Nicolas Cage Quotes

Killing me won't bring back your goddamn honey!

Halloween is a great holiday for any actor if you think about it. It's all about dress-up and playing characters. So yeah, it's always had a special place for me.

You don't know who Nicolas Cage is?" North sounds incredulous. "You need to see National Treasure immediately. I mean, it's terrible, but since you're essentially living it, you ought to at least see it.

I was always shocked when I went to the doctor's office and they did my X-ray and didn't find that I had eight more ribs than I should have or that my blood was the color green.

El Lindo tastes like the line from that famous murder mystery movie “Rambo,” when Nicolas Cage rips off his tuxedo and says, “I may be a lot of things, but I ain’t a man to call Taco Bell Mexican cuisine." I love a good romance.

A 5’5”, 182-pound, 43-year-old man wearing khaki shorts and a UCLA sweatshirt runs to Nicolas Cage in a manner he will spend the rest of the night describing to his slightly bored but equally boring date as “ambushing.” No one else is on the street and Nicolas Cage is unable to avoid the man, who wants a picture with his “brand new Droid.” As the man, who actually seems to be vibrating and hovering in an almost hummingbird-like way, adjusts his stance for the third attempt at a picture his crotch lightly brushes Nicolas Cage’s upper thigh, causing his face to shift from “bemused resignation” to, strangely, “serene bliss,” for what will become the man’s inaugural Facebook profile picture.

Los recuerdos se levantan a nuestras espaldas. Los días en los que, creía, no pasaba nada demasiado relevante fueron los que construyeron la fortaleza del pasado.

La gente feliz no necesita aclarar que lo es.

Por suerte fui parte de la última generación que se crio esperando: los dibujitos de las seis, reencontrarme con el chico de la colonia al año siguiente, mi canción preferida en la radio. En los noventa no había lugar para la urgencia.

Suelo estar más en mi cabeza que con la gente con la que estoy, y las mejores charlas las tuve en la ducha, o sentada en un parque, pispeando por la ventana de mi mente. Ahí nadie puede cagarla, equivocarse de línea, o interferir con mi propia narrativa

You know what, you can't be great unless you know you're great and you are precious, so be precious about it because what you have to offer them is precious, whether they get it or not doesn't matter. You're precious, go in and be great like you know you're great, that's what you are.

Look. Is The Rock a perfect movie? No. But is it a perfect movie? Maybe! Just describing the plot of The Rock is a lush, lip-smacking thrill, like a piece of bacon that is all fatty rind, like a bowl of Lucky Charms that is all marshmallows—so many elements that could each, alone, be too much, here combined into one film that somehow works, one great, baroque cinnamon roll that is all the middle of the cinnamon roll, The Jetsons Meet the Flintstones, a duck-billed platypus, a place beyond decadence, foie gras on your burger, everything you want and nothing you don’t and then some more. Nicolas Cage, an unchained freak; Sean Connery, virtuosically hammy; Ed Harris, a haunted prince going down with his ship; antihero vs. antihero vs. antihero vs. the president; and gruesome chemical weapons and a heist and a mutiny and a double mutiny and family drama and Alcatraz and mine carts and fighter jets and flames and a rock, stalwart against the sea. All that, but with none of the septic irony, the relentless self-conscious hedging, that infects so much of our lives these days. The Rock does not take one single moment to look you in the eye and say, yes, we know this is a little silly, we are sorry, please know we are cool—there’s no need! The Rock believes in itself, it commits, it is happy to be fun. Coolness is a deadly neurotoxin. Inject The Rock into your heart.

It is madness, by the way, that every director does not do whatever it takes—financially, spiritually, erotically—to put Nicolas Cage in everything they make. He is the only person who ever does anything interesting in any movie. Yeah, I said it! Do I mean it? I don’t know. But I do know that sometimes I forget about Nicolas Cage for weeks or even years at a time, and then I watch a Nicolas Cage movie again and it feels like coming home—to a house where your dad is cocaine and your mom licks your face if you’ve been good AND if you’ve been bad. I’m happy there!

People are twisty animals. I have met unpleasant men and women whom I do not like because I suspect they are at heart cruel, or take absolutely no joy from life, or believe some sections of society are little better than vermin and should be exposed at birth; but I have trusted some of these same women and men with my life because they have learnt to bind their natural inclinations with cages of rules and ethical behaviour that I know will hold and guide them under almost any circumstance. Equally, I have met people I have liked instinctively, on sight, but would not trust because they have never been tested, not even by themselves, and have never had to formulate rules to get by.

not like Nicolas Cage who always just plays Nicolas Cage in every film. Daniel

A Master Craftsman of Acting, like Daniel Day-Lewis, spends years selecting, preparing, and acting for just a single film. He is not like Nicolas Cage who always just plays Nicolas Cage in every film.

