Built To Spill Quotes

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I was walking along the bank of a stream when I saw a mother otter with her cubs, a very endearing sight, I'm sure you'll agree. And even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged onto a half submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature's wonders, gentlemen. Mother and children dining upon mother and children. And that is when I first learned about evil. It is built into the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett
Out of sorrow entire worlds have been built out of longing great wonders have been willed they're only little tears darling let them spill and lay your head upon my shoulder.
Nick Cave
...one day when I was a young boy on holiday in Uberwald I was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I'm sure you'll agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged onto a half submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature's wonders, gentlemen. Mother and children dining upon mother and children. And that is when I first learned about evil. It is built into the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
Living alone was frightening in that way. No one to police the spill of yourself, the ways you betrayed your primitive desires. Like a cocoon built around you, made of your own naked proclivities and never tidied into the patterns of actual human life. I
Emma Cline (The Girls)
The Patrician took a sip of his beer. “I have told this to few people, gentlemen, and I suspect I never will again, but one day when I was a young boy on holiday in Uberwald I was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I’m sure you will agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged on to a half-submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature’s wonders, gentlemen: mother and children dining on mother and children. And that’s when I first learned about evil. It is built into the nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound. Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all. Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least. First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it. "Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death. In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star. Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.
Frederick Buechner (Godric)
The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away Small, smooth fingers pouring gold over gaping wounds Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful. The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin. The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the cracks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that make incisions, Too delicate to mend. The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat. The Universe is made of eyes; Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that rip open the seams. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won’t let go. The Universe was built. The Universe fell. You took it apart, Dragged the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes. And now you’re back. And so is the Universe. And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.
Velvetoscar (Core 'ngrato)
I can't keep writing about just the rainbows, sunshine and those calm oceans. All that thunder, pain, demons, and chaos have their own beauty too. The moment my pen starts bleeding from the same end, where it was spilling the stars too. All I can do is sit in silence and witness how it starts placing the darkest demons around the same paradise it had built till now.
Akshay Vasu (The Abandoned Paradise: Unraveling the beauty of untouched thoughts and dreams)
A lot of that, "Have you ever noticed that [specific Florida player] is like the [dated cultural reference] version of [obscure player from the middle 1980s] except that his [some ridiculous stoner concept about grizzly bears] has been filtered through the political ideology of [random indie artist currently on tour with Built to Spill]?" We all have to pay the rent, rockers. I know who I am.
Chuck Klosterman
I glanced over his shoulder to get a look at his latest drawing. A wolf and a coyote stood side by side beneath a dual sky, sun and moon shining at the same time. "They're brothers," Rafael said. He laid his charcoal on the grass. "Wolf is wise and judicious. Coyote's a trickster. They're the two faces of God. Everything in the world is dual-natured. Even God isn't all good or all bad." He told me about how the sun used to be married to the moon before they quarreled and parted ways, leaving the sun to rule the world at day and the moon at night. He told me how the Wolf had sewn us all out of seeds and put us in a cloth bag to keep us safe, but the Coyote had clawed the bag open and everyone had spilled out, landing and taking root in different parts of the world. He told me about the girl with Two Faces, one half of her face devastatingly beautiful, the other half impossibly ugly, and the man who lover her anyway. He told me about the days when death lacked permanence and ten different generations lived together beneath the same stars. He talked, as he always talked, without any real purpose, clearing his head of the cluttering thoughts that had gathered and built up until he could pour them into me.
Rose Christo (Gives Light (Gives Light, #1))
Living alone was frightening in that way. No one to police the spill of yourself, the ways you betrayed your primitive desires. Like a cocoon built around you, made of your own naked proclivities and never tidied into the patterns of actual human life.
Emma Cline (The Girls)
. . . even the surprise of harmless others in the house disturbed me. I didn't want my inner rot on display, even accidentally. Living alone was frightening in that way. No one to police the spill of yourself, the ways you betrayed your primitive desires. Like a cocoon built around you, made of your own naked proclivities and never tidied into the patterns of actual human life.
Emma Cline (The Girls)
Accident - A statistical inevitability. Some nuclear power plants are built on fault lines, but ever mine, dam, oil rig, and waste dump is founded upon a tacit acceptance of the worst-case scenario. One a long enough timeline, everything that can go wrong will, however small the likelihood is from one day to the next. The responsible parties may wring their hands about the Fukushima meltdown - and the Gult of Mexico oil spill, and the Exxon Valdez, and Hurricane Katrina, and Chernobyl, and Haiti - but accident is no accident.
CrimethInc.
Tea service wasn’t anything arcane. People came to the wagon with their problems and left with a fresh-brewed cup. Dex had taken respite in tea parlors plenty of times, as everyone did, and they’d read plenty of books about the particulars of the practice. Endless electronic ink had been spilled over the old tradition, but all of it could be boiled down to listen to people, give tea. Uncomplicated as could be.
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
In books, political cartoons, films, and TV shows, fat bodies make up the failings of America, capitalism, beauty standards, excess, and consumerism. Fat bodies represent at once the poorest of the poor and the pinnacle of unchecked power, consumption, and decay. Our bodies have borne the blame for so much. Whole artistic worlds are built on the premise that bodies like mine are monstrous, repulsive, and—worst of all—contagious. From individuals to institutions, academia to the evening news, fat people are made bogeymen. And that spills into daily experiences of abuse, driven by intentions both good and ill, but always with the same outcome: an intense shame for simply daring to exist in the bodies many of us have always had.
Aubrey Gordon (What We Don't Talk About When We Talk About Fat)
He gazed intently at a sheet of paper, breath suspended, a word on the quivering point of his pen poised and waiting to fall. Monoliths of books and manuscripts rose around him. All were crammed with words; words packed as solidly as bricks in a wall. Armies of them; marching on from one page to the next without pause. He forced the pen in his tight grip a hairs’-breadth closer to the paper, so that the word stubbornly clinging to it might yield finally; flow onto the vast emptiness. Point and paper met, kissed, froze. He sat back, breath spilling abruptly out of him, the pen laden with unformed words dangling now over the floor in his lax fingers. How, he wondered incredulously, did all those books and papers come into existence? In what faceted jewel of amber secreted in what invisible compartment of what hidden casket did others find that one word to begin the sentence, that layered itself into a paragraph, that built itself into a page, that went on to the next page, and on, and on? ~The Bards of Bone Plain
Patricia A. McKillip
Built-in bookshelves line the walls, spilling with books that are stuffed and stacked into every available space. Vertically, horizontally, on top of each other
Penelope Douglas (Credence)
Let me take you in my arms, spilling down all my dreams into your eyes and draining down all my love into your heart. Let me make the whole universe sings the song that I wrote for you, where the sun craves to go down every morning and moon waits to raise again every night eagerly just to see us burn down the walls we have built around us, inside each other's arms.
