Miniature Garden Quotes

After Bajju delivered a few beaming salutations, we walked northward up the makeshift, winding path through protruding brush, not much but a few stones placed here and there for balance and leverage upon ascending or descending. Having advanced about hundred steps from the street below, a sharp left leads to Bajju’s property, which begins with his family’s miniature garden – at the time any signs of fertility were mangled by dried roots which flailed like wheat straw, but within the day Bajju’s children vehemently delivered blows with miniature hoes in preparation for transforming such a plot into a no-longer-neglected vegetable garden. A few steps through the produce, or preferably circumventing all of it by taking a few extra steps around the perimeter, leads to the sky-blue painted home. Twisting left, hundreds of miles of rolling hills and the occasional home peeps out, bound below by demarcated farming steppes. If you’re lucky on a clear day and twist to the right, the monstrous, perpetually snow-capped Chaukhamba mountain monopolizes the distance just fifteen miles toward the direction of Tibet in the north.

There are fairy lights set up around the garden, shining like miniature stars among the roses and making them seem to glow translucently in the fading light. It's such a beautiful, calm space. ", FADE by Kailin Gow

Fred, George, Harry, and Ron were the only ones who knew that the angel on top of the tree was actually a garden gnome that had bitten Fred on the ankle as he pulled up carrots for Christmas dinner. Stupefied, painted gold, stuffed into a miniature tutu and with small wings glued to its back, it glowered down at them all, the ugliest angel Harry had ever seen, with a large bald head like a potato and rather hairy feet.

She looked up through a haze of pain. At the edge of the garden, a dark figure approached—the silhouette of a man whose eyes shone like miniature headlamps, blinding Reyna. She heard the scrape of iron against leather as he drew another arrow from his quiver.

Still, the flowers were growing right along with them, miniature roses and hydrangea, lavender and peonies, magenta and red and pink and purple flowers. And not just in the garden, but all around, the orchard was bursting with green, and smells, and birds singing until long after dark.

Nobody lives forever, nobody stays young long enough. My past seemed like so much excess baggage, my future a series of long goodbyes, my present an empty flask, the last good drink already bitter on my tongue. She still loved Trahearne, still maintained her secret fidelity as if it were a miniature Japanese pine, as tiny and perfect as a porcelain cup, lost in the dark and tangled corner of a once-formal garden gone finally to seed.

In January the lavender heather and white candytufts would bloom. February perked up the plum tree, and March would bring forth the daffodils, narcissus, and moonlight bloom. April lilacs and sugartuft would blossom along with the pink and bloodred rhododendrons, bluebells, and the apple tree in the victory garden. As the weather warmed, miniature purple irises would rise amid the volunteers of white alyssum and verbena. The roses, dahlias, white Shasta daisies, black-eyed Susans, and marigolds would bloom from late spring to early fall. Leota could see it. She knew exactly

Yet it is worth noting that in this example we never witness a complete desacralization of the world, for in the Far East what is called the "esthetic emotion" still retains a religious dimension, even among intellectuals. But the example of the miniature gardens shows us in what direction and by what means the desacralization of the world is accomplished. We need only imagine what an esthetic emotion of this sort could become in a modern society, and we shall understand how the experience of cosmic sanctity can be rarefied and transformed until it becomes a purely human emotion—that, for example, of art for art's sake.

By the wilderness of casks that I had walked on long ago, and on which the rain of years had fallen since, rotting them in many places, and leaving miniature swamps and pools of water upon those that stood on end, I made my way to the ruined garden. I went all round it; round by the corner where Herbert and I had fought our battle; round by the paths where Estella and I had walked. So cold, so lonely, so dreary all!

ANNABETH WANTED TO HATE NEW ROME. But as an aspiring architect, she couldn’t help admiring the terraced gardens, the fountains and temples, the winding cobblestone streets and gleaming white villas. After the Titan War last summer, she’d gotten her dream job of redesigning the palaces of Mount Olympus. Now, walking through this miniature city, she kept thinking, I should have made a dome like that. I love the way those columns lead into that

Every night in Shanghai those Chinese too poor to pay for the burial of their relatives would launch the bodies from the funeral piers at Nantao, decking the coffins with paper flowers. Carried away on the tide, they came back on the next, returning to the waterfront of Shanghai with all the other debris abandoned by the city. Meadows of paper flowers drifted on running tide and clumped in miniature floating gardens around the old men and women, the young mothers and small children, whose swollen bodies seemed to have been fed during the night by the patient Yangtze.

