Brother Look Alike Quotes

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His eyes shone when he looked at her, green as spring grass. He has always had green eyes, said the voice in her head. People often marvel at how much alike you are, he and your mother and yourself. His name is Jonathan and he is your brother; he has always protected you. Somewhere in the back of Clary’s mind she saw black eyes and whip marks, but she didn’t know why. He’s your brother. He’s your brother, and he’s always taken care of you.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Excuse me, Princess.” For a moment, my heart leaped at the soft, deep voice. The voice that could either be Rowan’s or Ash’s, they sounded so much alike. Bracing myself, I turned, but it wasn’t Ash standing there. Thankfully, it wasn’t Rowan, either. It was the other brother, the oldest of the three. Sage. Dammit, he’s gorgeous also. What was with this family, that all the sons were so freaking handsome it hurt to look at them?
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
And the child, Francie Nolan, was of all the Rommelys and all the Nolans. She had the violent weaknesses and passion for beauty of the shanty Nolans. She was a mosaic of her grandmother Rommely's mysticism, her tale-telling, her great belief in everything and her compassion for the weak ones. She had a lot of her grandfather Rommely's cruel will. She had some of her Aunt Evy's talent for mimicking, some of Ruthie Nolan's possessiveness. She had Aunt Sissy's love for life and her love for children. She had Johnny's sentimentality without his good looks. She had all of Katie's soft ways and only half of the invisible steel of Katie. She was made up of all these good and these bad things. She was made up of more, too. She was the books she read in the library. She was the flower in the brown bowl. Part of her life was made from the tree growing rankly in the yard. She was the bitter quarrels she had with her brother whom she loved dearly. She was Kitie's secret, desparing weeping. She was the shame of her father staggering home drunk. She was all of these things and of something more that did not come from the Rommelys nor the Nolans, the reading, the observing, the living from day to day. It was something that had been born into her and her only- the something different from anyone else in the two families. It was what God or whatever is His equivalent puts into each soul that is given life- the one different thing such as that which makes no two fingerprints on the face of the earth alike.
Betty Smith (A Tree Grows in Brooklyn)
When you're the sane brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your hands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the indifference of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap.
Wally Lamb (I Know This Much Is True)
People always ask if Burke and Caelum are brothers because they're both so tall, and neither Michael seems bothered by the question, but it drives me out of my mind because besides the height they look nothing alike. Burke's got blond hair and freckles. Caelum has a mass of dark pubic hair growing out of his head. Plus, how the hell could they be brothers when they have the same first name? That only works if your last one is Foreman.
Tiffanie DeBartolo (How to Kill a Rock Star)
The world is changing, I said. It is no longer a world just for boys and men. Our women are respected here, said the father. We would never let them tramp the world as American women do. There is always someone to look after the Olinka woman. A father. An uncle. A brother or nephew. Do not be offended, Sister Nettie, but our people pity women such as you who are cast out, we know not from where, into a world unknown to you, where you must struggle all alone, for yourself. So I am an object of pity and contempt, I thought, to men and women alike. Furthermore, said Tashi’s father, we are not simpletons. We understand that there are places in the world where women live differently from the way our women do, but we do not approve of this different way for our children. But life is changing, even in Olinka, I said. We are here. He spat on the ground. What are you? Three grownups and two children. In the rainy season some of you will probably die. You people do not last long in our climate. If you do not die, you will be weakened by illness. Oh, yes. We have seen it all before. You Christians come here, try hard to change us, get sick and go back to England, or wherever you come from. Only the trader on the coast remains, and even he is not the same white man, year in and year out. We know because we send him women. Tashi is very intelligent, I said. She could be a teacher. A nurse. She could help the people in the village. There is no place here for a woman to do those things, he said. Then we should leave, I said. Sister Corrine and I. No, no, he said. Teach only the boys? I asked. Yes, he said, as if my question was agreement. There is a way that the men speak to women that reminds me too much of Pa. They listen just long enough to issue instructions. They don’t even look at women when women are speaking. They look at the ground and bend their heads toward the ground. The women also do not “look in a man’s face” as they say. To “look in a man’s face” is a brazen thing to do. They look instead at his feet or his knees.
Alice Walker (The Color Purple)
I have a dream that one day this nation will rise up and live out the true meaning of its creed: We hold these truths to be self-evident, that all men are created equal. ‘I have a dream that one day, on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down to gether at the table of brotherhood – I have a dream. ‘That one day even the state of Mississippi – a state sweltering with the heat of injustice, sweltering with the heat of op pression – will be transformed into an oasis of freedom and justice. I have a dream.’ He had hit a rhythm, and two hundred thousand people felt it sway their souls. It was more than a speech: it was a poem and a canticle and a prayer as deep as the grave. The heartbreaking phrase ‘I have a dream’ came like an amen at the end of each ringing sentence. ‘. . . That my four little children will one day live in a nation where they will not be judged by the colour of their skin but by the content of their character – I have a dream today. ‘I have a dream that one day down in Alabama – with its vicious racists, with its governor having his lips dripping with the words of interposition and nullification – one day right there in Alabama, little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers – I have a dream today. ‘With this faith we will be able to hew, out of the mountain of despair, a stone of hope. ‘With this faith we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. ‘With this faith we will be able to work together, to pray together, to struggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day.’ Looking around, Jasper saw that black and white faces alike were running with tears. Even he felt moved, and he had thought himself immune to this kind of thing. ‘And when this happens; when we allow freedom to ring; when we let it ring from every village and every hamlet, from every state and every city; we will be able to speed up that day when all of God’s children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands . . .’ Here he slowed down, and the crowd was almost silent. King’s voice trembled with the earthquake force of his passion. ‘. . . and sing, in the words of the old Negro spiritual: ‘Free at last! ‘Free at last! ‘Thank God Almighty, we are free at last!
