Bugger Off Quotes

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Kate smirked. "What?" "Your horse looks pink." "So?" "If you paste some stars on her butt you'll be riding My Little Pony." "Bugger off." I patted the mare's neck. "Don't listen to her, Sugar. You are the cutest horsey ever. The correct name for her color is strawberry roan, by the way." "Strawberry Shortcake, more like it. Does Strawberry Shortcake know you stole her horse? She will be berry, berry angry with you." I looked at her from under half-lowered eyelids. "I can shoot you right here, on this road, and nobody will ever find your body.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
Per your request and his, this is how it's going to be from now on. When I want to ask you to abandoned buildings or kiss those lips of yours or stare into your otherworldly eyes or imagine what you look like under all those baggy drab clothes you're always hiding in or ravish you on some grimy floor like I'm desperate to this very minute, I'll just bugger off on my Hippity Hop. Deal?
Jandy Nelson (I'll Give You the Sun)
We need to borrow your boat," said Vimes. "Bugger off!" "I'm choosing to believe that was a salty nautical expression meaning 'Why, certainly,'" said Vimes.
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
It’s hard to be an ornithologist and walk through a wood when all around you the world is shouting: ‘Bugger off, this is my bush! Aargh, the nest thief! Have sex with me, I can make my chest big and red!
Terry Pratchett (Monstrous Regiment (Discworld, #31))
Bugger off sweetheart Nanny's busy
Terry Pratchett
Feel free to bugger off and die at any time.’ Dan scowled.
Malorie Blackman (Double Cross)
Under no circumstances are you to butter your entire roll and, my God!” she cried suddenly, switching Lan’s hand three times in rapid succession. “Never lick your knife!” “Ouch! Fine! Buggering fuck! Leave off with that beshitted thing!” The dead woman let out a sound like the chirping of a bird, staring at her with an indignation that was nearly horror. “Ladies,” she sputtered at last. “Ladies do not say bugger or fuck!” “But beshitted’s all right?” Lan asked cautiously. “No, it is not!” “You know, I may not be as mannered-up as you are, but in Norwood, it’s rude to yell at the table.
R. Lee Smith (Land of the Beautiful Dead)
look here you old, painted hussy! I am neither a tart, a trollop, nor am I a strumpet! I am a lady of refined breeding and culture, so bugger off, before this little poppet pops you one in that ugly, wrinkled mug!
L.T. Suzuki (The Magic Crystal (The Dream Merchant Saga, #1))
Fine,” Will said. “I promise. I promise I’ll just bugger off whenever it seems like the easy way out for me, and leave you in this hundred-room hellhole with your family rubbing cheese-graters on your nerve endings. Is that what you want to hear?” “I detect a note of sarcasm.
K.J. Charles (Subtle Blood (The Will Darling Adventures, #3))
. . . Do you want to share a black cab?’ Black cabs were an extravagance that Neve couldn’t afford, not this far away from payday, but that wasn’t the reason why she declined. ‘No, thank you. I’m perfectly all right with catching the tube.’ ‘OK, tube it is,’ Max agreed, because he was quite obviously emotionally tone deaf and couldn’t sense the huge ‘kindly bugger off’ vibes that Neve was sure she was emitting.
Sarra Manning (You Don't Have to Say You Love Me)
Now, here’s a philosophical dilemma for a vicar … is it a lie if you don’t know you’re lying? Is it a lie if you’re lying to yourself?” “Is it a sin if I tell my cousin to bugger off?
Julie Anne Long (A Notorious Countess Confesses (Pennyroyal Green, #7))
I’m going that way too. I live in Crouch End. Do you want to share a black cab?’ Black cabs were an extravagance that Neve couldn’t afford, not this far away from payday, but that wasn’t the reason why she declined. ‘No, thank you. I’m perfectly all right with catching the tube.’ ‘OK, tube it is,’ Max agreed, because he was quite obviously emotionally tone deaf and couldn’t sense the huge ‘kindly bugger off’ vibes that Neve was sure she was emitting. ‘You’re still mad at me, aren’t you?’ ‘You apologised, why would I still be mad at you?’ ‘One day we’ll laugh about this. When little Tommy asks how we met, I’ll say, “Well, son, I threw an ice cube at your mother, then slapped her arse, and we’ve been inseparable ever since.
Sarra Manning (You Don't Have to Say You Love Me)
One day in the 1950s, one of Churchill’s grandsons poked his head into the old man’s study. Is it true, the child inquired, that you are the greatest man in the world? Churchill, in typical fashion, responded, “Yes, and now bugger off.” The
Thomas E. Ricks (Churchill and Orwell)
He looked incredulous, throwing his hands up in disbelief. "You snuck out of my flat like I was some drunken lay you were ashamed of." He couldn't have been more wrong. I crossed my arms over my chest, a protective measure, as I shook my head and refused to meet his gaze. "You want to disabuse me of that notion and tell me exactly why I got out of the shower this morning to find you'd buggered off?
Samantha Young (On Dublin Street (On Dublin Street, #1))
Ridcully sighed. 'All right, you fellows,' he said. 'No magic at Table, you know the rules. Who's playing silly buggers?' The other senior wizards stared at him. 'I, I, I don't think we can play it any more,' said the Bursar, who at the moment was only occasionally bouncing off the sides of sanity, 'I, I, I think we lost some of the pieces...
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
Mirabeau: “If you have been told to clear us from this hall, you must ask for orders to use force. We shall leave our seats only at bayonet point. The King can cause us to be killed; tell him we all await death; but he need not hope that we shall separate until we have made the constitution.” Audible only to his neighbor, he adds, “If they come, we bugger off, quick.
Hilary Mantel (A Place of Greater Safety)
No wonder everyone is keen to put their feet up and let Fate look after them. It's rather like your granddad. Or a very hands-on organised person, sort of your own personal PA. Only in my experience Fate is no such thing, and the same goes for his little brother, Destiny. Quite frankly they’ve made a real mess of things where I’m concerned. So from now on they can bugger off and stop meddling. I’m taking charge of my own life, and when it comes to love, Fate can mind its own bloody business.
Alexandra Potter (You're The One That I Don't Want)
Nigel was smiling, the bloody sod. He was loving playing the formal English butler, watching Nicholas turn red and tongue-tied. He saw Mike was grinning, quite enjoying herself. “Oh, bugger off, both of you.” He stomped up the stairs, the sound of Mike’s and Nigel’s laughter following him.
Catherine Coulter (The Lost Key (A Brit in the FBI #2))
One day in 1987 Fallows was standing at a window in a London bank waiting to be served when a would-be robber named Douglas Bath stepped in front of him, brandished a handgun and demanded money from the cashier. Outraged, Fallows told Bath to ‘bugger off’ to the back of the line and wait his turn, to the presumed approving nods of others in the queue. Unprepared for this turn of events, Bath meekly departed from the bank empty-handed and was arrested a short distance away.
Bill Bryson (Notes From A Small Island: Journey Through Britain)
Flaw chuckled. “Good God, man, you have no shame.” I wanted him to bugger off. My heart disintegrated and my core clenched to have Jethro inside me again. I was wet, wanting. Jethro laughed. “I’m not embarrassed to be honest for the first time in my life. This woman is mine. I love her, and I don’t fucking care who knows it.
Pepper Winters (Fourth Debt (Indebted, #5))
Click. The salamander flared, etching the room with searing white light and dark shadows. Otto screamed. He fell to the floor, clutching at his throat. He sprang to his feet, goggle-eyed and gasping, and staggered, knock-kneed and wobbly-legged, the length of the room and back again. He sank down behind a desk , scattering paperwork with a wildly flailing hand. "Aarghaarghaaaargh..." There was a shocked silence. Otto stood up, adjusted his cravat, and dusted himself off. Only then did he look up at the row of shocked faces. "Vel?" he said sternly. "Vat are you all looking at? It is just a normal reaction, zat is all. I am vorking on it. Light in all its forms is mine passion. Light is my canvas, shadows are my brush." But strong light hurts you!" said Sacharissa. "It hurts vampires!" "Yes. It iss a bit of a bugger, but zere you go.
