Buckle Shoes Quotes

We've searched our database for all the quotes and captions related to Buckle Shoes. Here they are! All 100 of them:

No, my friend, I am not drunk. I have just been to the dentist, and need not return for another six months! Is it not the most beautiful thought? --Poirot
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Sometimes you fall, spinning through space, grasping for the things that keep you on this earth. Sometimes you catch them. They can be the hands of the people you love. They can be your pets- pups with funny names, cats with ferocious old souls. The thing that keeps you here can be your art. It can be things you have collected and invested with a certain sense of meaning. A flowered, buckled treasure chest of secrets. Shoes that make you taller and, therefore, closer to the heavens. A suit that belonged to your fairy godmother. A dress that makes you feel a little like the Goddess herself. Sometimes you keep falling; you don't catch anything. Sometimes you fall, spinning through space, grasping for the things that keep you here. Sometimes you catch them. Sometimes you don't. Sometimes they catch you.
Francesca Lia Block (Necklace of Kisses (Weetzie Bat, #6))
Rollins held up his watch chain. A turnip was hanging from the fob where his diamond-studded time piece should have been. "That little bastard--" Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth. "He picked your pockets?" Doughty asked incredulously. No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
In every profession and walk of life there is someone who is vulnerablle to temptation. (Mr. Barnes)
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Poirot sighed. He said “The world is yours, the new heaven and the new earth. In your new world, my children, let there be freedom, and let there be pity. That is all I ask.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Naturally, I have no heroes: I am my heroes. I am my brothers and sisters. I feel myself joined by the soul with all beauty. My heart sings with every brave endeavour. With the strange wings of impossible butterflies, with every rock that breathes life into the world. I stand shoulder to shoulder with all denouncers of meanness. I honour spirit and faith and uphold the glorious amateur. I'm in love with desperate men with desperate hands, walking in second-hand shoes searching for God and hearing God and hating God. I'm a desperate man, buckled with fear, I am a desperate man who demands to be listened to, who demands to connect. I'm a desperate man who denounces the dullness of money and status. I'm a desperate man who will not bow down to accolade or success. I'm a desperate man who loves the simplicity of painting and hates galleries and white walls and the dealers in art. Who loves unreasonableness and hotheadedness, who loves contradiction, hates publishing houses and also I am Vincent Van Gogh, Hiroshige and every living artist who dares to draw God on this planet.
Billy Childish
THOMASINA: ....the enemy who burned the great library of Alexandria without so much as a fine for all that is overdue. Oh, Septimus! -- can you bear it? All the lost plays of the Athenians! Two hundred at least by Aeschylus, Sophocles, Euripides -- thousands of poems -- Aristotle's own library!....How can we sleep for grief? SEPTIMUS: By counting our stock. Seven plays from Aeschylus, seven from Sophocles, nineteen from Euripides, my lady! You should no more grieve for the rest than for a buckle lost from your first shoe, or for your lesson book which will be lost when you are old. We shed as we pick up, like travellers who must carry everything in their arms, and what we let fall will be picked up by those behind. The procession is very long and life is very short. We die on the march. But there is nothing outside the march so nothing can be lost to it. The missing plays of Sophocles will turn up piece by piece, or be written again in another language. Ancient cures for diseases will reveal themselves once more. Mathematical discoveries glimpsed and lost to view will have their time again. You do not suppose, my lady, that if all of Archimedes had been hiding in the great library of Alexandria, we would be at a loss for a corkscrew?
Tom Stoppard (Arcadia)
One, two, three / Buckle my shoe.
Robert Benchley
But if as you read this book you're saying to yourself: "I'd rather be miserably married than be alone." Well young lady, take out your clown shoes and buckle your seat belt - it's going to be a very bumpy one-woman circus.
Osayi Emokpae Lasisi (Impossible Is Stupid)
In Paris, when certain people see you ready to set your foot in the stirrup, some pull your coat-tails, others loosen the buckle of the strap that you may fall and crack your skull; one wrenches off your horse's shoes, another steals your whip, and the least treacherous of them all is the man whom you see coming to fire his pistol at you point blank.
Honoré de Balzac (The Atheist’s Mass)
Wilde stepped off the train in Oakland wearing a Spanish sombrero, a velvet suit, a puce cravat, yellow gloves, and buckled shoes, and wended his way across the bay to the Bohemian Club, where he is reported to have drunk his hosts under the table.
Kevin Starr (California: A History)
You know what girls are -- they go to these queer parties in studios where the young men have funny ties and they come home and talk a lot of nonsense.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
There’s another, simple, idea that has been shared on the Internet: after buckling a child into a car seat, a driver takes off his or her left shoe and puts it on the back seat. Once they reach their destination, they won’t go far without the shoe, and they’ll be reminded of the child.
Gregg Olsen (Fundamental Love (Notorious USA, Utah))
Rollins reached for his watch. It had to be about time for the dealers to change shifts, and he liked to supervise them himself. “Son of a bitch,” he exclaimed a second later. “What is it, boss?” Rollins held up his watch chain. A turnip was hanging from the fob where his diamond-studded timepiece should have been. “That little bastard—” Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth. “He picked your pocket?” Doughty asked incredulously. No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning. “Doughty,” he said, “I think we’d best say a prayer for Jan Van Eck.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The intense interest aroused in the public by what was known at the time as "The Styles Case" has now somewhat subsided.
Agatha Christie (The Mysterious Affair At Styles / Peril At End House / The ABC Murders / One, Two, Buckle My Shoe)
I am not concerned with nations, Monsieur. I am concerned with the lives of private individuals who have the right not to have their lives taken from them.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
In verity, there are some Englishmen who are altogether so unpleasing and ridiculous that they should have been put out of their misery at birth.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
The happiness of one man and one woman is the greatest thing in all the world
Agatha Christie (The Mysterious Affair At Styles / Peril At End House / The ABC Murders / One, Two, Buckle My Shoe)
There are times when it is one’s duty to assert oneself.