Ken Follett (Edge of Eternity (The Century Trilogy, #3))
No,” Jon Snow said quietly. “It was not courage. This one was dead of fear. You could see it in his eyes, Stark.” Jon’s eyes were a grey so dark they seemed almost black, but there was little they did not see. He was of an age with Robb, but they did not look alike. Jon was slender where Robb was muscular, dark where Robb was fair, graceful and quick where his half-brother was strong and fast.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
The elder boy’s plain white collar, turned down over a closely fitting jacket, made a contrast with his brother’s clothing, but the color and material were the same; the two brothers were otherwise dressed alike, and looked alike. No one could see them without feeling touched by the way in which Louis took care of Marie. There was an almost fatherly look in the older boy’s eyes; and Marie, child though he was, seemed to be full of gratitude to Louis.
Honoré de Balzac (Works of Honore de Balzac)
Gregori’s silver eyes moved over both women, then settled on Shea. “The child must be protected. It is no use appealing to Raven for logic, as she has none, and Mikhail is so besotted with her that he does not see his first duty, so it is up to you. For the sake of all of us, you must protect this child. Do you understand?” She felt ensnared by those molten eyes. She might not fully comprehend his reasons, but she felt his genuine urgency. She nodded. “I’ll watch over her, healer.” “It is not for my sake only, but for humans and Carpathians alike. This child must live, Shea,” he reiterated. “She must.” She felt clearly the warning, the plea from his otherwise damned soul. This child was his only hope. “Gregori,” Mikhail reminded him softly, “if the child is your lifemate, and you do something careless, you are condemning her to death. Keep that in mind when you enter this place of madness.” Gregori’s eyes flashed at his old friend. “Do you think I would chance harming her in any way? I have waited several lifetimes for her. These humans are nothing. They have persecuted our people for far too long. I mean it to stop.” Mikhail nodded, his dark eyes, so like his brother's, black ice. "You are up to this, Jacques?" Jacques' smile was a humorless promis of retaliation. "Have no worries about me. I am looking forward to this." Mikhail sighed. "Two bloodthirsty savages thinking they are in the dark ages." Jacques exchanged a humorless grin with Gregori. "The dark ages were not such a bad time. At least justice could be dispensed easily without worrying about what the women would think." "You both have gone soft," Gregori snickered. "No wonder our people have such problems. The women are ruling, and you two besotted idiots just follow along." Jacques' solid form wavered, became transparent. "We will see who proves to be the soft one, healer." His body completely disappeared from sight. Mikhail glanced at Gregori, shrugged, then followed suit. None of this was to his liking. Gregori was a time bomb waiting to explode. And God only knew what Jacques was capable of.
Christine Feehan (Dark Desire (Dark, #2))
All the same, we should excuse ourselves," Vergil said. "Although I am wondering if the meeting was already well concluded when we intruded." He gave Nathaniel a deep look on the last sentence that made Charlotte's caution prickle. She saw the big brother in him, thinking that a private chat with this man was in order. Bianca still had not picked up the cue. "You are making plans regarding the petitions?" "I trust that a petition came up at some point in the visit," Vergil said dryly. "Correct, Knightridge?" Charlotte wanted to die. "Indeed one did," she said. "Mr. Knightridge is proving to be a great help in the cause." Bianca beamed. "I always knew that the two of you would find common ground in something." "Yes, we have discovered that we think alike in one small area," Nathaniel agreed. Charlotte wanted to hit him. "Indeed," Vergil muttered.
Madeline Hunter (Lady of Sin (Seducers spin-off #2))
When all was set in order, King Epimetheus stepped forward supported by a friend on either side, greeted Prometheus, and spoke to him these well-meant words: “I am heartily sorry for you, Prometheus, my dear brother! But nonetheless take courage, for look, I have a salve here which is a sure remedy for every ill and works wondrously well in heat and in frost, and moreover can be used alike for solace as for punishment.” So saying, he took his staff and tied the box of ointment to it, and reached it carefully and with all due solemnity towards his brother. But as soon as he saw and smelt the ointment, Prometheus turned away his head in disgust. At that the King changed his tone, and shouted and began to read his brother a lesson with great zest: “Of a truth it seems you have need of yet greater punishment, since your present fate does not suffice to teach you.” And as he spoke, he drew a mirror from the folds of his robe, and made everything clear to him from the beginning, and waxed very eloquent and knew all his faults.
C.G. Jung (Collected Works of C. G. Jung, Volume 6: Psychological Types (The Collected Works of C. G. Jung))
He did not consider himself wise, but he could not help knowing that he was more intelligent than his wife or Agafya Mikhailovna, and he could not help knowing that when he thought about death, he thought about it with all the forces of his soul. He also knew that many great masculine minds, whose thoughts about it he had read, had pondered death and yet did not know a hundredth part of what his wife and Agafya Mikhailovna knew about it. Different as these two women were...they were perfectly alike in this. Both unquestionably knew what life was and what death was, and though they would have been unable to answer and would not even have understood the questions that presented themselves to Levin, neither had any doubt about the meaning of this phenomenon and looked at it in exactly the same way, not only between themselves, but sharing this view with millions of other people. The proof that they knew firmly what death was lay in their knowing, without a moment's doubt, how to act with dying people and not being afraid of them. While Levin and others, though they could say a lot about death, obviously did not know, because they were afraid of death and certainly had no idea what needed to be done when people were dying. If Levin had been alone now with his brother Nikolai, he would have looked at him with horror, and would have waited with still greater horror, unable to do anything else.