Terry Pratchett (The Truth: Stage Adaptation)
Every time she enters the room, we can all hear your heart beating.” West felt his color heighten. “Bugger off.
Lisa Kleypas (Devil's Daughter (The Ravenels #5))
Roark reached for the 'link again, cursed himself for a fool, then turned away from it. He wasn’t going to keep calling her, her friends, her haunts, hoping for a scrap. Bugger that. She’d be home when she came home. Or she wouldn’t. Christ Jesus, where was she? Why the hell was she putting him through this? He’d done nothing to earn it. God knew he’d done plenty along the way to earn her wrath, but not this time. Not this way. Still, that look on her face that morning had etched itself in his head, on his heart, into his guts. He couldn’t burn it out. He’d seen that look once or twice before, but not on his account. He’d seen it when they’d gone to that fucking room in Dallas where she’d once suffered beyond reason. He’d seen it when she tore out of a nightmare. Didn’t she know he’d cut off his own hand before he’d put that look on her face? She bloody well should know it. Should know him. This was her own doing, and she’d best get her stubborn ass home right quick so they could have this out as they were supposed to have things out. She could kick something. Punch something. Punch him if that would put an end to it. A good rage, that’s what was needed here, he told himself, then they’d be done with this nonsense once and for all. Where the fucking hell was she? He considered his own rage righteous, deserved—and struggled not to acknowledge it hid a sick panic that she didn’t mean to come back to him. She’d damn well come back, he thought furiously. If she thought she could do otherwise, he had a bulletin for her. He’d hunt her down, by Christ, he would, and he’d drag her back where she belonged. Goddamn it all, he needed her back where she belonged. He paced the parlor like a cat in a cage, praying as he rarely prayed, for the remote in his pocket to beep, signaling the gates had opened. And she was coming home.
J.D. Robb (Innocent in Death (In Death, #24))
Bugger off kitty!" - Ryou "But before we begin this duel to the death, I have just one question. Could I get a hug?" - Melvin "Help! This supermodel is one of my fangirls!" - Ryou "A locked door?! Impossiblllllll- No wait, that's totally possible. What am I talking about?" - Melvin "Let's ditch the tosser!" - Ryou "What a lovely day." - Melvin "Gangway; women and shemales first!" -Ryou "This door is a bitch!" - Melvin "Can I be the main character now?" - Ryou "'STAB'. (Denied.) 'KILL'. (Denied.) 'MUTIL-' Ah dammit, there aren't enough spaces! Umm... 'PAIN'. (Denied.) Why are these the only words I know?!" - Melvin "I'm here to kick ass and drink cups of tea. And I'm all out of tea." - Ryou
Little Kuriboh Ryou and Melvin
Granny Weatherwax personally disliked young Pewsey. She disliked all small children, which is why she got on with them so well. In Pewsey's case, she felt that no one should be allowed to wander around in just a vest even if they were four years old. And the child had a permanently runny nose and ought to be provided with a handkerchief or, failing that, a cork. Nanny Ogg, on the other hand, was instant putty in the hands of any grandchild, even one as sticky as Pewsey "Want sweetie," growled Pewsey, in that curiously deep voice some young children have. "Just in a moment, my duck, I'm talking to the lady," Nanny Ogg fluted. "Want sweetie now." "Bugger off, my precious, Nana's busy right this minute." Pewsey pulled hard on Nanny Ogg's skirts. "Now sweetie now!" Granny Weatherwax leaned down until her impressive nose was about level with Pewsey's gushing one. "If you don't go away," she said gravely, "I will personally rip your head off and fill it with snakes." "There!" said Nanny Ogg. "There's lots of poor children in Klatch that'd be grateful for a curse like that." Pewsey's little face, after a second or two of uncertainty, split into a pumpkin grin. "Funny lady," he said.
Terry Pratchett (Lords and Ladies (Discworld, #14; Witches, #4))
I can't sleep. The pills don't work anymore. I'm just saving them up now. It's no good imagining gardens and garden gates, that used to help. Now I lie for hours staring at the ceiling. Human life is a scene of horror. I hope you enjoyed the cheese soufflé. Nothing could be more important than that Mozart died a pauper, except that Shakespeare stopped writing. A scene of horror. You'd better go home.' 'But what were you saying?' 'Nothing. What you can't say you can't say and you can't whistle it either, as my old philosophy tutor used to observe. Bugger off, will you.' 'OK,' I said. 'Good-bye, in case you should decide to kill yourself tonight.' 'Good-bye.
Iris Murdoch
Look, Bob, what part of this don't you understand, eh? It's a matter of style, okay? A proper brawl doesn't just happen. You don't just pile in, not anymore. Now, Oyster Dave here--put your helmet back on, Dave--will be the enemy in front, and Basalt, who, as we know, don't need a helmet, he'll be the enemy coming up behind you. Okay, it's well past knuckles time, let's say Gravy there has done his thing with the Bench Swipe, there's a bit of knife play, we've done the whole Chandelier Swing number, blah blah blah, then Second Chair--that's you, Bob--you step smartly between their Number Five man and a Bottler, swing the chair back over your head, like this--sorry, Pointy--and then swing it right back onto Number Five, bang, crash, and there's a cushy six points in your pocket. If they're playing a dwarf at Number Five, then a chair won't even slow him down, but don't fret, hang on to the bits that stay in your hand, pause one moment as he comes at you, and then belt him across both ears. They hate that, as Stronginthearm here will tell you. Another three points. It's probably going to be freestyle after that but I want all of you, including Mucky Mick and Crispo, to try for a Double Andrew when it gets down to the fist-fighting again. Remember? You back into each other, turn around to give the other guy a thumping, cue moment of humorous recognition, then link arms, swing round and see to the other fellow's attacker, foot or fist, it's your choice. Fifteen points right there if you get it to flow just right. Oh, and remember we'll have an Igor standing by, so if your arm gets taken off do pick it up and hit the other bugger with it, it gets a laugh and twenty points. On that subject, do remember what I said about getting everything tattooed with your name, all right? Igors do their best, but you'll be on your feet much quicker if you make life easier for him and, what's more, it's your feet you'll be on. Okay, positions, everyone, let's run through it again...
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
I am still vaguely haunted by our hitchhiker’s remark about how he’d “never rode in a convertible before.” Here’s this poor geek living in a world of convertibles zipping past him on the highways all the time, and he’s never even ridden in one. It made me feel like King Farouk. I was tempted to have my attorney pull into the next airport and arrange some kind of simple, common-law contract whereby we could just give the car to this unfortunate bastard. Just say: “Here, sign this and the car’s yours.” Give him the keys and then use the credit card to zap off on a jet to some place like Miami and rent another huge fireapple-red convertible for a drug-addled, top-speed run across the water all the way out to the last stop in Key West … and then trade the car off for a boat. Keep moving. But this manic notion passed quickly. There was no point in getting this harmless kid locked up—and, besides, I had plans for this car. I was looking forward to flashing around Las Vegas in the bugger. Maybe do a bit of serious drag-racing on the Strip: Pull up to that big stoplight in front of the Flamingo and start screaming at the traffic: “Alright, you chickenshit wimps! You pansies! When this goddamn light flips green, I’m gonna stomp down on this thing and blow every one of you gutless punks off the road!” Right. Challenge the bastards on their own turf. Come screeching up to the crosswalk, bucking and skidding with a bottle of rum in one hand and jamming the horn to drown out the music … glazed eyes insanely dilated behind tiny black, gold-rimmed greaser shades, screaming gibberish … a genuinely dangerous drunk, reeking of ether and terminal psychosis. Revving the engine up to a terrible high-pitched chattering whine, waiting for the light to change … How often does a chance like that come around? To jangle the bastards right down to the core of their spleens. Old elephants limp off to the hills to die; old Americans go out to the highway and drive themselves to death with huge cars.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
He cuts off a young boy's four limbs, buggers the torso, feeds him well and so keeps him alive; as the limbs were not cut off too close to the torso, he lives for a long time – he buggers him thus for more than a year.
