September Love Quotes

We've searched our database for all the quotes and captions related to September Love. Here they are! All 200 of them:

Love is an abstract noun, something nebulous. And yet love turns out to be the only part of us that is solid, as the world turns upside down and the screen goes black.
Martin Amis (The Second Plane: September 11, 2001-2007)
From: Christian Grey Subject: My Life's Mission... Date: September 5, 2011 09:25 To: Anastasia Grey Is to spoil you, Mrs. Grey. And keep you safe because I love you. Christian Grey Smitten CEO, Grey Enterprises Holdings Inc.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Ah, September! You are the doorway to the season that awakens my soul... but I must confess that I love you only because you are a prelude to my beloved October.
Peggy Toney Horton
We can't possibly have a summer love. So many people have tried that the name's become proverbial. Summer is only the unfulfilled promise of spring, a charlatan in place of the warm balmy nights I dream of in April. It's a sad season of life without growth...It has no day.
F. Scott Fitzgerald (This Side of Paradise)
History dressed up in the glow of love’s kiss turned grief into beauty.
Aberjhani (The River of Winged Dreams)
I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together.
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
That's Venus, September thought. She was the goddess of love. It's nice that love comes on first thing in the evening, and goes out last in the morning. Love keeps the light on all night.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
Love is an abstract noun, something nebulous. And yet love turns out to be the only part of us that is solid, as the world turns upside down and the screen goes black. We can't tell if it will survive us. But we can be sure that it's the last thing to go.
Martin Amis (The Second Plane: September 11, 2001-2007)
I can love October in September. September doesn’t care.
Dean Koontz (The Darkest Evening of the Year)
To whom can I put this question (with any hope of an answer)? Does being able to live without someone you loved mean you loved her less than you thought... ?
Roland Barthes (Mourning Diary: October 26, 1977–September 15, 1979)
Of course not. No one is chosen. Not ever. Not in the real world. You chose to climb out of your window and ride on a leopard. You chose to get a witch’s Spoon back, and to make friends with a wyvern. You chose to trade your shadow for a child’s life. You chose not to let the Marquess hurt your friend--you chose to smash her cages! You chose to face your own Death, not to balk at a great sea to cross and no ship to cross it in. And twice now you have chosen not to go home when you might have, if only you abandoned your friends. You are not the chosen one, September. Fairyland did not choose you--you chose yourself. You could have had a lovely holiday in Fairyland and never met the Marquess, never worried yourself with local politics, had a romp with a few brownies and gone home with enough memories for a lifetime’s worth of novels. But you didn’t. You chose. You chose it all. Just like you chose your path on the beach: to lose your heart is not a path for the faint and fainting.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
It's September 21st, a day I love for the balance it carries with it.
Pam Houston (Waltzing the Cat)
It was a lovely afternoon - such an afternoon as only September can produce when summer has stolen back for one more day of dream and glamour.
L.M. Montgomery (Emily Climbs (Emily, #2))
I love the Autumn, And yet I cannot say All the thoughts and things That make me feel this way. I love walking on the angry shore, To watch the angry sea; Where summer people were before, But now there's only me. I love wood fires at night That have a ruddy glow. I stare at the flames And think of long ago. I love the feeling down inside me That says to run away To come and be a gypsy And laugh the gypsy way. The tangy taste of apples, The snowy mist at morn, The wanderlust inside you When you hear the huntsman's horn. Nostalgia - that's the Autumn, Dreaming through September Just a million lovely things I always will remember.
Jacqueline Kennedy Onassis
September has come, it is hers Whose vitality leaps in the autumn, Whose nature prefers Trees without leaves and a fire in the fireplace. So I give her this month and the next Though the whole of my year should be hers who has rendered already So many of its days intolerable or perplexed But so many more so happy. Who has left a scent on my life, and left my walls Dancing over and over with her shadow Whose hair is twined in all my waterfalls And all of London littered with remembered kisses.
Louis MacNeice (Autumn Journal)
Auch ist es vielleicht nicht eigentlich Liebe wenn ich sage, daß Du mir das Liebste bist; Liebe ist, dass Du mir das Messer bist, mit dem ich in mir wühle. An Milena Jesenska (14. September 1920)
Franz Kafka (Letters to Milena)
SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
W.H. Auden (Another Time)
Tonight I miss you like the sky misses his moon; a delicate epiphany growing on grass. I serenade the breeze into dancing a cha cha cha; the mountains echo in the background. September sky never looked more charming; or the sublime petals of the rose looked so graceful.
Avijeet Das
As you know so well, the passage of time never really heals the tragic memory of such a great loss, but we carry on, because we have to, because our loved one would want us to, and because there is still light to guide us in the world from the love they gave us.
Edward Kennedy
Summer has no day,' she said. 'We can't possibly have a summer love. So many people have tried that the name's become proverbial. Summer is only the unfulfilled promise of spring, a charlatan in place of the warm balmy nights I dream of in April. It's a sad season of life without growth...it has no day.
F. Scott Fitzgerald (This Side of Paradise)
Her father’s shadow looked sadly down at her. “You can never forget what you do in a war, September my love. No one can. You won’t forget your war either.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
Too many good docs are getting out of the business. Too many OB/GYN's aren't able to practice their love with women all across the country." (Poplar Bluff, Missouri, 6 September, 2004)
George W. Bush
Here we are then, I was thinking, in a war to the finish between everything I love and everything I hate. Fine. We will win and they will lose. A pity that we let them pick the time and place of the challenge, but we can and we will make up for that.
Christopher Hitchens
By all these lovely tokens September days are here, With summer's best of weather And autumn's best of cheer.
Helen Hunt Jackson
Autumn is a poem - while you fall for everything, you remember that there is something worth dying for.
Laura Chouette
Like love, mourning affects the world—and the worldly—with unreality, with importunity. I resist the world, I suffer from what it demands of me, from its demands. The world increases my sadness, my dryness, my confusion, my irritation, etc. The world depresses me.
Roland Barthes (Mourning Diary: October 26, 1977–September 15, 1979)
All writers are manipulative liars." Jack O. Savage, The Poet
Hunter S. Jones (September Ends)
Why should I care about you first kiss,' he said. 'You can kiss anyone you like. But sometimes if you wanted to kiss me, that would be all right, too.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
You get the face you build your whole life, with work and loving and grieving and laughing and frowning.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
Peace is not so much a political mandate as it is a shared state of consciousness that remains elevated and intact only to the degree that those who value it volunteer their existence as living examples of the same... Peace ends with the unraveling of individual hope and the emergence of the will to worship violence as a healer of private and social dis-ease.
Aberjhani (The American Poet Who Went Home Again)
Oh, September. My best girl. I shall tell you an awful, wonderful, unhappy, joyful secret: It is like that for everyone. One day you wake up and you are grown. And on the inside, you are no older than the last time you thought Wouldn't it be lovely to be all Grown-Up right this second?
Catherynne M. Valente (The Boy Who Lost Fairyland (Fairyland, #4))
September 11… I will never forget feeling scared and vulnerable… I will never forget feeling the deep sad loss of so many lives… I will never forget the smell of the smoke that reached across the water and delivered a deep feeling of doom into my gut… I will never forget feeling the boosted sense of unity and pride… I will never forget seeing the courageous actions of so many men and women… I will never forget seeing people of all backgrounds working together in community… I will never forget seeing what hate can destroy… I will never forget seeing what love can heal…
Steve Maraboli
I will never forget seeing what hate can destroy… I will never forget seeing what love can heal…
Steve Maraboli
At least let me now deceive myself with illusions so as not to feel my empty life. And yet I came so close so many times. And yet how paralyzed I was, how cowardly; why did I keep my lips sealed while my empty life wept inside me, my desires wore robes of mourning? To have been so close so many times to those sensual eyes, those lips, to that body I dreamed of, loved. To have been so close so many times. September 1903
Constantinos P. Cavafy
But surely love wouldn't get so much talked about if there were not something in it?
Elizabeth Bowen (The Last September)
Oh, September! It is so soon for you to lose your friends to good work and strange loves and high ambitions. The sadness of that is too grown-up for you. Like whiskey and voting, it is a dangerous and heady business, as heavy as years. If I could keep your little tribe together forever, I would. I do so want to be generous. But some stories sprout bright vines that tendril off beyond our sight, carrying the folk we love best with them, and if I knew how to accept that with grace, I would share the secret.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
Hats change everything. September knew this with all her being, deep in the place where she knew her own name, and that her mother would still love her even though she hadn’t waved goodbye. For one day her father had put on a hat with golden things on it and suddenly he hadn’t been her father anymore, he had been a soldier, and he had left. Hats have power. Hats can change you into someone else.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
No matter how many losing seasons you might have had in the past with your marriage, the good thing is that all teams get a fresh start once September begins
Shon Hyneman Love And Football How to play on the same team with your spouse
Somewhere, a rattlesnake strike makes the dance begin. Three hawks float in the light blue sky overhead. Crows caw and the sweet seduction of lavender fills my head. And she waltzes through my thoughts.
Hunter S. Jones (September Again)
Break my heart or break my fall.
Amber Newberry
And here we are, so different from who we were on September 10th. And also different from who we were on the 11th. And the 12th. And yesterday. Sometimes you see the before/after. And sometimes it's as soft as saying hello.
David Levithan (Love Is the Higher Law)
Loving isn’t finding perfection, but forgiving horrible faults.
Rosamunde Pilcher (September)
It was September, and there was a crackly feeling to the air. I was saying something that was making her laugh, and I couldn't stop looking at her. It was a little bit chilly, and her cheeks were pink, and her dark hair was flowing around her face. All I wanted for the rest of my life was to keep making her laugh like that. Sometimes our arms brushed against each other as we walked, and it was like I could feel the touch for minutes after it happened.
Carolyn Parkhurst (Lost and Found)
Mourning. At the death of the loved being, acute phase of narcissism: one emerges from sickness, from servitude. Then, gradually, freedom takes on a leaden hue, desolation settles in, narcissism gives way to a sad egoism, an absence of generosity.
Roland Barthes (Mourning Diary: October 26, 1977–September 15, 1979)
don't feel sorry for me. I am a competent, satisfied human being. be sorry for the others who fidget complain who constantly rearrange their lives like furniture. juggling mates and attitudes their confusion is constant and it will touch whoever they deal with. beware of them: one of their key words is "love." and beware those who only take instructions from their God for they have failed completely to live their own lives. don't feel sorry for me because I am alone for even at the most terrible moments humor is my companion. I am a dog walking backwards I am a broken banjo I am a telephone wire strung up in Toledo, Ohio I am a man eating a meal this night in the month of September. put your sympathy aside. they say water held up Christ: to come through you better be nearly as lucky.
Charles Bukowski (The Night Torn Mad With Footsteps)
I transform "Work" in its analytic meaning (the Work of Mourning, the Dream-Work) into the real "Work" - of writing.) for: the "Work" by which (it is said) we emerge from the great crises (love, grief) cannot be liquidated hastily: for me, it is accomplished only in and by writing.
Roland Barthes (Mourning Diary: October 26, 1977–September 15, 1979)
I grieved three thousand times. Then I grieved for myself, a lonely woman without the honor given to the wives of the fallen. The reverence for their loss, for their children's loss. It was eloquent and grand. So moving and charged with solidarity...On September eleventh, I faced the last moments of your father's life. I saw him in every person who tried to jump and every body they pulled from the rubble. And I saw myself as I was never allowed to be, consoled, understood, and loved.
Susan Abulhawa (Mornings in Jenin)
I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles. This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear. But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God. ...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
Yes, we took it all for granted—but isn't that such a blessed thing? When you're not even thinking about what you have, because you never imagine you someday won't.
Lang Leav (September Love)
Understand that we must lose our way, over and over, before we can find the best version of ourselves.
Lang Leav (September Love)
Everything began all over again immediately: arrival of manuscripts, requests, people’s stories, each person mercilessly pushing ahead his own little demand (for love, for gratitude): No sooner has she departed than the world deafens me with its continuance.
