Buffoon Quotes

I wasn't going to kill him, you buffoon.

You have not wasted your time; you have helped to save the world. We are not buffoons, but very desperate men at war with a vast conspiracy.

Leo cried, "Hold on! Let's have some manners here. Can I at least find out who has the honor of destroying me?" "I am Cal!" the ox grunted. He looked very proud of himself, like he'd taken a long time to memorize that sentence. "That's short for Calais," the love god said. "Sadly, my brother cannot say words with more than two syllables--" "Pizza! Hockey! Destroy!" Cal offered. "--which includes his own name," the love god finished. "I am Cal," Cal repeated. "And this is Zethes! My brother!" "Wow," Leo said. "That was almost three sentences, man! Way to go." Cal grunted, obviously pleased with himself. "Stupid buffoon," his brother grumbled. "They make fun of you. But no matter. I am Zethes, which is short for Zethes. And the lady there--" He winked at piper, but the wink was more like a facial seizure. "She can call me anything she likes. Perhaps she would like to have dinner with a famous demigod before we must destroy you?

He was so fucked, careening madly down the path to getting his heart splattered all over hell. And grinning like a buffoon the entire time.

Great men, great nations, have not been boasters and buffoons, but perceivers of the terror of life, and have manned themselves to face it.

Their mother is Athene, the goddess of wisdom, and, although they are often ready to play the buffoon to amuse you, such conduct is the prerogative of the truly wise.

Well! I’m glad you didn’t call him a buffoon.” “Or pompous,” Pauline added. “Or ignorant,” Jeb chimed in. “Or an ass,” Kaden said. “I didn’t call him an ass.” Rafe grunted. “You may as well have.” Now

Conspiracies existed, to be sure; many of them, and many were dark indeed. But fiendish? Fiendishness required brains. Nine times out of ten, conspirators behaved like buffoons and wound up exposing themselves out of sheer, bumbling incompetence.

But the people didn’t elect buffoons to Washington. Well—hardly ever.

owls are the most courteous, single—hearted and faithful creatures living. You must never be familiar, rude or vulgar with them, or make them look ridiculous. Their mother is Athene, the goddess of wisdom, and, although they are often ready to play the buffoon to amuse you, such conduct is the prerogative of the truly wise.

A sunny nature? A light heart? I have never been so insulted. Light-hearted is a short step from witless in my book. A cackling buffoon

He’d use this opportunity to impress Rick and show him that he did, in fact, have more to offer than just being a sexy skanktart. To show that he wasn’t just a brainless bimfoon, that’s when a bimbo breeds with a buffoon, resulting in a true, hot mess.

What would you have me do? Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you! Dedicate, as others do, Poems to pawnbrokers? Be a buffoon In the vile hope of teasing out a smile On some cold face? No thank you! Eat a toad For breakfast every morning? Make my knees Callous, and cultivate a supple spine,- Wear out my belly grovelling in the dust? No thank you! Scratch the back of any swine That roots up gold for me? Tickle the horns Of Mammon with my left hand, while my right Too proud to know his partner's business, Takes in the fee? No thank you! Use the fire God gave me to burn incense all day long Under the nose of wood and stone? No thank you! Shall I go leaping into ladies' laps And licking fingers?-or-to change the form- Navigating with madrigals for oars, My sails full of the sighs of dowagers? No thank you! Publish verses at my own Expense? No thank you! Be the patron saint Of a small group of literary souls Who dine together every Tuesday? No I thank you! Shall I labor night and day To build a reputation on one song, And never write another? Shall I find True genius only among Geniuses, Palpitate over little paragraphs, And struggle to insinuate my name In the columns of the Mercury? No thank you! Calculate, scheme, be afraid, Love more to make a visit than a poem, Seek introductions, favors, influences?- No thank you! No, I thank you! And again I thank you!-But... To sing, to laugh, to dream To walk in my own way and be alone, Free, with a voice that means manhood-to cock my hat Where I choose-At a word, a Yes, a No, To fight-or write.To travel any road Under the sun, under the stars, nor doubt If fame or fortune lie beyond the bourne- Never to make a line I have not heard In my own heart; yet, with all modesty To say:"My soul, be satisfied with flowers, With fruit, with weeds even; but gather them In the one garden you may call your own." So, when I win some triumph, by some chance, Render no share to Caesar-in a word, I am too proud to be a parasite, And if my nature wants the germ that grows Towering to heaven like the mountain pine, Or like the oak, sheltering multitudes- I stand, not high it may be-but alone!

When a situation gets so bad that no solution seems possible there is left only murder and suicide, or both. These failing, one becomes a buffoon.

I don't want to be a saint, and would rather be a buffoon...

Draft-dodging is what chicken-hawks do best. Dick Cheney, Glenn Beck, Karl Rove, Rush Limbaugh (this capon claimed he had a cyst on his fat ass), Newt Gingrich, former Attorney General John Ashcroft—he received seven deferments to teach business education at Southwest Missouri State—pompous Bill O’Reilly, Jeb Bush, hey, throw in John Wayne—they were all draft-dodgers. Not a single one of these mouth-breathing, cowardly, and meretricious buffoons fought for his country. All plumped for deferments. Former New York Mayor Rudy Giuliani? Did not serve. Former Massachusetts Governor Mitt Romney? Did not serve in the military. (He served the Mormon Church on a thirty-month mission to France.) Former Senator Fred Thompson? Did not serve. Former President Ronald Reagan? Due to poor eyesight, he served in a noncombat role making movies for the Army in southern California during WWII. He later seems to have confused his role as an actor playing a tail gunner with the real thing. Did Rahm Emanuel serve? Yes, he did during the Gulf War 1991—in the Israeli Army. John Boehner did not serve, not a fucking second. Senate Minority Leader Mitch McConnell, R-KY? Not a minute! Former Senate Majority Leader Trent Lott, R-MS? Avoided the draft. Senate Minority Whip Jon Kyl, R-AZ—did not serve. National Republican Senatorial Committee Chair John Cornyn, R-TX—did not serve. Former Senate Republican Policy Committee Chair John Ensign, R-NV? Did not serve. Jack Kemp? Dan Quayle? Never served a day. Not an hour. Not an afternoon. These are the jackasses that cherish memorial services and love to salute and adore hearing “Taps.

