Buggy Sayings And Quotes

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What's he saying?" Buggy asked, her voice shaky. "That there's something up in the attic that we should be careful of because it could be dangerous. "Oh, uh-uh, I'm not going up there," Buggy said, You can send Shaundelle up there, but I'm keeping my little white ass down here.
Deborah Leblanc (Toe to Toe (Nonie Broussard Ghost Tracker Series))
I'll go get the horse and buggy," you'll say. And I'll say, "But I thought we were taking the hovercraft?
David Levithan (The Lover's Dictionary)
Ah," I can hear you say, "so it was all a build-up to bore us with his buggy jiving. He only wanted us to listen to him rave!" But only partially true: Being invisible and without substance, a disembodied voice, as it were, what else could I do? What else but try to tell you what was really happening when your eyes were looking through? And it is this which frightens me: Who knows but that, on the lower frequencies, I speak for you?
Ralph Ellison (Invisible Man)
Back out of all this now too much for us, Back in a time made simple by the loss Of detail, burned, dissolved, and broken off Like graveyard marble sculpture in the weather, There is a house that is no more a house Upon a farm that is no more a farm And in a town that is no more a town. The road there, if you’ll let a guide direct you Who only has at heart your getting lost, May seem as if it should have been a quarry— Great monolithic knees the former town Long since gave up pretense of keeping covered. And there’s a story in a book about it: Besides the wear of iron wagon wheels The ledges show lines ruled southeast-northwest, The chisel work of an enormous Glacier That braced his feet against the Arctic Pole. You must not mind a certain coolness from him Still said to haunt this side of Panther Mountain. Nor need you mind the serial ordeal Of being watched from forty cellar holes As if by eye pairs out of forty firkins. As for the woods’ excitement over you That sends light rustle rushes to their leaves, Charge that to upstart inexperience. Where were they all not twenty years ago? They think too much of having shaded out A few old pecker-fretted apple trees. Make yourself up a cheering song of how Someone’s road home from work this once was, Who may be just ahead of you on foot Or creaking with a buggy load of grain. The height of the adventure is the height Of country where two village cultures faded Into each other. Both of them are lost. And if you’re lost enough to find yourself By now, pull in your ladder road behind you And put a sign up CLOSED to all but me. Then make yourself at home. The only field Now left’s no bigger than a harness gall. First there’s the children’s house of make-believe, Some shattered dishes underneath a pine, The playthings in the playhouse of the children. Weep for what little things could make them glad. Then for the house that is no more a house, But only a belilaced cellar hole, Now slowly closing like a dent in dough. This was no playhouse but a house in earnest. Your destination and your destiny’s A brook that was the water of the house, Cold as a spring as yet so near its source, Too lofty and original to rage. (We know the valley streams that when aroused Will leave their tatters hung on barb and thorn.) I have kept hidden in the instep arch Of an old cedar at the waterside A broken drinking goblet like the Grail Under a spell so the wrong ones can’t find it, So can’t get saved, as Saint Mark says they mustn’t. (I stole the goblet from the children’s playhouse.) Here are your waters and your watering place. Drink and be whole again beyond confusion.
Robert Frost
Customer Development experiments are short, simple, objective pass/fail tests. You’re looking for a strong signal in the signal/noise noise ratio, something like five of the first 12 customers you call on saying “I need this right now, even if it’s still buggy.” Early tests aren’t necessarily precise, but should give you a “good enough” signal to proceed.
Steve Blank (The Startup Owner's Manual: The Step-By-Step Guide for Building a Great Company)
But there was one girl who had a big influence over me. Barbie. I worshipped Barbie. In fact, I would say Barbie was my twelve-inch plastic life coach. She had it all, a camper, a dune buggy, even a dream house. Part of why it was a dream house to me was that she was the only one who lived there. Her boyfriend, Ken, came to visit when she--er, I decided. She had a sports car and would bounce from job to job as she--er, I saw fit.Barbie owned zero floral baby-making dresses. I craved that indepence. And her weird-ass boobs? So what? She still reached the steering wheel of her royal blue sports car. Some people thought that the fact that her feet were fucked and she couldn't stand was a problem. But to me, it meant she was free. Free from standing at a stove, or a washing machine, or with a baby hanging off her hip. She has no hip. She has no hips. Plus, she didn't have to walk; she drove her convertible everywhere. God, I loved Barbie. She was free in every way I knew how to define freedom.