Marquis de Sade (The 120 Days of Sodom)
Off administering a country seat, indeed. Robin had nothing against the country, but could never shake the impression that it would rather everyone buggered off to town and let it administer itself back into wilderness.
Freya Marske (A Marvellous Light (The Last Binding, #1))
Of course Kim had buggered off as unpredictably as he'd appeared, because he was an untrustworthy shit and a lord. There had never been any other possible outcome. Only, while he was around, he'd given Will a taste for starlight
K.J. Charles (The Sugared Game (The Will Darling Adventures, #2))
It was absurd that the pulsebeat of desire was as strong as ever. It was absurd that Kim was looking at him now with something raw and painful in his eyes after buggering off for two bloody months. It was absurd that Will couldn't look away.
K.J. Charles (The Sugared Game (The Will Darling Adventures, #2))
With five billion people in the world you couldn’t pick the buggers off one by one any more; you had to spread your effort. But demons like Ligur and Hastur wouldn’t understand. They’d never have thought up Welsh-language television, for example. Or VAT. Or Manchester. He’d been particularly pleased with Manchester.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
But you couldn’t tell that to demons like Hastur and Ligur. Fourteenth century minds, the lot of them. Spending years picking away at one soul. Admittedly it was craftsmanship, but you had to think differently these days. Not big, but wide. With five billion people in the world you couldn’t pick the buggers off one by one any more; you had to spread your effort
Terry Pratchett (Good Omens)
Because there’s such an unbelievable amount that we’re all supposed to be able to cope with these days. You’re supposed to have a job, and somewhere to live, and a family, and you’re supposed to pay taxes and have clean underwear and remember the password to your damn Wi-Fi. Some of us never manage to get the chaos under control, so our lives simply carry on, the world spinning through space at two million miles an hour while we bounce about on its surface like so many lost socks. Our hearts are bars of soap that we keep losing hold of; the moment we relax, they drift off and fall in love and get broken, all in the wink of an eye. We’re not in control. So we learn to pretend, all the time, about our jobs and our marriages and our children and everything else. We pretend we’re normal, that we’re reasonably well educated, that we understand “amortization levels” and “inflation rates.” That we know how sex works. In truth, we know as much about sex as we do about USB leads, and it always takes us four tries to get those little buggers in. (Wrong way round, wrong way round, wrong way round, there! In!) We pretend to be good parents when all we really do is provide our kids with food and clothing and tell them off when they put chewing gum they find on the ground in their mouths. We tried keeping tropical fish once and they all died. And we really don’t know more about children than tropical fish, so the responsibility frightens the life out of us each morning. We don’t have a plan, we just do our best to get through the day, because there’ll be another one coming along tomorrow.
Fredrik Backman (Anxious People)
The diameter divides into the circumference, you know. It ought to be three times. You'd think so, wouldn't you? But does it? No. Three point one four one and lots of other figures. There's no end to the buggers. Do you know how pissed off that makes me?" "I expect it makes you extremely pissed off," said Teppic politely. "Right. It tells me that the Creator used the wrong kind of circles. It's not even a proper number! I mean, three point five, you could respect. Or three point three. That'd look *right*." He stared morosely at the pie.
Terry Pratchett (Pyramids (Discworld, #7))
A (impatient): Well? B (reading): "... sick headaches... eye trouble... irrational fear of vipers... ear trouble... "--nothing for us there--"... fibroid tumours... pathological horror of songbirds... throat trouble... need of affection... "--we're coming to it--"... inner void... congenital timidity... nose trouble... "--ah! listen to this--"... morbidly sensitive to the opinions of others..." (Looks up.) What did I tell you? A (glum): Tsstss! B: I'll read the whole passage: "... morbidly sensitive to the opinion of others--" (His lamp goes out.) Well! The bulb has blown! (The lamp goes on again.) No, it hasn't! Must be a faulty connection. (Examines the lamp, straightens the flex.) The flex was twisted, now all is well. (Reading.) "... morbidly sensitive--" (The lamp goes out.) Bugger and shit! Pause. (next two lines spoken on top of each other) B: "... morbidly sensitive--" A: Keep your hands off the table. B: What? A: Keep your hands off the table. If it's a connection the least jog can do it. B: (having pulled back his chair a little way): "... morbidly sensitive--" The lamp goes out. B Bangs on the table with his fist. The lamp goes on again. Pause. A: Mysterious affair, electricity.
Samuel Beckett (Ends & Odds)
As Merripen gave the ribbons to a stableman at the mews, Amelia glanced toward the end of the alley. A pair of street youths crouched near a tiny fire, roasting something on sticks. Amelia did not want to speculate on the nature of the objects being heated. Her attention moved to a group—three men and a woman—illuminated in the uncertain blaze. It appeared two of the men were engaged in fisticuffs. However, they were so inebriated that their contest looked like a performance of dancing bears. The woman’s gown was made of gaudily colored fabric, the bodice gaping to reveal the plump hills of her breasts. She seemed amused by the spectacle of two men battling over her, while a third attempted to break up the fracas. “’Ere now, my fine jacks,” the woman called out in a Cockney accent, “I said I’d take ye both on—no need for a cockfight!” “Stay back,” Merripen murmured. Pretending not to hear, Amelia drew closer for a better view. It wasn’t the sight of the brawl that was so interesting—even their village, peaceful little Primrose Place, had its share of fistfights. All men, no matter what their situation, occasionally succumbed to their lower natures. What attracted Amelia’s notice was the third man, the would-be peacemaker, as he darted between the drunken fools and attempted to reason with them. He was every bit as well dressed as the gentlemen on either side … but it was obvious this man was no gentleman. He was black-haired and swarthy and exotic. And he moved with the swift grace of a cat, easily avoiding the swipes and lunges of his opponents. “My lords,” he was saying in a reasonable tone, sounding relaxed even as he blocked a heavy fist with his forearm. “I’m afraid you’ll both have to stop this now, or I’ll be forced to—” He broke off and dodged to the side just as the man behind him leaped. The prostitute cackled at the sight. “They got you on the ’op tonight, Rohan,” she exclaimed. Dodging back into the fray, Rohan attempted to break it up once more. “My lords, surely you must know”—he ducked beneath the swift arc of a fist—“that violence”—he blocked a right hook—“never solves anything.” “Bugger you!” one of the men said, and butted forward like a deranged goat. Rohan stepped aside and allowed him to charge straight into the side of the building. The attacker collapsed with a groan and lay gasping on the ground. His opponent’s reaction was singularly ungrateful. Instead of thanking the dark-haired man for putting a stop to the fight, he growled, “Curse you for interfering, Rohan! I would’ve knocked the stuffing from him!” He charged forth with his fists churning like windmill blades. Rohan evaded a left cross and deftly flipped him to the ground. He stood over the prone figure, blotting his forehead with his sleeve. “Had enough?” he asked pleasantly. “Yes? Good. Please allow me to help you to your feet, my lord.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Okay, next one’s . . . a little figure of a cat.” “Can you tell what it is?” “Kind of . . . It feels like it’s something for talking. Communicating? Does it let you talk to cats?” “Not bad,” I said. That had been right on target. “It’s a summoning focus. Toss it over and I’ll show you.” Luna slid the figurine across the desk and I picked it up. It was made of alabaster, and I traced a finger across the smooth surface to the cat’s chest and tapped it. “See this point? When you channel your magic there, it sends out a call to the nearest feline within range of about the right size and draws it to you.” “So it summons a housecat?” “As long as there’s one around.” “That sounds cool. So what, you can get it to spy on people and stuff?” “No, it acts like a normal cat. It checks to see if you’ve brought it anything to eat, and if not it buggers off.