Agatha Christie (The Mysterious Affair At Styles / Peril At End House / The ABC Murders / One, Two, Buckle My Shoe)
That bitch should not be in a club like this. As if her language is not enough indication, there is also the matter of her Hot Topic mallrat outfit: short black leather skirt with buckles up the side, mass-produced “vintage” Ramones T-shirt, and piss-yellow leggings with some horrible pair of pink patent-leather shoes. She looks like a neon sign bumblebee by way of early Debbie Harry rip-off.
Rachel Cohn (Nick & Norah's Infinite Playlist)
There are certain humiliating moments in the lives of the greatest of men. It has been said that no man is a hero to his valet. To that may be added that few men are heroes to themselves at the moment of visiting their dentist.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Iain now calls you Jessica Fletcher, and he said I can tell you things within reason, and we can both sit back and wait for you to solve our cases. And that he’ll be consulting you on one or two others, but I think he was joking.
E.J. Lamprey (One Two Buckle My Shoe)
He also loved the city itself. Coming to and leaving Cousin Joe’s, he would gorge himself on hot dogs and cafeteria pie, price cigarette lighters and snap-brim hats in store windows, follow the pushboys with their rustling racks of furs and trousers. There were sailors and prizefighters; there were bums, sad and menacing, and ladies in piped jackets with dogs in their handbags. Tommy would feel the sidewalks hum and shudder as the trains rolled past beneath him. He heard men swearing and singing opera. On a sunny day, his peripheral vision would be spangled with light winking off the chrome headlights of taxicabs, the buckles on ladies’ shoes, the badges of policemen, the handles of pushcart lunch-wagons, the bulldog ornaments on the hoods of irate moving vans. This was Gotham City, Empire City, Metropolis. Its skies and rooftops were alive with men in capes and costumes, on the lookout for wrongdoers, saboteurs, and Communists. Tommy
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
Rollins reached for his watch. It had to be about time for the dealers to change shifts, and he liked to supervise them himself. “Son of a bitch,” he exclaimed a second later. “What is it, boss?” Rollins held up his watch chain. A turnip was hanging from the fob where his diamond-studded timepiece should have been. “That little bastard—” Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth. “He picked your pocket?” Doughty asked incredulously. No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
What do you think? At the last minute little Bobby Shafto is going to wake from the dead and come and rescue you? Silver buckles on his shoes or whatever the fuck? He’s out of the loop, Louise. Since he duffeled his head in his racing machine. She looked away.
Cormac McCarthy (The Passenger (The Passenger #1))
As if her language is not enough indication, there is also the matter of her Hot Topic mallrat outfit: short black leather skirt with buckles up the side, mass-produced “vintage” Ramones T-shirt, and piss-yellow leggings with some horrible pair of pink patent-leather shoes.
Rachel Cohn (Nick & Norah's Infinite Playlist)
Good afternoon, Nathaniel. Kindly return my basket.” “Is that all you have to say? You disappoint me. I thought you would send me sailing into the horse trough at least. I guess you respect my new position as a man of the world.” “You are not a man of the world, you clean paintbrushes, though for the life of me I don’t know why Mr. Peale bothers with you. And you will end up in that trough if you don’t give back my basket.” I paused. “Your shoe buckle is missing.” “What?” I grabbed the basket as he looked down to inspect his shoe. “Very funny,” he said.
Laurie Halse Anderson (Fever 1793)
Miss Chauvenet." Morgan willed himself to speak his tongue near to tied. He was unable to take his gaze from her. She looked as fresh as springtime, her dark hair hanging in a braid beyond her hips, her eyes wide with surprise. Then her gaze moved over him, and he knew a moment of utter mortification. She's thinkin' you look like a peacock, laddie. With lace cuffs, silk stockings and drawers, and shoes with shiny brass buckles, he did look like a bloody peacock or, worse, like somoene that whoreson Wentworth would invite to his supper table. -Morgan
Pamela Clare (Untamed (MacKinnon's Rangers, #2))
Uneasy Rider" Falling in love with a mustache is like saying you can fall in love with the way a man polishes his shoes which, of course, is one of the things that turns on my tuned-up engine those trim buckled boots (I feel like an advertisement for men’s fashions when I think of your ankles) Yeats was hung up with a girl’s beautiful face and I find myself a bad moralist, a failing aesthetician, a sad poet, wanting to touch your arms and feel the muscles that make a man’s body have so much substance, that makes a woman lean and yearn in that direction that makes her melt/ she is a rainy day in your presence the pool of wax under a burning candle the foam from a waterfall You are more beautiful than any Harley-Davidson She is the rain, waits in it for you, finds blood spotting her legs from the long ride.
Diane Wakoski
As the year goes on, certain deputies—and others, high in public life—will appear unshaven, without coat or cravat; or they will jettison these marks of the polite man, when the temperature rises. They affect the style of men who begin their mornings with a splash under a backyard pump, and who stop off at their street-corner bar for a nip of spirits on their way to ten hours’ manual labor. Citizen Robespierre, however, is a breathing rebuke to these men; he retains his buckled shoes, his striped coat of olive green. Can it be the same coat that he wore in the first year of the Revolution? He is not profligate with coats. While Citizen Danton tears off the starched linen that fretted his thick neck, Citizen Saint-Just’s cravat grows ever higher, stiffer, more wonderful to behold. He affects a single earring, but he resembles less a corsair than a slightly deranged merchant banker.
Hilary Mantel (A Place of Greater Safety)
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)
And as for god, if all it takes is a flair for drama and a bit of golden trim… he flicks his fingers and suddenly the buttons on his coat, the buckles on his shoes, the trim on his waistcoat are no longer black but gilded, burnished stars against a moonless night. But this is the difference between us Adeline, I will always answer.