Leo Tolstoy (Anna Karenina)
These days, the Lowe brothers knew better than to tempt the town’s wrath, but that didn’t stop them from sneaking over the fence in the throes of night, relishing the taste of some reckless thrill. “Do you hear that?” The older one, Hendry Lowe, stood up, brushed the forest floor off his gray T-shirt, and cracked each of his knuckles, one by one. “That’s the sound of rules breaking.” Hendry Lowe was too pretty to worry about rules. His nose was freckled from afternoons napping in sunshine. His dark curls kissed his ears and cheekbones, overgrown from months between haircuts. His clothes smelled sweet from morning pastries often stuffed in his pockets. Hendry Lowe was also too charming to play a villain. The younger brother, Alistair, leapt from the fence and crashed gracelessly to the ground. He didn’t like forgoing the use of magick, because without it he was never very good at anything—even an action as simple as landing. But tonight he had no magick to waste. “Do you hear that?” Alistair echoed, smirking as he rose to his feet. “That’s the sound of bones breaking.” Although the two brothers looked alike, Alistair wore the Lowe features far differently than Hendry. Pale skin from a lifetime spent indoors, eyes the color of cigarette ashes, a widow’s peak as sharp as a blade. He wore a wool sweater in September because he was perpetually cold. He carried the Sunday crossword in his pocket because he was perpetually bored. He was one year younger than Hendry, a good deal more powerful, and a great deal more wicked. Alistair Lowe played the perfect villain. Not because he was instinctively cruel or openly proud, but because, sometimes, he liked to.
Amanda Foody, christine lynn Herman (All of Us Villains (All of Us Villains, #1))
JANUARY 26 Being Kind-I You often say, “I would give, but only to the deserving.” The trees in your orchard say not so, nor the flocks in your pastures. They give that they may live, for to withhold is to perish. —KAHLIL GIBRAN The great and fierce mystic William Blake said, There is no greater act than putting another before you. This speaks to a selfless giving that seems to be at the base of meaningful love. Yet having struggled for a lifetime with letting the needs of others define me, I've come to understand that without the healthiest form of self-love—without honoring the essence of life that this thing called “self” carries, the way a pod carries a seed—putting another before you can result in damaging self-sacrifice and endless codependence. I have in many ways over many years suppressed my own needs and insights in an effort not to disappoint others, even when no one asked me to. This is not unique to me. Somehow, in the course of learning to be good, we have all been asked to wrestle with a false dilemma: being kind to ourselves or being kind to others. In truth, though, being kind to ourselves is a prerequisite to being kind to others. Honoring ourselves is, in fact, the only lasting way to release a truly selfless kindness to others. It is, I believe, as Mencius, the grandson of Confucius, says, that just as water unobstructed will flow downhill, we, given the chance to be what we are, will extend ourselves in kindness. So, the real and lasting practice for each of us is to remove what obstructs us so that we can be who we are, holding nothing back. If we can work toward this kind of authenticity, then the living kindness—the water of compassion—will naturally flow. We do not need discipline to be kind, just an open heart. Center yourself and meditate on the water of compassion that pools in your heart. As you breathe, simply let it flow, without intent, into the air about you. JANUARY 27 Being Kind-II We love what we attend. —MWALIMU IMARA There were two brothers who never got along. One was forever ambushing everything in his path, looking for the next treasure while the first was still in his hand. He swaggered his shield and cursed everything he held. The other brother wandered in the open with very little protection, attending whatever he came upon. He would linger with every leaf and twig and broken stone. He blessed everything he held. This little story suggests that when we dare to move past hiding, a deeper law arises. When we bare our inwardness fully, exposing our strengths and frailties alike, we discover a kinship in all living things, and from this kinship a kindness moves through us and between us. The mystery is that being authentic is the only thing that reveals to us our kinship with life. In this way, we can unfold the opposite of Blake's truth and say, there is no greater act than putting yourself before another. Not before another as in coming first, but rather as in opening yourself before another, exposing your essence before another. Only in being this authentic can real kinship be known and real kindness released. It is why we are moved, even if we won't admit it, when strangers let down and show themselves. It is why we stop to help the wounded and the real. When we put ourselves fully before another, it makes love possible, the way the stubborn land goes soft before the sea. Place a favorite object in front of you, and as you breathe, put yourself fully before it and feel what makes it special to you. As you breathe, meditate on the place in you where that specialness comes from. Keep breathing evenly, and know this specialness as a kinship between you and your favorite object. During your day, take the time to put yourself fully before something that is new to you, and as you breathe, try to feel your kinship to it.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
Korie: Phil and Willie are so much alike. We went to a marriage seminar at our church one time, and Phil and Kay and Jase and Missy were there as well. Each of the couples took a personality test to see if their personalities were compatible. We all laughed because Phil and Willie scored high in the characteristics for having a dominant personality. They were almost identical in a lot of areas, but somewhat different in that Willie was high in the social category as well. I think Willie got that part of his personality from his mother. It’s funny because people look at the Robertsons and think Jase and Phil are just alike, and they are certainly similar in their love for ducks. But when we took the personality test, we saw that Jase’s personality is much more like his mother’s. So I guess it makes sense that Phil and Jase get along so well in the duck blind. They made a good team, just like Phil and Kay do at home. Kay has always said that Willie is a lot like Phil and even calls him “Phil Jr.” at times. While I wouldn’t go that far, I definitely saw the similarities. They both have strong, charismatic personalities. They are both big-picture guys with big ideas and deep beliefs. Whatever either of them is going in life, he does it all the way, and they are both very opinionated, which can sometimes be a challenge. Phil and Willie haven’t always been as close as they are now. As they grew, they recognized the attributes they have in common and learned to value one another’s differences and strengths. Willie says it couldn’t have happened until after he was thirty, though. He needed to grow up and mature, and Phil has gotten more relaxed as he’s gotten older. Willie loves to hunt with his dad and brothers, but there have been times when he’s had a hard time sitting in Phil’s blind. You can only have one leader in the duck blind, only one man who lines up the men and yells, “Cut ‘em!” when it’s time to shoot. Willie and Phil have both always been leaders, whether it’s in the blind or in business.