Benedict Jacka (Hidden (Alex Verus #5))
You might consider a full shave," he suggested. "You certainly have the chin for it." Keir shook his head. "I must keep the beard." Looking sympathetic, the barber asked, "Pockmarks? Scars?" "No' exactly." Since the man seemed to explain an explanation, Keir continued uncomfortably, "It's... well... my friends and I, we're a rough lot, you ken. 'Tis our way to chaff and trade insults. Whenever I shave off the beard, they start mocking and jeering. Blowing kisses, calling me a fancy lad, and all that. They never tire of it. And the village lasses start flirting and mooning about my distillery, and interfering with work. 'Tis a vexation." The barber stared at him in bemusement. "So the flaw you're trying to hide is... you're too handsome?" A balding middle-aged man seated in the waiting area reacted with a derisive snort. "Balderdash," he exclaimed. "Enjoy it while you can, is my advice. A handsome shoe will someday be an ugly slipper." "What did he say, nephew?" asked the elderly man beside him, lifting a metal horn to his ear. The middle-aged man spoke into the horn. "Young fellow says he's too handsome." "Too handsome?" the old codger repeated, adjusting his spectacles and squinting at Keir. "Who does the cheeky bugger think he is, the Duke of Kingston?" Amused, the barber proceeded to explain the reference to Keir. "His Grace the Duke of Kingston is generally considered one of the finest-looking men who's ever lived." "I know-" Keir began. "He caused many a scandal in his day," the barber continued. "They still make jokes about it in Punch. Cartoons with fainting women, and so forth." "Handsome as Othello, they say," said a man who was sweeping up hair clippings. "Apollo," the barber corrected dryly. He used a dry brush to whisk away the hair from Keir's neck. "I suspect by now Kingston's probably lost most of those famed golden locks." Keir was tempted to contradict him, since he'd met the duke earlier that very day and seen for himself the man still had a full head of hair. However, he thought better of it and held his tongue.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
The Bad-Moon Girls appear on days when Dad doesn't know what he is thinking, or even if he is thinking. Those days can weigh less than air or more than an ocean. He has blank thoughts without feelings, followed by heavy feelings without thoughts. Time means nothing. A minute ticks by in the same rhythm as an entire day. He can look at one thing for an hour without moving. He can see me or Victor without knowing we are in the room, peering at us as if we are underwater, moving in warped slow motion. After the nothingness, he wades through a stagnant lake with the moon reflected in it, waiting for the daylight to rinse it away. He almost drowns while time ticks on. The sky is filled with black milk. No stars. Two days can pass before he surfaces. Dad's brain-switch, the focusing thing the rest of us switch on to make things look better, is a bit buggered. Those are his words, not mine. The Bad-Moon Girls whisper evil in Dad's ear, the sort of women who would set their own mother on fire if there were no other way to light their cigarettes. The trouble is, they can follow. Just as we were setting off to Clacton last autumn, they hunted him down.
Joanna Campbell (Tying Down the Lion)
(from) ARTAUD THE MOMO- In the humus of the plot with wheels, on the breathing humus of the plot of this void, between hard and soft. Black, violet, rigid, recreant and that's all. Which means that there is a bone, where god sat down on the poet, in order to sack the ingestion of his lines, like the head farts that he wheedles out of him through his cunt, that he would wheedle out of him from the bottom of the ages, down to the bottom of his cunt hole, and it's not a cunt prank that he plays on him in this way, it's the prank of the whole earth against whoever has balls in his cunt. And if you don't get the image, --and that's what i hear you saying in a circle, that you don't get the image which is at the bottom of my cunt hole,-- it's because you don't know the bottom, not of things, but of my cunt, mine, although since the bottom of the ages you've all been lapping there in a circle as if badmouthing an alienage, plotting an incarceration to death. ge re ghi regheghi geghena e reghena a gegha riri Between the ass and the shirt, between the gism and the under-bet, between the member and the let down, between the membrane and the blade, between the slat and the ceiling, between the sperm and the explosion, 'tween the fishbone and 'tween the slime, between the ass and everyone's seizure of the high-pressure trap of an ejaculation death rattle is neither a point nor a stone burst dead at the foot of a bound nor the severed member of a soul (the soul is nothing more than an old saw) but the terrifying suspension of a breath of alienation raped, clipped, completely sucked off by all the insolent riff-raff of all the turd-buggered who had no other grub in order to live than to gobble Artaud momo there, where one can fuck sooner than me and the other get hard higher than me in myself if he has taken care to put his head on the curvature of that bone located between anus and sex, of that hoed bone that i say in the filth of a paradise whose first dupe on earth was not father nor mother who diddled you in this den, but I screwed into my madness.
Antonin Artaud (Watchfiends and Rack Screams: Works from the Final Period)
So it needs saying from the outset that it’s always very easy to declare that other people are idiots, but only if you forget how idiotically difficult being human is. Especially if you have other people you’re trying to be a reasonably good human being for. Because there’s such an unbelievable amount that we’re all supposed to be able to cope with these days. You’re supposed to have a job, and somewhere to live, and a family, and you’re supposed to pay taxes and have clean underwear and remember the password to your damn Wi-Fi. Some of us never manage to get the chaos under control, so our lives simply carry on, the world spinning through space at two million miles an hour while we bounce about on its surface like so many lost socks. Our hearts are bars of soap that we keep losing hold of; the moment we relax, they drift off and fall in love and get broken, all in the wink of an eye. We’re not in control. So we learn to pretend, all the time, about our jobs and our marriages and our children and everything else. We pretend we’re normal, that we’re reasonably well educated, that we understand “amortization levels” and “inflation rates.” That we know how sex works. In truth, we know as much about sex as we do about USB leads, and it always takes us four tries to get those little buggers in. (Wrong way round, wrong way round, wrong way round, there! In!) We pretend to be good parents when all we really do is provide our kids with food and clothing and tell them off when they put chewing gum they find on the ground in their mouths. We tried keeping tropical fish once and they all died. And we really don’t know more about children than tropical fish, so the responsibility frightens the life out of us each morning. We don’t have a plan, we just do our best to get through the day, because there’ll be another one coming along tomorrow. Sometimes it hurts, it really hurts, for no other reason than the fact that our skin doesn’t feel like it’s ours. Sometimes we panic, because the bills need paying and we have to be grown-up and we don’t know how, because it’s so horribly, desperately easy to fail at being grown-up. Because everyone loves someone, and anyone who loves someone has had those desperate nights where we lie awake trying to figure out how we can afford to carry on being human beings. Sometimes that makes us do things that seem ridiculous in hindsight, but which felt like the only way out at the time.
Fredrik Backman (Anxious People)
Nope. Look. The Raft is a media event. But in a much more profound, general sense than you can possibly imagine." "Huh?" "It's created by the media in that without the media, people wouldn't know it was here, Refus wouldn't come out and glom onto it the way they do. And it sustains the media. It creates a lot of information flow-movies, news reports - - you know." "So you're creating your own news event to make money off the information flow that it creates?" says the journalist, desperately trying to follow. His tone of voice says that this is all a waste of videotape. His weary attitude suggests that this is not the first time Rife has flown off on a bizarre tangent. "Partly. But that's only a very crude explanation. It really goes a lot deeper than that. You've probably heard the expression that the Industry feeds off of biomass, like a whale straining krill from the ocean." "I've heard the expression, yes." "That's my expression. I made it up. An expression like that is just like a virus, you know -- it's a piece of information -- data -- that spreads from one person to the next. Well, the function of the Raft is to bring more biomass. To renew America. Most countries are static, all they need to do is keep having babies. But America's like this big old clanking, smoking machine that just lumbers across the landscape scooping up and eating everything in sight. Leaves behind a trail of garbage a mile wide. Always needs more fuel... "Now I have a different perspective on it. America must look, to those poor little buggers down there, about the same as Crete looked to those poor Greek suckers. Except that there's no coercion involved. Those people down there give up their children willingly. Send them into the labyrinth by the millions to be eaten up. The Industry feeds on them and spits back images, sends out movies and TV programs, over my networks, images of wealth and exotic things beyond their wildest dreams, back to those people, and it gives them something to dream about, something to aspire to. And that is the function of the Raft. It's just a big old krill carrier." Finally the journalist gives up on being a journalist, just starts to slag L. Bob Rife openly. He's had it with this guy. "That's disgusting. I can't believe you can think about people that way." "Shit, boy, get down off your high horse. Nobody really gets eaten. It's just a figure of speech. They come here, they get decent jobs, find Christ, buy a Weber grill, and live happily ever after. What's wrong with that?
