Brides Smile Quotes

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The groom always smiles proudly because he's convinced he's accomplished something quite wonderful. The bride smiles because she's been able to convince him of it.
Judith McNaught (A Kingdom of Dreams (Westmoreland, #1))
It was always so hot, and everyone was so polite, and everything was all surface but underneath it was like a bomb waiting to go off. I always felt that way about the South, that beneath the smiles and southern hospitality and politeness were a lot of guns and liquor and secrets.
James McBride (The Color of Water: A Black Man's Tribute to His White Mother)
My Beth,” he whispered, his breath hot on her swollen lips. “Thank you.” “For what?” Beth couldn’t stop crying, but she smiled, her face aching with it. “Setting me free.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.
Margaret Atwood (The Robber Bride)
It had taken him by surprise when the bride had asked him. Why would she want him in her wedding? And that’s exactly what he’d asked her. She’d smiled up at him, those big, brown wild dog eyes of hers making him feel all protective of her, and then she’d told him, “Because, dude, you’re our karaoke king, and we worship at your altar.
Shelly Laurenston (The Mane Attraction (Pride, #3))
This is why fairy tales are dangerous: their words sneak into your veins and travel into the chambers of your heart, where they whisper of your exceptionalism. They say: Ah, but remember the boy who walked into the woods and came out a king? Oh, but what of the girl who was kicked and slept in ashes? Remember the man who was only kind and so life bent around the shape of his smile? But we are not exceptional.
Roshani Chokshi (The Last Tale of the Flower Bride)
As Patron-Sponser, I am charged with..."-he pasued and consulted the notes-"adding a sense of royal cachet to proceedings today." He waited while a ripple of conversation ran around the room. Nobody was quite sure what adding a sense of royal cachet really meant. But everyone agreed that it sounded impressive indeed. Lady Pauline's mouth twitched in a smile and she looked down at the table. Halt found something of vast interest in the ceiling beams high above. Duncan continued. My second duty is..."-again he consulted his notes to make sure he had the wording correct-"to provide an extremly expensive present to the bride and groom..." Lady Pualine's head jerked at that. She leaned forward and turned to make eye contact with Lord Anthony. The Chamberlain met her gaze, his face completely devoid of expression. Then, very slowly, one eyelid slid down in a wink. He liked Lady Pauline and Halt a great deal and he'd added that duty without consulting them.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
I give you now Professor Twist The conscientious scientist. Trustees exclaimed, “He never bungles” And sent him off to distant jungles. Camped on a tropic riverside One day he missed his lovely bride. She had, the guide informed him later, Been eaten by an alligator. Professor Twist could not but smile. You mean,” he said “a crocodile.!
Ogden Nash
When she looked at herself in her wedding photographs, Ammu felt the woman that looked back at her was someone else. A foolish jewelled bride. Her silk sunset-coloured sari shot with gold. Rings on every finger. White dots of sandalwood paste over her arched eye-brows. Looking at herself like this, Ammu's soft mouth would twist into a small, bitter smile at the memory - not of the wedding itself so much as the fact that she had permitted herself to be so painstakingly decorated before being led to the gallows. It seemed so absurd. So futile. Like polishing firewood.
Arundhati Roy (The God of Small Things)
I never smiled much." His voice was a low purr in the shadows. "Don't be silly," she replied, taking a step closer to the next portrait--and farther away from him. "You smile all the time." "At you," he conceded, "with you, because of you.
Olivia Parker (At the Bride Hunt Ball (Devine & Friends, #1))
I'll tell you what's wrong!" he roared, "I'm trying to quit smoking!" Then he strode angrily to the truck, leaving her standing there. She blinked her eyes, and slowly a smile stretched her lips. She strolled to the truck and got in. "So, are you homicidal or merely as irritable as a wounded buffalo?" "About halfway in between," he said through clenched teeth. "Anything I can do to help?" His eyes were narrow and intense. "It isn't just the cigarettes. Take off your panties and lock your legs around me, and I'll show you.
Linda Howard (Duncan's Bride (Patterson-Cannon Family, #1))
you are as fleetingly beautiful as a mother’s tears and a father’s pranks a brother’s bachelorhood and a best friend’s bad mood a bride’s glittering jitters and a handsome stranger’s smile.
Sanober Khan (Turquoise Silence)
Coming forward with a placating smile, Win handed him a piece of paper. "Of course we would never want to force you into a loveless marriage, dear. But we have put together a list of prospective brides, all of them lovely girls. Won't you take a glance and see if any of them appeals to you?" Deciding to humor her, Leo looked down at the list. "Marietta Newbury?" "Yes," Amelia said. "What's wrong with her?" "I don't like her teeth." "What about Isabella Charrington?" "I don't like her mother." "Lady Blossom Tremaine?" "I don't like her name." "Oh, for heaven's sake, Leo, that's not her fault." "I don't care. I can't have a wife named Blossom. Every night I would feel as if I were calling in one of the cows." Leo lifted his gaze heavenward. "I might as well marry the first woman off the street. Why, I'd be better off with Marks." Everyone was silent.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Jericho? You're smiling." "I am?" He stroked her cheek again. Warm tingles coursed through her, and instinctively, she followed his touch a second time. His smile widened. "I must be happy." (...) "You're quite handsome when you're happy." Jericho trailed one finger under her chin. "I'll make a note of your preference.
Karen Witemeyer (A Tailor-Made Bride)
I know you loved us all, in your own way. Magdalena for her brilliance, Alexi for his loveliness. But I was your war bride, your faithful Constanta, and you loved me for my will to survive. You coaxed that tenacity out of me and broke it down in your hands, leaving me on your work table like a desiccated doll until you were ready to repair me. You filled me with your loving guidance, stitched up my seams with thread in your favorite color, taught me how to walk and talk and smile in whatever way pleased you best. I was so happy to be your marionette, at first. So happy to be chosen.
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
He unlaced his arms and took a step forward. "You hurt?" "Not badly." She tried to smile, but her lips only curved on one side. "My main problem is that I'm stuck to a cactus." (...) "How'd you manage to get tangled up with a cactus?" J.T. crouched beside her and started extricating her from the prickly plant. "Well, believe it or not, I was on my way to apologize to you when a prairie-dog hole jumped up and grabbed my shoe heel.
Karen Witemeyer (A Tailor-Made Bride)
The difference was that the white man in the South spoke his hatred in clear, clean, concise terms, whereas the white man in the new country hid his hatred behind stories of wisdom and bravado, with false smiles of sincerity and stories of Jesus Christ and other nonsense that he tossed about like confetti in the Pottstown parade.
James McBride (The Heaven & Earth Grocery Store)
This was the Hart Eleanor had known years ago, the one she'd agreed without hesitation to marry. He'd had the body of a god, a smile that melted her heart, a sinful glint in his eyes that had been just for her and her alone.
Jennifer Ashley (The Duke's Perfect Wife (MacKenzies & McBrides, #4))
Her smile displayed a raw, natural beauty that caught Potts off guard. The woman, he thought, was all good handwriting.
James McBride (Deacon King Kong)
Fury wagged his tail and smiled wickedly, then tried to look up Bride’s dress. Vane caught him quickly by the neck. “Stop!” he snarled mentally to Fury. “Or I’ll rip your head off.” Bride frowned at them. “Don’t you like my wolf?” “Yeah,” Van said, patting him roughly on the head. “He’s my new best friend.” “I’m your only friend, dickhead.” Vane balled his fist in the wolf’s fur as a warning to him. “You know you have to be firm with wolves. Let them know who the alpha is.” “Your father?” Vane smacked Fury’s head. “Ow!”
Sherrilyn Kenyon (Night Play (Dark-Hunter, #5; Were-Hunter, #1))
Hi, my name is Ashley, and I’ll be your Harbinger today. I will be acting as an interim instructor for all your necromancy needs.” She flashed her best stewardess smile and gave a little Vanna wave. “Ashley, as delighted as I am to meet you, don’t you think it might be hard to teach me? I’m in a cage that you can’t get into. Oh, and—” I grabbed the bars with both hands, “I’m a little distracted right now by the fact that I’m being held by a psychotic killer.” Ashley cocked a single eyebrow, a look of mild amusement on her face. “Geez,” she said, looking at Brid. “Is he always this big of a drama queen?
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
Her whole body shivered and her face fell apart like a bride’s pie crust. She put it together again slowly, as if lifting a great weight, by sheer will power. The smile came back, with a couple of corners badly bent.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
My point is that a leaf knows it’s important at all moments of its life, even when its broken. People always forget that a rough day, a bad year, doesn’t equal a bad life.
Amber McBride (We Are All So Good at Smiling)
Even a King wishes to be loved for Himself, not for the gifts He bestows." He smiled at me. "If you do not enjoy being with Me now, why do you believe you will enjoy My company for eternity?" He smiled at me. "The pursuer wants to be pursued also." --- Jesus
Anna Rountree (The Priestly Bride)
The smile, the look, tugged at Eleanor's heart. Even in the fleeting glance, she'd seen great love in Ian's eyes, his determination to finish this letter and send it to Beth so she could enjoy decoding it. A way to tell her sweet nothings that no one else could understand. Private thoughts, shared between husband and wife.
Jennifer Ashley (The Duke's Perfect Wife (MacKenzies & McBrides, #4))
I Dwelt alone In a world of moan, And my soul was a stagnant tide, Till the fair and gentle Eulalie became my blushing bride- Till the yellow-haired young Eulalie became my smiling bride Ah, less-less bright The stars of night Than the eyes of the radiant girl! And never a flake That the vapor can make With the moon-tints of purple and pearl, Can vie with the modest Eulalie's most unregarded curl- Can vie compare with the bright-eyed Eulalie's most humble and careless curl Now Doubt-now Pain Come never again, For her soul gives me sigh for sigh, And all day long Shine, bright and strong, Astarte within the sky, While ever to her dear Eulalie upturns her matron eye- While ever to her young Eulalie upturns her violet eye.
Edgar Allan Poe
Love isn't a smiling bride who holds a colorful bouquet and gazes lovingly at her husband; it's a corpse-littered battlefield where the walking wounded have to keep searching for survivors or die themselves.
Gary A. Braunbeck (In Silent Graves (Cedar Hill #1))
She tugged warningly on his shirt. "I am serious! Are you going to marry me, Sean? Finally?" He smiled, and the light of his smile filled his eyes. "Damn it, Elle! Will you not let me take the lead? Ladies do not propose marriage!" ~Sean O'Neill & Eleanor de Warenne
Brenda Joyce (The Stolen Bride (deWarenne Dynasty, #6))
Beth stared at the bowl, a fragile piece of the past, such a delicate object in Ian’s large, blunt fingers. “Are you certain?” “Of course I’m certain.” His frown returned. “Do you not want it?” “I do want it,” Beth said hastily. She held her hands out for it. “I’m honored.” The frown faded, to be replaced by a slight quirk of his lips. “Is it better than a new carriage and horses and a dozen frocks?” “What are you talking about? It’s a hundred times better.” “It’s only a bowl.” “It’s special to you, and you gave it to me.” Beth took it carefully and smiled at the dragons chasing one another in eternal determination. “It’s the best gift in the world.” Ian took it gently back from her and replaced it in its slot. That made sense; in here it would stay safe and unbroken. But the kiss Ian gave her after that was anything but sensible. It was wicked and bruising, and she had no idea why he smiled so triumphantly.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
In that moment he realized that all the experience of thirty-two years in the NYPD and all the formal police training in the world was useless when the smile of someone you suddenly care about finds the bow that wraps your heart and undoes it.
James McBride (Deacon King Kong)
Nodding, Parker ate. “He’s an exceptional kisser.” “He really is. He . . . How do you know?” When Parker just smiled, Emma’s jaw dropped. “You? You and Jack? When? How?” “I think it’s disgusting,” Mac muttered. “Yet another best pal moving on my imaginary ex.” “Two kisses, my first year at Yale, after we ran into each other at a party and he walked me back to the dorm. It was nice. Very nice. But as exceptional a kisser as he is, it was too much like kissing my brother. And as exceptional a kisser as I am, I believe he felt it was too much like kissing his sister. And that’s how we left it. I gather that wasn’t an issue for you and Jack.
Nora Roberts (Bed of Roses (Bride Quartet, #2))
On the whole she fares better with the men, if they can work their way past the awkward preliminaries; if they can avoid calling her "little lady," or saying they weren't expecting her to be so feminine, by which they mean short. Though only the most doddering ones do that any more. If she weren't so tiny, though, she'd never get away with it. If she were six feet tall and built like a blockhouse; if she had hips. Then she'd be threatening, then she'd be an Amazon. It's the incongruity that grants her permission. A breath would blow you away, they beam down at her silently. You wish, thinks Tony, smiling up. Many have blown.