Akshay Vasu
But whatever the academic debate on the topic, Nixon was correct that black Americans “don’t want to be a colony in a nation.” And yet he helped bring about that very thing. Over the half-century since he delivered those words, we have built a colony in a nation, not in the classic Marxist sense but in the deep sense we can appreciate as a former colony ourselves: A territory that isn’t actually free. A place controlled from outside rather than within. A place where the mechanisms of representation don’t work enough to give citizens a sense of ownership over their own government. A place where the law is a tool of control rather than a foundation for prosperity. A political regime like the one our Founders inherited and rejected. An order they spilled their blood to defeat. THIS
Chris Hayes (A Colony in a Nation)
Then it was horn time. Time for the big solo. Sonny lifted the trumpet - One! Two! - He got it into sight - Three! We all stopped dead. I mean we stopped. That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit. Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?" I looked close and said: "Man, I hope not." But why kid? We'd seen that trumpet a million times. It was Spoof's. Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night... I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and - That blast got into our ears like long knives. Spoof's own trademark! Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide. Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat. The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves... And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted: 'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!' And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz. Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep... And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!' God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
Lady Wisdom has built a house, prepared a feast, and now invites the young, the simple, and the naive to come to her party. She wants her house full of guests and spilling over with life, yet hers is not the only invitation. There is competition in the streets. Another woman vies for the attention of the young and impressionable. She, too, wants her house full, but of deceit and seduction; and when it is, death and misery join the revelry.
Anonymous (The Voice Bible: Step Into the Story of Scripture)
The Universe is Made of Five Things' is how it starts. He thinks it's probably the title, but his fingers don't stop long enough to let him question it any more than that. He rubs his eyes, keeps typing with shaky, jerking fingers. 'The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away. Small, smooth fingers pouring gold over gaping wounds. Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful. The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin. The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the craks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that nake incisions, Too delicate to mend. The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat. The Universe is made of eyes, Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won ' t let go. The Universe was built. The Universe fell. You took it apart, Draggd the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes, And now you're back. And so is the Universe, And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.
Velvetoscar (Core 'ngrato)
And as they did so, a calm began to creep into my bones. Who knew how many women, right at that moment, were struggling to do as I did? All of us straining and grunting to bear our babies to safety. I pictured them in my mind as each wave squeezed my belly. Instead of floundering, I tried to ride each wave to its end and catch my breath in the moments of quiet between. I saw the women of the world—on wide, soft couches in golden palaces, in shaded tents on desert sands, in huts built of mud or stone, in lands that ranged to the ends of the earth—and as I braced upon my hands and knees, I felt that we surged in synchrony with one another. Like a vast constellation of stars pinpricking the night sky, I could feel us all strive together to each bring new sparks of light into the universe. I thought I could feel their support, their hands upon my back and their words of encouragement spilling into my ears as, with a final, mighty effort, my son was born.
Jennifer Saint (Ariadne)
A favorite story concerned a prisoner who built himself a motorcycle only he could see. When he finished, he took it out each day for a spin around the courtyard. At times it broke down and he would have to repair it. Give me a wrench, he would demand of the guards, give me a screwdriver. Crazy, crazy, the guards would say, shaking their heads. One day, though, he hit a curve too sharply, taking a nasty spill. Racing over, the guards assisted him to his feet, picked up the motorcycle, and helped him remount.
Robert Timberg (The Nightingale’s Song)
Some lives are like steps and stairs, every period an achievement built on a previous success. Other lives hum with the arc of the swift spear. Only ever one thing, that dedicated life, from start to finish, but how magnificently concentrated its journey. The trajectory seems so true as to be proof of predestination. Still other lives are more like the progress of a child scrabbling over boulders at a lakeside—now up, now down, always the destination blocked from view. Now a wrenched ankle, now a spilled sandwich, now a fishhook in the face.
Gregory Maguire (The Wicked Years Complete Collection: Wicked / Son of a Witch / Out of Oz / A Lion Among Men: A Special Collection of the Inspiration for the Major Motion Picture—Now Streaming)
Gideon was quickly checking through her muscular structure and then weaving very gently into the complexities of her reproductive system. Suddenly Legna cried out again, her hands hitting his chest and grabbing fistfuls of his shirt, her entire body trembling from head to toe. This time Gideon gave the reaction his full attention. He looked into her wide eyes, the pupils dilating as he watched. Her mouth formed a soft, silent circle of surprise. “What are you doing?” she asked, her breath falling short and quick. “Nothing,” he insisted, his expression reflecting his baffled thoughts. “Merely continuing the exam. What are you feeling?” Legna couldn’t put the sensation into words. Her entire body felt as if it were pooling liquid fire, like magma dripping through her, centering under the hand he had just splayed over her lower belly. So, being the empath she was, she described it in the only way she could with any efficiency and effectiveness. She sent the sensations to him, deeply, firmly, without preparation or permission, exactly the way she had received them. In an instant, Gideon went from being in control of a neutral examination to an internal thermonuclear flashpoint of arousal that literally took his breath away. His hand flexed on her belly, crushing the silk of her dress within his fist. “Legna!” he cried hoarsely. “What are you doing?” She didn’t even seem aware of him, her eyes sliding closed and her head falling back as she tried to gulp in oxygen. His eyes slid down over her and he saw the flush and rigidity of erogenous heat building with incredible speed beneath her skin. And as it built in her, it built in him. She had created a loop between them, a locked cycle that started nowhere, ended nowhere. All it did was spill through and through them. “Stop,” he commanded, his voice rough and desperate as he tried to clear his mind and control the impulses surging through him. “Legna, stop this!” Legna dropped her head forward, her eyes flicking open and upward until she was gazing at him from under her lashes with the volatile, predatory gaze of a cat. A cat in heat.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