Roland Barthes (Mourning Diary: October 26, 1977–September 15, 1979)
Every idea that is a true idea has a form, and is capable of many forms. The variety of forms of which it is capable determines the value of the idea. So by way of ideas, and your mastery of them in relation to what you are doing, will come your value as an architect to your society and future. That's where you go to school. You can't get it in a university, you can't get it here, you can't get it anywhere except as you love it, love the feeling of it, desire and pursue it. And it doesn't come when you are very young, I think. I believe it comes faster with each experience, and the next is very simple, or more simple, until it becomes quite natural to you to become master of the idea you would express. "Idea and Essence" September 7, 1958
Frank Lloyd Wright
There is only a black fence and a wide field and a barn of Wyeth red. The smell of anger chokes the air. Ravens of September rain descend. Some say a mad mad hermit man lived here talking to himself and the woodchuck. But he's gone. No reason. No sense. He just wandered off one day, past the onions, past the fence. Forget the letters. Forget love. Troy is nothing more than a black finger of charcoal frozen in lake ice. And near where the owl watches and the old bear dreams, the parapet of memory burns to the ground taking heaven with it.
Mark Z. Danielewski (House of Leaves)
A Life Unlived We reminisce so much about the past that it becomes like a second shadow. We dream so much about the future that we are hardly present. We talk so much about our lives, we forget to live it.
Lang Leav (September Love)
Because isn’t the whole point of loving someone–being in love with someone–that you understand her as well as you understand yourself? Isn’t loving someone almost like becoming that person, and them becoming you? I mean, isn’t that the point, at least in a way?
Bennett Madison (September Girls)
I don't want to be in a relationship where I feel the constant need to explain myself. I don't want to live in a world like that either.
Lang Leav (September Love)
if we didn’t love something, flaws included, what sort of love would that be?
Carissa Orlando (The September House)
You can never forget what you do in a war, September my love. No one can. You won't forget your war either.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
We made love like September swims in August. But that’s natural, because it’s too cold to go swimming in October.
Jarod Kintz (This Book Title is Invisible)
New adventures, new memories. New knowledge, every fall. But seeing you again, was the best of them all.
B.K. Sweeting
More love is found in grief than in love itself
Lang Leav (September Love)
I used to think love had no limits— but I draw the line at myself.
Lang Leav (September Love)
Vincent gestures toward Gaspard, who steps forward to face us. "We say good-bye to our longtime leader, Jean-Baptiste Alexandre Balthazar Grimod de la Reynière," Gaspard says in a wavering voice. "He died sacrificing his life for another on the battlefield in Borodino, September 7, 1812. Jean-Baptiste was dedicated to the preservation of his kindred, willing to do anything to ensure their survival." Gaspard's face twists with emotion when he says this, but he forces his shoulders back and raises his chin. He pulls something from his belt, and I recognize Jean-Baptiste's beloved sword-cane topped with its carved wooden falcon's head. Facing the fire, Gaspard says, "My dear Jean-Baptiste. My love. I will mourn your loss until we are reunited in the next life." And he throws the cane onto the fire.
Amy Plum (If I Should Die (Revenants, #3))
Yes, I love September,’ agreed Belinda, guilty at having let her thoughts wander from her guest. ‘Michaelmas daisies and blackberries and comforting things like fires in the evening again and knitting.
Barbara Pym (Some Tame Gazelle)
Caitlyn is breathtaking, one of the most gorgeous women I’ve had the pleasure of meeting, and I pity you for being so wrapped up in shit-talk you’d stoop to the level you just did. But you’ve given me all the more reason to beat your ass come September.
Abby Niles (Extreme Love (Love to the Extreme, #1))
Plus je vieillis et plus je trouve qu’on ne peut vivre qu’avec les êtres qui vous libèrent, qui vous aiment d’une affection aussi légère à porter que forte à éprouver. La vie d’aujourd’hui est trop dure, trop amère, trop anémiante, pour qu’on subisse encore de nouvelles servitudes, venues de qui on aime [...]. C’est ainsi que je suis votre ami, j’aime votre bonheur, votre liberté, votre aventure en un mot, et je voudrais être pour vous le compagnon dont on est sûr, toujours. The older I get, the more I find that you can only live with those who free you, who love you from a lighter affection to bear as strong as you can to experience Today's life is too hard, too bitter, too anemic, for us to undergo new bondages, from whom we love [...]. This is how I am your friend, I love your happiness, your freedom, Your adventure in one word, and I would like to be for you the companion we are sure of, always. ---- Albert Camus à René Char, 17 septembre 1957 (in "Albert Camus - René Char : Correspondance 1946-1959") ---- Albert Camus to René Char, September 17, 1957 (via René Char)
Albert Camus (Correspondance (1944-1959))
To Feel The weight of death, the weight of fear, the burden of stress, pain is here. Never to know, never to guess. Never to know, how much the mess Do not show care, do not feel joy, do not have love, life's not a toy and yet we feel, we have, we show, who knows... I do not know. I do not know. (2007) September 9
Esther Earl (This Star Won't Go Out: The Life and Words of Esther Grace Earl)
I chose you because you’re an orchard of ripe fruits, and I want to lay my sufferings in the shadows of your arms, of your belly. I chose you because your tears remind me of September rain. Because of the sun I see in your pupils. You cannot run now, can you? You have found your home. Do you feel the darkness in the hollow of your plexus? Don’t you understand? Your darkness was your secret, and she whispers to mine.
Pauline Albanese (The Closed Doors)
If all who love one another were of the same opinion, living would be monotonous, and conversation flabby. So cheer up. You are content. All me to be.
Mildred Aldrich (A Hilltop on the Marne: Being Letters Written June 3-September 8, 1914)
When my heart grows too heavy to hold—I write from the depth of my sorrow to dizzying heights
Lang Leav (September Love)
All the Things You are made of the all things you have loved. You are made of the all things you have lost. And both contribute in equal measure to your beauty and your brillance.
Lang Leav (September Love)
December It is only the year that is ending. So why does it feel like the world is?
Lang Leav (September Love)
When you fall in love, it changes you. I didn’t know that before. It’s this all-encompassing connection to another person that leaves you open to whatever they decide to do to you or throw your way. Who knew that we gave each other such power?
Melissa Brayden (Back to September)
He saw Hitler’s stature within Germany grow to that of a god. Women cried as he passed near; souvenir hunters dug up parcels of earth from the ground on which he stepped. At the September 1936 party rally in Nuremberg, which Dodd did not attend, Hitler launched his audience into near hysteria. “That you have found me … among so many millions is the miracle of our time!” he cried. “And that I have found you, that is Germany’s fortune!
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
and this is not the time I think to ask who is allowed to be american america all of us gathered under one flag praying together safely warmed by the single love of the many tongued God
Lucille Clifton
Limbo When you wait for a man to make up his mind about you, your life cannot move forward. You can't put your whole heart in anything else if you're betting on something that may not come through. You can build the life of your dreams without him. You can start today. But first, you need to take your heart off the table. You have a few precious years to do what you need to do. Don't waste them on him.
Lang Leav (September Love)
And because no one answered or cared and a conversation went on without her she felt profoundly lonely, suspecting once more for herself a particular doom of exclusion. Something of the trees in their intimacy of shadow was shared by the husband and wife and their host in the tree-shadowed room. She thought of love with its gift of importance. "I must break in on all this," she thought as she looked around the room.
Elizabeth Bowen (The Last September)
I love you, O'Reilly. When are you going to get that through your thick Aussie skull?" He laughed softly, and she tilted back her head to look up at him wonderingly, "What's so funny?" He put his hands on her shoulders and rubbed the tight muscles of her neck. "Do you realize you've never used my first name?" he said. "It's Patrick, you know." He watched her lips curl into a smile that made his chest ache. "You've always been O'Reilly to me." "Huh," he grunted. "Except when you're mad. Then I become Mister O'Reilly.
Candice Proctor (September Moon)
I’d always thought it was a silly question, why I wanted to stay here, in this house. This house was everything I’d ever wanted. Sure, it wasn’t perfect, but sometimes it actually was. Or at least as close as anything could come to perfect in this life, which admittedly was not very close. It wasn’t horrible every single day—so few things ever are—and when it wasn’t horrible, it was almost lovely. I knew how to survive here, and I always had the sense that if I just survived long enough, if I just played by the rules well enough, I could make it into a perfect home once and for all. I just needed to work a little harder. I loved this house. And you didn’t give up on the things you loved.
Carissa Orlando (The September House)
Watching the towers fall in New York, with civilians incinerated on the planes and in the buildings, I felt something that I couldn’t analyze at first and didn't fully grasp (partly because I was far from my family in Washington, who had a very grueling day) until the day itself was nearly over. I am only slightly embarrassed to tell you that this was a feeling of exhilaration. Here we are then, I was thinking, in a war to the finish between everything I love and everything I hate. Fine. We will win and they will lose. A pity that we let them pick the time and place of the challenge, but we can and we will make up for that.
Christopher Hitchens (Christopher Hitchens and His Critics: Terror, Iraq, and the Left)
I am thinking of a certain September: Wood pigeon Red Admiral Yellow Harvest Orange Night. You said, ‘I love you.’ Why is it that the most unoriginal thing we can say to one another is still the thing we long to hear? ‘I love you’ is always a quotation. You did not say it first and neither did I, yet when you say it and when I say it we speak like savages who have found three words and worship them. I did worship them but now I am alone on a rock hewn out of my own body.
Jeanette Winterson (Written on the Body)
And a strange, deadly war is raging around the world. Yet, each person who has lost a loved one surely knows secretly, deeply, that no war, no act of revenge, no daisy-cutters dropped on someone else’s loved ones or someone else’s children, will blunt the edges of their pain or bring their own loved ones back. War cannot avenge those who have died. War is only a brutal desecration of their memory.
Arundhati Roy (Come September (AK Press Audio))
Our country is the world, our countrymen are all mankind. We love the land of our nativity, only as we love all other lands. The interests, rights, and liberties of American citizens are no more dear to us than are those of the whole human race. Hence we can allow no appeal to patriotism, to revenge any national insult or injury. (Declaration of Sentiments, Boston Peace Conference (28 September 1838))
William Lloyd Garrison
I feel to that the gap between my new life in New York and the situation at home in Africa is stretching into a gulf, as Zimbabwe spirals downwards into a violent dictatorship. My head bulges with the effort to contain both worlds. When I am back in New York, Africa immediately seems fantastical – a wildly plumaged bird, as exotic as it is unlikely. Most of us struggle in life to maintain the illusion of control, but in Africa that illusion is almost impossible to maintain. I always have the sense there that there is no equilibrium, that everything perpetually teeters on the brink of some dramatic change, that society constantly stands poised for some spasm, some tsunami in which you can do nothing but hope to bob up to the surface and not be sucked out into a dark and hungry sea. The origin of my permanent sense of unease, my general foreboding, is probably the fact that I have lived through just such change, such a sudden and violent upending of value systems. In my part of Africa, death is never far away. With more Zimbabweans dying in their early thirties now, mortality has a seat at every table. The urgent, tugging winds themselves seem to whisper the message, memento mori, you too shall die. In Africa, you do not view death from the auditorium of life, as a spectator, but from the edge of the stage, waiting only for your cue. You feel perishable, temporary, transient. You feel mortal. Maybe that is why you seem to live more vividly in Africa. The drama of life there is amplified by its constant proximity to death. That’s what infuses it with tension. It is the essence of its tragedy too. People love harder there. Love is the way that life forgets that it is terminal. Love is life’s alibi in the face of death. For me, the illusion of control is much easier to maintain in England or America. In this temperate world, I feel more secure, as if change will only happen incrementally, in manageable, finely calibrated, bite-sized portions. There is a sense of continuity threaded through it all: the anchor of history, the tangible presence of antiquity, of buildings, of institutions. You live in the expectation of reaching old age. At least you used to. But on Tuesday, September 11, 2001, those two states of mind converge. Suddenly it feels like I am back in Africa, where things can be taken away from you at random, in a single violent stroke, as quick as the whip of a snake’s head. Where tumult is raised with an abruptness that is as breathtaking as the violence itself.
Peter Godwin (When a Crocodile Eats the Sun: A Memoir of Africa)
and i am consumed with love for all of it the everydayness of bravery of hate of fear of tragedy of death and birth and hope
Lucille Clifton
i bear witness to no thing more human than hate i bear witness to no thing more human than love
Lucille Clifton
Go forth and let the magic happen.
Robert Winter (September (Pride and Joy #1))
Horrible figure of mourning: acedia, hard-heartedness: irritability, impotence to love. Anguished because I don't know how to restore generosity to my life--or love. How to love?
Roland Barthes (Mourning Diary: October 26, 1977–September 15, 1979)
It was as if real life had been canceled for the day.
Jennifer Weiner (Who Do You Love)
The stale September days, in the huge half-empty town, had a charm wrapped in them as a coloured gem might be wrapped in a dusty cloth.