Margaret Atwood (The Robber Bride)
Buttercup dried her tears and began to smile. She took a deep breath, heaved a sigh. It was all part of growing up. You got these little quick passions, you blinked, and they were gone. You forgave faults, found perfection, fell madly; then the next day the sun came up and it was over. Chalk it up to experience, old girl, and get on with the morning.
William Goldman (The Princess Bride)
Sometimes we hate her,” Laurel said, then smiled at Parker. “But it’s a hare based on love.
Nora Roberts (Happy Ever After (Bride Quartet, #4))
You be the flood--- I'll be your boat.
Amber McBride (We Are All So Good at Smiling)
I always felt that way about the South, that beneath the smiles and southern hospitality and politeness were a lot of guns and liquor and secrets
James McBride (The Color of Water)
Shelby handed off her bouquet and faced Luke, taking both his hands in hers. And she began: “Luke, I love you. I promise that each day I have you in my life, I will show you my love.” Noah's eyes drifted to Ellie's and a smile played about his lips as the bride and groom spoke. “Shelby, I love you. In each day of our lives together, I will show my love. And where there is injury, I will pardon without hesitation.” “Where there is doubt, Luke, I will have faith in you.” “In times of despair, you will be my hope.” “In times of darkness, I will find my light in you.” “When there is sadness, let me bring you joy.” “Luke, I will not so much seek to be consoled as to console.” “I will seek to understand, not just to be understood.” “I will love, not just crave love.” “I pledge you my heart, my life.” “And I pledge mine to you.” “I, Luke Riordan, take you, Shelby MacIntyre, to be wife, my best friend, my lover, my partner, the head of my family and other half of my heart. Forever.” He slid a ring on her finger. Shelby slid a ring onto his finger. “I, Shelby MacIntyre, take you, Luke Riordan, to be my husband, best friend, lover, partner, head of my family and other half of my heart. Forever.
Robyn Carr (Forbidden Falls (Virgin River, #8))
Below is a conversation between Jorg and his new bride. "The Prince of Arrow has a much bigger army than you," Miana said. No "Your Highness" no "My Lord." "Yes, he does." I kept waving to the crowd, the big smile on my face. "He's going to win, isn't he?" she said. She looked twelve but she didn't sound twelve. "How old are you?" I asked, a quick glance down at her, still waving. "Twelve." Damn.
Mark Lawrence (King of Thorns (Broken Empire, #2))
And when they asked us where we were from, we exchanged glances and smiled with the shyness of child brides. They said, Africa? We nodded yes. What part of Africa? We smiled. Is it that part where vultures wait for famished children to die? We smiled. Where the life expectancy is thirty-five years? We smiled? Is is there where dissidents shove AK-47s between women's legs? We smiled. Where people run about naked? We smiled. That part where they massacred each other? We smiled. Is it where the old president rigged the election and people were tortured and killed and a whole bunch of them put in prison and all, there where they are dying of cholera - oh my God, yes, we've seen your country; it's been on the news.
NoViolet Bulawayo (We Need New Names)
Amelia stopped before him, her skirts crowded between his parted knees. The clean, salty, evergreen scent of him drifted to her nostrils. “I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in." "Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.” Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”—she paused with a quick, abashed smile—“whatever that is.” “My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base. “When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him . . . I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle. “Yes, love?” "I would think,” she continued,” ‘Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Steel squared her shoulders. "Ladies, and gentlemen, are are no' at home to Mr Fuckup today. Who are we no' at home to?" The response wasn't much more than an embarrassed murmur. "Mr Fuckup." "I CAN'T HEAR YOU! WHO ARE WE NO' AT HOME TO?" Better this time: "Mr Fuckup." "ONE MORE TIME!" They bellowed it out: "WE ARE NOT AT HOME TO MR FUCKUP!" "Damn right we're no'." She smiled, nodded. "Now get out there and catch me those bloody killers.
Stuart MacBride (Close to the Bone (Logan McRae, #8))
Can we get on with this?" Father Laggan cried out. "In the name of the Father…" "I'm inviting my aunt Millicent and uncle Herbert to come for a visit, Iain, and I'm not going through the council to get permission first." "… and of the Son," the priest continued in a much louder voice. "She'll be wanting King John next," Duncan predicted. "We can't allow that, lass," Owen muttered. "Please join hands now and concentrate on this ceremony," Father Laggan shouted, trying to gain everyone's attention. "I don't want King John to come here," Judith argued. She turned to frown at Owen for making such a shameful suggestion. "I want my aunt and uncle. I'm getting them, too." She turned and had to peek around Graham in order to look up at Iain. "Yes or no, Iain." "We'll see. Graham, I'm marrying Judith, not you. Let go of her hand. Judith, move over here." Father Laggan gave up trying to maintain order. He continued on with the ceremony. Iain was paying some attention. He immediately agreed to take Judith for his wife.She wasn't as cooperative. He felt a little sorry for the sweet woman. She looked thoroughly confused. "Judith, do you take Iain for your husband?" She looked up at Iain before giving her answer. "We'll see." "That won't do, lass. You've got to say I do," he advised. "Do I?" Iain smiled. "Your aunt and uncle will be welcomed here." She smiled back. .... Judith tried not to laugh. She turned her attention back to Father Laggan. "I will say I do," she told him. "Shouldn't we begin now?" "The lass has trouble following along," Vincent remarked. Father Laggan gave the final blessing while Judith argued with the elder about his rude comment. Her concentration was just fine, she told him quite vehemently. She nagged an apology out of Vincent before giving the priest her attention again. "Patrick, would you go and get Frances Catherine? I would like her to stand by my side during the ceremony." "You may kiss the bride," Father Laggan announced.
Julie Garwood (The Secret (Highlands' Lairds, #1))
When at last they pulled off the veil, they say my mother smiled. That is how they knew she was quite stupid. Brides did not smile.
Madeline Miller (The Song of Achilles)
God grant you your quota of smiles.
William Goldman (The Princess Bride)
A breath would blow you away, they beam down at her silently. You wish, thinks Tony, smiling up. Many have blown. She
Margaret Atwood (The Robber Bride)
Ho! Wise men say, 'He who hath not a good and ready memory should never meddle in telling lies.'" Drew smiled. "I have a good and ready memory.
Deeanne Gist (A Bride Most Begrudging)
Mrs. Vice turned to the weddings page. She liked to look at the smiling brides and imagine how miserable they would soon be.
Kelly Easton (The Outlandish Adventures of Liberty Aimes)
He bent down, lips brushing my ear, and whispered, “Smile. You are the happy bride, remember?
Cora Reilly (Bound by Honor (Born in Blood Mafia Chronicles, #1))
The only way out is through.
Amber McBride (We Are All So Good at Smiling)
I love you,” she whispered, gazing up into his pale gray eyes. He smiled crookedly, for a moment looking at her with a dazzled air. He had, she realized sadly, no experience hearing those words. He didn’t know how to react. “I figured as much.” This time, she didn’t hit him.
Connie Brockway (The Other Guy's Bride (Braxton, #2))
She looks at me, rather than shying away. She’s smiled at me, and he couldn’t stop the way his heart pounded at seeing it. And her laughter, even though just as rare, was the sweetest song.
Opal Reyne (A Soul to Keep (Duskwalker Brides, #1))
She smiled bitterly, and once again the mask she wore so well, the firm lady of strong, impatient indifference whom he’d met when he first walked into the church a week before, broke apart, revealing the vulnerable, lonely soul underneath. She’s just like me, he thought in wonder. She’s as lost as I am.
James McBride (Deacon King Kong)
The old face, crinkled and dented with canals running every which way, pushed and shoved up against itself for a while, till a big old smile busted out from beneath 'em all, and his grey eyes fairly glowed. It was the first time I ever saw him smile free. A true smile. It was like looking at the face of God. And I knowed then, for the first time, that him being the person to lead the colored to freedom weren't no lunacy. It was something he knowed true inside him. I saw it clear for the first time. I knowed then, too, that he knowed what I was - from the very first.
James McBride (The Good Lord Bird)
Lowe clicks his tongue. “Stop playing with your food, wife,” he murmurs, and it feels almost intimate, smiling at him and catching the amused gleam in his eyes while Alex crumples into himself. “She has several bags left,” he informs Alex, who’s trying to camouflage with the wallpaper.
Ali Hazelwood (Bride (Bride, #1))
In one of her more philosophical moments, she decided that the reason virginity was so prized for a bride was because early man must have realized that a bride who knew what was in store for her on her wedding night, would not be smiling quite so radiantly when she walked down that aisle!
Judith McNaught (Whitney, My Love (Westmoreland, #2))
Let's write our story, so no one can take it away.
Amber McBride (We Are All So Good at Smiling)
But I want you,” he smiles at me. “Not just to make me a king. I’ve always wanted you. Despite it all, you are still the bride I would choose. I do choose you.
Melinda Salisbury (The Sin Eater's Daughter (The Sin Eater’s Daughter, #1))
Siobhan's smiled broadened, "Aye, it matters naught where one is born, as long as one discovers where one is truly meant to be." -- The Countess by Claire Delacroix
Claire Delacroix (The Countess (Bride Quest, #4))
Very few troubles in life couldn’t be lessened by a nice smile—that was what her mother always said.
Jojo Moyes (The Ship of Brides)
You see, you see when a story stops being told, when the news no longer televises, when the false memory thinks its true is it still, in fact truth?
Amber McBride (We Are All So Good at Smiling)
all the formal police training in the world was useless when the smile of someone you suddenly care about finds the bow that wraps your heart and undoes it.
James McBride (Deacon King Kong)
I have desired you from the first moment you smiled at me, my little doe.
Opal Reyne (A Soul to Keep (Duskwalker Brides, #1))
In that moment he realized that all the experience of thirty-two years on the NYPD and all the formal police training in the world was useless when the smile of someone you suddenly care about finds the bow that wraps your heart and undoes it.
James McBride (Deacon King Kong)
amusement in her eyes and had to grin. "How are you feeling?" he asked, his voice dropping to a low, intimate tone that excluded everyone else in the cafe and made several women draw in their breath. Her mouth quirked in that self-amusement that made him want to grab her to him. "This isn't one of my good days. The only thing holding me together is static cling." "Come home with me, and I'll take care of you." She looked him in the eye and said quietly, "Give me one good reason why I should." Right there in front of God and most of Crook, Montana, he drew in a deep breath and took the gamble of a lifetime, his words plain and heard by all, because no one was making even the pretense of not listening. "Because I love you." Maddie blinked, and to his surprise he saw her eyes glitter with tears. Before he could start forward, however, her smile broke through like sunshine through a cloud bank. She didn't take the time to go around the counter; she climbed on top of it and slid off on the other side. "It's about time," she said as she went into his arms.
Linda Howard (Duncan's Bride (Patterson-Cannon Family, #1))
You mean the nice little white man who sings? With the puppets?” “That’s Mister Rogers’s address. One forty-three. You know what one forty-three means?” “No, Soup.” His stoic face folded into a smile. “I would tell you, but I don’t wanna spoil it.
James McBride (Deacon King Kong)
I paid you five thousand instead and promised the balance only if you made the match. As it turns out, this is your lucky day because I've decided to write you the full check, whether the match comes from you or from Portia. As long as I have a wife and you've been part of the process, you'll get your money." He toasted her with his beer mug. "Congratulations." She put down her fork. "Why would you do that?" "Because it's efficient." "Not as efficient as having Powers handle her own introductions. You're paying her a fortune to do exactly that." "I'd rather have you." Her pulse kicked. "Why?" He gave her the melty smile he must have been practicing since the cradle, one that made her feel as though she was the only woman in the world. "Because you're easier to bully. Do we have a deal or not?" "You don't want a matchmaker. You want a lackey." "Semantics. My hours are erratic, and my schedule changes without warning. It'll be your job to cope with all that. You'll soothe ruffled feathers when I need to cancel at the last minute. You'll keep my dates company when I'm going to be late, entertain them if I have to take a call. If things are going well, you'll disappear. If not, you'll make the woman disappear. I told you before. I work hard at my job. I don't want to have to work hard at this, too." "Basically, you expect me to find your bride, court her, and hand her over at the altar. Or do I have to come on the honeymoon, too?" "Definitely not." He gave her a lazy smile. "I can take care of that all by myself.
Susan Elizabeth Phillips (Match Me If You Can (Chicago Stars, #6))
A Quoi Bon Dire" Seventeen years ago you said Something that sounded like Good-bye; And everybody thinks that you are dead, But I. So I, as I grow stiff and cold To this and that say Good-bye too; And everybody sees that I am old But you. And one fine morning in a sunny lane Some boy and girl will meet and kiss and swear That nobody can love their way again, While over there You will have smiled, I shall have tossed your hair.