Lizz Winstead (Lizz Free Or Die)
It helps to resign as the controller of your fate. All that energy we expend to keep things running right is not what’s keeping things running right. We’re bugs struggling in the river, brightly visible to the trout below. With that fact in mind, people like me make up all these rules to give us the illusion that we are in charge. I need to say to myself, they’re not needed, hon. Just take in the buggy pleasures. Be kind to the others, grab the fleck of riverweed, notice how beautifully your bug legs scull.
Anne Lamott (Bird by Bird: Some Instructions on Writing and Life)
Uncle Peter is one of our family,” she said, her voice shaking. “Good afternoon. Drive on, Peter.” Peter laid the whip on the horse so suddenly that the startled animal jumped forward and as the buggy jounced off, Scarlett heard the Maine woman say with puzzled accents: “Her family? You don’t suppose she meant a relative? He’s exceedingly black.” God damn them! They ought to be wiped off the face of the earth. If ever I get money enough, I’ll spit in all their faces! I’ll— She glanced at Peter and saw that a tear was trickling down his nose. Instantly a passion of tenderness, of grief for his humiliation swamped her, made her eyes sting. It was as though someone had been senselessly brutal to a child. Those women had hurt Uncle Peter—Peter who had been through the Mexican War with old Colonel Hamilton, Peter who had held his master in his arms when he died, who had raised Melly and Charles and looked after the feckless, foolish Pittypat, “pertecked” her when she refugeed, and “’quired” a horse to bring her back from Macon through a war-torn country after the surrender. And they said they wouldn’t trust niggers! “Peter,” she said, her voice breaking as she put her hand on his thin arm. “I’m ashamed of you for crying. What do you care? They aren’t anything but damned Yankees!
Margaret Mitchell (Gone with the Wind)
For years now I have heard the word “Wait!” It rings in the ear of every Negro with piercing familiarity. This “Wait” has almost always meant “Never.” We must come to see, with one of our distinguished jurists, that “justice too long delayed is justice denied.” We have waited for more than 340 years for our constitutional and God-given rights. The nations of Asia and Africa are moving with jet-like speed toward gaining political independence, but we still creep at horse-and-buggy pace toward gaining a cup of coffee at a lunch counter. Perhaps it is easy for those who have never felt the stinging darts of segregation to say, “Wait.” But when you have seen vicious mobs lynch your mothers and fathers at will and drown your sisters and brothers at whim; when you have seen hate-filled policemen curse, kick, and even kill your black brothers and sisters; when you see the vast majority of your twenty million Negro brothers smothering in an airtight cage of poverty in the midst of an affluent society; when you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six-year-old daughter why she can’t go to the public amusement park that has just been advertised on television, and see tears welling up in her eyes when she is told that Funtown is closed to colored children, and see ominous clouds of inferiority beginning to form in her little mental sky, and see her beginning to distort her personality by developing an unconscious bitterness toward white people; when you have to concoct an answer for a five-year-old son who is asking: “Daddy, why do white people treat colored people so mean?”; when you take a cross-county drive and find it necessary to sleep night after night in the uncomfortable corners of your automobile because no motel will accept you; when you are humiliated day in and day out by nagging signs reading “white” and “colored”; when your first name becomes “nigger,” your middle names becomes “boy” (however old you are), and your last name becomes “John,” and your wife and mother are never given the respected title “Mrs.”; when you are harried by day and haunted by night by the fact that you are a Negro, living constantly at tiptoe stance, never quite knowing what to expect next, and are plagued with inner fears and outer resentments; when you are forever fighting a degenerating sense of “nobodiness”—then you will understand why we find it difficult to wait.
Martin Luther King Jr. (The Autobiography of Martin Luther King, Jr.)
This is because computer science has traditionally been all about thinking deterministically, but machine learning requires thinking statistically. If a rule for, say, labeling e-mails as spam is 99 percent accurate, that does not mean it’s buggy; it may be the best you can do and good enough to be useful. This difference in thinking is a large part of why Microsoft has had a lot more trouble catching up with Google than it did with Netscape. At the end of the day, a browser is just a standard piece of software, but a search engine requires a different mind-set.