Willie Robertson (The Duck Commander Family)
Jones, along with the US military attaché in Indonesia, took Subandrio’s advice. He emphasized to Washington that the United States should support the Indonesian military as a more effective, long-term anticommunist strategy. The country of Indonesia couldn’t be simply broken into pieces to slow down the advance of global socialism, so this was a way that the US could work within existing conditions. This strategic shift would begin soon, and would prove very fruitful. But behind the scenes, the CIA boys dreamed up wild schemes. On the softer side, a CIA front called the Congress for Cultural Freedom, which funded literary magazines and fine arts around the world, published and distributed books in Indonesia, such as George Orwell’s Animal Farm and the famous anticommunist collection The God That Failed.33 And the CIA discussed simply murdering Sukarno. The Agency went so far as to identify the “asset” who would kill him, according to Richard M. Bissell, Wisner’s successor as deputy director for plans.34 Instead, the CIA hired pornographic actors, including a very rough Sukarno look-alike, and produced an adult film in a bizarre attempt to destroy his reputation. The Agency boys knew that Sukarno routinely engaged in extramarital affairs. But everyone in Indonesia also knew it. Indonesian elites didn’t shy away from Sukarno’s activities the way the Washington press corps protected philanderers like JFK. Some of Sukarno’s supporters viewed his promiscuity as a sign of his power and masculinity. Others, like Sumiyati and members of the Gerwani Women’s Movement, viewed it as an embarrassing defect. But the CIA thought this was their big chance to expose him. So they got a Hollywood film crew together.35 They wanted to spread the rumor that Sukarno had slept with a beautiful blond flight attendant who worked for the KGB, and was therefore both immoral and compromised. To play the president, the filmmakers (that is, Bing Crosby and his brother Larry) hired a “Hispanic-looking” actor, and put him in heavy makeup to make him look a little more Indonesian. They also wanted him bald, since exposing Sukarno—who always wore a hat—as such might further embarrass him. The idea was to destroy the genuine affection that young Sakono, and Francisca, and millions of other Indonesians, felt for the Founding Father of their country. The thing was never released—not because this was immoral or a bad idea, but because the team couldn’t put together a convincing enough film.36
Vincent Bevins (The Jakarta Method: Washington's Anticommunist Crusade and the Mass Murder Program that Shaped Our World)
but made due west, over softly rolling hills and through well-treed valleys, by green trails sometimes clearly marked, sometimes less defined, but markedly keeping a direct line uphill and down alike, here where the lie of the land was open and the gradients gentle enough for pleasant riding. “An old, old road,” said Cadfael. “It starts from Chester, and makes straight for the head of Conwy’s tidal water, where once, they say, there was a fort the like of Chester. At low tide, if you know the sands, you can ford the river there, but with the tide boats can ply some way beyond.” “And after the river crossing?” asked Mark, attentive and glowing. “Then we climb. To look westward from there, you’d think no track could possibly pass, but pass it does, up and over the mountains, and down at last to the sea.
Ellis Peters (The Summer of the Danes (The Chronicles of Brother Cadfael #18))
That night he dreamed of the feast Ned Stark had thrown when King Robert came to Winterfell. The hall rang with music and laughter, though the cold winds were rising outside. At first it was all wine and roast meat, and Theon was making japes and eyeing the serving girls and having himself a fine time … until he noticed that the room was growing darker. The music did not seem so jolly then; he heard discords and strange silences, and notes that hung in the air bleeding. Suddenly the wine turned bitter in his mouth, and when he looked up from his cup he saw that he was dining with the dead. King Robert sat with his guts spilling out on the table from the great gash in his belly, and Lord Eddard was headless beside him. Corpses lined the benches below, grey-brown flesh sloughing off their bones as they raised their cups to toast, worms crawling in and out of the holes that were their eyes. He knew them, every one; Jory Cassel and Fat Tom, Porther and Cayn and Hullen the master of horse, and all the others who had ridden south to King’s Landing never to return. Mikken and Chayle sat together, one dripping blood and the other water. Benfred Tallhart and his Wild Hares filled most of a table. The miller’s wife was there as well, and Farlen, even the wildling Theon had killed in the wolfswood the day he had saved Bran’s life. But there were others with faces he had never known in life, faces he had seen only in stone. The slim, sad girl who wore a crown of pale blue roses and a white gown spattered with gore could only be Lyanna. Her brother Brandon stood beside her, and their father Lord Rickard just behind. Along the walls figures half-seen moved through the shadows, pale shades with long grim faces. The sight of them sent fear shivering through Theon sharp as a knife. And then the tall doors opened with a crash, and a freezing gale blew down the hall, and Robb came walking out of the night. Grey Wind stalked beside, eyes burning, and man and wolf alike bled from half a hundred savage wounds.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Caroline had an odd habit of matching people she met with their celebrity look-alike. Eliza was a blond Alexis Bledel, post–Gilmore Girls, pre–Traveling Pants. Her brother, Oliver, resembled a taller, darker version of Chris Pine. This guy looked like no one.