Charlotte Mew (The Farmer's Bride (1921))
Because life is a game and we’re all just trading cards. We play the right hand to get ahead.” I studied the smiling, ignorant face of Sal as he stared at his bride. “Death stops the game. It’s too final, too inflexible. Death is viciously stubborn.
Karina Halle (Dirty Angels (Dirty Angels, #1))
I always felt that way about the South, that beneath the smiles and southern hospitality and politeness were a lot of guns and liquor and secrets. A lot of those secrets ended up floating
James McBride (The Color of Water)
Is your future faery bride too ugly for you?” Rhys leaned back against the head rest and studied the seat back in front of him. “That’s not it.” “Too old or too young?” “No.” I rolled my eyes, but smiled. This was why he was upset. He hadn’t landed the perfect bride-to-be. “Her pretty faery wings aren’t the right shade of sparkly lavender and pink?” His eyes flashed with anger. “Actually, she doesn’t have faery wings.” “She doesn’t?” “No. As a matter of fact, the dragon oracle tells me the girl I’m supposed to marry, the one destined to someday become the queen of the faery realm, isn’t a faery at all.” Okay, that was surprising. Not a faery? “She isn’t?” I said. “Then who is she?” His expression was severe as he turned to look me right in the eye. “You,” he said
Michelle Rowen (Reign Check (Demon Princess, #2))
Your definition of ‘well’ is troubling at best.” He suddenly smiled and affected a slight accent. “‘I do not think that word means what you think it means.’” He was obviously quoting something he and Jason seemed to know that she did not. Jason grinned. “Ha, she ain’t a princess, and you wish you were that good a swordsman.
Ilona Andrews (Steel's Edge (The Edge, #4))
Arriving on Bainbridge Island is the opposite of arriving in Seattle. When you got in your car and waited to unload off the ferry in Seattle, you saw the Space Needle, cars, and a mound of urban construction. Once you exit the ferry terminal on Bainbridge, however, it’s mostly trees. Pine as far as the eye can see. Well, pines, firework and coffee stands, and eventually a casino. You drive through the Port Madison Indian Reservation when you leave the island. I couldn’t help but smile as I went past the casino. I didn’t really get gambling, since I’d never had money to throw away, but as I passed through all the beautiful countryside that I’m sure once belonged to the tribe, I sort of hoped they would rob the white man blind. Perhaps not politically correct, but the feeling was there all the same.
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
Oh, they'll never believe a woman could solve such puzzles. They'll just assume I'm humoring you by editing it myself and allowing you to put your name to it." She raised her eyebrows. "But you wouldn't be." He humphed. "They'll never hear me admit it." "I will," she said, a smile curving her lips. He shrugged. "They'll believe me, not you.
Deeanne Gist (A Bride Most Begrudging)
She was a maiden of rarest beauty, and not more lovely than full of glee. And evil was the hour when she saw, and loved, and wedded the painter. He, passionate, studious, austere, and having already a bride in his Art; she a maiden of rarest beauty, and not more lovely than full of glee; all light and smiles, and frolicsome as the young fawn; loving and cherishing all things; hating only the Art which was her rival;
Edgar Allan Poe
her smile of understanding and acceptance that said, “All intangibles are forgiven, I accept them and more—your faults, your dips and turns, everything, because our love is a hammer forged at the anvil of God and not even your most foolish, irrational act can break it.” That look.
James McBride (Deacon King Kong)
Nick almost breaks a full smile when the men around him laugh aloud. "I don't kiss on the cheek." He said smoothly giving her the opportunity to end it there, but instead, she drags the bride over to him and asks again.
Jennifer Loren (The Devil's Eyes (The Devil's Eyes, #1))
Mom’s thrilled,” I say when I pick up, smiling wide. “She says you did good. She especially commends you for your choice in brides.” “Speaking of my bride. She might want to consider working from home today.” “Why?” “We’ve got a couple of campers outside.” “Press?” “And their mothers and their pets.
Katy Evans (Ms. Manwhore (Manwhore, #2.5))
You’re making fun of your bride on her wedding night?” His expression straightened and his brow smoothed as I ran my greedy hand down his chest. “Of course I am.” “What kind of monster are you?” I teased, lightly scratching his stomach. His answering smile tilted up one half of his perfect mouth. “The kind that’s going to fuck you so hard it’ll look like your legs were put on backwards.
Christina Lauren (Beautiful Beginning (Beautiful Bastard, #3.5))
Sorrow is no one's fault.
Amber McBride (We Are All So Good at Smiling)
Look at you,” he groans. “Ripped yoga pants, a wet pussy, and that satisfied fucking smile on your face. You look like you’re my own personal little slut, baby.
Catharina Maura (The Wrong Bride (The Windsors, #1))
Smiling, he pulls me into his arms and whispers, “I think you’re my favorite place now.
Carian Cole (Don't Kiss the Bride)
I get lost when you kiss me,” she whispers. Running my hands up and down her back, I smile against her skin. “Good thing I’m right here to find you when it’s over. Now
Alexa Riley (Lassoing the Virgin Mail-Order Bride (Cowboys & Virgins, #1))
I always felt that way about the South, that beneath the smiles and southern hospitality and politeness were a lot of guns and liquor and secrets.
James McBride (The Color of Water)
You don't show empathy towards those who willfully hurt you.
Amber McBride (We Are All So Good at Smiling)
And in the darkness, my smile grows. I'm home.
Naomi Lucas (Death Adder (Naga Brides, #4))
What is your preferred morning upper?” Amanda asks with a wide smile when I find the kitchen after some wandering. “Coffee? Tea? Methamphetamine?
Ali Hazelwood (Mate (Bride, #2))
The entire wedding has been catered vegetarian in honor of the bride.” He smiled. I nearly spit out my wine. “You’re making three hundred werewolves eat vegetarian?” He nodded. “I am.
Leia Stone (Devi (Matefinder, #2))
Happy smiles were shared between the bride and groom, but it was the cake their guests remembered - the vanilla custard filling, the buttercream finish, the slight taste of raspberries that had surely been added to the batter. No one brought home any slices of leftover cake to place under their pillow, hoping to dream of their future mate; instead, the guests… ate the whole cake and then had dreams of eating it again. After this wedding unmarried women woke in the night with tears in their eyes, not because they were alone, but because there wasn't any cake left.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
One night, Indigo lay beside me in bed. I lifted her hand, watching the light catch on the white crescent scar on her palm. My fingers skimmed up her arm and the hollow between her collarbones to the curve of her cheek. “What are you doing?” she asked. “Memorizing you.” She smiled. “For what purpose?” In case you disappear, I wanted to say. But I didn’t dare. When I looked at Indigo then, her eyes were soft and wet, and for a single moment I knew the very texture of her soul.
Roshani Chokshi (The Last Tale of the Flower Bride)
Do you understand now (reader)? There is someone out there rooting for you. You are not alone, in any Forest. You there, hello, bonjour, hola— we are rooting, cheering for you to live & thrive.
Amber McBride (We Are All So Good at Smiling)
And in the background, the constant, high, whining mewl of local disapproval. Within the first few months of her return, to her parents' home, Ammy quickly learned to recognize and despise the ugly face of sympathy. Old female relations with incipient beards and several wobbling chins made overnight trips to Ayemenem to commiserate with her about her divorce. They squeezed her knee and gloated. She fought off the urge to slap them. Or twiddle their nipples. With a spanner. Like Chaplin in Modern Times. When she looked at herself in her wedding photographs, Ammu felt the woman that looked back at her was someone else. A foolish jeweled bride. Her silk sunset-colored sari shot with gold. Rings on very finger. White dots of sandalwood paste over her arched eye-brows. Looking at herself like this, Ammu's soft mouths would twist into a small, bitter, smile at the memory - not of the wedding itself so much as the fact that she had permitted herself to be so painstakingly decorated before being led to the gallows. It seemed so absurd. So futile. Like polishing firewood. ....... Ammu knew that weddings were not something that could be avoided altogether. At least not practically speaking. But for the rest of her life she advocated small weddings in ordinary clothes. it made them less ghoulish, she thought.
Arundhati Roy (The God of Small Things)
They're allies, Jamie." She immediately let go of him, straightened her back, and refolded her hands in her lap. "I guessed as much," she whispered. It was a lie, made blacker still when she added, "Even from this distance I can see them smiling." "An eagle couldn't see their faces from this distance," he answered dryly. "We English have perfect eyesight.
Julie Garwood (The Bride (Lairds' Fiancées, #1))
Perhaps you don't see yourself in animation," he said with a smile. "It's true your features are quite ordinary, but they become lively when you talk and you have what are called 'speaking eyes.' They shine with the light of your quick mind.
Jo Beverley (An Unwilling Bride (Company of Rogues, #2))
Her smile when he told her had been unusually bright as it beamed from her delicate, pretty face. She is so lovely to behold, he thought at the time. He ached for this female in so many different ways that it stirred both his heart and his body.
Opal Reyne (A Soul to Keep (Duskwalker Brides, #1))
In her white dress she was like a cold light coming into the room. Stoner started involuntarily toward her and felt Finch’s hand on his arm, restraining him. Edith was pale, but she gave him a small smile. Then she was beside him, and they were walking together. A stranger with a round collar stood before them; he was short and fat and he had a vague face. He was mumbling words and looking at a white book in his hands. William heard himself responding to silences. He felt Edith trembling beside him. Then there was a long silence, and another murmur, and the sound of laughter. Someone said, “Kiss the bride!
John Williams (Stoner)
My God!" Amaury glared resentfully at the armed men surrounding his own as Castle Eberhart came into view. "See you the gall of the woman?" Blake hid a smile an shrugged. "'Twould seem your bride would have you safely delivered." "Safely delivered?" Grimacing,he shook his head. "She sends her man out to fetch me as if I am a stray cow." "Surely she would not send so many for a cow?" Amaury glared at his laughing friend. Blake shrugged. "Well,I have said it afore and-" "If you say once more that I should refuse to marry her,I will strike you down right here." "You may try," Blake allowed with a small smile.
Lynsay Sands (The Deed (Deed, #1))
With his mind full of the engaging Rosalind, he stared at Mac. “Hi, sorry to interrupt.” He lurched to his feet, scattered his papers so some sailed to the floor. “Ah, it’s all right. No problem. I was just . . .” He bent to retrieve papers as she did the same, and knocked his head against hers. “Sorry, sorry.” He stayed down, met her eyes. “Crap.” She smiled, and the dimples came out to play. “Hello, Carter.
Nora Roberts (Vision in White (Bride Quartet, #1))
If she had been a normal female, she would have swooned. But she was not normal, never had been. “Good grief, you are impossibly handsome,” she said breathlessly. “I vow, I have never experienced the like. For an instant, my brain stopped altogether. I must say, my lord, you do clean up well. But next time, I wish you would call out a warning before you come into view, and give me a chance to brace myself for the onslaught.” Something dark flickered in his eyes. Then a corner of his hard mouth quirked up. “Miss Adams, you have an interesting — a unique — way with a compliment.” The trace of a smile disoriented her further. “It is a unique experience,” she said. “I never knew my brain to shut off before, not while I was full awake. I wonder if the phenomenon has been scientifically documented and what physiological explanation has been proposed.
Loretta Chase (The Mad Earl's Bride (Scoundrels, #3.5))
DeVere smiled. "A mistress is a fine thing, Ned, but a married mistress with a compacent husband is the very best bargain. They cost far less tokeep, make fewer demands, and should any inconvenient package arrive, it may easily be presented to the cuckold, an altogether neat arrangement.
Victoria Vane (A Wild Night's Bride (The Devil DeVere #1))
Inside the church, the bondsmaids were walking slowly down the aisle, with the little petal girls. Trinity turned to give Mimi her last words of motherly advice: 'Walk straight. Don't slouch. And for heavens's sake, smile! It's your bonding!?' Then she too walked through the door and down the aisle. The door shut behind her, leaving Mimi alone. Finally, Mimi heard the orchestra play the first strains of the 'Wedding March.' Wagner. Then the ushers opened the doors and Mimi moved to the threshold. There was an appreciative gasp from the crowd as they took in the sight of Mimi in her fantastic dress. But instead of acknowledging her triumph as New York?s most beautiful bride, Mimi looked straight ahead, at Jack, who was standing so tall and straight at the altar. He met her eyes and did not smile. 'Let's just get this over with.' His words were like an ice pick to the heart. He doesn't love me. He has never loved me. Not the way he loves Schuyler. Not the way he loved Allegra. He has come to every bonding with this darkness. With this regret and hesitation, doubt and despair. She couldn't deny it. She knew her twin, and she knew what he was feeling, and it wasn't joy or even relief. What am I doing? "Ready" Forsyth Llewellyn suddenly appeared by her side. Oh, right, she remembered, she had said yes when Forsyth had offered to walk her down the aisle. Here goes nothing. As if in a daze, Mimi took his arm, Jack's words still echoing in her head. She walked, zombie-like, down the aisle, not even noticing the flashing cameras or the murmurs of approval from the hard-to-impress crowd.