Henry James (The Portrait of a Lady)
In times of conflict, make use of your love and compassion; not your guns and bullets.
Michael Bassey Johnson (The Book of Maxims, Poems and Anecdotes)
By then, after all, she understood the nature of romance, and knew it had little to do with trying to create a fantasy. Real romance was spontaneous, unpredictable, and could be as simple as listening to a man read a love letter found in a lonely mailbox on a stormy September afternoon.
Nicholas Sparks (Every Breath)
I can't deny this is all my fault. I have no one else to blame for my life falling to pieces. But let me ask you this: is pain any less valid when it is self-inflicted? Doesn't it hurt just as much?
Lang Leav (September Love)
Young women looking after a children's summer camp, the ice-cream vendor's horn (his cart is a gondola on wheels, pushed by two handles), the displays of fruit, red melons with black pips, translucent, sticky grapes -- all are props for the person who can no longer be alone. [1] But the cicadas' tender and bitter chirping, the perfume of water and stars one meets on September nights, the scented paths among the lentisks and the rosebushes, all these are signs of love for the person forced to be alone. [2] [1] That is to say, everybody. [2] That is to say, everybody.
Albert Camus (Lyrical and Critical Essays (A Vintage Book))
Self-growth is a long and winding road, and the ground we are treading is unlike any other. Please be patient with us. Be kind. Understand that we must lose our way, over and over, before we can find the best version of ourselves.
Lang Leav (September Love)
That’s Venus, September thought. She was the goddess of love. It’s nice that love comes on first thing in the evening, and goes out last in the morning. Love keeps the light on all night. Whoever thought to call it Venus ought to get full marks.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
Next I dream the love is swallowing itself. Next I dream the love is made of glass," — Anne Sexton, from “The Break Away,” The Complete Poems. (Mariner Books; First Mariner Books Edition (April 28, 1999) Originally published September 30th 1981.
Anne Sexton (The Complete Poems)
After all, she had announced at our introduction in September that she "simply loves children," Miss Fabricant, with a blunt snub of a nose like a Charlotte potato and hips like Idahos, the infeasible assertion seems to decode, "I want to get married.
Lionel Shriver (We Need to Talk About Kevin)
The Settle House is load bearing. Here is what it bears: Mum's endless sadness, September's fitful wrath, my quiet failure to ever do quite what anyone needs me to do, the seasons, the death of small animals in the scrublands around it, every word that we say in love or anger to one another.
Daisy Johnson (Sisters)
The moment you look at me will be the end of my life. The second your arms open for me, everything will fall to dust. There is no such thing as happiness like this. My lips pressed into your palm. Joy tearing through me like madness. Your tongue drawing circles down my stomach. Nothing this perfect can come from God. It must be borrowed from a place so dark, it would make your skin crawl. It doesn't come without wanting something back.
Lang Leav (September Love)
Rather later, she would attempt to pinpoint an exact moment when it happened, and she never had much luck with that—maybe it was months earlier, when he appeared on her front porch in his stupid hat, or on the platform on that wretched September 1st, or maybe it was long ago, in some unrecognizable, ever-­changing form, but whenever she thought about the matter in the months and years to come, she knew with absolute certainty that it happened no later than this moment. Possibly Lily did not fall in love with James Potter that night, but, she would later conclude, there was no time after it that she did not love him.
Jewels5 (The Life and Times)
Maybe not. Maybe all the talking, and those looks Adam gave her, and him shaking his head when she ordered extra whipped cream; the way he let himself be teased out of his moods; the texts; how he seemed to be so at ease with her, so noticeably different from the Adam Carlsen she used to be half-scared of—maybe all of that was not much. But she and Adam were friends now, and they could remain friends even past September twenty-ninth. Olive’s heart sank at the thought of giving up the possibility of it.
Ali Hazelwood (The Love Hypothesis)
The tree is burning on the autumn noon That builds each year the leaf and bark again. Though frost will strip it raw and barren soon, The rounding season will restore and mend. Yet people are not mended, but go on, Accumulating memory and love. And so the wood we used to know is gone, Because the years have taught us that we move. We have moved on, the Tamburlaines of then, To different Asias of our plundering. And though we sorrow not to know again A land or face we loved, yet we are king. The young are never robbed of innocence But given gold of love and memory. We live in wealth whose bounds exceed our sense, And when we die are full of memory. -from "September Ode
Donald Hall (Old And New Poems: Donald Hall's Finest Short Poetry on Landscape, Love, and Prophecy)
The Quiet Garden is lovely in September, even though the summer flowers are gone. One nice thing about having a special small garden for your flowers is that you can remember it like a picture at all seasons. I remember how sweet it is in spring with the white daffodils and narcissus and white and violet-blue tulips and white pansies." page 135
Gladys Taber
A girl who looks up at the stars knowing one day, she will be among them.
Lang Leav (September Love)
Brooklyn Micheala Valentine was born at four in the afternoon on September 11th
Jennifer Foor (Love's Suicide (Love's Suicide, #1))
Dare 2 Dream
SaBrowny Rae (Backdoor Tales: Tears of the Serpent September Love)
On a clear night, look up and count the stars and hold onto that number and know that I love you more. I will always love you.
Rosalind Noonan (One September Morning)
Addiction to love is pure hate. Religion of Blue Circle Religious Leader Petra Cecilia Maria Hermans September 30, 2016 Amen
Petra Hermans
Winter and sweaters are old lovers, and mothers from India start weaving this love story in September.
Ashwini Rudra (Delhi via Lucknow: Once, love travelled this route)
doesn't your soul remain the age you were when you first fell in love?
Lang Leav (September Love)
Like love, loneliness is a nocturnal thing when I'm missing you all night You snatch away the sleep You take so much time from me, my love
Lang Leav (September Love)
Don't you miss me— not even a little? Does this not feel like a kind of slow death Tell me know before I go on waiting if I should die waiting for you
Lang Leav (September Love)
The secret is no one gets what they want without losing who they are
Lang Leav (September Love)
I define success as being the best, authentic me that I can be.
Leeky Behrman (The Choices We Make: A Memoir about Surviving and a Journey to Love & Happiness)
/A weekend toward the end of September, the bell above the door rang and there he was in the shop. Same old feeling in my guts. I’ll go if you want me to, he said. I smiled, I was so fucking happy to see him. You’ve only just got here, you twat, I said. Now give us a hand with this, and he took the other end of the trestle table and moved it over to the wall. Pub? I said. He grinned. And before I could say anything else he put his arms around me. And everything he couldn’t say in our room in France was said in that moment. I know, I said. I know. I’d already accepted I wasn’t the key to unlock him. She’d come later. It took a while to acknowledge the repercussions of that time. How the numbness in my fingertips traveled to my heart and I never even knew it. I had crushes, I had lovers, I had orgasms. My trilogy of desire, I liked to call it, but I’d no great love after him, not really. Love and sex became separated by a wide river and one the ferryman refused to cross. The psychiatrist liked that analogy. I watched him write it down. Chuckle, chuckle, his pen across the page.
Sarah Winman (Tin Man)
Mountains of ice, Leaves caverns of tears To September sun, Winter draws near We learn to love and let Go of tomorrows fears To know that there's So much more To life than it appears
Stiofán Ó Riain
Sign O' The Times Oh yeah In France a skinny man Died of a big disease with a little name By chance his girlfriend came across a needle And soon she did the same At home there are seventeen-year-old boys And their idea of fun Is being in a gang called The Disciples High on crack, totin' a machine gun Time, time Hurricane Annie ripped the ceiling of a church And killed everyone inside U turn on the telly and every other story Is tellin' U somebody died Sister killed her baby cuz she could afford 2 feed it And we're sending people 2 the moon In September my cousin tried reefer 4 the very first time Now he's doing horse, it's June Times, times It's silly, no? When a rocket ship explodes And everybody still wants 2 fly Some say a man ain't happy Unless a man truly dies Oh why Time, time Baby make a speech, Star Wars fly Neighbors just shine it on But if a night falls and a bomb falls Will anybody see the dawn Time, times It's silly, no? When a rocket blows And everybody still wants 2 fly Some say a man ain't happy, truly Until a man truly dies Oh why, oh why, Sign O the Times Time, time Sign O the Times mess with your mind Hurry before it's 2 late Let's fall in love, get married, have a baby We'll call him Nate... if it's a boy Time, time Time, time
Prince
IRISH BLESSING   And may I conclude with a little Irish blessing – although, some suggest it’s a curse: May those who love us, love us. And those who don’t love us, may God turn their hearts. And if He doesn’t turn their hearts, may he turn their ankles so we’ll know them by their limping. Speech on Administrative Goals to Senior Presidential Appointees, September 8, 1987
Ronald Reagan (QUOTABLE REAGAN: An A-Z Collector's Edition of Quotations (Quotable Wisdom Books Book 40))
That’s Venus, September thought. She was the goddess of love. It’s nice that love comes on first thing in the evening, and goes out last in the morning. Love keeps the light on all night.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
Always Will Here we are, fantasizing about normality. Our world has turned on its axis and we have all been thrown into the air, not knowing where we'll land. Wondering if there will still be a place for us among the ruins. Yes, we took it all for granted- but isn't that such a blessed thing? When you're not even thinking about what you have, because you never imagine someday you won't.
Lang Leav (September Love)
My life wasn’t glamorous, or exciting, or even overly social, but it was mine. Comfortable. I read my books, fed my cats, went to work, and enjoyed my quiet evenings at home. As a bonus, I have you and a few friends to keep me company. That’s what I need again. This love stuff?” I lifted a shoulder. “Let’s leave it for the romance novels. There’s a reason they live in the fiction section.
Melissa Brayden (Back to September)
I believe the signs we are seeing today most certainly point to the rapture of the church. These are indeed end times. I believe that one day very soon, Jesus Christ Himself will come in the clouds and millions of people will see their battles end... I believe that followers of Christ from all around the world, of every race, creed, color, age, economic standing, and religious affiliation will vanish in a single moment of time ... gone. The Word of God describes it as a 'twinkling of an eye.' In an instant, there will be boardrooms without directors, classrooms without teachers, hospitals without doctors and nurses, cars without drivers, airplanes without pilots, and loved ones disappearing mid-sentance and mid-morning coffee. I am sure that complete chaos won't even begin to describe it. I imagine a worldwide crescendo of screaming voices. When the dust clears, everone left on earth will know emptiness beyond description and a greater sense of evil than has ever been thought to exist. It will be the condition of things. Overwhelming sadness, confusion, loss, and insecurity will be worldwide. It will happen at that time, even as it did on that September morning.
Leslie Haskin (Between Heaven and Ground Zero)
Hats change everything. September knew this with all her being, deep in the place where she knew her own name, that her mother would still love her even though she hadn’t waved good-bye. For one day, her father had put on a hat with golden things on it and suddenly he hadn’t been her father anymore, he had been a soldier, and he had left. Hats have power. Hats can change you into someone else.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Do you think, little flower, that there will ever come a day when you regret meeting me?” he asked quietly. “Yes,” she said simply. “I see,” he said tightly. “Would you like a specific date?” “You are teasing me,” he realized suddenly. “No, I’m dead serious. I have an exact date in mind.” Jacob pulled back to see her eyes, looking utterly perplexed as her pupils sparkled with mischief. “What date is that? And why are you thinking of pink elephants?” “The date is September 8, because, according to Gideon, that’s possibly the day I will go into labor. I say ‘possibly,’ because combining all this human/Druid and Demon DNA ‘may make for a longer period of gestation than usual for a human,’ as the Ancient medic recently quoted. Now, as I understand it, women always regret ever letting a man touch them on that day.” Jacob lurched to his feet, dropping her onto her toes, grabbing her by the arms, and holding her still as he raked a wild, inspecting gaze over her body. “You are pregnant?” he demanded, shaking her a little. “How long have you known? You went into battle with that monster while you are carrying my child?” “Our child,” she corrected indignantly, her fists landing firmly on her hips, “and Gideon only just told me, like, five seconds ago, so I didn’t know I was pregnant when I was fighting that thing!” “But . . . he healed you just a few days ago! Why not tell you then?” “Because I wasn’t pregnant then, Jacob. If you recall, we did make love between then and now.” “Oh . . . oh Bella . . .” he said, his breath rushing from him all of a sudden. He looked as if he needed to sit down and put a paper bag over his head. She reached to steady him as he sat back awkwardly on the altar. He leaned his forearms on his thighs, bending over them as he tried to catch his breath. Bella had the strangest urge to giggle, but she bit her lower lip to repress to impulse. So much for the calm, cool, collected Enforcer who struck terror into the hearts of Demons everywhere. “That is not funny,” he grumbled indignantly. “Yeah? You should see what you look like from over here,” she teased. “If you laugh at me I swear I am going to take you over my knee.” “Promises, promises,” she laughed, hugging him with delight. Finally, Jacob laughed as well, his arm snaking out to circle her waist and draw her back into his lap. “Did you ask . . . I mean, does he know what it is?” “It’s a baby. I told him I didn’t want to know what it is. And don’t you dare find out, because you know the minute you do I’ll know, and if you spoil the surprise I’ll murder you.” “Damn . . . she kills a couple of Demons and suddenly thinks she can order all of us around,” he taunted, pulling her close until he was nuzzling her neck, wondering if it was possible for such an underused heart as his to contain so much happiness.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Almanack’s deep green eyes shone. “Is it? Have you done a long, hard thing for the sake of someone you loved, so long and so hard that your body shook with the difficulty of it, that you were thirsty and aching and ravenous by the time it was done, but it did not matter, you did not even feel the thirst or the pain or the hunger, because you were doing what was Necessary?” “Yes,” September whispered.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Paul and I sat in lawn chairs in my yard, and usually we could cheer each other up by talking about Billy. It was September 1993, and he had been gone four months. We had started the thing you do, where you collect the stories you'll tell over and over again. You begin to polish the edges of a memory--something funny he said or a specific performance--until the edges are smoothed and the story is comforting.