Neal Stephenson (Snow Crash)
Archer arrived early the next morning. Grey was still asleep on the sofa in his study when he heard tapping on the window. He opened his eyes and immediately regretted it as the sharp light of day pierced his brain. Squinting, he tried to focus on his brother, since he already knew who his visitor was. Only one person ever announced himself so annoyingly. “Open the bloody window, Grey!” Grumbling, Grey slowly rose into a full sitting position. His back and neck were stiff and his head felt as though someone had kicked it repeatedly from all sides. And his mouth! Christ, he didn’t want to even think about what might have died inside it. He staggered to the window, unlatched it and swung it open. “What the hell do you want?” Wide-eyed, Archer made a tsking noise. “Is that any way to greet your favorite brother?” “You’re not my favorite,” Grey scowled. Unaffected, Archer easily adapted. “Is that any way to greet your second-favorite brother?” Grey grinned, he couldn’t help it. Archer had always had a knack for making him smile, just as he had a knack for pissing him off as well. “I’m hung over and feel like shite. What do you want?” “You look like shite. What’s this I hear about you making an appearance at Saint’s Row last night?” “Rose tell you that?” “She did. I’m surprised you took such a risk just to see her.” Grey thought of her in that teal gown, the lights illuminating the luster of her skin. “It was worth it.” “Worth it, eh? So worth it you immediately came home and got sloshed.” “Something like that. And then Rose came home and I got even more sloshed.” Archer’s expression turned to concern as he leaned against the window frame. “What happened?” Grey shrugged. He’d already revealed more than he’d wanted. “Suffice it to say she now knows what kind of man I am.” His brother snorted. “That girl has always known exactly what kind of man you are.” The words were plain enough, but there was a cryptic edge to them that had Grey puzzled. “What the hell does that mean?” Arch shook his head. “Come to the stables with me. I want to show you something.” He looked down at himself. He was wearing the same clothes he’d worn last night and he was wrinkled beyond hope. Not to mention that he smelled like a distillery-an unwashed one at that. And his mask was up in his room. What if someone happened by and saw him… He wasn’t a coward. He just didn’t wish to be seen looking less than his best. An oath punctuated the early morning air. Grey was grabbed by the front of the shirt and yanked-hard. His only course of action was to brace one booted foot on the bottom sill to keep from falling. Of course, that action only succeeded in making it easier for Archer to haul him completely out onto the lawn. He landed hard on both feet, the impact going straight to his ready-to-implode skull. “What the hell?” Fist cocked, Grey punched his brother in the shoulder. “Jesus, man! What are you about?” Archer punched him back. It hurt, and oddly enough it seemed to wake him up-clear the fog and some of the pressure surrounding his brain. “I’m trying to help you, you bugger.” “To do what?” Grey demanded. “Die?
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
I love you and your hate-spouting, utterly intolerant lovely little toad! Are you sure he is really the one and the only god? For, even an idiot could have done a better job, choosing a more sane little bugger off the road.
Fakeer Ishavardas
realised that I am a Tree Nazi and the children do it All wrong, so mostly I shout at them for the first ten minutes until they lose interest and bugger off and I can rearrange the baubles they have clearly put in stupid places (i.e., move their handcrafted glitter- and snot-caked monstrosities to the back of the tree, out of sight, so my tasteful glass John Lewis and White Company decorations are front and centre).
Gill Sims (Why Mummy Drinks)
Don't mock. Aliens are real, Anne. They show up every few years in their mothership, look down on humanity, go "Nah, they're still dicks" and bugger off again. Did I tell you I've got the deeds to the universe somewhere in the filing?
Dave Turner (Paper Cuts (The 'How To Be Dead' Grim Reaper Comedy Horror Series Book 2))
to get ’emselves through the iron times. But I ain’t having elves here. You make us want what we can’t have and what you give us is worth nothing and what you take is everything and all there is left for us is the cold hillside, and emptiness, and the laughter of the elves.’ She took a deep breath. ‘So bugger off.
Terry Pratchett (Lords and Ladies (Discworld, #14))
By some quirk of fate, I had been chosen—along with five others—as a candidate to be the next equerry to the Princess of Wales. I knew little about what an equerry actually did, but I did not greatly care. I already knew I wanted to do the job. Two years on loan to the royal household would surely be good for promotion, and even if it was not, it had to be better than slaving in the Ministry of Defense, which was the most likely alternative. I wondered what it would be like to work in a palace. Through friends and relatives I had an idea it was not all red carpets and footmen. Running the royal family must involve a lot of hard work for somebody, I realized, but not, surely, for the type of tiny cog that was all I expected to be. In the wardroom of the frigate, alongside in Loch Ewe, news of the signal summoning me to London for an interview had been greeted with predictable ribaldry and a swift expectation that I therefore owed everybody several free drinks. Doug, our quiet American on loan from the U.S. Navy, spoke for many. He observed me in skeptical silence for several minutes. Then he took a long pull at his beer, blew out his mustache, and said, “Let me get this straight. You are going to work for Princess Di?” I had to admit it sounded improbable. Anyway, I had not even been selected yet. I did not honestly think I would be. “Might work for her, Doug. Only might. There’re probably several smooth Army buggers ahead of me in the line. I’m just there to make it look democratic.” The First Lieutenant, thinking of duty rosters, was more practical. “Whatever about that, you’ve wangled a week ashore. Lucky bastard!” Everyone agreed with him, so I bought more drinks. While these were being poured, my eye fell on the portraits hanging on the bulkhead. There were the regulation official photographs of the Queen and Prince Philip, and there, surprisingly, was a distinctly nonregulation picture of the Princess of Wales, cut from an old magazine and lovingly framed by an officer long since appointed elsewhere. The picture had been hung so that it lay between the formality of the official portraits and the misty eroticism of some art prints we had never quite got around to throwing away. The symbolic link did not require the services of one of the notoriously sex-obsessed naval psychologists for interpretation. As she looked down at us in our off-duty moments the Princess represented youth, femininity, and a glamour beyond our gray steel world. She embodied the innocent vulnerability we were in extremis employed to defend. Also, being royal, she commanded the tribal loyalty our profession had valued above all else for more than a thousand years, since the days of King Alfred. In addition, as a matter of simple fact, this tasty-looking bird was our future Queen. Later, when that day in Loch Ewe felt like a relic from another lifetime, I often marveled at the Princess’s effect on military people. That unabashed loyalty symbolized by Arethusa’s portrait was typical of reactions in messhalls and barracks worldwide. Sometimes the men gave the impression that they would have died for her not because it was their duty, but because they wanted to. She really seemed worth it.
Patrick D. Jephson (Shadows Of A Princess: An Intimate Account by Her Private Secretary)
I’ve been working on it all morning, and I’m still trying.” Sami yelled back. “Bugger off.” Jace looked at Tace. “Is she British all of a sudden?” Tace shrugged. “We might’ve been role playing a bit last night.” Jax groaned and held up a hand. “Stop. Just stop talking right now.