Victoria E. Schwab (The Invisible Life of Addie LaRue - Sneak Peek)
She only came through that gate once a day, but my heart would beat faster from at least ten false alarms every morning. Then when her time came and the hands were pointing to noon, my heart went on thumping until her shoes with their black patent-leather straps and steel buckles drew level, almost soundlessly, with my basement window.
Mikhail Bulgakov (The Master and Margarita)
Western clothes were intended for healthy, robust men: to anyone in a weakened condition they were quite insupportable. Around the waist, over the shoulders, under the arms, around the neck - every part of the body was pressed and squeezed by clasps and buttons and rubber and leather, layer over layer, as if you were strapped to a cross. And of course you had to put on stockings before the shoes, stretching them carefully up on your legs by garters. Then you put on a shirt, and then trousers, cinching them in with a buckle and the back till they cut your waist and hanging them from your shoulders with suspenders. Your neck was choked in a close-fitting collar, over which you fastened a noose-like necktie, and stuck a pin in it. If a man is well filled out, the tighter you squeeze him, the more vigorous and bursting with vitality he seems; but a man who is only skin and bones can't stand that. [...] It was only because these Western clothes held him together that he was able to keep on walking at all - but to think of stiffening a limp, helpless body, shackling it hand and foot, and driving it ahead with shouts of "Keep going! Don't you dare collapse!" It was enough to make a man want to cry...
Jun'ichirō Tanizaki (Seven Japanese Tales)
Carter: "Dude, I don't know why it works, it just does. [...] Just pretend you're not into 'em and then ask a question. What's the worst that could happen?" EJ makes eye contact with the smallest one, off to the side. [...] She looks up at EJ and gives him the nicest smile. He pulls the trigger and yells, "You think you're hot stuff, don't you?" What the...? Where are you going with this? "Excuse me?" she replies, kind of sweetly. EJ asks, "You think you're cool, don't you? Where did you get that shirt, the Salvation Army? What the hell is with your hair? My eyes are as big as basketballs as he fires one mean-ass question after another at her. "You don't have a boyfriend, do you?" he continues. It's like he's armed with self-esteem killer. "Did your parents have any kids that lived?" EJ asks. The girls starts to buckle, and tears are on the way. "Are these your friends, or are they like, counselors here to observe you?" EJ shouts. [...] He asks, "Does your grandma know you borrowed her shoes?" as I drag him away. The girl is crying pretty hard, and her friends are trying to console her. [...] "Man, that didn't do very well. What do you think I did wrong?" EJ asks. "Are you serious?" I ask "I was just doing what you told me to," he replies. "I-I-I told you to go up to that girl and start abusing her?" I ask. "You said to ask her questions and pretend I didn't like her!" he yells back. "Pretend YOU'RE NOT INTO HER!" I clarify. "Not that you hate her and wish she would die! Good God, that girl thought she was gonna get a boyfriend when you walked up, not years of therapy." "Do you think I still have a shot?" he asks "NO, I don't!" I bark
Brent Crawford (Carter Finally Gets It (Carter Finally Gets It, #1))
During the Labor Day Hurricane of 1935, winds were past 200 miles per house and people caught outside were sandblasted to death. Rescue workers found nothing but their shoes and belt buckles… In 1938, the hurricane put downtown Providence, Rhode Island, under 10 feet of ocean. The waves generated by that storm were so huge that they literally shook the earth; seismographs in Alaska picked up their impact 5,000 miles away.
Sebastian Junger (The Perfect Storm: A True Story of Men Against the Sea)
Sometimes you fall, spinning through space, grasping for the things that keep you on this earth. Sometimes you catch them. They can be the hands of the people you love. They can be your pets—pups with funny names, cats with ferocious old souls. The thing that keeps you here can be your art. It can be things you have collected and invested with a certain sense of meaning. A flowered, buckled treasure chest of secrets. Shoes that make you taller and, therefore, closer to the heavens. A suit that belonged to your fairy godmother. A dress that makes you feel a little like the Goddess herself. Sometimes you keep falling; you don’t catch anything.
Francesca Lia Block (Necklace of Kisses (Weetzie Bat, #6))
Rollins reached for his watch. It had to be about time for the dealers to change shifts, and he liked to supervise them himself. "Son of a bitch," he exclaimed a second later. "What is it, book?" Rollins held up his watch chain. A turnip was hanging from the fob where his diamond - studded timepiece should have been. "That little bastard--" Then a thought came to him. He reached for his wallet. It was gone. So was his tie pin, the Kaelish coin pendant he wore for luck, and the gold buckles on his shoes. Rollins wondered if he should check the fillings in his teeth. "He picked your pocket?" Doughty asked incredulously. No one got one over on Pekka Rollins. No one dared. But Brekker had, and Rollins wondered if that was just the beginning. "Doughty," he said, "I think we'd best say a prayer for Jan Van Eck." "You think Brekker can best him?" "It's a long shot, but if he's not careful, I think that merch might walk himself right onto the gallows and let Brekker tighten the noose." Rollings sighed. "We better hop Van Eck kills that boy." "Why?" "Because otherwise I'll have to." Rollins straightened the knot of his painless tie and headed down to the casino floor. The problem of Kaz Brekker could wait to be solved another day. Right now there was money to be made.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The warm wool blanket dropped to the floor, and Lydia set her hand in the earl’s firm grip. She stuck her foot outside, but awareness wasn’t with her. That cavernous black doorway claimed her attention, and therein was her problem. Trouble came in mere seconds, as it usually did for her. The step was slick. She slipped. The sole of her leather shoe slid off the step’s edge. “Oww!” she yelped as her foot banged the graveled drive hard. Legs buckling, down she went, like a graceless sack of flour. What’s worse, she slammed into the earl, her shoulder punching his midsection. “Ooomph!” Lord Sanford grunted but moved quickly to save her from falling all the way to the ground. Her face mashed against leather and linen. Strong hands held her arms. At least she didn’t knock the earl down. Grabbing for purchase, her fingers touched warm wool…buttons…skin. Her face pressed into fabric, she murmured, “I’m so very sorry.” Lydia tried to right herself, but relief turned to horror: she was a mortified eye level with the pewter buttons of Lord Sanford’s breeches. Stalwart English mist snapped sense into her. That and seeing his placket bunched low in her fist. Her fingers grazed smooth flesh. Another, more interesting sliver of Lord Sanford’s skin was exposed: pale, intimate skin just below his navel. Lydia yanked back her hand, and a pewter button went flying. “Oh no!” she cried as humiliating heat flared across her face and neck. “Miss Montgomery? Are you injured?” Lord Sanford asked above the wind, slowly lifting her up. He sounded unperturbed at having a woman’s hand on the front of his breeches. hands on the front of his breeches.