Tessa Bailey (Owned by Fate (Serve, #1))
Ben may be a skeptic, but he's curious enough to be at my house Saturday afternoon when Maeve arrives along with her ghost-hunting team. "This is Todd and Evan, who'll handle the technical aspects tonight," she says, introducing the two burly young men who are unloading camera gear from a white van. They are brothers with identical red beards and they look so much alike that I can only tell them apart by their different T-shirts. Evan's is Star Wars, Todd's is Alien. I'm surprised that neither is wearing Ghostbusters. A VW comes up the driveway and parks behind the white van. "And that'll be Kim, our team sensitive," says Maeve. Out of the VW emerges a stick-thin blonde with cheeks so hollow that I wonder if she has recently suffered an illness. She takes a few steps toward us and suddenly stops, staring up at the house. She stands motionless for so long that Ben finally asks, "What's going on with her?" "She's fine," says Maeve. "She's probably just trying to get a feeling for the place and detect any vibrations.
Tess Gerritsen (The Shape of Night)
I get it. I mean, she’s their sister.” “Well, technically she’s only Roman’s sister. They’re brothers by choice, not actually related.” “That makes sense. They don’t really look alike, but they all seem so determined to find Alina, especially Matvey.
Sonja Grey (Paved in Venom (Melnikov Bratva, #2))
Your upbringing must have been the complete opposite of lonely,” she said, “with so many brothers and sisters about.” “You know who I am,” he stated. She nodded. “I didn’t at first.” He walked over to the balustrade and leaned one hip against it, crossing his arms. “What gave me away?” “It was your brother, actually. You looked so alike—” “Even with our masks?” “Even with your masks,” she said with an indulgent smile. “Lady Whistledown writes about you quite often, and she never passes up an opportunity to comment upon how alike you look.” “And do you know which brother I am?” “Benedict,” she replied. “If indeed Lady Whistledown is correct when she says that you are tallest among your brothers.” “You’re quite the detective.” She looked slightly embarrassed. “I merely read a gossip sheet. It makes me no different from the rest of the people here.” Benedict watched her for a moment, wondering if she realized that she’d revealed another clue to the puzzle of her identity. If she’d recognized him only from Whistledown, then she’d not been out in society for long, or perhaps not at all. Either way, she was not one of the many young ladies to whom his mother had introduced him. “What else do you know about me from Whistledown?” he asked, his smile slow and lazy. “Are you fishing for compliments?” she asked, returning the half smile with the vaguest tilt of her lips. “For you must know that the Bridgertons are almost always spared her rapier quill. Lady Whistledown is nearly always complimentary when writing about your family.” “It’s led to quite a bit of speculation about her identity,” he admitted. “Some think she must be a Bridgerton.” “Is she?” He shrugged. “Not that I’m aware of. And you didn’t answer my question.” “Which question was that?” “What you know of me from Whistledown.” She looked surprised. “Are you truly interested?” “If I cannot know anything about you, at least I might know what you know about me.” She smiled, and touched the tip of her index finger to her lower lip in an endearingly absentminded gesture. “Well, let’s see. Last month you won some silly horse race in Hyde Park.” “It wasn’t the least bit silly,” he said with a grin, “and I’m a hundred quid richer for it.” She shot him an arch look. “Horse races are almost always silly.” “Spoken just like a woman,” he muttered. “Well—” “Don’t point out the obvious,” he interrupted. That made her smile. “What else do you know?” he asked. “From Whistledown?” She tapped her finger against her cheek. “You once lopped the head off your sister’s doll.” “And I’m still trying to figure out how she knew about that,” Benedict muttered. “Maybe Lady Whistledown is a Bridgerton, after all.” “Impossible. Not,” he added rather forcefully, “that we’re not smart enough to pull it off. Rather, the rest of the family would be too smart not to figure it out.” -Sophie & Benedict
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
Michael.  They all looked very much alike, really. “Ian –
Abbie Zanders (Having Faith (Callaghan Brothers, #7))
After a universal silence, Leo was the first to speak. “Did anyone else notice--” “Yes,” Catherine said. “What did you make of it?” “I haven’t decided yet.” Leo frowned and took a sip of port. “He’s not someone I would pair Bea with.” “Whom would you pair her with?” “Hanged if I know,” Leo said. “Someone with similar interests. The local veterinarian, perhaps?” “He’s eighty-three years old and deaf,” Catherine said. “They would never argue,” Leo pointed out. Amelia smiled and stirred her tea slowly. “Much as I hate to admit it, I agree with Leo. Not about the veterinarian, but…Beatrix with a soldier? That doesn’t seem a likely match.” “Phelan did resign his commission,” Cam said. “He’s no longer a soldier.” “And if he inherits Riverton,” Amelia mused, “Beatrix would have all that forest to roam…” “I see a likeness between them,” Catherine said reflectively. Leo arched a brow. “How are they alike, pray tell? She likes animals, and he likes to shoot things.” “Beatrix puts a distance between herself and the rest of the world. She’s very engaging, but also quite private in nature. I see the same qualities in Captain Phelan.” “Yes,” Amelia said. “You’re absolutely right, Catherine. Put that way, the match does seem more appropriate.” “I still have reservations,” Leo said. “You always do,” Amelia replied. “If you’ll recall, you objected to Cam in the beginning, but now you’ve accepted him.” “That’s because the more brothers-in-law I acquire,” Leo said, “the better Cam looks by comparison.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
I’m gripping the seat to keep myself still. My older brother, Caleb, stands in the aisle, holding a railing above his head to keep himself steady. We don’t look alike. He has my father’s dark hair and hooked nose and my mother’s green eyes and dimpled cheeks. When he was younger, that collection of features looked strange, but now it suits him. If he wasn’t Abnegation, I’m sure the girls at school would stare at him. He also inherited my mother’s talent for selflessness. He gave his seat to a surly Candor man on the bus without a second thought. The Candor man wears a black suit with a white tie—Candor standard uniform. Their faction values honesty and sees the truth as black and white, so that is what they wear.
