Brisbane Love Quotes

We've searched our database for all the quotes and captions related to Brisbane Love. Here they are! All 31 of them:

It is possible to be in love with you just because of who you are.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
I fell for her in summer, my lovely summer girl, From summer she is made, my lovely summer girl, I’d love to spend a winter with my lovely summer girl, But I’m never warm enough for my lovely summer girl, It’s summer when she smiles, I’m laughing like a child, It’s the summer of our lives; we’ll contain it for a while She holds the heat, the breeze of summer in the circle of her hand I’d be happy with this summer if it’s all we ever had.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
To Grace, these were the things that mattered: my hands on her cheeks, my lips on her mouth. The fleeting touches that meant I loved her.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
She loved all the wolves behind her house, but she loved one of them most of all. And this one loved her back. He loved her back so hard that even the things that weren't special about her became special: the way she tapped her pencil on her teeth, the off-key songs she sang in the shower, how when she kissed him he knew it meant for ever. Hers was a memory made up of snapshots: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying goodbye behind a cracked windshield. A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam's smile. It was a life I didn't want to leave behind. It was a life I didn't want to forget. I wasn't done with it yet. There was so much more to say.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Once upon a time, there was a girl named Grace Brisbane. There was nothing particularly special about her, except that she was good with numbers, and very good at lying, and she made her home in between the pages of books. She loved all the wolves behind her house, but she love one of them most of all.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
He'd only been gone two seconds, but the room got brighter when they were together, as if they were two elements that became brilliant in proximity. At Sam's clumsy efforts to carry the vacuum, Grace smiled a new smile that I thought only he ever got, and he shot her a withering look full of the sort of subtext you could only get from a lot of conversations whispered after dark. It made me think of Isabel, back at her house. We didn't have what Sam and Grace had. We weren't even close to having it. I didn't think what we had could get to this, even if you gave it a thousand years.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Again and Again, however, we know the language of love, and the little churchyard with its lamenting names and the staggeringly secret abyss in which others find their end: again and again the two of us go out under the ancient trees, make our bed again and again between the flowers, face to face with the skies
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Once upon a time, there was a girl named Grace Brisbane. There was nothing particularly special about her, except that she was good with numbers, and very good at lying, and she made her home in between the pages of books. She loved all the wolves behind her house, but she loved one of them most of all. And this one loved her back. He loved her back so hard that even the things that weren’t special about her became special: the way she tapped her pencil on her teeth, the off-key songs she sang in the shower, how when she kissed him he knew it meant forever.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
He pushed my back against the stall door, kissing me. Edward had tried kissing me, but I'd been so shocked I'd barely had time to explore how it felt. Lucy had told me stories of shady corners and sweaty palms. But this was passionate. Wild. Something I'd never known. "Have you kissed a girl before?" I whispered. He ran his thumb over my cheek. His eyes lingered on my lips. "Yes," he said. I thought of Alice, her pretty blonde hair, the split lip that made her so vulnerable. But it wasn't her name he said. "A woman at the docks in Brisbane. She didn't mean anything. I was lonely. It wasn't love." A prostitute, he meant.
Megan Shepherd (The Madman's Daughter (The Madman's Daughter, #1))
I wore no jewels save the pendant Brisbane had given me with its secret code—the code that had given me my first inkling that he loved me. It had not been so very long since he had given it to me, a year only; twelve leaves of the calendar torn away, a few dozen weeks from then to now. But how much change that year had wrought!