They didn't come to crush the city. They came to crush the hubris of its king." "That must have hurt," Oates said. Umber pinched the bridge of his nose. "Hubris means arrogance, you great buffoon.

For official record, announce instructor, the state requires no epic hero. No strive achieve personal celebrity of spotlight and applause. Lectures instructor, the state desires best ideal perform as mediocre. No gain attention showboat. No buffoon. Best effort so occur average. Suppress climbing ego. Become ordinary. Invisible.

Some [jests] are becoming to a gentleman, others are not; see that you choose such as become you. Irony better befits a gentleman than buffoonery; the ironical man jokes to amuse himself, the buffoon to amuse other people.

Doppelgangers are expensive. Rarely do their victims escape.” I didn’t mention that the men appeared to be buffoons. I figured I’d get a little more street cred this way.

Shorn of intimacy and seen from a considerable distance, we are all comic characters, farcical buffoons who bumble through our lives, making fine messes as we go, but when you get close, the ridiculous quickly fades into the sordid or the tragic or the merely sad. [p. 73]

I always feel when I meet people that I am lower than all, and that they all take me for a buffoon; so I say let me play the buffoon, for you are, every one of you, stupider and lower than I." He longed to revenge himself on every one for his own unseemliness. He suddenly recalled how he had once in the past been asked, "Why do you hate so and so, so much?" And he had answered them, with his shameless impudence, "I'll tell you. He has done me no harm. But I played him a dirty trick, and ever since I have hated him.

I had artistic classical training, and when you learn the classics for so many years, you might gain audacity, power and confidence to subvert everything. I am like the originals buffoons. I love the rules because I can break them.

Why had this good-looking moll chosen this effeminate buffoon, they all wanted to know. But Jimmy understood why immediately. Because he allowed her to be free.

I took him for a kind of buffoon. Now I see he is a devil.

The wise could be counted on to do what was wise; there was no predicting the actions of a buffoon.

Scientists are buffoons, not because they are rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational but because they are rational. Who

a silent concave of puppet buffoons neither eagles nor jaguars buzzard lawyers locuses wings of ink sawing mindibles ventriloquist coyotes peddlers of shadows beneficent satraps the cacomistle thief of hens the monument to the Rattle and its snake the altar to the mauser and the machete the mausoleum of the epauletted cayman rhetoric sculpted in phrases of cement

A couple of buffoons were running for some state-senate seat just vacated by the incumbent's prison term. One accused the other of being "against the Internet" - a knockout punch in a world where whole hordes of humans think better sex is a faster modem.

We look back on history, and what do we see? Empires rising and falling; revolutions and counter-revolutions succeeding one another; wealth accumulating and wealth dispersed; one nation dominant and then another. As Shakespeare’s King Lear puts it, “the rise and fall of great ones that ebb and flow with the moon.” In one lifetime I’ve seen my fellow countrymen ruling over a quarter of the world, and the great majority of them convinced – in the words of what is still a favorite song – that God has made them mighty and will make them mightier yet. I’ve heard a crazed Austrian announce the establishment of a German Reich that was to last for a thousand years; an Italian clown report that the calendar will begin again with his assumption of power; a murderous Georgian brigand in the Kremlin acclaimed by the intellectual elite as wiser than Solomon, more enlightened than Ashoka, more humane than Marcus Aurelius. I’ve seen America wealthier than all the rest of the world put together; and with the superiority of weaponry that would have enabled Americans, had they so wished, to outdo an Alexander or a Julius Caesar in the range and scale of conquest. All in one little lifetime – gone with the wind: England now part of an island off the coast of Europe, threatened with further dismemberment; Hitler and Mussolini seen as buffoons; Stalin a sinister name in the regime he helped to found and dominated totally for three decades; Americans haunted by fears of running out of the precious fluid that keeps their motorways roaring and the smog settling, by memories of a disastrous military campaign in Vietnam, and the windmills of Watergate. Can this really be what life is about – this worldwide soap opera going on from century to century, from era to era, as old discarded sets and props litter the earth? Surely not. Was it to provide a location for so repetitive and ribald a production as this that the universe was created and man, or homo sapiens as he likes to call himself – heaven knows why – came into existence? I can’t believe it. If this were all, then the cynics, the hedonists, and the suicides are right: the most we can hope for from life is amusement, gratification of our senses, and death. But it is not all.

Nobility is a lie. A pretence that high standing comes from anything more than money or martial prowess. Any dolt can play the noble, and as you'll discover in time, daughter, it's mostly dolts who do.

Instead, he gripped her forearm. “Why, Jasnah? Why have you always denied me?” “Other than the fact that you are a detestable buffoon who achieves only the lowest level of mediocrity, as it is the best your limited mind can imagine? I can’t possibly think of a reason.

- It's a small matter, but one which I think shouldn't be overlooked. - Oh Yes? And that is? - That is the simple matter that time travel is an impossibility, you craven buffoon! - Not with the latest miracle of modern horticulture...Gentlemen, please allow me to introduce you to THE TIME SPROUT ! 'Pleased to be here' said the vegetable in question.

She was pleased her husband still thought her attractive, despite her beached-whale state, but was finding it increasingly awkward to accommodate him. The spirit was willing but the flesh was swollen. Still, she enjoyed the compliment and understood that there was no real demand behind the caresses. The earl knew her well enough to realize she valued his desire almost as much as his love. After a lifetime of feeling ugly and unworthy, Alexia was now tolerably assured that Conall genuinely did want her, even if they could do nothing about it at present. She also understood that he was expressing his conjugal interest partly out of knowledge of her own need for such assurances. A werewolf and a buffoon, her husband, but wonderfully caring once he'd blundered into the way of it.

When you depart from standard usage, it should be deliberate and not an accidental lapse. Like a poet who breaks the rules of poetry for creative effect, this only works when you know and respect the rule you are breaking. If you have never heard of the rules you are breaking, you have no right to do so, and you are likely to come off like a buffoon or a barbarian. Breaking rules, using slang and archaic language can be effective, but it is just as likely to give you an audience busy with wincing.