Melissa de la Cruz (The Van Alen Legacy (Blue Bloods, #4))
It was all part of growing up. You got these little quick passions, you blinked, and they were gone. You forgave faults, found perfection, fell madly; then the next day the sun came up and it was over. Chalk it up to experience, old girl, and get on with the morning. Buttercup stood, made her bed, changed her clothes, combed her hair, smiled, and burst out again in a fit of weeping. Because there was a limit to just how much you could lie to yourself.
William Goldman (The Princess Bride)
Stories keep the world intact. Storytelling predates the written word by more than 3,000 years. Fairy Tales, specifically, have always protested against societal constraints & commented on the human condition. Fairy Tales offer whimsy & truth - the whimsy makes us brave & the truth points us in the right direction.
Amber McBride (We Are All So Good at Smiling)
I know that you took an oath. And I know that this is doomed. But… Koen. There is very little that I wouldn’t do for you, if you were to ask me.” “Serena.” I hear the blurry edge of his smile. A quiet sigh. “I would throw away my pack, my life, and my entire world for you. Which is the exact reason I cannot have you.
Ali Hazelwood (Mate (Bride, #2))
Beauty exists everywhere in the world. Love resides in all of us. That’s the point. I only…I only want to deepen that. Show that there can be—that there should be—substance in it all. Of course a bride on her wedding day is beautiful, but that radiance doesn’t diminish in old age, when she’s too tired to keep up with whatever ridiculous fashions the shops and salons put out. I know Arina smiles upon an old couple walking down the road together, hand in hand, firm in their commitment to one another. There is love in caring for the sick, the weak, the ugly. A wilting flower holds just as much splendor as one on the cusp of opening. People are so quick to idolize the fresh and the new. They fetishize it.” He rubbed at his forehead, his eyes bright with fervor. “Why should we celebrate one without the other?
Erin A. Craig (House of Roots and Ruin (Sisters of the Salt, #2))
I would give you a crown if I could,” he said. “I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn.” He reached into his pocket. “And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day.” She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they’d been singed. “You will wed a Taban sister who craves a crown,” she said. “Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I’m not the queen Ravka needs.” “And if you’re the queen I want?” She shut her eyes. “There’s a story my aunt told me a very long time ago. I can’t remember all of it, but I remember the way she described the hero: ‘He had a golden spirit.’ I loved those words. I made her read them again and again. When I was a little girl, I thought I had a golden spirit too, that it would light everything it touched, that it would make me beloved like a hero in a story.” She sat up, drew her knees in, wrapped her arms around them as if she could make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. “But that’s not who I am. Whatever is inside me is sharp and gray as the thorn wood.” She rose and dusted off her kefta. “I wasn’t born to be a bride. I was made to be a weapon.” Nikolai forced himself to smile. It wasn’t as if he’d offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he’d gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All Saints, it stung. “Well,” he said cheerfully, pushing up onto his elbows and looking up at her with all the wry humor he could muster. “Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won’t rule Ravka by my side, what does the future hold, General?” Zoya opened the door to the cargo hold. Light flooded in, gilding her features when she looked back at him. “I’ll fight on beside you. As your general. As your friend. Because whatever my failings, I know this: You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
How your human men may pretend they are stronger than their women. If they acknowledged what women endure simply to bring life into the world, they would necessarily have to adjust their thinking.” I stare at him. I cannot help it. Never in my life have I heard a man speak as he does. His smile grows. “You think me very strange, do you not?
Sylvia Mercedes (Bride of the Shadow King (Bride of the Shadow King, #1))
I’m thinking about this—about him—way too hard. I shut the sketch pad too forcefully and place it back where I found it. It causes something that was at the very end of the notebook to slip out. A portrait. My heart halts as I scramble to lift it up, expecting—no, sure— that I’ll find Serena’s smiling face on it. The pouty lips, upturned eyes, narrow nose, and pointed chin; they’re all so familiar to me that I think it must be her, because who else’s face would I know so well? It can only be Serena’s, or . . . Mine. Lowe Moreland has drawn my face, and then stuffed it at the bottom of his bottom drawer. I’m not sure when he observed it long enough to pluck this level of detail out of me, the serious, detached air, the tight-lipped expression, the wispy hair curling around the cusp of an ear. Here’s what I do know: there is something sharp about the drawing. Something searing and intense and expansive that’s simply not there in the other sketches. Force, and power, and lots of feelings were involved in the making of this portrait. Lots.
Ali Hazelwood (Bride (Bride, #1))
... not within my memory." "All 300 years of it?" That comment earned her a frown. "My apologies," she amended lightly. "I supposed I should not tease you about being so old." "Nay, feel free." His slow smile flashed in the moonlight. "I would be happy to prove to you that I possess all the prowess and stamina of a man of 30. Mayhap I should demonstrate.
Shelly Thacker (His Captive Bride (Stolen Brides, #4))
Sometimes I wish I hadn’t said that, now I wish I’d said, Tell me more, help me understand.
Amber McBride (We Are All So Good at Smiling)
Now, I am the reason no one gets to smile again.
Amber McBride (We Are All So Good at Smiling)
Remember you don't have to be brave, you lived, you are (both) already bravery itself.
Amber McBride (We Are All So Good at Smiling)
It starts in the middle not the beginning or the end- stories start in the middle.
Amber McBride (We Are All So Good at Smiling)
Will you marry me and be the odd alien bride to this scandalous, debauched lord?” Her smile is brilliant. “Of course I will.
Ruby Dixon (Pretty Human (Risdaverse, #0.75))
Nah.” The vacuous smile is back on his lips. “I was just giving Misery a few pointers.
Ali Hazelwood (Bride (Bride, #1))
I’m not Mrs. Russo yet. There’s still time for me to live out my runaway bride fantasy,” she quipped. A wicked smile spread across my lips. “I do love a good chase.
Ana Huang (King of Wrath (Kings of Sin #1))
I’ve slowly fallen for her smile. My favorite curve.
Carian Cole (Don't Kiss the Bride)
You ain’t tall enough to get on this ride, Sparkles.” A flirty smile plays on her lips. “You talking about the bike, or you? ’Cuz I think I can handle both.
Carian Cole (Don't Kiss the Bride)
The ones you love, don’t leave—  they just come back different.
Amber McBride (We Are All So Good at Smiling)
That is how they knew she was quite stupid. Brides did not smile.
Madeline Miller (The Song of Achilles)
Then don’t fall.” He caught her close and offered a teasing smile. “Trip a little and I’ll catch you.
Day Leclaire (Dante's Blackmailed Bride (The Dante Legacy, #1))
Smiles can be deadlier than pistols, if used correctly.
Suzanne Enoch (Taming an Impossible Rogue (Scandalous Brides, #2))
Paul Darton smiled back and she was certain her ovaries released three eggs for the man to fertilize to make their children. 
Olivia Gaines (Oregon Trails (Modern Mail Order Bride #4))
She fluttered her fan. “And do you know what they say of women of a certain age, what they want above all?” Desire simmered in him at her not quite smile. “Do tell.” “To be rid of you, Hastings. So that they don’t have to waste what remains of their precious few years suffering your lecherous looks.” “If I stopped looking at you lecherously, you’d miss it.” “Why don’t we test that hypothesis? You stop and I’ll tell you after ten years or so whether I miss it.” .... He rose and bowed slightly. “You wouldn’t last two weeks, Miss Fitzhugh.
Sherry Thomas (Tempting the Bride (Fitzhugh Trilogy, #3))
Beth ached where they joined. The friction burned on her petals too long untouched, fire that made her want to open her legs wide. She did, sliding her feet on the covers, letting her hips arch upward. "Do you feel it?" Ian asked. A dozen phrases went through Beth's head, but she gasped out, "Yes." "Your cunny is tight, my Beth. Squeezing me so hard." He smiled when he said it, feral and raw. No man had ever done bawdy talk with her. Game girls had told her of it, but she'd never dreamed she'd hear it hot in her ear, spoken by a beautiful man. "Squeeze me some more, love," he murmured. "You feel so damn good." "Good," Beth echoed. She tightened her muscles, and he groaned. He felt good. All full and hard and moving inside her.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
Howie rose and smiled down at her. “I just eat what’s put before me without being picky. I know everything you make will make my tastebuds bless the day you set foot in Morgan’s Crossing” he drawled, waiting to see the adorable look of confusion that crossed her face when he flirted. Bertha lowered her gaze and looked up at him through her eyelashes. “Only your tastebuds?
Debra Holland (Mail-Order Brides of the West: Bertha: A Montana Sky Series Novel (Mail-Order Brides of the West Series Book 5))
Why are you all buttoned up like that?" Cameron ran his gaze down the blackberry-shaped buttons of her bodice.[...] "You were happy to bare all last night," Cameron said. He let his mallet handler hover an inch from her chest. "Your bodice was down here." Ainsley cleared her throat. "Low neckline for evening, high for morning."[...] "This doesn’t suit you," Cameron said. "I can’t help the fashion, Lord Cameron." Cameron poked the top button with his gloved finder. "Undo this." Ainsley jumped. "What?" "Unbutton your damned frock." She nearly choked. "Why?" "Because I want you to." Cameron's smile spread across his face, slow and sinful, and his voice went low. Dangerous. "Tell me, Mrs. Douglas. How many buttons will you undo for me?
Jennifer Ashley (The Many Sins of Lord Cameron (MacKenzies & McBrides, #3))
I had expected them to talk about my childlessness. I was armed with millions of smiles. Apologetic smiles, pity-me smiles, I-look-unto-God smiles - name all the fake smiles needed to get through an afternoon with a group of people who claim to want the best for you while poking at your open sore with a stick - and I had them ready. I was ready to listen to them tell me I must do something about my situation. I expected to hear about a new pastor I could visit; a new mountain where I could go to pray; or an old herbalist in a remote village or town whom I could consult. I was armed with smiles for my lips, an appropriate sheen of tears for my eyes and sniffles for my nose. I was prepared to lock up my hairdressing salon throughout the coming week and go in search of a miracle with my mother-in-law in tow. What I was not expecting was another smiling woman in the room, a yellow woman with a blood-red mouth who grinned like a new bride.
Ayọ̀bámi Adébáyọ̀ (Stay with Me)
I'm never going to get these folds just so," she remarked. "We'll practice that, too," Alec promised. She didn't start to blush until Father Murdock asked what else they were practicing. "Perhaps I could lend my expertise," he suggested eagerly. "A private matter," Jamie blurted out. "We can't use your assistance, Father, but we both thank you for offering." Alec's devilish smile widened.
Julie Garwood (The Bride (Lairds' Fiancées, #1))
The spirit and its chosen one bind their ankles together with red thread. They may take each other's hands and smile at each other. When they walk down the bridge into the world of the living, they know it won't be the last time they see one another. The red thread is better than a promise —it's a guarantee. It means they'll meet again in the next life. It means they'll love each other there, too.
Zen Cho (The Terracotta Bride)
What is the age of the soul of man? As she hath the virtue of the chameleon to change her hue at every new approach, to be gay with the merry and mournful with the downcast, so too is her age changeable as her mood. No longer is Leopold, as he sits there, ruminating, chewing the cud of reminiscence, that staid agent of publicity and holder of a modest substance in the funds. He is young Leopold, as in a retrospective arrangement, a mirror within a mirror (hey, presto!), he beholdeth himself. That young figure of then is seen, precociously manly, walking on a nipping morning from the old house in Clambrassil street to the high school, his booksatchel on him bandolierwise, and in it a goodly hunk of wheaten loaf, a mother's thought. Or it is the same figure, a year or so gone over, in his first hard hat (ah, that was a day!), already on the road, a fullfledged traveller for the family firm, equipped with an orderbook, a scented handkerchief (not for show only), his case of bright trinketware (alas, a thing now of the past!), and a quiverful of compliant smiles for this or that halfwon housewife reckoning it out upon her fingertips or for a budding virgin shyly acknowledging (but the heart? tell me!) his studied baisemoins. The scent, the smile but more than these, the dark eyes and oleaginous address brought home at duskfall many a commission to the head of the firm seated with Jacob's pipe after like labours in the paternal ingle (a meal of noodles, you may be sure, is aheating), reading through round horned spectacles some paper from the Europe of a month before. But hey, presto, the mirror is breathed on and the young knighterrant recedes, shrivels, to a tiny speck within the mist. Now he is himself paternal and these about him might be his sons. Who can say? The wise father knows his own child. He thinks of a drizzling night in Hatch street, hard by the bonded stores there, the first. Together (she is a poor waif, a child of shame, yours and mine and of all for a bare shilling and her luckpenny), together they hear the heavy tread of the watch as two raincaped shadows pass the new royal university. Bridie! Bridie Kelly! He will never forget the name, ever remember the night, first night, the bridenight. They are entwined in nethermost darkness, the willer and the willed, and in an instant (fiat!) light shall flood the world. Did heart leap to heart? Nay, fair reader. In a breath 'twas done but - hold! Back! It must not be! In terror the poor girl flees away through the murk. She is the bride of darkness, a daughter of night. She dare not bear the sunnygolden babe of day. No, Leopold! Name and memory solace thee not. That youthful illusion of thy strength was taken from thee and in vain. No son of thy loins is by thee. There is none to be for Leopold, what Leopold was for Rudolph.
