Brow Mapping Quotes

We've searched our database for all the quotes and captions related to Brow Mapping. Here they are! All 19 of them:

Crimson flames tied through my ears Rollin' high and mighty traps Pounced with fire on flaming roads Using ideas as my maps "We'll meet on edges, soon," said I Proud 'neath heated brow. Ah, but I was so much older then, I'm younger than that now. Half-wracked prejudice leaped forth "Rip down all hate," I screamed Lies that life is black and white Spoke from my skull. I dreamed Romantic facts of musketeers Foundationed deep, somehow. Ah, but I was so much older then, I'm younger than that now.
Bob Dylan
Where are you going?" "To get my wife back." "How do you know where to look?" I hold my phone up. "I've got a map." "A map?" He laughs. Laughs. "You ever feel like Admiral Ackbar with the Death Star plans?" I look at him, brow furrowed. "You know... Return of the Jedi? It's a trap!" I shake my head. "Really? Nothing?" He scrunches up his face as if I disgust him. "How are we even friends?" "We're not.
J.M. Darhower (Target on Our Backs (Monster in His Eyes, #3))
Your mother is always with you... She's the whisper of the leaves as you walk down the street. She's the smell of bleach in your freshly laundered socks. She's the cool hand on your brow when you're not well. Your mother lives inside your laughter. She's crystallized in every tear drop. She's the place you came from, your first home... She's the map you follow with every step that you take. She's your first love and your first heartbreak... and nothing on earth can separate you. Not time, Not space... Not even death... will ever separate you from your mother... You carry her inside of you...
Nitya Prakash
There’s also a sunrise hike,” she says. “The hotel provides a flashlight and map.” I can’t help it—my eyes meet Josh’s. The sunrise is kind of our thing now. He raises his brow as if to say Obviously, we’re doing it.
Elizabeth O'Roark (The Devil and the Deep Blue Sea)
Wylan—and the obliging Kuwei—will get the weevil working,” Kaz continued. “Once we have Inej, we can move on Van Eck’s silos.” Nina rolled her eyes. “Good thing this is all about getting our money and not about saving Inej. Definitely not about that.” “If you don’t care about money, Nina dear, call it by its other names.” “Kruge? Scrub? Kaz’s one true love?” “Freedom, security, retribution.” “You can’t put a price on those things.” “No? I bet Jesper can. It’s the price of the lien on his father’s farm.” The sharpshooter looked at the toes of his boots. “What about you, Wylan? Can you put a price on the chance to walk away from Ketterdam and live your own life? And Nina, I suspect you and your Fjerdan may want something more to subsist on than patriotism and longing glances. Inej might have a number in mind too. It’s the price of a future, and it’s Van Eck’s turn to pay.” Matthias was not fooled. Kaz always spoke logic, but that didn’t mean he always told truth. “The Wraith’s life is worth more than that,” said Matthias. “To all of us.” “We get Inej. We get our money. It’s as simple as that.” “Simple as that,” said Nina. “Did you know I’m next in line for the Fjerdan throne? They call me Princess Ilse of Engelsberg.” “There is no princess of Engelsberg,” said Matthias. “It’s a fishing town.” Nina shrugged. “If we’re going to lie to ourselves, we might as well be grand about it.” Kaz ignored her, spreading a map of the city over the table, and Matthias heard Wylan murmur to Jesper, “Why won’t he just say he wants her back?” “You’ve met Kaz, right?” “But she’s one of us.” Jesper’s brows rose again. “One of us? Does that mean she knows the secret handshake? Does that mean you’re ready to get a tattoo?” He ran a finger up Wylan’s forearm, and Wylan flushed a vibrant pink. Matthias couldn’t help but sympathize with the boy. He knew what it was to be out of your depth, and he sometimes suspected they could forgo all of Kaz’s planning and simply let Jesper and Nina flirt the entirety of Ketterdam into submission. Wylan pulled his sleeve down self-consciously. “Inej is part of the crew.” “Just don’t push it.” “Why not?” “Because the practical thing would be for Kaz to auction Kuwei to the highest bidder and forget about Inej entirely.” “He wouldn’t—” Wylan broke off abruptly, doubt creeping over his features. None of them really knew what Kaz would or wouldn’t do. Sometimes Matthias wondered if even Kaz was sure. “Okay, Kaz,” said Nina, slipping off her shoes and wiggling her toes. “Since this is about the almighty plan, how about you stop meditating over that map and tell us just what we’re in for.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Morning comes. I go to my class. There sit the little ones with folded arms. In their eyes is still all the shy astonishment of the childish years. They look up at me so trustingly, so believingly - and suddenly I get a spasm over the heart. Here I stand before you, one of the hundreds of thousands of bankrupt men in whom the war destroyed every belief and almost every strength. Here I stand before you, and see how much more alive, how much more rooted in life you are than I. Here I stand and must now be your teacher and guide. What should I teach you? Should I tell you that in twenty years you will be dried-up and crippled, maimed in your freest impulses, all pressed mercilessly into the selfsame mold? Should I tell you that all the learning, all culture, all science is nothing