Veronica Roth (Divergent (Divergent, #1))
Her body is thin beneath the gray robe. She has high cheekbones and long eyelashes, and when she lets her hair down at night, it hangs in waves over her shoulders. But she must hide that beauty in Abnegation. We walk together to the kitchen. On these mornings when my brother makes breakfast, and my father’s hand skims my hair as he reads the newspaper, and my mother hums as she clears the table—it is on these mornings that I feel guiltiest for wanting to leave them.   The bus stinks of exhaust. Every time it hits a patch of uneven pavement, it jostles me from side to side, even though I’m gripping the seat to keep myself still. My older brother, Caleb, stands in the aisle, holding a railing above his head to keep himself steady. We don’t look alike. He has my father’s dark hair and hooked nose and my mother’s green eyes and dimpled cheeks. When he was younger, that collection of features looked strange, but now it suits him. If he wasn’t Abnegation, I’m sure the girls at school would stare at him.
Veronica Roth (Divergent (Divergent, #1))
Charles ... How much younger I was when I knew you," she whispered to his painted likeness. She looked down at it, trying to find the right words. "I was an impressionable girl and you, a god on a mighty charger, resplendent in officer's dress, all glitter and gold. I was so enamored of you — but I know now that we would never have been happy together. We were too much alike — both too serious, too practical, too … cautious, perhaps. You were right for me then, and I shall never, ever forget you — but it's your brother who's right for me now." She swallowed, hard. "I hope you don't mind what I have done," she added, as she gazed down into those blue, blue eyes. "But I know you wouldn't have wanted me to be unhappy." There
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Pumpkins are just like everything else in nature,” said Papa Bear as he and the cubs finished weeding the pumpkin patch. “No two of them are exactly alike.” “That’s for sure,” agreed Brother Bear. “Look at that funny flat one and that lumpy one over there.” Then there was The Giant, which is what Papa had named one that just seemed to be getting bigger and bigger. “Why is it that no two things are exactly alike?” asked Sister Bear. “It’s just the way nature is,” answered Papa. “Time to wash up for supper!” called Mama Bear from the tree house steps. “What about Queenie McBear’s twin brothers?” asked Sister. “They certainly look a lot alike,” said Papa. “But I’ve noticed that Mrs. McBear can tell them apart quite easily.” “In you go,” said Mama, shooing her family into the house. But Sister didn’t go right in. She stood on the stoop for a moment and looked out over Bear Country. It was well into fall, so the days were getting shorter. Halloween had come and gone. Pretty soon the Bears would start thinking about Christmas. But right now Bear Country was aglow in the setting sun. Farmer Ben’s well-kept farm looked especially fine, with its baled hay, corn shocks, and pumpkins casting long shadows. “I guess nature’s pretty amazing,” Sister said as she looked out over the beautiful scene. “It’s the most amazing thing there is,” said Mama.
Stan Berenstain (The Berenstain Bears and the Prize Pumpkin)
Suddenly, a ball flies through the air and hits Matt on the forehead. He reaches for it and catches it in the air. It’s a little, blue Nerf ball and not something that would hurt him. He squeezes it in his fist. “Very amusing,” he says to the room. “You’re going to corrupt the kids,” one of the twins says. I think it’s Sam, but they look so much alike that I can’t be sure. Then I see the other one is cuddled up with Reagan, so this one must be Sam. “The kids are in the other fucking room, dumbass,” Matt says. He hurls the ball back at Sam. It bounces off his shoulder, and Paul reaches up to pluck it from the air. He throws it back at Sam, where it deflects off his ear. Seth raises a hand tentatively. “I’m a kid, and I’m still here,” he reminds us playfully. Any other time he wouldn’t be caught dead in the kid category. Sam raises his hand, too. “I am, too. You’re going to corrupt me.” He shivers playfully. “All that lovey-dovey shit makes me want to throw up my cupcakes.” He burps loudly and covers his mouth with his closed fist after. “And I worked hard on those cupcakes,” he reminds everyone.
Tammy Falkner (Maybe Matt's Miracle (The Reed Brothers, #4))
Every day I’m grateful that my husband and his brother look exactly alike. It means there’s less of a chance that my husband will find out that our son isn’t his.