Rebecca Zanetti (Storm Gathering (The Scorpius Syndrome, #4))
Anyway, I start whipping my poison-spiked tail around trying to nail this bugger. I barely scratched him, I think I might have taken off, like, one arm, and this dude goes nuts. He dives down my throat and starts snapping my ribs from the inside. Mind you, I’m still flying at this point. Talk about uncomfortable. I get totally distracted, lose my focus, and smash into this huge Roman aqueduct. Note, aqueducts hurt. The next thing I know I’m lying on the forest floor stunned, but hoping that maybe the crash and fall at least killed that little black-clad jerk inside of me.
Douglas Sarine (Ask a Ninja Presents The Ninja Handbook: This Book Looks Forward to Killing You Soon)
Piss in your hand and clap, ya bloody westerner. Now bugger off!” The voice returned, before the murder hole was shut, replaced by another slab of wood then exact size of the window.
L.P. Cowling (Gearpox (Remnants of Magic Cycle Book 1))
Kate smirked. “What?” “Your horse looks pink.” “So?” “If you paste some stars on her butt, you’ll be riding My Little Pony.” “Bugger off.” I patted the mare’s neck. “Don’t listen to her, Sugar. You are the cutest horsey ever. The correct name for her color is strawberry roan, by the way.” “Strawberry shortcake, more like it. Does Strawberry Shortcake know you stole her horse? She will be berry, berry angry with you.
Ilona Andrews (Gunmetal Magic (Kate Daniels #5.5))
She sat on the wall, opened her book, and paid him no mind. After a few minutes the sounds of clipping stopped, and she felt his gaze on her. She turned a page. “Jane,” he said with a touch of exasperation. “Shh, I’m reading,” she said. “Jane, listen, someone warned me that another fellow heard my telly playing and told Mrs. Wattlesbrook, and I had to toss it out this morning. If they spot me hanging around you..” “You’re not hanging around me, I’m reading.” “Bugger, Jane…” “Martin, please, I’m sorry about your TV but you can’t cast me away now. I’ll go raving mad if I have to sit in that house again all afternoon. I haven’t sewn a thing since junior high Home Ec when I made a pair of gray shorts that ripped at the butt seam the first time I sat down, and I haven’t played pianoforte since I quit from boredom at age twelve, and I haven’t read a book in the middle of the day since college, so you see what a mess I’m in.” “So,” Martin said, digging in his spade. “You’ve come to find me again when there is no one else to flirt with.” Huh! thought Jane. He snapped a dead branch off the trunk. Huh! she thought again. She stood and started to walk away. “Wait.” Martin hopped after her, grabbing her elbow. “I saw you with those actors, parading around the grounds this morning. I hadn’t seen you with them before. In the context. And it bothered me. I mean, you don’t really go in for this stuff, do you?” Jane shrugged. “You do?” “More than I want to, though you’ve been making it seem unnecessary lately.” Martin squinted up at a cloud. “I’ve never understood the women who come here, and you’re one of them. I can’t make sense of it.” “I don’t think I could explain it to a man. If you were a woman, all I’d have to say is ‘Colin Firth in a wet shirt’ and you’d say, ‘Ah.’” “Ah. I mean, aha! is what I mean.” Crap. She’d hoped he would laugh at the Colin Firth thing. And he didn’t. And now the silence made her feel as though she were standing on a seesaw, waiting for the weight to drop on the other side. Then she smelled it. The musty, acrid, sour, curdled, metallic, decaying odor of ending. This wasn’t just a first fight. She’d been in this position too many times not to recognize the signs. “Are you breaking up with me?” she asked. “Were we ever together enough to require breaking up?” Oh. Ouch. She took a step back on that one. Perhaps it was her dress that allowed her to compose herself more quickly than normal. She curtsied. “Pardon the interruption, I mistook you for someone I knew.” She turned and left, wishing for a Victorian-type gown so she could have whipped the full skirts for a satisfying little cracking sound. She had to satisfy herself with emphatically tightening her bonnet ribbon as she marched. You stupid, stupid girl, she thought. You were fantasizing again. Stop it! It had all been going so well. She’d let herself have fun, unwind, not plague a new romance with constant questions such as, What if? And after? And will he love me forever? “Are you breaking up with me…?” she muttered to herself. He must think she was a lunatic. And really, he’d be right. Here she was in Pembrook Park, a place where women hand over scads of dough to hook up with men paid to adore them, but she finds the one man on campus who’s in a position to reject her and then leads him into it. Typical Jane.
Shannon Hale (Austenland (Austenland, #1))
Cam … would you do something for me?” “Anything.” “Could you find some of that plant Merripen gave to Win and Leo for the scarlet fever?” He drew back and looked at her. “Deadly nightshade? That wouldn’t work for this, sweetheart.” “But it’s a fever.” “Caused by a septic wound. You have to treat the source of the fever.” His hand went to the back of her neck, soothing the tautly strung muscles. He stared at a distant point on the floor, appearing to think something over. His tangled lashes made shadows over his hazel eyes. “Let’s go have a look at him.” “Do you think you could help him?” Poppy asked, springing to her feet. “Either that, or my efforts will finish him off quickly. Which, at this point, he may not mind.” Lifting Amelia from his lap, Cam set her carefully on her feet, and they proceeded up the stairs. His hand remained at the small of her back, a light but steady support she desperately needed. As they approached Merripen’s room, it occurred to Amelia that Win might still be inside. “Wait,” she said, hastening forward. “Let me go first.” Cam stayed beside the door. Entering the room with caution, Amelia saw that Merripen was alone in the bed. She opened the door wider and gestured for Cam and Poppy to enter. Becoming aware of intruders in the room, Merripen lurched to his side and squinted at them. As soon as he caught sight of Cam, his face contracted in a surly grimace. “Bugger off,” he croaked. Cam smiled pleasantly. “Were you this charming with the doctor? I’ll bet he was falling all over himself to help you.” “Get away from me.” “This may surprise you,” Cam said, “but there’s a long list of things I’d prefer to look at rather than your rotting carcass. For your family’s sake, however, I’m willing. Turn over.” Merripen eased his front to the mattress and said something in Romany that sounded extremely foul. “You, too,” Cam said equably.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Qadir waded out of the water next, the chestnut mare calm under his touch, and Silus raised a disgusted eyebrow. ‘There’s no justice. Not only the best horseman I’ve met in this whole bloody country, but his bloody manhood’s still dragging in the water.’ The Hamian shook his head and hooked a thumb over his shoulder. ‘If you want to be truly scared, take a look at that. Why do you think I was swimming so quickly?’ Both the officers looked past him, to see the impressive shape of Arminius as he waded out of the river. Silus shook his head slowly. ‘Gods below …’ The German smiled complacently as he walked past them, and Silus pointed out into the fog still wreathing the riverbank. ‘Get your sword out, bugger off into the mist and get that thing covered up.
Anthony Riches (Fortress of Spears (Empire, #3))
How good are you at designing greenhouses with windows in the roof?” “Could be tricky,” Darius said, piling bread, meat, and cheese into a stack, “but interesting. I’m surprised Ellen will let you do this.” “She probably thinks I’ll forget.” Val accepted a thick sandwich from Darius. “I won’t. Between her butter and her cheese and supervision of the boys and her… I don’t know, her neighborliness, I am in her debt.” “I was wondering if her neighborliness was responsible for reviving your spirits this past weekend,” Darius said, tipping the cider jug to his lips. “She went with us to Candlewick,” Val began, but then Darius caught his eye. “Bugger off, Dare.” Darius passed him the jug. “I see the improvement in your mood was temporary.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Bugger-off, Cygnus Alpha!
David Zellaby
I am certainly a devoted homosexual. Nobody could doubt my credentials. But I think, politically, we allowed this word gay to...It buggers up a nice word. It doesn't cover what we are. A lot of us are not very joyous. We have a hard life to live, against the current. Gay doesn't cover that — and worst of all, it labels us. They can dismiss you and put you off in a corner: "Oh, he's gay," and that's it. That's the end. You can no longer be central to what's going on. That's tragic....The world loses central contact with some of the most beautiful, sentient, sensitive and agitated, creative and emotional people in our society. The result is that a lot of people who operate centrally in our society can't let on that they're gay. It's tragic. It's very dangerous.
