I wish I had your boobs," I hear Sam announce and raise my head to see who she's talking to. Of course, she's talking to Bryn. "Right," she smirks and takes another bite of brownie. "Dude, I do!" And just like that, Sam saunters across the room and cups Brynna's tit in her palm. "See? You have the perfect boobs. Stace, have you felt her boobs?" Just kill me. Put a bullet in my head and end the agony. "Oh yeah," Stacy waves her off. "She has great tits." She has amazing tits. "I wanna feel!" Jules bounces over and joins in. "Give me more chocolate and you can touch all you want." Brynna laughs and then glances over at me. "This is the most action I've had in months." "Motherfuckingsonofawhore." I grumble. "Is Brynna single?" Mark asks Will. "Keep your fucking hands off her," I growl at him before I know what's coming out of my mouth. "Hey," he holds his hands up in surrender and laughs. "It was just an innocent question.
Kristen Proby (Safe with Me (With Me in Seattle, #5))
It’s just… I wish it was easier, for me, you know?” I make a special point not to look at her. “I wish it was someone else who was chosen for this. Someone competent. If only I didn’t stop that robbery. I wish I didn’t have to go through with it all.” It comes gushing out, with words like spilled milk. “And I wish it was me with you and not that other guy. I wish it was my own skin touching with yours…” And there you have it. Stupidity in its purest form. “Oh, Ed.” Audrey looks away. “Oh, Ed.” Our feet dangle. I watch them, and I watch the jeans on Audrey’s legs. We only sit there now. Audrey and me. And discomfort. Squeezed in, between us. She soon says, “You’re my best friend, Ed.” “I know.” You can kill a man with those words. No gun. No bullets. Just words and a girl.
Markus Zusak (I Am the Messenger)
But the Anderson thing isn’t over yet. And as I’ve said before—this, my friends, is war. I’m talking DEFCON-one, gloves-off, I’ll-knock-you-down-even-if-you-are-a-girl war. You wouldn’t give a bullet to a sniper who’s got his gun aimed at your forehead, would you?
Emma Chase (Tangled (Tangled, #1))
I just hope they do it quick, put the bullet between my eyes. I won’t fight it—I’ve earned it, I deserve it—but please, don’t make me wait.
Rory Power (Wilder Girls)
I thought of the girl who bathed in a copper tub. I thought of the woman who stole a bullet mold. I loved that girl, that woman.
Sue Monk Kidd (The Invention of Wings)
Rather I receive your bullet riddled body with honor that us of your cowardliness on the battlefield.
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs.
Holly Black (Black Heart (Curse Workers, #3))
Desperately, Phoenix attempted to maneuver both tips of the instrument around the bullet. He knew that each move caused Nellie unimaginable pain, but he could not grasp the target. "It's no use," he sobbed. "And my hand is going numb." In a frenzy, Nellie shouted something into the gag, but no one could understand her. "I beg your pardon, child?" queried Alistair. Nellie spat out the rag and rasped, "Get the Kabra chick!" "Natalie?" Fiske exclaimed. "She's fallen completely to pieces." "Get her!" Nellie demanded. "Anybody with eyebrows plucked like that knows how to use a tweezers!" Reagan bounded across the room and came back with a shivering, mewling Natalie. "I can't!" she wheezed. Fiske poured alchohol over the girl's beautifully manicured fingers. "You must." Still protesting, her eyes tightly shut, she took over the instrument from Phoenix. "I can't do it! You can't make me—oh!" She said in sudden surprise. "This?" And when she pulled the tweezers out of the wound, the tips were firmly grasping a flattened, blood-slimed bullet. Nellie laughed—and promptly fainted.
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
First love is a gun that fires a bullet at your heart and when it hits, it turns into a flower and seeps into your blood like pollen.
Chloe Thurlow (A Girl's Adventures)
Romance," said Antony. "A con so crazy that by the time the bullet's in the chamber, you don't know if you've taken someone or you've been taken.
Jeffrey Ford (The Girl in the Glass)
Everything had its place. He was a bullet journal guy, and I was a sticky note kind of girl.
Ashley Poston (The Dead Romantics)
You can forget ya keys or ya wallet, the first girl ya kissed, hell- even my birthday, but you'll never forget me.
Brian Azzarello (100 Bullets, Vol. 4: A Foregone Tomorrow)
Art value always goes up once the artist’s associated with fucked-up things such as cutting off his own ear like Van Gogh, or marrying his teenage cousin like Poe, or having his minions murder a celebrity like Manson, or shooting his postsuicide ashes out of a huge cannon like Hunter S. Thompson, or being dressed up as a little girl by his mother like Hemingway, or wearing a dress made of raw meat like Lady Gaga, or having unspeakable things done to him so he kills a classmate and puts a bullet in his own head like I will do later today.
Matthew Quick (Forgive Me, Leonard Peacock)
When Schulmann talked, he fired off conflicting ideas like a spread of bullets, then waited to see which ones went home and which came back at him. The sidekick's voice followed like a stretcher-party, softly collecting up the dead. (...) Sound oil policy, sound economics, sound everything. Justice it isn't. (part I, chapter 1)
John le Carré (The Little Drummer Girl)
You can dress a pig up in satin and lace and its still a pig." Francis smiled hazily. "Are you calling my intended a pig, Charles?" Charles raised a dark eyebrow. "Intended what, Francis? You surely cant be having respectable inclinations towards this girl. The bullet hit your arm, not your head.
Anne Stuart (Ruthless (The House of Rohan, #1))
You think that you've moved on. That you’re happier and now that you think about it — you're quite glad that it didn’t work out because you are free and happy. You're so happy. And it’s better this way. "Here, let me tell you my reasons," you say. "Let me explain what I mean." After hours of telling your neighbour and the florist and the girl on the bus, you conclude: "So, you see? I’m happier now.” You tell the brokenhearted your tale and assure them it's for the best, “So you see? It was meant to be.” But my dear, my foolish hurting dear, your ego is the bullet left in the wound. It’s this ego that needs to explain itself and justify the battle. A true warrior would be too busy fighting to live.