Next door but one is Quinlan Broddle, a Viceroy with a fear of gardens. So much so that he sold his garden to Virgin Atlantic and his erstwhile front lawn is now a runway where miniature helicopters and packets of crisps undertake sorties to 1940’s Dresden where they have made several dozen unsuccessful attempts to rescue the Quaker Oats man, who is being held captive by the SS on the basis that his hair looks like ice cream.

But there, set as in the crater of a mountain of sand, and inaccessible to mortal footstep, stands unperishing the glory of the earth. And its fragrance is drawn up to heaven, as through a wide chimney; and from its branches hangs the undying fruit, lustrous and opalescent; and in each shining globe the world and its starry system are reflected in miniature, moving westwards; but at night they glow, a cluster of tender moons. ("The Accursed Cordonnier")

A woman was bargaining with the gardener for a piece of vine, half as big as her finger, for her miniature Japanese garden. It was just what she wanted to climb up the stone in her dish. I looked with wonder on the Japanese appreciation of all small things in nature. Is it because their country, beautifully and theatrically mountainous, hardly ever allows a long vista, letting them always see things at close range? Or have her strange and lovely mists some part in teaching them to see, falling often like a backdrop behind a single pine, separating it from the rest of the world? Or have the Japanese, from generations spent in one-story paper houses, learned a language, an alphabet of beauty in nature, that we, in our houses of brick and stone, have shut out? Or is it, again, only because they are always artists and see more than we do? If only I could stay here long enough, I would learn to see too. And after minutely watching the surface of things I would learn to see below the surface. I would see the essence of a thing.

Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.

Loaves of fig and pepper bread, of course. But there was also lasagna cooked in miniature pumpkins, and pumpkin-seed brittle. Roasted red pepper soup, and spiced caramel potato cakes. Corn muffins and brown sugar popcorn balls and a dozen cupcakes, each with a different frosting, because what was first frost without frosting? Pear beer and clove ginger ale in dark bottles sat in the icy beverage tub. They ate well into the afternoon, and the more they ate, the more food there seemed to be. Pretzel buns and cranberry cheese and walnuts appearing, just when they thought they'd tasted everything.

Sal and Henry return with a gust of warm garden air and I settle down to create miniature roses from sugarpaste using tiny ivory spatulas and crimpers. I will have no antique tester bed crowning my cake, only a posy of flowers: symbols of beauty and growth, each year new-blossoming. I let Henry paint the broken pieces with spinach juice, while I tint my flowers with cochineal and yellow gum. As a pretty device I paint a ladybird on a rose, and think it finer than Sèvres porcelain. At ten o'clock tomorrow, I will marry John Francis at St. Mark's Church, across the square. As Sal and I rehearse our plans for the day, pleasurable anticipation bubbles inside me like fizzing wine. We will return from church for this bride cake in the parlor, then take a simple wedding breakfast of hot buttered rolls, ham, cold chicken, and fruit, on the silver in the dining room. Nan has sent me a Yorkshire Game Pie, so crusted with wedding figures of wheatsheafs and blossoms it truly looks too good to eat. We have invited few guests, for I want no great show, and instead will have bread and beef sent to feed the poor. And at two o'clock, we will leave with Henry for a much anticipated holiday by the sea, at Sandhills, on the southern coast. John Francis has promised Henry he might try sea-bathing, while I have bought stocks of cerulean blue and burnt umber to attempt to catch the sea and sky in watercolor.