Scott Symons
I learnt a lot from the simple lives our friends lived. I saw them living with so much less than we, as westerners, were used to. I couldn't even begin to imagine how to prepare a meal for four people using a bucket, one saucepan and a wok. More than likely, I would have been outraged if asked to do so. I can hear myself saying words to the effect of, ‘Bugger off! Let’s just get take out.’ Anyone who knew me would have known better than to ask.
Heather Hackett (Restless: Memoir of an Incurable Traveller)
Dec 28 Shut it. I’m not the one who’s been pining after one guy since I was eight. At least I’m looking for my Prince Charming (and getting frogs so far, but that’s neither here nor there). You aren’t even looking. From: James Grayson To: Luke Whitford Dec 28 I looked. You know I looked. From: Luke Whitford To: James Grayson Dec 28 Yes, yes. But he’s always been your Prince Charming. I know. From: James Grayson To: Luke Whitford Dec 28 The problem is, I’m no Cinderella in his story. From: Luke Whitford To: James Grayson Dec 28 Yes, you’re no Cinderella. Right now you’re the stable boy he gets his rocks off with and it doesn’t have to mean anything. Rather convenient for him, isn’t it? Call him and tell him to stop fucking with you: either he wants you, or he doesn’t. No more no-strings-attached cocksucking or buggering. Don’t let his prick anywhere near you until he gives you a definite answer. Got it? From: James Grayson To: Luke Whitford Dec 28 Got it.
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
She needs someone to whisk her off her feet…and out of this house.  So…I need to find a man with wide-set eyes, cheekbones that are not too high, long ears and medium to long lips. Nothing too specific then. Oh, bugger! Frankenstein lookalike, where oh where can I find you?
Pippa Franks (The Seventh Day of May)
Will you tell me your name, sir?" Oh, bugger it.  She was a persistent little thing, and he was of no mind or strength to resist her determination. "Charles," he rasped, turning over onto his back.  "Charles Adair de Montforte."  And then, hoping to head off any more questions he was too weak to answer, he added, "I was born in the year 1752, my home is in Berkshire, England, and I am a captain of infantry in the Fourth Foot."  He paused, exhausted simply by the effort of speaking.  "Does that satisfy you that I am still in control of my faculties, madam?" "Oh yes," she breathed, and he heard the smile and relief in her voice.  "Oh yes, indeed!" But
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
His ancestors had been keen on pyramids. The pharaoh wasn’t. Pyramids had bankrupted the country, drained it drier than ever the river did. The only curse they could afford to put on a tomb these days was ‘Bugger Off’. The
Terry Pratchett (Pyramids (Discworld, #7))
Bugger off.
Trevor Johnson (The Gathering Place: 10th Anniversary Edition)
I’m thinking that unless you’re about to tell me to bugger off back to Australia and never darken your door again, I’m about to be all those things I promised not to be and kiss you senseless right here on the dock, in front of God, the seagulls, and anyone else who happens to be watching, and damn the consequences.” Maybe he’d said all of that in a bit more of a rush and with a bit more heat than he’d intended. Okay, a lot more heat. Probably so, given the goggle-eyed look she was giving him. “I was trying to apologize,” she said, relief and humor easing into her eyes and curving her lips. “You didn’t answer my question.” He thought he might snap off the end of the pier, he was gripping it so hard. In response, she ducked her hand into the pocket of her shorts and pulled out a folded and now somewhat crumpled piece of paper. “Here. Read for yourself.” He took the paper, realizing he was acting like a complete yobbo, and knew then that perhaps he wasn’t nearly so cool and levelheaded about this whole endeavor as he’d led her to believe.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
I wrote you a note,” she began, and if he thought he’d felt tension before, he wasn’t too sure he wasn’t about to lose his breakfast after that little announcement. “I didn’t know if your phone worked here, and even if it does, I don’t have the number. Same goes for e-mail. I could have left a message at the inn, but then I might as well have posted it on the bulletin board outside the town hall for the whole world to read.” She lifted a shoulder. “So I thought I’d take a page from your book--a very charming one, I might add,” she said, glancing up at him from the corner of her eye. “But the doors to your car were locked, and I didn’t put it under your windshield wiper for the same reason I didn’t leave a message with Grace.” She let out a little breath. “But I did write you a note. I just wanted to go on record. Because I know what I did with Sadie, and you’re probably thinking--” “I’m thinking that unless you’re about to tell me to bugger off back to Australia and never darken your door again, I’m about to be all those things I promised not to be and kiss you senseless right here on the dock, in front of God, the seagulls, and anyone else who happens to be watching, and damn the consequences.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Don’t all the witches have cats? I could get a cat. Cat wouldn’t be bothered if I buggered off for a few days, and it’d be a body to come home too…
Izzy Shows (Grave Mistake (Codex Blair, #1))
How's Fred?' Henry asked, as the sergeant joined the men. 'Snoring his head off,' Shorthouse replied. 'They're going to get him to the Regimental Aid Post as soon as we find out where the hell it is.' 'He won't like that,' Sid said. 'I don't give a tinker's cuss what he likes, the bugger's no use to me, it'll be days before his concussion goes away,' Shorthouse replied.
Stuart Minor (The Devil's Bridge (The Second World War Series, #8))
Bird watching?' Shorthouse repeated, his eyes looking at the men of the section as they nodded their heads in agreement. 'That's right, lovely birds they've got around here,' Fred said, his mouth pulled in a smile. 'Aye, and they usually come out in the bloody day,' Shorthouse replied, as he shook his head. 'We thought we'd get the jump on the buggers,' Fred said, after a moment's pause. 'Catch them off guard.' 'Enough,
Stuart Minor (The Changing Tide (The Second World War Series, #7))
I loathe my period. Really, I do. I cannot wait for the day it buggers off. For good. But shall I tell you what I loathe even more? Not being able to talk about it. Freely, funnily and honestly. Without women and men wrinkling their noses in disgust as if I’d just pulled my tampon out, swung it in their face and offered it as an hors d’oeuvre.
Emma Barnett (Period. It's About Bloody Time)
8 Sam insisted they stop off at the baker’s on their way back; she had a feeling they were in for a long day. Once they arrived at the station, she told Bob to go on ahead while she hung around to speak to the desk sergeant. “Do you have anyone free, Nick?” “I can always find someone to help you out, Inspector. What do you need?” “A team of officers, actually. They need to go out to the Chatley farm in Mosser, more to the point, the surrounding area. Knock on the neighbours’ doors, see if they saw any suspicious vehicles in the area in the last few days.” “I can instigate that for you. Leave it with me.” “Good, thanks, Nick. Let me know if they come up with anything. I won’t be holding my breath. I think we have a crafty killer in our midst.” Nick tilted his head and winked. “They all slip up sooner or later, you know that as well as I do.” “How true.” She smiled, turned and tapped the number on the security keypad which released the door. Wearily, she made her way up the stairs to the incident room. She paused, wondering whether she should take a detour to the chief’s office, to keep him up to date. Her stomach rumbled which helped to make up her mind. The chief could wait. The incident room was buzzing, but it quietened down as soon as she entered the room. “Don’t let me stop you. Let’s get lunch underway and chuck around a few ideas while we eat, yes?” Bags rustled and Bob joined Sam at the drinks’ area. He added sugar to the cups. She touched his forehead. “Are you feeling all right?” He tutted. “Bugger off. I thought I’d better show willing, considering you bought the sandwiches.” “Thanks, it’s appreciated. I’m sure the rest of the team will agree.” Between them they handed around the drinks. In between bites and sips, Sam ran through what they had discovered up at the farmhouse. Crap, I wish I’d finished my lunch first. Her stomach objected and she placed half of her sandwich aside, to maybe go back to later. “That’s what we have, ladies and gents. Any suggestions?” Claire raised a hand, lettuce poking out from the corner of her mouth. She finished what she was chewing on and wiped her lips with a serviette. “Sorry about that, boss. Messy eater, I know, Scott’s always saying the same. Going back to the case, do you want me to delve into their backgrounds, the three who knew each other? Would that help?” “Anything we can find out about the three of them is going to help, Claire, so go for it. They’ve been friends for over fifty years, I seem to recall, so they might have a few skeletons in the cupboard to
M.A. Comley (To Die For (DI Sam Cobbs, #1))
Piss in your hand and clap, ya bloody westerner. Now bugger off!” The voice returned, before the murder hole was shut, replaced by another slab of wood then exact size of the window.
