Transient Sayings And Quotes

I write to make peace with the things I cannot control. I write to create red in a world that often appears black and white. I write to discover. I write to uncover. I write to meet my ghosts. I write to begin a dialogue. I write to imagine things differently and in imagining things differently perhaps the world will change. I write to honor beauty. I write to correspond with my friends. I write as a daily act of improvisation. I write because it creates my composure. I write against power and for democracy. I write myself out of my nightmares and into my dreams. I write in a solitude born out of community. I write to the questions that shatter my sleep. I write to the answers that keep me complacent. I write to remember. I write to forget…. I write because I believe in words. I write because I do not believe in words. I write because it is a dance with paradox. I write because you can play on the page like a child left alone in sand. I write because it belongs to the force of the moon: high tide, low tide. I write because it is the way I take long walks. I write as a bow to wilderness. I write because I believe it can create a path in darkness…. write as ritual. I write because I am not employable. I write out of my inconsistencies. I write because then I do not have to speak. I write with the colors of memory. I write as a witness to what I have seen. I write as a witness to what I imagine…. I write because it is dangerous, a bloody risk, like love, to form the words, to say the words, to touch the source, to be touched, to reveal how vulnerable we are, how transient we are. I write as though I am whispering in the ear of the one I love.

We are doomed to live the feeling of being lost because temporal beings are doomed to feel this way; this is something that transitory bodies cannot avoid!

The feeling, for those seconds, is glorious—it reminds him that he is human, that he is so insignificant as to be utterly free, and he is being guided along gracefully, lovingly, by the hand of Nature—and it frees him, however transiently, from all worry and fear and fury and grief. 'I enjoyed that,' he says aloud, as much to the stars as to the rower.

Relationships, like all human experiences, are transient; they change every day and are meant to be enjoyed in the present. When I hear people say you need to "work" at a relationship, what that often really means is just seeing through the day-to-day; listening to another person, listening to yourself, not getting stuck on hurts from the past, and not getting lost in what might come. To be in a relationship with someone you respect, care about and value is a gift, and when you take that in the day-to-day, you honor yourself and your partner each day. Eating is no different in that you can honor yourself at each meal. So much time in relationships is spent hashing the past, and arguing about things that haven't yet happened. A relationship cannot be "hoarded", just like a meal cannot be prolonged by taking home the leftovers.

Defining moments rise above the everyday. They provoke not just transient happiness, like laughing at a friend’s joke, but memorable delight. (You pick up the red phone and someone says, “Popsicle Hotline, we’ll be right out.”) To construct elevated moments, we must boost sensory pleasures

Life, believe, is not a dream So dark as sages say; Oft a little morning rain Foretells a pleasant day. Sometimes there are clouds of gloom, But these are transient all; If the shower will make the roses bloom, O why lament its fall ? Rapidly, merrily, Life's sunny hours flit by, Gratefully, cheerily, Enjoy them as they fly ! What though Death at times steps in And calls our Best away ? What though sorrow seems to win, O'er hope, a heavy sway ? Yet hope again elastic springs, Unconquered, though she fell; Still buoyant are her golden wings, Still strong to bear us well. Manfully, fearlessly, The day of trial bear, For gloriously, victoriously, Can courage quell despair !

Festivals and fasts are unhinged, traveling backward at a rate of ten days per year, attached to no season. Even Laylat ul Qadr, the holiest night in Ramadan, drifts--its precise date is unknown. The iconclasm laid down by Muhammed was absolute: you must resist attachment not only to painted images, but to natural ones. Ramadan, Muharram, the Eids; you associate no religious event with the tang of snow in the air, or spring thaw, or the advent of summer. God permeates these things--as the saying goes, Allah is beautiful, and He loves beauty--but they are transient. Forced to concentrate on the eternal, you begin to see, or think you see, the bones and sinews of the world beneath its seasonal flesh. The sun and moon become formidable clockwork. They are transient also, but hint at the dark planes that stretch beyond the earth in every direction, full of stars and dust, toward a retreating, incomprehensible edge

Are you aware of the Japanese concept of mono no aware, the bitter sweetness of things?” “I’m afraid not.” “The Japanese sages say the best way to appreciate beauty is to focus on its transient, fragile and fleeting nature.

In short, even though some individual slaveowners grew rich and some family fortunes were founded on the exploitation of slaves, that is very different from saying that the whole society, or even its non-slave population as a whole, was more economically advanced than it would have been in the absence of slavery. What this means is that, whether employed as domestic servants or producing crops or other goods, millions suffered exploitation and dehumanization for no higher purpose than the transient aggrandizement of slaveowners.

Life in all its resiliency, beauty and strength is sometimes eclipsed by its unquestionable transient frailty. Today we are alive…tomorrow is not promised. And it seems, the evil that lurks in the shadows, this side of heaven, often has its say. But let it never be that we allow evil, which basks in our fear, to hinder our ability to live vibrantly unafraid of what tomorrow might bring. The only way to defeat the inevitable darkness that touches this world is to live and love brilliantly bright with purpose. To not do so, is to diminish the very memory and glow of all the beautiful lights that have gone out before us.

Is this feeling permanent?” “Is it transient?” “Is it solid?” “Is it fluid?” “Is it fixed?” “Is it dynamic?” “Is it finite or infinite?” You can also ask: “Is this feeling me?” “Is it not me?” “Is it an obstacle?” “Is it a portal?” Or you can touch the feeling, completely free of storyline, and say, “When experienced directly, this very feeling is basic goodness,” or “Basic goodness is found right here.” In other words, you don’t have to wait until the feeling is gone to find basic goodness.

...we have, each of us, a story that is uniquely ours, a narrative arc that we can walk with purpose once we figure out what it is. It's the opposite to living our lives episodically, where each day is only tangentially connected to the next, where we are ourselves the only constants linking yesterday to tomorrow. There is nothing wrong with that, and I don't want to imply that there is by saying how much this shocked me -- just that it felt so suddenly, painfully right to think that I have tapped into my Long Tale, that I have set my feet on the path I want to walk the rest of my life, and that it is a path of stories and writing and that no matter how many oceans I cross or how transient I feel in any given place, I am still on my Tale's Road, because having tapped it, having found it, the following is inevitable....

I don't hate you. I love you. And I forgive you." She rolls up her window. "You don't need to say anything. But you should know that I forgive you." I'm not sure if it's true. It feels true. It also feels transient. Like I want to add the caveat that I reserve the right to change my mind. "Thanks, baby," Her reaction is mild, like I just offered her a mint.

Shit. Fallon! Shit, shit, shit, dammit, shit, shit.” I hear Ben cursing like a sailor, but I don’t understand why. I feel his hands meet my shoulders. “Fallon the Transient, wake the hell up!” I open my eyes and he’s sitting up on the bed, running one hand through his hair. He looks pissed. I sit up on the bed and rub the sleep out of my eyes. The sleep. We fell asleep? I look over at my alarm clock and it reads 8:15. I reach over and pick it up to bring it closer to my face. That can’t be right. But it is. It’s 8:15. “Shit,” I say. “We missed dinner,” Ben says. “I know.” “We slept for two hours.” “Yeah. I know.” “We wasted two fucking hours, Fallon.” He looks genuinely distraught. Cute, but distraught. “I’m sorry.

All things are transient. Buddha says it is so, and Hock Seng, who didn't believe in or care about karma or the truths of the dharma when he was young, has come in his old age to understand his grandmother's religion and its painful truths. Suffering is his lot. Attachment is the source of his suffering. And yet he cannot stop himself from saving and preparing and striving to preserve himself in this life which has turned out so poorly. How is it that I sinned to earn this bitter fate? Saw my clan whittled by red machetes? Saw my businesses burned and my clipper ships sunk? He closes his eyes, forcing memories away. Regret is suffering.

To say I woke up one day and reached a point where I no longer cared about the pains to befall me would be a lie. Nor can I say that I have ever fully forgiven those who willfully did me harm. On a deep, internal battlefield, I wrestle with the thought that I have been robbed of any chance of normalcy by the losses suffered. Therapists and gurus alike tell us to, “Let go or be dragged,” as Zen proverb urges—to forgive for our own sake. But, in my experience, there is no letting go and forgiveness is transient. My inability to be free of it all isn’t for lack of an evolved consciousness on my part. I’ve “done the work” to process it all; rather, it is my irreconcilable, inescapable humanity that causes to clutch the pain close to me.