Nestled into a bed of shiny cream satin lay a heart-shaped pendant on a simple gold chain. The heart itself was created from over a dozen delicate round amethyst stones, while the center held a miniature painted on porcelain. Done in a series of fine, delicate strokes, the artist's rendering depicted a tiny garden, alive with masses of yellow and white hollyhocks. Right away, they reminded her of the flowers she'd been drawing that long-ago day in Bath. The day of her and Jack's very first kiss. Her gaze went to his, breath stilled in her chest. "Oh, Jack. It's Sydney Gardens, isn't it?" "That's right, with those stalky, puff-headed flowers." He gave her a gentle smile. "Do you like it?" "I love it." "I chose amethyst, since you said it's your favorite stone. I hope I remembered right?" "You did. It's so lovely. Thank you. I'll wear it each and every day," she promised. "Your heart tucked against my own." A peculiar shadow flickered momentarily across his eyes before he reached for the necklace. "Here, let me help you put it on." "Yes. Please," she said, relieved he'd offered. Her hands were trembling with so much emotion that she doubted she could have managed the task on her own. Turning slightly, she angled herself so he could place the chain around her neck and fasten the clasp. The slight weight of the gold and stones grew instantly warm against her skin. "There. How does it look?" she asked as she moved to face him again. "Beautiful," he said. But when she glanced up, she realized he wasn't looking at the pendant. Instead, he was looking at her.

As my grandmother discovered long ago, the Japanese excel in cultivating nature. Their gardens come in numerous styles, including paradise gardens, dry-landscape gardens, stroll gardens, and tea gardens. Although each type has its own goal, tray all share the same principle: nature is manipulated to create a miniature symbolic landscape. A paradise garden is meant to evoke the Buddhist paradise through the use of water dotted with stone "islands." Dry-landscape gardens, usually tucked away in Zen temples, use dry pebbles and stones to create minimalist views for quiet contemplation. Stroll gardens offer changing scenes with every step, a pool of carp here, a mossy trail there, and a small bridge to link them both, while a tea garden provides a serene path to take you from the external world to the spiritual one of the teahouse.

At the lawn's edge, a grand set of graystone stairs led into Lady Ashbury’s rose garden. Pink blooms hugged the trellises, alive with the warm drone of diligent bees hovering about their yellow hearts. I passed beneath the arbor, unlatched the kissing gate and started down the Long Walk: a stretch of gray cobblestones set amongst a carpet of white alyssum. Halfway along, tall hornbeam hedges gave way to the miniature yew that bordered the Egeskov Garden. I blinked as a couple of topiaries came to life, then smiled at myself and the pair of indignant ducks that had wandered up from the lake and now stood regarding me with shiny black eyes. At the end of the Egeskov Garden was the second kissing gate, the forgotten sister (for there is always a forgotten sister), victim of the wiry jasmine tendrils. On the other side lay the Icarus fountain, and beyond, at the lake’s edge, the boathouse.

Spread over what must have been at least a hectare or two was the most beautiful garden he had ever seen. There was an entire miniature forest of cedar, cypress, and other sweet-smelling pines that couldn't normally live in the hot and dry Agrabah. There were formal rows of roses and other delicately petaled flowers. There was a garden just of mountain plants. There was a pool filled with flowering white lilies and their pads, and pink lotuses taller than most men. There was a fountain as big as a house and shaped like an egg. There was a delicate white aviary that looked like a giant's birdcage. Strangely, there were no birds in it. And everywhere, entwined around every tiny building and every balustrade and every topiary ball, was jasmine. White jasmine, pink jasmine, yellow jasmine, night-flowering jasmine... the smell was heady enough to make Aladdin feel a little drunk. Jasmine. This was her garden.

Before reaching it, we would meet the smell of his lilacs, coming out to greet the strangers. From among the fresh green little hearts of their leaves, the flowers would curiously lift above the gate of the park their tufts of mauve or white feathers, glazed, even in the shade, by the sun in which they had bathed. A few, half hidden by the little tiled lodge called the Archers’ House, where the caretaker lived, overtopped its Gothic gable with their pink minarets. The Nymphs of Spring would have seemed vulgar compared to these young houris, which preserved within this French garden the pure and vivid tones of Persian miniatures. Despite my desire to entwine their supple waists and draw down to me the starry curls of their fragrant heads, we would pass by without stopping because my parents had ceased to visit Tansonville since Swann’s marriage… We stopped for a moment in front of the gate. Lilac time was nearly over; a few, still, poured forth in tall mauve chandeliers the delicate bubbles of their flowers, but in many places among the leaves where only a week before they had still been breaking in waves of fragrant foam, a hollow scum now withered, shrunken and dark, dry and odorless.