Kamand Kojouri
What would it be like really and absolutely to believe? (...) To know, really and absolutely know, that there's a Divine Being not set in time or space who reads your thoughts better than you ever did, and probably before you even have them? To believe that God sends you to war, God bends the path of bullets, decides which of his children will die, or have their legs blown off, or make a few hundred million on Wall Street, depending on today's Grand Design? (ch. 14)
John le Carré (The Little Drummer Girl)
How are you awake? I demand. He lifts his head,and I click the bullet into its chamber, raising an eyebrow at him. "The Dauntless leaders...they evaluated my records and removed me from the simulation," he says. "Because they figured out that you already have murderous tendencies and wouldn't mind killing a few hundred people while conscious," I say. "Makes sense." "I'm not...murderous!" "I never knew a Candor who was such a liar." I tap the gun against his skull. "Where are the computers that control the simulations,Peter?" "You won't shoot me." "People tend to overestimate my character," I say quietly. "They think that because I'm small,or a girl, or a Stiff, I can't possibly be cruel. But they're wrong.
Veronica Roth (Divergent (Divergent, #1))
It feels as though it were just yesterday Grandfather exited my life like a bullet, leaving a bleeding hole behind.
Chitra Banerjee Divakaruni (Oleander Girl)
Getting shot wasn’t an issue of skill; it was an issue of chance. And Justice had a bullet-sized issue of chance lodged in her shoulder.
Ashley Nikole (Deadeye (Hands of Time, #3))
Inside its crumbling walls the house is riddled with bullet holes, and in its garden only the crimson dahlias still hold their heads high. Jing is lying on a chaise longue [sic] playing with his bird. 'I thought you were in prison.' He looks up, his eyes filled with hate and desire. 'You are my prison.
Shan Sa (The Girl Who Played Go)
Bullets sound like hornets when they pass too close to your head. After a while, the world closes down. You can't hear much, you can't see much, just the way ahead, the next slat, the next open gate. All you know is running; the only place that's real is away.
Sarah Zettel (Dust Girl (The American Fairy, #1))
...let us recognize that a large fraction of our suffering and that of our fellow human beings is brought about by what we do to one another. It is humankind, not God, that had invented knives, arrows, guns, bombs, and all manner of other instruments of torture used through the ages. The tragedy of the young child killed by a drunk driver, of the innocent young man dying on the battlefield, or of the young girl cut down by a stray bullet in a crime-ridden section of a modern city can hardly be blamed on God. After all, we have somehow been given free will, the ability to do as we please. We use this ability frequently to disobey the Moral Law. And when we do so, we shouldn't then blame God for the consequences.
Francis S. Collins (The Language of God: A Scientist Presents Evidence for Belief)
Don't you recognize me?' 'No.' 'Eponine.' Marius bent hastily forward and saw that it was indeed that unhappy girl, clad in a man's clothes. 'How do you come to be here? What are you doing?' 'I'm dying,' she said. There are words and happenings which arouse even souls in the depths of despair. Marius cried, as though starting out of sleep: 'You're wounded! I'll carry you into the tavern. They'll dress your wound. Is it very bad? How am I to lift you without hurting you? Help, someone! But what are you doing here?' He tried to get an arm underneath her to raise her up, and in doing so touched her hand. She uttered a weak cry. 'Did I hurt you?' 'A little.' 'But I only touched your hand.' She lifted her hand for him to see, and he saw a hole in the centre of the palm. 'What happened?' he asked. 'A bullet went through it.' 'A bullet? But how?' 'Don't you remember a musket being aimed at you?' 'Yes, and a hand was clapped over it.' 'That was mine.' Marius shuddered. 'What madness! Your poor child! Still, if that's all, it might be worse. I'll get you to a bed and they'll bind you up. One doesn't die of a wounded hand.' She murmured: 'The ball passed through my hand, but it came out through my back. It's no use trying to move me. I'll tell you how you can treat my wound better than any surgeon. Sit down on that stone, close beside me.' Marius did so. She rested her head on his knee and said without looking at him: 'Oh, what happiness! What bliss! Now I don't feel any pain.
Victor Hugo (Les Misérables)
We only sit there now. Audrey and me. And discomfort. Squeezed in, between us. She soon says, “You’re my best friend, Ed.” “I know.” You can kill a man with those words. No gun. No bullets. Just words and a girl.
Markus Zusak (I Am the Messenger)
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again. A girl like that, Grandad said, perfumes herself with ozone and metal filings. She wears trouble like a crown. If she ever falls in love, she’ll fall like a comet, burning the sky as she goes. She was the epic crush of my childhood. She was the tragedy that made me look inside myself and see my corrupt heart. She was my sin and my salvation, come back from the grave to change me forever. Again. Back then, when she sat on my bed and told me she loved me, I wanted her as much as I have ever wanted anything. There are no words for how much I will miss her, but I try to kiss her so that she’ll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
Holly Black (Black Heart (Curse Workers, #3))
I was never afraid of my monsters. I controlled them. I slept with them in the dark, and they never stepped beyond their boundaries. My monsters had never asked to be bora with bolts in their necks, scaly wings, blood hunger in their veins, or deformed faces from which beautiful girls shrank back in horror. My monsters were not evil; they were simply trying to survive in a tough old world. They reminded me of myself and my friends: ungainly, unlovely, beaten but not conquered. They were the outsiders searching for a place to belong in a cataclysm of villagers’ torches, amulets, crucifixes, silver bullets, radiation bombs, air force jets, and flamethrowers. They were imperfect, and heroic in their suffering.
Robert McCammon (Boy's Life)
I’m sorry for your wasted journey,” Jonasson said. “I’d be glad to discharge her because we certainly don’t have any beds to spare here. But—” “Could she be faking?” Jonasson smiled politely. “I really don’t think so. You see, Lisbeth Salander was shot in the head. I removed a bullet from her brain, and it was 50/50 whether she would survive.
Stieg Larsson (The Girl Who Kicked the Hornet's Nest (Millennium, #3))
that little bitch hadn’t run, I would have put a bullet in her myself. You think I want a dime of your blood money, girl? You think you’re family? You hang up that phone. You forget my name. And if you’re lucky, I’ll make sure this family—this whole town—forgets yours.
Jennifer Lynn Barnes (The Hawthorne Legacy (The Inheritance Games, #2))
Bullets is worth more than food, the girl said, and we can’t eat gunstock.