Jackson. Wait.” He didn’t turn to face me when I finally reached him. Staring at his back, I scrambled for something to say. Why hadn’t I thought this through? In the end, watching him not even turn to face me, anger won out. “What the fuck, Jackson?” “Go back to your fiancée.” With a growl, I gripped his shoulder, forcing him to turn and then shoving him back into the wall. His eyes looked like they were holding back their own storm, daring me to push one more time. I was about to push a whole lot harder if it meant getting something out of him. “Talk to me.” I wanted it to be a command, but it came out as more of a plea. He took a deep breath, closing his eyes. When he opened them, I almost stepped back from how angry they were. “What do you want me to say? You’re not gay,” he sneered, beginning to back me up with each word. “You would never. Which I found pretty damn shocking since you loved being deep inside me, spilling your cum. Fucking me—a man—like a desperate fucking freight train.” He threw my words I’d stupidly sputtered to his brother back in my face. “I’m sorry,” I whispered. “Fuck you,” Jackson growled before bumping my shoulder to walk past me. Digging my hands in my hair, frustration rose inside me, pulling me under, drowning me. I was losing control and I couldn’t breathe because of it. “I’M SORRY, OKAY?” I shouted. “I fucked up. I panicked. This is all new to me—liking a guy. Fooling around with you when I’m engaged. I can’t just talk about it. I fucking panicked and I’m sorry. So fucking sorry.” He let my apology linger, and I held my breath waiting. “Okay.” Okay? Okay? Was he fucking kidding me? I spilled my guts and it was okay? “No. It’s not fucking okay. This isn’t okay.” A fiery burn built behind my eyes, stinging my nose, but I wasn’t going to stop because he finally turned back to me. “I miss you. You won’t touch me, or kiss me, or sit with me, or hold me. Nothing. And I fucking miss you.” I choked on the last few words praying he wouldn’t turn away. It was the most honest I’d been with him—with myself—about my feelings for him. My heart thundered, and hands trembled from how nervous I was. Nervous that the words felt so right coming from my lips. Nervous about what it really meant, that I left Carina behind, so I could chase Jackson down and plead with him to not leave me. “Can we please go back? Can you please forgive me?” It wasn’t just about sex and exploring. Right there in the stairwell, getting lost in him, begging him to stay and care, it hit me. I was falling in love with him. With a man. I was falling in love with Jackson. While my fiancée sat upstairs, I realized I was falling in love with my best friend.
Fiona Cole (Lovers (Voyeur, #2))
The relief Kieran felt was staggering. The sick-satisfaction of justice burned through him like an oil spill, waiting for him to drop a match, to let it all go up in flames as he laughed through the rain of hellfire. But he didn’t. He pocketed the metaphysical match. He vacuumed the torrential oil spill. He had just turned his wasteland into a rain forest; he would not let his resentment burn down the trees he had grown out of the garden of his own mind. Kieran himself had come too far to let the angry hand of vengeance burn away his fertile terrains, ruin his harvests of the pure flora kingdom and slaughter his animals to ribbons in sacrifice to greater demons whose jaws never shut. Homeostasis was a hard-earned tendency. Bonfires were clumsy and unwarranted; if he let it consume him and everything he’d built, all he had cultivated would be for nothing. He did not want his flowers to die.
Grace Curley (The Light that Binds Us)
Helen was bewildered to find herself surrounded by air as warm as the breath of summer. Slowly she walked into a large gallery, constructed of thousands of flashing, glittering glass panes in a network of wrought-iron ribs. It was a glasshouse, she realized in bewilderment. On a rooftop. The ethereal construction, as pretty as a wedding cake, had been built on a sturdy brickwork base, with iron pillars and girders welded to vertical struts and diagonal tiers. "This is for my orchids," she said faintly. Rhys came up behind her, his hands settling at her waist. He nuzzled gently at her ear. "I told you I'd find a place for them." A glass palace in the sky. It was magical, an inspired stroke of romantic imagination, and he had built it for her. Dazzled, she took in the view of London at sunset, a red glow westering across the leaden sky. The clouds were torn in places, gold light spilling through the fire-colored fleece.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
SOMETIMES ON A PORCH in June, a girl begins to plunk her banjo; and after a spell of stillness, while the sound travels down their ear crinkles into their inmost feeling-chambers, the music starts to dance the people passing by. They toss like puppets on a bouncing sheet; like boys without a boat; they swing like weeds in the wind; they leap heptangularly about, dancing eccentric saltarellos, discovering that their springs are not so rusty. For even if you have built masterful aspen castles in your mind, have toppled whole forests to throttle the writhing elements into a liveably serene personal pond; if you have longtime sculled your ingenious fins to withstand the tumble-crazy currents; there is music that will dissolve your anchors, your sanctuaries, floating you off your feet, fetching you away with itself. And then you are a migrant, and then you are amuck; and then you are the music’s toy, juggled into its furious torrents, jostled into its foamy jokes, assuming its sparklyblue or greenweedy or brownmuddy tinges, being driven down to the dirgy bottom where rumble-clacking stones are lit by waterlogged and melancholy sunlight, warping back up to the surface, along with yew leaves and alewives and frog bones and other strange acquisitions snagged and rendered willy-nilly by the current, straggling away on its rambling cadenzas, with ever-changing sights—freckled children on the bank, chicken choirs, brewing thunderclouds, june bugs perched in wild parsley—until it spills you into a place whose dimensions make nonsense of your heretofore extraordinary spatial intelligence.
Amy Leach (Things That Are)
The Universe is made of hands; Hands that twist fabric and sizzle in the air. Hands that grasp curls and flick words away Small, smooth fingers pouring gold over gaping wounds Before slicing into soft tissue, Blood mixing with gold. Hands that make it beautiful.   The Universe is made of bones; Bones that cut against yards of skin, Warm and yielding and moulded around the wings that splay across his back. Bones that cage the heart and dig into the hollows. Bones that break, Tear the warm, yielding skin. Bones that shred and brush his chin.   The Universe is made of lips; Lips that breathe and stutter warm sighs, Caressing the cracks in his broken body, the body that he broke. Lips that carve paths into stone, That leave trails upon gooseflesh, Lips that make incisions, Too delicate to mend.   The Universe is made of blood; Blood that runs warm and hot and steady and crimson, Pumping beneath the stone and the gold. Blood that burns with every jerk of limbs. Blood that spills on open palms, Staining the fabric, Filling up his throat.   The Universe is made of eyes; “Eyes that breach and eyes that splice and eyes that never leave. Eyes that ripple oceans. Eyes that whisper in the dark. Eyes that rip open the seams. Eyes that create wounds, create chaos, create broken shards of blue. Eyes that alight and won t  let  go.   The Universe was built. The Universe fell. You took it apart, Dragged the chaos from my soul with your hands, Your bones, Your lips, Your blood, Your eyes.   And now you’re back. And so is the Universe. And so, I suppose, am I. The Universe is made of five things. The Universe is made of you.