Deanna Raybourn (Midsummer Night (Lady Julia Grey, #3.5))
Then, just as we were to leave on a whirlwind honeymoon in the beautiful Pacific Northwest, a call came from Australia. Steve’s friend John Stainton had word that a big croc had been frequenting areas too close to civilization, and someone had been taking potshots at him. “It’s a big one, Stevo, maybe fourteen or fifteen feet,” John said over the phone. “I hate to catch you right at this moment, but they’re going to kill him unless he gets relocated.” John was one of Australia’s award-winning documentary filmmakers. He and Steve had met in the late 1980s, when Steve would help John shoot commercials that required a zoo animal like a lizard or a turtle. But their friendship did not really take off until 1990, when an Australian beer company hired John to film a tricky shot involving a crocodile. He called Steve. “They want a bloke to toss a coldie to another bloke, but a croc comes out of the water and snatches at it. The guy grabs the beer right in front of the croc’s jaws. You think that’s doable?” “Sure, mate, no problem at all,” Steve said with his usual confidence. “Only one thing, it has to be my hand in front of the croc.” John agreed. He journeyed up to the zoo to film the commercial. It was the first time he had seen Steve on his own turf, and he was impressed. He was even more impressed when the croc shoot went off flawlessly. Monty, the saltwater crocodile, lay partially submerged in his pool. An actor fetched a coldie from the esky and tossed it toward Steve. As Steve’s hand went above Monty’s head, the crocodile lunged upward in a food response. On film it looked like the croc was about to snatch the can--which Steve caught right in front of his jaws. John was extremely impressed. As he left the zoo after completing the commercial shoot, Steve gave him a collection of VHS tapes. Steve had shot the videotapes himself. The raw footage came from Steve simply propping his camera in a tree, or jamming it into the mud, and filming himself single-handedly catching crocs. John watched the tapes when he got home to Brisbane. He told me later that what he saw was unbelievable. “It was three hours of captivating film and I watched it straight through, twice,” John recalled to me. “It was Steve. The camera loved him.” He rang up his contacts in television and explained that he had a hot property. The programmers couldn’t use Steve’s original VHS footage, but one of them had a better idea. He gave John the green light to shoot his own documentary of Steve. That led to John Stainton’s call to Oregon on the eve of our honeymoon. “I know it’s not the best timing, mate,” John said, “but we could take a crew and film a documentary of you rescuing this crocodile.” Steve turned to me. Honeymoon or crocodile? For him, it wasn’t much of a quandary. But what about me?” “Let’s go,” I replied.
Terri Irwin (Steve & Me)
And you, Ivanhoe,' Skaggs said, 'intend to find her and fetch her home?' 'I do intend to find her. If she is at the ends of the earth, I shall find her. And to stay with her forever if she'll allow me.' Duff stared in admiration: the ends of the earth. He had never heard anyone but a priest use that phrase. He felt a wave of love for Ben, and suddenly saw his chance. 'I'll come along with you,' he said, practically shouting, he was so excited. 'West.' Ben smiled, and clasped Duff's hand, thumb hooked to thumb. 'Wait, wait, wait...' It had fallen to Skaggs, of all people, to challenge their quest on practical grounds. 'How shall you possibly find her? She has been two weeks on the road already. They might be anywheres between Ohio and the desert.' 'We shall obtain from Mr. Brisbane a copy of his little guide,' Ben said, 'and follow it like a map from east to west. The only question is our fastest route. Speed is paramount.' Skaggs saw that his friend would not be deterred. 'Well, a steamboat to Albany, railways to Buffalo, then a steamer across Lake Erie. It sickens me even to describe the route. But you could be in Cleveland before the end of the week.' He paused. 'I cannot believe that I am describing a speedy arrival in Cleveland as a desirable thing.
Kurt Andersen (Heyday)
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tradition and Edie couldn’t be happier about it. The inn had been Paul’s idea, but she’d taken to it with gusto. With each month that passed after they arrived in the north, Edie had embraced a new aspect of their adventure. She’d worked with the architect they’d found in Brisbane to put together the best possible design. She’d selected every paint colour, each item of furniture, and the eclectic decorative items that were scattered over tables, buffets, mantles, and hung on walls. As it all came together, she’d embraced it, learned to love it in a way she hadn’t imagined she could. Keith loved it there as well. He spent much of each day traipsing through the sand to build sandcastles or cubbies. They’d bought him a book on botany and bird life for his last birthday, and she often found him sitting with it in his lap as he studied a bird or plant in front of him. He’d become a precocious, intelligent, and curious little boy, and being with him made her heart sing. Seeing their little family seated around the small dining table she’d set up in the kitchen, often brought a lump to her throat. They’d done the impossible, created a life out of the remnants evil had left them. And they were happy. Guests milled about behind them in the sitting room. The smell of apple cider filled the air. Paul had insisted she make it for the guests, though she’d assured him that a hot Australian Christmas didn’t need apple cider, it required