Anonymous
The two brothers looked so alike now and their faces seemed to ripple under the weight of powerful emotions. Hatred, love, violence and fear. The crowd stepped back to form a circle, as though they might be caught between falling buildings.
Peadar Ó Guilín (The Volunteer)
Even when you see your husband, wife, brother, or anyone, look at them as though you are seeing them for the first time. Suddenly, you realize that not only does worry not arise, but also that you will start seeing everyone alike – whether they are strangers or familiar to you. That is the right way. No one is familiar or unchanging. Even your wife is not known to you. Everyone is constantly changing every moment along with Existence. Only your mind is trying to make them appear to be permanent.
Paramahamsa Nithyananda
Different as those two women were, Agafea Mihalovna and Katya, as his brother Nikolay had called her, and as Levin particularly liked to call her now, they were quite alike in this. Both knew, without a shade of doubt, what sort of thing life was and what was death, and though neither of them could have answered, and would even not have understood the questions that presented themselves to Levin, both had no doubt of the significance of this event, and were precisely alike in their way of looking at it, which they shared with millions of people. The proof that they knew for a certainty the nature of death lay in the fact that they knew without a second of hesitation how to deal with the dying, and were not frightened of them.
Leo Tolstoy (Anna Karenina)
They may all look alike in the fog, brother, but not under electric light.
Ann Petry (The Narrows)
Whipped or ice cream on your dumplings?" she asked them, once the crust browned and the filling bubbled. She sprinkled additional cinnamon sugar on top. Grace and Cade responded as one, "Ice cream." Cade leaned his elbows on the table, cut her a curious look. "I didn't think we had a thing in common." She gave him a repressive look. "Ice cream doesn't make us friends." Amelia scooped vanilla bean into the bowls with the dumplings. Her smile was small, secret, when she served their dessert, and she commented, "Friendships are born of likes and dislikes. Ice cream is binding." Not as far as Grace was concerned. Cade dug into his dessert. Amelia kept the conversation going. "I bet you're more alike than you realize." Why would that matter? Grace thought. She had no interest in this man. A simultaneous "doubtful" surprised them both. Amelia kept after them, Grace noted, pointing out, "You were both born, grew up, and never left Moonbright." "It's a great town," Cade said. "Family and friends are here." "You're here," Grace emphasized. Amelia patted her arm. "I'm very glad you've stayed. Cade, too. You're equally civic-minded." Grace blinked. We are? "The city council initiated Beautify Moonbright this spring, and you both volunteered." We did? Grace was surprised. Cade scratched his stubbled chin, said, "Mondays, I transport trees and mulch from Wholesale Gardens to grassy medians between roadways. Flower beds were planted along the nature trails to the public park." Grace hadn't realized he was part of the community effort. "I help with the planting. Most Wednesdays." Amelia was thoughtful. "You're both active at the senior center." Cade acknowledged, "I've thrown evening horseshoes against the Benson brothers. Lost. Turned around and beat them at cards." "I've never seen you there," Grace puzzled. "I stop by in the afternoons, drop off large-print library books and set up audio cassettes for those unable to read because of poor eyesight." "There's also Build a Future," Amelia went on to say. "Cade recently hauled scaffolding and worked on the roof at the latest home for single parents. Grace painted the bedrooms in record time." "The Sutter House," they said together. Once again. "Like minds," Amelia mused, as she sipped her sparkling water.
Kate Angell (The Cottage on Pumpkin and Vine)
I once asked my mother why she'd loved my father, and if she'd truly loved him, why she had left. He was my twin, she said. As if that were all the explanation needed to answer both questions. Jude was not my twin. We were not two mirrors. We did not dress alike, could not be easily confused for brother and sister -- though we got looks sometimes, in restaurants. Waitresses trying to guess the dynamic. Father and daughter? Lovers? A student and professor with an inappropriate relationship?
Madelaine Lucas (Thirst for Salt)
Did it matter—she thought, looking at the map—which part of the corpse had been consumed by which type of maggot, by those who gorged themselves or by those who gave the food to other maggots? So long as living flesh was prey to be devoured, did it matter whose stomachs it had gone to fill? There was no way to tell which devastation had been accomplished by the humanitarians and which by undisguised gangsters. There was no way to tell which acts of plunder had been prompted by the charity-lust of the Lawsons and which by the gluttony of Cuffy Meigs—no way to tell which communities had been immolated to feed another community one week closer to starvation and which to provide yachts for the pull-peddlers. Did it matter? Both were alike in fact as they were alike in spirit, both were in need and need was regarded as sole title to property, both were acting in strictest accordance with the same code of morality. Both held the immolation of men as proper and both were achieving it. There wasn’t even any way to tell who were the cannibals and who the victims—the communities that accepted as their rightful due the confiscated clothing or fuel of a town to the east of them, found, next week, their granaries confiscated to feed a town to the west—men had achieved the ideal of the centuries, they were practicing it in unobstructed perfection, they were serving need as their highest ruler, need as first claim upon them, need as their standard of value, as the coin of their realm, as more sacred than right and life. Men had been pushed into a pit where, shouting that man is his brother’s keeper, each was devouring his neighbor and was being devoured by his neighbor’s brother, each was proclaiming the righteousness of the unearned and wondering who was stripping the skin off his back, each was devouring himself, while screaming in terror that some unknowable evil was destroying the earth.