James Joyce (Ulysses)
They are both quite lovely. One is a white bowl with a blue flush and interlinked flowers. The other is red flowers and thinner porcelain. The wash and fineness of the porcelain indicate it might be Imperial Ware. Have I got that right?” “Exactly right,” Ian said. “I found a book in Paris,” she said with a cheeky smile. Ian looked at her and forgot everything else in the room. He was aware of Hart’s stare butonly peripherally, as though an insect buzzed on the edges of his hearing. How did Beth always know what words he needed and precisely when to say them? Even Curry didn’t anticipate him like that.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
When I see two little Jewish old ladies giggling over coffee at a Manhattan diner, it makes me smile, because I hear my own mother’s laughter beneath theirs. Conversely, when I hear black “leaders” talking about “Jewish slave owners” I feel angry and disgusted, knowing that they’re inflaming people with lies and twisted history, as if all seven of the Jewish slave owners in the antebellum South, or however few there were, are responsible for the problems of African-Americans now. Those leaders are no better than their Jewish counterparts who spin statistics in marvelous ways to make African-Americans look like savages, criminals, drags on society, and “animals” (a word quite popular when used to describe blacks these days). I don’t belong to any of those groups. I belong to the world of one God, one people.
James McBride (The Color of Water)
Charles had climbed on a bench and was calling out that he had something to say, creating a racket that quickly got the attention of the room. Everyone looked immensely surprised, including Tessa and Will. Sona frowned, clearly thinking Charles was very rude. She didn’t know the half of it, Cordelia thought darkly. “Let me be the first to raise a glass to the happy couple!” said Charles, doing just that. “To James Herondale and Cordelia Carstairs. I wish to add personally that James, my brother’s parabatai, has always been like a younger brother to me.” “A younger brother he accused of vandalizing greenhouses across our fair nation,” muttered Will. “As for Cordelia Carstairs—how to describe her?” Charles went on. “Especially when one has not bothered to get to know her at all,” murmured James. “She is both beautiful and fair,” said Charles, leaving Cordelia to wonder what the difference was, “as well as being brave. I am sure she will make James as happy as my lovely Grace makes me.” He smiled at Grace, who stood quietly near him, her face a mask. “That’s right. I am formally announcing my intention to wed Grace Blackthorn. You will all be invited, of course.” Cordelia glanced over at Alastair; he was expressionless, but his hands, jammed into his pockets, were fists. James had narrowed his eyes. Charles went on merrily. “And lastly, my thanks go out to the folk of the Enclave, who supported my actions as acting Consul through our recent troubles. I am young to have borne so much responsibility, but what could I say when duty called? Only this. I am honored by the trust of my mother, the love of my bride-to-be, and the belief of my people—” “Thank you, Charles!” James had appeared at Charles’s side and done something rather ingenious with his feet that caused the bench Charles had been standing on to tip over. He caught Charles around the shoulder as he slid to the floor, clapping him on the back. Cordelia doubted most people in the room had noticed anything amiss. “What an excellent speech!” Magnus Bane, looking fiendishly amused, snapped his fingers. The loops of golden ribbons dangling from the chandeliers formed the shapes of soaring herons while “For He’s a Jolly Good Fellow” began to play in ghostly fashion on the unmanned piano. James hustled Charles away from the bench he had clambered onto and into a crowd of well-wishers. The room, as a whole, seemed relieved. “We have raised a fine son, my darling,” Will said, kissing Tessa on the cheek.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Lord Randall barreled inside, brandishing his cane in Drew's face. "You beggarly knave, I was told this marriage was in name only! Who gave you permission to consummate the vows?" "Theodore Hopkin, governor of this colony, representative of the kind, and it's going to cost you plenty, for that daughter of yours is nothing but trouble. What in the blazes were you thinking to allow her an education?" Drew bit back his smile at the man's shocked expression. Nothing like landing the first punch. Lord Randall furrowed his bushy gray brows. "I knew not about her education until it was too late." Drew straightened the cuffs of his shirt. "Well, be prepared to pay dearly for it. No man should have to suffer through what I do with the constant spouting of the most addlepated word puzzles you could imagine." ----------------------------------------- "I require fifteen thousand pounds." Lord Randall spewed ale across the floor. "What! Surely drink has tickled your poor brain. You're a FARMER, you impudent rascal. I'll give you five thousand." Drew plopped his drink onto the table at his side, its contents sloshing over the rim. A satisfied smile broke across his face. "Excellent." He stood. "When will you take her back to England with you? Today? Tomorrow?" The old man's red-rimmed eyes widened. "I cannot take her back. Why, she's already birthed a child!" Drew shrugged. "Fifteen thousand or I send her AND the babe back, with or without you.
Deeanne Gist (A Bride Most Begrudging)
You’ve worded your offer very well, but I can see the danger lurking in it.” His brow cocked again, his lips twitching like his smile was threatening to fall. “I don’t know what you mean.” “You’re offering me a chance, not a guarantee.” She sliced her sword up so the sharp tip was pointing at his nose. “And pawns are usually insignificant to the grand plans in a game of chess. They are sacrificed without care and are often the first to die.
Opal Reyne (A Soul to Keep (Duskwalker Brides, #1))
People coming into the store frequently ask Shanita where she's from. "Right here," she says, smiling her ultra-bright smile. "I was born right in this very city!" She's nice about it to their faces, but it's a question that bothers her a lot. "I think they mean, where were your parents from," says Charis, because that's what Canadians usually mean when they ask that question. "That's not what they mean," says Shanita. "What they mean is, when am I leaving.
Margaret Atwood (The Robber Bride)
Odette, because of you, I laugh, I smile, and I dare to dream of a future that is worthy of poets. The reasons that brought us together weren’t the best or the most romantic, but I am glad for them nevertheless, and I swear to you that from now until the day I die, your dreams are my dreams. Your joy is my joy. Your pain is my pain, and I will never betray you. You are now my body, my mind, my soul, and my heart. You are my sun, my moon, and all of my stars.
J.J. McAvoy (The Prince’s Bride Part 1 (The Prince's Bride, #1))
Yesterday I stood at the temple door interrogating the passersby about the mystery and merit of Love. And before me passed an old man with an emaciated and melancholy face, who sighed and said: "Love is a natural weakness bestowed upon us by the first man." But a virile youth retorted: "Love joins our present with the past and the future." Then a woman with a tragic face sighed and said: "Love is a deadly poison injected by black vipers, that crawl from the caves of hell. The poison seems fresh as dew and the thirsty soul eagerly drinks it; but after the first intoxication the drinker sickens and dies a slow death." Then a beautiful, rosy-cheeked damsel smilingly said: "Love is a wine served by the brides of Dawn which strengthens strong souls and enables them to ascend to the stars." After her a black-robed, bearded man, frowning, said: "Love is a divine knowledge that enables men to see as much as the gods." Then said a blind man, feeling his way with a cane: "Love is a blinding mist that keeps the soul from discerning the secret of existence, so that the heart sees only trembling phantoms of desire among the hills, and hears only echoes of cries from voiceless valleys." And a feeble ancient, dragging his feet like two rags, said, in quavering tones: "Love is the rest of the body in the quiet of the grave, the tranquility of the soul in the depth of Eternity." And a five-year-old child, after him, said laughing: "Love is my father and mother, and no one knows Love save my father and mother." And so, all who passed spoke of Love as the image of their hopes and frustrations, leaving it a mystery as before.
Kahlil Gibran
The June roses over the porch were awake bright and early on that morning, rejoicing with all their hearts in the cloudless sunshine, like friendly little neighbors, as they were. Quite flushed with excitement were their ruddy faces, as they swung in the wind, whispering to one another what they had seen, for some peeped in at the dining room windows where the feast was spread, some climbed up to nod and smile at the sisters as they dressed the bride, others waved a welcome to those who came and went on various errands in garden, porch, and hall, and all, from the rosiest full-blown flower to the palest baby bud, offered their tribute of beauty and fragrance to the gentle mistress who had loved and tended them so long.
Louisa May Alcott (Little Women (Little Women #1))
The Desire To Paint" Unhappy perhaps is the man, but happy the artist, who is torn with this desire. I burn to paint a certain woman who has appeared to me so rarely, and so swiftly fled away, like some beautiful, regrettable thing the traveller must leave behind him in the night. It is already long since I saw her. She is beautiful, and more than beautiful: she is overpowering. The colour black preponderates in her; all that she inspires is nocturnal and profound. Her eyes are two caverns where mystery vaguely stirs and gleams; her glance illuminates like a ray of light; it is an explosion in the darkness. I would compare her to a black sun if one could conceive of a dark star overthrowing light and happiness. But it is the moon that she makes one dream of most readily; the moon, who has without doubt touched her with her own influence; not the white moon of the idylls, who resembles a cold bride, but the sinister and intoxicating moon suspended in the depths of a stormy night, among the driven clouds; not the discreet peaceful moon who visits the dreams of pure men, but the moon torn from the sky, conquered and revolted, that the witches of Thessaly hardly constrain to dance upon the terrified grass. Her small brow is the habitation of a tenacious will and the love of prey. And below this inquiet face, whose mobile nostrils breathe in the unknown and the impossible, glitters, with an unspeakable grace, the smile of a large mouth ; white, red, and delicious; a mouth that makes one dream of the miracle of some superb flower unclosing in a volcanic land. There are women who inspire one with the desire to woo them and win them; but she makes one wish to die slowly beneath her steady gaze.
Charles Baudelaire (The Poems and Prose Poems of Charles Baudelaire)
Now, tell me again why I’m freezing my ass off in the middle of the woods?” Legna chuckled. “Because it is tradition. Your mate must find you and then carry you to the altar. Seeking you out is symbolic of his desire to let nothing come between you. Bringing you to the altar is a reflection of how it is his duty to help you over obstacles so that you may reach moments of joy together.” “It’s very romantic,” Isabella said, “if a little chauvinistic.” “Not in the least. The sharing of responsibility within a joining is symbolized just as strongly. The bride must tie the handfasting ribbon around her mate’s wrist. The white ribbon symbolizes honesty and love and fidelity, and by allowing himself to be so tied means the groom must provide for her at all times, as she will provide for him. The black is a promise that they will forever do all in their power to protect their union, their children, and the perpetuation of the essentials of our culture.” “But you’ve tied a red ribbon to the end of the black, Legna. What does thatmean?” “Actually”—the Demon woman smiled—“there is no precedent for the red ribbon. However, I felt it only fair to have a physical reminder that you have a culture of your own and will have just as much right to perpetuate that within your children as Jacob does.” “Legna,” Isabella giggled, giving her an admonishing look, “that is positively rebellious and feminist of you.” “I never claimed to be an old-fashioned girl,” Legna confided with a wink.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
I'm the bride," Rebecca said from the doorway,bringing the room to momentary silence. Her remark brought every eye in the room to her, inculding Rupert's. "You forgot to say lucky bride, didn't you?" Rupert asked in a low voice as he stood beside her. That was the usual response of a new bride, she supposed,but it definitely didn't apply to her. "No,I didn't," she whispered back with a false smile. "But I managed to withhold the 'unlucky' that was on the tip of my tongue. You can thank me later.
Johanna Lindsey (A Rogue of My Own (Reid Family, #3))
Is she still talking about the clothes?” Ludwig asks. Alex nods with a deep sigh. Gabi bites back a smile. “I just want to know what the hell she was thinking would happen to them,” Cal mutters. “I didn’t think,” I say. Defensively. “Obviously,” Alex mutters.
Ali Hazelwood (Bride (Bride, #1))
They locked him in the stockade for four days. No other prisoners occupied the other cells that ran the length of the room. He was alone, and that was fine with him. He needed to think, and that was best done in a place where he wouldn’t see Ginesse Braxton—Ginesse, not Mildred—because she did things to his thought processes, such as dammed them up completely. She acted and he reacted: viscerally, irrepressibly, and ruinously. She fell in the water; he dove in after her. She laughed; he smiled. She mentioned the beauty of the sunset; he saw colors in it he hadn’t ever noticed. She peeked at him from under her gold-tipped lashes; he grew hard as Damascus steel. Pomfrey said something derogatory; he wanted to kill the sonofabitch with his bare hands. Things like that.