Pedro Domingos (The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World)
In Morozov’s critique, we’ve made “the Internet” synonymous with the revolutionary future of business and government. To make your company more like “the Internet” is to be with the times, and to ignore these trends is to be the proverbial buggy-whip maker in an automotive age. We no longer see Internet tools as products released by for-profit companies, funded by investors hoping to make a return, and run by twentysomethings who are often making things up as they go along. We’re instead quick to idolize these digital doodads as a signifier of progress and a harbinger of a (dare I say, brave) new world.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
Let’s say a million users use an application. And one of the most used features is no longer usable because of the buggy code. After this mess, can you tell the client, “Failures are but mileposts on the road to success”?
Ramakrishna Reddy (Confessions of a Software Techie: The Surprising Truth about Things that Really Matter (Software Career Series))
Mencheres leaned forward, catching the laughing young man’s attention. His eyes flashed green before he spoke. “Lean back with her into the corner. Say nothing. You feel no fear.” That familiar complacent look settled over the young man’s face as he draped an arm around Kira and leaned them into the side of the carriage. She almost gasped. With half his body pressed to hers, his pulse seemed to drown out all the other noises around them, focusing her attention on that delicious, steady rhythm. “The hand is safest until you have more experience. Then advance to the wrist, then the neck—but never bite the jugular unless you mean to kill,” Mencheres instructed in a calm voice. The ride entered a faux ballroom filled with images of dozens of dancing ghosts dressed in eighteenth-century attire. Kira looked at them instead of the young man’s face as she slowly drew his hand to her mouth, reminding herself to exert no more pressure than she had when handling those eggs. If anyone could see them, all they’d notice was a couple huddled in the corner of the Doom Buggy, the man’s hand over a woman’s mouth as if urging her to silence. Her glasses hid her glowing eyes, and the young man’s hand blocked her fangs from anyone’s view when they popped out as that throbbing pulse beneath his thumb neared her mouth. She closed her eyes, chanting “gently, gently” to herself as she pressed her fangs into the vein jumping against her lips.
Jeaniene Frost (Eternal Kiss of Darkness (Night Huntress World, #2))
Reaching his destination in a relatively short period of time, Everett was forced to stop in his tracks when Davis suddenly stepped in front him. His footman was not looking his normal affable self but was glaring at Everett, and . . . the man’s fists were clenched. “Is something the matter?” he asked slowly. “I would say so, sir, but since you are my employer, it wouldn’t be proper of me to tell you what that something is, or tell you where I think you should go at the moment.” “I was intending to go to Mrs. Hart’s house.” “You’re not done misleading Miss Millie?” Everett stepped closer to Davis, stopping when the man actually raised one of his clenched fists. “Were you, by chance, present when Miss Dixon spoke to Millie?” “I was, and good thing too, sir, since I was able to fetch Miss Millie a buggy straightaway so she could get away from . . . you.” “Miss Dixon lied, Davis. She admitted to me she told Millie we were still going through with our engagement plans this evening, but I had no intention of asking Caroline to marry me tonight. And as odd as this may sound, Caroline is now happily engaged to Mr. Codman.” “I beg your pardon?” “I wish I could explain more sufficiently, but now is not the time. I need to find Millie.” “Miss Dixon told Miss Millie you only see her as an amusement.” Temper began to boil directly underneath Everett’s skin. “I swear to you, I’ve never looked at Millie as a source of amusement. Granted, I do find her amusing almost all the time, but that’s completely different.” “What are your intentions toward her, sir, if I may be so bold to ask?” “I think it would probably be better for me to discuss those intentions with Millie first, although I can assure you, they are completely honorable.” Davis regarded him for a long moment before he nodded. “Well, that’s all right, then, but I do think you need to find Miss Millie straightaway. She was close to tears when I summoned a buggy for her, and I don’t believe Miss Millie is a lady who is normally prone to tears.” “You’re
Jen Turano (In Good Company (A Class of Their Own Book #2))