Lilly Mirren (One Summer in Italy (Waratah Inn #2))
When it was over, no one clapped or said a word. It seemed as if those sweet notes were still drifting around the room. “That was lovely, Sayeh. Thank you for sharing your beautiful voice with us,” Mrs. Brisbane said. I wish she’d speak that way to me someday. Nice. Encouraging. Friendly. Anyway, the tricks continued. And after A.J. told a few riddles, Mrs. Brisbane looked around the circle and said, “Did I miss anyone?” This was the moment I’d been waiting for. No one had noticed, but the night before, I had sneaked one of Aldo’s white dusting cloths into my sleeping hut. I had to act quickly. I pulled out the cloth and crawled under so it completely covered me. Then I stood up and began to shout like I’d never shouted before. “Trick or squeak!” I cried. “Trick or squeak!” Miranda noticed first. “Look!” she yelled. “It’s Humphrey!” I wish I could have seen the faces of my classmates, but it was DARK-DARK-DARK under the cloth. I could hear them, though. First there were gasps, then giggles, then shouts of “Look!” and “Humphrey’s a ghost!” I continued to squeak my heart out until I heard Mrs. Brisbane’s firm footsteps coming toward my cage. “Who did this?” she asked. “Who put that on Humphrey?” No one answered, of course. Not even me. “He could suffocate under that,” she said. “But he looks so cute,” Heidi called out. Mrs. Brisbane didn’t answer. She just said, “Will someone please uncover him?” Golden-Miranda opened the cage door and whisked the cloth away. “Humphrey, you are a riot,” she said. Only a riot? Let’s be honest here: I was a smash hit! Then the room mothers served up cupcakes with orange icing and cups of apple juice, and my classmates played games. Just before the bell rang, Mrs. Brisbane clapped her hands and made an announcement. “Mrs. Hopper and Mrs. Patel and I have consulted
Betty G. Birney (The World According to Humphrey)
Once upon a time, there was a girl named Grace Brisbane. There was nothing particularly special about her, except that she was good with numbers, and very good at lying, and she made her home in between the pages of books. She loved all the wolves behind her house, but she loved one most of all. And this one loved her back. He loved her back so hard that even the things that weren't special about her became special: the way she tapped her pencil on her teeth, the off-key songs she sang in the shower, how when she kissed him he knew it meant forever. Hers was a memory made up of snapshots: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying good-bye behind a cracked windshield. A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam's smile. It was a life I didn't want to leave behind. It was a life I didn't want to forget. I wasn't done with it yet. There was so much more to say.
Maggie Stiefvater
Once upon a time, there was a girl named Grace Brisbane. There was nothing particularly special about her, except that she was good with numbers, and very good at lying, and she made her home in between the pages of books. She loved all the wolves behind her house, but she loved one of them most of all. And this one loved her back. He loved her back so hard that even the things that weren’t special about her became special: the way she tapped her pencil on her teeth, the off-key songs she sang in the shower, how when she kissed him he knew it meant forever. Hers was a memory made up of snapshots: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying good-bye behind a cracked windshield. A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam’s smile. It was a life I didn’t want to leave behind. It was a life I didn’t want to forget. I wasn’t done with it yet. There was so much more to say.
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
Once upon a time, there was a girl named Grace Brisbane. There was nothing particularly special about her, except that she was good with numbers, and very good at lying, and she made her home in between the pages of books. She loved all the wolves behind her house, but she loved one of them the most. And this one loved her back. He loved her back so hard that even the things that weren't special about her became special: the way she tapped her pencil on her teeth, the off-key songs she sang in the shower, how when she kissed him he knew it meant forever. Hers was a memory made up of snapshots: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying good-bye behind a cracked windshield. A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam's smile. It was a life I didn't want to leave behind. It was a life I didn't want to forget. I wasn't done with it yet. There was so much more to say.