Velvetoscar (Core 'ngrato)
Mending Wall Something there is that doesn't love a wall, That sends the frozen-ground-swell under it, And spills the upper boulders in the sun; And makes gaps even two can pass abreast. The work of hunters is another thing: I have come after them and made repair Where they have left not one stone on a stone, But they would have the rabbit out of hiding, To please the yelping dogs. The gaps I mean, No one has seen them made or heard them made, But at spring mending-time we find them there. I let my neighbor know beyond the hill; And on a day we meet to walk the line And set the wall between us once again. We keep the wall between us as we go. To each the boulders that have fallen to each. And some are loaves and some so nearly balls We have to use a spell to make them balance: 'Stay where you are until our backs are turned!' We wear our fingers rough with handling them. Oh, just another kind of out-door game, One on a side. It comes to little more: There where it is we do not need the wall: He is all pine and I am apple orchard. My apple trees will never get across And eat the cones under his pines, I tell him. He only says, 'Good fences make good neighbors.' Spring is the mischief in me, and I wonder If I could put a notion in his head: 'Why do they make good neighbors? Isn't it Where there are cows? But here there are no cows. Before I built a wall I'd ask to know What I was walling in or walling out, And to whom I was like to give offense. Something there is that doesn't love a wall, That wants it down.' I could say 'Elves' to him, But it's not elves exactly, and I'd rather He said it for himself. I see him there Bringing a stone grasped firmly by the top In each hand, like an old-stone savage armed. He moves in darkness as it seems to me, Not of woods only and the shade of trees. He will not go behind his father's saying, And he likes having thought of it so well He says again, 'Good fences make good neighbors.
Robert Frost
But Glass, in her research, discovered that if you dig a little deeper into people's infidelities, you can almost always see how the affair started long before the first stolen kiss. Most affairs begin, Glass wrote, when a husband or wife makes a new friend, and an apparently harmless intimacy is born. You don't sense the danger as it's happening, because what's wrong with friendship? Why can't we have friends of the opposite sex--or of the same sex, for that matter--even if we are married? The answer, as Dr. Glass explained, is that nothing is wrong with a married person launching a friendship outside of matrimony--so long as the "walls and windows" of the relationship remain in the correct places. It was Glass's theory that every healthy marriage is composed of walls and windows. The windows are the aspects of your relationship that are open to the world--that is, the necessary gaps through which you interact with family and friends; the walls are the barriers of trust behind which you guard the most intimate secrets of your marriage. What often happens, though, during so-called harmless friendships, is that you begin sharing intimacies with your new friend that belong hidden within your marriage. You reveal secrets about yourself--your deepest yearnings and frustrations--and it feels good to be so exposed. You throw open a window where there really ought to be a solid, weight-bearing wall, and soon you find yourself spilling your secret heart with this new person. Not wanting your spouse to feel jealous, you keep the details of your new friendship hidden. In so doing, you have now created a problem: You have just built a wall between you and your spouse where there really ought to be free circulation of air and light. The entire architecture of your matrimonial intimacy has therefore been rearranged. Every old wall is now a giant picture window; every old window is now boarded up like a crack house. You have just established the perfect blueprint for infidelity without even noticing.
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
On the tip of every tongue, like a new name for the sun.
Built to Spill
Time to change, ladies." The stranger's deep, penetrating voice rumbled through Zara's body. Rich and full, it was the kind of voice that made lawyers spill milkshakes and babble incoherently as they thrust sticky business cards into celebrity hands. "Is there a problem?" Parvati made a show of inspecting her weapon while Zara tried to untie her tongue. Although she couldn't see the dude's face, he was tall---at least six-two---and powerfully built, the top of his coveralls unzipped and tied around his narrow waist. His black T-shirt clung to his broad shoulders and magnificent pecs as if it had been painted on his muscular body. One thick, deeply tanned forearm bunched and flexed as he unholstered his weapon in one smooth practiced motion.
Sara Desai (The Singles Table (Marriage Game, #3))
The City was beautiful, it really was. A towering architectural celebration of curves and polish and colored light, laced with the connective threads of elevated rail lines and smooth footpaths, flocked with leaves that spilled lushly from every balcony and center divider, each inhaled breath perfumed with cooking spice, fresh nectar, laundry drying in the pristine air.