L. P. Cowling
overcompensated and next thing the buggers aren’t dropping far enough, so they’re hanging there strangling!’ He waved a dismissive hand. ‘Gave the Yanks their cards, packed them off home, and Albert and me took over their quota.’ ‘What’s the most you ever done in a session at Nuremberg, Harry?’ someone asked. We were all quiet as we watched him and waited for his answer. ‘Mmmm, one afternoon we did twenty-seven in two hours forty minutes.’ ‘Bloody hell! So they weren’t left to hang for very long.’ ‘No, hadn’t the time. As soon as we put four down, the doc would go underneath the scaffold, ’ave a listen with his stethoscope, feel for a pulse. “Right, okay,” he’d say. We had these soldier orderlies. They’d go underneath and lift them up, take the weight, we’d take the ropes and bags off, the soldiers would put them onto trolleys and whisk them away to the temporary morgue. A couple of minutes later the next four were marching in.’ That had been the craic last night. As Ken and I sit having breakfast with the hangmen, I can’t rid myself of the contradictory feeling that, somehow, I’m letting Russell down by breakfasting with the men who are about to hang him. ‘How was he last night?’ Allen looks rather bleary-eyed. He’s on his second mug of hot, sweet tea. And at least his third cigarette. We tell him. He takes a deep draw. ‘I think this lad will go without any bother.’ As he speaks, the blue smoke spills out of his mouth. Just after ten to eight, from the kitchen door at the end of the mess, Ken, the two hangmen, Teddy Bear and I, watch as the Governor, Lord Lieutenant of the County and other official witnesses file quietly into the block. They enter the empty execution chamber. At three
Robert Douglas (At Her Majesty's Pleasure)
Right, right,’ said her neighbour. ‘Special foreign word for people who’ve discovered something. It was invented by some foreign bugger in his bath—’ ‘Well,’ said the pipe man, lighting it off the alchemist’s smouldering hat, ‘I for one don’t see why people in this city need to go round shouting heathen lingo just ’cos they’ve had a bath. Anyway, look at him. He ain’t had a bath. He needs a bath, but he ain’t had one. What’s he want to go round shouting foreign lingo for?
Terry Pratchett (Moving Pictures (Discworld, #10))
She’s what?” asked Valentine carefully. Tarleton shrugged. “Flown the coop. Done a runner. Buggered off. Absconded. Exit, pursued by a bear.” He paused. “She’s gone.
Alexis Hall (Something Fabulous (Something Fabulous, #1))
We left the car beside the park and set off to explore. It was indeed a tiny patch; just a grassy scrap of land almost completely shaded by several massive Moreton Bay figs. It wasn't hard to work out where the nest was. A heavy-duty fence of bright orange mesh stood in a U-shape, dominating the middle of the park. An incubating curlew was sitting at the far end, so we didn't go any closer. Four large wooden signs faced outwards, one on each side, ensuring that no one could miss seeing them. Although these were professionally produced, the wording seemed a little incongruous: Curlews nest here. Bugger off. It was impossible to misinterpret the message.
Darryl Jones (Curlews on Vulture Street)
Off administering a country seat,> indeed. Robin had nothing at all against the country, but could never shake the impression that it would rather everyone buggered off to town an administer itself back into wilderness.
Freya Marske (A Marvellous Light (The Last Binding, #1))
The only curse they could afford to put on a tomb these days was “Bugger Off.
Terry Pratchett (Pyramids (Discworld, #7))
So we have transitioned from bugger off to philosophy now?
Neal Asher (Lockdown Tales 2)
But I don’t know the number for the pizza place. Come to think of it, I don’t know the number for the Chinese restaurant either. I’ll have to go out and actually look for food. Like some kind of Neanderthal. Bugger.
Nick Spalding (Logging Off)
Her authors were between books and her other clients all seemed to be cutting back on ‘unnecessary’ expenditure. Her best client, a horror novelist, had buggered off to Wales and there was still no sign of his second book.
Mark Edwards (In Her Shadow)
Go right ahead,’ said Stevie in her best part nice-hostess and part bugger-off voice.
Milly Johnson (The Birds and the Bees)
It is never certain for her that the wolves will answer each Wednesday. I wonder for a moment why they do. Surely they know that these are just a bunch of humans trying to speak wolf. Surely they smell us, a group of sixty people cloaked in lotions, colognes, insecticides, and deodorant - announcing our odiferous presence to an animal whose world is ordered by scent - standing in the woods a mere few hundred yards away. Surely they heard our engines as we arrived. Surely they could hear that our pitch is off, that we are an imitation. Yet they accept this and play along. Why? Wolves, it turns out, will howl to a variety of stimuli, including the sirens of emergency responder vehicles. In the late 1960s, when researchers discovered that the red wolf was nose-diving into extinction, they played electronic sirens in southeastern Texas coastal marshes and plains to elicit howls from wild canids. From the howls, they made probable identifications of red wolves and possible hybrids. Coyote vocalizations often have a series of broken yips and barns and emanate at a comparatively higher frequency, whereas red wolves will howl at lower frequencies that start “deep and mournful” but may break off into yapping like a coyote, according to a report authored in 1972 by two trappers, Glynn Riley and Roy McBride, who were employed by the federal government. Early surveyors noted, too, that the red wolves were more likely to howl in good weather and less likely to respond in rainy or overcast weather. Confined to their facility, perhaps the red wolves of Sandy Ridge howl to humans because it gives them a way to communicate with living beings outside their fence. Who knows: maybe they are simply telling us to bugger off and go away. Or, as frightened as they are of seeing a human, perhaps howling to a group of them on a dark night is more palatable since they do not have to look at us or be gawked at in turn. Perhaps howling is a way of reaching out on their own terms, in their own language, through which they can proclaim their space and their place on the land - their way of saying, “Even though I’m in here, behind this fence, I own this place.” Or maybe they just want to remind us that this land had been theirs for millennia before we invaded and claimed it. In the dark of night, I fantasize that their howls are calling out: “All this was ours. This was ours.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
He holds the flowers out. “I’ve known you for just over a year and I don’t even know what your favourite flower is.” “It’s called move out of my way and it smells like bugger off.
A.E. Murphy (Connected (Broken, #2))
I had never chopped an onion in my life, but I figured with my skill and accuracy with a dagger, my gouged chamber door as evidence, I could master such a simple task. I was wrong. At least no one mocked me when my slick white onion was catapulted across the kitchen and into Berdi’s backside. She matter-of-factly picked it up from the floor, swished it in a tub of water to wash off the dirt, and threw it back to me. I was able to catch and hold the slimy bugger in one hand, eliciting a subtle nod from Berdi, which brought me more satisfaction than I let anyone know.
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
So get off your high horse, Sydney. We’re all fallen, and all we have is one another. So kindly bugger off. Carter!
Cat Sebastian (A Delicate Deception (Regency Imposters, #3))
Well, if I dreamt at all, my would-be tormentors must have smelled the scotch and decided I was too inebriated to take any notice of them and buggered off to screw up someone else’s night.
Steven Hayward (Mickey Take: When a debt goes bad... (The Debt Goes Bad Series Book 1))