Ruth Coker Burks (All the Young Men: A Memoir of Love, AIDS, and Chosen Family in the American South)
continually amazed at just how many skills and crafts could go into making “a lovely home”—the patchwork quilts you could sew, the curtains you could ruffle, the cucumbers you could pickle, the rhubarb you could make into jam, the icing-sugar decorations you could create for your Christmas cake—which you were supposed to make in September at the latest (for heaven’s sake)—and at the same time remember to plant your indoor bulbs so they would also be ready for “the festive season,” and it just went on and on, every month a list of tasks that would have defeated Hercules and that was without the everyday preparation of meals,
Kate Atkinson (Case Histories (Jackson Brodie #1))
Legacy You must believe it is your destiny to create beauty in this world. To shape your life with love and purpose, touch it ever so briefly with your weary hands and leave it a little more cherished than it was.
Lang Leav (September Love)
No realm was too petty: The Ministry of Posts ruled that henceforth when trying to spell a word over the telephone a caller could no longer say “D as in David,” because “David” was a Jewish name. The caller had to use “Dora.” “Samuel” became “Siegfried.” And so forth. “There has been nothing in social history more implacable, more heartless and more devastating than the present policy in Germany against the Jews,” Consul General Messersmith told Undersecretary Phillips in a long letter dated September 29, 1933. He wrote, “It is definitely the aim of the Government, no matter what it may say to the outside or in Germany, to eliminate the Jews from German life.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
Story time. In September of 1869, there was a terrible fire at the Avondale coal mine near Plymouth, Pennsylvania. Over 100 coal miners lost their lives. Horrific conditions and safety standards were blamed for the disaster. It wasn’t the first accident. Hundreds of miners died in these mines every year. And those that didn’t, lived in squalor. Children as young as eight worked day in and out. They broke their bodies and gave their lives for nothing but scraps. That day of the fire, as thousands of workers and family members gathered outside the mine to watch the bodies of their friends and loved ones brought to the surface, a man named John Siney stood atop one of the carts and shouted to the crowd: Men, if you must die with your boots on, die for your families, your homes, your country, but do not longer consent to die, like rats in a trap, for those who have no more interest in you than in the pick you dig with. That day, thousands of coal miners came together to unionize. That organization, the Workingmen’s Benevolent Association, managed to fight, for a few years at least, to raise safety standards for the mines by calling strikes and attempting to force safety legislation. ... Until 1875, when the union was obliterated by the mine owners. Why was the union broken so easily? Because they were out in the open. They were playing by the rules. How can you win a deliberately unfair game when the rules are written by your opponent? The answer is you can’t. You will never win. Not as long as you follow their arbitrary guidelines. This is a new lesson to me. She’s been teaching me so many things, about who I am. About what I am. What I really am. About what must be done. Anyway, during this same time, it is alleged a separate, more militant group of individuals had formed in secret. The Molly Maguires. Named after a widow in Ireland who fought against predatory landlords, the coal workers of Pennsylvania became something a little more proactive, supposedly assassinating over two dozen coal mine supervisors and managers. ... Until Pinkerton agents, hired by the same mine owners, infiltrated the group and discovered their identities. Several of the alleged Mollies ended up publicly hanged. Others disappeared. You get the picture. So, that’s another type of secret society. The yeah-we’re-terrorists-but-we-strongly-feel-we’re-justified-and-fuck-you-if-you-don’t-agree society. So, what’s the moral of this little history lesson? This sort of thing happens all day, every day across the universe. It happens in Big Ways, and it happens in little ways, too. The strong stomp on the weak. The weak fight back, usually within the boundaries of the rat trap they find themselves confined. They almost always remain firmly stomped. But sometimes, the weak gather in secret. They make plans. They work outside the system to effect change. Like the Mollies, they usually end up just as stomped as everyone else. But that’s just life. At least they fucking tried. They died with their boots on, as much as I hate that expression. They died with their boots on for their people, their family, not for some rich, nameless organization that gives no shits whether they live or die. Or go extinct. Or are trapped for a millennia after they’re done being used. In my opinion, that’s the only type of society that’s worth joining, worth fighting for. Sure, you’re probably gonna die. But if you find yourself in such a position where such an organization is necessary, what do you have to lose? How can you look at yourself if you don’t do everything you can? And that brings us to the door you’re standing in front of right now. What does all this have to do with what you’re going to find on the other side? Nothing!
Matt Dinniman (The Eye of the Bedlam Bride (Dungeon Crawler Carl, #6))
There are things that I miss that I shouldn’t, and things that I don’t that I should. Sometimes we want what we couldn’t, sometimes we love who we could. — Lang Leav, “Acceptance,” Lullabies. (Andrews McMeel Publishing September 16, 2014)
Lang Leav (Lullabies)
Her family... Love and involvement brought joy, but as well could become a hideously heavy millstone slung about one's neck. And the worst was that she felt useless because there was not a mortal thing she could do to help resolve their problems.
Rosamunde Pilcher (September)
There is so much anxiety in the beginning. So much hope and faith. But it's all unnecessary. Once you give your heart away, it's out of your hands. And there's nothing you can do to change the fact that love is, or it isn't. It will either work or it won't.
Lang Leav (September Love)
Only So Much There is only so much you can say about a man who hurts you so covertly, so gradually. The tiny paper cuts that come one after another, so measured and subdued. It barely hurts, until it does. Yet your pain is visible to no one, sometimes, not even to yourself. There is no blood to mop up, no broken glass to sweep. Not a trace of anything untoward until it gets too much, and suddenly you are a wild animal thrashing, baring your teeth, and when they ask you why, you have nothing to show, no answer to give.
Lang Leav (September Love)
Love is amazing. Love is a powerful thing to get to experience. Love keeps your body warm when the September night air breezes past your skin. Love is like no other emotion. Unmatched in every aspect. You don’t know what it truly means to be real until you’ve been in love.
Millie Belizaire (fast)
THE SHEEPDOGS Most humans truly are like sheep Wanting nothing more than peace to keep To graze, grow fat and raise their young, Sweet taste of clover on the tongue. Their lives serene upon Life’s farm, They sense no threat nor fear no harm. On verdant meadows, they forage free With naught to fear, with naught to flee. They pay their sheepdogs little heed For there is no threat; there is no need. To the flock, sheepdog’s are mysteries, Roaming watchful round the peripheries. These fang-toothed creatures bark, they roar With the fetid reek of the carnivore, Too like the wolf of legends told, To be amongst our docile fold. Who needs sheepdogs? What good are they? They have no use, not in this day. Lock them away, out of our sight We have no need of their fierce might. But sudden in their midst a beast Has come to kill, has come to feast The wolves attack; they give no warning Upon that calm September morning They slash and kill with frenzied glee Their passive helpless enemy Who had no clue the wolves were there Far roaming from their Eastern lair. Then from the carnage, from the rout, Comes the cry, “Turn the sheepdogs out!” Thus is our nature but too our plight To keep our dogs on leashes tight And live a life of illusive bliss Hearing not the beast, his growl, his hiss. Until he has us by the throat, We pay no heed; we take no note. Not until he strikes us at our core Will we unleash the Dogs of War Only having felt the wolf pack’s wrath Do we loose the sheepdogs on its path. And the wolves will learn what we’ve shown before; We love our sheep, we Dogs of War. Russ Vaughn 2d Bn, 327th Parachute Infantry Regiment 101st Airborne Division Vietnam 65-66
José N. Harris
September tried to show her sternness. It was becoming a habit. She could show her sternness and think about this another time, when it was quiet and no new red Moon turned somersaults in the sky. But when she reached for her sternness, all September found in her heart was the bar of a trapeze, swinging wild, inviting her to catch it. ...She leaned up and kissed her Marid and hoped it was the right thing. Her heart caught the bar and swung out, swung wild, over the lights and the gasps below, reaching for a pair of sure blue hands in the air and willing them to find hers.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Wedding Superstitions The Bridal Gown White - You have chosen right. Grey - You'll go far away. Black - You'll wish yourself back. Red - You'll wish yourself dead. Green - Ashamed to be seen. Blue - You'll always be true. Pearl - You'll live in a whirl. Peach - A love out of reach. Yellow - Ashamed of your fellow. Pink - Your Spirits will sink. The Wedding Day Monday for health, Tuesday for wealth, Wednesday best of all, Thursday for losses, Friday for crosses, Saturday for no luck at all. The Wedding Month Marry in May, and you'll rue the day, Marry in Lent, you'll live to repent. Married when the year is new, He'll be loving, kind and true. When February birds do mate, You wed nor dread your fate. If you wed when March winds blow, Joy and sorrow both you'll know. Marry in April when you can, Joy for maiden and the man. Marry in the month of May, And you'll surely rue the day. Marry when the June roses grow, Over land and sea you'll go. Those who in July do wed, Must labour for their daily bread. Whoever wed in August be, Many a change is sure to see. Marry in September's shine, Your living will be rich and fine. If in October you do marry, Love will come, but riches tarry. If you wed in bleak November, Only joys will come, remember, When December's snows fall fast, Marry and true love will last. Married in January's roar and rime, Widowed you'll be before your prime. Married in February's sleepy weather, Life you'll tread in time together. Married when March winds shrill and roar, Your home will lie on a distant shore. Married 'neath April's changeful skies, A checkered path before you lies. Married when bees o'er May blossoms flit, Strangers around your board will sit. Married in month of roses June, Life will be one long honeymoon. Married in July with flowers ablaze, Bitter-sweet memories in after days. Married in August's heat and drowse, Lover and friend in your chosen spouse. Married in September's golden glow, Smooth and serene your life will go. Married when leaves in October thin, Toil and hardships for you begin. Married in veils of November mist, Fortune your wedding ring has kissed. Married in days of December's cheer, Love's star shines brighter from year to year
New Zealand Proverb
New York loves expanse. It grows upward and spreads its tentacles outward, the island spilling into adjoining lands through its many bridges and tunnels. A person given to idleness, as Parvis has come to think of himself, must move about for the sake of moving, if only to fit into the general scheme of things - an electron obeying the current. Tantamount to movement, he has come to realize, is self-reliance, a fact reflected in the language: "Take care," a friend may say to another as the two part. In his old life the same two friends would have said to one another, khodahfez - "may God protect you.
Dalia Sofer (The Septembers of Shiraz)
Mr. April enjoys roasting vegetables over a fire and the company of kind, modest young women. For every tree Mr. May takes down with a single ax stroke, he plants three seedlings with his own callused hands. When Mr. September isn’t hard at work lumberjacking, he loves to take his pet dogs on long walks.