Becky Chambers (A Psalm for the Wild-Built (Monk & Robot, #1))
Praise Him and Thank Him Our prayers for you are always spilling over into thanksgivings. We can’t quit thanking God our Father and Jesus our Messiah for you! Colossians 1:3 MSG Sometimes, life can be complicated, demanding, and busy. When the demands of life leave us rushing from place to place with scarcely a moment to spare, we may fail to pause and say a word of thanks for all the good things we’ve received. But when we fail to count our blessings, we rob ourselves of the happiness, the peace, and the gratitude that should rightfully be ours. Today, even if you’re busily engaged in life, slow down long enough to start counting your blessings. You most certainly will not be able to count them all, but take a few moments to jot down as many blessings as you can. Then, give thanks to the Giver of all good things: God. His love for you is eternal, as are His gifts. And it’s never too soon—or too late—to offer Him thanks. The best way to show my gratitude to God is to accept everything, even my problems, with joy. Mother Teresa The act of thanksgiving is a demonstration of the fact that you are going to trust and believe God. Kay Arthur The game was to just find something about everything to be glad about—no matter what it was. You see, when you’re hunting for the glad things, you sort of forget the other kind. Eleanor H. Porter God is worthy of our praise and is pleased when we come before Him with thanksgiving. Shirley Dobson God has promised that if we harvest well with the tools of thanksgiving, there will be seeds for planting in the spring. Gloria Gaither MORE FROM GOD’S WORD Thanks be to God for His indescribable gift. 2 Corinthians 9:15 HCSB Therefore as you have received Christ Jesus the Lord, walk in Him, rooted and built up in Him and
Freeman Smith (Fifty Shades of Grace: Devotions Celebrating God's Unlimited Gift)
Angry tears stung her eyes. Tension built and boiled inside her. Her cheeks grew hot with suppressed anger, her movements became jerky and abrupt. She shoved an errant strand of hair out of her face, stormed to the washstand — And collided with her husband. He had been coming toward her with a piece of wet linen and a bowl half-filled with water. As he and Juliet bounced off each other, some of the water spilled onto the carpet, the rest down the front of his waistcoat. Ignoring it, Gareth held out the damp rag like a truce offering. "Here." "What's that for?" "She needs washing, doesn't she?" "What do you know about babies?" "Come now, Juliet. I am not entirely lacking in common sense." "I wonder," she muttered, spitefully. He summoned a polite though confused smile — and that only stoked Juliet's temper all the more. She did not want him to be such a gentleman, damn it!  She wanted a good, out-and-out row with him. She wanted to tell him just what she thought of him, of his reckless spending, of his carefree attitude toward serious matters. Oh, why hadn't she married someone like Charles — someone capable, competent, and mature? "What is wrong, Juliet?" "Everything!" she fumed. She plunged the linen in the bowl of water and began swabbing Charlotte's bottom. "I think Perry was right. We should go straight back to your brother, the duke." "You should not listen to Perry." "Why not? He's got more sense than you and the rest of your friends combined. We haven't even been married a day, and already it's obvious that you're hopelessly out of your element. You have no idea what to do with a wife and daughter. You have no idea where to go, how to support us — nothing. Yet you had to come charging after us, the noble rescuer who just had to save the day. I'll bet you didn't give any thought at all to what to do with us afterward, did you? Oh!  Do you always act before thinking? Do you?" He looked at her for a moment, brows raised, stunned by the force of her attack. Then he said dryly, "My dear, if you'll recall, that particular character defect saved your life. Not to mention the lives of the other people on that stagecoach." "So it did, but it's not going to feed us or find us a place to live!"  She lifted Charlotte's bottom, pinned a clean napkin around the baby's hips, and soaped and rinsed her hands. "I still cannot believe how much money you tossed away on a marriage license, no, a bribe, this morning, nor how annoyed you still seem to be that we didn't waste God-knows-how-much on a hotel tonight. You seem to have no concept of money's value, and at the rate you're going, we're going to have to throw ourselves on the mercy of the local parish or go begging in the street just to put food in our bellies!" "Don't be ridiculous. That would never happen." "Why wouldn't it?" "Juliet, my brother is the Duke of Blackheath. My family is one of the oldest and richest in all of England. We are not going to starve, I can assure you." "What do you plan to do, then, work for a living? Get those pampered, lily-white hands of yours dirty and calloused?
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
I resent your insinuation that Fulton is a coward,” she said. “He’s a very fine man.” Suddenly, Steven stopped right in the middle of the trail. Emma, who had just built up a good head of steam, collided with him—hard. For a long moment, Steven held her to him without even using his arms. No, it was the look in his eyes that gripped her, that made her feel as if something warm was spilling over within her. “If he’s such a fine man,” he reasoned, his voice hardly more than a rasp, “how come you’re out here with me?” Emma was so flabbergasted by the question, and by the obvious answer, that she just stared up at Steven’s face. She felt like a field mouse looking into the eyes of a tomcat. “Well?” Steven prompted, his lips just a hair’s breadth from hers. Coming to her senses at the last second, Emma leaped backward, causing her handbag to thump painfully against her thigh. “I’m here with you because we have a bargain, Mr. Fairfax,” she blurted out. “You promised to leave Whitneyville forever, remember?” “If you still want me to,” Steven pointed out, and then he was forging his way through the wilds of that overgrown island again, dragging Emma after him. He
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
You are staying because of me?" For him, she had worn her hair unplaited, and it spilled across her shoulders and breasts now. Cade ran his fingers through the strands before answering, "You and the child are more important to me than all the land in the world." Lily couldn't believe she was hearing this. She searched his face for lies, but whatever Cade might be, he wasn't a liar. The wall that he had built around him was finally opening, and she could see the shadows of his doubts and fears in the look he returned to her. Lily fell into the wicked trap of her emotions. If she loved him, she had to let him go. Returning to Cade's side, she curled there, fear and desperation and a terrifying wave of love sweeping her downriver and over dangerous shoals. She meant more to him than the land. It wasn't a gallant, romantic declaration of love, but it spoke the truth as Cade knew it. And her hopes swirled, spiraling upward to new and previously unexplored heights. She hadn't thought love was real, but whatever this was she couldn't control it, couldn't rationalize it, couldn't even speak of it, it was so new—and frightening. Lily
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
A castle. Far off, in the hills in the distance. It was as if I were looking at a postcard from my childhood, the feeling was so familiar, and I thought for a moment that the castle had been built by me. I line up all the little knights that lay in the box in the basement: castle. And sheep. Sheep grazing in a nearby meadow. . . . The mortar shells began to land in that meadow, and the sheep were hit, and lay bloody, half-alive, their bowels spilling among the meadow flowers.