Only allowing affirmation indicates that a child’s feelings are facts, and we believe that feelings, which are often transient, are not facts. One may hold respect and empathy for those suffering from gender confusion and still say no to a destructive ideology that advocates the medicalization of kids.

Let the doctors of all the schools condemn me," White Logic whispers as I ride along. "What of it? I am truth. You know it. You cannot combat me. They say I make for death. What of it? It is truth. Life lies in order to live. Life is a perpetual lie-telling process. Life is a mad dance in the domain of flux, wherein appearances in mighty tides ebb and flow, chained to the wheels of moons beyond our ken. Appearances are ghosts. Life is ghost land, where appearances change, transfuse, permeate each the other and all the others, that are, that are not, that always flicker, fade, and pass, only to come again as new appearances, as other appearances. You are such an appearance, composed of countless appearances out of the past. All an appearance can know is mirage. You know mirages of desire. These very mirages are the unthinkable and incalculable congeries of appearances that crowd in upon you and form you out of the past, and that sweep you on into dissemination into other unthinkable and incalculable congeries of appearances to people the ghost land of the future. Life is apparitional, and passes. You are an apparition. Through all the apparitions that preceded you and that compose the parts of you, you rose gibbering from the evolutionary mire, and gibbering you will pass on, interfusing, permeating the procession of apparitions that will succeed you." And of course it is all unanswerable, and as I ride along through the evening shadows I sneer at that Great Fetish which Comte called the world. And I remember what another pessimist of sentiency has uttered: "Transient are all. They, being born, must die, and, being dead, are glad to be at rest.

For your sake poets sequester themselves, gather images to churn the mind, journey forth, ripening with metaphor, and all their lives they are so alone... And painters paint their pictures only that the world, so transient as you made it, can be given back to you, to last forever. All becomes eternal. See: In the Mona Lisa some woman has long since ripened like wine, and the enduring feminine is held there through all the ages. Those who create are like you. They long for the eternal. They say, Stone, be forever! And that means: be yours. And lovers also gather your inheritance. They are the poets of one brief hour. They kiss an expressionless mouth into a smile as if creating it anew, more beautiful. Awakening desire, they make a place where pain can enter; that’s how growing happens. They bring suffering along with their laughter, and longings that had slept and now awaken to weep in a stranger’s arms.

I happened to observe a mother lifting her eight-year-old boy in her arms. As she did so she laughed and said, “You’re getting so big you’ll be lifting me soon.” It was the simplest of statements. Yet I felt something transiently touching about the scene merely because millions upon millions of mothers reaching back into the dawn of history must have said the same thing to their children at some time and because other millions will say it in the remote future long

Naming (“christening,” “deeming”) is more than a performative moral act; it is linguistic and aesthetic as well. Identifying the emergence and establishment of anti-sacrificial moral practices will take on a form distinctive to a particular social order; the consolidation of the originary “belief” or gesture should therefore be represented in ways that make it inseparable from the entirety of that order. Naming commemorates earlier establishments of practices of deferral, and by enhancing the self-referentiality of the social order as a whole makes it impossible to think outside of that order. It should be kept in mind that all social orders do this—orders in the liberal tradition simply deny they are doing so, and therefore do it haphazardly and in violent fits and starts. Every social order, however small or transient, develops its own “idiom,” because any exchange of signs involves the respective participants taking up the words, phrases and expressions of the others for both phatic purposes and as a “multiplier” of meanings—if I repeat what another has said with slight changes in wording and tone, I not only say what I have said, but create a complex relationship between what I have said and what the other has said (and whatever others he was responding to have said—and left unsaid), a relationship that remains largely tacit but all the more difficult to shake or exit for that very reason.

Finally we touch that Great Fact, which Goethe incorporated into his final words: the 'ever-womanly.' It is a sin against Goethe to say that here he means the female sex. He refers to that profundity signifying the human soul as related to the mystery of the world; that which deeply yearns as the eternal in man, the ever-womanly which draws the soul to the eternally immortal, the eternal wisdom, and which gives itself to the 'eternal masculine.' The ever-womanly draws us towards the ever-masculine. It has nothing to do with something feminine in the ordinary sense. Therefore can we truly seek this ever-womanly in man and woman: the ever-womanly which aspires to the union with the ever-manly in the cosmos, to become one with the Divine-Spiritual that inter-penetrates and permeates the world towards which Faust strives. This mystery of man of all ages pursued by Faust from the beginning, this secret to which Spiritual Science is to lead us in a modern sense, is expressed by Goethe paradigmatically and monumentally in those five words at the conclusion of the second part of Faust represented as a mystic Spirit Choir; that everything physical surrounding us in the sense world is Maya, illusion; a symbol only of the spiritual. But this spiritual we can perceive if we penetrate that which covers it like a veil. And in it we see attained what on earth was impossible of attainment. We see that, which for ordinary intellect is indescribable, transformed into action as soon as the human spirit unites with the spiritual world. 'The ineffable wrought in love.' And we see the significance of the moment when the soul becomes united with the eternal masculine of the cosmic world. That is the great secret expressed by Goethe in the words: 'All of mere transient date As symbol showeth; Here the inadequate To fullness groweth; Here the ineffable Wrought is in love; The ever-womanly Draws us above ...

We, that is, the traditionalists like myself, use the term ‘‘modernism’’ not in a vague way as characterizing just things that happen to be around today, but as a particular way of looking at the world, a worldview that began in the Renaissance in the West with such components as Renaissance humanism, rationalism, et cetera. As I have mentioned already, modernism rejects the primacy of absolute and ultimate truth transcending the human order and descend- ing upon the human realm from the Divine Order. It places man himself at the center of the stage as ‘‘the absolute.’’ In a sense it absolutizes the human being in his or her earthly reality. Usually it does not come out and say so explicitly, but that is what it really means; that is, it takes the absolute away from God and puts it on the human plane, and therefore makes human reason, human perceptions, human interests the criteria of reality, of knowledge, of the truth, of the goal of human life. Therefore, as a consequence it substitutes the significance of the temporal and the transient for the abiding and the eternal.

You might say, “I know I am an immortal spirit,” or “I am tired of this mad world, and peace is all I want”—until the phone rings. Bad news: The stock market has collapsed; the deal may fall through; the car has been stolen; your mother-in-law has arrived; the trip is cancelled, the contract has been broken; your partner has left you; they demand more money; they say it’s your fault. Suddenly there is a surge of anger, of anxiety. A harshness comes into your voice; “I can’t take any more of this.” You accuse and blame, attack, defend, or justify yourself, and it’s all happening on autopilot. Something is obviously much more important to you now than the inner peace that a moment ago you said was all you wanted, and you’re not an immortal spirit anymore either. The deal, the money, the contract, the loss or threat of loss are more important. To whom? To the immortal spirit that you said you are? No, to me. The small me that seeks security or fulfillment in things that are transient and gets anxious or angry because it fails to find it. Well, at least now you know who you really think you are.

Christians have nothing to rely on but Christ, their Lord and God. They willingly surrender all things for His sake and say: 'Before I deny or forsake my Christ, I will bid farewell to neck and belly, honor and goods, house and home, wife and child, and everything!' Therefore this courage cannot be a sham or a delusion; it must be genuine and real. Its comfort is not rooted in earth's temporal or transient things, for the sake of which it would be willing to suffer this. No, it pins its hopes solely on the Lord Christ, who was crucified and died for us.

Everything on earth is in continuous flux: nothing preserves a constant fixed form, and our affections towards external things pass and change with them... There is nothing solid to which the heart can attach itself. Also, there is scarcely a pleasure here below which does not pass; as for enduring happiness, I doubt that it can be known. In our most vivid joys there is scarcely an instant at which our hearts could truly say: would that this moment might last forever; and how can one call that transient state happy which still leaves our hearts disturbed and empty, which makes us regret something beforehand or still desire something afterwards.

It's so quiet,", she says in realization. The Leszy hums behind her. "It always is, right before dawn." His shoulder brushes against hers as he moves to her side, resting his hands on the railing. "It feels like a different place. Does it not? A moment slipped out of time, belonging to neither night nor day." As if the sky can hear his words, the deepest hues of night begin to lift like a veil, the moon a votive high above. The quiet seeps into Liska's bones. The Leszy is right, she muses. For that brief splinter of time, the Driada feels like a different world entirely-a transient place where the dark stands still, waiting for the light to arrive.