Samuel Snoek-Brown (Hagridden)
Time passes by you like a bullet,” he says, “and fear gives you the excuses you’re craving to not do the things you know you should.
Penelope Douglas (Birthday Girl)
if you ever leave our girl wanting again, I'll remove you from her life completely, understand?" Gavriel
Coralee June (Sunshine and Bullets (The Bullets, #1))
What is a Gallagher Girl?” Liz asked. She looked nervously down at the papers in her hand even though I knew for a fact she had memorized every word. “When I was eleven I thought I knew the answer to that question. That was when the recruiters came to see me. They showed me brochures and told me they were impressed by my test scores and asked if I was ready to be challenged. And I said yes. Because that was what a Gallagher Girl was to me then, a student at the toughest school in the world.” She took a deep breath and talked on. “What is a Gallagher Girl?” Liz asked again. “When I was thirteen I thought I knew the answer to that question. That was when Dr. Fibs allowed me to start doing my own experiments in the lab. I could go anywhere—make anything. Do anything my mind could dream up. Because I was a Gallagher Girl. And, to me, that meant I was the future.” Liz took another deep breath. “What is a Gallagher Girl?” This time, when Liz asked it, her voice cracked. “When I was seventeen I stood on a dark street in Washington, D.C., and watched one Gallagher Girl literally jump in front of a bullet to save the life of another. I saw a group of women gather around a girl whom they had never met, telling the world that if any harm was to come to their sister, it had to go through them first.” Liz straightened. She no longer had to look down at her paper as she said, “What is a Gallagher Girl? I’m eighteen now, and if I’ve learned anything, it’s that I don’t really know the answer to that question. Maybe she is destined to be our first international graduate and take her rightful place among Her Majesty’s Secret Service with MI6.” I glanced to my right and, call me crazy, but I could have sworn Rebecca Baxter was crying. “Maybe she is someone who chooses to give back, to serve her life protecting others just as someone once protected her.” Macey smirked but didn’t cry. I got the feeling that Macey McHenry might never cry again. “Who knows?” Liz asked. “Maybe she’s an undercover journalist.” I glanced at Tina Walters. “An FBI agent.” Eva Alvarez beamed. “A code breaker.” Kim Lee smiled. “A queen.” I thought of little Amirah and knew somehow that she’d be okay. “Maybe she’s even a college student.” Liz looked right at me. “Or maybe she’s so much more.” Then Liz went quiet for a moment. She too looked up at the place where the mansion used to stand. “You know, there was a time when I thought that the Gallagher Academy was made of stone and wood, Grand Halls and high-tech labs. When I thought it was bulletproof, hack-proof, and…yes…fireproof. And I stand before you today happy for the reminder that none of those things are true. Yes, I really am. Because I know now that a Gallagher Girl is not someone who draws her power from that building. I know now with scientific certainty that it is the other way around.” A hushed awe descended over the already quiet crowd as she said this. Maybe it was the gravity of her words and what they meant, but for me personally, I like to think it was Gilly looking down, smiling at us all. “What is a Gallagher Girl?” Liz asked one final time. “She’s a genius, a scientist, a heroine, a spy. And now we are at the end of our time at school, and the one thing I know for certain is this: A Gallagher Girl is whatever she wants to be.” Thunderous, raucous applause filled the student section. Liz smiled and wiped her eyes. She leaned close to the microphone. “And, most of all, she is my sister.
Ally Carter (United We Spy (Gallagher Girls, #6))
I know I shoulda known better, But my heart trapped my mind Since the day I met her I knew she was the hurting kind That type of heartbreaker, It aint nothing new it takes one To know one, I know I've broke a few. Like a drink to a drunk Bullet in the gun, Just one more kiss And I will be done. I shoulda learned my lesson After all these days, years, Shoulda seen it coming But it is already here A girl like that is Guaranteed Tears.
Heidi McLaughlin
I do wish you girls would reconsider my previous offer. You would be my queens...I could dress you in diamonds from head to toe. The Mole Man has so much bling and no one to share it with.' Please...don't say bling...ever again.
Jimmy Palmiotti (Daughters of the Dragon: Samurai Bullets)
I cruised into this war thinking my buddy's going to take a bullet, and I'm going to be the fucking hero pulling him out of harm's way. Instead, I end up pulling out this little girl we shot, hiding in the backseat of her dad's car.
Evan Wright (Generation Kill: Devil Dogs, Iceman, Captain America, and the New Face of American War)
Russkie, promise me a simple thing?" Out of the blue when they had finished, after a mouthful from the mug. Dan seemed relaxed, leaning on his side. Resting back, savoring the taste, Vadim turned his head to look at Dan. Oh, that body. The effect it had on him, all the time, even when Dan wasn't there. Twelve months. "Promise what?" Sometimes, that kind of thing was about letters. Tell my girl I love her. Tell my mother I didn't suffer. Almost painful. Letters. Words that would hurt worse than the killing bullet. "Simple." Dan nodded, "if I'm unlucky, and if you find my body, will you bury it? Some rocks would do, I can't stand the thought of carrion's. As if that mattered, eh? I'd be fucking dead." Dan shrugged, tossed a grin towards the other, made light of an entirely far too heavy situation. He took the bottle once more, washing down the taste of death and decay, chasing away unbidden images. Vadim felt a shudder race over his skin. The thought of death chilled him to the bone, like a premonition. For a moment he saw himself stagger through enemy territory, looking for something that had been Dan. Minefields, snipers, fucking Hind hellfire. He might be able to track him. He might be able to guess where he had gone, where he had fallen. He had found the occasional pilot. But he had had help. Finding a dead man in a country full of dead people was more of a challenge. "I'll send you home," he murmured. Stay alive, he thought. Stay alive like you are now. I don't want to carry your rotting body to fucking Kabul and hand myself in to whatever bastard is your superior or handler there, but it must be Kabul. I can't hand myself over. But I will. Fuck you. He felt his face twitch, and turned away, breathing. "No, I have no home anymore." Dan's hand stopped Vadim from turning over fully. Fingers digging into the muscular thigh. "Not my brother's family. Nowhere to send the body to. Forget it." Grip tightening while he moved closer. Ignored the heat, the damned fan and its monotonous creaking, pressed his body behind the other. "You're as close to a fucking home as I get.