Gina Conkle (Meet the Earl at Midnight (Midnight Meetings, #1))
Suggestions to Develop Self-Help Skills Self-help skills improve along with sensory processing. The following suggestions may make your child’s life easier—and yours, too! DRESSING • Buy or make a “dressing board” with a variety of snaps, zippers, buttons and buttonholes, hooks and eyes, buckles and shoelaces. • Provide things that are not her own clothes for the child to zip, button, and fasten, such as sleeping bags, backpacks, handbags, coin purses, lunch boxes, doll clothes, suitcases, and cosmetic cases. • Provide alluring dress-up clothes with zippers, buttons, buckles, and snaps. Oversized clothes are easiest to put on and take off. • Eliminate unnecessary choices in your child’s bureau and closet. Clothes that are inappropriate for the season and that jam the drawers are sources of frustration. • Put large hooks inside closet doors at the child’s eye level so he can hang up his own coat and pajamas. (Attach loops to coats and pajamas on the outside so they won’t irritate the skin.) • Supply cellophane bags for the child to slip her feet into before pulling on boots. The cellophane prevents shoes from getting stuck and makes the job much easier. • Let your child choose what to wear. If she gets overheated easily, let her go outdoors wearing several loose layers rather than a coat. If he complains that new clothes are stiff or scratchy, let him wear soft, worn clothes, even if they’re unfashionable. • Comfort is what matters. • Set out tomorrow’s clothes the night before. Encourage the child to dress himself. Allow for extra time, and be available to help. If necessary, help him into clothes but let him do the finishing touch: Start the coat zipper but let him zip it up, or button all but one of his buttons. Keep a stool handy so the child can see herself in the bathroom mirror. On the sink, keep a kid-sized hairbrush and toothbrush within arm’s reach. Even if she resists brushing teeth and hair, be firm. Some things in life are nonnegotiable.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
But what should he wear? I thought about having him laid to rest in his uniform. But the truth is he hated wearing it. He really needed to be dressed in something he was comfortable in. And that wasn’t going to be in a suit, either: he hated being in a jacket and tie even more than in a uniform. Tie? Ha! I got a pair of his best pressed jeans. They had a nice crease in the pants leg, just like he liked. I found one of his plaid button-down shirts, another favorite. Kryptek, which produces tactical gear and apparel and was one of Chris’s favorite companies, had presented him with a big silver belt buckle that he loved. It was very cowboy, and in that way very much who Chris was. “You think I can pull this off?” he’d asked, showing me how it looked right after he got it. “Hell, yeah,” I told him. I made sure that was with him as well. But if there was any item of clothing that really touched deep into Chris’s soul, it was his cowboy boots. They were a reminder of who he was when he was young, and they were part of who he’d been since getting out of the military. He had a really nice pair of new boots that had been custom made. He hadn’t had a chance to wear them much, and I couldn’t decide whether to bury him in those or another pair that were well worn and very comfortable. I asked the funeral director for his opinion. “We usually don’t do shoes,” he said. It can be very difficult to get them onto the body. “But if it’s important to you, we can do it.” I thought about it. Was the idea of burying them with Chris irrational? The symbolism seemed important. But that could work the other way, too--they would surely be important to Bubba someday. Maybe I should save them for him. In the end, I decided to set them near Chris’s casket when his body was on view, then collect them later for our son. But Chris had the last word. Through a miscommunication--or maybe something else--they were put in the casket when he was laid to rest. So obviously that was the way it should have been.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
I shifted one strap over my shoulder, then the other. I circled my head around and swiveled my hips, creating a sort of hula hoop helix, a study in the curves of a woman's body. He reached for me, but I stepped back, just beyond his reach. "Not yet..." "Argh," he said, but he said it with a smile. "Yes, mademoiselle." I turned around and grazed the tops of his knees with my butt, then spread my legs and bent over, because I knew the dress would ride up. I'd known this Hervé Léger was good for dancing, but I hadn't known until then that it was made for holding men entranced. I stood up while his hand moved up and down my inner thigh, and then his other hand joined in. He unzipped the back of the dress and it fell to the ground with an unsexy sandbag-like thud. I had never stood in front of a man in just a bra, panties, and heels. My first instinct was to be embarrassed, to want to cover up or turn down the lights, to jump on him so he wouldn't have such a complete view of every inch of me. Yet his gaze only grew in intensity. But then Pascal pulled me at the knees so I buckled and tripped on the way to his lap. He flicked my bra open and off so my arms flew wildly in front of me. Then, in a rather impressive move, he slid my panties off and circled me around me so I was the one sitting and he stood over me. All of a sudden, he had the control. "Hey," I said. A quiver came into my voice now that he was on top and I didn't know what to do. Pascal unbuttoned his shirt and unbuckled his belt. I got the picture and began to kick off my shoes, but he stopped me. "Leave them on," he said. "You look so fucking sexy in those heels." I blushed, but now wasn't the time to be sheepish. He leaned over me. I squeezed his waist with my legs and held his neck in the crook of my elbows so I could keep his face to mine. We rocked together forcefully but in sync. He swiftly slid off his boxer briefs and put my hand on him. He was even harder than before, harder than I had ever felt with Elliott. Pascal was roaring in triumph as he sat over me, himself in hand.