Every time we sit down to breakfast, we are likely to be benefiting from a dozen such prehistoric inventions. Who was the first person to figure out that you could make bread rise by the addition of those microorganisms we call yeasts? We have no idea, but we can be almost certain she was a woman and would most likely not be considered ‘white’ if she tried to immigrate to a European country today; and we definitely know her achievement continues to enrich the lives of billions of people. What we also know is that such discoveries were, again, based on centuries of accumulated knowledge and experimentation – recall how the basic principles of agriculture were known long before anyone applied them systematically – and that the results of such experiments were often preserved and transmitted through ritual, games and forms of play (or even more, perhaps, at the point where ritual, games and play shade into each other). ‘Gardens of Adonis’ are a fitting symbol here. Knowledge about the nutritious properties and growth cycles of what would later become staple crops, feeding vast populations – wheat, rice, corn – was initially maintained through ritual play farming of exactly this sort. Nor was this pattern of discovery limited to crops. Ceramics were first invented, long before the Neolithic, to make figurines, miniature models of animals and other subjects, and only later cooking and storage vessels. Mining is first attested as a way of obtaining minerals to be used as pigments, with the extraction of metals for industrial use coming only much later. Mesoamerican societies never employed wheeled transport; but we know they were familiar with spokes, wheels and axles since they made toy versions of them for children. Greek scientists famously came up with the principle of the steam engine, but only employed it to make temple doors that appeared to open of their own accord, or similar theatrical illusions. Chinese scientists, equally famously, first employed gunpowder for fireworks.

Convinced that struggle was the crucible of character, Rockefeller faced a delicate task in raising his children. He wanted to accumulate wealth while inculcating in them the values of his threadbare boyhood. The first step in saving them from extravagance was keeping them ignorant of their father’s affluence. Until they were adults, Rockefeller’s children never visited his office or refineries, and even then they were accompanied by company officials, never Father. At home, Rockefeller created a make-believe market economy, calling Cettie the “general manager” and requiring the children to keep careful account books.16They earned pocket money by performing chores and received two cents for killing flies, ten cents for sharpening pencils, five cents per hour for practicing their musical instruments, and a dollar for repairing vases. They were given two cents per day for abstaining from candy and a dime bonus for each consecutive day of abstinence. Each toiled in a separate patch of the vegetable garden, earning a penny for every ten weeds they pulled up. John Jr. got fifteen cents an hour for chopping wood and ten cents per day for superintending paths. Rockefeller took pride in training his children as miniature household workers. Years later, riding on a train with his thirteen-year-old daughter, he told a traveling companion, “This little girl is earning money already. You never could imagine how she does it. I have learned what my gas bills should average when the gas is managed with care, and I have told her that she can have for pin money all that she will save every month on this amount, so she goes around every night and keeps the gas turned down where it is not needed.”17 Rockefeller never tired of preaching economy and whenever a package arrived at home, he made a point of saving the paper and string. Cettie was equally vigilant. When the children clamored for bicycles, John suggested buying one for each child. “No,” said Cettie, “we will buy just one for all of them.” “But, my dear,” John protested, “tricycles do not cost much.” “That is true,” she replied. “It is not the cost. But if they have just one they will learn to give up to one another.”18 So the children shared a single bicycle. Amazingly enough, the four children probably grew up with a level of creature comforts not that far above what Rockefeller had known as a boy.