Cynthia Rylant (I Had Seen Castles)
How Sisyphus and his myth of pointless endeavor chimes with me now is as a tale of recognition of the cyclical nature of all things, even and perhaps especially enlightenment. This commitment must be renewed daily; it is never permanently arrived at. The poet Rumi has a line: “Tomorrow you will awake frightened and alone.” When I heard that recited, I thought, “Fuck. I will an’ all; I always do.” Each morning, a new commitment is required to hand over my will, to relinquish my own ideas as to how my life should be, knowing that method always leads to trouble. Bill Hicks said, “The world is like a ride in an amusement park. It has thrills and spills and it is very brightly colored, and it’s very loud and it’s fun, for a while. Some people have remembered and they come back to us. They say, ‘Hey … don’t be afraid, this is just a ride,’ and we … kill those people!” Rumi, Kierkegaard, and perhaps Bill himself have left clues and codes for us to help us to disentangle from the pain material, sensorial fixation. All prophecies stripped of acculturation and geographic ornamentation seem only to be saying, “Journey within; look behind your feelings, beyond your pain; fashion your world from what you find there.” What we inhabit now is a world built upon the feelings and fears that the prophets are telling us to overcome
Russell Brand (Revolution)
The dream flew through thousands of years and left in me just a sense of the whole. I know only that the cause of the fall was I. Like a foul trichina, like an atom of plague infecting whole countries, so I infected that whole happy and previously sinless earth with myself. They learned to lie and began to love the lie and knew the beauty of the lie. Oh, maybe it started innocently,with a joke, with coquetry, with amorous play, maybe, indeed, with an atom, but this atom of lie penetrated their hearts, and they liked it. Then sensuality was quickly born, sensuality generated jealousy, and jealousy - cruelty. . . Oh, I don’t know, I don’t remember, but soon, very soon, the first blood was shed; they were astonished and horrified, and began to part, to separate. Alliances appeared, but against each other now. Rebukes, reproaches began. They knew shame, and shame was made into a virtue. The notion of honor was born, and each alliance raised its own banner. They began tormenting animals, and the animals withdrew from them into the forests and became their enemies. There began the struggle for separation,for isolation, for the personal, for mine and yours. They started speaking different languages. They knew sorrow and came to love sorrow, they thirsted for suffering and said that truth is attained only through suffering. Then science appeared among them. When they became wicked, they began to talk of brotherhood and humaneness and understood these ideas. When they became criminal, they invented justice and prescribed whole codices for themselves in order to maintain it, and to ensure the codices they set up the guillotine. They just barely remembered what they had lost, and did not even want to believe that they had once been innocent and happy. They even laughed at the possibility of the former happiness and called it a dream. They couldn’t even imagine it in forms and images, but - strange and wonderful thing - having lost all belief in their former happiness, having called it a fairy tale, they wised so much to be innocent and happy again, once more, that they fell down before their hearts’ desires like children, they deified their desire,they built temples and started praying to their own idea, their own “desire,” all the while fully believing in its unrealizability and unfeasibility, but adoring it in tears and worshipping it. And yet, if it had so happened that they could have returned to that innocent and happy condition which they had lost, or if someone had suddenly shown it to them again and asked them: did they want to go back to it? - they would certainly have refused. They used to answer me: “Granted we’re deceitful,wicked and unjust, we know that and weep for it, and we torment ourselves over it,and torture and punish ourselves perhaps even more than that merciful judge who will judge us and whose name we do not know. But we have science, and through it we shall again find the truth, but we shall now accept it consciously, knowledge is higher than feelings, the consciousness of life is higher than life. Science will give us wisdom, wisdom will discover laws, and knowledge of the laws of happiness is higher than happiness.” That’s what they used to say, and after such words each of them loved himself more than anyone else, and they couldn’t have done otherwise. Each of them became so jealous of his own person that he tried as hard as he could to humiliate and belittle it in others, and gave his life to that. Slavery appeared, even voluntary slavery: the weak willingly submitted to the strong, only so as to help them crush those still weaker than themselves. Righteous men appeared, who came to these people in tears and spoke to them of their pride, their lack of measure and harmony, their loss of shame. They were derided or stoned. Holy blood was spilled on the thresholds of temples.
Fyodor Dostoevsky (The Dream of a Ridiculous Man)
When the grandchildren of these leading citizens later discovered hoods in the attic, or membership lists that included their kin, they could not fathom how such a thing came to pass. They knew the Ku Klux Klan was born in the murk of blood-spilling hate, built around a racial order that would find its most ghastly expression in the laws of Nazi Germany.
Timothy Egan (A Fever in the Heartland: The Ku Klux Klan's Plot to Take Over America, and the Woman Who Stopped Them)
How strong must love be to persist in the face of a powerful evil that has named it hate? How resolute must love be when its enemy uses the mass media to convince the world that it is hate? How courageous must love be to raise its banner and sound its trumpets in an age that would purge it—as hate. Of this we can be sure: at some point in the distant past, Whites were a single tribe, a single people. They were alone against a hostile world, a frosty star in the depths of an ancient darkness, ringed by the ferocity of the natural world, besieged by alien tribes and animal predators. But they were a people, together, united, and possessed by an indomitable spirit. Before us, the world’s darkness receded. Its nightmares withered in the light of our coming. Its monsters fled for the darkling holes that brooded in the shadows. We built civilization and in our victory over that which sought victory over us, we fell from grace. In our triumph, we turned to folly. We renounced our brotherhood and rejected our unity. As ungrateful children of our ancient sires, we turned to separate paths, following petty rulers who put their insignificant lives before the fundamental importance of our people, and in so doing we spilled our brothers’ blood. The darkness that we conquered is once again crawling from its thorny lairs, creeping across the world under many fair-seeming guises, now as cancers upon our civilization, now forming gangs and armies, now devouring us in our disunion. It was a song that called us from the darkness long ago, and once again that mysterious music is beckoning. We will reunite as a single people, a great ring that will circle the globe for our wellbeing, or we will perish, and the Western Light of the world will go with us. These people are my people, my nation, and even as I type, even as I ponder how today decides tomorrow a new spirit rises within us, a spirit that refuses to yield to those who seek our undoing. I have always loved our people, their heroism, their genius, their spirit, and though my heart is filled with concern for them, it sings now, it sings with the coming of the dawn. These are my people, and I love them. I was born for this; it is my destiny.
Jason Köhne (Born Guilty: Liable for Compensation Subject to Retaliation)
Ticker tape fever. During the run-up to the 1929 crash on Wall Street, many people had become addicted to playing the stock market, and this addiction had a physical component—the sound of the ticker tape that electronically registered each change in a stock’s price. Hearing that clicking noise indicated something was happening, somebody was trading and making a fortune. Many felt drawn to the sound itself, which felt like the heartbeat of Wall Street. We no longer have the ticker tape. Instead many of us have become addicted to the minute-by-minute news cycle, to “what’s trending,” to the Twitter feed, which is often accompanied by a ping that has its own narcotic effects. We feel like we are connected to the very flow of life itself, to events as they change in real time, and to other people who are following the same instant reports. This need to know instantly has a built-in momentum. Once we expect to have some bit of news quickly, we can never go back to the slower pace of just a year ago. In fact, we feel the need for more information more quickly. Such impatience tends to spill over into other aspects of life—driving, reading a book, following a film. Our attention span decreases, as well as our tolerance for any obstacles in our path.