Will you dare to say so?–Have you never erred?–Have you never felt one impure sensation?–Have you never indulged a transient feeling of hatred, or malice, or revenge?–Have you never forgot to do the good you ought to do,–or remembered to do the evil you ought not to have done?–Have you never in trade overreached a dealer, or banquetted on the spoils of your starving debtor?–Have you never, as you went to your daily devotions, cursed from your heart the wanderings of your heretical brethren,–and while you dipped your fingers in the holy water, hoped that every drop that touched your pores, would be visited on them in drops of brimstone and sulphur?–Have you never, as you beheld the famished, illiterate, degraded populace of your country, exulted in the wretched and temporary superiority your wealth has given you,–and felt that the wheels of your carriage would not roll less smoothly if the way was paved with the heads of your countrymen? Orthodox Catholic–old Christian–as you boast yourself to be,–is not this true?–and dare you say you have not been an agent of Satan? I tell you, whenever you indulge one brutal passion, one sordid desire, one impure imagination–whenever you uttered one word that wrung the heart, or embittered the spirit of your fellow-creature–whenever you made that hour pass in pain to whose flight you might have lent wings of down–whenever you have seen the tear, which your hand might have wiped away, fall uncaught, or forced it from an eye which would have smiled on you in light had you permitted it–whenever you have done this, you have been ten times more an agent of the enemy of man than all the wretches whom terror, enfeebled nerves, or visionary credulity, has forced into the confession of an incredible compact with the author of evil, and whose confession has consigned them to flames much more substantial than those the imagination of their persecutors pictured them doomed to for an eternity of suffering! Enemy of mankind!' the speaker continued,–'Alas! how absurdly is that title bestowed on the great angelic chief,–the morning star fallen from its sphere! What enemy has man so deadly as himself? If he would ask on whom he should bestow that title aright, let him smite his bosom, and his heart will answer,–Bestow it here!

Sherman was a warrior, not a scholar, but he thought deeply about the issues posed by war. The Marches were to Sherman fundamentally a moral expression of Union military power, even a moral equivalent of battle. That is to say, they were designed to humiliate the South and especially secessionist leaders, to humble its swaggering warriors, and to leave them in a state of despair contemplating unavoidable defeat. As the South had been humiliated, Northern arms should henceforth be treated with respect. The Marches thus sought a propaganda or moral victory aimed at the Confederate military and civil will. They would reveal to the world, not only to the South, that a tremendous change had occurred in the Civil War's military balance. Despite its redoubtable resistance throughout 1864, any Confederate success would prove transient⁠—another road pointing to defeat.

here is one other element of the apocalyptic tradition to be considered, namely transition. I said a minute ago that one of the assumptions prevalent in sophisticated apocalyptism was what Yeats called 'antithetical multiform influx'--the forms assumed by the inrushing gyre as the old one reaches its term. The dialectic of Yeats's gyres is simple enough in essence; they are a figure for the co-existence of the past and future at the time of transition. The old narrows to its apex, the new broadens towards its base, and the old and new interpenetrate. Where apex and base come together you have an age of very rapid transition. Actually, on Yeats's view of the historical cycle, there were transient moments of perfection, or what he called Unity of Being; but there was no way of making these permanent, and his philosophy of history is throughout transitional. In this he is not, of course, original; but his emphasis on the traditional character of our own pre-apocalyptic moment, in contrast with those exquisite points of time when life was like the water brimming beautifully but unstably over the rim of a fountain, seems, for all the privacy of the expression, characteristically modern. It is commonplace that our times do in fact suffer a more rapid rate of change technologically, and consequently in the increase of social mobility, than any before us. There is nothing fictive about that, and its implications are clear in our own day-to-day lives. What is interesting, though, is the way in which this knowledge is related to apocalypse, so that a mere celebratory figure for social mobility, like On the Road, acquires apocalyptic overtones and establishes the language of an elect; and the way in which writers, that is to say, clerks, are willing to go along, arguing that the rate of change implies revolution or schism, and that this is a perpetual requirement; that the stage of transition, like the whole of time in an earlier revolution, has become endless.

When tragedy established itself in England it did so in terms of plots and spectacle that had much more to do with medieval apocalypse than with the mythos and opsis of Aristotle. Later, tragedy itself succumbs to the pressure of 'demythologizing'; the End itself, in modern literary plotting loses its downbeat, tonic-and-dominant finality, and we think of it, as the theologians think of Apocalypse, as immanent rather than imminent. Thus, as we shall see, we think in terms of crisis rather than temporal ends; and make much of subtle disconfirmation and elaborate peripeteia. And we concern ourselves with the conflict between the deterministic pattern any plot suggests, and the freedom of persons within that plot to choose and so to alter the structure, the relation of beginning, middle, and end. Naïvely predictive apocalypses implied a strict concordance between beginning, middle, and end. Thus the opening of the seals had to correspond to recorded historical events. Such a concordance remains a deeply desired object, but it is hard to achieve when the beginning is lost in the dark backward and abysm of time, and the end is known to be unpredictable. This changes our views of the patterns of time, and in so far as our plots honour the increased complexity of these ways of making sense, it complicates them also. If we ask for comfort from our plots it will be a more difficult comfort than that which the archangel offered Adam: How soon hath thy prediction, Seer blest, Measur'd this transient World, the race of Time, Till time stands fix'd. But it will be a related comfort. In our world the material for an eschatology is more elusive, harder to handle. It may not be true, as the modern poet argues, that we must build it out of 'our loneliness and regret'; the past has left us stronger materials than these for our artifice of eternity. But the artifice of eternity exists only for the dying generations; and since they choose, alter the shape of time, and die, the eternal artifice must change. The golden bird will not always sing the same song, though a primeval pattern underlies its notes. In my next talk I shall be trying to explain some of the ways in which that song changes, and talking about the relationship between apocalypse and the changing fictions of men born and dead in the middest. It is a large subject, because the instrument of change is the human imagination. It changes not only the consoling plot, but the structure of time and the world. One of the most striking things about it was said by Stevens in one of his adages; and it is with this suggestive saying that I shall mark the transition from the first to the second part of my own pattern. 'The imagination,' said this student of changing fictions, 'the imagination is always at the end of an era.' Next time we shall try to see what this means in relation to our problem of making sense of the ways we make sense of the world.

Replace Negative Character Labels Negative character labels are an even more serious problem than fixed mindsets. Examples of negative character labels include “I’m selfish,” “I’m needy,” “I’m unlovable,” “I’m weak,” “I’m defective,” “I’m incompetent,” and “I’m worthless.” Such an uplifting list! Those negative beliefs sound quite dramatic when written down on the page, and sometimes people don’t realize that they hold those beliefs about themselves. If your immediate reaction is to say, “Oh, I don’t think any of those things about myself” or “Only someone who was super depressed would think those things,” then take an extra second to make sure you’re not even partially buying into these types of thoughts about yourself. It might be that you believe a negative character label only 20% of the time, but even that can still be an issue. There are two types of negative character labels. Both can be changed. One type is very stable. For example, you believe you are incompetent, and you have never believed anything else, not even when you are in a positive mood. The other type is the type that goes up and down with your mood, anxiety, and stress. When your mood is low, you believe the negative character label much more strongly than when your mood is positive. If your negative character label changes due to transient things like your mood, anxiety, or stress, this can help you start to see that the belief is a product of these things rather than true.

6-30. “I will now tell you the truth of the objective world, as it is. What is seen is absolutely nothing but sight. I shall now give you the proof of this statement. Listen with attention. All that is seen has an origin and there must therefore be an antecedent cause for it. What is origin except that the thing newly appears? The world is changing every moment and its appearance is new every moment and so it is born every moment. Some say that the birth of the universe is infinite and eternal each moment. Some may contest the point saying that the statement is true of a specific object or objects but not of the world which is the aggregate of all that is seen. The scholiasts of Vijnana answer them thus: The external phenomena are only momentary projections of the anamnesis of the continuous link, namely, the subject and the worldly actions which are based on them. But the intellect which collates time, space and phenomena is infinite and eternal at each moment of their appearance and it is called Vijnana by them. Others say that the universe is the aggregate of matter—mobile and immobile. (The atomists maintain that the universe is made up of five elements, earth, air, fire, water and ether which are permanent and of things like a pot, a cloth, etc., which are transient. They are still unable to prove the external existence of the world, because they admit that happenings in life imply their conceptual nature. It follows that the objects not so involved are useless.)