Marquesate (Special Forces - Soldiers (Special Forces, #1))
You make out with a boy because he’s cute, but he has no substance, no words to offer you. His mouth tastes like stale beer and false promises. When he touches your chin, you offer your mouth up like a flower to to be plucked, all covered in red lipstick to attract his eye. When he reaches his hand down your shirt, he stops, hand on boob, and squeezes, like you’re a fruit he’s trying to juice. He doesn’t touch anything but skin, does not feel what’s within. In the morning, he texts you only to say, “I think I left the rest of my beer at your place, but it’s cool, you can drink it. Last night was fun.” You kiss a girl because she’s new. Because she’s different and you’re twenty two, trying something else out because it’s all failed before. After spending six weekends together, you call her, only to be answered by a harsh beep informing you that her number has been disconnected. You learn that success doesn’t come through experimenting with your sexuality, and you’re left with a mouth full of ruin and more evidence that you are out of tune. You fall for a boy who is so nice, you don’t think he can do any harm. When he mentions marriage and murder in the same sentence, you say, “Okay, okay, okay.” When you make a joke he does not laugh, but tilts his head and asks you how many drinks you’ve had in such a loving tone that you sober up immediately. He leaves bullet in your blood and disappears, saying, “Who wants a girl that’s filled with holes?” You find out that a med student does. He spots you reading in a bar and compliments you on the dust spilling from your mouth. When you see his black doctor’s bag posed loyally at his side, you ask him if he’s got the tools to fix a mangled nervous system. He smiles at you, all teeth, and tells you to come with him. In the back of his car, he covers you in teethmarks and says, “There, now don’t you feel whole again.” But all the incisions do is let more cold air into your bones. You wonder how many times you will collapse into ruins before you give up on rebuilding. You wonder if maybe you’d have more luck living amongst your rubble instead of looking for someone to repair it. The next time someone promises to flood you with light to erase your dark, you insist them you’re fine the way you are. They tell you there’s hope, that they had holes in their chest too, that they know how to patch them up. When they offer you a bottle in exchange for your mouth, you tell them you’re not looking for a way out. No, thank you, you tell them. Even though you are filled with ruins and rubble, you are as much your light as you are your dark.
Lora Mathis
Girls, since when have we ever fought over a chick? Since when has that same chick been our sworn enemy? This is some weird shit, and if you two don't figure it out, then we're all screwed. SO tuck your panties back in and toss your bras into the fire. I don't want to have to bury two of my best friends just because they don't see the bullet aimed for their hearts the minute Frank learns that his precious granddaughter isn't just flirting with the enemy...but sleeping with him.
Rachel Van Dyken (Enforce (Eagle Elite, #5))
…she is in the girl Matrix trying to catch invisible slow mo bullets those of us outside the Matrix can’t see. You can always tell when a woman is with the wrong man because she has so much to say about the fact that nothing is happening. When a woman finds the right person, on the other hand, they just disappear for six months and then they resurface, eyes shiny and usually about six pounds heavier.
Caitlin Moran (How to Be a Woman)
After drinking the blood I feel inches closer to death, but resolved to live. I've drunk blood. I can do anything. I'm the vampire girl. I crawl close to the fox and press myself against it. It's still warm. That's how sleep takes me, with blood on my face, holding close to the fading warmth.
Noemí Lowe (Bullet Catcher)
time passes by you like a bullet, and fear gives you the excuses you’re craving to not do the things you know you should. don’t doubt yourself, don’t second-guess, don’t let fear hold you back, don’t be lazy, and don’t base your decisions on how happy it will make others. Just go for it, okay?
Penelope Douglas (Birthday Girl)
It might seem like the easier way to get rid of a poet would be just to take him out to the backyard, have him kneel between the cans with tomato plants in them and put a bullet in his brain. But they knew from history that it doesn't work to kill a writer. Every time you shoot a poet,a dozen new ones are born. It's like plucking a grey hair.
Heather O'Neill (The Girl Who Was Saturday Night)
Don’t confuse love with romance, young lady. Romance is beautiful, it’s a gesture, it’s a walk in a park with a pretty girl. Love is ugly sometimes. It’s a crawl into a war zone to save a friend. Romance whispers sweet nothings. Love tells painful truths. Romance gives an engagement ring. Love takes a bullet. I gave up marriage and children and sex and the comforts of family, because I love my Lord, and I would take a bullet for anyone in this church, including you, young lady. Now you tell me I don’t know what love is.
Tiffany Reisz (The Queen)
His cellphone alarm beeped. Now. Who would he nail? A single target tonight. So, a single bullet in the gun. David put the crosshairs on one of the guys walking out of the Quick Trip. Tall man, longish hair, scruffy beard. The guy pulled keys from his pocket and the crosshairs settled on his face. What was next? David pulled the trigger. The back of the guy’s head exploded. A massive wound. The guy’s friend looked around. The pregnant woman screamed. The black guy ran. The girls hugged each other. David pulled the trunk lid back down. Clicked and locked. A gentle walkway wound around the mall. Sol slowly drove away. David’s breaths came fast, almost pants. He then took his black pants off and removed his soiled underwear. He reached in the plastic bag for the fresh pair. Changing in the trunk of a dark and hot and moving car was difficult. Just part of the job now. When he pulled the trigger, he orgasmed. Always did. David slowed his breathing. Taylor series for ex = 1 + x + X2 / 2! + X3 / 3! etc. Yes, that was better. He closed his eyes and let go of the rope and let the rifle roll to one side. That guy’s head exploded. They drove away, below the speed limit. Didn’t want to attract attention. No need to, in no hurry.
Michael Grigsby
New problems: Mrs. Van Daan is desperate, talks about a bullet through her head, prison, hanging, and suicide. She’s jealous that Peter confides in me and not her.
Anne Frank (The Diary of a Young Girl)
You’re my best friend, Ed.” “I know.” You can kill a man with those words. No gun. No bullets. Just words and a girl.
Markus Zusak (I Am the Messenger)
Let this be my first lesson to you: words matter. Use them carefully, like bullets.)