Maggie Steifvater
Idling the dinghy, bringing it quietly in closer and closer to the croc, Steve would finally make his move. He’d creep to the front of the boat and hold the spotlight until the last moment. Then he would leap into the water. Grabbing the crocodile around the scruff of the neck, he would secure its tail between his legs and wrap his body around the thrashing creature. Crocodiles are amazingly strong in the water. Even a six-foot-long subadult would easily take Steve to the bottom of the river, rolling and fighting, trying to dislodge him by scraping against the rocks and snags at the bottom of the river. But Steve would hang on. He knew he could push off the bottom, reach the surface for air, flip the crocodile into his dinghy, and pin the snapping animal down. “Piece of cake,” he said. That was the most incredible story I had ever heard. And Steve was the most incredible man I had ever seen--catching crocodiles by hand to save their lives? This was just unreal. I had an overwhelming sensation. I wanted to build a big campfire, sit down with Steve next to it, and hear his stories all night long. I didn’t want them to ever end. But eventually the tour was over, and I felt I just had to talk to this man. Steve had a broad, easy smile and the biggest hands I had ever seen. I could tell by his stature and stride that he was accustomed to hard work. I saw a series of small scars on the sides of his face and down his arms. He came up and, with a broad Australian accent, said, “G’day, mate.” Uh-oh, I thought. I’m in trouble. I’d never, ever believed in love at first sight. But I had the strangest, most overwhelming feeling that it was destiny that took me into that little wildlife park that day. Steve started talking to me as if we’d known each other all our lives. I interrupted only to have my friend Lori take a picture of us, and the moment I first met Steve was forever captured. I told him about my wildlife rescue work with cougars in Oregon. He told me about his work with crocodiles. The tour was long over, and the zoo was about to close, but we kept talking. Finally I could hear Lori honking her horn in the car park. “I have to go,” I said to Steve, managing a grim smile. I felt a connection as I never had before, and I was about to leave, never to see him again. “Why do you love cougars so much?” he asked, walking me toward the park’s front gate. I had to think for a beat. There were many reasons. “I think it’s how they can actually kill with their mouths,” I finally said. “They can conquer an animal several times their size, grab it in their jaws, and kill it instantly by snapping its neck.” Steve grinned. I hadn’t realized how similar we really were. “That’s what I love about crocodiles,” he said. “They are the most powerful apex predators.” Apex predators. Meaning both cougars and crocs were at the top of the food chain. On opposite sides of the world, this man and I had somehow formed the same interest, the same passion. At the zoo entrance I could see Lori and her friends in the car, anxious to get going back to Brisbane. “Call the zoo if you’re ever here again,” Steve said. “I’d really like to see you again.” Could it be that he felt the same way I did? As we drove back to Brisbane, I was quiet, contemplative. I had no idea how I would accomplish it, but I was determined to figure out a way to see him. The next weekend, Lori was going diving with a friend, and I took a chance and called Steve. “What do you reckon, could I come back for the weekend?” I asked. “Absolutely. I’ll take care of everything,” came Steve’s reply.
Terri Irwin (Steve & Me)
That evening he put me up at the Glasshouse Mountains Motel, a few miles from the zoo. Steve was very chivalrous. I met his parents and had dinner with the whole family. I also got my first taste of Australian humor. That night at dinner, I poured myself what I thought was a nice glass of juice. The entire Irwin family sat quiet and straight-faced. As I took a big swig, it nearly choked me. That’s when I learned about cordial, which is supposed to be mixed with water. I had poured it full strength. We all had a good laugh. The next night Steve and I went to dinner in Caloundra, a nearby town. He took me to a resort that featured an all-you-can-eat buffet dinner--seafood banquet, my favorite. I loaded my plate high with prawns, crab, oysters, and everything I loved. I didn’t know it then, but Steve was a bit worried that I was going to eat more than he did. At one point a little piece of crab flicked onto the crook of my arm. I deftly reached down with my tongue and managed to grab it off my elbow and eat it. Suddenly I felt self-conscious. Steve was staring at me. He looked at me with such love in his eyes, and I thought, He’s going to say something wonderful. Steve leaned forward and said affectionately, “ Gosh, you aren’t ladylike at all.” I burst out laughing. Apparently I’d done the right thing. I reflected back on my dad’s advice: No matter what, always be yourself. And it sure had worked. As we left the restaurant, Steve said, “You know, I smell ducks.” We walked outside, and sure enough, there was a flock of beautiful ducks bobbing around on a pond. “Steve, you are the most amazing bushman I’ve ever met,” I said. Of course, the resort and the pond had been there for years, and Steve had known about the ducks for just as long. “I smell ducks” was a Crocodile Dundee trick that had nevertheless worked its magic on this naïve American girl. And then, suddenly, the weekend was over. Steve drove me back down to Brisbane. I had the biggest ache in my heart. I had fallen hard. As we said good-bye, he put his arms around me for the first time, and I felt all his strength and warmth in that embrace. But it was over. I was going back to my side of the world. I had no idea if I would ever see Steve Irwin again.
