Hate Being Copied Quotes

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The angry men know that this golden age (of fossil fuels) has gone; but they cannot find the words for the constraints they hate. Clutching their copies of Atlas Shrugged, they flail around, accusing those who would impede them of communism, fascism, religiosity, misanthropy, but knowing at heart that these restrictions are driven by something far more repulsive to the unrestrained man: the decencies we owe to other human beings.
George Monbiot
Diane Harper had been sneakily copying, and was making a nurse costume, too, but being Diane, it turned out looking more like a Playboy Bunny without the ears. Alison’s, however, was beautiful.
Robin Klein (Hating Alison Ashley: Australian Children's Classics)
Jen's Mum Will Write Jen's mum writes advertising copy. She specializes in white goods: washing machines, dryers, fridges, freezers, dishwashers. She hates these appliances hulking in corners, power-hungry and fractious. One day, she will have a wood stove, and she'll write about things that matter- she will write about birth and death, about love and the absence of love, about fathers and children, about mothers and daughters, about lovers and friends. She'll write about the whole goddamn wonderful, awful business of loving and being loved
Margaret Wild (Jinx)
Being adopted felt like reading a book that had the first chapter ripped out. You might be enjoying the plot and the characters, but you'd probably also like to read that first line, too. However, when you took the book back to the store to say that the first chapter was missing, they told you they couldn't sell you a replacement copy that was intact. What if you read that first chapter and realized you hated the book, and posted a nasty review on Amazon? What if you hurt the author's feelings? Better just to stick with your partial copy and enjoy the rest of the story.
Jodi Picoult (Handle with Care)
I hate the uneducated and the ignorant. I hate the pompous and the phoney. I hate the jealous and the resentful. I hate the crabbed and mean and the petty. I hate all ordinary dull little people who aren't ashamed of being dull and little.I hate what G.P. calls the New People, the new-class people with their cars and their money and their tellies and their stupid vulgarities and their stupid crawling imitation of the bourgeoisie. I love honesty and freedom and giving. I love making, I love doing. I love being to the full, I love everything which is not sitting and watching and copying and dead at heart.
John Fowles (The Collector)
I don’t know if the other defectors had the same problems, but for me the most difficult part of the program was learning to introduce myself in class. Almost nobody knew how to do this, so the teachers taught us that the first thing you say is your name, age, and hometown. Then you can tell people about your hobbies, your favorite recording artist or movie star, and finally you can talk about “what you want to be in the future.” When I was called on, I froze. I had no idea what a “hobby” was. When it was explained that it was something I did that made me happy, I couldn’t conceive of such a thing. My only goal was supposed to be making the regime happy. And why would anyone care about what “I” wanted to be when I grew up? There was no “I” in North Korea—only “we.” This whole exercise made me uncomfortable and upset. When the teacher saw this, she said, “If that’s too hard, then tell us your favorite color.” Again, I went blank. In North Korea, we are usually taught to memorize everything, and most of the time there is only one correct answer to each question. So when the teacher asked for my favorite color, I thought hard to come up with the “right” answer. I had never been taught to use the “critical thinking” part of my brain, the part that makes reasoned judgments about why one thing seems better than another. The teacher told me, “This isn’t so hard. I’ll go first: My favorite color is pink. Now what’s yours?” “Pink!” I said, relieved that I was finally given the right answer. In South Korea, I learned to hate the question “What do you think?” Who cared what I thought? It took me a long time to start thinking for myself and to understand why my own opinions mattered. But after five years of practicing being free, I know now that my favorite color is spring green and my hobby is reading books and watching documentaries. I’m not copying other people’s answers anymore.
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
I start reading every Elizabeth Wurtzel essay with optimism, like maybe finally she put her talent to writing about something than herself, and by the end of paragraph three that optimism has fled. So maybe you know Wurtzel has written an essay for New York Magazine? Probably you know, because for whatever reason, Wurtzel provokes a deep need in people to talk about how much they hate Wurtzel. So the comments are hundreds deep, Twitter is ablaze, and here I am, writing this blog post. And actually, she reminds me of Mary MacLane. She was a 19-year-old girl who wrote a memoir called I Await the Devil’s Coming in 1901 and it was an instant success. I wrote the introduction to the upcoming reissue, and there I talk about what a deeply interesting book it was. Not only “for its time,” but also it’s just kind of visceral and nasty and snarling, yet elegantly written. I kept thinking about MacLane, after the introduction got handed in and things went off to press. But this time, it wasn’t her writing that interested me, it was the way she never wrote anything very interesting ever again. She got stunted, somehow, winning all of that acclaim for being a young, sour thing. And I wondered if it was the fame that stunted her, because she spent the rest of her career spitting out copies of the memoir that made her famous. And it worked, until it didn’t.