but hideous mockery, so long as mankind makes war in the name of God and humanity with gas, iron, explosive and fire? What should I teach you then, you little creatures who alone have remained unspotted by the terrible years? What am I able to teach you then? Should I tell you how to pull the string of a hand grenade, how best to throw it at a human being? Should I show you how to stab a man with a bayonet, how to fell him with a club, how to slaughter him with a spade? Should I demonstrate how best to aim a rifle at such an incomprehensible miracle as a breathing breast, a living heart? Should I explain to you what tetanus is, what a broken spine is, and what a shattered skull? Should I describe to you what brains look like when they scatter about? What crushed bones are like - and intestines when they pour out? Should I mimic how a man with a stomach wound will groan, how one with a lung wound gurgles and one with a head wound whistles? More I do not know. More I have not learned. Should I take you the brown-and-green map there, move my finger across it and tell you that here love was murdered? Should I explain to you that the books you hold in your hands are but nets with which men design to snare your simple souls, to entangle you in the undergrowth of find phrases, and in the barbed wire of falsified ideas? I stand here before you, a polluted, a guilty man and can only implore you ever to remain as you are, never to suffer the bright light of your childhood to be misused as a blow flame of hate. About your brows still blows the breath of innocence. How then should I presume to teach you? Behind me, still pursuing, are the bloody years. - How then can I venture among you? Must I not first become a man again myself?
Erich Maria Remarque (The Road Back)
Christ, I’m tired. I need sleep. I need peace. I need for my balls to not be so blue they’re practically purple. As purple as Sarah Von Titebottum’s— My mind comes to a screeching halt with the unexpected thought. And the image that accompanies it—the odd, blushing lass with her glasses and her books and very tight bottom. Sarah’s not a contestant on the show, so I’m willing to bet both my indigo balls that there’s not a camera in her room. And, I can’t believe I’m fucking thinking this, but, even better—none of the other girls will know where to find me—including Elizabeth. I let the cameras noisily track me to the lavatory, but then, like an elite operative of the Secret Intelligence Service, I plaster myself to the wall beneath their range and slide my way out the door. Less than five minutes later, I’m in my sleeping pants and a white T-shirt, barefoot with my guitar in hand, knocking on Sarah’s bedroom door. I checked the map Vanessa gave me earlier. Her room is on the third floor, in the corner of the east wing, removed from the main part of the castle. The door opens just a crack and dark brown eyes peer out. “Sanctuary,” I plead. Her brow crinkles and the door opens just a bit wider. “I beg your pardon?” “I haven’t slept in almost forty-eight hours. My best friend’s girlfriend is trying to praying-mantis me and the sound of the cameras following me around my room is literally driving me mad. I’m asking you to take me in.” And she blushes. Great. “You want to sleep in here? With me?” I scoff. “No, not with you—just in your room, love.” I don’t think about how callous the words sound—insulting—until they’re out of my mouth. Could I be any more of a dick? Thankfully, Sarah doesn’t look offended. “Why here?” she asks. “Back in the day, the religious orders used to give sanctuary to anyone who asked. And since you dress like a nun, it seemed like the logical choice.” I don’t know why I said that. I don’t know what’s wrong with me. Somebody just fucking shoot me and be done with it. Sarah’s lips tighten, her head tilts, and her eyes take on a dangerous glint. I think Scooby-Doo put it best when he said, Ruh-roh. “Let me make sure I’ve got this right—you need my help?” “Correct.” “You need shelter, protection, sanctuary that only I can give?” “Yes.” “And you think teasing me about my clothes is a wise strategy?” I hold up my palms. “I never said I was wise. Exhausted, defenseless, and desperate.” I pout . . . but in a manly kind of way. “Pity me.” A smile tugs at her lips. And that’s when I know she’s done for. With a sigh, she opens the door wide. “Well, it is your castle. Come in.” Huh. She’s right—it is my castle. I really need to start remembering that
Emma Chase (Royally Matched (Royally, #2))
There is no slave in a market: there is no horse in a fair: so shown and offered and examined and paraded, Mother, as I have been, for ten shameful years,’ cried Edith, with a burning brow, and the same bitter emphasis on the one word. ‘Is it not so? Have I been made the bye-word of all kinds of men? Have fools, have profligates, have boys, have dotards, dangled after me, and one by one rejected me, and fallen off, because you were too plain with all your cunning: yes, and too true, with all those false pretences: until we have almost come to be notorious? The licence of look and touch,’ she said, with flashing eyes, ‘have I submitted to it, in half the places of resort upon the map of England? Have I been hawked and vended here and there, until the last grain of self-respect is dead within me, and I loathe myself? Has been my late childhood? I had none before. Do not tell me that I had, tonight of all nights in my life!