Terri Irwin (Steve & Me)
All of our savings were consumed in the effort to bring my dog over. Steve loved Sui so much that he understood completely why it was worth it to me. The process took forever, and I spent my days tangled in red tape. I despaired. I loved my life and I loved the zoo, but there were times during that desperate first winter when it seemed we were fighting a losing battle. Then our documentaries started to air on Australian television. The first one, on the Cattle Creek croc rescue, caused a minor stir. There was more interest in the zoo, and more excitement about Steve as a personality. We hurried to do more films with John Stainton. As those hit the airwaves, it felt like a slow-motion thunderclap. Croc Hunter fever began to take hold. The shows did well in Sydney, even better in Melbourne, and absolutely fabulous in Brisbane, where they beat out a long-running number one show, the first program to do so. I believe we struck a chord among Australians because Steve wasn’t a manufactured TV personality. He actually did head out into the bush to catch crocodiles. He ran a zoo. He wore khakis. Among all the people of the world, Australians have a fine sense of the genuine. Steve was the real deal. Although the first documentary was popular and we were continuing to film more, it would be years before we would see any financial gain from our film work. But Steve sat down with me one evening to talk about what we would do if all our grand plans ever came to fruition. “When we start to make a quid out of Crocodile Hunter,” he said, “we need to have a plan.” That evening, we made an agreement that would form the foundation of our marriage in regard to our working life together. Any money we made out of Crocodile Hunter--whether it was through documentaries, toys, or T-shirts (we barely dared to imagine that our future would hold spin-offs such as books and movies)--would go right back into conservation. We would earn a wage from working at the zoo like everybody else. But everything we earned outside of it would go toward helping wildlife, 100 percent. That was our deal. As a result of the documentaries, our zoo business turned from a trickle to a steady stream. Only months earlier, a big day to us might have been $650 in total receipts. When we did $3,500 worth of business one Sunday, and then the next Sunday upped that record to bring in $4,500, we knew our little business was taking off. Things were going so well that it was a total shock when I received a stern notice from the Australian immigration authorities. Suddenly it appeared that not only was it going to be a challenge to bring Shasta and Malina to my new home of Australia, I was encountering problems with my own immigration too. Just when Steve and I had made our first tentative steps to build a wonderful life together, it looked as though it could all come tumbling down.
Terri Irwin (Steve & Me)
We believed Harriet had been collected in 1835 by Charles Darwin himself. She was brought to Australia from England in 1841 by Captain Wickham aboard the HMS Beagle. Actually, three giant Galapagos tortoises had been donated to the Brisbane Botanic Gardens, after Darwin realized they did not flourish in England, where he had originally taken them in 1835. How could we determine whether Harriet was one of the Darwin Three? Scott Thomson found a giant tortoise in the collection of the Queensland Museum that had been mislabeled an Aldabran tortoise. Carved on the carapace was the animal’s name. “Tom,” and “1929.” We now had potentially found two of the three Darwin tortoises. Harriet and Tom had been seen together in living memory. The third tortoise was never found and was presumed buried somewhere in the botanic gardens. Harriet lived on. Steve and I became very excited at this news. Our studies and research into Harriet’s history continued for years, and it was amazing to learn what a special resident we had at the zoo. Despite her impressive background, Harriet remained attractively modest. She had a sweet personality like a little dog. She loved hibiscus flowers, and certain veggies were her favorites. Steve carried on a practice that his parents had implemented: Whatever you feed animals should be good enough for you to eat. Thus Harriet got the most beautiful mustard greens, kale, eggplant, zucchinis, and even roses. In return, Harriet gave zoo visitors a rare chance to watch her keepers cuddle and scratch one of the grandest creatures on earth. She was the oldest living chelonian and the only living creature to have met Charles Darwin and traveled aboard the Beagle. And she gave us all something else, too--a lesson in how to live a long life. Don’t worry too much. Take it easy. Stop and munch the flowers. It was a lesson Steve noted and understood but could never quite take to heart. He was a meteor. Harriet was more of a mountain. In this world, we need both.