I'm a Joker. Dangerous and silly at the same time.

It is time to remind ourselves that today’s thoughts and actions become our legacy. When we forget this or lie to ourselves thinking our actions do not matter, we have permission to act as momentary buffoons. We let ourselves break, just this once, from our values. We cheat, just this once. We lie, just this once. We put off the hard task, just this once. We skip the workout, just this week. We take the drink, just one more. And soon we find that each of these little breaks in our will leads to another, and then to a lifetime of compromise and regret. Without vigilance, what is right and strong about the human spirit can be whittled away and broken forever.

Merlyn took the Wart’s hand and said kindly, “You are young, and do not understand these things. But you will learn that owls are the most courteous, single-hearted and faithful creatures living. You must never be familiar, rude or vulgar with them, or make them look ridiculous. Their mother is Athene, the goddess of wisdom, and, although they are often ready to play the buffoon to amuse you, such conduct is the prerogative of the truly wise. No owl can possibly be called Archie.

Prince Humperdinck: First things first, to the death. Westley: No. To the pain. Prince Humperdinck: I don't think I'm quite familiar with that phrase. Westley: I'll explain and I'll use small words so that you'll be sure to understand, you warthog faced buffoon. Prince Humperdinck: That may be the first time in my life a man has dared insult me. Westley: It won't be the last. To the pain means the first thing you will lose will be your feet below the ankles. Then your hands at the wrists. Next your nose. Prince Humperdinck: And then my tongue I suppose, I killed you too quickly the last time. A mistake I don't mean to duplicate tonight. Westley: I wasn't finished. The next thing you will lose will be your left eye followed by your right. Prince Humperdinck: And then my ears, I understand let's get on with it. Westley: WRONG. Your ears you keep and I'll tell you why. So that every shriek of every child at seeing your hideousness will be yours to cherish. Every babe that weeps at your approach, every woman who cries out, "Dear God! What is that thing," will echo in your perfect ears. That is what to the pain means. It means I leave you in anguish, wallowing in freakish misery forever. Prince Humperdinck: I think you're bluffing. Westley: It's possible, Pig, I might be bluffing. It's conceivable, you miserable, vomitous mass, that I'm only lying here because I lack the strength to stand. But, then again... perhaps I have the strength after all. [slowly rises and points sword directly at the prince] Westley: DROP... YOUR... SWORD!

I enjoyed perfect health of body, and tranquillity of mind; I did not feel the treachery or inconstancy of a friend, nor the injuries of a secret or open enemy.  I had no occasion of bribing, flattering, or pimping, to procure the favour of any great man, or of his minion; I wanted no fence against fraud or oppression: here was neither physician to destroy my body, nor lawyer to ruin my fortune; no informer to watch my words and actions, or forge accusations against me for hire: here were no gibers, censurers, backbiters, pickpockets, highwaymen, housebreakers, attorneys, bawds, buffoons, gamesters, politicians, wits, splenetics, tedious talkers, controvertists, ravishers, murderers, robbers, virtuosos; no leaders, or followers, of party and faction; no encouragers to vice, by seducement or examples; no dungeon, axes, gibbets, whipping-posts, or pillories; no cheating shopkeepers or mechanics; no pride, vanity, or affectation; no fops, bullies, drunkards, strolling whores, or poxes; no ranting, lewd, expensive wives; no stupid, proud pedants; no importunate, overbearing, quarrelsome, noisy, roaring, empty, conceited, swearing companions; no scoundrels raised from the dust upon the merit of their vices, or nobility thrown into it on account of their virtues; no lords, fiddlers, judges, or dancing-masters.

Tuon looked at him, squatting there by the map, moving his fingers over its surface, and suddenly she saw him in a new light. A buffoon? No. A lion stuffed into a horse-stall might look like a peculiar joke, but a lion on the high plains was something very different. Toy was loose on the high plains, now. She felt a chill. What sort of man had she entangled herself with? After all this time, she realized, she had hardly a clue.

Tell me, you brand-new buffoon and thoroughly ancient pest.

You can't let buffoons rule your life.

Perhaps if you were to refrain from deploying the phrase ‘ignorant buffoon’ with a liberality most writers reserve for ‘it’ and ‘the,’ you would find a readier audience.

crapulent buffoon with the IQ of a tampon.

although they are often ready to play the buffoon to amuse you, such conduct is the prerogative of the truly wise.

Great men … have not been boasters and buffoons,” wrote Emerson, “but perceivers of the terror of life, and have manned themselves to face it.

Wherever authority is still part of accepted usage and one does not ‘give reasons’ but commands, the dialectician is a kind of buffoon: he is laughed at, he is not taken seriously. – Socrates was the buffoon who got himself taken seriously: what was really happening when that happened?

You said just now, "Don't be so ashamed of yourself, because that's the root of your trouble"––with those words, you seem to have reached right into my innermost soul. What I mean is, when I visit people, I always feel that I'm really the lowest of the low, that everybody takes me for a buffoon, so I say to myself, why shouldn't I act the fool, I'm not afraid of what any of you might think, because every single one of you is even worse than me. That's why I'm a buffoon, I'm a buffoon born of shame, great starets, of shame. It's anxiety pure and simple that makes me so unruly.

Mark Twain made black people look like buffoons," [says Michael]. Mort doesn't look up. He doesn't know what we're talking about, but that doesn't stop him from joining the conversation. "Michael," says Mort, "Mark Twain made everybody look like buffoons. He was an equal opportunity buffoon maker.

The “tycoon or buffoon” strategy is meant to amuse the public, to make Americans believe he either is as successful as he claims to be — after all, The New York Times vouches for him! — or is such an obvious phony that he could not be capable of pulling off a massive criminal enterprise without repercussions.

There are two kinds of Fools. The real Fool is the most sincere of mortals: the Court Fool and his kind—the trifling, jesting buffoon—but simulate the family virtue, and steal the family name, for sordid purposes.

I am an inveterate buffoon, and been from birth up, your reverence, it's as though it were a craze in me. I dare say it's a devil within me. But only a little one. A more serious one would have chosen another lodging.