Charles Dickens (Dombey and Son)
Crimson flames tied through my ears Rollin' high and mighty traps Pounced with fire on flaming roads Using ideas as my maps "We'll meet on edges, soon," said I Proud 'neath heated brow Ah, but I was so much older then I'm younger than that now Half-wracked prejudice leaped forth "Rip down all hate," I screamed Lies that life is black and white Spoke from my skull. I dreamed Romantic facts of musketeers Foundationed deep somehow [chorus] Girls' faces formed the forward path From phony jealousy To memorizing politics Of ancient history Flung down by corpse evangelists Unthought of, though, somehow [chorus] A self-ordained professor's tongue Too serious to fool Spouted out that liberty Is just equality in school "Equality," I spoke the word As if a wedding vow {chorus] In a soldier's stance, I aim my hand At the mongrel dogs who teach Fearing not that I'd become my enemy In the instant that I preach My pathway led by confusion boats Mutiny from stern to bow [chorus] Yes , my guard stood hard when abstract threats Too noble to neglect Deceived me into thinking I had something to protect Good and bad, I define these terms Quite clear, no doubt, somehow Ah, but I was so much older then I'm younger than that now
Bob Dylan (My Back Pages Sheet Music)
What it like to sail?" she asked. His gaze shifted, and he stared into the distance. "It's freedom. Like riding a powerful horse with a gait like silk. You speed over the waves, carried on the wind, held up over an unknowable depth of water beneath you, with the entire sky above. And that sky is a different color depending on where on earth you are. There are a thousand shades of blue. You can look up and know where you are, just by the color. And the stars at night - there's indescribable beauty in the stars, like a woman's eyes, flashing, shining... And yet, they are tools, enabling navigation, a map to follow..." She stared at his profile as he spoke, at the scars that marred his brow and cheeks, the crooked line of his broken nose, the elegant, aristocratic line of his jaw, half-hidden under the shadow of stubble, and the soft, sensual curve of his mouth. She saw the sea in his eyes, smelled the wind, tasted the salt, and she felt her chest tighten with a longing to sail, to experience speed and adventure. Breathless, she felt the presence of the man in the portrait, the rogue, the bold captain. Her heart twisted as she imagined him in prison, beaten, chained, tormented to madness. He was still a prisoner, trapped inside the cage of his injured flesh, his damaged bones, his memories of unspeakable horrors. What would it take to set him free?
Lecia Cornwall (Beauty and the Highland Beast (Highland Fairy Tales #1))
You are a man of leisure, a sleepwalker, a mollusc. The definitions vary according to the hour of the day, or the day of the week, but the meaning remains clear enough: you do not really feel cut out for living, for doing, for making; you want only to go on, to go on waiting, and to forget. Such an outlook on life is generally not much appreciated in modern times: all around you, all your life, you have seen the esteem in which action is held, and grand designs, and enthusiasm: man straining forward, man with his gaze fixed on the horizon, man looking straight ahead. A clear gaze, a purposeful chin, a confident swagger, stomach held in. Staying power, initiative, strokes of brilliance, success: all of these things map out the too transparent path of a too exemplary existence, constitute the sacrosanct images of the struggle for life. The white lies, the comforting illusions of all those who are running on the spot, sinking deeper into the mire, the lost illusions of the thousands left on society's scrap heap, those who arrived too late, those who put their suitcase down on the pavement and sat on it to wipe their brow. But you no longer need excuses, regrets, nostalgia. You reject nothing, you refuse nothing. You have ceased going forward, but that is because you weren't going forward anyway, you're not setting off again, you have arrived, you can see no reason to go any further.