Terri Irwin (Steve & Me)
One evening Steve and I didn’t feel like cooking, and we had ordered a pizza. I noticed that I was a bit leaky, but when you are enormously pregnant, all kinds of weird things happen with your body. I didn’t pay any particular attention. The next day I called the hospital. “You should come right in,” the nurse told me over the phone. Steve was fairly nearby, on the Gold Coast south of Brisbane, filming bull sharks. I won’t bother him, I thought. I’ll just go in for a quick checkup. “If everything checks out okay,” I told them at the hospital, “I’ll just head back.” The nurse looked to see if I was serious. She laughed. “You’re not going anywhere,” she said. “You’re having a baby.” I called Steve. He came up from the Gold Coast as quickly as he could, after losing his car keys, not remembering where he parked, and forgetting which way home was in his excitement. When he arrived at the hospital, I saw that he had brought the whole camera crew with him. John was just as flustered as anyone but suggested we film the event. “It’s okay with me,” Steve said. I was in no mood to argue. I didn’t care if a spaceship landed on the hospital. Each contraction took every bit of my attention. When they finally wheeled me into the delivery room at about eight o’clock that night, I was so tired I didn’t know how I could go on. Steve proved to be a great coach. He encouraged me as though it were a footy game. “You can do it, babe,” he yelled. “Come on, push!” At 9:46 p.m., a little head appeared. Steve was beside himself with excitement. I was in a fog, but I clearly remember the joy on his face. He helped turn and lift the baby out. I heard both Steve and doctor announce simultaneously, “It’s a girl.” Six pounds and two ounces of little baby girl. She was early but she was fine. All pink and perfect. Steve cut the umbilical cord and cradled her, gazing down at his newborn daughter. “Look, she’s our little Bindi.” She was named after a crocodile at the zoo, and it also fit that the word “bindi” was Aboriginal for “young girl.” Here was our own young girl, our little Bindi. I smiled up at Steve. “Bindi Sue,” I said, after his beloved dog, Sui. Steve gently handed her to me. We both looked down at her in utter amazement. He suddenly scooped her up in the towels and blankets and bolted off. “I’ve got a baby girl!” he yelled, as he headed down the hall. The doctor and midwives were still attending to me. After a while, one of the midwives said nervously, “So, is he coming back?” I just laughed. I knew what Steve was doing. He was showing off his beautiful baby girl to the whole maternity ward, even though each and every new parent had their own bundle of joy. Steve was such a proud parent. He came back and laid Bindi beside me. I said, “I couldn’t have done it if you hadn’t been here.” “Yes, you could have.” “No, I really needed you here.” Once again, I had that overwhelming feeling that as long as we were together, everything would be safe and wonderful. I watched Bindi as she stared intently at her daddy with dark, piercing eyes. He gazed back at her and smiled, tears rolling down his cheeks, with such great love for his new daughter. The world had a brand-new wildlife warrior.
Terri Irwin (Steve & Me)
But this month is all about CITY OF JASMINE which I hope you already have in your hot little hands. My favorite review snippet? KIRKUS REVIEWS said it’s “part screwball comedy”. I can’t tell you how much time I spent with Carole Lombard and William Powell and Irene Dunne when I was writing it. I adore the 30s comedies for their light-hearted take on relationships and adventure—and the glamorous settings and occasional dash of intrigue only heighten the magic. (Did you know that Nicholas Brisbane from my Lady Julia series was named for THE THIN MAN’s Nick Charles? And apologies to Dashiell Hammett, but I fell in love with the film long before I read the book and appreciated how much it had been lightened in the adaptation!) So when you’re reading CITY OF JASMINE, give some thought to who you’d like to see playing Evie and Gabriel—I’d love to hear who you’d cast in your own production.
Deanna Raybourn
Brisbane had arrived! I had not seen him for nearly two months, and I was not prepared to wait a minute more. I fairly flew down the long drive, heedless of the stones cutting through my thin slippers. I had intended to walk to the village, but no sooner had I passed through the gates of the Abbey than I spied him crossing a field of young wheat, his hand brushing the top of the budding ears. I stopped, my heart rushing so quickly I thought it would fly right out of my chest. I opened my mouth, and found I could not speak. I could only stare at this magnificent figure of a man—a man who loved me just as I was, for all my foibles and faults, and I nearly choked with gratitude. There was something holy in that moment, and this is not a word I use lightly. I do not look for God within stone walls or listen for him in spoken scripture. But in that moment, some divine kindness settled over us, and it was that moment that I felt truly married to him. I stepped forward and opened my mouth again, but before I could call his name he jerked his head up, looking straight at me. I do not know if it was his second sight that told him I was there—the legacy of his Gypsy mother—but he looked at me and I saw him catch his breath before a smile stole over his face and he broke into a run. He caught me hard against him and the kiss we shared would have shamed the devil. When we spoke it was quickly, words tumbling over each other as we clung together. “I missed you,” I told him, and one ebony brow quirked up in response. “Really? I did not notice,” he said, casually removing my hand from inside his shirt. “I do not much care for your gadding about without me,” I told him. “I didn’t even know where you were.” “Paris,” he said promptly. “Wrapping up a counterfeiting case.” “To your satisfaction?” “Entirely, although it is not half as satisfying as this,” he added, applying himself to a demonstration of his affections. We broke apart, breathless and disheveled after a moment. “God, I have missed you,” he said, his voice rough in my ear.