Stephanie Marie Thornton (A Most Clever Girl)
They made the decision to do nothing, and their betrayals were like bullets before the real bullets came.
Nadia Murad (The Last Girl: My Story of Captivity, and My Fight Against the Islamic State)
he was a bullet journal guy, and i was a sticky note kinda girl
Ashley Poston (The Dead Romantics)
Time passes by you like a bullet,” he says, “and fear gives you the excuses you’re craving to not
Penelope Douglas (Birthday Girl)
He was a bullet journal guy, and I was a sticky note kind of girl.
Ashley Poston (The Dead Romantics)
He was still smiling as the bullet dovetailed into his collarbone, blood splashing the wall behind him like the Jackson Pollock paintings we were learning about in Contemporary Art.
Jessica Knoll (Luckiest Girl Alive)
We’d better get a move on,’ Shelby said, quickly doing up the fastenings on her own suit. ‘Francisco said that the Professor has some cool new toys for us.’ ‘I believe he actually said assault weapons,’ Wing said. ‘Right,’ Shelby said. ‘New toys!’ ‘You know, I do worry about you sometimes,’ Wing said, shaking his head. ‘What can I say? I’m a twenty-first-century girl. Who wants flowers and chocolates, when you can have body armour and bullets?’ Shelby said, giving Wing a quick peck on the cheek as she walked out of the room. ‘Is it right that I should occasionally be slightly frightened of my girlfriend?’ Wing asked as he watched her leave. ‘As I understand it, that’s perfectly normal,’ Otto replied with a grin.
Mark Walden (Deadlock (H.I.V.E., #8))
I know enough to tell you that you’re a momma’s boy through and through, because you were even looking for her in the girl you wanted to marry.” He scoffed. “Thank God you dodged that bullet.
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
My father says that in our part of the world this idea of jihad was very much encouraged by the CIA. Children in the refugee camps were even given school textbooks produced by an American university which taught basic arithmetic through fighting. They had examples like “If out of 10 Russian infidels, 5 are killed by one Muslim, 5 would be left” or “15 bullets – 10 bullets = 5 bullets.
Malala Yousafzai (I Am Malala: The Girl Who Stood Up for Education and Was Shot by the Taliban)
Are you sure that I’ll be enough? These places can get pretty rough. You walk into a cake shop and then some gunslinger tells you, ‘You ain’t from around here, partner,’ and the next thing you know, you’re in the middle of the street, your horse is dead, the bad guy’s got your girl by her hair, and you’re down to one bullet.” “What is going on in your head?” “It’s a dark, lawless place, Catalina. So dark.
Ilona Andrews (Diamond Fire (Hidden Legacy, #3.5))
My wife has always been my beloved mean girl, she fires emotional bullets when she’s pissed or upset. Not so much in the last years, not since she’s gotten a grip of her anxiety and dealt with a lot of her emotional baggage. I love her fucking mean. Not even lying when I say it makes me hard as stone. I love fucking her when she’s mad. But this is different. She won’t want me on top of her when she knows the secret I’ve been keeping.
V. Theia (Manhattan Heart (From Manhattan #5))
Where, indeed? Captain Vincent Reed had been born in the city of Richmond, Virginia, of northern parents who were stationed there by the telegraph company. He had attended West Point and he thought he knew something about warfare, having served under General Pope in his long and futile struggle against General Stonewall Jackson. Those men were fighters who would face the enemy till the last bullet was fired, but neither would participate in such a slaughter. Reed had had his troops in position. He was quite prepared to rush in for the kill, and he had positioned himself so that he would be in the vanguard when his men made their charge against the guns of the young braves threatening the left flank. But when he saw that the enemy had no weapons, that even their bows and arrows were not at hand, and that he was supposed to chop down little girls and old women, he rebelled on the spot, taking counsel with no one but his own conscience.
James A. Michener (Centennial)
Courage is a fleeting commodity and can be crushed effortlessly by a single fond memory of home. A backyard barbecue, a fragmented flashback to a moonlit dance with a beautiful girl--those are psychological bullets in combat. One glimpse of what has been makes a soldier yearn for what can be again. That yearning can be as caustic as acid. It burns away the resolve you need to get the job done. One stray thought can paralyze just as effectively as a bullet in the spine.
Sean Parnell (Outlaw Platoon: Heroes, Renegades, Infidels, and the Brotherhood of War in Afghanistan)
Time passes by you like a bullet,” he says, “and fear gives you the excuses you’re craving to not do the things you know you should. Don’t doubt yourself, don’t second-guess, don’t let fear hold you back, don’t be lazy, and don’t base your decisions
Penelope Douglas (Birthday Girl)
Time passes by you like a bullet,” he says, “and fear gives you the excuses you’re craving to not do the things you know you should. Don’t doubt yourself, don’t second-guess, don’t let fear hold you back, don’t be lazy, and don’t base your decisions on how happy it will make others.
Penelope Douglas (Birthday Girl)
Time passes by you like a bullet and fear gives you the excuses you're craving to not do the things you know you should. Don't doubt yourself, don't second-guess, don't let fear hold you back, don't be lazy and don't base your decisions on how happy it will make others. Just go for it, okay?
Penelope Douglas (Birthday Girl)
Time passes by you like a bullet,” he says, “and fear gives you the excuses you’re craving to not do the things you know you should. Don’t doubt yourself, don’t second-guess, don’t let fear hold you back, don’t be lazy, and don’t base your decisions on how happy it will make others. Just go for it,
Penelope Douglas (Birthday Girl)
Time passes by you like a bullet,” he says, “and fear gives you the excuses you’re craving to not do the things you know you should. Don’t doubt yourself, done second-guess, don’t let fear hold you back, don’t be lazy, and don’t base your decisions on how happy it will make others. Just go for it, okay?
Penelope Douglas (Birthday Girl)
Time passes by you like a bullet," he says, "and fear gives you the excuses you're craving to not do the things you know you should. Don't doubt yourself, don't second-guess, don't let fear hold you back, don't be lazy, and don't base your decisions on how happy it will make others. Just go for it, okay?
Penelope Douglas (Birthday Girl)
May I ask a personal question?” She looked at him. He waited until she nodded. “That dragon tattoo … Why did you get it?” “You didn’t see it before?” He smiled all of a sudden. “I mean I’ve glanced at it, but when you were uncovered I was pretty busy stopping the bleeding and extracting bullets and so on.