Elephanta caves, Mumbai-- I entered a world made of shadows and sudden brightness. The play of the light, the vastness of the space and its irregular form, the figures carved on the walls: all of it gave the place a sacred character, sacred in the deepest meaning of the word. In the shadows were the powerful reliefs and statues, many of them mutilated by the fanaticism of the Portuguese and the Muslims, but all of them majestic, solid, made of a solar material. Corporeal beauty, turned into living stone. Divinities of the earth, sexual incarnations of the most abstract thought, gods that were simultaneously intellectual and carnal, terrible and peaceful. ............................................................................ Gothic architecture is the music turned to stone; one could say that Hindu architecture is sculpted dance. The Absolute, the principle in whose matrix all contradictions dissolve (Brahma), is “neither this nor this nor this.” It is the way in which the great temples at Ellora, Ajanta, Karli, and other sites were built, carved out of mountains. In Islamic architecture, nothing is sculptural—exactly the opposite of the Hindu. The Red Fort, on the bank of the wide Jamuna River, is as powerful as a fort and as graceful as a palace. It is difficult to think of another tower that combines the height, solidity, and slender elegance of the Qutab Minar. The reddish stone, contrasting with the transparency of the air and the blue of the sky, gives the monument a vertical dynamism, like a huge rocket aimed at the stars. The mausoleum is like a poem made not of words but of trees, pools, avenues of sand and flowers: strict meters that cross and recross in angles that are obvious but no less surprising rhymes. Everything has been transformed into a construction made of cubes, hemispheres, and arcs: the universe reduced to its essential geometric elements. The abolition of time turned into space, space turned into a collection of shapes that are simultaneously solid and light, creations of another space, made of air. There is nothing terrifying in these tombs: they give the sensation of infinity and pacify the soul. The simplicity and harmony of their forms satisfy one of the most profound necessities of the spirit: the longing for order, the love of proportion. At the same time they arouse our fantasies. These monuments and gardens incite us to dream and to fly. They are magic carpets. Compare Ellora with the Taj Mahal, or the frescoes of Ajanta with Mughal miniatures. These are not distinct artistic styles, but rather two different visions of the world.

The green witch can look inside herself and see all of nature reflected in miniature.

These were often tangible arts like miniature landscape gardening, Zen gardens

As Dina walked down the hall, the floorboards seamlessly transformed into blue and white tiles beneath her feet. She found herself standing in the heart of the house: a riad with a bubbling mosaic fountain, vines twisting up the walls and, above her, fuchsias blooming in terra-cotta pots and miniature date trees coiling around the pillars. It was more of a garden than a room, really. The ceiling was open to the night sky, burnished stars in an inky darkness. It wasn't the real sky of course, but the house's magic was powerful. Dina could even hear crickets chirping in the distance and the cinnamon scent of the earth in Khemisset, where her mother had grown up. She exhaled deeply, the feeling of being home sinking into her bones.

The indwelling of the Holy Spirit in the heart of believers, which was accomplished at Pentecost, turns each believer into a miniature temple. As such, he or she becomes not simply a separated sphere of holiness, a walled garden in the midst of a wasteland. Rather, the believer as a temple is to be a source of blessing to all around him or her, by transmitting to them the life-giving message of the gospel. By its transforming power, the gospel heals the spiritually dead, making them alive in Christ and fruitful in their service for God.

At home, Rockefeller created a make-believe market economy, calling Cettie the “general manager” and requiring the children to keep careful account books.16They earned pocket money by performing chores and received two cents for killing flies, ten cents for sharpening pencils, five cents per hour for practicing their musical instruments, and a dollar for repairing vases. They were given two cents per day for abstaining from candy and a dime bonus for each consecutive day of abstinence. Each toiled in a separate patch of the vegetable garden, earning a penny for every ten weeds they pulled up. John Jr. got fifteen cents an hour for chopping wood and ten cents per day for superintending paths. Rockefeller took pride in training his children as miniature household workers. Years later, riding on a train with his thirteen-year-old daughter, he told a traveling companion, “This little girl is earning money already. You never could imagine how she does it. I have learned what my gas bills should average when the gas is managed with care, and I have told her that she can have for pin money all that she will save every month on this amount, so she goes around every night and keeps the gas turned down where it is not needed.