Today's television sitcoms...the father is typically depicted as a clumsy buffoon, an inane and even unnecessary appendage. In creating that caricature, producers and directors have done irreparable damage to the God-ordained image of what may be one of the most significant roles and offices in eternity - that of a father, that of a real man.

I’d be damned if I listened to the same money-grubbing whores who'd sell their ideals and principles for their fifteen minutes of fame; the ignorant buffoons that live in a one-dimensional 140-character world. Tweet tweet, roar roar, caw caw, more like baa baa.

And always, everywhere, there would be the yelling or quietly authoritative hypnotists; and in the train of the ruling suggestion givers, always everywhere, the tribes of buffoons and hucksters, the professional liars, the purveyors of entertaining irrelevances. Conditioned from the cradle, unceasingly distracted, mesmerized systematically, their uniformed victims would go on obediently marching and countermarching, go on, always and everywhere, killing and dying with the perfect docility of trained poodles. And yet in spite of the entirely justified refusal to take yes for an answer, the fact remained and would remain always, remain everywhere — the fact that there was this capacity even in a paranoiac for intelligence, even in a devil worshipper for love; the fact that the ground of all being could be totally manifest in a flowering shrub, a human face; the fact that there was a light and that this light was also compassion

The colonel laughed, effectively halting Bingley's speech. "Uncharacteristically reclusive? Do we speak if the same man? Darcy's very character is defined by his reclusiveness! He prefers to keep his own counsel, especially when he ought to do the opposite - the bacon-brained buffoon.

All love is alike, knowing no season, sun, or clime, but that damn sun does represent lovers’ ever-changing time. Why does it rise to show lovers nothing lasts? Does it not see those lovers and think, ‘I can eclipse and darken them with a wink. I could kill all love by rising and sending them to their forlorn pasts. I can make them for each other pine, and wait and wait as I rise and set. HA! Buffoons, they are all mine. And every time I shine they owe me a debt.

You cheeky fish.” “Stubborn mule.” “Bumbling buffoon.

Sibby has a definite… uniqueness to her. Which she instantly proves when she hops out of the backseat, slams the door, and starts skipping down the sidewalk like a goddamn buffoon.

The gods are alone, and when they stroll, by chance, on earth, they are pathological cases or buffoons, or histrions...who are despised!

She turned you down because you are a simpering, pompous buffoon!” he muttered impatiently, feeling too angry at Mr Collins’ words to rein in his private thoughts.

Runts? Pipsqueaks? Who was that buffoon!

he who falls into the way of being a chatterbox and droll, drops into a wretched buffoon the first time he trips;

Sombre is human life, and as yet without meaning: a buffoon may be fateful to it.

Buffoons may have serious faces behind their mask!

A furious and sustained backlash by a betrayed and angry populace, one unprepared intellectually and psychologically for collapse, will sweep aside the Democrats and most of the Republicans. A cabal of proto-fascist misfits, from Christian demagogues to simpletons like Sarah Palin to loudmouth talk-show hosts, whom we naïvely dismiss as buffoons, will find a following with promises of revenge and moral renewal. The elites, the ones with their Harvard Business School degrees and expensive vocabularies, will retreat into their sheltered enclaves of privilege and comfort.

This oath, which resides at the core of every iteration of Batman that has ever or will ever exist, from pulp antihero to TV buffoon, is much more practical and matter-of-fact. It is a declaration of war. The

In this acausal world, scientists are helpless. Their predictions become postdictions. Their equations become justifications, their logic, illogic. Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they're rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational because they are rational. Who can say which, in an acausal world?

Let us honestly state the facts. Our America has a bad name for superficialness. Great men, great nations have not been boasters and buffoons, but perceivers of the terror of life, and have manned themselves to face it.

It is incomprehensible that he should want to have these futile people here, and still more incomprehensible that he should be able to sit and listen to them and their stupid chatter. I can understand that he may occasionally listen to poets reciting their verses; they can be regarded as buffoons such as are always kept at court. They laud the lofty purity of the human soul, great events and heroic feats, and there is nothing to be said against all that, particularly if their songs flatter him. Human beings need flattery; otherwise they do not fulfill their purpose, not even in their own eyes. And both the present and the past contain much that is beautiful and noble which, without due praise, would have been neither noble nor beautiful. Above all, they sing the praises of love, which is quite as it should be, for nothing else is in such need of transformation into something different. The ladies are filled with melancholy and their breasts heave with sighs; the men gaze vaguely and dreamily into space, for they all know what it is really like and realize that this must be an especially beautiful poem.

One of the foster carers kept a video library of musicals that we worked our way through en famille at weekends, and so, although I fervently wish that I wasn’t, I’m very familiar with the work of Lionel Bart, Rodgers and Hammerstein et al. Knowing I was here on the street where he lived was giving me a funny feeling, fluttery and edgy, verging on euphoric. I could almost understand why that frock-coated buffoon from My Fair Lady had felt the need to bellow about it outside Audrey Hepburn’s window.

I was chiefly disgusted with modern history. For having strictly examined all the persons of greatest name in the courts of princes, for a hundred years past, I found how the world had been misled by prostitute writers, to ascribe the greatest exploits in war, to cowards; the wisest counsel, to fools; sincerity, to flatterers; Roman virtue, to betrayers of their country; piety, to atheists; chastity, to sodomites; truth, to informers: how many innocent and excellent persons had been condemned to death or banishment by the practising of great ministers upon the corruption of judges, and the malice of factions: how many villains had been exalted to the highest places of trust, power, dignity, and profit: how great a share in the motions and events of courts, councils, and senates might be challenged by bawds, whores, pimps, parasites, and buffoons. How low an opinion I had of human wisdom and integrity, when I was truly informed of the springs and motives of great enterprises and revolutions in the world, and of the contemptible accidents to which they owed their success.

So the body. There's no living with it till we recognise that one of its functions in our lives is to play the part of buffoon. Until some theory has sophisticated them, every man, woman, and child in the world knows this. The fact that we have bodies is the oldest joke there is.