Oedipa spent the next several days in and out of libraries and earnest discussions with Emory Bortz and Genghis Cohen. She feared a little for their security in view of what was happening to everyone else she knew. The day after reading Blobb's Peregrinations she, with Bortz, Grace, and the graduate students, attended Randolph Driblette's burial, listened to a younger brother's helpless, stricken eulogy, watched the mother, spectral in afternoon smog, cry, and came back at night to sit on the grave and drink Napa Valley muscatel, which Driblette in his time had put away barrels of. There was no moon, smog covered the stars, all black as a Tristero rider. Oedipa sat on the earth, ass getting cold, wondering whether, as Driblette had suggested that night from the shower, some version of herself hadn't vanished with him. Perhaps her mind would go on flexing psychic muscles that no longer existed; would be betrayed and mocked by a phantom self as the amputee is by a phantom limb. Someday she might replace whatever of her had gone away by some prosthetic device, a dress of a certain color, a phrase in a ' letter, another lover. She tried to reach out, to whatever coded tenacity of protein might improbably have held on six feet below, still resisting decay-any stubborn quiescence perhaps gathering itself for some last burst, some last scramble up through earth, just-glimmering, holding together with its final strength a transient, winged shape, needing to settle at once in the warm host, or dissipate forever into the dark. If you come to me, prayed Oedipa, bring your memories of the last night. Or if you have to keep down your payload, the last five minutes-that may be enough. But so I'll know if your walk into the sea had anything to do with Tristero. If they got rid of you for the reason they got rid of Hilarius and Mucho and Metzger-maybe because they thought I no longer needed you. They were wrong. I needed you. Only bring me that memory, and you can live with me for whatever time I've got. She remembered his head, floating in the shower, saying, you could fall in love with me. But could she have saved him? She looked over at the girl who'd given her the news of his death. Had they been in love? Did she know why Driblette had put in those two extra lines that night? Had he even known why? No one could begin to trace it. A hundred hangups, permuted, combined-sex, money, illness, despair with the history of his time and place, who knew. Changing the script had no clearer motive than his suicide. There was the same whimsy to both. Perhaps-she felt briefly penetrated, as if the bright winged thing had actually made it to the sanctuary of her heart-perhaps, springing from the same slick labyrinth, adding those two lines had even, in a way never to be explained, served him as a rehearsal for his night's walk away into that vast sink of the primal blood the Pacific. She waited for the winged brightness to announce its safe arrival. But there was silence. Driblette, she called. The signal echoing down twisted miles of brain circuitry. Driblette! But as with Maxwell's Demon, so now. Either she could not communicate, or he did not exist.

Karmic Cause and Effect It is very important to contemplate the connection between our mental states and our actions. Our karmic patterns are formed and sustained by the intentional actions of the “three gates” of body, speech, and mind—everything we do, say, or think with volitional intention. Our actions and reactions form the cause and effect of action (Skt. karma; Tib. las) that in turn determines the kinds of experiences we have. As such, our mind has the potential to transport us to elevated states of existence or to plunge us into demeaning states of confusion and anguish. Our actions are not like footprints left on water; they leave imprints in our minds, the consequences of which will invariably manifest unless we can somehow nullify them. As the thirteenth Karmapa, Dudul Dorje (1733–97) states: In the empty dwelling place of confusion, Desire is unchanging, marked on the mind Like an etching on rock.13 The thoughts and emotions we experience and the attitudes and beliefs we hold all help to mold our character and dispositions and the kind of people we become. Conditioned existence is characterized by delusions, defilements, confusions, and disturbances of all kinds. We have to ask ourselves why we experience so much pain, while our pleasures are so ephemeral and transient. The answer is that these are the karmic fruits of our negative actions (Skt. papa-karma; Tib. sdig pa’i las). Jamgön Kongtrül says: The result of wholesome action is happiness; the result of unwholesome action is suffering, and nothing else. These results are not interchangeable: when you plant buckwheat, you get buckwheat; when you plant barley, you get barley.14 This cycle of cause and effect continues relentlessly, unless we embark on a virtuous spiritual path and learn to reverse this process by performing wholesome actions (Skt. kusala-karma; Tib. dge ba’i las). It is our intentions that determine whether an action is wholesome or unwholesome, and therefore it is our intentions that will dictate the quality of our future experiences. We have to think of karmic cause and effect in the following terms: “My current suffering is due to the negative actions, attitudes, thoughts, and emotions I performed in the past, and whatever I think, say, and do now will determine what I experience and become in the future. So from now on, I will contemplate the truth of karma, and pursue my spiritual practices with enthusiasm and positive intentions.

In Varieties of Religious Experience, William James says that for an experience to be visionary or ecstatic it must be passive (that is, it must happen to us—it cannot be induced); it must, perforce, be transient, fleet, swift; it must be noetic (that is, it must inspire a sense of new or profound knowing); and it must be ineffable, beyond the reach of words.

Why do we feel unhappy? Why does our mind feel unhappy? Why does our soul feel unhappy? Why do these feelings of unhappiness creep into our being? Have you wondered? Why is it that we can never ever be totally happy? Unhappiness is a place we reach where we become prisoners to our own thoughts of unhappiness. It is dopamine working in reverse. If you have had these thoughts then you are not alone. These thoughts pervade into the very being of anyone who is alive. It is the natural scheme of life. We can never ever be totally happy because happiness is a fleeting emotion. It is transient. Like water it flows each and every moment. It cannot remain still at one place.

All that I can say is, that the wisest and best men in all ages had agreed in giving the preference, very greatly, to the pleasures of intellect; and that my own experience completely confirmed the truth of their decisions; that I had found sensual pleasures vain, transient, and continually attended with tedium and disgust; but that intellectual pleasures appeared to me ever fresh and young, filled up all my hours satisfactorily, gave a new zest to life, and diffused a lasting serenity over my mind

In most cases homeport for the sailor is the port where he feels most at ease. It’s the place he longs to be and normally where his sweetheart lives. Monrovia has none of these characteristics, but like a fungus it begins to grow on you! Day after day the fungus spreads and so it was with me. As I grew accustomed to the heat and incessant rain I found that I actually enjoyed sleeping in a hammock strung under the awning on the port side of the upper deck behind the stack. On the starboards side was the lifeboat which sheltered me some from the wind and driving rain. It was comfortable and cooler than my cabin below. You might say that I was as snug as a bug in a rug. Speaking of which; the mosquitos were usually blown away when the breeze was onshore, however the prevailing winds were easterlies off the continent which still wasn’t too bad but woe was me when they stopped blowing and the atmosphere became heavy hot and humid, laden with the insect that carried the dread parasite that caused malaria. My life was carefree, the food was good and for the most part I was the master not only of the MV Farmington but also of my destiny. When the cargo was secure and I had the time I would fire up my motor scooter and head into town. Life was good and although I missed my girlfriend Nora, the laid-back atmosphere of this nearly forgotten part of the world suited me. In time I joined the ranks of Monrovia’s cadre of transient misfits, backwater sailors, and ‘Typical Tropical Tramps’ or “TTT’s” as we proudly called ourselves. It wasn’t anything I wished for, but slowly although incessantly it happened. Like the black fungus on every building in this decrepit tropical capital city, it grew on me as it did on everyone else.

Feelings and emotions as well as thoughts and opinions are evanescent; they change over time because they reflect our transient being. Feelings and emotions are judgments that spring from the hidden source of the unconscious mind, and only take on power whenever the conscious mind acknowledges them, and then chooses to convey an idea in some format that shares the rhythm of a person’s own being with another person. Unuttered thoughts and inexpressible feelings experience a short half-life. Without proper nourishment, voiceless thoughts wither and indefinable feelings wane. Lucid thoughts and inexpressible feelings form imperceptible currents that propel us along in our inimitable journey exploring the tributaries of the stream of life.

Exactly. “Pretty” isn’t real, Bird. It’s one person looking at another and saying yes or no, based on their own personal judgments. And it’s transient. It’s like the wind—society says something is pretty one minute, then they decide it’s not pretty anymore, and everyone moves where it takes them. Pretty is nothing. Pretty is invisible. Pretty is what you make it.