Candles and waterproof matches.” “Check.” “Weather radio, flashlight, batteries…” “Check, check, check…” “Hurricane-tracking chart, potable water, freeze-dried food, can opener, organic toilet paper, sensible clothes, upbeat reading material, baseball gloves, compass, whistle, signal mirror, first-aid kit, snake-bite kit, mess kit, malaria tablets, smelling salts, flints, splints, solar survival blanket, edible-wild-plant field almanac, trenching tool, semaphores, gas masks, Geiger counter, executive defibrillator, railroad flares, lemons in case of scurvy, Austrian gold coins in case paper money becomes scoffed at, laminated sixteen-language universal hostage-negotiation ‘Kwik-Guide’ (Miami-Dade edition), extra film, extra ammunition, firecrackers, handcuffs, Taser, pepper spray, throwing stars, Flipper lunch box, Eden Roc ashtray, Cypress Gardens felt pennant, alligator snow globe, miniature wooden crate of orange gumballs, acrylic seashell thermometer and pen holder, can of Florida sunshine…” “Check, check, check…. What about my inflatable woman?

riendship is a treasure. If you possess even one nugget of the real thing-you're rich! So celebrate! Give your friend a book or an item with a note explaining its importance. Or set up a spa day. Why not add to her collection-or even start one for her! A bell, a miniature animal, an antique ...something in line with her interests. Personalized notepads are always great and practical! You could get her a monogrammed Bible or a hymnbook for her devotional times. Or one of those wonderful little rosebush trees if she's into gardening. Express your care and love for her friendship. by not widen your circle of friends? Don't miss the joy of sharing your Christian life through hospitality. Bible studies and small-group meetings are great ways to open your home and your heart. Fill a basket with food and take it to neighbors. What a surprise it will be for them! Host a neighborhood barbecue, potluck, theme dinner (ask everyone to bring something related to the theme), or even start a dinner club and meet somewhere different each month. Throw an "all girls" party for you and your friends. Volunteer at a homeless shelter or hospital. What do you enjoy most? Let that be the focus of your hospitality to others.

Harry, and Ron were the only ones who knew that the angel on top of the tree was actually a garden gnome that had bitten Fred on the ankle as he pulled up carrots for Christmas dinner. Stupefied, painted gold, stuffed into a miniature tutu and with small wings glued to its back, it glowered down at them all, the ugliest angel Harry had ever seen, with a large bald head like a potato and rather hairy feet.

Somehow, this small, ageing world felt like me... like some miniature garden; unable to grow as my heart desires. -A Lollipop or a Bullet

Of all the countries Fairchild had visited, Japan struck him as the most advanced on matters of horticulture. He learned about Japanese miniature gardens, the art of Japanese papermaking, and the superior qualities of Japanese fruits and vegetables that didn't grow anywhere else in the world. Wealthy people introduced him to foods of affluence, like raw fish, seaweed, and a bean cheese they called tofu. He thought it impossible to eat with two narrow sticks held in one hand, but after a few tries, he got the feel for it. It was in Japan that Fairchild picked up a yellow plum known as a loquat and an asparagus-like vegetable called udo. And a so-called puckerless persimmon that turned sweet in sake wine casks. One of the most unrecognized discoveries of Fairchild, a man drawn to edible fruits and vegetables, was zoysia grass, a rich green lawn specimen attractive for the thickness of its blades and its slow growth, which meant it required infrequent cutting. And then there was wasabi, a plant growing along streambeds in the mountains near Osaka. It had edible leaves, but wasabi's stronger quality was its bitter root's uncanny ability to burn one's nose. Wasabi only lasted in America until farmers realized that its close relative the horseradish root grew faster and larger and was more pungent than the delicate wasabi (which tends to stay pungent only fifteen minutes after it's cut). Small American farms still grow Fairchild's wasabi, but most of the accompaniment to modern sushi is in fact horseradish---mashed, colored, and called something it's not.

The children’s birthday parties were such fun. We would book Smarty Arty, who was the children’s entertainer of the day. He had a miniature gold coach that he would bring to parties and the birthday girl or boy was allowed to choose one friend, and only one, to go in the coach with them. It was then pulled around by a lady in a very unsuitable tight spangly outfit who took the part of the horse. She drew the coach around the garden and everyone clapped. Of course, it was clever of Smarty Arty only to allow two of the children on the coach, no matter how much the others begged. It made them all desperate for their turn, and the likelihood of him being booked for their parties went up accordingly. Smarty Arty also, very wisely, made sure there was sherry for the nannies, and later, as he got more successful, he suggested champagne, and they loved him even more. They could sit around, drinking and gossiping, while the children were entranced by the golden coach.