Since at least the year 2000 and the election of George Bush, Americans have shown themselves to be increasingly enamored with the heroic couplet of men and stupidity. As the election in 2004 proved, playing dumb means playing to "the people," who, apparently, find intellectual acumen to be a sign of overeducation, elitism, and Washington insider status. As many critics have pointed out, no one could be more of a Washington insider than George W. Bush, the son of a former president and the brother of the governor of Florida. Even so, in both of his election campaigns Bush made a populist version of stupidity into a trademark and sold himself to the public as a down-home guy, a fun BBQpaI, a man's man, a student privileged enough to go to Yale but "real" enough to only get Cs-in other words, an inarticulate, monolingual buffoon who was a safe bet for the White House because he was not trying to befuddle an increasingly uneducated populace with facts, figures, or, god forbid, ideas. His opponent in the election, John Kerry, was fluent in French, well educated, well spoken, and highly suspicious on all counts.

They were silent for a moment, each of them contemplating Anthony Comstock, a demagogue with too much power for such a limited understanding and narrow mind. Many saw him as nothing more than a sanctimonious buffoon, but those who paid attention knew him to be malicious and calculating.

I must also leave you to analyze the cultural decline of Western art and literature. In the cycle of a great civilization, the artist begins as a priest and ends as a clown or buffoon. Examples of buffoonery in twentieth-century art, literature and music are many: Dali, Picasso, John Cage, Beckett.

Consequently, [Terayama Shuuji] often played the buffoon to his more serious colleagues, as he did in a July, 1970, dialogue with Mishima Yukio . . . At one point, [Terayama] laughingly suggested to the very earnest Mishima that Tenjou Sajiki might sponsor a one-man show in which Mishima would demonstrate his famous ability to flex his carefully sculpted upper-body muscles. Mishima refused to be angered by this obvious lack of respect.

The abbey was amply provisioned. With such precautions the courtiers might bid defiance to contagion. The external world could take care of itself. In the meantime it was folly to grieve, or to think. The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was Beauty, there was wine. All these and security were within. Without was the "Red Death.

L.A. It was a big sunny buffoon of a city; corny and ornate and disorganized but kind of fun. The last hallucination, the dwindled fragment of—what had Fitzgerald called it?—“the last and greatest of all human dreams.” It was where we’d run out of room, where the dream had run up against the ocean, and human voices woke us. Los Angeles was the butt end, where we’d spat it out with our mouths tasting of ashes, but a genial failure of a place for all of that.

described approached so nigh as to receive some interruption from the warders, he dashed his dusky green turban from his head, showed that his beard and eyebrows were shaved like those of a professed buffoon, and that the expression of his fantastic and writhen features, as well as of his little black eyes, which glittered like jet, was that of a crazed imagination. "Dance, marabout," cried the soldiers, acquainted with the manners of these wandering enthusiasts, "dance, or we will scourge thee with our bow-strings till thou spin as never top did under schoolboy's lash." Thus shouted the reckless warders, as much delighted at having a subject to tease as a child when he catches a butterfly, or a schoolboy upon discovering a bird's nest. The marabout, as if happy to do their behests, bounded from the earth, and spun his giddy round before them with singular agility, which, when contrasted with his slight and wasted figure, and

Being diplomatic, I’d say Kipps was a slightly built young man in his early twenties, with close-cut reddish hair and a narrow, freckled face. Being undiplomatic (but more precise), I’d say he’s a pint-sized, pug-nosed, carrot-topped inadequate with a chip the size of Big Ben on his weedy shoulder. A sneer on legs. A malevolent buffoon. He’s too old to be any good with ghosts, but that doesn’t stop him wearing the blingiest rapier you’ll ever see, weighed down to the pommel with cheap paste jewels.

I'll tell you plainly - I don't believe in a supreme being, but if you do, and your belief helps you be a better human, I'll fight for your belief till my last breath. But if your belief is your excuse for intolerance and fanaticism, then you're my child, and I am your judgment. The same goes for those intellectual buffoons who take logic as licence to condescension. Militant atheists and religious fundamentalists are both animal retards - they belong in a museum of medieval and modern artifacts, not on civilized streets.

Like many boys unhappy at school Lear built an inner life and learned that one way to be accepted was to make people laugh, to become an amiable buffoon. While he fretted about being ‘half-educated’ he was glad, he said later, to have escaped the straitjacket of conventional teaching, as so many of those who had been laboriously and expensively educated lost their learning, ‘& remain like Swift’s Stullbruggs – cut & dried for life, making no use of their earlier-gained treasures: – whereas I seem to be on the threshold of knowledge’.

LONG, LONG AGO IN the Incubation Period of Man—long before booking agents, five-a-days, theatrical boarding houses, subway circuits, and Variety—when Megatherium roamed the trees, when Broadway was going through its First Glacial Period, and when the first vaudeville show was planned by the first lop-eared, low-browed, hairy impresario, it was decreed: “The acrobat shall be first.” Why the acrobat should be first no one ever explained; but that this was a dubious honor every one on the bill—including the acrobat—realized only too well. For it was recognized even then, in the infancy of Show Business, that the first shall be last in the applause of the audience. And all through the ages, in courts and courtyards and feeble theatres, it was the acrobat—whether he was called buffoon, farceur, merry-andrew, tumbler, mountebank, Harlequin, or punchinello—who was thrown, first among his fellow-mimes, to the lions of entertainment to whet their appetites for the more luscious feasts to come. So that to this day their muscular miracles are performed hard on the overture’s last wall shaking blare, performed with a simple resignation that speaks well for the mildness and resilience of the whole acrobatic tribe.

He glanced at the screen. It was from Mark. CAN'T FIND TY. Julian frowned and thumbed a reply while jogging up the steps after Emma. DID YOU LOOK IN HIS BEDROOM? There was an ornate knocker on the front door in the shape of a wild-haired, wild-eyed Green Man. Emma lifted it and let it fall as Julian's phone beeped again. DO YOU TAKE ME FOR A BUFFOON? OF COURSE I DID. "Jules?" Emma said. "Is everything all right?" "Buffoon?" he muttered, his fingers flying over the touch pad. WHAT DOES LIVVY SAY? "Did you just mutter 'buffoon'? Emma demanded. Julian could hear footsteps approaching from the other side of the door. 'Julian, try to act not weird, okay?