Jessica Tom (Food Whore)
His face might've been carved by a Greek sculptor, so perfect were his cheekbones, lips, and nose. His eyes were of the clearest azure. His curling hair was the color of polished guineas and quite gorgeous- which the duke obviously knew, since he wore it long, unpowdered, and tied at the nape of his neck with an enormous black bow. He wore an elegant purple velvet coat over a cloth-of-gold waistcoat embroidered in black and crimson. Fountains of lace fell from wrists and throat as he lounged in a winged armchair, one long leg thrust forward. Diamonds on the buckles of his shoes glinted in the candlelight. His Grace was urbane male sophistication personified- but anyone who therefore dismissed him as harmless was a rank fool. The Duke of Montgomery was as deadly as a coiled adder discovered suddenly at one's feet.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
The Hercule Poirot Reading List It is possible to read the Poirot stories in any order. If you want to consider them chronologically (in terms of Poirot’s lifetime), we recommend the following: ❑ The Mysterious Affair at Styles [1920] ❑ The Murder on the Links [1923] ❑ The Regatta Mystery and Other Stories (US Short Story Collection) [1939] ❑ Poirot Investigates (Short Story Collection) [1924] ❑ Poirot’s Early Cases (Short Story Collection) [1974] ❑ The Murder of Roger Ackroyd [1926] ❑ The Big Four [1927] ❑ The Mystery of the Blue Train [1928] ❑ Peril at End House [1932] ❑ Lord Edgware Dies [1933] ❑ Murder on the Orient Express [1934] ❑ Three Act Tragedy [1935] ❑ Death in the Clouds [1935] ❑ Poirot and the Regatta Mystery (Published in The Complete Short Stories: Hercule Poirot) [1936] ❑ The ABC Murders [1936] ❑ Murder in Mesopotamia [1936] ❑ Cards on the Table [1936] ❑ The Witness for the Prosecution and Other Stories (US Short Story Collection) [1948] ❑ Murder in the Mews (Short Story Collection) [1938] ❑ Dumb Witness [1937] ❑ Death on the Nile [1937] ❑ Appointment with Death [1937] ❑ Hercule Poirot’s Christmas [1938] ❑ Sad Cypress [1940] ❑ One, Two Buckle My Shoe [1940] ❑ Evil Under the Sun [1941] ❑ Five Little Pigs [1942] ❑ The Hollow [1946] ❑ The Labours of Hercules (Short Story Collection) [1947] ❑ Taken at the Flood [1945] ❑ Mrs. McGinty’s Dead [1952] ❑ After the Funeral [1953] ❑ Hickory Dickory Dock [1955] ❑ Hercule Poirot and the Greenshore Folly [2014] ❑ Dead Man’s Folly [1956] ❑ Cat Among the Pigeons [1959] ❑ Double Sin and Other Stories (US Short Story Collection) [1961] ❑ The Under Dog and Other Stories (US Short Story Collection) [1951] ❑ The Harlequin Tea Set and Other Stories (US Short Story Collection) [1997] ❑ The Clocks [1963] ❑ Third Girl [1966] ❑ Hallowe’en Party [1969] ❑ Elephants Can Remember [1972] ❑ Curtain: Poirot’s Last Case [1975]
Agatha Christie (The Man in the Brown Suit (Colonel Race, #1))
Philippa thought again of the bride, blushing, receiving her shoe-buckles; and the Pilgrims of Love, giving their hearts and their laughter and the moonlit song of the lyre. And Míkál’s beautiful voice: The fountains make thee thy bride’s veil; the lyre spins thee thy ribbons; the mallow under thy foot is the hand of thy bridegroom….Sometimes, one must travel to find what is love. She let her mind go just so far; and then, with gentle hands, closed the door she had opened. Then, wearing not her Turkish robe but a plain woollen dress of her own, her hair unbound; with no paint and no jewels but a small silver brooch long ago bought by her father, Philippa walked with Onophrion to the place of her wedding.
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
The world is yours. The New Heaven and the New Earth. In your new world, my children, let there be freedom and let there be pity... That is all I ask. Hercule Poirot, from "One, two, buckle my shoe
Agatha Christie
Meanwhile, Mabel waited outside the Prince of Wales Hotel on Lord Street. She'd perched her bony bottom on the pointed-top wall that ran alongside it, opposite the barbershop. She could smell the sweet, crisp freshness that came with springtime as the sun had finally managed to fight its way through the cloud cover. Unfortunately, though, it seemed that no matter where in this town she went, memories of her father haunted her. As she sat on the wall, her feet turned inwards and, with a dull numbness growing in her tailbone, she closed her eyes. In her mind, she opened them again to find that she was at least ten years younger. Her feet dangled off the edge of the wall in scuffed indigo leather shoes, with a shiny brass buckle glinting in the light from the oil street lamps. The sky was a moody blue, signalling the end of the day and the start of the night. Her father stood beside her, a thick cigarette held between his chapped lips and his hands in his pockets. His friends from work surrounded her, all laughing and chatting. She could see her father speaking, though all she could hear was a muted grumble. Even in her imagination, she couldn't quite picture how he spoke. The only sounds she could place were the short groans he'd make as he stood up from his chair or the wheeze that followed his laughter. With the sad realisation that she had lost all memory of her father's voice, she opened her eyes once more.
Ida O'Flynn (The Distressing Case of a Young Married Woman)
Then he does something that surprises me. He gets down on his knee in front of me, placing my hand on his shoulder for balance. He lifts my foot and slides the stiletto onto it, like he’s Prince Charming and I’m Cinderella. His hands are surprisingly gentle as his fingers touch the arch of my foot. He buckles the strap, then puts the other shoe on my opposite foot.