Shannon Hale (Ashlynn Ella's Story (Ever After High, #0.5))
WHAT did it cost the soul to lie? At every step, with every breath, with every Soviet Information Bureau report, with every casualty list and every monthly ration card? From the moment Tatiana woke up until she fell into a bleary sleep, she lied. She wished Alexander would stop coming around. Lies. She wished he would end it with Dasha. Alas. More lies. No more trips to St. Isaac’s. That was good news. Lies. No more tram rides, no more canals, no more Summer Garden, no more Luga, no more lips or eyes or palpitating breath. Good. Good. Good. More lies. He was cold. He had an uncanny ability to act as if there were nothing behind his smiling face, or his steady hands, or his burned-down cigarette. Not a twitch showed on his face for Tatiana. That was good. Lies. Curfew was imposed on Leningrad at the beginning of September. Rations were reduced again. Alexander stopped coming every day. That was good. More lies. When Alexander came, he was extremely affectionate with Dasha, in front of Tatiana and in front of Dimitri. That was good. Lies. Tatiana put on her own brave face and turned it away and smiled at Dimitri and clenched her heart in a tight fist. She could do it, too. More lies. Pouring tea. Such a simple matter, yet fraught with deceit. Pouring tea, for someone else before him. Her hands trembled with the effort. Tatiana wished she could get out from the spell that was Leningrad at the beginning of September, get out from the circle of misery and love that besieged her. She loved Alexander. Ah, finally. Something true to hold on to.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
OBITUARY Certificate in hand, my school career now finds its slow and certain end. Last act, the iron curtain here Closes on what I might have been. One year more and I would have earned my diploma, having played my part. Instead this list of what I've learned, States I was quiet, hardworking, smart. Yes, gone those lovely days in time When once I dozed to Schiller's "Clock," Though much preferred was Scheffler's rhyme. Awakening me and signalling "stop." Playing hooky, passing notes, my relinquished School pass - all passe. Only I remain, dismissed and hindered, a ninth-grade student without a grade. [September 11, 1939] by Felice Schragenheim
Erica Fischer (Aimée & Jaguar: A Love Story, Berlin 1943)
Who You Are He has you, words tangled, wings clipped, folded at your breast. Trapped within yourself thinking, how did I get here? With all your promise and intellect, how did I get here? Whittled down like this, reduced to something you wore you'd never be. Now, how do you tear yourself away from him without ripping your life to shreds? You no longer recognize yourself, but sweet girl, that means you still know who you are. And while there is still a glimmer of hope behind those sad, tired eyes, know he hasn't worn you down. And while there is an ounce of fight left in you, know he wasn't won just yet. And while there is a chance in hell you get out of this, you come out swinging.
Lang Leav (September Love)
I live my life between being loved or being known wishing the two were one To be loved is a wave rushing past the shoreline; filling every void To be known is an ache that never goes away Now that you love me, are afraid to know me? Will distance tell you what your heart refuses to see? You're too close to me, my love You're missing everything
Lang Leav (September Love)
I had been in love all year, or at least since the first week in September, when a boy named Martin Collingwood had given me a surprised, appreciative, and rather ominously complacent smile in the school assembly. I never knew what surprised him; I was not looking like anybody but me; I had an old blouse on and my home-permanent had turned out badly.
Alice Munro
Scarlet, before you go through this, I want to remind you of September 7th, 1988. It was the first time that I saw you. You were reading Less Than Zero, and you were wearing a Guns 'n' Roses t-shirt. I'd never seen anything so perfect. I remember thinking that I had to have you or I'd die... then you whispered that you loved me at the homecoming dance, and I felt so peaceful... and safe... because I knew that no matter what happened, from that day on, nothing can ever be that bad... because I had you. And then I, uh... I grew up and I lost my way. And I blamed you for my failures. And I know that you think you have to do this today... but I don't want you to. But I guess... if I love you, I should let you move on.
Mike O'Donnell
She knew he would, and Jacob had said she could use the phone to call him. But she had not. How would she say the words: Please come; I’m in jail, charged with murder. Carefully, she put the paper back into the bag and lifted out the World War I compass Tate had given her. She let the needle swing north and watched it settle true. She held it against her heart. Where else would one need a compass more than in this place? Then she whispered Emily Dickinson’s words: The sweeping up the heart, And putting Love away We shall not want to use again Until Eternity. 46. King of the World 1969 The September sea and sky glistened pale blue from a soft sun as Kya churned in her little boat toward Jumpin’s to get the bus schedule
Delia Owens (Where the Crawdads Sing)
Dreamed of maman again. She was telling me—O cruelty!—that I didn’t really love her. But I took it calmly, because I was so sure it wasn’t true. The idea that death would be a kind of sleep. But it would be horrible if we had to dream eternally. (And this morning, her birthday. I always gave her a rose. Bought two at the little market of Mers Sultan and put them on my desk)
Roland Barthes (Mourning Diary: October 26, 1977–September 15, 1979)
I remember the longing inside my head, [her] beautiful letters, mine, my fingers tracing the ridges of consonants, questions and postscripts littering margins, uncontainable form, the page a stage for candor. To know another is the terrible work of love, is it not? — Jennifer Chang, from “In the Middle of My Life,” The American Poetry Review (September/October 2021, vol. 50, no.5)
Jennifer Chang
September had no natural defense against lost things, being one herself. She could not quite have put it into words, but she felt profoundly, at the bottom of her new, shining heart, that she could find lost things. She could make them un-lost if she were brave enough. After all, if enough lost things band together, even in the darkest depths, they aren't really lost at all anymore.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
At the bottom of philosophy something very true and very desperate whispers: Everyone is hungry all the time. Everyone is starving. Everyone wants so much, more than they can stomach, but the appetite doesn’t converse much with the stomach. Everyone is hungry and not only for food—for comfort and love and excitement and the opposite of being alone. Almost everything awful anyone does is to get those things and keep them. Even the mites and the mussels. But no one can use you up unless you let them.” Almanack gave a great and happy sigh. “The whole point of growing is to get big enough to hold the world you want inside you. But it takes a long time, and you really must eat your vegetables, and most often you have to make the world you want out of yourself.” September
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
When I place my mouth on your neck I am saying "I love you so much I would swallow you if I could, just so I would neer have to walk away from you" When I wrap you up in my spiderweb arms at night I am saying "I want you. Even in my dreams I want you. I will want you when we are ghosts" When I put your fingertips to the veins of my closed eyelids I am saying "I want to be seen in a way there are no words for
Joan Tierney (September: A Map)
The Bible says not that everything is good, but he will work it for good -- to those who love God [Romans 8:28]. Todd didn't claim to be perfect, and neither do I, but we do fall into the category of those who love God. That means as we choose to trust God and follow his desire for our lives, he promises to work everything for good to us both now and in the future. Although I never could have imagined the awful circumstances brought about in the life of my family by the events of September 11, I know that promise from God proved true for Todd on that day. God provided Todd with what he needed -- strong teammates in his fellow passengers, a steady voice of reason in Lisa Jefferson, an opportunity to knowingly make a difference in the course of events, and, of course, after the crash of United Flight 93, the reality of heaven.
Lisa Beamer (Let's Roll!: Ordinary People, Extraordinary Courage)
In our lust for academic excellence, we forget the pride and promise of our children’s first day of school. It is not their destiny on that September day to be the smartest or most accomplished children. It is their time to learn. To learn to be their best, not their best impression of what we want them to be. The next parent who Googles “Is my 2-year-old gifted?” should get a curt response: “Your 2-year-old is a gift.
Ron Fournier (Love That Boy: What Two Presidents, Eight Road Trips, and My Son Taught Me About a Parent's Expectations)
Let It I have a rule about not thinking where I am or what comes next. I guess when you let go of the need to know, everything tends to fall into place. It is okay to dream, to allow your higher self to take care of the rest.So, if something is calling you, answer. If it bursts out of your chest like a trapped bird set free, follow it. There is a mysterious pull that longs to take you exactly where you need to go. Let it.
Lang Leav (September Love)
In September 1970, airplane tickets were outrageously expensive, which meant only the rich could travel. OK, that wasn’t entirely true for an enormous number of young people whom these outdated media outlets could see only for their outward appearance: they wore their hair long, dressed in bright-colored clothing, and never took a bath (which was a lie, but these young kids didn’t read the newspaper, and the older generation believed any news item that served to denigrate those they considered “a danger to society and common decency”). They were a danger to an entire generation of diligent young boys and girls trying to succeed in life, with their horrible example of lewdness and “free love,” as their detractors liked to say with disdain. Well, this ever-growing number of kids had a system for spreading news that no one, absolutely no one, ever managed to detect.
Paulo Coelho (Hippie)
The Chase I have grown soft—forgotten what it was like to go hungry. Love has spoilt me, but I don't miss a man I have to chase. Does that seem sad to you? That I don't miss you? I wish I could tell you about my life. Paint a picture of everything you're missing. Sometimes I still feel you, looking out from behind my eyes. There was a time when I would have given it all to you. But not anymore. The truth is, I loved our love more than I loved you.
Lang Leav (September Love)
Very well.” The Red Wind shrugged, turning the pistol handles toward her. It didn’t matter a whit to the Wind who did the deed, as long as it was done. She seemed to look at September fully for the first time. “You know, I do believe that’s my coat,” she mused. “And that is most certainly my cat.” Iago roared—a roar of love and remembering and recognition and regret. He did not leave the Marquess’s side, but the roar said that he was sorry about it.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
It's a Saturday morning in September, I'm wearing my shining name. The little girl who is now dead sits in the back seat, with her two best dolls, her stuffed rabbit, mangy with age and love. I know all the details. They are sentimental details but I can't help that. I can't think about the rabbit too much though, I can't start to cry, here on the Chinese rug, breathing in the smoke that has been inside Serena's body. Not here, not now, I can do that later.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Even now as the graves of these women went untended, and their passings unmourned, the seeds they had scattered turned the hillsides red and orange from May to September. Some called the pirates’ bounty flame trees, but to us they were known as flamboyant trees, for no one could ignore their glorious blooms, with flowers that were larger than a man’s open hand. Every time I saw them I thought of these lost women. That was what happened if you waited for love.
Alice Hoffman (The Marriage of Opposites)
Perhaps it was true, thought Alistair, that Septembers would come again. People would love the crisp cool of the mornings, and it would not remind them of the week war was declared....Alistair let the idea grow: that when the war's heat was spent, the last remaining pilots would ditch their last bombs into the sea and land their planes on cratered airfields that would slowly give way to brambles. That pilots would take off their jackets and ties, and pick fruit.
Chris Cleave (Everyone Brave Is Forgiven)
I can most certainly say that what happened to our country on September 11 broke my heart and changed me forever. It forced me to rethink everything. What do I really believe? How do I want to raise my kids? What kind of example do I want to set for them? What can I do to give back to this great country I love? How can I use my good fortune to help? It was a turning point and marked the beginning of a new level of service. I found that the more I gave, the more I healed.
Gary Sinise
She was theorizing on the Deep State; that enduring Turkish paranoia that the nation really was a conspiracy run by a cabal of generals, judges, industrialists and gangsters. The Taksim Square massacre of three years before, the Kahramanmaraş slaughter of Alevis a few months after, the oil crisis and the enduring economic instability, even the ubiquity of the Grey Wolves nationalist youth movement handing out their patriotic leaflets and defiling Greek Churches: all were links in an accelerating chain of events running through the fingers of the Derin Devlet. To what end? the men asked. Coup, she said, leaning forward, her fingers pursed. It was then that Georgios Ferentinou adored her. The classic profile, the strength of her jaw and fine cheekbones. The way she shook her head when the men disagreed with her, how her bobbed, curling hair swayed. The way she would not argue but set her lips and stared, as if their stupidity was a stubborn offence against nature. Her animation in argument balanced against her marvellous stillness when listening, considering, drawing up a new answer. How she paused, feeling the regard of another, then turned to Georgios and smiled. In the late summer of 1980 Georgios Ferentinou fell in love with Ariana Sinanidis by Meryem Nasi’s swimming pool. Three days later, on September 12th, Chief of General Staff Kenan Evren overthrew the government and banned all political activity.
Ian McDonald (The Dervish House)
They’re drunk now,” Guy said, “and optimistic, but they will soon be squabbling over household expenses and hoping they’ll find love later in the Meat Rack. They’ll be arguing. ‘Why did you buy that expensive leg of lamb?’ And they become especially cross at the beginning of September when they realise the season is over and they’ve danced their tushes off and fucked a lot in the bushes, but, hey, they haven’t bagged a beau for the winter and they’ve maxed out their credit cards.
Edmund White (Our Young Man)
But to Mrs. Stevens, “Seaview” was only the background of a fortnight in each year which troubled and disturbed her. She hated herself for not enjoying it as the others did. It made her unhappy to pretend she was enjoying herself, because it was a sham: somehow dishonest. Dick, round about fourteen—digging in the sand—his sunburnt legs bare to his tucked up shorts—would run to her suddenly with “Isn’t it lovely, Mum!” and she would say “Lovely” and smile, and hate herself for the lie.