Connie Brockway (The Other Guy's Bride (Braxton, #2))
I took her face in my hands and brought her close so only she could hear. “This is the day we meet for the first time and the rest of forever.” “I still don’t understand,” she cried, so I kissed her lips and prepared myself for what came next. “You promised me a long time ago that when it was all over, you’d bring me to my knees.” I let go of her face and took her hand. “I hope one will do.” I lowered myself to one knee and looked her in her eyes. “You chased away the monsters and became my reason—my forever. I’m yours, Lake Monroe. Will you marry me today?” “Yes, I fucking will,” she screamed. Just then, a light showering of flower petals rained down on us, and when she looked up, her breath caught. Buddy sat on the edge of the monkey bars with a handful flowers, sprinkling them over us. “Buddy!” “You were my hero.” He grinned. She smiled up at him and then turned to face me, and I nodded at the priest to begin. “We are gathered together to celebrate the very special love between bride and groom, by joining them in marriage…
B.B. Reid (Fearless (Broken Love, #5))
Imagine if you can ... a world in which half the inhabitants are larger and stronger than you and are thus able to force you to their will at any time or any place. That unchangeable fact colors everything in your life - from the route you choose when you walk down the street to what you look for when you enter a room, how you dress, how you smile, how you assess people on first meeting? Friend or foe? Is this person a threat? Will that one do me harm? It's all about survival. ... Mock a a woman's desire for jewels and fine clothes and grand houses if you must, but understand that they are simple manifestations of what she truly desires - survival, safety, security - because those baubles are the thing that proclaim to the world that she is of value and, as such, will be protected.
Kaki Warner (Bride of the High Country (Runaway Brides, #3))
The bride-to-be wraps an arm around my waist, and I hang my arm over another woman’s shoulder, and we sing and dance, but every smile I wear is for someone else. Everything I do I hope Jake sees, and every move I make I hope Noah is watching. I love their attention.
Penelope Douglas (Credence)
Bernice, her gorgeous dark face always so grim, the smooth black skin of an unmelting armor draped over the gorgeous nose and full lips, smiled sadly. That was a rare thing to see. It was as if a sweet drizzle of desert rain had come into the room and washed them all.
James McBride (The Heaven & Earth Grocery Store)
Unable to bear the silence, she looked over her shoulder. Seth was leaning against the door, arms crossed, watching her, an enigmatic smile on his face. The golden glow of the lamplight washed over his face, highlighting his five o’clock shadow. She was suddenly aware that her hair had come loose from her ponytail. That her worn jeans and T-shirt were probably smudged with who-knew-what. This wasn’t how she’d imagined looking when Seth kissed her. Why hadn’t she done something with herself while he was gone? But judging by the look on his face, he didn’t care about any of that. No longer needing the fire’s warmth, she moved away, lifting her chin and tossing her ponytail over her shoulder. “What?” “I won,” he said quietly. “Won what?” Did he hear the tremor in her voice? His lips twitched. “Our deal . . . sleigh by midnight . . . the kiss . . . Ring any bells?
Denise Hunter (A December Bride (A Year of Weddings #1))
He did not find out until the wedding that she was simple. Her father had been scrupulous about keeping her veiled until the ceremony, and my father had humored him. If she was ugly, there were always slave girls and serving boys. When at last they pulled off the veil, they say my mother smiled. That is how they knew she was quite stupid. Brides did not smile. When I was delivered, a boy, he plucked me from her arms and handed me to a nurse. In pity, the midwife gave my mother a pillow to hold instead of me. My mother hugged it. She did not seem to notice a change had been made.
Madeline Miller (The Song of Achilles)
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
You accuse me of being self-serving when you’re nothing but an airheaded braggart,” Rhian attacked. “You think you’re so clever because you went to that school. You think you could be a real queen? About as likely as Japeth taking a bride. You couldn’t do any real work if you tried. You’re nothing but shiny hair and a fake smile. A no-trick pony.
Soman Chainani
After they walked through the archway into the garden of the Castle Mitat, Kel saw Conor, sitting alone at the edge of the tiled fountain. Above him was a darkened sundial, a verse from an old song etched onto its face: alas, how much I thought I knew of love, and yet how little I know. He looked up at their approach, and smiled as his eyes met Kel’s. “I wondered where you’d gone,” he said. “My best friend and my bride-to-be.” And Kurame, Kel thought, but when he looked around Kurame had vanished, slipping into the shadows of the night as the Bloodguard seemed to do. Conor looked woeful. “I was so lonely I considered drowning myself in the fountain, but the water is so full of frogs.
Cassandra Clare (The Ragpicker King (The Chronicles of Castellane, #2))
The Last Hero The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars, With rains that might put out the sun and clean the sky of stars, Rains like the fall of ruined seas from secret worlds above, The roaring of the rains of God none but the lonely love. Feast in my hall, O foemen, and eat and drink and drain, You never loved the sun in heaven as I have loved the rain. The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me. I rent her from her red-roofed hall, I rode and saw arise, More lovely than the living flowers the hatred in her eyes. She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine. Was it all nothing that she stood imperial in duresse? Silence itself made softer with the sweeping of her dress. O you who drain the cup of life, O you who wear the crown, You never loved a woman's smile as I have loved her frown. The wind blew out from Bergen to the dawning of the day, They ride and run with fifty spears to break and bar my way, I shall not die alone, alone, but kin to all the powers, As merry as the ancient sun and fighting like the flowers. How white their steel, how bright their eyes! I love each laughing knave, Cry high and bid him welcome to the banquet of the brave. Yea, I will bless them as they bend and love them where they lie, When on their skulls the sword I swing falls shattering from the sky. The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes. Know you what earth shall lose to-night, what rich uncounted loans, What heavy gold of tales untold you bury with my bones? My loves in deep dim meadows, my ships that rode at ease, Ruffling the purple plumage of strange and secret seas. To see this fair earth as it is to me alone was given, The blow that breaks my brow to-night shall break the dome of heaven. The skies I saw, the trees I saw after no eyes shall see, To-night I die the death of God; the stars shall die with me; One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.
G.K. Chesterton
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me. My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand. If I pushed her down across my knees, I could spank her ass. She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?” “Did you send me a potato?” Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?” “Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?” Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?” “Yeeeess. The note says to call you before I open it. Why am I afraid?” Kristen giggled. “Open it now. Is Brandon with you?” “Yes, he’s with me. He’s shaking his head.” I could picture his face, that easy smile on his lips. “Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!” Kristen rolled forward, putting her forehead to my shoulder in laughter. “I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!” Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though. “Wait, who’s with you?” Sloan asked. Kristen wiped at her eyes. “Josh is here.” “Didn’t he have a date tonight? Brandon told me he had a date.” “He did, but he came back over after.” “He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting. Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering. “And what did you two talk about?” I asked, arching an eyebrow. I liked that she’d talked about me. Liked it a lot. “Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.” A hot fireman like you.I did my best to hide my smirk. “So do you do this to Sloan a lot?” I asked. “All the time. I love messing with her. She’s so easily worked up.” She reached for her beer. I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?” She took a swig of her beer. “With the fan on medium.” My laugh came so hard Stuntman Mike looked up and cocked his head at me. She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?” “Those candles are a huge fire hazard.” I tipped my beer toward the screen. “Right? And try getting wax out of the carpet. Good luck with that.” I looked at the side of her face. “So what do you think is romantic?” “Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
I wanted you in Covent Garden,” he said. “I wanted you straddling me in the dark while I came up inside you.” “In the theatre?” “Right there in the damn box, with the opera blaring on. I’d take you, make you my own.” He put his hand on her neck over the spot where he’d given her the love bite. “I branded you.” Beth smiled. “You, too.” She touched his neck. “I branded you.” He laced his fingers hard through hers and pressed her hand to the bed. “Belong to me.” “No one here to dispute that at the moment.” “Always mine. Always, Beth.” Thrusts punctuated the words. Always. Her body jerked in rhythm with his, the bed creaking. It was a solid bed, thick mahogany, made to take men like Ian loving their women.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
I want to see that Beth gets upstairs and settled in. We can talk at supper.” “We have maidservants to help her.” “I want to do it.” Hart gave up, but Beth could see that it rankled. “The gong goes at seven forty-five and the meal is served at eight. We dress formally, Mrs. Ackerley. Don’t be late.” Beth slid her hand through Ian’s, trying to hide her nervousness. “Call me Beth, please,” she said. “I am no longer Mrs. Ackerley and have become, to our mutual astonishment, your sister.” Hart froze. Ian raised his brows at him, then turned around and led Beth from the room. As they walked out, surrounded by the waiting dogs, Beth slanted a worried glance up at Ian, but Ian wore the broadest smile she’d ever seen.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
All I could see were Will’s intense blue eyes, and the joy that flashed across them as they flickered down to the low neckline of my gown. All I could hear was the deep, reverent rumble of his voice as he repeated his vow to honor, and cherish, and love me for the rest of our lives. And all I could feel was the juxtaposition of cool metal and warm skin as he slid the ring on my finger. It was all I could process . . . until he kissed me, that is. Because that kiss erased everything that came before it. You may now kiss your bride. The world fell away. It really did. It was just us in that tiny spot of land, standing in silence and staring at each other, on the verge of sealing this commitment we’d made. I couldn’t stop smiling.
Christina Lauren (Beautiful Boss (Beautiful Bastard, #4.5))
An old Buddhist parable illustrates the challenge—and the value—of letting go of the past. Two monks were strolling by a stream on their way home to the monastery. They were startled by the sound of a young woman in a bridal gown, sitting by the stream, crying softly. Tears rolled down her cheeks as she gazed across the water. She needed to cross to get to her wedding, but she was fearful that doing so might ruin her beautiful handmade gown. In this particular sect, monks were prohibited from touching women. But one monk was filled with compassion for the bride. Ignoring the sanction, he hoisted the woman on his shoulders and carried her across the stream—assisting her journey and saving her gown. She smiled and bowed with gratitude as the monk splashed his way back across the stream to rejoin his companion. The second monk was livid. ‘How could you do that?’ he scolded. ‘You know we are forbidden to touch a woman, much less pick one up and carry her around!’ The offending monk listened in silence to a stern lecture that lasted all the way back to the monastery. His mind wandered as he felt the warm sunshine and listened to the singing birds. After returning to the monastery, he fell asleep for a few hours. He was jostled and awakened in the middle of the night by his fellow monk. ‘How could you carry that woman?’ his agitated friend cried out. ‘Someone else could have helped her across the stream. You were a bad monk.’ ‘What woman?’ the sleepy monk inquired. ‘Don’t you even remember? That woman you carried across the stream,’ his colleague snapped. ‘Oh, her,’ laughed the sleepy monk. ‘I only carried her across the stream. You carried her all the way back to the monastery.’ The learning point is simple: When it comes to our flawed past, leave it at the stream. I am not suggesting that we should always let go of the past. You need feedback to scour the past and identify room for improvement. But you can’t change the past. To change you need to be sharing ideas for the future.
Marshall Goldsmith (What Got You Here Won't Get You There: How successful people become even more successful)
She glanced over her shoulder at him. “So until the wedding ceremony in your chapel, we’ll be chaste?” Her smile flirted and taunted, and he marveled at how quickly Amy had learned to entice. “There is an advantage with living in a building that was once an abbey.” “What is that, Jermyn?” She pulled on her tattered gloves. Biggers moaned softly. “The place is riddled with secret passages,” Jermyn told her. “But my lord! You’re not suggesting you’ll visit my bedchamber for a tryst?” She fluttered her eyelashes and tried to look shocked. With a straight face, he replied, “Absolutely not! You’ve already proved your skill at sneaking into my bedchamber, so I thought you would come to mine.” She burst into laughter, a full-bodied peal or merriment. Taking his arm, she scolded, “Layabout!” “Only with you, my bride, only with you.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
You got these little quick passions, you blinked, and they were gone. You forgave faults, found perfection, fell madly; then the next day the sun came up and it was over. Chalk it up to experience, old girl, and get on with the morning. Buttercup stood, made her bed, changed her clothes, comber her hair, smiled, and burst out again in a fit of weeping. Because there was a limit to just how much you could lie to yourself.