Ayn Rand (Atlas Shrugged)
Archie had been trying not to stare at the brothers. He couldn’t help it. They were obviously brothers; they looked alike as he and Nat, but they obviously liked one another. As if it were an easy thing for one brother to like the other. He understood it was possible not to live in mortal dread of your siblings; he knew his life wasn’t, for a host of reasons, remotely normal. But still, it hurt to see evidence of what might have been simple.
Kate Racculia (Tuesday Mooney Talks to Ghosts)
War and ceasefire There was a war followed by a ceasefire, Swaths of land lay covered in ashes and dead men and women, Beside them lay still unfilled dreams and many a desire, Wherever one looked there appeared no end to them then, Because a country defeated in war, Enters into the state of passive spirit, Where to the victor, spirited men and women of the defeated country appear too few and too far, And they rush to assume this is it, their end, and the end of it! Followed by two immediate actions, Repatriation by the winning side, And reparation by the losing side while dealing with endless sanctions, And behind them their lost spirits hide, But as years pass by and time grows older, The defeated side realises the losses it suffered, The men it lost, and the women who fought in ways bolder, And the living ones, the paying ones, look at their spirits battered, And they hear echoes from the past, Few calling a mother, few a father, many a brother, a sister and a lost lover, And then the ship of agony and pain hoists its broad mast, And the left one, the still and forever paying one, is forced to become an avenger, Because he/she misses the person to whom these echoes belong, He/she struggles to deal with the past that haunts him/her in the present, And to deal with this belligerent self, he/she hums the firebird’s song, And finally with hatred and lament he/she is pregnant, And when the feeling is born, The defeated spirit rises from the ashes, And begins to sew together the feelings that lie scattered on the ground, mutilated and torn, With these feelings of hatred and vengeance now his/her spirit gushes, The silent ground that had been the graveyard of dreams and desires, Suddenly turns into a war zone once again, So those who say peace can be brokered are cynical liars, Because one who is dead can never be brought back again, And thus the battle between revenge and avenging deaths enters a new phase, Where the defeated side now fearlessly marches forth, Because it has nothing to lose now it has no more ghosts to chase, And thus is born the one who loves romancing the sun, the killer moth, And it stings all alike, and it flies freely everywhere, Until both sides accept defeat, Then they begin to dig graves to bury a hope here, a wish there, and someone’s desire somewhere, And somewhere lies the lover who his/her beloved could not meet, And then is born the curse of unfulfilled wishes, desires, hopes and life’s darling affairs, Now both sides lie in ruin because there is no ground left to bury the dead, And the sound of echoes keeps growing and the ground turns wet with tears, It is then the spirit forsakes them all, because genuine valour does not reside in places where courage on death is fed, And as time grows older there are no more bold men and women left, Because it is a diabolic ground where only echoes from the past haunt all, Where all are victims of a different kind of theft, That of humanity’s actual fall!
Javid Ahmad Tak (They Loved in 2075!)
When you’re the sane brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your hands—the little inconvenience of the look-alike corpse at your feet. And if you’re into both survival of the fittest and being your brother’s keeper—if you’ve promised your dying mother—then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman’s gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the indifference of random selection. Take it from a godless insomniac. Take it from the uncrazy twin—the guy who beat the biochemical rap.
Wally Lamb (I Know This Much Is True)
Four other old folk emerged one by one to join their brother. All five siblings wore cheap polyester clothes, and standing in a group they looked very much alike. They differed only in their heights, like the fingers of a single hand.
Yu Hua (The Seventh Day)
My own brother,” he gasped. “Here us is, got the same mama and papa. Look just alike. And there you is, ain’t got hep yet that you been beat. You has been swindled, man. You has been taken by The Blow. They take you for your money and they blow. You catch on? Changing tens into hundreds. What happened to your brains? You been drinking embalming fluid?
Chester Himes (A Rage in Harlem (Harlem Detectives Book 1))
She and Holly had come into the bathroom together and they both opened their mouths in surprise. Casey jumped and then looked at me. My mind went blank. I thought no one ever used this bathroom. That’s what Casey had said. Or maybe today was our unlucky day. Casey and I looked at each other, then we looked at Ronnie and Holly. I had to think quickly on my feet. “You misheard, Ronnie,” I said, “she said we’re like twins. You know, because we look alike.” “That’s not what you said,” Holly said. “Ali’s right,” Casey said. “It’s what I meant. How would we be twins? We have different parents. I mean it is a coincidence that we look alike but that doesn’t mean anything.” Casey was rambling, but it seemed to work. The girls quickly lost interest and turned to the mirrors to fix their hair. They started talking among themselves about the fair on the weekend, while Casey and I slipped out the door. The first morning bell rang as we entered the hallway. “Wow! That was close!” Casey exclaimed. “I know. I really don’t want anyone to know about us being sisters until I tell my parents. I’m not sure how they’d find out from any of the kids at school but I’d feel better if I told them in case they do hear it from someone else.” “I totally get that,” Casey said. “I promise not to say anything to anyone. Let me know if you want me to come with you to talk to them, though. Like I said, I had such a great time with them this weekend. They really are lovely people. And they’re such great cooks!” I smiled. I was so lucky to have them in my life. But I was luckier to have a twin sister and a little brother now as well. I wished we could go home early and I could get this over with. But that wasn’t possible. I’d have to wait.
Katrina Kahler (TWINS : Part One - Books 1, 2 & 3: Books for Girls 9 - 12 (Twins Series))
Brothers and we still don’t look much alike. An old cop and an old reporter. There used to be four of us Becker boys. Raised some hell. Just three now.
T. Jefferson Parker (California Girl)