R.C. Sherriff (The Fortnight in September)
September 10, 1965 Dear Francesca, Enclosed are two photographs. One is the shot I took of you in the pasture at sunrise. I hope you like it as much as I do. The other is of Roseman Bridge before I removed your note tacked to it. I sit here trolling the gray areas of my mind for every detail, every moment, of our time together. I ask myself over and over, “What happened to me in Madison County, Iowa?” And I struggle to bring it together. That’s why I wrote the little piece, “Falling from Dimension Z,” I have enclosed, as a way of trying to sift through my confusion. I look down the barrel of a lens, and you’re at the end of it. I begin work on an article, and I’m writing about you. I’m not even sure how I got back here from Iowa. Somehow the old truck brought me home, yet I barely remember the miles going by. A few weeks ago, I felt self-contained, reasonably content. Maybe not profoundly happy, maybe a little lonely, but at least content. All of that has changed. It’s clear to me now that I have been moving toward you and you toward me for a long time. Though neither of us was aware of the other before we met, there was a kind of mindless certainty humming blithely along beneath our ignorance that ensured we would come together. Like two solitary birds flying the great prairies by celestial reckoning, all of these years and lifetimes we have been moving toward one another. The road is a strange place. Shuffling along, I looked up and you were there walking across the grass toward my truck on an August day. In retrospect, it seems inevitable—it could not have been any other way—a case of what I call the high probability of the improbable. So here I am walking around with another person inside of me. Though I think I put it better the day we parted when I said there is a third person we have created from the two of us. And I am stalked now by that other entity. Somehow, we must see each other again. Any place, anytime. Call me if you ever need anything or simply want to see me. I’ll be there, pronto. Let me know if you can come out here sometime—anytime. I can arrange plane fare, if that’s a problem. I’m off to southeast India next week, but I’ll be back in late October. I Love You, Robert P. S., The photo project in Madison County turned out fine. Look for it in NG next year. Or tell me if you want me to send a copy of the issue when it’s published. Francesca Johnson set her brandy glass on the wide oak windowsill and stared at an eight-by-ten black-and-white photograph of herself.
Robert James Waller (The Bridges Of Madison County)
I am as happy here as I have ever been in my life: Ted and I take a long walk each day up to the moors (It’s generally rainy, or at least overcast) and never have I loved country so! All you can see us dark hills of heather stretching toward the horizon, as if you were striding on top of the world; last night at sunset the horizontal light turned us both luminous pink as we hiked in waterproof boots in the wuthering free wind, starting up rabbits that flicked away with a white flag of tail, staring back at the black-faced, gray furred moor sheep that graze, apparently wild, and with their curling horns looking like primeval yellow-eyed druid monsters. I never thought I could like any country as well as the ocean, but these moors are really even better, with the great luminous emerald lights changing always, and the animals and wildness. Read “Wuthering Heights” again here, and really felt it this time more than ever. --from a letter to her mother Aurelia Schober Plath, written on 11 September 1956
Sylvia Plath (Letters of Sylvia Plath, Volume I: 1940-1956)
Feeling suddenly slightly liberated and relaxed, I looked over at him. His eyes fixed on the seat in front of him. His hands were in his lap, fingers dancing around in the air as if he was anxious. “I know I love you because even when you just punched me in my stomach…and by the way, that hurt” he stopped and smiled at me. “I wanted to kiss you.” As soon as the words left his lips, my mouth popped open. My cheeks were hot. The kid in front of us was grinning. He locked his eyes on me and waited for my response. Nosy little kid.
Elizabeth Nicole (September, After Everything)
Yet, ironically, the most tech-cautious parents are the people who invented our iCulture. People are shocked to find out that tech god Steve Jobs was a low-tech parent; in 2010, when a reporter suggested that his children must love the just-released iPad, he replied: “They haven’t used it. We limit how much technology our kids use at home.” In a September, 10, 2014, New York Times article, his biographer Walter Isaacson revealed: “Every evening Steve made a point of having dinner at the big long table in their kitchen, discussing books and history and a variety of things. No one ever pulled out an iPad or computer.” Years earlier, in an interview for Wired magazine, Jobs expressed a very clear anti-tech-in-the-classroom opinion as well—after having once believed that technology was the educational panacea: “I’ve probably spearheaded giving away more computer equipment to schools than anybody on the planet. But I’ve come to the conclusion that the problem is not one that technology can hope to solve. What’s wrong with education cannot be fixed with technology. No amount of technology will make a dent.”34 Education
Nicholas Kardaras (Glow Kids: How Screen Addiction Is Hijacking Our Kids - and How to Break the Trance)
The art of maintaining a good relationship can be compared to sitting by a fireplace. If we sit too close for too long, we become hot and possibly burned. If we sit too far away, we cannot feel the warmth. Similarly, no matter how well we get along with someone, if we stick too close without building in some personal space, we soon feel trapped and burned out. It is easy to take the relationship for granted and feel resentful about not having enough privacy and independence. On the other hand, if we put in too little effort to stay in touch with friends and family, we can’t feel the warmth of their love. Striking a balance is key.
Haemin Sunim (The Things You Can See Only When You Slow Down 16-Month 2018-2019 Wall Calendar: September 2018-December 2019)
A lot of excellent illustrators are working at the moment--especially in fantasy and children's books. It is exciting also to see graphic artists such as Dave McKean, in his film Mirrormask, moving between different media. I also greatly admire the more traditional work of Gennady Spirin and Roberto Innocenti. Kinuko Craft, John Jude Palencar, John Howe, Charles Vess, Brian Froud ... I'll stop there, as the list would get too long. But--in a fit of pride and justified nepotism--I'll add my daughter, Virginia Lee, to the list. Her first illustrated children's book, The Frog Bride [coming out in the U.K. in September, 2007], will be lovely.
Alan Lee
September 15th Begin here. It is raining. I look out on the maple, where few leaves have turned yellow, and listen to Punch, the parrot, talking to himself, and to the rain ticking gently against the windows. I am here alone for the first time in weeks, to take up my 'real' life again at last. That's what is strange -- that friends, even passionate love, are not my real life, unless there is time alone in which to explore and to discover what is happening or has happened. Without the interruptions, nourishing and maddening, this life would become arid. Yet I taste it fully only when I am alone here and 'the house and I resume old conversations.
May Sorton
And much as Lou loved his mother, his adoration of his Eleanor was out of this world. All the affection that had been denied him as a child, all the limitless affection he had to give on his own part and which had never had a chance to expand, came to a head in and about Eleanor. Strong as Mom was, Lou was stronger when it came to his determination to marry Eleanor, and the wedding was set for September, 1933, at the Long Island home of a friend of Eleanor’s. They were to live in an apartment in New Rochelle so as to be near Mom. Mom of course couldn’t understand why Lou didn’t go on living in the house with them so that she could cook and look after him as usual.
Paul Gallico (Lou Gehrig: Pride of the Yankees)
Autumn eats its leaf out of my hand: we are friends. From the nuts we shell time and we teach it to walk: then time returns to the shell. In the mirror it’s Sunday, September 17, 2017 in dream there is room for sleeping, our mouths speak the truth. My eye moves down to the sex of my loved one: we look at each other, we exchange dark words, we love each other like poppy and recollection, we sleep like wine in the conches, like the sea in the moon’s blood ray. We stand by the window embracing, and people look up from the street: it is time they knew! It is time the stone made an effort to flower, time unrest had a beating heart. It is time it were time. It is time. ("Corona")
Paul Celan (Poems of Paul Celan)
I can't remember when I've spent a more...enjoyable Saturday." She sighed, then teased his tongue with hers. "Since I don't intend to move for at least twenty-four hours,we'll see how you like Sunday as well." "I think I'm going to love it." She slid a hand over his shoulder. "I don't like to be pushy, Senator, but when are you going to marry me?" "I thought September in Hyannis Port." "The MacGregor fortess." He saw by her eyes the idea appealed to hre. "But September's two and a half months away." "We'll make it August," he said as he nibbled at her ear. "In the meantime, you and your roommates can move in here, or we can start looking for another place. Would you like to honeymoon in Scotland?" Shelby nestled into his throat. "Yes." She tilted her head back. "In the meantime," she said slowly as her hands wandered down to his waist. "I've been wanting to tell you that there's one of your domestic policies I'm fully in favor or,Senator." "Really?" His mouth lowered to hover just above hers. "You have-" she nipped at his bottom lip "-my full support.I wonder if you could just...run through the prodecure for me one more time." Alan slid a hand down her side. "It's my civic duty to make myself avaiable to all my constituents." Shelby's fingers ran up his chest to stop his jaw just before he captured her lips. "As long as it's only me, Senator." She hooked her arm around his neck. "This is the one-man one-vote system.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
When Benjamin Bloom studied his 120 world-class concert pianists, sculptors, swimmers, tennis players, mathematicians, and research neurologists, he found something fascinating. For most of them, their first teachers were incredibly warm and accepting. Not that they set low standards. Not at all, but they created an atmosphere of trust, not judgment. It was, “I’m going to teach you,” not “I’m going to judge your talent.” As you look at what Collins and Esquith demanded of their students—all their students—it’s almost shocking. When Collins expanded her school to include young children, she required that every four-year-old who started in September be reading by Christmas. And they all were. The three- and four-year-olds used a vocabulary book titled Vocabulary for the High School Student. The seven-year-olds were reading The Wall Street Journal. For older children, a discussion of Plato’s Republic led to discussions of de Tocqueville’s Democracy in America, Orwell’s Animal Farm, Machiavelli, and the Chicago city council. Her reading list for the late-grade-school children included The Complete Plays of Anton Chekhov, Physics Through Experiment, and The Canterbury Tales. Oh, and always Shakespeare. Even the boys who picked their teeth with switchblades, she says, loved Shakespeare and always begged for more. Yet Collins maintained an extremely nurturing atmosphere. A very strict and disciplined one, but a loving one. Realizing that her students were coming from teachers who made a career of telling them what was wrong with them, she quickly made known her complete commitment to them as her students and as people. Esquith bemoans the lowering of standards. Recently, he tells us, his school celebrated reading scores that were twenty points below the national average. Why? Because they were a point or two higher than the year before. “Maybe it’s important to look for the good and be optimistic,” he says, “but delusion is not the answer. Those who celebrate failure will not be around to help today’s students celebrate their jobs flipping burgers.… Someone has to tell children if they are behind, and lay out a plan of attack to help them catch up.” All of his fifth graders master a reading list that includes Of Mice and Men, Native Son, Bury My Heart at Wounded Knee, The Joy Luck Club, The Diary of Anne Frank, To Kill a Mockingbird, and A Separate Peace. Every one of his sixth graders passes an algebra final that would reduce most eighth and ninth graders to tears. But again, all is achieved in an atmosphere of affection and deep personal commitment to every student. “Challenge and nurture” describes DeLay’s approach, too. One of her former students expresses it this way: “That is part of Miss DeLay’s genius—to put people in the frame of mind where they can do their best.… Very few teachers can actually get you to your ultimate potential. Miss DeLay has that gift. She challenges you at the same time that you feel you are being nurtured.
Carol S. Dweck (Mindset: The New Psychology of Success)
That’s nice!—Just five minutes then. I do want to hear everything. Isn’t it lovely—to be going away!” The last words cut Mary like a lash—for they were spoken without a trace of envy. They were spoken softly, and happily. For six years now Mrs. Haykin had looked after the canary when the Stevens went away. For six years, to the Stevens’ own knowledge Mrs. Haykin had not been away herself. The Stevens’ holiday had become Mrs. Haykin’s holiday: she lived every moment of it from her little house in Corunna Road. Soon she would watch them pass on their way to the station. She would not settle to her morning’s work until she had seen their train go by and satisfied herself that they had had ample time to catch it. She always hoped one of them might wave from the window.
R.C. Sherriff (The Fortnight in September)
At some point, Sabine began spending most of her weekends in Arklow, and they started going to the farmers’ market together on Saturday mornings. She didn’t seem to mind the expense and bought freely: loaves of sourdough bread, organic fruits and vegetables, plaice and sole and mussels off the fish van, which came up from Kilmore Quay. Once, he’d seen her pay three euros for an ordinary-looking head of cabbage. In August, she went out along the back roads with the colander, picking blackberries off the hedges. Then, in September, a local farmer told her that she could gather the wild mushrooms from his fields. She made blackberry jam, mushroom soup. Almost everything she brought home she cooked with apparent light-handedness and ease, with what Cathal took to be love.