Jenna Crispin
Right up until he looked around at a Bon Iver concert and saw a thousand copies of himself, and realised that he belonged to a group, a group of people who more than any other—at least in theory—hate everything about belonging to a group. He was a hipster. As a hipster he hated hipsters, and especially male hipsters. There was something insubstantial, unmanly, about that dreamy, idealistic striving for the natural, the original, the authentic; about a hipster trying to look like a lumberjack who lived in a log cabin and grew and shot his own food, but who was still an overprotected little boy who thought modern life, quite rightly, had stripped away all his masculinity, leaving him with a feeling of being helpless
Jo Nesbø (Knife (Harry Hole, #12))
The liar is a person who uses the valid designations, the words, in order to make something which is unreal appear to be real. He says, for example, "I am rich," when the proper designation for his condition would be "poor." He misuses fixed conventions by means of arbitrary substitutions or even reversals of names. If he does this in a selfish and moreover harmful manner, society will cease to trust him and will thereby exclude him. What men avoid by excluding the liar is not so much being defrauded as it is being harmed by means of fraud. Thus, even at this stage, what they hate is basically not deception itself, but rather the unpleasant, hated consequences of certain sorts of deception. It is in a similarly restricted sense that man now wants nothing but truth: he desires the pleasant, life-preserving consequences of truth. He is indifferent toward pure knowledge which has no consequences; toward those truths which are possibly harmful and destructive he is even hostilely inclined. And besides, what about these linguistic conventions themselves? Are they perhaps products of knowledge, that is, of the sense of truth? Are designations congruent with things? Is language the adequate expression of all realities? It is only by means of forgetfulness that man can ever reach the point of fancying himself to possess a "truth" of the grade just indicated. If he will not be satisfied with truth in the form of tautology, that is to say, if he will not be content with empty husks, then he will always exchange truths for illusions. What is a word? It is the copy in sound of a nerve stimulus. But the further inference from the nerve stimulus to a cause outside of us is already the result of a false and unjustifiable application of the principle of sufficient reason. If truth alone had been the deciding factor in the genesis of language, and if the standpoint of certainty had been decisive for designations, then how could we still dare to say "the stone is hard," as if "hard" were something otherwise familiar to us, and not merely a totally subjective stimulation! We separate
Friedrich Nietzsche (Ultimate Collection)
1. ‘ I hate people who collect things and classify things and give them names and then forget all about them. That’s what people are always doing in art.They call a painter an impressionist or a cubist or something and then they put him in a drawer and don’t see him as a living individual painter any more. But I can see they’re beautiful arranged.’ 2. ’ Do you know that every great thing in the history of art and every beautiful thing in life is actually what you call nasty or has been caused by feelings that you would call nasty? By passion, by love, by hatred, by truth. Do you know that?... Why do you keep on using these stupid words-nasty, nice, proper, right? Why are you so worried about what’s proper?...why do you take all the life out of life? Why do you kill all the beauty?’ 3. ‘ Because I can’t marry a man to whom I don’t feel I belong in all ways. My mind must be his, my heart must be his, my body must be his. Just as I must feel he belongs to me. ‘ 4.’ The only thing that really matters is feeling and living what you believe-so long as it’s something more than belief in your own comfort.’ 5. 'It’s weird. Uncanny. But there is a sort of relationship between us. I make fun of him, I attack him all the time, but he senses when I’m ‘soft’. When he can dig back and not make me angry. So we slip into teasing states that are almost friendly. It’s partly because I’m so lonely, it’s partly deliberate (I want make him relax, both for his own good and so that one dat he may make a mistake), so it’s part weakness, and part cunning, and part charity. But there’s a mysterious fourth part I can’t define. It can’t be friendship, I loathe him. Perhaps it’s just knowledge. Just knowing a lot about him. And knowing someone automatically makes you feel close to him. Even when you wish he was on another planet.’ 6.’ You must MAKE, always. You must act, if you believe something. Talking about acting is like boasting about pictures you’re going to paint. The most terrible form. If you feel something deeply, you’re not ashamed to show your feeling.’ 7. ‘ The women I’ve loved have always told me I’m selfish. It’s what makes them love me. And then be disgusted with me...But what they can’t stand is that I hate them when they don’t behave in their own way. ‘ 8. ‘ I love honesty and freedom and giving. I love making , I love doing, I love being to the full, I love everything which is not sitting and watching and copying and dead at heart. ‘ 9. ‘ I don’t know what love is...love is something that comes in different clothes, with a different way and different face, and perhaps it takes a long time for you to accept it, to be able to call it love.’ 10. ‘ All this business, it’s bound up with my bossy attitude to life. I’ve always known where I’m going, how I want things to happen. And they have happened as I have wanted, and I have taken it for granted that they have because I know where I’m going. But I have been lucky in all sorts of things. I’ve always tried to happen to life; but it’s time I let life happen to me. ‘ 11. ‘I said, what you love is your own love. It’s not love, it’s selfishness. It’s not me you think of, but what you feel about me.’ 12. ‘ The power of women! I’ve never felt so full of mysterious power. Men are a joke. We’re so weak physically, so helpless with things. Still, even today. But we’re stronger then they are. We can stand their cruelty. They can’t stand ours.