Check my phone. Lena Dunham favorited my twitter picture. Her with Nicolas Cage’s head. This delights me. I have been noticed by someone famous. I’m in an Echo Park coffee shop drinking a tea called “Spring Jasmine.” Grinning uncontrollably because Lena fucking Dunham knows I exist.

Quizás de esto se trataba la vida. De estar con un otro, como cuando estás sola, pero sin miedo.

Another had an equally-ripped shirt with the actor Nicolas Cage’s screaming face on it.

It was more than half a mile and Ross was limping by the end of it. He rode a horse longer than he walked these days. Then it was an asking and a questing, a seeking among dark and sprawling figures, the thumb jerked, the finger pointed. Ross’s escort moved like a small Scottish ferret from group to group. At last a man sat up and said: ‘Yes, I’m Poldark. Who wants me?’ ‘One of your own blood,’ said Ross. ‘Who else?’ There was a startled oath, and a thin man scrambled to his feet. He had been lying, his back propped against a tree, his scabbard across his knees. He peered in the uncertain starlight. ‘By the Lord Nicolas Cage! It’s Uncle Ross!

Rage with Nicolas Cage is a twisted film, nicolas cage is the craziest actor ever seen!

Nicolas Cage is the best for taking the role of character Joker. He is pretty damn good at jokes!

rubbing his chin, “as Nicolas Cage put it in Con Air, ‘On any other day, that might seem strange.

They bared their teeth-the same muscles, the same sinews, the same teeth-in the same wild grin. The same-shaped arms swing over the same strong rib cages. The same long feet moved over the grass. And now they laughed like children. But they fought like dogs in the pit. They fought against fate.

Así de absorta en mí estoy. Así de poderosa me siento en mi impotencia.

le dije que pensaba que era más gordo porque cuando no sé qué decir digo estupideces.

No pude evitar sonreír y mirarlo como miramos las cosas que creemos que podemos amar.

en un idioma que no es el materno las cosas tienen menos peso.

La palabra es una forma de reafirmarme ante la duda.

Cuando recibo un mensaje suyo, en mi cuarto sale el sol.

The intellectual actor For many of those who aspire to be actors or to become better actors, the biggest challenge is to stop thinking and start feeling. Our education system trains young people in thinking and the prizes are given out for analytical skills. But fundamentally this is a cerebral engagement, impassive and rational. And this kind of education – especially at degree level – is often in direct opposition to what actors need to cultivate in themselves. For much of our lives, we are served well by the ability to think logically about what’s happening and make considered, rational decisions about what to do. Indeed, for most professions it’s essential. I’m guessing we would all rather be operated on, or have our taxes done, by someone with the rigour of thinking to be able to analyse a situation and come up with a reliably intelligent plan of attack. But the foremost job of an actor is to commit to the fictional world of a drama and this is not a cerebral activity. The qualities that will really make a performance – spontaneity, impulsiveness, emotional availability, unguarded vulnerability – are neither logical nor intellectual. And these are things we can deliberately cultivate in ourselves. Nicolas Cage: ‘I invite the entire spectrum, shall we call it, of feeling. Because that is my greatest resource as a film actor. I need to be able to feel everything, which is why I refuse to go on any kind of medication. Not that I need to! But my point is, I wouldn’t even explore that, because it would get in the way of my instrument. Which is my emotional facility to be able to perform.

They say bread is life. And I bake bread, bread, bread. And I sweat and shovel this stinkin’ dough in and out of this hot hole in the wall, and I should be so happy! Huh, sweetie? —Nicolas Cage in Moonstruck

«La paura più grande?» Esito nel rispondere. Se me l’avessero chiesto sei settimane fa, avrei risposto la ricaduta. Perfino adesso, è una cosa terrorizzante e mi fa orrore. Affronterei di nuovo la disintossicazione e la riabilitazione, piuttosto che finire per una seconda volta sulla traiettoria sbagliata di un attentatore. Mando giù il nodo alla gola, incapace di formulare una risposta, rifugiandomi invece nell’umorismo. «Nicolas Cage, l’attore,» rispondo con una serietà finta. Thane ride e scuote la testa nella mia direzione. «Tu invece? Di cosa hai paura?» «Di perdere qualcuno di cui sono responsabile,» risponde senza alcuna esitazione. «Mi è già successo e succederà ancora. Ma mi tiene sveglio la notte ugualmente.» Appoggio una mano sulla sua e mi avvicino ancora di più per posare la testa sulla sua spalla. Alza un braccio e lo mette intorno alle mie spalle. Sospiro mentre mi adagio sul suo corpo forte. Sono al sicuro qui

So I had this idea that the building or buildings were going to look like that scene in National Treasure with Nicolas Cage. It ended up turning in to much more humbling experience.

It is madness, by the way, that every director does not do whatever it takes — financially, spiritually, erotically — to put Nicolas Cage in everything they make. He is the only person who ever does anything interesting in any movie. Yeah! I said it. Do I mean it? I don’t know.