I don’t know if I’ve written about this and I haven’t talked about this much, so in a way what I’m about to say is self-condemnatory, but I think it is one of the greatest tragedies of the American evangelical church—and I think in large measure the British evangelical church—that in our focus on how to get saved, we completely lost the sense of what it meant not to be saved, but to be created. And so many Christians grew up with very little appreciation of the idea that we are made as the image of God. And so long as that was true, I think—and I’m not saying it was inevitable—but I think that made it far more likely that the law of God would be detached from the person of God. And then in understanding the whole of Scripture, the imperatives of the gospel would be detached from the indicatives of the gospel. The truest Reformed faith did not see the teaching of Scripture in the somewhat narrower spectrum of—for example, Martin Luther, or that stage of the reformation. Luther says things are either law or they’re gospel... But it seems to me that in the best Reformed tradition, the story of the Bible is not law and gospel; the story of the Bible is actually—the way I would put it, and I could demonstrate this from the literature—is the grace of creation as the image of God. Now, we use the word grace and we’ve almost defined it in terms of sin. The Reformed fathers didn’t define it in terms of sin. They defined it in terms of God—his graciousness—so that creation is an act of condescension—his relationship with Adam and Eve, making them as his image. We are non-existence that he brings into existence, and he didn’t need to bring them into existence... The creation of man and woman as the image of God and all that that means is an act of infinite grace. It’s nothingness being brought into creation to be a miniature likeness of God. And so the whole story is one of graciousness and promise implied in the statements that are made—now, that’s another long story. And therefore, in order that the man and the woman would grow and would grow in fulfilling their commission to, as I say, garden the whole earth. They’re given this little garden and they’re to extend it to the end of the earth, which for all I know, might have taken millennia of their family, but probably speedier development of technology than there has actually been. All of this sets our existence within the context of the person of God, the generosity of God, the integrity of God. But then comes the fall. The restoration, therefore... is always a means of answering the question, How does God restore us to what we were originally created to be and then take us on to what we were ultimately destined to be?

My mother lived in dread of my father. I think that’s pretty much all I can say about her, leaving aside her obsession with gardening and miniature goats. She was a thin woman, with long limp hair. I don’t know if she existed before meeting him. I imagine she did. She must have resembled a primitive life form—single-celled, vaguely translucent. An amoeba. Just ectoplasm, endoplasm, a nucleus, and a digestive vacuole. Years of contact with my father had gradually filled this scrap of nothing with fear.

Minis: Spare the minis — they’re so small already. Just shape miniature roses lightly in early spring, and maybe take out old stems every few years to make way for newcomers.

Here’s a simpler explanation: there were other people living outside of the Garden of Eden all along, even if the story doesn’t explain it. Which leads to this: maybe the story of Adam and Eve isn’t about the first human beings. Maybe it’s about something else. And that something else is this: The Adam story is a story of Israel in miniature, a preview of coming attractions.

And the thought of her garden---ballast and bread, those blooms and vines and spinney sprigs. Herbs that comforted, cured. Growing conditions had been ideal that summer. Resplendent. Delphinium spires soared their prettiest periwinkle blue; roses clambered over the arbor, luxuriant ivy slumped languidly like legions of lounging ladies. Myrtle gleamed so waxen Lavender almost saw a miniature of her face reflected back in its leaves. Ferns forested. Hollyhocks hollered their joy. Aromatic too, pears from her mother's tree. Even the moss spread ardent, brashly ambitious. The borage grew boisterous. And yarrow, always yarrow. And purple lavender, her namesake. Though some flower dictionaries ascribed a wary, ambiguous meaning to lavender, her mother long ago had asserted the contrary, that lavender equated calmness, serenity.

Try getting in touch with nature yourself. If you notice a stone lying on the ground, pick it up and hold it. When you see flowers blooming by the side of the road, stop and smell their fragrance. Then, inside your mind, create a miniature garden of your very own. It will relax you.