John Fowles
TOTALITARIANISM: People are interested in ants because they think they have managed to create a successful totalitarian system. Certainly, the impression we get from the outside is that everyone in the anthill works, everyone is obedient, everyone is ready to sacrifice themselves and everyone is the same. And for the time being, all human totalitarian systems have failed. That is why we thought of copying social insects (like Napoleon, whose emblem was the bee). The pheromones that flood the anthill with global information have an equivalent in the planetary television of today. There is a widespread belief that if the best is made available to all, one day we will end up with a perfect human race. That is not the way of things. Nature, with all due respect to Mr Darwin, does not evolve in the direction of the supremacy of the best (according to which criteria, anyway?). Nature draws its strength from diversity. It needs all kinds of people, good, bad, mad, desperate, sporty, bed-ridden, hunchbacked, hare-lipped, happy, sad, intelligent, stupid, selfish, generous, small, tall, black, yellow, red and white. It needs all religions, philosophies, fanaticisms and wisdom. The only danger is that any one species may be eliminated by another. In the past, fields of maize artificially designed by men and made up of clones of the best heads (the ones that need least water, are most frost-resistant or produce the best grains) have suddenly succumbed to trivial infections while fields of wild maize made up of several different strains, each with its own peculiar strengths and weaknesses, have always managed to survive epidemics. Nature hates uniformity and loves diversity. It is in this perhaps that its essential genius lies. Edmond Wells Encyclopedia of Relative and Absolute Knowledge
Bernard Werber (Empire of the Ants (La Saga des Fourmis, #1))
You said, Mother, that criticism would help me. But how can it, when it's so contradictory that I don't know whether I've written a promising book or broken all the ten commandments?" cried poor Jo, turning over a heap of notices, the perusal of which filled her with pride and joy one minute, wrath and dismay the next. "This man says, `An exquisite book, full of truth, beauty, and earnestness. All is sweet, pure, and healthy.'" continued the perplexed authoress. "The next, `The theory of the book is bad, full of morbid fancies, spiritualistic ideas, and unnatural characters.' Now, as I had no theory of any kind, don't believe in Spiritualism, and copied my characters from life, I don't see how this critic can be right. Another says, `It's one of the best American novels which has appeared for years.' (I know better than that), and the next asserts that `Though it is original, and written with great force and feeling, it is a dangerous book.' 'Tisn't! Some make fun of it, some overpraise, and nearly all insist that I had a deep theory to expound, when I only wrote it for the pleasure and the money. I wish I'd printed the whole or not at all, for I do hate to be so misjudged." Her family and friends administered comfort and commendation liberally. Yet it was a hard time for sensitive, high-spirited Jo, who meant so well and had apparently done so ill. But it did her good, for those whose opinion had real value gave her the criticism which is an author's best education, and when the first soreness was over, she could laugh at her poor little book, yet believe in it still, and feel herself the wiser and stronger for the buffeting she had received. "Not being a genius, like Keats, it won't kill me," she said stoutly, "and I've got the joke on my side, after all, for the parts that were taken straight out of real life are denounced as impossible and absurd, and the scenes that I made up out of my own silly head are pronounced `charmingly natural, tender, and true'. So I'll comfort myself with that, and when I'm ready, I'll up again and take another.