I read all morning". The simple words spoke of the purest and most rewarding kind of leisure. The Buddha had placed no value on prayer or belief in a deity, he had not spoken of creation, original sin or the last judgement. The quality of all human experience depends on the mind and so the Buddha had been concerned with analyzing and transforming the individual mind. India's intellectual backwardness, her inability to deal rationally with her past, which seemed no less damaging than her economic and political underdevelopment. With its literary and philosophical traditions, China was well equipped to absorb and disseminate Buddhism. The Chinese eagerness to distribute Buddhist texts was what gave birth to both paper and printing. There are places on which history has worked for too long and neither the future nor the past can be seen clearly in their ruins or emptiness. In the agrarian society of the past, the Brahminic inspired human hierarchy had proposed itself as a complete explanation not only for what human beings did but also what they were. So, for instance, a Brahmin was not just a priest because he performed rituals; he was innately blessed with virtue, learning and wisdom. A servant wasn't just someone who performed menial tasks, his very essence was poverty and weakness. Meditation was one of the methods used to gain control over one's emotions and passions. Sitting still in a secluded place, the yogi attempted to disengage his perennially distracted mind and force it to dwell upon itself. The discipline of meditation steadily equips the individual with a new sensibility. It shows him how the craving for things that are transient, essence-less and flawed leads to suffering. Regular meditation turns this new way of looking into a habit. it detaches the individual from the temptations of the world and fixes him in a state of profound calm. Mere faith in what the guru says isn't enough and you have to realize and verify it through your own experience. The mind determines the way we experience the world, the way in which we make it our world. The ego seeks to gratify and protect itself through desires. But the desires create friction when they collide with the ever-changing larger environment. They lead only to more desires and more dissatisfaction. How human beings desiring happiness and stability were undermined slowly, over the course of their lives, by the inconstancy of their hearts and the intermittence of their emotions. Buddhism in America could be seen to meet every local need. It had begun as a rational religion which found few takers in America before being transformed again, during the heady days of the 1960s, through the mysticism of Zen, into a popular substitute for, or accessory to, psychotherapy and drugs. It was probably true that greed, hatred and delusion, the source of all suffering, are also the source of life and its pleasures, however temporary and that to vanquish them may be to face a nothingness that is more terrifying than liberating. Nevertheless, the effort to control them seemed to me worth making.

Android Girl Just Wants to Have a Baby! The first thing I do when I wake up is run my hands over my body. I like to make sure all my wires are in place. I lotion my silicone shell and snap my hair helmet over my head. I once had a dream I was a real girl, but when I woke up I was still myself in my paleness under the halogen light. The saliva of androids emits a spectral resonance, barely sticky between freshly-gapped teeth. After they made me, the first thing they did was peel the cellophane from my eyes. I blinked once, twice, and cried because that's how you say you are alive before you are given language. They named each of my heartbeats on the oceanic monitor: Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I listened to them blur into one. The fetus carves for itself a hollowed vector, a fragile wetness. In utero, extension cords are umbilical. Before puberty, I did not know there was such a thing as dishonor. Diss-on- her. This is what they said when I began to drip petrol between my legs. A tension exists between ritual and proof, a fantasy and its execution. Since then, I have been to the emergency room twice. The first time for a suicide attempt, and the second time because my earring was swallowed up by my newly pierced earlobe overnight, and when I woke up, it was tangled in a helix of wires. The idea of dying doesn't scare me but the ocean does. I was once told that fish will swim up my orifices if I am no longer a virgin. Is anyone thinking about erotic magazines when they are not aroused, pubes parted harshly down the center like red seas? My body carries the weight of four hundred eggs. I rise from a weird slumber, let them drip into the bath. This is what I'll leave behind - tiny shards purer than me. I have always been afraid of pregnant women because of their power, and because I don't yet understand what it means to carry something stubborn and blossoming inside of me, screeching towards an exit. The ectoplasm is the telos for the wound. A trance state is induced when salt is poured on it, pixel by pixel. I wish they had made me into an octopus instead, because octopuses die after their eggs hatch and crawl out into the sea, and I want to know what it's like to set something free into the dark unknown and trust it to choose mercy. If you can generate aura in a non-place, then there is no such thing as an authentic origin. In Chinese, the word for mercy translates to my heart hurts for you. They say my heart continues beating even after it is dislocated from my body. The sound of its beating comes from the valves opening and closing like a portal - Guanyin, Yama, Nuwa, Fuxi, Chang'e, Zao-Shen. I first learned about love by watching a sex tape where a girl looks up from performing fellatio and says, show them the sunset. Her boyfriend pans the camera to the sky, which is tinged violet like a bruise. In this moment, the sky displaces her, all digital and hyped, and saturates the scene until it collapses on me too, its transient witness. I move in the space between belly ring and catharsis. That night I have a dream where I am a camgirl, but all I do on screen is wash my laundry. Everybody loves me because I am a real girl doing real girl things. What lives on the border between meditation and oblivion, static and flux, a pomegranate seed and an embryo? I set up my webcam in the corner of the room and play ambient music while I scrub my underwear, letting soap bubbles rise up from the sink, laughing when they overflow on the linoleum floor - my frizzy hair, my pockmarked skin, my face slick with sweat. A body with exit wounds. I ride the bright rails of an animal forgetting. And when I wake up, the sky is a mess of blue.

If you have been in the street in Paris or Rouen, and seen a mother pull her child by the hand, and say, “Stop that squalling, or I’ll fetch an Englishman,” you are inclined to believe that any accord between the countries is formal and transient. The English will never be forgiven for the talent for destruction they have always displayed when they get off their own island. English armies laid waste to the land they moved through. As if systematically, they performed every action proscribed by the codes of chivalry, and broke every one of the laws of war. The battles were nothing; it was what they did between the battles that left its mark. They robbed and raped for forty miles around the line of their march. They burned the crops in the fields, and the houses with the people inside them. They took bribes in coin and in kind and when they were encamped in a district they made the people pay for every day on which they were left unmolested. They killed priests and hung them up naked in the marketplaces. As if they were infidels, they ransacked the churches, packed the chalices in their baggage, fueled their cooking fires with precious books; they scattered relics and stripped altars. They found out the families of the dead and demanded that the living ransom them; if the living could not pay, they torched the corpses before their eyes, without ceremony, without a single prayer, disposing of the dead as one might the carcasses of diseased cattle.

sometimes, if you’re sincere about what you have to say, if you want to communicate the full force of human emotions like grief and longing and gratitude, you try writing and then realize that your words are just as transient as you are, that they always fail you when you need them most, and that if they can’t serve their purpose and convey meaning perfectly—if they can’t reach the unborn and the dead—then they’re better off buried or burned.2

The rivers of Babylon are all the penalties that remain of sin which flow down to hell, and the wicked follow them, for the penalties of this life do not suffice for such crimes, therefore they both end in hell. However, the righteous sit beside these rivers, for they only have to suffer transient penalties which pass away, leaving them seated and not departing with this world, but awaiting the world of the eternal Father prepared for them.   David does not say they wept on account of 'their discomfort by the rivers, which signify trials, but because of their longing for Sion, that is for heaven, where the God of Gods is beheld. This means that the just are more tormented by the postponement of the glory promised them than by all the other sufferings of the world, for they feel their absence from Sion and weep for it

While belief in the supernatural is only superstition, the sense of the supernatural cannot be denied. It is the sense of what should not be at its most justly potent, the sense of the impossible as we often experience it in our dreams and in unsettling moments of our lives, particularly during those intimations of mortality or madness that for some are as regular as a heartbeat. The evil here is not bound up with bad men but with the nature of existence itself, or at least with our existence as victims of consciousness. The supernatural may be considered as the metaphysical counterpart of insanity and, as such, is the best possible hallmark of the uncanny nightmare of a conscious mind marooned for a brief while in this haunted house of a world and being slowly or swiftly driven mad by the ghastliness of it all. This viewpoint does not keep tabs on “man' inhumanity to man” s but instead is sourced in a derangement symptomatic of our life as transients in a world that is natural for all else that lives, yet, by our lights, when they are not flickering or gone out, is anything but. The most phenomenal of creaturely traits, the sense of the supernatural, the impression of a fatal estrangement from the visible, is dependent on our consciousness, which merges the outward and the inward into a universal comedy without laughter. We are only passersby in this jungle of mutations and mistakes. The natural world existed when we did not, and it will continue to exist long after we are gone. The supernatural crept into life only when the door of consciousness was opened in our heads: the moment we stepped through that door, we walked out on nature. Say what we will about it and deny it till we die—we have had a knowledge imposed upon us that is too much to know and too secret to tell one another if we are to pace along our streets, work at our jobs, and sleep in our beds. It is the knowledge of a race of beings that are both specters and spectators in this cobwebbed corner of the cosmos.