William Goldman (The Princess Bride)
What had she told the priest? Hawk had said their holy man could not perform the wedding unless he was sure the bride was willing. Had there ever been one less so? Her eyes were downcast, she would not meet his gaze no matter how fiercely he willed her to do so. But the priest was smiling. He nodded to Dragon even as he addressed Hawk. "Ah,well,now that is taken care of. We will proceed as you wish, my lords." "Immediately then," Hawk said. He did a decent enough job of hiding his relief but Dragon wasn't fooled. Until that moment, not even the Lord of Essex had been sure the marriage would take place. Krysta appeared at Rycca's side. She spoke to her softly, distracting her as she guided her to a small room off the great hall. There the bride would wait while the guests, her scowling family, and one stern-faced groom assembled in the chapel.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Ian’s strong hands closed around her. “Are you all right?” “Perfectly fine.” She bit her lip. “I believe Cameron needs to find me a softer horse.” Ian grinned, then burst out laughing. His laughter was warm and velvety, so fine she paused to drink it in. Beth smiled at him and made a show of gingerly sitting down. “You may cease laughing at me, Ian Mackenzie. It was only my first lesson.” He leaned toward her. “You already have a very good seat, my Beth.” “Shall I take it you are referring to how I sit on a horse?” Ian kissed her cheek and moved to his own chair, still smiling. He wiped his eyes with the back of his hand and sat down. “Beth likes to joke,” he said without looking at the others. Beth felt the frost of Hart’s rigid stare. Daniel’s mouth was open in surprise, and Cameron sat very still. Something had happened, and Beth wasn’t certain what.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
BRIDE SONG Too late for love, too late for joy, Too late, too late! You loitered on the road too long, You trifled at the gate: The enchanted dove upon her branch Died without a mate; The enchanted princess in her tower Slept, died, behind the grate; Her heart was starving all this while You made it wait. Ten years ago, five years ago, One year ago, Even then you had arrived in time, Though somewhat slow; Then you had known her living face Which now you cannot know: The frozen fountain would have leaped, The buds gone on to blow, The warm south wind would have awaked To melt the snow. Is she fair now as she lies? Once she was fair; Meet queen for any kingly king, With gold-dust on her hair, Now these are poppies in her locks, White poppies she must wear; Must wear a veil to shroud her face And the want graven there: Or is the hunger fed at length, Cast off the care? We never saw her with a smile Or with a frown; Her bed seemed never soft to her, Though tossed of down; She little heeded what she wore, Kirtle, or wreath, or gown; We think her white brows often ached Beneath her crown, Till silvery hairs showed in her locks That used to be so brown. We never heard her speak in haste; Her tones were sweet, And modulated just so much As it was meet: Her heart sat silent through the noise And concourse of the street. There was no hurry in her hands, No hurry in her feet; There was no bliss drew nigh to her, That she might run to greet. You should have wept her yesterday, Wasting upon her bed: But wherefore should you weep today That she is dead? Lo we who love weep not today, But crown her royal head. Let be these poppies that we strew, Your roses are too red: Let be these poppies, not for you Cut down and spread.
Christina Rossetti (Poems of Christina Rossetti)
Some of us aren’t meant for home and hearth. For white picket fences. Or silly cattle dogs and stone fire pits.” It was only when Fiona’s gaze sharpened again that she realized she’d said that last part out loud. A knowing smile played at the corners of Fiona’s mouth and her eyes sparked right back to matchmaker life. “Don’t,” Kerry warned. “Whatever do you mean?” Fiona said with false innocence. “I hear what you’re saying. And I believe you. At least, I believe you believe you.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
It is a sort of quasi-monastic diabolical vision. In a landscape populated with larvae - flowing and undulating larvae called forth like a cascade of leeches by tolling bells - three female figures rise up phantasmally, enshrouded with gauze like Spanish madonnas. They are the 'three brides': the bride of Heaven, the bride of the Earth and the bride of Hell... The bride of Hell, with her two serpents writhing about her temples to hold her veil in place, has the most attractive mask: the most profound eyes, the most vertiginous smile that one could ever see. If she existed, how I would love that woman! I feel that if that smile and those eyes were in my life they would be all the cure I need! I could never tire of the study and contemplation of that hallucinatory visage. "The Three Brides" is very peculiar in its detail and composition. It is the whimsy of a dream rendered with astonishing fastidiousness: the delusion of an opium-smoker composed in the style of Holbein.
Jean Lorrain (Monsieur de Phocas)
When do you wish to go?” “Early to-morrow morning, sir.” “Well, you must have some money; you can’t travel without money, and I daresay you have not much: I have given you no salary yet. How much have you in the world, Jane?” he asked, smiling. I drew out my purse; a meagre thing it was. “Five shillings, sir.” He took the purse, poured the hoard into his palm, and chuckled over it as if its scantiness amused him. Soon he produced his pocket-book: “Here,” said he, offering me a note; it was fifty pounds, and he owed me but fifteen. I told him I had no change. “I don’t want change; you know that. Take your wages.” I declined accepting more than was my due. He scowled at first; then, as if recollecting something, he said— “Right, right! Better not give you all now: you would, perhaps, stay away three months if you had fifty pounds. There are ten; is it not plenty?” “Yes, sir, but now you owe me five.” “Come back for it, then; I am your banker for forty pounds.” “Mr. Rochester, I may as well mention another matter of business to you while I have the opportunity.” “Matter of business? I am curious to hear it.” “You have as good as informed me, sir, that you are going shortly to be married?” “Yes; what then?” “In that case, sir, Adèle ought to go to school: I am sure you will perceive the necessity of it.” “To get her out of my bride’s way, who might otherwise walk over her rather too emphatically? There’s sense in the suggestion; not a doubt of it. Adèle, as you say, must go to school; and you, of course, must march straight to—the devil?” “I hope not, sir; but I must seek another situation somewhere.” “In course!” he exclaimed, with a twang of voice and a distortion of features equally fantastic and ludicrous. He looked at me some minutes. “And old Madam Reed, or the Misses, her daughters, will be solicited by you to seek a place, I suppose?” “No, sir; I am not on such terms with my relatives as would justify me in asking favours of them—but I shall advertise.
Charlotte Brontë (Jane Eyre)
I lay, rapt and naked, on Irwin's rough blanket, waiting for the miraculous change to make itself felt. But all I felt was a sharp, startlingly bad pain. […] Then the stories of blood-stained bridal sheets and capsules of red ink bestowed on already deflowered brides floated back to me. I wondered how much I would bleed, and lay down, nursing the towel. It occurred to me that the blood was my answer. I couldn't possibly be a virgin any more. I smiled into the dark. I felt part of a great tradition.
Sylvia Plath (The Bell Jar)
The Woman Poet // Die Dichterin You hold me now completely in your hands. My heart beats like a frightened little bird's Against your palm. Take heed! You do not think A person lives within the page you thumb. To you this book is paper, cloth, and ink, Some binding thread and glue, and thus is dumb, And cannot touch you (though the gaze be great That seeks you from the printed marks inside), And is an object with an object's fate. And yet it has been veiled like a bride, Adorned with gems, made ready to be loved, Who asks you bashfully to change your mind, To wake yourself, and feel, and to be moved. But still she trembles, whispering to the wind: "This shall not be." And smiles as if she knew. Yet she must hope. A woman always tries, Her very life is but a single "You . . ." With her black flowers and her painted eyes, With silver chains and silks of spangled blue. She knew more beauty when a child and free, But now forgets the better words she knew. A man is so much cleverer than we, Conversing with himself of truth and lie, Of death and spring and iron-work and time. But I say "you" and always "you and I." This book is but a girl's dress in rhyme, Which can be rich and red, or poor and pale, Which may be wrinkled, but with gentle hands, And only may be torn by loving nails. So then, to tell my story, here I stand. The dress's tint, though bleached in bitter lye, Has not all washed away. It still is real. I call then with a thin, ethereal cry. You hear me speak. But do you hear me feel?
Gertrud Kolmar
Travis?” Her voice came out scratchy and cracked. “What are you doing in my room?” Those eyes—not quite green, not quite brown—crinkled at the corners. “I’m not in your room, darlin’. You’re in mine.” What? Maybe she was still dreaming. That would explain why Travis was here and why nothing was making a lick of sense. But the throbbing behind her ear seemed awfully real. “My head hurts.” “You were kicked by a mule.” A mule? Meredith frowned. Uncle Everett didn’t own a mule. Had she been injured at the livery fetching Ginger? And why was Travis grinning at her? Shouldn’t he be more concerned? “It’s not very heroic of you to smile at my misfortune.” Really. This was her dream after all. Her hero should be more solicitous. Of course, usually in her dreams, Travis rescued her before any injury occurred. The man was getting lax. She’d started to tell him so when he laid the back of his hand on her forehead as if feeling for fever. The gentle touch instantly dissolved her pique. He removed his hand and met her gaze. “I’m smiling because I’m happy to see you awake. We’ve been worried about you.” “Awake?” Meredith scrunched her brows together until the throbbing around her skull forced her to relax. “Travis, you’re not making any sense. I can’t be awake. You only come to me when I’m dreaming. Although you’re usually younger and . . . well . . . cleaner, and not so in need of a shave. “But don’t get me wrong,” she hurried to assure him. It wouldn’t do to insult her hero. “You’re just as handsome as always. I don’t even mind that you didn’t save me this time. The important thing is that you’re here.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
How nice that our former stable boy has begotten a namesake from my elder daughter,” the countess remarked acidly. “This will be the first of many brats, I am sure. Regrettably there is still no heir to the earldom…which is your responsibility, I believe. Come to me with news of your impending marriage to a bride of good blood, Westcliff, and I will evince some satisfaction. Until then, I see little reason for congratulations.” Though he displayed no emotion at his mother’s hard-hearted response to the news of Aline’s child, not to mention her infuriating preoccupation with the begetting of an heir, Marcus was hard-pressed to hold back a savage reply. In the midst of his darkening mood, he became aware of Lillian’s intent gaze. Lillian stared at him astutely, a peculiar smile touching her lips. Marcus arched one brow and asked sardonically, “Does something amuse you, Miss Bowman?” “Yes,” she murmured. “I was just thinking that it’s a wonder you haven’t rushed out to marry the first peasant girl you could find.” “Impertinent twit!” the countess exclaimed. Marcus grinned at the girl’s insolence, while the tightness in his chest eased. “Do you think I should?” he asked soberly, as if the question was worth considering. “Oh yes,” Lillian assured him with a mischievous sparkle in her eyes. “The Marsdens could use some new blood. In my opinion, the family is in grave danger of becoming overbred.” “Overbred?” Marcus repeated, wanting nothing more than to pounce on her and carry her off somewhere. “What has given you that impression, Miss Bowman?” “Oh, I don’t know…” she said idly. “Perhaps the earth-shattering importance you attach to whether one should use a fork or spoon to eat one’s pudding.” “Good manners are not the sole province of the aristocracy, Miss Bowman.” Even to himself, Marcus sounded a bit pompous. “In my opinion, my lord, an excessive preoccupation with manners and rituals is a strong indication that someone has too much time on his hands.” Marcus smiled at her impertinence. “Subversive, yet sensible,” he mused. “I’m not certain I disagree.” “Do not encourage her effrontery, Westcliff,” the countess warned. “Very well—I shall leave you to your Sisyphean task.” “What does that mean?” he heard Daisy ask. Lillian replied while her smiling gaze remained locked with Marcus’s. “It seems you avoided one too many Greek mythology lessons, dear. Sisyphus was a soul in Hades who was damned to perform an eternal task…rolling a huge boulder up a hill, only to have it roll down again just before he reached the top.” “Then if the countess is Sisyphus,” Daisy concluded, “I suppose we’re…” “The boulder,” Lady Westcliff said succinctly, causing both girls to laugh. “Do continue with our instruction, my lady,” Lillian said, giving her full attention to the elderly woman as Marcus bowed and left the room. “We’ll try not to flatten you on the way down.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
XII.—LOCHINVAR. Oh! young Lochinvar is come out of the west, Through all the wide Border his steed was the best; And save his good broadsword, he weapons had none, He rode all unarmed, and he rode all alone; So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar. He stayed not for brake, and he stopped not for stone; He swam the Esk river, where ford there was none; But ere he alighted at Netherby gate, The bride had consented, the gallant came late; For a laggard in love, and a dastard in war, Was to wed the fair Ellen of brave Lochinvar. So boldly he entered the Netherby Hall, Among bride's-men, and kinsmen, and brothers, and all; Then spoke the bride's father, his hand on his sword - For the poor craven bridegroom said never a word - "Oh! come ye in peace here, or come ye in war, Or to dance at our bridal, young Lord Lochinvar?" "I long wooed your daughter, my suit you denied; Love swells like the Solway, but ebbs like its tide; And now am I come, with this lost love of mine, To lead but one measure, drink one cup of wine. There are maidens in Scotland more lovely by far, That would gladly be bride to the young Lochinvar." The bride kissed the goblet: the knight took it up, He quaffed off the wine, and he threw down the cup. She looked down to blush, and she looked up to sigh, With a smile on her lips and a tear in her eye. He took her soft hand, ere her mother could bar - "Now tread we a measure!" said young Lochinvar. So stately his form, and so lovely her face, That never a hall such a galliard did grace; While her mother did fret, and her father did fume, And the bridegroom stood dangling his bonnet and plume: And the bride's-maidens whispered, "'Twere better by far To have matched our fair cousin with young Lochinvar." One touch to her hand, and one word in her ear, When they reached the hall-door, and the charger stood near; So light to the croup the fair lady he swung, So light to the saddle before her he sprung. "She is won! we are gone, over bank, bush, and scaur; They'll have fleet steeds that follow," quoth young Lochinvar. There was mounting 'mong Graemes of the Netherby clan; Forsters, Fenwicks, and Musgraves, they rode and they ran: There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
Walter Scott (Marmion)
But, Captain, you never asked me why I . . . went ’bout as I did.” The old face, crinkled and dented with canals running every which way, pushed and shoved up against itself for a while, till a big old smile busted out from beneath ’em all, and his gray eyes fairly glowed. It was the first time I ever saw him smile free. A true smile. It was like looking at the face of God. And I knowed then, for the first time, that him being the person to lead the colored to freedom weren’t no lunacy. It was something he knowed true inside him. I saw it clear for the first time. I knowed then, too, that he knowed what I was—from the very first.