Louisa May Alcott (Little Women)
Here we introduce the nation's first great communications monopolist, whose reign provides history's first lesson in the power and peril of concentrated control over the flow of information. Western Union's man was one Rutherford B. Hates, an obscure Ohio politician described by a contemporary journalist as "a third rate nonentity." But the firm and its partner newswire, the Associated Press, wanted Hayes in office, for several reasons. Hayes was a close friend of William Henry Smith, a former politician who was now the key political operator at the Associated Press. More generally, since the Civil War, the Republican Party and the telegraph industry had enjoyed a special relationship, in part because much of what were eventually Western Union's lines were built by the Union Army. So making Hayes president was the goal, but how was the telegram in Reid's hand key to achieving it? The media and communications industries are regularly accused of trying to influence politics, but what went on in the 1870s was of a wholly different order from anything we could imagine today. At the time, Western Union was the exclusive owner of the nationwide telegraph network, and the sizable Associated Press was the unique source for "instant" national or European news. (It's later competitor, the United Press, which would be founded on the U.S. Post Office's new telegraph lines, did not yet exist.) The Associated Press took advantage of its economies of scale to produce millions of lines of copy a year and, apart from local news, its product was the mainstay of many American newspapers. With the common law notion of "common carriage" deemed inapplicable, and the latter day concept of "net neutrality" not yet imagined, Western Union carried Associated Press reports exclusively. Working closely with the Republican Party and avowedly Republican papers like The New York Times (the ideal of an unbiased press would not be established for some time, and the minting of the Time's liberal bona fides would take longer still), they did what they could to throw the election to Hayes. It was easy: the AP ran story after story about what an honest man Hayes was, what a good governor he had been, or just whatever he happened to be doing that day. It omitted any scandals related to Hayes, and it declined to run positive stories about his rivals (James Blaine in the primary, Samuel Tilden in the general). But beyond routine favoritism, late that Election Day Western Union offered the Hayes campaign a secret weapon that would come to light only much later. Hayes, far from being the front-runner, had gained the Republican nomination only on the seventh ballot. But as the polls closed his persistence appeared a waste of time, for Tilden, the Democrat, held a clear advantage in the popular vote (by a margin of over 250,000) and seemed headed for victory according to most early returns; by some accounts Hayes privately conceded defeat. But late that night, Reid, the New York Times editor, alerted the Republican Party that the Democrats, despite extensive intimidation of Republican supporters, remained unsure of their victory in the South. The GOP sent some telegrams of its own to the Republican governors in the South with special instructions for manipulating state electoral commissions. As a result the Hayes campaign abruptly claimed victory, resulting in an electoral dispute that would make Bush v. Gore seem a garden party. After a few brutal months, the Democrats relented, allowing Hayes the presidency — in exchange, most historians believe, for the removal of federal troops from the South, effectively ending Reconstruction. The full history of the 1876 election is complex, and the power of th
Tim Wu
if only you could see through my eyes at the life that I've lived and if only you could think through my thoughts & hear every word that was said and seen and how it made me feel as all of those words were forced down my ears and stabbed in my chest were my heart used to be.. then and only then would you know why I hide myself so deep in the dark parts of the abyss that became my home and its the place where I can go where my heart is safe from a world that didn't care if my feelings were hurt or if they loved me for what I'm not or tried to kill me for not being their carbon copy illusion of what they thought was normal and if only you walked along side of me through it all then you would understand my choices & not hate my mistakes.
John Speigle
If I had to choose one book, just based on how many times I reread it…” Her cheeks colored. “Don’t laugh, because I know it’s a cliché choice and a children’s book, but…Charlotte’s Web. The family that lived in our house before us left a copy behind, and it was the only book I owned as a kid. I was obsessed to the point I refused to let my mom kill any spiders in case it was Charlotte.” My grin widened. “That’s fucking adorable.” The pink on her cheeks deepened. “I was young.” “I wasn’t being sarcastic.
Ana Huang (Twisted Hate (Twisted, #3))
I've been convinced for years that the Labour Party were are errand boys for Russians to invade our country and make us submit to sodomy. Surely the BNP were the only people who could save the country from being bummed by some comrade from Moscow. Most of my mad views were backed up by the Daily Mail (our family bible), and, the rare times I was allowed to peek into it, a copy of The Sun.