Ownership is the one thing that fixes more things so other things can be made easier to fix,” argues the education expert Stefanie Sanford of the College Board. More often than not, she says, when citizens feel a sense of ownership over their country, when teachers feel a sense of ownership over their classrooms, when students feel a sense of ownership over their education, more good things tend to happen than bad. You get outcomes that are much more internally generated and therefore self-sustaining. And where ownership doesn’t exist, where people feel like renters or transients, more bad things tend to happen. When

The mask, he’d say, was something that you wore but was opposite to you; because it was not wholly real, it could withstand pain that you could not; because it was not wholly human, its beauty was not diminished by age or feeling. Father’s hands never smelled of the same thing twice; and fragrances hung in the house like sweet invaders, like opulent chains of memories that no longer belonged to anyone. We’d encounter his models on their way up or down the stairs, in the ordinary prettiness of their unmade-up daytime faces; it was always a shock to find them in the magazines a few months later, and see what Father had made from them. Louche, tomboy, prissy, gauche; Cleopatran, Regency, Berlin decadent; flappers and hippies and Arabian princesses—he mined their faces for stories and myths and desires old as history, or older, like seams of rare ore that lay buried in the earth of their youth. In the magazines, the faces of these transient girls had a power, a power that my father could summon and balance, like those old music hall acts that spun plates on sticks. They could call into being any age or emotion or state of mind; and everything around them would be transformed too, turned from diffuse, unwieldy life into a story, something with direction and significance. Looking out from the glossy pages, their faces seemed to promise everything; they promised that you could become anything; they promised that they would take you with them, that you could leave yourself behind.

The first point is that about impermanence. Bliss, peace, happiness, as well as their counterparts pain, chaos, and misery, are all transient phenomena, subject to conditions, arising and passing like the weather. As Zen says, the ten thousand joys and the ten thousand sorrows march through our lives according to the laws of reality that have always been in place.

The husband whispers in th e ear of his wife, “I will never leave you, nor forsake you,” but he forgets the hour of death when he must go from all below. The mother, as she presses her child to her bosom, says, “I will never leave y ou, nor forsake you,” but she knows not how soon that little child may be an orphan to need another’s care. Friend says to friend, “I will ne ver leave you, nor forsake you,” forget- ting how changeable human friendships are, for many are the hearts that have been torn asunder by vows, honestly whis- pered at the time, which have been forgot ten through the lapse of years, or have been treacherously broken. “I will never leave you, nor forsake you,” is not a prom ise for mortal lips to utter! Transient beings like ourselves must not venture to say, “I will never do this or that,” for, alas, we know not what we may do, or may not do! Even though we think we shall never prove to be traitors, yet traitors we may prove to be. Or if not traitors, our power may fail so that we shall be una- ble to do what we have promis ed. But when Jehovah says, “I will never leave you, nor forsak e you,” it is a Divine Prom- ise and He who utters it, Divinely keeps it! ‘Tis a fit promise for God to speak an d ‘tis a fit promise for God’s servants to hear. You have lost many of those dear to you, but you have not lost your God! They have gone from you, one by one, “as star by star grows dim,” but His Light still shines on—and shall shine on forever!

I do not recall our Lord ever saying one could not be 'cool'. It is only a problem if one esteems 'coolness' above that which is righteous and true, which is, when we give it its way, really what many of us do. 'Coolness' is too transient to be of any real and meaningful, lasting significance, and it is often in great conflict with one being one's most honest, most vulnerable self. That, and in reality, some of the coolest people are actually those who least concern themselves with being cool anyway, those who make 'trying to be cool' less evident.

In conclusion, those who, like myself, consider themselves to be followers of Buddha, should practice as much as we can. To followers of other religious traditions, I would like to say, ‘Please practice your own religion seriously and sincerely.’ And to non-believers, I request you to try to be warm-hearted. I ask this of you because these mental attitudes actually bring us happiness. As I have mentioned before, taking care of others actually benefits you. Continuing on this path, you will also begin to appreciate the value of human life, how precious it is, and the fact that as human beings we are capable of reflecting on these questions and following a spiritual practice. Then you will really appreciate a point emphasized again and again by many great Tibetan masters: that we should not waste the opportunity offered to us in this life, because human life is so precious and so difficult to achieve. As life is valuable it is important to do something meaningful with it right now, since, by its very nature, it is also transient. This shows how you can bring all the elements of the various spiritual practices together so that they have a cumulative effect on your daily practice.

in the words of George Bernard Shaw, marriage inspired by love brings two people together “under the influence of the most violent, most insane, most delusive, and most transient of passions.

The dying mall has attracted some odd tenants, such as a satellite branch of the public library and an office of the State Attorney General's Child Predator Unit. As malls die across the country, we'll see many kinds of creative repurposing. Already, there are churches and casinos inside half-dead malls, so why not massage parlors, detox centers, transient hotels, haunted houses, prisons, petting zoos or putt-putt golf courses (covering the entire mall)? Leaving Santee, Chuck and I wandered into the food court, where only three of twelve restaurant slots were still occupied. On the back wall of this forlorn and silent space was a mural put up by Boscov, the mall's main tenant. Titled "B part of your community", it reads: KINDNESS COUNTS / PLANT A TREE / MAKE A DONATION / HELP A NEIGHBOR / VISIT THE ELDERLY / HOPE / ADOPT A PET / DRIVE A HYBRID / PICK UP THE TRASH / VOLUNTEER / CONSERVE ENERGY / RECYCLE / JOIN SOMETHING / PAINT A MURAL / HUG SOMEONE / SMILE / DRINK FILTERED WATER / GIVE YOUR TIME / USE SOLAR ENERGY / FEED THE HUNGRY / ORGANIZE A FUNDRAISER / CREATE AWARENESS / FIX A PLAYGROUND/ START A CLUB / BABYSIT These empty recommendations are about as effective as "Just Say No", I'm afraid. As the CIA pushed drugs, the first lady chirped, "Just say no!". And since everything in the culture, car, iPad, iPhone, television, internet, Facebook, Twitter and shopping mall, etc., is designed to remove you from your immediate surroundings, it will take more than cutesy suggestions on walls to rebuild communities. Also, the worse the neighborhoods or contexts, the more hopeful and positive the slogans. Starved of solutions, we shall eat slogans.

Death's Embrace - A Soliloquy by Stewart Stafford In sincere tongue, declare with heart: Art thou but a mimic, shadow of the art, Or standest thou bold, architect of the new, Crafting the morrow in thy vision true? Unburden me from this oppressive weight, I cannot bear this overwhelming force. Despair hath found its pinnacle in me, And I must peer into realms unknown, If cherished sight fails me at mine end, I shall renounce all chimeras of the light. But fall not tamely from Life’s precipice, Death presses hard on thy frail fingers, Hold on, cry, resist thy certain ruin! Trouble's court, may yet bestow thee favour. Dreams are but fancies giv’n swift wings, That soar beyond the bounds of reason; In minds that dare to fly unshackled, The dreamer becometh the vision. Love is both a journey and destination: Long and painful upon the path, Unsought, yet blissful when it is found. From dust conjur’d — to stars, we’re turned. Beware the self-righteous man, Whose pride does unseat the very world Before he sees his error. Piteous wounds of thine own hand, 'Tis easy to judge from afar Without walking with aching bones. If there be cause that yet remaineth here, It showeth their harshness and injustice To themselves and their loving others. Mourn their release with mercy and thanks Transient whispers guide along chance’s way. Weep not for those who have found Death’s embrace, They lament for us who tarry on old shores. Death but ushers a veiled dawn, not life's twilight, A metamorphosis of guise, not of the spirit's light. Though we must part for now, we shall be one again. For love’s wrought by flesh, yet holds not its chain. Time-worn age stoops; penitents depart. Pawned as one in vigilant trance But what a folly 'tis to mark the signs of our undoing; Memory's comet trails bequeathed to loved ones left, Contagion's rehearsal on the ephemeral stage. With luck, a stand-in may go on in thy stead. Ere thy final bow becomes unavoidable. With tyrant Death prowling public ways, I turn from mankind hence to seek delight. A chamber ceiling seen upon morn's wake, I say: “The sun does rise? Let's haste away!” Upon waking, a stone tomb's ashen lid, I would perchance say: “Alas!..mine eyes do grow heavy.” A life well-liv’d is not weigh’d by earthly goods Or the number of mourners at the grave. Numerous, deep laugh lines tell the tale, On the face of the person lying still in the crypt, Reveals threescore years and twelve’s true worth. Death is not the villain of the piece; It is the next phase of life, in strange attire. I accept my fate with grace and courage. For I have liv’d and lov’d and dream’d enough. © Stewart Stafford, 2024. All rights reserved.