That’s so sweet.” “So says the romance novel reader.” “You have something against romance, Callahan?” “Not at all. I have something against schmaltz.” “Schmaltz! That wasn’t schmaltz.” “Darlin’, that picnic was the epitome of schmaltz.” “All right then, Casanova. What should Harry have done to romance his lady?” Gabe stretched his legs out and crossed them at the ankles. He linked his hands behind his head and considered the question. “The bouquet was way overdone. A single rose would be okay, or even better, whatever flower she considered her favorite. Hiring a violinist to ride behind the courting buggy ruined the whole thing.” “Now, why would you say that? It’s terribly romantic.” “You like threesomes, do you?” “What? No!” Gabe chuckled and continued, “A mountain meadow picnic was good, but a linen-draped table? Fine china? Roast duckling? No. Way too formal. Too stuffy. All you need for a romantic mountain meadow picnic is a quilt to spread on the grass and a picnic basket with finger foods. The champagne was a good idea, but it’d have been better if he’d put it to chill in the creek.” “That’s a good idea,” Nic agreed. “What about the poetry and the dancing?” “Depends on the woman, of course. If she’s into that, then yeah. Nothing’s wrong with poetry or dancing.” “What do you do for music if you’ve left the violinist back in town?” “If a guy can carry a tune at all, he can sing softly, or hum. You can dance to birdsong or music in your mind, as far as that goes.” She let that sit a minute, then said, “That’s not bad, Callahan. Not bad at all.” He
Emily March (Angel's Rest (Eternity Springs, #1))
Just a damn minute,” Caleb barked, bringing her up short with a quick grasp on her elbow. “Where do you think you’re going?” “To my brother’s home,” Lily replied, her chin high. “Kindly unhand me, Major. If you don’t, I’ll scream.” Reluctantly Caleb let go of Lily’s arm. He swept his hat off his head and then put it back on again in a single furious motion. “I want to know what you’re doing here,” he hissed, keeping up with Lily’s short strides easily when she set out for Rupert’s home. Wagons and buggies rattled by on the brick street, and Lily indulged in a secret smile. “I’ve become a woman of means, Caleb,” she said, still walking briskly. By that time he’d taken her valise, so she swung her arms at her sides. “I’m going to buy all the things I need to homestead my land.” “That’s crazy. Who’s going to protect you from Indians and outlaws?” “I am,” Lily answered without pause, though inside she didn’t feel so confident. “I suppose I’ll marry one day, though.” Caleb swore softly. “Fine. Marry anybody you want to,” he snapped. “Thank you,” Lily replied in a dulcet tone. “I will.” She turned onto a side street, and her spirits lifted because she could see Rupert’s small house in the distance. “Tell me where you got the money for this harebrained project!” Caleb demanded. Lily looked up at him out of the corner of her eye. “I sold myself to every man on the post,” she whispered. “I let them do everything you’ve ever done.” Caleb was practically apoplectic. “I’m warning you, Lily Chalmers—” “Of what?” Just as Lily would have entered Rupert’s front gate Caleb caught hold of her again. He dropped the valise to the ground and gripped her by both shoulders. “Tell me.” Lily sighed. “I don’t know exactly where the money came from, Caleb,” she said moderately. “My mother sent it. Apparently her circumstances improved considerably after she got rid of us. Now, since I’ve answered your question—and may I say it was none of your business in the first place—will you stop carrying on in public?” Caleb glowered at her and let go of her arm. “We have to talk.” Lily worked the gate latch. “Why?” “Because when you go in there you’re going to find out that I’ve been here asking questions, that’s why.” Lily’s hand froze in midair. “What?” “I’ve hired a Pinkerton man to look for your sisters, Lily.” Lily was stunned. “I told you—” “That you didn’t want to be obligated. I know. But I wanted to do this for you, and I can afford it, so I went ahead.” Before