Claire Keegan (So Late in the Day)
A breeze with September in it blew in off the water. Teddy inhaled deeply. Autumn, even in his childhood, had always been his favorite season. When you’re a kid and your parents are teachers, it’s September, not January, that marks the beginning of a year. He’d always been the first one back to Minerva and loved having the campus all to himself for a day or two before the other students and faculty began trickling back in. Lincoln always arrived next, and then Mickey, since his band usually played somewhere in town the first weekend before classes started. Jacy was always last, coming as late as the middle of the first week of classes. Things couldn’t really begin until then. “You know who I was thinking about on the ferry?” Teddy ventured. “Yep,” Lincoln said. “I do.” And they left it at that.
Richard Russo (Chances Are . . .)
At home, she loved the movies. She loved sitting in the dark, waiting for something wonderful to begin. Especially, the tragic and frightening movies in which ladies fainted dead away and monsters roared up out of the dark. Like in that cartoon her mother had taken her to see when she was very small, in which the dark-haired princess ran away into the terrible forest and the owls flew at her and pecked at her hands. That was wonderful--because the world was suddenly alive and excited and wanted things just the way September herself sometimes wanted things. Even if the world seemed mainly not to want a princess bothering it. September had not liked the princess so much, either, as she had a high, breathy voice she found deeply annoying. But the owls and the mines and the flashing eyes in the wood--that she had liked.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
into the main part of the store. Off to get Kendal, I mouthed to Celine, and she nodded. I stepped out into the September afternoon. Behind me, Eighty-ninth Street stretched several blocks to Riverside Park, a favorite place of mine and Kendal’s. Just ahead the intersection at Broadway sparkled with a steady stream of cars and our neighboring retailers’ windows. A man walking his dog nodded a wordless hello, and a mom with a baby in a stroller bent to pop a pacifier back into her unhappy child’s mouth. A delivery truck double-parked and the car behind it honked its disproval. The air held only a hint that summer was waning. September used to be my favorite month. I liked the way it sweetly bade the summer pastels away and showered the Yard’s shelves with auburn, mocha, and every shade of red. September brought in the serious quilters, those who loved spending
Susan Meissner (A Fall of Marigolds)
Brian Doyle about the Irish custom of “taking to the bed.” He says “In Irish culture, taking to the bed with a gray heart is not considered especially odd. People did and do it for understandable reasons—ill health, or the black dog, or, most horrifyingly, to die during An Gorta Mor, the great hunger, when whole families took to their beds to slowly starve…And in our time: I know a woman who took to her bed for a week after September eleventh, and people who have taken to their beds for days on end to recover from shattered love affairs, the death of a child, a physical injury that heals far faster than the psychic wound gaping under it. I’ve done it myself twice, once as a youth and once as a man, to think through a troubled time in my marriage. Something about the rectangularity of the bed, perhaps, or supinity, or silence, or timelessness; for when you are in bed but not asleep there is no time, as lovers and insomniacs know. Yet, anxious, heartsick, we take to the bed, saddled by despair and dissonance and disease, riddled by muddledness and madness, rattled by malaise and misadventure, and in the ancient culture of my forbears this was not so unusual….For from the bed we came and to it we shall return, and our nightly voyages there are nutritious and restorative, and we have taken to our beds for a thousand other reasons, loved and argued and eater and seethed there, and sang and sobbed and suckled, and burned with fevers and visions and lust, and huddled and howled and curled and prayed. As children we all, every one of us, pretended the bed was a boat; so now, when we are so patently and persistently and daily at sea, why not seek a ship? p. 119-20 Brian Doyle in The Wet Engine: Exploring the Mad Wild Miracle of the Heart, p. 90-91
Brian Doyle (The Wet Engine: Exploring Mad Wild Miracle of Heart)
Through it all that first feeling, on a night more than forty years ago, remains my major feeling: I am so pleased to be here that I can hardly believe I am. What New York represents, perfectly and consistently, in literature and life alike, is the idea of Hope. Hope for a new life, for something big to happen, hope for a better life or a bigger apartment. When I leave Paris, I think, I was there. When I leave New York, I still think: Where was I? I was there of course, and I still couldn’t grasp it all. I love Paris, but I believe in New York and its trinity of values: plurality, verticality, possibility. These are stories of happiness in shadow: the shadow of a darkening time and the shadow of human mortality both. I feel the shadows, we all do, and cringe maybe even more than most. But I try to remember that darkness is a subject, too, and need not always be too sad a one. Shadows are all we have to show us the shapes that light can make.
Adam Gopnik (Through the Children's Gate: A Home in New York)
The winter drove them mad. It drove every man mad who had ever lived through it; there was only ever the question of degree. The sun disappeared, and you could not leave the tunnels, and everything and everyone you loved was ten thousand miles away. At best, a man suffered from strange lapses in judgment and perception, finding himself at the mirror about to comb his hair with a mechanical pencil, stepping into his undershirt, boiling up a pot of concentrated orange juice for tea. Most men felt a sudden blaze of recovery in their hearts at the first glimpse of a pale hem of sunlight on the horizon in mid-September. But there were stories, apocryphal, perhaps, but far from dubious, of men in past expeditions who sank so deeply into the drift of their own melancholy that they were lost forever. And few among the wives and families of the men who returned from a winter on the Ice would have said what they got back was identical to what they had sent down there.
Michael Chabon
September could not even say it was beautiful. It was ever so much bigger and grander than beautiful. She had a feeling stuck in her and she could not name it. It bobbed up and down in her heart like a crystal bottle with a message inside—but she could not get out the stopper. Many years later, folk whose names you and I studied in school went up to the roof of our world and looked down. Perhaps they could name the feeling for her. It’s something like suddenly stepping out of your own skin and seeing yourself from the outside, seeing the body you live in the way it looks to the stars and the sun and the sky and everyone who knows you, without mirrors or photographs or reflections in shop windows. You look at that silly old place you’ve been walking around in and forgetting to brush your teeth or braid your hair neatly and it is nothing like you thought, but somehow, someway, better than you ever hoped it could be. If you want to know a secret—and I do love to tell you secrets when no one else can hear—you cannot grow up at all until you’ve done it, not if you are a little girl nor a whole species.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
The candy-colored pavillions and exhibit halls, fitted out with Saturn rings, lightning bolts, shark's fins, golden grilles and honeycombs, the Italian pavillion with its entire facade dissolving in a perpetual cascade of water, the gigantic cash register, the austere and sinuous temples of the Detroit gods, the fountains, the pylons and sundials, the statues of George Washington and Freedom of Speech and Truth Showing the Way to Freedom had been peeled, stripped, prized apart, knocked down, bulldozed into piles, loaded onto truck beds, dumped into barges, towed out past the mouth of the harbor, and sent to the bottom of the sea. It made him sad, not because he saw some instructive allegory or harsh sermon on the vanity of all human hopes and Utopian imaginings in this translation of a bright summer dream into an immense mud puddle freezing over at the end of a September afternoon - he was too young to have such inklings - but because he had so loved the Fair, and seeing it this way, he felt in his heart what he had known all along, that, like childhood, the Fair was over, and he would never be able to visit again.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
Willie called me one night in September 1991 after I had been gone a few weeks and said, “Let’s get back together.” I knew I loved him, but I told him I wasn’t sure about it. He was trying to change my life, and it was really his way or no way. I just didn’t know what to do. “Let me think about it,” I said. “I’ll call you back tomorrow.” I was convinced she’d found someone else. I was telling all my buddies that it was over between us, and I was gathering other girls’ phone numbers to prepare myself to move on. I just knew it was over, and I wasn’t waiting to hear it from her the next day. I was convinced she wanted to end our relationship but couldn’t muster the courage to tell me. Korie called me the next day, and I was ready to tell her that I didn’t want to get back together anymore and that our relationship was over. I was certainly going to end it before she ended it. I just knew she already had a new boyfriend at Harding. “I’ve got something to tell you,” Korie told me. “What do you want to say?” I asked her, deciding it better to hear her out first. “Let’s get back together,” she said. My ears started buzzing. I threw all the girls’ phone numbers in the trash can. About a month later, Korie and I decided we were going to get married.
Willie Robertson (The Duck Commander Family)
If there’s one thing you learn from me, after hearing about just under one year of my life can it be that you should do whatever makes you happy. People can bring you down, people can bully you, can cheat on you but if you are doing whatever makes you happy they’ll never break you. Like you saw Jacob cried but he went back fighting, no way was he going to drop out that course, it was what he wanted to do in his life and Noah was as happy as always when he told us about Stephen, because he knew although that hurt him he was about to go onto bigger and better things. Oh and never let people hold you back, ever. Mason wouldn’t be going to university this September if he had and he wouldn’t be doing what makes him happy (see full circle). And most of all, always have the courage to stand up and say I am what I am, never apologize for who you are or who you love and always take a chance because you never know what could happen and although some people call it cliché, it’s okay to fall in love with your best friend because sometimes having your best friend as your lover is the best thing you could ask for. I promise. It’s also perfectly acceptable to dress up as a women on a weekly basis and singing popular songs as long as it makes you happy doing so.
R.J. Seeley (Released (Trapped #2))
Korie: Willie and I dated for about eight months, and then I was getting ready to leave for school at Harding University. Willie was still attending seminary school, and I wanted him to go to Harding University with me. But Willie said he wasn’t leaving West Monroe. He wanted me to stay in West Monroe with him. We broke up before I left for school in August, and I’m sure he thought I’d find someone else at college, because that’s what typically happens when you leave home. Willie called me one night in September 1991 after I had been gone a few weeks and said, “Let’s get back together.” I knew I loved him, but I told him I wasn’t sure about it. He was trying to change my life, and it was really his way or no way. I just didn’t know what to do. “Let me think about it,” I said. “I’ll call you back tomorrow.” I was convinced she’d found someone else. I was telling all my buddies that it was over between us, and I was gathering other girls’ phone numbers to prepare myself to move on. I just knew it was over, and I wasn’t waiting to hear it from her the next day. I was convinced she wanted to end our relationship but couldn’t muster the courage to tell me. Korie called me the next day, and I was ready to tell her that I didn’t want to get back together anymore and that our relationship was over. I was certainly going to end it before she ended it. I just knew she already had a new boyfriend at Harding. “I’ve got something I want to tell you,” Korie told me. “What do you want to say?” I asked her, deciding I’d better hear her out first. “Let’s get back together,” she said. My ears started buzzing. I threw all the girls’ phone numbers in the trash can. About a month later, Korie and I decided we were going to get married. Korie: I had turned eighteen in October 1991, so legally I was allowed to do whatever I wanted. But I knew I had to call my parents, Johnny and Chrys, to get their permission. We had had some discussions about my getting married that summer that had not gone so well, so I knew they were not going to be excited about it. I mustered up the courage to make the phone call. “Look, I’m legal, so I’m just going to say it,” I told them. “I’m getting married, and you’re going to have to be behind me or not.” Of course, my parents told me it was the worst idea ever, and they were naturally worried that I was going to leave school and come home. They asked me to at least wait until I’d finished college. I hung up the phone and called Willie immediately. “I just told them and it didn’t go so well,” I blurted out. “They’ve already called me and they’re on their way over here,” he said.