The message of the fulfillment of time is not a green light for a new, and assumedly Christian activism. But it makes us say with Paul: "Though our outer nature is wasting away our inner nature is renewed everyday - because we look not to the things that are seen but to the things that are unseen. For the things that are seen are transient, but the things that are unseen are eternal." In these words the message of the Preacher and the message of Jesus are united. All is vanity but through this vanity eternity shines into us, comes near to us, draws us to itself. When eternity calls in time, then pessimism vanishes. When eternity times us, then time becomes a vessel of eternity. Then we become vessels of that which is eternal.

One could in fact say that we fail at happiness to the extent that we are terrified of impermanence. Conversely, we approach happiness when we manage to enter into the erratic and vexingly fickle struggle of living with a degree of ferocity. This is the case in part because our capacity to tolerate life’s contingency—its accidents, chance occurrences, and stabbing moments of inner clarity—augments our ability to take pleasure in what is inimitable and irreplaceable precisely insofar as it is transient; it makes us uniquely receptive to the force and preciousness of the passing moment—the only moment where happiness as an existential aspiration can make any sense to us.

Children in our culture are familiar with transformation of identity from comics, movies, television, and books. Who has not watched a child zooming around on the sidewalk or in the backyard, pretending to be a superhero or some other figure? Who can doubt the child's intensity of imaginative involvement in this transformation? I think it is reasonable to say that the normal child partly believes in this transformation on a transient basis. It is not necessary to wonder where the MPD child gets the idea of creating someone else inside to cope with the abuse. The strategy of transformation of identity to gain strength, coping power, even and vulnerability is readily available in the child's environment.

Ah. But you say that because you’re a linguist, and you can’t see why anyone wouldn’t want to wallow in the sheer beauty of language.” Szpindel harrumphed with mock pomposity. “Now me, I’m a biologist, so it makes perfect sense.” “Really. Then explain it to me, oh wise and powerful mutilator of frogs.” “Simple. Bloodsucker’s a transient, not a resident.” “What are— Oh, those are killer whales, right? Whistle dialects.” “I said forget the language. Think about the lifestyle. Residents are fish-eaters, eh? They hang out in big groups, don’t move around much, talk all the time.

Ah. But you say that because you’re a linguist, and you can’t see why anyone wouldn’t want to wallow in the sheer beauty of language.” Szpindel harrumphed with mock pomposity. “Now me, I’m a biologist, so it makes perfect sense.” “Really. Then explain it to me, oh wise and powerful mutilator of frogs.” “Simple. Bloodsucker’s a transient, not a resident.” “What are— Oh, those are killer whales, right? Whistle dialects.” “I said forget the language. Think about the lifestyle. Residents are fish-eaters, eh? They hang out in big groups, don’t move around much, talk all the time.” I heard a whisper of motion, imagined Szpindel leaning in and laying a hand on Michelle’s arm. I imagined the sensors in his gloves telling him what she felt like. “Transients, now—they eat mammals. Seals, sea lions, smart prey. Smart enough to take cover when they hear a fluke slap or a click train. So transients are sneaky, eh? Hunt in small groups, range all over the place, keep their mouths shut so nobody hears ’em coming.” “And Jukka’s a transient.” “Man’s instincts tell him to keep quiet around prey. Every time he opens his mouth, every time he lets us see him, he’s fighting his own brain stem. Maybe we shouldn’t be too harsh on the ol’ guy just because he’s not the world’s best motivational speaker, eh?

With her and that someday He entered the quietness of his own mind, Where he could not be by anyone found, Neither by the rays of the bright sun, Nor by the deeds that seek him for acts still undone, But he lies in the silence of his mind, quiet and silent, Here he deals with million feelings, many permanent and a few transient, He thinks of her and her beautiful ways, In the darkness of nights and brightness of sunny days, Seeking something that would lead him to her, And then rest there, in that sacred space of his mind, forever with her, Time calls him but he appears to be heedless to its every call, The day invites him, but all its invitations collide against a robust wall, The wall of his mind that surrounds him permanently, Because there he likes to be with her virtual entity, Maybe he wants to escape from this state of morbid stillness, But in this stillness, a state of nothingness, he experiences a feeling of fullness, For imagination is the darling muse of every beautiful mind, And maybe there he lies with her, beyond the evil fangs of reality, in the imagination of his mind, Undisturbed by the evil intended men and women, Who always want to act in other’s lives as specialist foremen, Without realising winter can never know the feelings of the summer, And without having loved and lost, how can others think they are better, So they force him to digress and retire to his mind, and the quiet space there, A place that actually is nothing and nowhere, but for him for now, it is his only somewhere, Where love finds him because he always finds it, In her memories, in her imaginations, and in the strange devices of his own wit, So he has become anonymous for the world, but a sort of forced anonymity with a hidden intent, Because whenever I see him, I feel he did not go there, there he was forcefully sent, Maybe he is long dead now, and it is his ghost that visits this mind, Because he is obsessed with knowing the undefined, For most of us have to muster courage, But a few of us are born with it way above the normal average! And perhaps a typhoon of thoughts is on its way, Who knows when, because they murdered him a long ago, but his ghost is still seeking to resurrect him one day, that anonymous someday!

Endless Love Like the river never stops, I too shall never stop loving you, Like those shining stars, I too shall always shine for you, Like the wind that paces through the forest where I spent few moments with you, I too shall in that forest of memories always seek you, just you, Maybe it is my compulsive proneness that I only seek you, In my wakeful state and in my subconscious slumbers I only think of you, Maybe it is my memories that refuse to exist without you, And before this stubbornness of my mind and heart , I surrender and I allow myself to love you, just you, In the Summer garden where many roses bloom, I find none like you, Like the desperate butterflies seeking their flowers of choice, in the garden of life, I only seek you, just you, The roses have wilted, butterfly wings lie strewn on the grass blades, and they all remind me of you, But unlike the changing seasons, my heart always stays in the perennial state of loving you, Everything in this universe seems to be seeking something or someone, just like I endlessly seek you, In the summer joys, in the forest wind, in the gushing river, wherever I see, I just see a reflection of you, As the palpable world grows around me in these transient forms, I seek my world within you, In your beautiful eyes, in your smiles, in your scent and in every essence that reflects you, I transpose these beautiful reflections on this world, until everything looks like you, exactly like you, Maybe Irma, love is what I feel when I see you, when I touch you, when I just say nothing and simply sit beside you, And the palpable world transforms into your smile, and I resume loving you, In the forest of my endless memories of you, Where I often tread in the brightness of the day and the silence of the night, to be with you, just you, The river still flows, the stars still twinkle, the forest still grows, and with them your love in my heart grows too, I have entered a precarious state where there is only one certainty, that to keep on loving you, And wonder if you feel so too, I have every reason to believe you do too Irma, because the trails of life we tread together, still remind me of you, and there at discrete corners I hear the echoes of your longings too, And then my heart whispers, while my mind quietly lets it be its own master, “I love you!” And the river of my feelings gains a renewed momentum to rush endlessly and forever unto you, And as lovers, we fill our senses where you become me and I become you, And what a joy it is to love you, And say again and again, “my darling Irma. I love you!

time. Up in the air, above the situation, he asks if it is really the end of the world if he doesn’t get the job. The answer is ‘No, it isn’t’ and although it is very disappointing, he can deal with the disappointment and consequences because he is an adult Human and not a Chimp or child. He also knows logically that he may still be able to do something about the situation and must not allow the Chimp to think catastrophically. Step 5: He now goes into Human mode and asks himself, ‘What can I do about the situation?’ He answers: ‘I can choose the emotions I want and I can choose to act like an adult. Being emotional isn’t going to help anything, least of all me. I can’t think of anything practical to do at this point in time – this I must accept. I can choose to accept the situation rather than keep on saying “what if” or “this shouldn’t have happened” or even worse, “life should be fair”.’ Step 6: Eddie decides to put his Human in charge and decides to actively change his emotional approach to the situation. On a practical point he considers his options to either wait in the hope that another bus appears or to go home and phone the interview organiser. Step 7: Despite his disappointment he might manage a smile and be thankful that the sun will still rise tomorrow. He remains focused on the solution and not the problem. Of course, you may want to react differently or deal with the situation differently if you were in his position. It is just an example of how it might go. Clearly there are endless possibilities. The main point is that he has decided to act as a Human and not as a Chimp and to choose positive emotions despite the setback. Choice despite seriousness The scenario above was not so serious but what happens if a real crisis occurs? Imagine a young man who has had an accident on a motorbike and has been left paralysed from the waist down. Sadly this is not an uncommon event. How does he deal with this type of crisis? This time when he gets up into the helicopter and tries to gain perspective the answer is not so good. His whole life has just changed and not for the better. It would be totally unreasonable for anyone to say to him get a perspective and smile. He will need to go through a grieving process. All of us respond differently to the same situation, so there are no rights or wrongs when responding to a severe crisis. It is about understanding your response and making choices about how you want to manage it. The simple steps described are helpful for minor crises and immediate and transient stress but they need modifying