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Just a damn minute,” Caleb barked, bringing her up short with a quick grasp on her elbow. “Where do you think you’re going?” “To my brother’s home,” Lily replied, her chin high. “Kindly unhand me, Major. If you don’t, I’ll scream.” Reluctantly Caleb let go of Lily’s arm. He swept his hat off his head and then put it back on again in a single furious motion. “I want to know what you’re doing here,” he hissed, keeping up with Lily’s short strides easily when she set out for Rupert’s home. Wagons and buggies rattled by on the brick street, and Lily indulged in a secret smile. “I’ve become a woman of means, Caleb,” she said, still walking briskly. By that time he’d taken her valise, so she swung her arms at her sides. “I’m going to buy all the things I need to homestead my land.” “That’s crazy. Who’s going to protect you from Indians and outlaws?” “I am,” Lily answered without pause, though inside she didn’t feel so confident. “I suppose I’ll marry one day, though.” Caleb swore softly. “Fine. Marry anybody you want to,” he snapped. “Thank you,” Lily replied in a dulcet tone. “I will.” She turned onto a side street, and her spirits lifted because she could see Rupert’s small house in the distance. “Tell me where you got the money for this harebrained project!” Caleb demanded. Lily looked up at him out of the corner of her eye. “I sold myself to every man on the post,” she whispered. “I let them do everything you’ve ever done.” Caleb was practically apoplectic. “I’m warning you, Lily Chalmers—” “Of what?” Just as Lily would have entered Rupert’s front gate Caleb caught hold of her again. He dropped the valise to the ground and gripped her by both shoulders. “Tell me.” Lily sighed. “I don’t know exactly where the money came from, Caleb,” she said moderately. “My mother sent it. Apparently her circumstances improved considerably after she got rid of us. Now, since I’ve answered your question—and may I say it was none of your business in the first place—will you stop carrying on in public?” Caleb glowered at her and let go of her arm. “We have to talk.” Lily worked the gate latch. “Why?” “Because when you go in there you’re going to find out that I’ve been here asking questions, that’s why.” Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Frank looks good.” Irene’s voice at my ear. “When did he get home?” “Yesterday.” “And?” I glanced at the sheriff, who still hovered beside me. I forced a smile to my face. “Everything’s fine. We’ll get things figured out soon. He was exhausted last night. We all went to bed early.” Blood rushed into my face. “Of course he slept in the barn, and . . .” Irene’s head tipped back as she laughed. Sheriff Jeffries’s mouth twisted into a scowl. From across the yard, Frank’s gaze locked on mine. He raised his eyebrows and nodded toward the buggy. “Good-bye, Irene.” I gave her a quick hug, wondering if I would see her again before Frank sent me home. Then I turned to the sheriff. Instead of a good-bye, he held his elbow crooked in my direction. “I’d be happy to escort you to the house.” Sheriff Jeffries’s eyes begged me to say yes. And I knew I ought to oblige. But I found myself wanting to be with my kids again. I didn’t know how much longer I’d have with them. I didn’t want to miss a moment. My mind whirled like the sheriff’s hat. “Thank you, I . . .” Frank had the older kids in the buggy now. He turned toward me with a look of expectancy. “I think I’d better help with the children.” His smile faded a bit, although he seemed to work to make it stay. He walked me to the buggy as if my words hadn’t disappointed him and helped me up to the seat. “Good to have you back, Frank.” Frank nodded. The sheriff touched the brim of his hat and backed away, his gaze undistracted from my face. But Frank’s hard-set jaw and narrowed eyes broke into my line of vision as he plopped Janie in my lap. “If you’re done socializing, we can get on home.” He stalked to the other side of the buggy and hopped up on the seat. I stared at his profile, that rugged face on which I’d seen such vulnerable emotions. But I’d also seen his look of disapproval in church. Now he appeared haughty, almost condescending. My eyes narrowed. What cause did he have to chastise me?
Anne Mateer (Wings of a Dream)
A young Amish girl is going on her first date and her mother is helping her get ready. She puts on gloves, because it is cold out that night and the Amish still ride in buggies. Asks her mother, “Why are you wearing gloves? It isn’t ladylike to wear gloves.” “It’s supposed to be cold tonight. What do I do with my hands if they get cold?” “Just stick your hands between your knees, and they will get warm.” Reluctantly, the girl agrees. Her date picks her up and they go on their way. On the way home the girl’s hands get cold so, following her mother’s orders, she sticks them between her knees. Her date looks over and says, “Why on earth do you have your hands between your legs?” “My mother told me that if my hands got cold, I should stick them between my legs.” “Well, my dick is frozen solid; do you care if I stick it between your legs to get it warm?” “Hmmm...well, I guess I don’t see any harm in it.” After returning home from her date the girl asks her mother, “What do you know about dicks?” “Why?” asks the concerned mother. “What do YOU know about dicks?” “All I know is that when they thaw out they make an awful mess!