I Am Ukraine (The Sonnet) Peace doesn't come through prayers, Peace comes through responsible action. When the invader stomps on innocent lives, Not choosing a side is a consent to oppression. Ask us for water, we won't let you go unfed, But do not mistake our gentleness as fear. If you so much as lay a finger on our home, We'll defend it with our blood, sweat 'n tears. We ain't no coward to selfishly seek security, When our land is being ransacked by raccoons. When the lives of our loved ones are at stake, We'll break but never bend to oligarchical buffoons. The love of our families is what keeps us breathing. To preserve their smiles, we shall happily die fighting.

In fact, our ship crossed the channel and hugged around the coast of Kent and then up the Thames into London. It was a truly vile place, and only ever became worse as the centuries rolled by. It was a city for the grasping, the ambitious, and the perverse. Seekers of power and pleasure. Desperate men and women living in filth, breathing in the smoke and stench of rotting shit while dreaming of one day winning great wealth and marrying their son to an impoverished lady. A city of pimps, jesters, smooth-skinned lads, flatterers, pretty boys, effeminates, paederasts, singing girls, quacks, sorceresses, extortioners, night wanderers, magicians, mimes, beggars, and buffoons.

From the great sea-serpent to the nebular hypothesis, I was ready to write on anything or everything, and I can safely say that I seldom handled a subject without throwing new lights upon it. Poetry and romance, however, had always the greatest attractions for me. How I have wept over the pathos of my heroines, and laughed at the comicalities of my buffoons!Alas!I could find no one to join me in my appreciation, and solitary admiration for one's self, however genuine, becomes satiating after a time. My father remonstrated with me too on the score of expense and loss of time, so that I was finally compelled to relinquish my dreams of literary independence and to become a clerk

That spring Larry Ellison saw Amelio at a party and introduced him to the technology journalist Gina Smith, who asked how Apple was doing. “You know, Gina, Apple is like a ship,” Amelio answered. “That ship is loaded with treasure, but there’s a hole in the ship. And my job is to get everyone to row in the same direction.” Smith looked perplexed and asked, “Yeah, but what about the hole?” From then on, Ellison and Jobs joked about the parable of the ship. “When Larry relayed this story to me, we were in this sushi place, and I literally fell off my chair laughing,” Jobs recalled. “He was just such a buffoon, and he took himself so seriously. He insisted that everyone call him Dr. Amelio. That’s always a warning sign.

A man so various, that he seem'd to be Not one, but all Mankinds Epitome. Stiff in Opinions, always in the wrong; Was every thing by starts, and nothing long: But, in the course of one revolving Moon, Was Chymist, Fidler, States-Man, and Buffoon: Then all for Women, Painting, Rhiming, Drinking; Besides ten thousand freaks that dy'd in thinking. Blest Madman, who coud every hour employ, With something New to wish, or to enjoy! Rayling and praising were his usual Theams; And both (to shew his Judgment) in Extreams: So over Violent, or over Civil, That every man, with him, was God or Devil. In squandring Wealth was his peculiar Art: Nothing went unrewarded, but Desert. Begger'd by Fools, whom still he found too late: He had his Jest, and they had his Estate.

My life has been a disaster on the grand scale - that I'd better make clear from the start. A catalogue of my former ambitions would give a Napoleon stage-fright. Art, Ethics, Theology, the Sciences (both practical and occult), even Perception itself, to say nothing of my later efforts at Empire Building, Commerce and Exploration - each of these were at some stage fields which I intended to master. My personality accepted no limits; all that could be conceived was possible. For me, personally. And now, even when I've come to the point where all personal considerations disgust me, I still realise the sublime inevitability of it all. I wasn't mistaken; I was merely trapped. Born trapped. Condemned for the length of a lifetime to play this buffoon Arthur Rimbaud. Yes, it's true what I always used to think when I was a kid: I is another.

The problem, Augustine came to believe, is that if you think you can organize your own salvation you are magnifying the very sin that keeps you from it. To believe that you can be captain of your own life is to suffer the sin of pride. What is pride? These days the word “pride” has positive connotations. It means feeling good about yourself and the things associated with you. When we use it negatively, we think of the arrogant person, someone who is puffed up and egotistical, boasting and strutting about. But that is not really the core of pride. That is just one way the disease of pride presents itself. By another definition, pride is building your happiness around your accomplishments, using your work as the measure of your worth. It is believing that you can arrive at fulfillment on your own, driven by your own individual efforts. Pride can come in bloated form. This is the puffed-up Donald Trump style of pride. This person wants people to see visible proof of his superiority. He wants to be on the VIP list. In conversation, he boasts, he brags. He needs to see his superiority reflected in other people’s eyes. He believes that this feeling of superiority will eventually bring him peace. That version is familiar. But there are other proud people who have low self-esteem. They feel they haven’t lived up to their potential. They feel unworthy. They want to hide and disappear, to fade into the background and nurse their own hurts. We don’t associate them with pride, but they are still, at root, suffering from the same disease. They are still yoking happiness to accomplishment; it’s just that they are giving themselves a D– rather than an A+. They tend to be just as solipsistic, and in their own way as self-centered, only in a self-pitying and isolating way rather than in an assertive and bragging way. One key paradox of pride is that it often combines extreme self-confidence with extreme anxiety. The proud person often appears self-sufficient and egotistical but is really touchy and unstable. The proud person tries to establish self-worth by winning a great reputation, but of course this makes him utterly dependent on the gossipy and unstable crowd for his own identity. The proud person is competitive. But there are always other people who might do better. The most ruthlessly competitive person in the contest sets the standard that all else must meet or get left behind. Everybody else has to be just as monomaniacally driven to success. One can never be secure. As Dante put it, the “ardor to outshine / Burned in my bosom with a kind of rage.” Hungry for exaltation, the proud person has a tendency to make himself ridiculous. Proud people have an amazing tendency to turn themselves into buffoons, with a comb-over that fools nobody, with golden bathroom fixtures that impress nobody, with name-dropping stories that inspire nobody. Every proud man, Augustine writes, “heeds himself, and he who pleases himself seems great to himself. But he who pleases himself pleases a fool, for he himself is a fool when he is pleasing himself.”16 Pride, the minister and writer Tim Keller has observed, is unstable because other people are absentmindedly or intentionally treating the proud man’s ego with less reverence than he thinks it deserves. He continually finds that his feelings are hurt. He is perpetually putting up a front. The self-cultivator spends more energy trying to display the fact that he is happy—posting highlight reel Facebook photos and all the rest—than he does actually being happy. Augustine suddenly came to realize that the solution to his problem would come only after a transformation more fundamental than any he had previously entertained, a renunciation of the very idea that he could be the source of his own solution.