Theism and materialism, so indifferent when taken retrospectively, point, when we take them prospectively, to wholly different outlooks of experience. For, according to the theory of mechanical evolution, the laws of redistribution of matter and motion, tho they are certainly to thank for all the good hours which our organisms have ever yielded us and for all the ideals which our minds now frame, are yet fatally certain to undo their work again, and to redissolve everything that they have once evolved. You all know the picture of the last state of the universe which evolutionary science foresees. I cannot state it better than in Mr. Balfour's words: That is the sting of it, that in the vast driftings of the cosmic weather, tho many a jeweled shore appears, and many an enchanted cloud-bank floats away, long lingering ere it be dissolved—even as our world now lingers, for our joy-yet when these transient products are gone, nothing, absolutely NOTHING remains, of represent those particular qualities, those elements of preciousness which they may have enshrined. Dead and gone are they, gone utterly from the very sphere and room of being. Without an echo; without a memory; without an influence on aught that may come after, to make it care for similar ideals. This utter final wreck and tragedy is of the essence of scientific materialism as at present understood. The lower and not the higher forces are the eternal forces, or the last surviving forces within the only cycle of evolution which we can definitely see. Mr. Spencer believes this as much as anyone; so why should he argue with us as if we were making silly aesthetic objections to the 'grossness' of 'matter and motion,' the principles of his philosophy, when what really dismays us is the disconsolateness of its ulterior practical results? No the true objection to materialism is not positive but negative. It would be farcical at this day to make complaint of it for what it IS for 'grossness.' Grossness is what grossness DOES—we now know THAT. We make complaint of it, on the contrary, for what it is NOT—not a permanent warrant for our more ideal interests, not a fulfiller of our remotest hopes. The notion of God, on the other hand, however inferior it may be in clearness to those mathematical notions so current in mechanical philosophy, has at least this practical superiority over them, that it guarantees an ideal order that shall be permanently preserved. A world with a God in it to say the last word, may indeed burn up or freeze, but we then think of him as still mindful of the old ideals and sure to bring them elsewhere to fruition; so that, where he is, tragedy is only provisional and partial, and shipwreck and dissolution not the absolutely final things. This need of an eternal moral order is one of the deepest needs of our breast. And those poets, like Dante and Wordsworth, who live on the conviction of such an order, owe to that fact the extraordinary tonic and consoling power of their verse. Here then, in these different emotional and practical appeals, in these adjustments of our concrete attitudes of hope and expectation, and all the delicate consequences which their differences entail, lie the real meanings of materialism and spiritualism—not in hair-splitting abstractions about matter's inner essence, or about the metaphysical attributes of God. Materialism means simply the denial that the moral order is eternal, and the cutting off of ultimate hopes; spiritualism means the affirmation of an eternal moral order and the letting loose of hope. Surely here is an issue genuine enough, for anyone who feels it; and, as long as men are men, it will yield matter for a serious philosophic debate.

I am the gate, a path to a dying religion. My thoughts it's doctrines and my mind it's temples. Spiritualism, within an existence dictated by the requisite of enlightenment. ‘I see,' and I daresay ‘we see,' for I am the door to transient lives beyond the mortal planes. My clock neither tics nor tocks and my eyes knows not light nor dark, for my being is and is without existence. For I am the earth that holds the roots of creation, thus, I say ‘I have been and never been and will always be’. For I alone exists without existing; I alone who consumes the inexhaustible and peers into the ends of infinity. For I am the wind that blows away the illusions of ‘ALL’ to the lucid truth of ‘NONE’, for I am life without existence till I am become ‘DEATH’ to live never and forever more.

If you look at the first black Raku bowl ever made it's simple and unsophisticated. Some would even say it looks too humble, even meagre. That's exactly what I love. It has the Wabi ideals of transient imperfection. Raku pottery is connected to nature. It's a link of the past. Sometimes Raku pottery looks like a living creature - prehistoric, otherworldly, even cosmic. A work by Raku shows us that we all have the ability to see the universe in a flower, a stone, a piece of wood, or a simple bowl of tea.

I’d say our society focuses more on hair than prayer. Since one is transient, and one is eternal, it may not be the best return on investment.

The Japanese believe that sadness comes from an awareness of the fragility of life at the same time one is captivated by its transient beauty. The cherry blossoms. But that is a very superficial understanding of sadness, may I say. True sadness arises when we realize that the world around us is imperishable, and rather ugly.

All things are transient and subject to decay. To become attached to things leads to suffering. One can not truly say this belongs to me, or this is what I truly am. The answer to all things cannot be found in the outer world of things or self-concepts.

Politics and ideology are transient entities,’ he says, licking his fingers. ‘What some people say they believe one moment is forgotten the next. And for some it becomes a kind of disease. They start out hoping for a better world, but are poisoned by their own rhetoric and ultimately refuse to acknowledge it’s flawed.

All roads in this mystical world tragically lead to death. Every personal narrative repeats the same rhetorical trope. Memento mori (‘remember that you must die’) and memento mortis (‘remember death’) are the Latin medieval designation of the theory and practice of reflecting on mortality, pondering the vanity of earthly life and the transient nature of all earthly goods and pursuits. The title to metaphysical poet John Donne’s poem Nunc Lento Sonitu Dicunt, Morieris (‘Now, this Bell tolling softly for another, says to me, Thou must die.’) expresses this sentiment of humankind’s painful morality and the interconnectedness of humanity. Remember death – that I must die – is my faithful traveling companion.

You stand at a window; you gaze upon the world; you believe that it is as it seems to you. You see people passing down there in the street, very small in your vision which, from that high win-. dow where you are standing, is a large one. That largeness is something that you cannot help feeling in yourself; for if a friend should happen to pass just now, down there in the street, and you should recognize him, he would not seem to you, viewed from your altitude, any larger than one of your fingers. Ah, but if it should occur to you to call down to him and say, `Tell me something; how do I look to you, standing up here at this window—?' It does not occur to you, because you do not think of that image which passers-by in the street have, all the while, of that window and of you who stand there gazing out. The thing to do is to make an effort to detach from one's self the conditions which make for the reality of those who pass down below, and who live for a moment in your wide-sweeping vision as tiny transients in a street. The reason you do not make this effort is that you have no inkling of that picture which they form of you and of your window, one among so many, a small one and so very high, and a picture of you as very, very small, standing up there with a diminutive arm waving in the air.

In his great book The Beginner’s Guide to Spiritual Gifts, author Sam Storms says, “Spiritual gifts are the presence of the Spirit Himself coming to relatively clear, even dramatic, expression in the way we do ministry. Gifts are God going public among His people.

Brunetti watched Cesco trying to decide whether to say something else, so he made himself look as much like an oak tree as possible: patient, motionless, secure.

The Bible says that every person who puts their faith in Christ receives a spiritual gift. According to Pastor JD Greer, “A spiritual gift is usually just a special empowerment—an unusual effectiveness —in an assignment given to all believers.

As to your question--is there such a thing as a fairy tale romance? Prudie would say yes, and in fact she has had one. Alas, they do not endure. Fairy tales are to romance what fireworks are to the night sky. They are transient states...and while temporarily thrilling, not what one builds a life around.

As in an airless room a curtain Parts to admit the evening breeze, So John's exhausted and uncertain Tension admits a transient ease, And Liz's lenient mediation Smooths out his doubt and hesitation. She looks at him: "Don't be afraid I'll find what you say bland or staid." Relieved of the unspoken duty Of cleverness and coolness now John brings himself to speak, somehow, Of truth, ambition, status, beauty, The hopes (or dupes) for which we strive, The ghosts that keep the world alive.

This is what I have to say to you. You are connected through breath, connected by the very essence of your being, not because you believe or know or practice, but because your soul is always plugged in, always whole. Without having to do anything in particular, you are the bridge between the infinite and this transient realm of form. Your connection isn’t something you can win or lose, and while you must choose to be aware of it, the divine is there, inside and out, ever present, whether you feel it or not.