Barry Dougherty (Friars Club Private Joke File: More Than 2,000 Very Naughty Jokes from the Grand Masters of Comedy)
I thought the tribes around here were friendly,” she said, her eyes widening as she looked up at Caleb. His broad shoulders moved in a shrug. “If there’s one thing I’ve learned about the red man, it’s that he’s unpredictable.” Lily bit her lower lip, thinking of all the nights ahead, when she would be alone on her little farm with no one to protect her. Caleb favored her with an indulgent smile. “You don’t need to worry, Lily. You’re safe as long as you don’t go wandering off into the countryside by yourself.” The reassurance didn’t help. How on earth could she run a homestead single-handedly and not be alone? “I’ll just have to buy a rifle and practice my shooting,” she reflected aloud. Even though they hadn’t quite reached the valley, Caleb stopped the rig again. “What did you say?” he asked. Lily sighed. “I want to practice shooting. I used to hunt grouse with Rupert, and—” Caleb was staring at her as though she’d just said she planned to ride to the stars on a moonbeam. “A lady’s got no business fooling with a weapon,” he interrupted. Lily sat up very straight. “You’re certainly entitled to your opinion, Major Halliday,” she said primly, “however antiquated and stupid it might be.” Caleb started the rig rolling again with a lurch, slapping the reins down on the horse’s back. “What would you want with a gun?” he asked after a few moments had passed. Although Lily knew her answer would start more trouble, she could no longer hold it back. “I’ll need it for hunting, of course—and to protect myself, should the need arise. I mean to farm for a living, you see.” “By yourself?” There was a note of marvel in Caleb’s voice. “By myself,” Lily confirmed as the horse and buggy topped a grassy knoll.
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Aida Manduley, LCSW, is a Latinx activist, trauma-focused clinician with a basis in liberation health and healing justice, and a human discotheque. They say, The biggest lie that we’re told—and I would say that this goes for everyone, just in different flavors—the lie that we’re told is that we have to do it by ourselves. No one does anything by themselves. Any person who says they got to where they are by themselves is lying, either actively lying or deeply misinformed and spouting a lie. Look, find me any famous person, find me any philosopher, find me any person who’s made it into the history books. A huge reason why they were able to is because they had people making their food and caring for their children, driving their cars, or horse buggies or whatever. None of these people did it by themselves. The fact that they got help was just erased. So now, other people think, “Oh, well, I gotta do it myself. This other person did it, so clearly, I gotta do it, too.” That’s not how it worked for them either. Actually, they got a lot of help.
Heather Corinna (What Fresh Hell Is This?: Perimenopause, Menopause, Other Indignities, and You)
Josie, if I didn’t know better, I’d say that’s Jake driving his buggy like a madman up our drive.” Jill’s eyes widened as she dropped her fork. —Jillian Hayes, "Sparrow’s Hope" by Lisa M. Prysock.
Lisa M. Prysock (Sparrow's Hope (Montana Meadows, #2))
So what is human nature? What are the needs of any human child? It doesn't matter what human child. Whether you are looking at human living close to the North Pole or the South Pole, in the East or the West, in Europe or in Africa or Asia or North America, wherever, what are the needs of the human child? The essential needs of the human child is for attachment. Attachment is a biological drive for connection with another human being. And it is an essential drive because without it we can't survive. The human child is the most immature, most dependent and most vulnerable creature in the universe. So without somebody looking after her or him, they just don't survive. So that attachment drive, you can say that is part of our human nature. In other words, we are born for love because another word for attachment is love. Not only the love of the child or the attachment of the child to the parent, but also the love and attachment of the parent to the child. So attachment is this drive that pulls two human beings together for the purpose of being taken care of or for the purpose of taking care of. And, of course, attachment also pulls human beings together for reasons throughout the lifespan. Human beings did not live the way we live through most of human existence. For most of our existence we live in small-band hunter-gatherer groupings, 60 to 80 to 100 human beings living together. And that meant that children were always around their parents, always. There was no separation. Not only around their parents, but around a whole group of adults, all of whom acted as parental figures in the child's life. So a child grew up and ensconced in a network of very safe attachments. Safe in the sense that everybody cared for the child. Number two.. when you study hunter-gatherer groups, they always carried their kids everywhere. The North American natives had the papoose where they carried their children everywhere. It is not infrequent these days to see a parent pushing a buggy and playing with their cellphones at the same time. Do we think that the kid in the buggy whose parents are on their cellphone is getting the same kind of information about the world as the baby who is being carried on the parents' chest, back or belly? Number three.. they didn't let their kids cry. I don't mean that they forbade crying.. you can't forbid a 2-month-old from crying, but if they cried they were immediately cuddled. Here in North America we actually tell or teach parents not to pick up their kids when they are crying. That's called "sleep training." We are actually telling parents "don't pick up your kids when they are crying because we want them to sleep through the night and if you pick them up, they will learn that they can just wake you up in the middle of night and then you can't go to work in the morning." And the fourth thing is, generally, hunter-gatherer groups don't hit their kids. If they do, it is only in an acute situation when the kid is about to crawl into an anthill and pick them up and quickly slap them in the bottom, teach them not to do that. But it is not a question of spanking as punishment.