Sophie Lark (Brutal Prince (Brutal Birthright, #1))
Eventually, and to the envy of all their friends and relations, a young chickadee couple would move into the shoe: A silver-buckled brocade, on their income? How do they do it?
Heidi Schulz (Hook's Revenge (Hook's Revenge, #1))
Daily Self Care: Children this age love to do things for themselves, and it is encouraged to allow them to do so whenever it is appropriate. Demonstrate simple dressing techniques such as how to maneuver buttons, snaps, zippers, ties, buckles and other closures. Show your child how to put on sock correctly and how to fasten or tie their own shoes as their motor skills mature. Teach them how to take care of their own dirty clothes when they change them.   A young child should be given the opportunity to brush their own teeth and wash their own body, face and hair with your supervision. Proper hand washing technique is one of the most valuable life skill activities that you can teach your child.
Sterling Production (Montessori at Home Guide: A Short Guide to a Practical Montessori Homeschool for Children Ages 2-6)
Kane, how are you so fucking tight…" Avery pistoned his hips, driving Kane into the edge of the vanity with each snap of his hips. The moment was perfect, too perfect. Kane reared back, arching his body, and met Avery thrust for thrust. "You've been…ah…bottoming the last few times," Kane groaned. Avery closed his eyes and gritted his teeth. His husband always did that when he concentrated on holding his load. Kane kept his eyes open, looking at their reflection in the mirror. He loved watching Avery make love to him. "Keep going." Kane lifted his dress shirt up and over his head. He tossed it across the top of the toilet and began stroking himself. He was close, very close, and Avery never stopped pounding away at his ass. He tightened his grip, desperately wanting to come, but trying hard to keep it at bay. "Feel good?" Avery's voice was deep, breathy. "Yeah," was the only thing he could manage at the moment. "So good. Fuck, Kane, I could do this all night." "Avery…yes." Kane strained to hold back his orgasm. He rolled his hips then pushed back, grinding against Avery, taking him deep inside. Avery responded just like Kane imagined he would—his lover's eyes opened, and shot straight to their reflection in the mirror, meeting his. Avery's heated gaze pierced Kane to the core. "Come for me," Kane whispered. "You're so beautiful. You're mine. You're always mine." Avery's eyes stayed locked on his. Avery gripped Kane's hips tightly and bucked harder, nailing his spot over and over. Fire surged through Kane's veins. "Come with me!" "Now!" Kane loosened his tight grip on the sink to stroke himself faster, dropping his head down on to the counter as his body tensed and his ass contracted hard around Avery. His release jetted from his body, painting the cabinet and floor with ribbons of white, taking his breath, and buckling his knees with pleasure. He was barely conscious of missing the slacks pooled around his shoes. He closed his eyes as loud moans escaped his lips. He savored every second of Avery's pulsing cock filling him with liquid heat from the inside out.
Kindle Alexander (Always (Always & Forever #1))
Red-heeled shoes and silk stockings clocked in black. Gray satin breeches with silver knee buckles. Snowy linen, with Brussels lace six inches deep at cuff and jabot. The coat, a masterpiece in heavy gray with blue satin cuffs and crested silver buttons, hung behind the door, awaiting its turn.
Diana Gabaldon (Voyager (Outlander, #3))
Faith is never the denial of reality; it is belief in a greater reality. In other words, the truth may be that you are presently surrounded by terrifying or terribly discouraging circumstances. But the reason why you don’t have to buckle to fear and discouragement is the presence of God in the middle of your circumstances. So call upon Him to step His One and Only shoes onto your territory. This place—this circumstance—is now holy because God stands on it with you. You don’t have to fill His shoes, Dear One. Take off your sandals and walk barefoot in His wake.
Beth Moore (Believing God Day by Day: Growing Your Faith All Year Long)
But Charles, at that very moment, was roving the house in search of Amy.  He had stayed at the ball only long enough to claim the first dance with his sister; then, when the dancing was in full swing, he'd melted into the crush, strode through the doors leading back to the main part of the castle, and gone looking for Amy. But she was not in her rooms.  She was not in the dining room, the library, or wandering the halls.  It wasn't until he strode into the Gold Parlor and found Juliet — who would not, of course, be attending the ball in her advanced condition — quietly working on a piece of embroidery, that Charles got the first clue to her whereabouts. He bowed to his sister-in-law, who looked up at him in some surprise. "Why, hello, Charles.  What are you doing out here?  You look most annoyed." "Amy.  I can't find her anywhere, haven't seen her all day and I'm sick to death of everyone monopolizing her time.  You haven't seen her, have you?" Juliet looked at him peculiarly, then lowered her needlework, a little smile touching her lips.  "Actually, I have.  You might try checking the ballroom." "She wouldn't be in there." Juliet's eyes sparkled with mirth.  "Oh, I wouldn't be so sure." At that moment Gareth, who was dividing his time between his wife and the ball, entered the room, fashionably splendid in raspberry silk, tight breeches, and shoes sporting huge Artois buckles.  In his hand were two glasses, one of sherry, the other of cider, the latter of which he handed to his wife.  He had caught the tail end of the conversation. "Yes, you really should check the ballroom, Charles," he said, his own blue eyes twinkling. Was there some damned conspiracy going on here? 