Robert Greene (The Laws of Human Nature)
(The distribution of playgrounds Moses constructed) was not at all even. The areas of the maps on which the dots were clustered most thickly corresponded in the main to those areas inhabited by families that were well-to-do or at least "comfortable." The areas of the maps on which the dots were sprinkled most thinly corresponded in part to undeveloped outlying areas of the city that did not really need playgrounds, but they corresponded also to some of the city's most congested areas, to the tenement neighborhoods and slums inhabited by families that were poor—to areas that needed playgrounds desperately. Most of Robert Moses' neighborhood playgrounds had, in other words, been built in the neighborhoods that needed playgrounds least. Few of the playgrounds had been built in the neighborhoods that needed playgrounds most. The areas of the maps on which the dots were sprinkled most thinly of all corresponded to those areas of the city inhabited by its 400,000 Negroes. Robert Moses built 255 playgrounds in New York City during the 1930's. He built one playground in Harlem. (...) “After a building program that had tripled the city's supply of playgrounds, there was still almost no place for approximately 200,000 of the city's children—the 200,000 with black skin—to play in their own neighborhoods except the streets or abandoned, crumbling, filthy, looted tenements stinking of urine and vomit; or vacant lots carpeted with rusty tin cans, jagged pieces of metal, dog feces and the leavings, spilling out of rotting paper shopping bags, of human meals. Children with white skin had been given swings and seesaws and sliding ponds. Children with black skin had been left with the old broomsticks that served them as baseball bats. Children with white skin had been given wading pools to splash in in summer. If children with black skin wanted to escape the heat of the slums, they could remove the covers from fire hydrants and wade through their outwash, as they had always waded, in gutters that were sometimes so crammed with broken glass that they glistened in the sun.
Robert Caro
was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I’m sure you will agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged on to a half-submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters who scrambled over themselves to feed on the delicacy. One of nature’s wonders, gentlemen: mother and children dining upon mother and children. And that’s when I first learned about evil. It is built in to the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett (Unseen Academicals (Discworld, #37))
This one is more important that the blessing.” “What?” “I’m asking,” I looked at both of them, “the both of you to give me the respect that you both have when it comes to your own relationships. Give that to me when it comes to me and Capri.” “Wait a minute. You in a relationship with her already? I’m fucking confused,” Capone questioned. “Nah… I’m talking about if we get to that place. I watch the both of you with your wives… nobody can tell you shit when it comes to Erin, and nobody damn sure can’t tell you shit when it comes to Alaia. Your relationships and marriages are off limits. Not up for discussion, which I respect. Shit, you both don’t even intervene with each other’s marriages.” I paused. “I’m telling you not to do it with mine. Capri is grown… allow her to have her shit. Be there as her brothers… she doesn’t need more fathers, she got one already. I’m stepping forward and taking responsibility for her… that’s mine. I got her, and you know when I give my word, that I take that shit seriously. I’ve told you since day one when you asked me to hold her down, that I had her…I’ve stood on my word and came through on that shit.” Capp sat there and I could tell he was digesting everything that I had said. He was the type that let shit absorb before reacting or responding and it was something I respected about him. “Quasim, when the fuck did pissy ass Quameer become a man?” “Nigga, I ain’t never pissed the fucking bed in my life,” I replied, cutting that shit right now. These niggas weren’t about to be calling me fucking pissy. “It always been in him… nigga built like the rest… I have no doubt that he’ll be the man that Capri wants and needs by her side. Big Pri not some baby… your sister holds her own and has held her own numerous times. Give her the space to hold her own when it comes to her personal life.” “I’ve witnessed you do some ruthless shit in the streets without blinking an eye. With Baby Doll, you are different. You soften whenever she’s around, and I’ve watched you follow her around whatever room she’s in. It reminds me of how I feel with my wife… I’ll murk a nigga and put on a damn seaweed mask if she asks me. I’m soft and vulnerable for my wife. How you protected her in Baltimore, I know you’ll protect her. In Miami, when you kicked that nigga in the face, I know you’ll spill blood behind her.” “He fucking what?” Quasim blurted. Capp stood up. “You got my blessing to pursue Baby Doll. Protect her and her heart… that shit is made out of gold,” he patted me on the back as we hugged. “You got my word.
Jahquel J. (Capri (Season Three: Delgato Family: Capri))
A throat cleared. “Earth to Arik. Come in, boss.” With brows drawn, Arik glared at his beta. “What?” “I was asking what had your boxers in a knot.” “You know I go commando.” “Usually, but something obviously has your panties in a twist. Spill.” Oh, he spilled all right. Arik yanked off the hat and flung it against the wall and then swiveled his chair to get it over with. Indrawn breath. A snicker. A full-on guffaw. Arik swirled again and tossed deadly visual daggers at his second. “I fail to see the humor in my butchered mane.” “Dude. Have you seen it? It is bad. What did you do to piss Dominic off? Seduce one of his daughters?” “Actually one of his granddaughters did this to me!” He couldn’t help the incredulous note. The effrontery of the act still got to him. A thump and a shake of the wall as Hayder hit it, his shoulders shaking with laughter. “A girl did that to you?” His beta convulsed with mirth, not at all daunted by Arik’s glower and tapping fingers. “This is not amusing.” “Oh, come on, dude. Of all the people to have a hair mishap, you are the worst.” “I look like an idiot.” “Only because you didn’t let her finish hacking the rest off.” His fingers froze as he took his gaze off the screen for a moment to address the travesty. “Cut off my mane?” Was his beta delusional? “Well, yeah. You know, to even it out so it doesn’t show.” A growl rumbled forth, more beast than man, his lion not at all on board with any more trimming. “Okay, if you’re not keen on that, then what about a hair weave? Maybe we could get you a platinum one, or pink for contrast since you’re being such a prissy princess about it.” That did it. A lion could take only so much. Arik dove over his desk and tackled his beta. Over they went with a thump and a tangle of limbs. As he was slamming Hayder’s head off the floor, snarling, “Take it back!” to his beta’s chortled, “We’ll get your nails done while they’re weaving,” Leo strode in. A giant of a man, he didn’t even have to strain as he grabbed them each by a shoulder and yanked them apart. But he didn’t stop there. He slammed their heads together before shoving them down. Arik and Hayder sat on the carpeted floor, nursing robin’s eggs, united in their glare for the pride’s omega, also known as the peacemaker. Of course, Leo’s version of peace wasn’t always gentle, which was why he was perfect for the pride. The behemoth with the mellow outlook on life took a seat in a chair, which groaned ominously. “You do know that the staff two floors down can hear the pair of you acting like ill-behaved cubs.” “He started it!” Arik stabbed a finger at his beta. He had no problem assigning blame. Delegation was something an alpha did well. Hayder didn’t even deny his guilt. “I did. But can you blame me? He was pissing and moaning about this precious mane. All I did was offer a solution, and he took offense.” “I assume we’re talking about the missing chunk of hair on our esteemed leader’s head?” Leo shook his neatly trimmed dark crown. “I keep telling you that vanity is your weakness.” “And chocolate chip ice cream is yours. We all have our vices,” Arik grumbled as he heaved himself off the floor and into his leather-padded seat— with built-in heating pad and massager because a man in his position did enjoy his luxuries. “My vice is beautiful women,” Hayder announced with a grin, adopting a lounging pose on the floor. Felines were king when it came to acting as if embarrassing positions weren’t accidental at all. “Don’t talk to me about women right now. I’m still angry at the one who did this.” “I think I’m missing a key point,” Leo stated. It didn’t take long to bring Leo up to speed. To his credit, the pride omega didn’t laugh— long.
