Bruno Movie Quotes

We've searched our database for all the quotes and captions related to Bruno Movie. Here they are! All 8 of them:

I don’t have any regrets,” a famous movie actor said in an interview I recently witnessed. “I’d live everything over exactly the same way.” “That’s really pathetic,” the talk show host said. “Are you seeking help?” “Yeah. My shrink says we’re making progress. Before, I wouldn’t even admit that I would live it all over,” the actor said, starting to choke up. “I thought one life was satisfying enough.” “My God,” the host said, cupping his hand to his mouth. “The first breakthrough was when I said I would live it over, but only in my dreams. Nocturnal recurrence.” “You’re like the character in that one movie of yours. What’s it called? You know, the one where you eat yourself.” “The Silence of Sam.” “That’s it. Can you do the scene?” The actor lifts up his foot to stick it in his mouth. I reach over from my seat and help him to fit it into his bulging cheeks. The audience goes wild.
Benson Bruno (A Story that Talks About Talking is Like Chatter to Chattering Teeth, and Every Set of Dentures can Attest to the Fact that No . . .)
They became indignant over the living images that the preposterous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears of affliction had been shed would reappear alive and transformed into an Arab in the next one. The audience, who paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many felt that they had been the victims of some new and showy gypsy business and they decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings.
Gabriel García Márquez (One Hundred Years of Solitude)
One of the dragons in the Goblet of Fire movie was built with the remnants of the basilisk from the Chamber of Secrets.
Bruno Austin (Harry Potter - The Magical Book of Facts: Over 250 facts you probably didn't know!)
The scene where Harry wakes up after having a dream about Frank Bryce, in the Goblet of Fire, was the last scene in that movie to be filmed, despite being the first scene to appear in the movies.
Bruno Austin (Harry Potter - The Magical Book of Facts: Over 250 facts you probably didn't know!)
It would take a person approximately 18 hours and 20 minutes to watch all 8 Harry potter movies in one sitting.
Bruno Austin (Harry Potter - The Magical Book of Facts: Over 250 facts you probably didn't know!)
The Chamber of Secrets and The Order of the Phoenix are the only two movies not nominated for an academy award.
Bruno Austin (Harry Potter - The Magical Book of Facts: Over 250 facts you probably didn't know!)
Directed By: Wim Wenders Starring: Bruno Ganz, Solveig Dommartin, Otto Sander
Jamerson INC (100 Movies To See Before You Die!)
And years later too, when Martín would return to Buenos Aires from that remote region in the South and come to see him, out of that eager desire (Bruno thought) that causes men to cling to the last remaining traces of a person whom they have loved a great deal, those last traces of body and soul that the beloved has left behind in the world: in the vague, fragmentary immortality of photographs, of words spoken to others at one time or another, of a certain expression that someone remembers, or says he remembers, and even of those small objects that take on an inordinate symbolic value (a little box of matches, a ticket to a movie theater); objects or words that then bring about the miracle of giving that spirit a fleeting, intangible, though despairingly real presence, just as a fond memory is brought back by a breath of perfume or a snatch of music, a fragment that need not be important or profound and may indeed even be an unpretentious and even banal melody that made us laugh in those magic days because it was so vulgar, but that now, ennobled by death and eternal separation, seems moving and profound to us.
Ernesto Sabato (Sobre héroes y tumbas)