Georges Perec (Un homme qui dort)
My Back Pages" Crimson flames tied through my ears Rollin' high and mighty traps Pounced with fire on flaming roads Using ideas as my maps "We'll meet on edges, soon," said I Proud 'neath heated brow Ah, but I was so much older then I'm younger than that now. Half-wracked prejudice leaped forth "Rip down all hate," I screamed Lies that life is black and white Spoke from my skull, I dreamed Romantic facts of musketeers Foundationed deep, somehow Ah, but I was so much older then I'm younger than that now. Girls' faces formed the forward path From phony jealousy To memorizing politics Of ancient history Flung down by corpse evangelists Unthought of, though, somehow Ah, but I was so much older then I'm younger than that now. A self-ordained professor's tongue Too serious to fool Spouted out that liberty Is just equality in school "Equality," I spoke their word As if a wedding vow Ah, but I was so much older then I'm younger than that now. In a soldier's stance, I aimed my hand At the mongrel dogs who teach Fearing not I'd become my enemy In the instant that I preach My existence led by confusion boats Mutiny from stern to bow Ah, but I was so much older then I'm younger than that now. Yes, my guard stood hard when abstract threats Too noble to neglect Deceived me into thinking I had something to protect Good and bad, I define these terms Quite clear, no doubt, somehow Ah, but I was so much older then I'm younger than that now. Bob Dylan, Another Side of Bob Dylan (1964)
Bob Dylan (Lyrics, 1962-1985)
You said the parts of Nalnora you’ve seen were a bit overgrown?” Aurora looked amused at my choice of words. “Overgrown is one way to put it. Without knowing any roads or trails from this map, there’s a good chance we’ll be hacking our way through.” Shoshanne furrowed her brow. “I don’t know the land, but I studied eastern plant life at the Order of Pallax, so hopefully that’ll give us something to go off. At the very least, we can probably avoid the carnivorous ones.” I stared at the Aer Mage. “I’m sorry, did you just use the word carnivorous in regards to a plant?” Shoshanne nodded matter of factly. “Well … plants, but yes. There’s many species in the eastern region known for their appetites, but like I said, I studied several of them so hopefully we shouldn’t … you know.” “Get fucking eaten by a plant?” I asked.
Eric Vall (Metal Mage 5 (Metal Mage, #5))
And after all that,” Tisaanah said, “you expect us to go take the Capital, and give you your stolen throne.” I could practically see the gears turning in her head. “I object to that description,” Zeryth said, brushing the crown on his brow. It seemed to sit oddly on his head, like he wasn’t fully comfortable wearing it. “But yes. Of course we are to put down the rebels challenging the rightful line of succession.” “Rebels?” Nura snorted. “You make it sound like we’re talking about a bunch of ragged militiamen. Atrick Aviness has one of the best armies in Ara, perhaps even the world. And I see at least five other old-blood houses on that map of yours.” She was right. Some of the oldest, most powerful districts in Ara were among those marked in red. It was no surprise to me that these would be the families to object most strongly to Zeryth’s reign. For some, the loss of a royal bloodline meant the loss of their own claim to power. But even beyond that, many would oppose on principle alone. Zeryth had gained great power within the Orders, yes, but he had come from nothing. For Aran nobility, a throne held by a nameless bastard would be seen as a threat to their very way of life.
Carissa Broadbent (Children of Fallen Gods (The War of Lost Hearts, #2))
They attempted to steal this map from us.” I looked closer at the map. Different nations had different symbols on them. I realized, slowly, that many of the symbols corresponded with nations that had been attacked. The House of Stone. The House of Reeds. Even Yithara. “What do these mean?” I asked, pointing to the marks that adorned each of those nations. “Even my husband is several hundred years too young to have ever known the true purpose of this map.” Her brow furrowed. “But myths claim that it marks hidden pools of magic, specific places where it is stronger. Or perhaps, where magical artifacts are hidden. The stories vary.” She shook her head. “To be honest, I suspect that they are all more fiction than fact. But I’m not certain how much that matters. All that matters is that the humans are desperate, and they believe it could be true. Even a sliver of a chance is enough to drive them to…“ “Genocide?” Caduan said, quietly. And Athalena was so still, so silent, for such a long moment that I wondered if perhaps she wouldn’t answer. “Heinous things,” she whispered, at last. “Heinous things. The humans that we welcomed into our walls…” Her voice broke. “They murdered one of my children. I heard the screams, and I ran into my daughter’s room to find them pinning her to the ground. There was blood—” Here, she choked, as if her words were too sharp to swallow. Still, she did not lift her eyes from the table. “There was blood everywhere. They cut open her wrists. There were two Wielders, a Valtain and a Solarie, and they were doing some spell, something to— to harness her, to turn my sweet child into something—
Carissa Broadbent (Children of Fallen Gods (The War of Lost Hearts, #2))