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
I cannot believe you would take such an unpardonable risk!"  cried Charles, leaping to his feet.  "When I bade Juliet to come here should anything happen to me, I thought you, not Gareth would be responsible for her!  Gareth can't even be responsible for buckling his own shoes for God's sake, let alone a wife and baby!" Lucien had been previously content to suffer Charles's anger, but now his expression hardened.  "You are judging your brother most unfairly, Charles, and I will not tolerate your abusing him in this manner.  He would be much wounded if he were to hear you speak of him so.  I know that Gareth was once irresponsible and dissolute, but he has made much of himself, Charles.  He is a loving husband and a playful, adoring father, and his days of debauchery are far behind him.  Go ahead and be angry, as you have every right to be, but do not be angry with him.  If you must assign blame to anyone, assign it where it is due.  That is, assign it to me." "Yes, you and your infernal meddling!  I hope you're damned proud of yourself!" "I was — until I got your letter saying you were not dead, after all.  But really, Charles.  Even you must admit that Gareth, with his light heart and carefree spirit, is much better suited to Juliet, who is as serious-minded as you are.  My only regret is that something has reduced you to this pathetic wreckage I see standing before me, and I was not there to help you.  But as sorry as I feel for you, Charles, I will tell you this.  If you do anything to sabotage your brother's and Juliet's newfound happiness, I assure you I will be most irate indeed.
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
With a firm step, he walked down the hall and turned the white china knob of his door, the porcelain smooth and cool beneath his fingers. A wave of heat engulfed him and he gasped for air, involuntarily. Just as well, as it prevented his uttering the blasphemy that had sprung to his lips. The gentleman occupying the room’s only chair was indeed “Frenchy”—his very well-cut suit set off by cascades of snowy lace at throat and cuff, his shoes buckled with a silver that matched the hair at his temples. “Mr. Beauchamp,” Grey said, and slowly closed the door behind him. His damp linen clung to him, and he could feel his pulse thumping in his own temples. “I fear you take me at something of a disadvantage.” Perseverance Wainwright smiled, very slightly. “I’m glad to see you, John,” he said.
Diana Gabaldon (An Echo in the Bone (Outlander, #7))
mayn’t
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
indistinctly, owing to the difficulty of forming consonants while keeping the mouth open, Hercule
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
You comprehend - I began to look at the case the right way up. Expense no object? Naturally not - to you. Reckless of human life - that, too, since for a long time you have been virtually a dictator and to a dictator his own life becomes unduly important and those of others unimportant
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
You comprehend - I began to look at the case the right way up. Expense no object? Naturally not - to you. Reckless of human life - that, too, since for a long time you have been virtually a dictator and to a dictator his own life becomes unduly important and those of others unimportant.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Frank has lost a good many jobs and he hasn’t been, perhaps, what most people would call very steady. But it will be different now. I think one can do so much by influence, don’t you, M. Poirot? If a man feels a woman expects a lot of him, he tries to live up to her ideal of him.” Poirot sighed. But he did not argue. He had heard many hundreds of women produce that same argument, with the same blithe belief in the redeeming power of a woman’s love. Once in a thousand times, he supposed, cynically, it might be true.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Poirot sighed and rose. He said: “I see, Mr. Raikes, that you are an idealist.” “What if I am?” “Too much of an idealist to care about the death of a dentist.” Mr. Raikes said scornfully: “What does the death of one miserable dentist matter?” Hercule Poirot said: “It does not matter to you. It matters to me. That is the difference between us.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Is this why we write? To bronze the baby shoes? To save all of it? The zippered coats, the somehow endless buckling and unbuckling of car seat harnesses, the sticky hands, the fought naps, the acorns secreted into my pockets and purses, the crumbs on everything, always?
Maggie Smith (You Could Make This Place Beautiful)
Yes, and the whole thing was a wicked practical joke! I do think it’s awful of people to do things like that. I really do.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Have you got that telegram, Miss Nevill?” “I threw it away,
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
sense of importance oozed into him.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
His eyes were set rather close together and they had a way of shifting uneasily from side to side when he was embarrassed. He was inclined to be suspicious and slightly hostile.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
The bluster was uneasy—it did not ring quite true. And yet that might be explained by mere nervousness.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
I’d rather tell you than have you snooping around finding out.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
It was late evening a week later when the summons came. Japp’s voice was brusque over the telephone.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Mrs. Merton was a loquacious lady, with snapping black eyes, and an elaborate coiffure. It needed no pressure to make her talk. She was only too ready to rise to a dramatic situation.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
It was comfortable, with deep armchairs and settees and just enough pleasant untidiness to make it livable.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
He was fond of golf and played moderately well. He was interested in his garden. This was the man towards whom Chief Inspector Japp and Hercule Poirot were bouncing along in a somewhat elderly taxi.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
that’s absurd!” And turning on her heel she left them abruptly and without ceremony, running up the steps of the Gothic House and letting herself in with a key. “Well!” said Japp, staring after her, “that’s an extraordinary thing to say.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Japp pulled himself together, glanced at his watch and hailed an approaching taxi.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Poirot demurred.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Mr. Barnes was a small man with twinkling eyes and a nearly bald head.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Miss Sainsbury Seale had disappeared into space.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
There was a faint hesitation in Miss Morley’s answer. She went on rather hurriedly.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
He lost his job some weeks ago and doesn’t seem able to get another.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Is there anyone else you can think of who had a grudge against your brother?
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
it took him about four days to overcome his natural distrust of getting mixed up with the police and come along with his information.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
He added with a slightly self-conscious laugh:
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Poirot said: “Who could have murdered him?” Japp said: “The answer to that is—almost anybody!
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Frank Carter trembled violently. Sweat came out on his brow. His eyes, more furtive than ever, went wildly from side to side.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
He tailed off into furious profanity.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Poirot spoke again, still in the same calm, measured voice.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Had I been looking at the case upside down?
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
For the stakes for which the guilty person was playing were enormous.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
A cheap envelope in an unformed handwriting, postmarked Hertfordshire.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
I knew, you see, that I'd never had a wife.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
The world is yours. The New Heaven and the New Earth. In your new world, my children, let there be freedom and let there be pity … That is all I ask.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
Mr. Morley’s partner was a tall, dark young man, with a plume of hair that fell untidily over his forehead
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
You mustn’t judge by my manner. That’s just nervousness, you know. I was fond of old Morley and I shall miss him.