Stieg Larsson (The Girl Who Kicked the Hornet's Nest (Millennium, #3))
smokey eye eyeliner as defiance. eyeliner as a statement, a declaration, a fuck you to a society that shames people for expressing themselves the way they feel the most at home, the same society that labels everything from toys to toothbrushes “boy” and “girl” rather than letting individuals cultivate their own identities. eyeliner as a call to arms. eyeliner as a weapon, a raised fist, a shield from judgmental expressions and microaggressions disguised as questions, from the insults and slurs shot out of car windows like bullets in a drive-by because i dare exist in a way they don’t and refuse to understand.
Parker Lee (Masquerade)
Time passes by you like a bullet,” he says, “and fear gives you the excuses you’re craving to not do the things you know you should. Don’t doubt yourself, don’t second-guess, don’t let fear hold you back, don’t be lazy, and don’t base your decisions on how happy it will make others. Just go for it, okay?” “Okay,” I whisper to him.
Penelope Douglas (Birthday Girl)
Something’s not right. The kid’s not talking to me. That much I know because she’s not even looking my direction. She’s looking in the mirror. My eyes focus on the mirror and I fall backwards trying to get away from the image there. Bloody, broken bits of flesh make up what I think is a face, but it’s hard to tell. It looks like someone carved it up with a cleaver. I don’t even know if it’s a boy or a girl staring at me and I’m not sure I want to know, either. The bullet hole in its head is there, but it blends in with the sticky black and red of the shredded face. Whatever got Emma got this… person, too. But why is it stopping her from telling me where they are?
Apryl Baker (The Ghost Files (The Ghost Files, #1))
A few weeks ago, a pimp had fired a bullet into the mouth of a young SA Führer who had liberated one of his ‘girls’. On Sunday the Stormtrooper had died, and Goebbels’s newspaper Der Angriff had made a saint of the youth who had fallen in love with a whore and paid for it with his life, a martyr for the movement, or Blutzeuge as the Nazis called it.
Volker Kutscher (The Silent Death (Gereon Rath #2))
The little girl who was watching me kneels beside a motionless woman, screeching and trying to rouse her. Another wave of bullets slices across the chest of her yellow coat, staining it with red, knocking the girl onto her back. For a moment, looking at her tiny crumpled form, I lose my ability to form words. Gale prods me with his elbow. “Katniss?” “They’re
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Sittin’ in a café in dark glasses sippin’ coffee dunkin’ doughnuts while it’s sunny thinking guns guns guns and I’ve got pockets full of bullets and a suitcase full of money and a fuckin’ awful headache and a police rifle that fires dummies and I’m listening to Barney because she really wants to tell me all the fifty million reasons why she’s feelin’ fuckin’ funny and she wants to kill her mummy and she wants me to kill her daddy but there really is no logic to the way we’re spending Sunday because we don’t know where we’re going and we’ve been drinking since last Monday and Booga’s sharpening sticks and he’s looking like a monkey and I’m waiting for my tank and I know it will look chumly because Dobson is my man and he’s part of my fuckin’ family and when I see him next I’m gonna buy him half a shandy.
Alan C. Martin (Tank Girl Armadillo!: A Novel)
In response, five nearby Scarlet gangsters who were waiting around a restaurant also stilled, waiting to see if they would be summoned. They were killersand extortionistsand raging forces of violence, butas the rumors went, Juliette Cai was the girl who had strangled and killed her American lover with a string of pearls. Juliette Cai was the heiress who, on her second day back in Shanghai, had stepped into a brawl between four White Flowers and two Scarletsand killed all four White Flowers with only three bullets. Only one of those rumors was true. Juliette smiled and waved to the Scarlet men. In response, one waved back, and the other four nervously laughed among themselves. They feared Lord Cai’s wrath if anything were to happen to her, but they feared her wrath more if they were to test the truth of the rumors.
Chloe Gong (These Violent Delights (These Violent Delights, #1))
Well, ma'am, as I said, I found Willow lying ill down on the riverbank." "What was she doing there?" Rider swallowed. "Ah,well, she, ah, was kind of taking a bath." "A bath!" The landlady looked like she was going to be sick. They now had Bartel's full attention. A grin wrinkled the corner of this mouth. "Oh,she was all done,of course," Rider rushed to explain. "Dressed,too," he lied. "Poor girl said she had a severe headache." Rider was sweating bullets. He'd rather face the whole Clanton gang than his formidable landlady. She had the uncanny ability to make him feel like a ten-year-old boy caught with his hand in the cookie jar. And it didn't take much to figure out what her reaction would be to his "headache treatment." Since there were definitely no benefits to be won for total honesty, he reasoned that what she didn't know woulnd't hurt him.
Charlotte McPherren (Song of the Willow)
Billy Pilgrim wasn't weak, she decided, as he drifted back to sleep—he was broken. The whole system was broken. Sending young men to war, expecting them to come back whole, their bullets to make things right. Expecting a girl from the Big Sky State to step off a bus in LA and have a career that wouldn't kill her. The machinery of it all was set up unfair from the start. Living in three dimensions meant you learned what you needed to know too late in life.
Hugh Howey (Peace in Amber (The World of Kurt Vonnegut))
As he breathed the black and grey air into his body he no longer thought of anything as lovely, the way the retiring trees of his boyhood had been; for everything was made up of dirt-clods; and you do construct a mountain from molehills or other over-codified facts. If only the cities had been dynamited before it was too late for him! -- That Pol Pot sure had the right idea, blowing down those ticky-tacky rice paper offices and illuminating the middlemen with bullets of vanguardist light so everyone could get back to the country, don’t you think? -- As things stood, even had Bug been able to cover the earth again with forests, after having lived so long in the excremental piles of cement and rusted steel he never could have seen trees as more than tedious identical dirty giant toothpicks unfit to be taken into the mouth’ his summer camp, as a dishwasher jail where you breathed in the steam of bad food; and the islands to which he had rowed, as sad unwholesome protuberances, polyps and land-cancers still in the stink of the outhouse -- and all the girls had long since grown up completely to make travesties of their lives, even though some inherited great riches as we used to reckon riches in those days. -- But surely this change in him was necessary, for without wretchedness and degradation of self one will never accomplish anything.