Do you remember Zhitomir, Vasily? Do you remember the Teterev, Vasily, and that evening when the Sabbath, the young Sabbath tripped stealthily along the sunset, her little red heel treading on the stars? THe slender horn of the moon bathed its arrows in the black waters of the Teterev. Funny little Gedali, founder of the Fourth International, was taking us to Rabbi Motele Bratzlavsky’s for evening service. Funny little Gedali swayed the cock’s feathers on his high hat in the red haze of the evening. The candes in the Rabbi’s room blinked their predatory eyes. Bent over prayer books, brawny Jews were moaning in muffled voices, and the old buffoon of the zaddiks of Chernobyl jingled coppers in his torn pocket... ...Do you remember that night, Vasily? Beyond the windows horses were neighing and Cossacks were shouting. The wilderness of war was yawning beyong the windows, and Robbi Motele Bratzslavsky was praying at the eastern wall, his decayed fingers clinging to his tales. (...)

Tis obvious that you’re easily…” She paused, searching for a more sarcastic and descriptive word than “encouraged.” “Aroused?” he queried. Erienne gasped. “Certainly not!” “Have you changed your mind? You said at a twitch of a skirt…” “I know what I said!” “The subject seems to be on your mind quite a bit, my lady.” “I wonder why,” she retorted with unmistakable satire. It was impossible to ignore the manly feel of him against her. “Because you lust after my body?” he asked, feigning innocence. Erienne caught her breath in outrage. “I am a married woman, sir!” He heaved a laborious sigh. “Here we go again!” “Oh, you buffoon! Why don’t you leave me alone?” “Did I ask you to follow me?” he protested. She groaned aloud in frustration. “I’m sorry I did!” “Were you bruised?” He snuggled her closer against his body. “You feel all right to me.” “Christopher, if I weren’t so afraid of this horse, I’d slap you,” she threatened. “Why? I only inquired of your health.” “Because you make free with your hands! Now, stop that!” She threw away the hand that had settled on her thigh. “Don’t you ever get tired of playing the rake?” “The sport warms and excites me, madam,” he said, chuckling in her ear. -Erienne & Christopher

Richard Durham was a black writer whose credits in radio would run a gamut from Irna Phillips serials to prestige plays for such as The CBS Radio Workshop. But in Destination Freedom Durham wrote from the heart. Anger simmers at the foundation of these shows, rising occasionally to a wail of agony and torment. On no other show was the term “Jim Crow” used as an adjective, if at all: nowhere else could be heard the actual voices of black actors giving life to a real black environment. There were no buffoons or toadies in Durham’s plays: there were heroes and villains, girlfriends and lovers, mothers, fathers, brutes; there were kids named Joe Louis and Jackie Robinson, who bucked the tide and became kings in places named Madison Square Garden and Ebbets Field. The early historical dramas soon gave way to a more contemporary theme: the black man’s struggle in a modern racist society. Shows on Denmark Vesey, Frederick Douglass, and George Washington Carver gave way to Richard Wright’s Black Boy and the lives of Louis Armstrong, Fats Waller, and Nat King Cole. The Tiger Hunt was a war story, of a black tank battalion; Last Letter Home told of black pilots in World War II. The stories pulled no punches in their execution of the common theme, making Destination Freedom not only the most powerful but the only show of its kind.

A Favorite start to a book [sorry it's long!]: "In yesterday’s Sunday Times, a report from Francistown in Botswana. Sometime last week, in the middle of the night, a car, a white American model, drove up to a house in a residential area. Men wearing balaclavas jumped out, kicked down the front door, and began shooting. When they had done with shooting they set fire to the house and drove off. From the embers the neighbors dragged seven charred bodies: two men, three women, two children. Th killers appeared to be black, but one of the neighbors heard them speaking Afrikaans among themselves. And was convinced they were whites in blackface. The dead were South Africans, refugees who had moved into the house mere weeks ago. Approached for comment, the SA Minister of Foreign Affairs, through a spokesman, calls the report ‘unverified’. Inquiries will be undertaken, he says, to determine whether the deceased were indeed SA citizens. As for the military, an unnamed source denies that the SA Defence Force had anything to do with the matter. The killings are probably an internal ANC matter, he suggests, reflecting ‘ongoing tensions between factions. So they come out, week after week, these tales from the borderlands, murders followed by bland denials. He reads the reports and feels soiled. So this is what he has come back to! Yet where in the world can one hide where one will not feel soiled? Would he feel any cleaner in the snows of Sweden, reading at a distance about his people and their latest pranks? How to escape the filth: not a new question. An old rat-question that will not let go, that leaves its nasty, suppurating wound. Agenbite of inwit. ‘I see the Defense Force is up to its old tricks again,’ he remarks to his father. ‘In Botswana this time.’ But his father is too wary to rise to the bait. When his father picks up the newspaper, he cares to skip straight to the sports pages, missing out the politics—the politics and the killings. His father has nothing but disdain for the continent to the north of them. Buffoons is the word he uses to dismiss the leaders of African states: petty tyrants who can barely spell their own names, chauffeured from one banquet to another in their Rolls-Royces, wearing Ruritanian uniforms festooned with medals they have awarded themselves. Africa: a place of starving masses with homicidal buffoons lording over them. ‘They broke into a house in Francistown and killed everyone,’ he presses on nonetheless. ‘Executed them .Including the children. Look. Read the report. It’s on the front page.’ His father shrugs. His father can find no form of words spacious enough to cover his distaste for, on one hand, thugs who slaughter defenceless women and children and, on the other, terrorists who wage war from havens across the border. He resolves the problem by immersing himself in the cricket scores. As a response to moral dilemma it is feeble; yet is his own response—fits of anger and despair—any better?" Summertime, Coetzee