Willie Robertson (The Duck Commander Family)
to look around. At first sight, the apartment was perfectly ordinary. He made a quick circuit of the living room, kitchenette, bathroom, and bedroom. The place was tidy enough, but with a few items strewn here and there, the sort of things that might be left lying around by a busy person—a magazine, a half-finished crossword puzzle, a book left open on a night table. Abby had the usual appliances—an old stove and a humming refrigerator, a microwave oven with an unpronounceable brand name, a thirteen-inch TV on a cheap stand, a boom box near a modest collection of CDs. There were clothes in her bedroom closet and silverware, plates, and pots and pans in her kitchen cabinets. He began to wonder if he’d been unduly suspicious. Maybe Abby Hollister was who she said she was, after all. And he’d taken a considerable risk coming here. If he was caught inside her apartment, all his plans for the evening would be scotched. He would end up in a holding cell facing charges that would send him back to prison for parole violation. All because he’d gotten a bug up his ass about some woman he hardly knew, a stranger who didn’t mean anything. He decided he’d better get the hell out. He was retracing his steps through the living room when he glanced at the magazine tossed on the sofa. Something about it seemed wrong. He moved closer and took a better look. It was People, and the cover showed two celebrities whose recent marriage had already ended in divorce. But on the cover the stars were smiling over a caption that read, Love At Last. He picked up the magazine and studied it in the trickle of light through the filmy curtains. The date was September of last year. He put it down and looked at the end tables flanking the sofa. For the first time he noticed a patina of dust on their surfaces. The apartment hadn’t been cleaned in some time. He went into the kitchen and looked in the refrigerator. It seemed well stocked, but when he opened the carton of milk and sniffed, he discovered water inside—which was just as well, since the milk’s expiration period had ended around the time that the People cover story had been new. Water in the milk carton. Out-of-date magazine on the sofa. Dust everywhere, even coating the kitchen counters. Abby didn’t live here. Nobody did. This apartment was a sham, a shell. It was a dummy address, like the dummy corporations his partner had set up when establishing the overseas bank accounts. It could pass inspection if somebody came to visit, assuming the visitor didn’t look too closely, but it wasn’t meant to be used. Now that he thought about it, the apartment was remarkable for what
Michael Prescott (Dangerous Games (Abby Sinclair and Tess McCallum, #3))
September 19 “The LORD thy God in the midst of thee is mighty; he will save, he will rejoice over thee with joy; he will rest in his love, he will joy over thee with singing.” Zephaniah 3:17 WHAT a word is this! Jehovah God in the centre of his people in all the majesty of his power! This presence alone suffices to inspire us with peace and hope. Treasures of boundless might are stored in our Jehovah, and he dwells in his church, therefore may his people shout for joy. We not only have his presence, but he is engaged upon his choice work of salvation. “He will save.” He is always saving: he takes his name of Jesus from it. Let us not fear any danger, for he is mighty to save. Nor is this all. He abides evermore the same; he loves, he finds rest in loving, he will not cease to love. His love gives him joy. He even finds a theme for song in his beloved. This is exceedingly wonderful. When God wrought creation he did not sing, but simply said, “It is very good;” but when he came to redemption, then the sacred Trinity felt a joy to be expressed in song. Think of it, and be astonished! Jehovah Jesus sings a marriage song over his chosen bride. She is to him his love, his joy, his rest, his song. O Lord Jesus, by thine immeasurable love to us teach us to love thee, to rejoice in thee, and to sing unto thee our life-psalm.
Charles Haddon Spurgeon (The Chequebook of the Bank of Faith: Precious Promises Arranged for Daily Use with Brief Comments)
In the light of the evidence it is hard to believe that most crusaders were motivated by crude materialism. Given their knowledge and expectations and the economic climate in which they lived, the disposal of assets to invest in the fairly remote possibility of settlement in the East would have been a stupid gamble. It makes much more sense to suppose, in so far as one can generalize about them, that they were moved by an idealism which must have inspired not only them but their families. Parents, brothers and sisters, wives and children had to face a long absence and must have worried about them: in 1098 Countess Ida of Boulogne made an endowment to the abbey of St Bertin 'for the safety of her sons, Godfrey and Baldwin, who have gone to Jerusalem'.83 And they and more distant relatives — cousins, uncles and nephews - were prepared to endow them out of the patrimonial lands. I have already stressed that no one can treat the phenomenal growth of monasticism in this period without taking into account not only those who entered the communities to be professed, but also the lay men and women who were prepared to endow new religious houses with lands and rents. The same is true of the crusading movement. Behind many crusaders stood a large body of men and women who were prepared to sacrifice interest to help them go. It is hard to avoid concluding that they were fired by the opportunity presented to a relative not only of making a penitential pilgrimage to Jerusalem but also of fighting in a holy cause. For almost a century great lords, castellans and knights had been subjected to abuse by the Church. Wilting under the torrent of invective and responding to the attempts of churchmen to reform their way of life in terms they could understand, they had become perceptibly more pious. Now they were presented by a pope who knew them intimately with the chance of performing a meritorious act which exactly fitted their upbringing and devotional needs and they seized it eagerly. But they responded, of course, in their own way. They were not theologians and were bound to react in ways consonant with their own ideas of right and wrong, ideas that did not always respond to those of senior churchmen. The emphasis that Urban had put on charity - love of Christian brothers under the heel of Islam, love of Christ whose land was subject to the Muslim yoke - could not but arouse in their minds analogies with their own kin and their own lords' patrimonies, and remind them of their obligations to avenge injuries to their relatives and lords. And that put the crusade on the level of a vendetta. Their leaders, writing to Urban in September 1098, informed him that 'The Turks, who inflicted much dishonour on Our Lord Jesus Christ, have been taken and killed and we Jerusalemites have avenged the injury to the supreme God Jesus Christ.
Jonathan Riley-Smith (The First Crusade and the Idea of Crusading)
To Anita Pollitzer Canyon, Texas 11 September 1916 Tonight I walked into the sunset — to mail some letters — the whole sky — and there is so much of it out here — was just blazing — and grey blue clouds were rioting all through the hotness of it — and the ugly little buildings and windmills looked great against it. But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept on walking — The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and sometimes sheet lightning with a sharp bright zigzag flashing across it —. I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon — Well I just sat there and had a great time all by myself — Not even many night noises — just the wind — I wondered what you are doing — It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldnt tell which house was home — I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful — Pat.
Georgia O'Keeffe
When Diana returned to work on Monday, September 16, she came directly to my bedroom and announced, “Mrs. Robertson, I have something important to tell you.” I could see out of the corner of my eye that she had a slight, mischievous grin on her face. “Go right ahead,” I said as I continued to blow-dry my hair in front of the mirror above the dresser. “No, Mrs. Robertson, I’d like your full attention.” I switched off my hair dryer and faced her as she stood in the doorway. “When you leave for work this morning, you’ll notice a lot of reporters and photographers at the entrance to the mews.” I wondered aloud if the press were following either Lord Vestey, a notorious international financier, or John Browne, a bright young M.P. known as one of “Maggie’s boys,” both of whom lived on our small street. “No, actually, Mrs. Robertson, they’re waiting for me,” Diana said with a great deal of blushing, staring at the floor, and throat clearing. “Good heavens, Diana, why?” “Well . . . I spent last weekend at Balmoral.” “With Prince Andrew?” I asked, remembering my friend Lee’s comment on the way to Glyndebourne. “No, actually, I was there to see Prince Charles.” More blushes and throat clearing, quickly followed by her disclaimer, “But he didn’t invite me. His mother did.” Hearing Diana speak of Her Majesty the Queen as “his mother” certainly gave me a clear picture of the circles in which Diana moved. I gasped and asked, probably rather tactlessly, “Gosh, do you think there’s any chance of a romance developing?” “Not really,” she said with noticeable regret. “After all, he’s thirty-one and I’m only nineteen. He’d never look seriously at me.” So modest, so appealing. I couldn’t imagine him not learning to love her. We certainly had. “Well, Diana, I wouldn’t be so sure,” I replied, thinking of my prediction from July.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
This new surge in morale had nothing to do with Churchill’s speech and everything to do with his gift for understanding how simple gestures could generate huge effects. What had infuriated Londoners was that during these night raids the Luftwaffe seemed free to come and go as it wished, without interference from the night-blind RAF and the city’s strangely quiescent anti-aircraft guns. Gun crews were under orders to conserve ammunition and fire only when aircraft were sighted overhead and, as a consequence, did little firing at all. On Churchill’s orders, more guns were brought to the city, boosting the total to nearly two hundred, from ninety-two. More importantly, Churchill now directed their crews to fire with abandon, despite his knowing full well that guns only rarely brought down aircraft. The orders took effect that Wednesday night, September 11. The impact on civic morale was striking and immediate. Crews blasted away; one official described it as “largely wild and uncontrolled shooting.” Searchlights swept the sky. Shells burst over Trafalgar Square and Westminster like fireworks, sending a steady rain of shrapnel onto the streets below, much to the delight of London’s residents. The guns raised “a momentous sound that sent a chattering, smashing, blinding thrill through the London heart,” wrote novelist William Sansom. Churchill himself loved the sound of the guns; instead of seeking shelter, he would race to the nearest gun emplacement and watch. The new cacophony had “an immense effect on people’s morale,” wrote private secretary John Martin. “Tails are up and, after the fifth sleepless night, everyone looks quite different this morning—cheerful and confident. It was a curious bit of mass psychology—the relief of hitting back.” The next day’s Home Intelligence reports confirmed the effect. “The dominating topic of conversation today is the anti-aircraft barrage of last night. This greatly stimulated morale: in public shelters people cheered and conversation shows that the noise brought a shock of positive pleasure.
Erik Larson (The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz)
I had always been a very physically active person. And I loved my job. I got into the military because of September 11, but I stumbled into a career that I absolutely loved. I was meant to be an infantry soldier. I thought, I will never be physical again and my career in the military is over. One tiny trip wire had taken everything away from me in one explosive moment. I sank into a very dark place. I wallowed in both my physical pain and my mental anguish. One day my parents were sitting by my side in the hospital room--as they did every day--and I turned to my mom and blurted out, “How am I ever gonna be able to tie my shoes again?” Mom rebutted my pity party with, “Well, your father can tie his shoes with one hand. Andy! Show Noah how you can tie your shoes with one hand.” And as I started to protest, Dad cut my whining off at the pass. “Oh my gosh, Noah, I can tie my shoes with one hand.” And he did, as I had seen him do so many times growing up. “I just need a little sympathy,” I said. To which Mom replied, “Well, you’re not getting it today.” A few days after I’d had my shoelace meltdown, after many tears, I found myself drained of emotion, a hollowed-out shell. My mother saw the blank expression on my face and she saw an opportunity to drag me out of the fog. She took it. She came up to my bed, leaned in close--but not so close that the other people in the room couldn’t hear her, and said, “You just had to outdo your dad and lose your arm and your leg.” She smiled, waiting for my reply, but all I could do was laugh. It was funny but it was also at that moment that I think I felt a little spark of excitement and anticipation again. It would take a while to fully ignite the flame but what she said definitely tapped into some important part of me. I have a very competitive side and Mom knew that. She knew just what to say to shake me up, so I could realize, Okay, life will go on from here. I thought to myself, My dad could do a whole lot with just one hand. Imagine how much more impressive it’ll look with two missing limbs. And I smiled the best I could through a wired jaw.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
The key point is that these patterns, while mostly stable, are not permanent: certain environmental experiences can add or subtract methyls and acetyls, changing those patterns. In effect this etches a memory of what the organism was doing or experiencing into its cells—a crucial first step for any Lamarck-like inheritance. Unfortunately, bad experiences can be etched into cells as easily as good experiences. Intense emotional pain can sometimes flood the mammal brain with neurochemicals that tack methyl groups where they shouldn’t be. Mice that are (however contradictory this sounds) bullied by other mice when they’re pups often have these funny methyl patterns in their brains. As do baby mice (both foster and biological) raised by neglectful mothers, mothers who refuse to lick and cuddle and nurse. These neglected mice fall apart in stressful situations as adults, and their meltdowns can’t be the result of poor genes, since biological and foster children end up equally histrionic. Instead the aberrant methyl patterns were imprinted early on, and as neurons kept dividing and the brain kept growing, these patterns perpetuated themselves. The events of September 11, 2001, might have scarred the brains of unborn humans in similar ways. Some pregnant women in Manhattan developed post-traumatic stress disorder, which can epigenetically activate and deactivate at least a dozen genes, including brain genes. These women, especially the ones affected during the third trimester, ended up having children who felt more anxiety and acute distress than other children when confronted with strange stimuli. Notice that these DNA changes aren’t genetic, because the A-C-G-T string remains the same throughout. But epigenetic changes are de facto mutations; genes might as well not function. And just like mutations, epigenetic changes live on in cells and their descendants. Indeed, each of us accumulates more and more unique epigenetic changes as we age. This explains why the personalities and even physiognomies of identical twins, despite identical DNA, grow more distinct each year. It also means that that detective-story trope of one twin committing a murder and both getting away with it—because DNA tests can’t tell them apart—might not hold up forever. Their epigenomes could condemn them. Of course, all this evidence proves only that body cells can record environmental cues and pass them on to other body cells, a limited form of inheritance. Normally when sperm and egg unite, embryos erase this epigenetic information—allowing you to become you, unencumbered by what your parents did. But other evidence suggests that some epigenetic changes, through mistakes or subterfuge, sometimes get smuggled along to new generations of pups, cubs, chicks, or children—close enough to bona fide Lamarckism to make Cuvier and Darwin grind their molars.
Sam Kean (The Violinist's Thumb: And Other Lost Tales of Love, War, and Genius, as Written by Our Genetic Code)