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
But she was not prepared to understand me. And so we parted. Thinking about all the things that made her so much nicer than the other girls at home, I sat on the bullet train to Tokyo feeling terrible about what I'd done, but there was no way to undo it. I would try to forget her. There was only one thing for me to do when I started my new life in the dorm: stop taking everything so seriously; establish a proper distance between myself and everything else. Forget about green baize pool tables and red N-360s and white flowers on school desks; about smoke rising from tall crematorium chimneys, and chunky paperweights in police interrogation rooms. It seemed to work at first. I tried hard to forget, but there remained inside me a vague knot of air. And as time went by, the knot began to take on a clear and simple form, a form that I am able to put into words, like this: Death exists, not as the opposite but as a part of life
Haruki Murakami (Norwegian Wood)
Mohammed started telling me about some of the most horrific stories he encountered in Mosul during the ISIL years, including when he worked at a local NGO as a caseworker. ‘How can you not be traumatized and suffer sleepless nights when dealing with a story of a 13-year old boy who was escaping for safety with his parents and sister from the right to the left side of Mosul, while it was being liberated by the Iraqi army?’ Mohammed paused, lit a cigarette, rolled down the car window, and continued, ‘as they were running, the father wanted to make sure the road was clear, so as soon as he ventured out, he got a bullet in his head from a sniper. The mother ran to him crying and screaming. She, too, got a bullet in her head. As the little boy and his sister tried to escape, the girl was shot, but she didn’t die. After hiding in a nearby building for a while, they came out and took their parents’ bodies to bury them in that same empty building they took as a shelter. Once done, as they were leaving, the little girl got yet another bullet and died this time. The 13-year old boy survived, but did he really survive? Can even a person who hears this story survive it?
Louis Yako
When corporate security squads were sent on punitive raids, they were told not to waste ammunition—one bullet, one kill. They were not supposed to use company ammunition hunting big game for sport. As proof of their frugality, they were expected to bring back one severed human hand for every bullet expended.4 One eyewitness described soldiers returning from a raid: On the bow of the canoe is a pole, and a bundle of something on it. These are the hands (right hands) of sixteen warriors they have slain. “Warriors?” Don’t you see among them the hands of little children and girls? I have seen them. I have seen where the trophy has been cut off, while the poor heart beat strongly enough to shoot the blood from the cut arteries at a distance of fully four feet.5 Severed hands became a kind of currency—proof that orders were being obeyed. A basket of smoked hands covered any shortfall in production, and if there was no rubber to be had, the Free State’s security forces, the Force Publique, would go out to collect a quota of hands instead. Natives quickly learned that willingly sacrificing a hand might save their life. And not just hands. After one commander grumbled that his men were shooting only women and children, his soldiers returned from the next raid with a basket of penises.
Matthew White (Atrocities: The 100 Deadliest Episodes in Human History)
Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
Kyoko M. (The Holy Dark (The Black Parade, #3))
Hold On" They hung a sign up in our town "If you live it up, you won't live it down" So she left Monte Rio, son Just like a bullet leaves a gun With her charcoal eyes and Monroe hips She went and took that California trip Oh, the moon was gold, her hair like wind Said, "don't look back, just come on, Jim" Oh, you got to hold on, hold on You gotta hold on Take my hand, I'm standing right here, you gotta hold on Well, he gave her a dimestore watch And a ring made from a spoon Everyone's looking for someone to blame When you share my bed, you share my name Well, go ahead and call the cops You don't meet nice girls in coffee shops She said, "baby, I still love you" Sometimes there's nothin' left to do Oh, but you got to hold on, hold on Babe, you gotta hold on and take my hand I'm standing right here, you gotta hold on Well, God bless your crooked little heart St. Louis got the best of me I miss your broken China voice How I wish you were still here with me Oh, you build it up, you wreck it down Then you burn your mansion to the ground Oh, there's nothing left to keep you here But when you're falling behind in this big blue world Oh, you've got to hold on, hold on Babe, you gotta hold on Take my hand, I'm standing right here, you gotta hold on Down by the Riverside motel It's ten below and falling By a ninety-nine cent store She closed her eyes and started swaying But it's so hard to dance that way When it's cold and there's no music Oh, your old hometown's so far away But inside your head there's a record that's playing A song called "Hold On", hold on Babe, you gotta hold on Take my hand, I'm standing right there, you gotta hold on
Tom Waits (Tom Waits: Mule Variations Piano, Vocal and Guitar Chords)
If a leaden bullet is composed of electric charges, may not a human spirit be composed of something equally intangible—or tangible? I found myself as Carlyle put it, "standing on the bosom of nothing." That was in 1920, when I was just turned sixty-nine. In the following year, on the 19th of December, 1 9 2 1, my wife died. The dear girl had a happy death. She never knew she was dying and she had no pain. She just fell asleep. The last time I saw her she was sleeping quietly, and she looked like a pretty child. There was a slight flush on her cheeks and one little white hand lay out on the green counterpane: "like an April daisy on the grass." That was at midnight, and she died at six the next morning. I had gone to bed, for I was exhausted with watching. For the last week or more she would not let me out of her room by night or day. When I got up on the morning of her death I found to my surprise that I did not believe she was dead. My materialism notwithstanding, I felt that my wife was alive. My daughters, who held the same materialistic views, shared my feeling. We could not believe that she was not. Perhaps it was because we had been so devoted to her, because she had so filled our lives. I began to ask myself if perhaps the spiritualists were right. I did what Lady Warwick did when the Socialist idea came to her. I read all the best spiritualist books I could get hold of. I read and thought steadily for a couple of years and then I wrote some articles in the Sunday Chronicle protesting against the harsh criticism and cheap ridicule to which spiritualists were subjected. Still, I was not convinced. I was only puzzled. The books had affected me as W. T. Stead's talk had affected me. I told myself that all those gifted and honourable men and women could not be dupes or knaves. And—if they were right?