The labour of some of the most respectable orders in the society is, like that of menial servants, unproductive of any value, and does not fix or realize itself in any permanent subject, or vendible commodity, which endures after that labour is past, and for which an equal quantity of labour could afterwards be procured. The sovereign, for example, with all the officers both of justice and war who serve under him, the whole army and navy, are unproductive labourers. They are the servants of the public, and are maintained by a part of the annual produce of the industry of other people. Their service, how honourable, how useful, or how necessary soever, produces nothing for which an equal quantity of service can afterwards be procured. The protection, security, and defence, of the commonwealth, the effect of their labour this year, will not purchase its protection, security, and defence, for the year to come. In the same class must be ranked, some both of the gravest and most important, and some of the most frivolous professions; churchmen, lawyers, physicians, men of letters of all kinds; players, buffoons, musicians, opera-singers, opera-dancers, etc. The labour of the meanest of these has a certain value, regulated by the very same principles which regulate that of every other sort of labour; and that of the noblest and most useful, produces nothing which could afterwards purchase or procure an equal quantity of labour. Like the declamation of the actor, the harangue of the orator, or the tune of the musician, the work of all of them perishes in the very instant of its production.

Consider a world in which cause and effect are erratic. Sometimes the first precedes the second, sometimes the second the first. Or perhaps cause lies forever in the past while effect in the future, but future and past are entwined. On the terrace of the Bundesterrasse is a striking view: the river Aare below and the Bernese Alps above. A man stands there just now, absently emptying his pockets and weeping. Without reason, his friends have abandoned him. No one calls any more, no one meets him for supper or beer at the tavern, no one invites him to their home. For twenty years he has been the ideal friend to his friends, generous, interested, soft-spoken, affectionate. What could have happened? A week from this moment on the terrace, the same man begins acting the goat, insulting everyone, wearing smelly clothes, stingy with money, allowing no one to come to his apartment on Laupenstrasse. Which was cause and which effect, which future and which past? In Zürich, strict laws have recently been approved by the Council. Pistols may not be sold to the public. Banks and trading houses must be audited. All visitors, whether entering Zürich by boat on the river Limmat or by rail on the Selnau line, must be searched for contraband. The civil military is doubled. One month after the crackdown, Zürich is ripped by the worst crimes in its history. In daylight, people are murdered in the Weinplatz, paintings are stolen from the Kunsthaus, liquor is drunk in the pews of the Münsterhof. Are these criminal acts not misplaced in time? Or perhaps the new laws were action rather than reaction? A young woman sits near a fountain in the Botanischer Garten. She comes here every Sunday to smell the white double violets, the musk rose, the matted pink gillyflowers. Suddenly, her heart soars, she blushes, she paces anxiously, she becomes happy for no reason. Days later, she meets a young man and is smitten with love. Are the two events not connected? But by what bizarre connection, by what twist in time, by what reversed logic? In this acausal world, scientists are helpless. Their predictions become postdictions. Their equations become justifications, their logic, illogic. Scientists turn reckless and mutter like gamblers who cannot stop betting. Scientists are buffoons, not because they are rational but because the cosmos is irrational. Or perhaps it is not because the cosmos is irrational but because they are rational. Who can say which, in an acausal world? In this world, artists are joyous. Unpredictability is the life of their paintings, their music, their novels. They delight in events not forecasted, happenings without explanation, retrospective. Most people have learned how to live in the moment. The argument goes that if the past has uncertain effect on the present, there is no need to dwell on the past. And if the present has little effect on the future, present actions need not be weighed for their consequence. Rather, each act is an island in time, to be judged on its own. Families comfort a dying uncle not because of a likely inheritance, but because he is loved at that moment. Employees are hired not because of their résumés, but because of their good sense in interviews. Clerks trampled by their bosses fight back at each insult, with no fear for their future. It is a world of impulse. It is a world of sincerity. It is a world in which every word spoken speaks just to that moment, every glance given has only one meaning, each touch has no past or no future, each kiss is a kiss of immediacy.

It was true. They’d been close enough to recognize him. But they’d hunted down him and Sejanus — Sejanus, who’d treated the tributes so well, fed them, defended them, given them last rites! — even though they could have used that opportunity to kill one another. “I think I underestimated how much they hate us,” said Coriolanus. “And when you realized that, what was your response?” she asked. He thought back to Bobbin, to the escape, to the tributes’ bloodlust even after he’d cleared the bars. “I wanted them dead. I wanted every one of them dead.” Dr. Gaul nodded. “Well, mission accomplished with that little one from Eight. You beat him to a pulp. Have to make up some story for that buffoon Flickerman to tell in the morning. But what a wonderful opportunity for you. Transformative.” “Was it?” Coriolanus remembered the sickening thuds of his board against Bobbin. So he had what? Murdered the boy? No, not that. It was an open-and-shut case of self-defense. But what, then? He had killed him, certainly. There would never be any erasing that. No regaining that innocence. He had taken human life. “Wasn’t it? More than I could’ve hoped. I needed you to get Sejanus out of the arena, of course, but I wanted you to taste that as well,” she said. “Even if it killed me?” asked Coriolanus. “Without the threat of death, it wouldn’t have been much of a lesson,” said Dr. Gaul. “What happened in the arena? That’s humanity undressed. The tributes. And you, too. How quickly civilization disappears. All your fine manners, education, family background, everything you pride yourself on, stripped away in the blink of an eye, revealing everything you actually are. A boy with a club who beats another boy to death. That’s mankind in its natural state.” The idea, laid out as such, shocked him, but he attempted a laugh. “Are we really as bad as all that?” “I would say yes, absolutely. But it’s a matter of personal opinion.” Dr. Gaul pulled a roll of gauze from the pocket of her lab coat. “What do you think?” “I think I wouldn’t have beaten anyone to death if you hadn’t stuck me in that arena!” he retorted. “You can blame it on the circumstances, the environment, but you made the choices you made, no one else. It’s a lot to take in all at once, but it’s essential that you make an effort to answer that question. Who are human beings? Because who we are determines the type of governing we need. Later on, I hope you can reflect and be honest with yourself about what you learned tonight.