Eve Langlais (When an Alpha Purrs (A Lion's Pride, #1))
Burrow down a millimeter beneath this argument, and it is easy to see that unlike European anti-Semites, their American brethren very much do hate Jews per se and do not try very hard to hide it or cloak it in academic argument. They have resurfaced all the stereotypes of Nazi iconography, which in turn was built on centuries of hate: the Jew is both shiftless, cowardly, and weak, and duplicitous, manipulative, and all-powerful. As with more ancient strains of anti-Semitism, the new breed insists that Jews are responsible for their own oppression. The alt-right is fond of asking the classic “When did you stop beating your wife” question over and over and over. “Quick question,” “Darrell Lampshade” (charming, right?) asked me. “Why have Jews been kicked out of so many countries if they never did anything wrong? Please answer!” And now that Jews have their own country, they should go there and leave the United States to the white people who valiantly claimed it long before it was cluttered by the mongrel races. One of the memes of the alt-right is the notion that a fifth column of duplicitous Jews is constantly urging the United States on to war on Israel’s behalf, that the beautiful white male fruits of true America will fight and die in the sands of the Middle East on behalf of the cowardly Jew. “We got the goyim to fight for us as usual. It’s amazing how they haven’t driven us back to the desert yet!” “Abraham Moshe Fuxman” once tweeted at me. “A point @jonathanweisman has no interest in acknowledging,” responded “Pax Trumpiana.” “He loves war as long as he’s spilling goyim blood.” Israel, so it goes, should fight for itself, and the Jews orchestrating war should do so from Jerusalem and Tel Aviv, not Washington and New York.
Jonathan Weisman ((((Semitism))): Being Jewish in America in the Age of Trump)
The Patrician took a sip of his beer. “I have told this to few people, gentlemen, and I suspect never will again, but one day when I was a young boy on holiday in Uberwald I was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I’m sure you will agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged on to a half-submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters who scrambled over themselves to feed on the delicacy. One of nature’s wonders, gentlemen: mother and children dining upon mother and children. And that’s when I first learned about evil. It is built in to the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
Are You the One That I've Been Waiting For?" "I felt you coming girl, as you drew near I knew you'd find me, 'cause I longed you here Are you my destiny? Is this how you'll appear? Wrapped in a coat with the tears in your eyes? Well take that coat babe, and throw it on the floor Are you the one that I've been waiting for? As you've been moving surely toward me My soul has comforted and assured me That in time my heart it will reward me And that all will be revealed So I've sat and I've watched an ice-age thaw Are you the one that I've been waiting for? Out of sorrow, entire worlds have been built Out of longing great wonders have been willed They're only little tears, darling, let them spill And lay your head upon my shoulder Outside my window the world has gone to war Are you the one that I've been waiting for? Oh we will know, won't we? The stars will explode in the sky But they don't, do they? Stars have their moment and then they die There's a man who spoke wonders, though I've never met him He said, "He who seeks finds and who knocks will be let in" I think of you in motion and just how close you are getting And how every little thing anticipates you All down my veins my heart-strings call Are you the one that I've been waiting for? Are you the one that I've been waiting for?
Nick Cave
Grandma made the bookstore look like a home, encouraging customers to treat it like an extension of theirs. The lower level is decorated like a parlor. Couches and tables are piled high with comfort genre reads and antique lamps. In the back, there is a children’s area set up like a child’s bedroom, complete with a tent that looks like a canopy bed that Georgie has been known to commandeer after hours. Upstairs a room is outfitted like a kitchen and filled with cookbooks on shelves and spilling out of the antique wood stove. Next to the kitchen area, a shelf was built around the window that looks out over Main Street and appears more like a nook in a garden shed than a bookshelf. Some shelves hold gardening tools, a mix of fake and real plants, and the rest hold the gardening selection, from coffee table books with to-die-for photographs of peonies to how-to guides.
Hazel Beck (Small Town, Big Magic (Witchlore #1))
No matter how pretty she is, she can’t break through the barrier I built to keep everyone out. She can’t make me spill my feelings, and she can’t fix the fuckery in my mind.
Lauren Biel (Unethical)
My mother tried to stick it out, desperate to challenge the sectarianism that spilled out of all the cracks in the surfaces of our town. She wanted us to stay put, not to be put out. But as the days passed she accepted that the barrier had been built around us, and if we waited any longer we might not make it out at all.
Kerri ní Dochartaigh (Thin Places: A Natural History of Healing and Home)
I’m married,” I whisper, the truth spilling from my lips, barely audible, as if saying it aloud might shatter me. It’s a chain I can’t escape, binding me to a life that feels more like someone else’s than my own. “I have a duty… to my kingdom,” I manage, the words trembling, caught somewhere between defiance and surrender. My confession doesn’t break him; it ignites something inside him. His jaw tightens, his eyes narrowing. “When will your heart outweigh the things you place before it?” he asks, his voice softer now, almost a plea. He leans in, his breath warm against my skin, his nose grazing mine in a gesture so tender it shatters me. "Comfort? Certainty? Those walls you’ve built—they’re lies. False realities. Not this. Not us.
C.L. Shivers (Tower of Ash and Darkness)
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Julia Quinn (Bridgerton Collection, Volume 1 (Bridgertons #1-3))