Deanna Raybourn (Midsummer Night (Lady Julia Grey, #3.5))
And yours? What is your opinion? Truly?” She turned to face me, her green eyes brilliant in the lamplight. “Would it matter?” “No. I love him and, damn the world, I will have him.” She grinned. “Good girl. And since my opinion doesn’t matter, I give it freely: Brisbane is worth twenty Marches and dearer to me than most of my own brothers. If you do not marry him, I will do so myself, simply to keep him in the family.” I turned away quickly. “Are you weeping?” she asked. “Don’t be absurd.” My voice was muffled and I swallowed, blinking furiously. “I have a cinder in my eye.” Portia dropped a swift kiss to my cheek. “Happiness is within your grasp now, pet. Hang onto it, and do not let it go, whatever you do.
Deanna Raybourn (Midsummer Night (Lady Julia Grey, #3.5))
The windows had been thrown open to the summer breezes, and as Brisbane pressed me down onto the bed, I smelled the roses at the casement surrendering their perfume at the end of the long day. He put his hands through my hair and the lavender wreath, broken to bits by the exertions of dancing, scattered like so much confetti across the sheets. What followed...well, there are words to describe such a thing, but they are known only to poets. I believed I loved him before that night; I believed I understood what passes between a man and a woman before that night. I believed I knew all there was of intimacy and pleasure and passion and perfect satisfaction. I was wrong. I went into the room the woman I had always been, but I emerged the next day exactly as Marigold had described—a new creation. I mourned the loss of the beautiful pale violet corset Brisbane had destroyed in his haste, but it was the only casualty of his loss of control, and as I stared mournfully at the shreds of French lace, I marvelled that I had driven him to take it apart with his bare hands. There was power in him, but gentleness as well, and he had given me both.
Deanna Raybourn (Midsummer Night (Lady Julia Grey, #3.5))
I was born near Sydney, Australia, a long time ago. A lovely young woman named Dawn married me in 1972 and we were blessed with three wonderful sons – Daniel, Ben and Nathan. Sometime during the 1980s Dawn suggested I write a short story for the three boys, so each lunchbreak I would sit in my car and write and each night I would type what I had written. This was a very different challenge to the journalism I had been trained in as a reporter on a New South Wales country newspaper. When a chapter was completed I would read it to the family and their enthusiasm would encourage me to keep writing (the fact that Daniel, Ben and Nathan were also the starring characters may have strengthened their support!). The short story became a novel which was released in 1989 as “The Fortress of Migdol”. The feedback I received was very positive, and to my pleasant surprise this came from all ages and both genders. These positive responses, as well as our belief that the story had something worth sharing, eventually sparked the idea of giving it a new and more effective distribution. I took the opportunity to rework a lot of the writing and even added whole new events that brought greater depth and breadth to the world of Eldengard and its themes. Finally, after somehow ending up twenty thousand words longer, the new version was finished. “Dewthor and the Fortress of Migdol” was ready to leave home. Dawn and I live in the small bayside community of Woody Point, just north of Brisbane in Queensland, Australia. We have been married for 40 years and our three sons are now in their 30s.