Matthew Collins (HATE: My Life In The British Far Right)
I sit at my table with The Sun Also Rises open and Mo snoozing beside the typewriter. I put on a bathrobe and slippers and went to the door. It was Brett. Back of her was the count. He was holding a great bunch of roses. I type that. I type the whole chapter and the one after that and the one after that. Do I have a plan? Am I taking notes? I’m working mindlessly, like a chimpanzee. I want Hemingway’s stuff to sink into me by osmosis. But I’m paying attention too. Hemingway’s style is cinematic. He makes you see. I went to the door. It was Brett. Back of her was the count. I’m trying to copy that. When you haul yourself up into the cab of a tractor-trailer, where does your foot go? What grab-handle do you seize? With which hand? Is the metal cold? What do you see as you slide into the driver’s seat? Smell? Hear? What does the instrument panel look like? What do you see through the windshield? What emotions are you feeling? Are you excited? Scared? Bored? Do you hate being here? Do you love it? What does it mean to you? How can I, the writer, reproduce that in you, the reader?
Steven Pressfield (Govt Cheese: A Memoir)
Being a truth-teller set her apart. She had learned the trick from her oldest full sister, Caithness, who was also the least impressed with the pathologies of personality that made up Alasdair Conn. Caithness had been possessed of a sense of honor as quirky as it was unbending, and it had been the death of her. Caitlin suspected that she herself had escaped with only exile in large part because Alasdair considered her Caithness’s smaller, paler shadow-a kind of inferior copy of his admired and hated child.
Elizabeth Bear (Grail (Jacob's Ladder, #3))
The problem with the millenials is that they are deriving 95% of their knowledge from social media posts and content being shown on tv. Kindly refer to the traditional sources ie books by doing the following: 1. Go to the bookstore and buy a copy of Citizenship Act 1955 or download a copy from credible sources such as Westlaw or LexisNexis. 2. Download a copy of the proposed amendment from the same platform and go through every word. Don't read the 1000s of opinion posts on the internet. 3. Educate yourself and relax, no one is coming after your citizenship. This exercise will take 25 minutes of your life. Not only it will stop you from sharing hate posts on social media but also it will make you appear as a literate individual and not a semi literate.
Nitya Prakash
OW: I’ve worked with advertising agencies all my life. In the old days in radio, you worked for them, because they were the boss, not the network. And I have never seen more seedier, about-to-be-fired sad sacks than were responsible for those Paul Masson ads. The agency hated me because I kept trying to improve the copy. HJ: Whoever heard of Paul Masson before you
Peter Biskind (My Lunches with Orson: Conversations between Henry Jaglom and Orson Welles)
Not content simply to accept his speckles, Franklin explained they were better than a polished moral finish. “Something that pretended to be reason was every now and then suggesting to me that such extreme nicety as I exacted of myself might be a kind of foppery in morals, which if it were known would make me ridiculous; that a perfect character might be attended with the inconvenience of being envied and hated; and that a benevolent man should allow a few faults in himself, to keep his friends in countenance.” Yet even as he embraced imperfection—he abandoned his project before the end of the first thirteen-week course—he judged that the mere attempt made him a better and happier man than he would have been otherwise—“as those who aim at perfect writing by imitating the engraved copies, though they never reach the wished for excellence of those copies, their hand is mended by the endeavour.
H.W. Brands (The First American: The Life and Times of Benjamin Franklin)
I kept thinking about my grandfather, and his childhood. By his bed he had always kept the most striking photograph of his mother. She is almost warrior-like in that picture, gazing past the camera towards a place unknown. Piercing eyes, a long neck – taut, like a swan’s – an air of the otherworldly in her stance. I both loved and hated that image, that woman. Her ancestral draw was so extreme that it called to me, siren-like, even through the cheap and flimsy paper that could never dare to capture her on its surface. There is a restlessness to her hands, a hunger in the way she holds herself. Despite the black and white of the print, there is no sense of her being in the shadows. After he died I printed a copy of that picture of my grandfather’s mother and put it up in the bathroom of my flat. A desire came over me to be able to see her when I wanted to, to nurture an odd sense of intimacy with the image of her –
Kerri ní Dochartaigh (Thin Places: A Natural History of Healing and Home)