Gabor Maté
Ash, you’ve been nothing but perfect since you decided to grow up. Sure, you used to help me put frogs in people’s mailboxes, but that girl’s gone. You wanted to be perfect, and you achieved it.” She laughed and sat back up. I chanced a glance over at her. The dimple was there tucked into her cheek as she gazed down at the water. “If you only knew,” was all she said. “Tell me.” The words were out of my mouth before I could stop them. “Why?” Because I want you. Just you. The girl I know is in there hiding from the world. I want my Ash back. I couldn’t say it like that. She’d see too much. I had to protect myself. “Because I’d like to know you aren’t so perfect. I’d like to know the girl who I once knew was still in there somewhere.” She laughed again and pulled her legs up to rest her chin on them. “There’s no way I’m admitting all my faults to you. Considering most of them are just in my thoughts and I’ve never acted on them.” What I would give to know what bad thoughts Ashton kept locked away. I doubted they were anything as bad as I wanted them to be. But hell, just a little bit of naughty would drive me crazy. “I’m not asking for your deep dark secrets, Ash. I just want to know what you could possibly do wrong that makes you feel that Sawyer’s got to keep you in line.” Her cheeks turned pink, but she kept her eyes straight ahead. She wasn’t going to tell me. I hadn’t really expected her to. Ashton had been hiding inside herself for years now. It still hurt so fucking bad when I thought of the girl I’d lost. The one she wouldn’t let me see anymore. After a few minutes of silence, I stood up and stretched. I couldn’t do this. I built a wall three years ago to keep from getting hurt. Only Ashton held the power to hurt me. I couldn’t let her do it again. “That’s fine,” I said. “I don’t really need you to tell me how you don’t always remember to take the buggy back to the return place in the parking lot or you don’t make it to the nursing home every week.” I started to walk away, angry at myself for sounding like a jerk but needing to get the hell away from her. This had been a mistake. A big-ass mistake that I was going to pay for. “Those are things Sawyer has to help me remember…But I wasn’t exactly referring to them.” She said it so softly I almost didn’t hear her. I should keep walking. I needed to stop this. But I never did the right thing.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
That’s fine,” I said. “I don’t really need you to tell me how you don’t always remember to take the buggy back to the return place in the parking lot or you don’t make it to the nursing home every week.” I started to walk away, angry at myself for sounding like a jerk but needing to get the hell away from her. This had been a mistake. A big-ass mistake that I was going to pay for. “Those are things Sawyer has to help me remember…But I wasn’t exactly referring to them.” She said it so softly I almost didn’t hear her. I should keep walking. I needed to stop this. But I never did the right thing. I turned back around to look at her. She was peering up at me through her wet eyelashes. “I’m just like any other teenage girl. I envy Nicole because she can be who she wants to be. I can’t. But it isn’t Sawyer’s fault. I’ve never been able to give in to those urges. My parents expect me to be good.” What the hell? “You want to be like Nicole?” I asked in horror. She laughed and shook her head. “Not exactly. I don’t desire to vomit on myself and be carried inside my house drunk…or be known as a slut. But just once I’d like to know what it feels like to do more than just kiss. To be touched.” She stopped and turned her gaze back toward the water. “Maybe to know what the thrill of sneaking out of my house feels like or how it feels to be wanted by someone so desperately they can’t help themselves when they kiss me. Maybe to just feel desirable.” She stopped again and covered her face with both her hands. “Please forget I said all that.” Talk about an impossible request. I was having a hard enough time breathing. Ah, fuck it all to hell. I was screwed. I needed to remember Sawyer. I loved him. He was my family. He was an idiot for not kissing every damn spot on Ashton’s sexy little body and enjoying the gift he had. But he was still my family. I couldn’t do this. She let her hands drop away from her face and turned her guilt-ridden expression back up toward me. The lost look in her eyes was killing me. I wanted to assure her nothing was wrong with her. I wanted to promise to show her exactly how insane she made me. I could show her in five minutes just how desirable she was. She stood up. “So now you know my secrets, Beau. Just like old times. I think that makes us friends again, huh?” The smile on her lips trembled. Fuck me. “Yeah, I’d say it does.” I replied as regret consumed me.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))