Robert Blatchford (My Eighty Years)
It was the combination of many factors," Dr. Hornicker said in his last report, written for no medical reason but just because he couldn't get the girls out of his head. "With most people," he said, "suicide is like Russian roulette. Only one chamber has a bullet. With the Lisbon girls, the gun was loaded. A bullet for family abuse. A bullet for genetic predisposition. A bullet for historical malaise. A bullet for inevitable momentum. The other two bullets are impossible to name, but that doesn't mean the chambers were empty." But this is all a chasing after the wind. The essence of the suicides consisted not of sadness or mystery but simple selfishness. The girls took into their own hands decisions better left to God. They became too powerful to live among us, too self-concerned, too visionary, too blind. What lingered after them was not life, which always overcomes natural death, but the most trivial list of mundane facts: a clock ticking on a wall, a room dim at noon, and the outrageousness of a human being thinking only of herself. Her brain going dim to all else, but flaming up in precise points of pain, personal injury, lost dreams. Every other loved one receding as though across a vast ice floe, shrinking to black dots waving tiny arms, out of hearing. Then the rope thrown over the beam, the sleeping pill dropped in the palm with the long, lying lifeline, the window thrown open, the oven turned on, whatever. They made us participate in their own madness, because we couldn't help but retrace their steps, rethink their thoughts, and see that none of them led to us. We couldn't imagine the emptiness of a creature who put a razor to her wrists and opened her veins, the emptiness and the calm. And we had to smear our muzzles in their last traces, of mud marks on the floor, trunks kicked out from under them, we had to breathe forever the air of the rooms in which they killed themselves. It didn't matter in the end how old they had been, or that they were girls, but only that we had loved them, and that they hadn't heard us calling, still do not hear us, up here in the tree house, with our thinning hair and soft bellies, calling them out of those rooms where they went to be alone for all time, alone in suicide, which is deeper than death, and where we will never find the pieces to put them back together.
Jeffrey Eugenides (The Virgin Suicides)
The Israeli border police guarding the central region near the Jordanian border had been told to take all measures necessary to keep order that evening. The local colonel, Issachar Shadmi, decided that this meant setting a curfew for Palestinian Arab villages, from five p.m. to six a.m. The news of the curfew was broadcast over the radio the same day it went into force. The border police unit commanders in the region were informed of the order by their commanding officer, Major Shmuel Malinki. Malinki implied that, in the event of anyone breaking the curfew, the police could shoot to kill. Several platoons were charged with informing villagers in person. At the village of Kfar Kassem (or Kafr Qasim), close to the border with the Jordanian-controlled West Bank, a platoon arrived to announce the news—but too late in the day. They were told that many of the village’s agricultural workers were already out at work, mostly picking olives. After five p.m., the villagers returned as expected: a mixed crowd of men and women, boys and girls, riding on bicycles, wagons, and trucks. Even though he knew these civilians would not have heard about the curfew through no fault of their own, the unit commander Lieutenant Gabriel Dahan determined that they were in violation of it and therefore should be shot. Out of all the unit commanders given this order, Dahan was the only one to enforce it.16 As each small group of villagers arrived, the border police opened fire. Forty-three civilians were killed and thirteen injured. The dead were mostly children aged between eight and seventeen: twenty-three of them, plus fourteen men and six women. It was said that one nine-year-old girl was shot twenty-eight times. Another little girl watched as her eleven-year-old cousin was shot. He was dragged indoors and died in his grandfather’s arms, blood pouring from the bullet wound in his chest. Laborers were ordered off their trucks in small groups, lined up, and executed. There were clashes between Arabs and border police that evening in which six more Arabs were killed. The order to kill had not come from the top. It was traced back conclusively only as far as Major Malinki. When Ben-Gurion heard about the massacre, he was furious, telling his cabinet that the officers who had shot civilians should be hanged in Kfar Kassem’s town square.17 Yet the Israeli government covered the incident up with a press blackout lasting two months.
Alex von Tunzelmann (Blood and Sand: Suez, Hungary, and Eisenhower's Campaign for Peace)
Raphael pulled out a paperback and handed it to me. The cover, done back in the time when computer-aided imagine manipulation had risen to the level of art, featured an impossibly handsome man, leaning forward, one foot in a huge black boot resting on the carcass of some monstrous sea creature. His hair flowed down to his shoulders in a mane of white gold, in stark contrast to his tanned skin and the rakish black patch hiding his left eye. His white, translucent shirt hung open, revealing abs of steel and a massive, perfectly carved chest graced by erect nipples. His muscled thighs strained the fabric of his pants, which were unbuttoned and sat loosely on his narrow hips, a touch of a strategically positioned shadow hinting at the world’s biggest boner. The cover proclaimed in loud golden letters: The Privateer’s Virgin Mistress, by Lorna Sterling. “Novel number four for Andrea’s collection?” I guessed. Raphael nodded and took the book from my hands. “I’ve got the other one Andrea wanted, too. Can you explain something to me?” Oh boy. “I can try.” He tapped the book on his leather-covered knee. “The pirate actually holds this chick’s brother for ransom, so she’ll sleep with him. These men, they aren’t real men. They’re pseudo-bad guys just waiting for the love of a ‘good’ woman.” “You actually read the books?” He gave me a chiding glance. “Of course I read the books. It’s all pirates and the women they steal, apparently so they can enjoy lots of sex and have somebody to run their lives.” Wow. He must’ve had to hide under his blanket with a flashlight so nobody would question his manliness. Either he really was in love with Andrea or he had a terminal case of lust. “These guys, they’re all bad and aggressive as shit, and everybody wets themselves when they walk by, and then they meet some girl and suddenly they’re not uber-alphas; they are just misunderstood little boys who want to talk about their feelings.” “Is there a point to this dissertation?” He faced me. “I can’t be that. If that’s what she wants, then I shouldn’t even bother.” I sighed. “Do you have a costume kink? French maid, nurse . . .” “Catholic school girl.” Bingo. “You wouldn’t mind Andrea wearing a Catholic school uniform, would you?” “No, I wouldn’t.” His eyes glazed over and he slipped off to some faraway place. I snapped my fingers. “Raphael! Focus.” He blinked at me. “I’m guessing—and this is just a wild stab in the dark—that Andrea might not mind if once in a while you dressed up as a pirate. But I wouldn’t advise holding her relatives for ransom nookie. She might shoot you in the head. Several times. With silver bullets.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))