P.J. Hartnett (Dewthor and the fortress of Migdol)
Brisbane said nothing for a long moment. Then he spoke, his voice resolved. “I will tell Morgan the Apiary cannot be. I will keep to private enquiry work. It isn’t much safer but it will keep me closer to home, I suspect. And we will need a bigger house than Mrs. Lawson’s in Half Moon. I will tell her we rescind the offer, and we’ll start looking for lodgings tomorrow.” “No,” I said firmly. “No?” One handsome black brow quirked upward. “No. We must begin as we mean to go on. We are neither of us happy without purposeful work, and we shall have it. There will be those to care for him when we are not there, and he will learn the value of a job well done from both of us. We will move into Half Moon Street as we planned, and you will work with Morgan to form the Vespiary,” I said, stressing the correction. He smiled. “And what will you do? You will never be happy with teething biscuits and silver spoons.” “No more than you,” I agreed. “But I will do as I have done. I will organise our household because, let us be frank, my love, I am better at it than you. I will work with you on cases that interest me. I will advise on the Vespiary when you think I can be useful. I will have my photography. And we will have...” I hesitated then said it for the first time and with ringing conviction, “our son.” He looked down at the sleeping boy. “Our son,” he said, and in his voice was a note of wonder.
Deanna Raybourn (Twelfth Night (Lady Julia Grey, #5.6))
Brisbane’s nature tended towards the serious, but there was a graveness to his manner that told me he was speaking entirely from his heart. “I would like to work with Morgan. On a regular footing.” Sir Morgan Fielding. Secret advisor to the Prime Minister, my distant cousin, and Brisbane’s sometime employer in activities that could only be termed espionage . “You have given this a great deal of thought,” I temporised. “I have.” He began to walk, pulling me slowly along, his hand covering mine. “The threat in Germany grows. I don’t know how long we have, but something is stirring, something ugly and dangerous. Morgan is worried, too. He is in Berlin now.” ---- “Morgan is not terribly trusting at the best of times, even of us.” “But you want to work for him.” “With him,” he corrected . “Times are changing, and we both believe that the methods that have been used in the past will no longer serve. It’s time to create a new agency with new operatives, young minds that can be trained properly to sleuth out information and pass it back to London.” “You have thought this through,” I said, a trifle tartly. “I suppose it even has a name.” “Morgan likes the notion of the industriousness of bees. He was thinking of calling it the Apiary.” I thought a moment then shook my head. “No. Call it the Vespiary. After a nest of wasps. They have a more ferocious sting. If we are going to take on Germany, let them know we mean it.” He stopped, openmouthed. “You’re serious. You raise no objection.” “To what? You taking on dangerous work? You’ve done that since before I knew you. It was half the reason I fell in love with you, I expect. I could no more ask you to give up your work than I could hold back the tides. It is the stuff of which you are made.” He embraced me then, and when he drew back, my lips were tingling in the cold. “There’s something else,” he said. “Tell me.” “Morgan and I shall want your help.” It was my turn to stare, mouth agape. “You mean it?” “I do. You bungle into my cases with no method or order, and yet you have the instincts of a bloodhound. You understand people and what drives them. The Apiary will have need of people like you.” I pressed a kiss to his cheek. “The Vespiary,” I corrected. He grinned. “We shall see.” Just then he cocked his head. “And I would like to go up to the nursery and see the child.” I smiled in return.
Deanna Raybourn (Twelfth Night (Lady Julia Grey, #5.6))
My sister’s voice pierced the lovely morning hush of the bedchamber with all the delicacy of a gong. I reached out one finger to poke my husband’s naked shoulder. “Brisbane. Portia is here.” He heaved a sigh into the eiderdown. “You’re dreaming. Portia wouldn’t dare.” “Wouldn’t I?” she asked. “And, Julia, this is the first time I’ve seen your husband entirely unclothed. May I offer my congratulations?” With a violent oath, Brisbane flung himself under the bedclothes. “Modest as a virgin, I see,” Portia remarked. “Julia, I’m still counting. Silently. I’ve reached seven. Are you awake yet?” I flapped a hand at her but didn’t raise my head. “Eight.” Brisbane’s voice was muffled but distinct. “If you don’t leave this room, Portia, I will toss you out the nearest window. If memory serves, it’s forty feet down, and I won’t be gentle.” Portia clucked her tongue. “How high will you count?” “I won’t,” he told her flatly. He sat up, bedclothes pooling about his waist, grim determination etched on his face. Portia backed up swiftly. “Very well. But do hurry, both of you. You’re terribly late for the Revels rehearsal and two of our sisters have resorted to fisticuffs. Oddly, not the two you would think.” I sat bolt upright, and Portia winced. “For God’s sake, Julia, have a little shame and put your breasts away.
Deanna Raybourn (Twelfth Night (Lady Julia Grey, #5.6))