She didn’t want to be empty, didn’t want to vanish. She wanted to be whole. She said, “I want to remember you.” An emotion flared in his face. He braced her hips, tugged her closer. His lids were heavy, eyes dark. His mouth was a wet gleam. She didn’t recognize his expression. It was new. She leaned in and drank the newness of him. Their kiss turned savage. She made it so. She felt his teeth, reveled in the sure knowledge that it had never been like this between them. Yet at the same time, she felt each kiss they’d shared before, felt them live inside this one. His mouth left hers, rasping down her neck. He buried his face in her skin. She sought his mouth and found that he tasted different now. She was tasting the taste of her skin on his mouth. Coppery. She dipped her tongue into it again. “Kestrel.” She didn’t answer him. “This is a bad idea.” “No,” she said. “It isn’t.” He pulled away, closed his eyes, and dropped his head to press his brow against her belly. She felt rich with the words he muttered against her nightdress. His mouth burned through the cloth. His chair scraped back. He no longer touched her. “Not like this.” “Yes. Exactly like this.” She tried to find the words to express how this helped, how he somehow mapped the country of herself, showed the ridges, the rise and valley of her very being. “Kestrel, I think that you’re…using me a little.” She stopped, unpleasantly startled. It occurred to her that what he’d said was another version of what she’d been struggling to say. “It’s not, ah, a hardship.” He gave a rueful smile. “It’s not that I don’t want--” She’d never heard him stammer. Even with her untrustworthy memory, she knew this. You’re easy to know, she wanted to say. Memories of him came quickly. It didn’t hurt, not as much as she’d feared before, on the tundra, or in his empty bed. At least, it didn’t hurt anymore. It was better. Better than…other things. A faceless horror. A monster. Inside her. It thickened, grew into a featureless, blunt shape. She wouldn’t touch it. She’d go nowhere near it. Arin had been right, that day when he’d suggested that there was something too horrible for her to remember. “It’s not enough,” he said. It took her a moment to realize he was continuing his refusal and not responding to her thoughts, which were so loud in her head that she felt as if she’d shouted them. She said, “What would be enough?” Color mounted on his face. “You can tell me,” she said. “Ah,” he said. “Well. Me.” “I don’t understand.” “I want…you to want me.” “I do.” He pushed a hand through his rough hair. “I don’t mean this.” He gestured between them, his hand flipping from her to him. “I…” He struggled, knuckled his eyes, and let the words come. “I want you to be mine, wholly mine, your heart, too. I want you to feel the same way.” Her stomach sank. She’d sworn to herself not to lie to him. He read her answer in her eyes. He dimmed, and said nothing either. But he brushed hair from her face, lifting away strands that had caught in her eyelashes and between her lips. His fingertip painted a slow line over her lower lip. She felt it down her spine, in her belly. Then his hand fell away, and she felt alone.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Fuck me. Austin.” Michaels grunted at the first couple inches of penetration. Judge hissed a satisfied, “Yes.” Michaels plunged in until his balls nestled against the soft fur on Judge’s ass. Michaels moaned low, his voice raw and rough. His pace didn’t match his dirty talk. The in and out tempo was slow and easy. Michaels used Judge’s thick shoulder to drive in deeper each time. He angled to the right, his dick had already mapped out Judge’s erogenous zones, and Michaels hit one every time. “Goddamnit,” Judge rumbled, beneath him. “I love you.” Michaels sighed over the moist skin at the base of Judge’s neck. “Do I feel good, babe?” Michaels whispered, his lips moving against Judge’s temple, his tongue licking out to claim the beads of sweat that slid across his brow. “Austin,
A.E. Via (Don't Judge (Nothing Special, #4))
Hard work cannot be avoided. Spritual fruit, like natural fruit, requires the sweat of the brow.
Joe Barnard (The Way Forward: A Road Map of Spiritual Growth for Men in the 21st Century)
Professor Devera isn’t the joking kind. “In the past, riders have seldom been called into service before graduation,” Professor Devera continues, her mouth tensing as she paces slowly in front of a twenty-foot-high map of the Continent mounted to the back wall that’s intricately labeled with our defensive outposts along our borders. Dozens of mage lights illuminate the space, more than making up for the lack of windows and reflecting off the longsword she keeps strapped to her back. “And if they were, they were always third-years who’d spent time shadowing forward wings, but we expect you to graduate with the full knowledge of what we’re up against. It’s not about just knowing where every wing is stationed, either.” She takes her time, making eye contact with every first-year she sees. The rank on her shoulder says captain, but I know she’ll be a major before she leaves her rotation teaching here, given the medals pinned on her chest. “You need to understand the politics of our enemies, the strategies of defending our outposts from constant attack, and have a thorough knowledge of both recent and current battles. If you cannot grasp these basic topics, then you have no business on the back of a dragon.” She arches a black brow a few shades darker than her deep-brown skin.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))