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
And we’ll check up on Miss Nevill’s telegram and on her aunt and on her young man. In fact, we’ll check up on everything and everybody!
Agatha Christie (One, Two, Buckle My Shoe (Hercule Poirot, #23))
lilac ruffled shirt, green satin knickerbockers, tights, pink cummerbund tied in a floppy bow and pointy white satin shoes with gold buckles
Francesca Simon (Horrid Henry: Tricking the Tooth Fairy: Book 3)
My eyes drowned in his. My breasts pressed into his chest, his breath rolled over my lips, his hands pulled me into him, and I was small and protected, nestled into his firm body. It was better than the hug I’d envisioned. It was paralyzing. Say yes. He didn’t answer. He smiled against my lips, wrapped my legs around his waist, and carried me straight to the bedroom, devouring my mouth as he staggered through the door. My dress pushed up around my hips and his hands held my naked thighs against him. The straining in his pants, pressed into my panties, drove me almost mad. I felt like a crazed animal. I wanted to rip his clothes off him with my teeth. He set my feet down in the middle of the room and I tugged at his shirt, desperate to run my hands along his bare chest. He kicked out of his shoes and peeled off his shirt, and his warm masculine scent ensconced me as I grappled with his belt buckle. The metallic clink was like a mating call that made us both frantic. I fumbled with the zipper and he took over, his fingers quicker than mine, pulling his pants down. He sprung free and I gasped. “Oh my God…” The man was a bull. It was the most beautiful penis I’d ever seen. I stared at it, holding my breath, wondering if it would even fit. If this was a Copeland family trait, no wonder his mom had seven kids. I’d never put this away. I’d make this damn thing my screen saver. My wide eyes came back up to his, and he bounced his eyebrows and grinned. Then he turned me and gathered my hair to the side of my neck and kissed along my shoulder, pressing the length of that enormous thing against my ass as he unzipped my dress, letting it fall around my ankles. I panted like a dog in heat.
Abby Jimenez
Perhaps the small, elderly brother mutely splitting firewood and stacking it in a buckling, corrugated-iron water tank was heard in Heaven more compellingly than the rest of us put together. Maybe there comes a time when the one who lives to pray at last steps over an invisible threshold and into a place where liturgical form, word and gesture dissolve. Where feeding scraps of stale bread to a young magpie translates into intercession that is as fervent as it is unobserved, as effective as it is inexplicable.
Peter Robertson (The Abbot’s Shoes: Seeking a Contemplative Life)
Well?” Corbin sucked in a breath. “You look lovely. I knew that color would suit you.” “It’s not bad,” I said grudgingly. “It is beautiful, as are you. We need only one more thing. Here.” Before I could ask what the one more thing was, he was suddenly kneeling in front of me with a box in his hands. He opened it, revealing black, strappy heels so high I was surprised they fit in the box. The open-toed design made me glad I’d had a pedicure recently. “Are those Jimmy Choos?” I asked, as he took one out and reached for me. “Manolo Blahniks,” he said absently. “Here, let me put them on you.” “Let me sit down first, I’ll fall over,” I objected as he lifted my right foot. “You’ll be fine. Just hold on to me.” I was forced to do just that, holding on to his broad shoulders as he slipped first one shoe on and then the other. They had a simple yet elegant design with a single strap over the toes and another around the ankle. Corbin’s long fingers seemed like they would be too large to buckle the delicate ankle strap but he managed with no problem. “There,” he murmured when he was done. I expected him to get up but instead he remained kneeling at my feet, looking up at me. “Perfect. Addison, you are a goddess.” “Stop it.” I could feel my cheeks getting hot and it occurred to me that I was still holding on to his shoulders although both my feet were planted firmly on the ground. I caught a whiff of his scent—that cool fragrance that reminded me of the ocean somehow. I wanted to step away but I couldn’t. “Why should I stop?” Corbin growled softly. “Why should I not say what I think? When was the last time a man told you how beautiful you are?
Evangeline Anderson (Crimson Debt (Born to Darkness, #1))
I unbuttoned the top of my shirt as I looked at the Tongue & Buckle. I wasn’t used to button-up shirts. I only owned two. The one I had on was new, a gift from my sister. Just thinking about her made my fingers worry nervously at the next button. The shirt was black, short-sleeved with tiny little skulls on the pocket. On the back, a Day of the Dead style Virgin Mary. Haley has a wicked sense of humor.   James didn’t insist on much, but he did insist on dressing up for meetings. Ridiculous, since one of the members had a hard time wearing pants. Wait, what was I thinking? James insisted on tons of things. I undid another button.   “You’re one away from a nice seventies look.” Sean put his feet up on the dash.   “I’d need chest hair for that. And gold chains.”   “True.” He leaned farther back into the passenger seat, if that was even possible. Sean, at least, never bitched about my Subaru. “You know, you’re going to have to go in eventually. And the longer you wait, the longer you’re in those clothes.”   I flicked a piece of lint off the black slacks James had dug up for me. He’d grunted at inspection. That grunt probably meant he’d be taking me shopping soon. Or it might have been directed at my Cons. You never knew. He needed to cut me some slack. My last job had been flipping burgers. You didn’t buy dress shoes for a job like that. With a job like that, you couldn’t even afford dress shoes. Or clothes. You couldn’t afford anything, really.   Sean looked over at the pub. “What did Groucho Marx say about being aware of any job that requires new clothes?”   “The quote is that we should ‘beware of all enterprises that require new clothes,’ and it’s Thoreau, not Groucho Marx.”   “Oooh, listen to you. ‘It’s Thoreau.’ Well, we didn’t all go to college for a quarter.”   “I went for a year, not a quarter, and shut up.
Lish McBride (Necromancing the Stone (Necromancer, #2))