James McBride (The Good Lord Bird)
I want to kiss you.” It was rather magical, she thought, how those five simple words, said in his lovely deep voice, could set her aflame, like a lamp tipped over and burning up everything in sight. She said: “Well, kiss me then.” “How imperious you are.” He smiled, came close, and set his hand gently under her chin. He bent and touched his lips to hers, lightly, sweetly, and it was as if her whole being rushed to meet him in his kiss. It was light, sweet, tender, caressing, demanding, and fiery hot all at once. How did he do that? There was absolutely no doubt about it. He was an excellent kisser. She could easily get used to this.
Lisa Berne (You May Kiss the Bride (The Penhallow Dynasty, #1))
Do you know how the tradition of the bridal bouquet toss was formed?” Hugh asked. Sarah shook her head. “Are you asking me because you know, or are you asking me because you want to know?” He ignored her slight sarcasm and said, “Brides are considered to be good luck, and many centuries ago young women who wanted a piece of that luck tried quite literally to get a piece of it by tearing off bits of her gown.” “That’s barbaric!” Frances exclaimed. He smiled at her outburst. “I can only deduce that some clever soul realized that if the bride could offer a different token of her romantic success, it might prove beneficial to her health and well-being.
Julia Quinn (The Sum of All Kisses (Smythe-Smith Quartet, #3))
Damn it, Jacob, I’m freezing my butt off.” “I came as fast as I could, considering I thought it would be wise to walk the last few yards.” Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection. “I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’” “Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?” “Well, I’m fifty percent sure.” “Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.” “As Legna tells it, that’s what you’re supposed to do.” “Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck. “Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.” “This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.” “Jacob!” she gasped, laughing. “Some traditions are not necessarily publicized,” he teased. “You people are outrageous.” “Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?” Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so. “Have I ever said no to you?” “No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled. “How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair. His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet. “If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.” “Okay,” she agreed, her tongue touching his pulse. “Bella . . .” “Jacob, I want to spend the entire night making love to you,” she murmured. Jacob stopped in his tracks, taking a moment to catch his breath. “Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?” “You started it,” she reminded him, laughing softly. “I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.” “I’m sorry, you’re right.” She turned her face away from his neck. Jacob resumed his ritual walk for all of thirty seconds before he stopped again. “Bella . . .” he warned dangerously. “I’m sorry! It just popped into my head!” “What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace. “Well, in about an hour, I hope it will be me.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
Beauty exists everywhere in the world. Love resides in all of us. That's the point. I only...I only want to deepen that. Show that there can be - that there should be - substance in it all. Of course a bride on her wedding day is beautiful, but that radiance doesn't diminish in old age, when she's too tired to keep up with whatever ridiculous fashions the shops and salons put out. I know Arina smiles upon an old couple walking down the road together, hand in hand, firm in their commitment to one another. A wilting flower holds just as much splendor as one on the cusp of opening. People are so quick to idolize the fresh and the new. They fetishize it." He rubbed at his forehead, his eyes bright with fervor. "Why should we celebrate one without the other?
Erin A. Craig (House of Roots and Ruin (Sisters of the Salt, #2))
You’re afraid,” he said, the amazement of sudden revelation lighting his face. “I never thought I’d find the one thing you fear.” “I’m not afraid,” she said. “You’ve never been kissed before, have you?” She looked beyond him, her vision blurring as memories swept over her. Ah, she’d been kissed. Once. Alonso had kissed her once. He had held both her hands lightly, as if they were fragile crystal. She recalled his handsome face, dark and tender, the tumble of inky hair over his noble brow, the sculpted bow of his mouth. Their lips had met lightly, two butterflies colliding by accident and then winging away. Caitlin MacBride had lived for four years on that too-brief moment. “I’ve been kissed before,” she said crisply. One side of his mouth lifted in a half smile. “We’ll see about that, love.
Susan Wiggs (The Maiden of Ireland (Women of War))
I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in.” “Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.” Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”— she paused with a quick, abashed smile—“ whatever that is.” “My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base. “When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him … I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle. “Yes, love?” “I would think,” she continued, “‘ Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.’” “Not necessary,” he assured her gently. “Statistically speaking, we’ll have at least ten, fifteen thousand days to spend together.” “I don’t want to be apart from you for even one of them.” Cam cupped her small, serious face in his hands, his thumbs skimming the trace of tears beneath her eyes. His gaze caressed her. “Are we to live in sin, love, or will you finally agree to marry me?” “Yes. Yes. I’ll marry you. Although … I still can’t promise to obey you.” Cam laughed quietly. “We’ll manage around that. If you’ll at least promise to love me.” Amelia gripped his wrists, his pulse steady and strong beneath her fingertips. “Oh, I do love you, you’re—” “I love you, too.” “— my fate. You’re everything I—” She would have said more, if he had not pulled her head to his, kissing her with hard, thrilling pressure.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
With great reluctance— sitting in the chair with Kate and doing nothing but hold her was surprisingly satisfying— he stood, lifting her in his arms as he did so, and then set her back in the chair. “This has been a delightful interlude,” he murmured, leaning down to drop a kiss on her forehead. “But I fear your mother’s early return. I shall see you Saturday morning?” She blinked. “Saturday?” “A superstition of my mother’s,” he said with a sheepish smile. “She thinks it’s bad luck for the bride and groom to see one another the day before the wedding.” “Oh.” She rose to her feet, self-consciously smoothing her dress and hair. “And do you believe it as well?” “Not at all,” he said with a snort. She nodded. “It’s very sweet of you to indulge your mother, then.” Anthony paused for a moment, well aware that most men of his reputation did not want to appear tied to apron strings. But this was Kate, and he knew that she valued devotion to family as much as he did, so he finally said, “There is little I would not do to keep my mother content.” She smiled shyly. “It is one of the things I like best about you.” He made some sort of gesture designed to change the subject, but she interrupted with, “No, it’s true. You’re far more caring a person than you’d like people to believe.” Since he wasn’t going to be able to win the argument with her— and there was little point in contradicting a woman when she was being complimentary— he put a finger to his lips and said, “Shhh. Don’t tell anyone.” And then, with one last kiss to her hand and a murmured, “Adieu,” he made his way out the door and outside. -Anthony & Kate
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
The Farmer's Bride Three Summers since I chose a maid, Too young maybe - but more's to do At harvest-time than bide and woo. When us was wed she turned afraid Of love and me and all things human; Like the shut of a winter's day Her smile went out, and 'twasn't a woman - More like a little frightened fay. One night, in the Fall, she runned away. 'Out 'mong the sheep, her be,' they said, Should properly have been abed; But sure enough she wasn't there Lying awake with her wide brown stare. So over seven-acre field and up-along across the down We chased her, flying like a hare Before our lanterns. To Church-Town All in a shiver and a scare We caught her, fetched her home at last And turned the key upon her, fast. She does the work about the house As well as most, but like a mouse: Happy enough to chat and play With birds and rabbits and such as they, So long as men-folk keep away. 'Not near, not near!' her eyes beseech When one of us comes within reach. The women say that beasts in stall Look round like children at her call. I've hardly heard her speak at all. Shy as a leveret, swift as he, Straight and slight as a young larch tree, Sweet as the first wild violets, she, To her wild self. But what to me? The short days shorten and the oaks are brown, The blue smoke rises to the low grey sky, One leaf in the still air falls slowly down, A magpie's spotted feathers lie On the black earth spread white with rime, The berries redden up to Christmas-time. What's Christmas-time without there be Some other in the house than we! She sleeps up in the attic there Alone, poor maid. 'Tis but a stair Betwixt us. Oh! my God! the down, The soft young down of her; the brown, The brown of her - her eyes, her hair, her hair!
Charlotte Mew
But what might a woman say about church as she? What might a woman say about the church as body and bride? Perhaps she would speak of the way a regular body moves through the world—always changing, never perfect—capable of nurturing life, not simply through the womb, but through hands, feet, eyes, voice, and brain. Every part is sacred. Every part has a function. Perhaps she would speak of impossible expectations and all the time she’s wasted trying to contort herself into the shape of those amorphous silhouettes that flit from magazines and billboards into her mind. Or of this screwed-up notion of purity as a status, as something awarded by men with tests and checklists and the power to give it and take it away. Perhaps she would speak of the surprise of seeing herself—flaws and all—in the mirror on her wedding day. Or of the reality that with new life comes swollen breasts, dry heaves, dirty diapers, snotty noses, late-night arguments, and a whole army of new dangers and fears she never even considered before because life-giving isn’t nearly as glamorous as it sounds, but it’s a thousand times more beautiful. Perhaps she would talk about being underestimated, about surprising people and surprising herself. Or about how there are moments when her own strength startles her, and moments when her weakness—her forgetfulness, her fear, her exhaustion—unnerve her. Maybe she would tell of the time, in the mountains with bare feet on the ground, she stood tall and wise and felt every cell in her body smile in assent as she inhaled and exhaled and in one loud second realized, I’m alive! I’m enfleshed! only to forget it the next. Or maybe she would explain how none of the categories created for her sum her up or capture her essence.
Rachel Held Evans
He slides my ruby ring off his finger. 'I, Cardan, son of Eldred, High King of Elfhame, take you, Jude Duarte, mortal ward of Madoc, to be my bride and my queen. Let us be wed until we wish for it to be otherwise and the crown has passed from our hands.' As he speaks, I begin to tremble with something between hope and fear. The words he's saying are so momentous that they're surreal, especially here, in Eldred's own rooms. Time seems to stretch out. Above us, the branches begin to bud, as though the land itself heard the words he spoke. Catching my hand, he slides the ring on. The exchange of rings is not a faerie ritual, and I am surprised by it. 'Your turn,' he says in to the silence. He gives me a grin. 'I'm trusting you to keep your word and release me from my bond of obedience after this.' I smile back, which maybe makes up for the way that I froze after he finished speaking. I still can't quite believe this is happening. My hand tightens on his as I speak. 'I, Jude Duarte, take Cardan, High King of Elfhame, to be my husband. Let us be wed until we don't want to be and the crown has passed from our hands.' He kisses the scar of my palm. I still have his brother's blood under my fingernails. I don't have a ring for him. Above us, the buds are blooming. The whole room smells of flowers. Drawing back, I speak again, pushing away all thoughts of Balekin, of the future in which I am going to have to tell him what I've done. 'Cardan, son of Eldred, High King of Elfhame, I forsake any command over you. You are free of your vow of obedience, for now and for always.' He lets out a breath and stands a bit unsteadily. I can't quite wrap my head around the idea that I am... I can't even think the words. Too much has happened tonight.
Holly Black (The Wicked King (The Folk of the Air, #2))
The only thing I can’t figure out is why you still eat the food your captors fed you. Why don’t you hate it as much as you hate them?” Fila glanced down at her plate. It contained a strange mixture of Afghan and Mexican dishes. She held up a flatbread. “This isn’t Taliban food—it’s Afghan food. It’s my mother’s food. I grew up eating it before I was ever captured. To me it means love and tenderness, not hate and violence.” “Taliban, Afghan—it’s all the same.” She waved the bread. “No, it’s not. Not one bit. Afghan culture is over two thousand years old. And it’s a conservative culture—it’s had to be—but it’s not a culture of monsters. Afghans are people like you, Holt. They’re born, they grow up, they live and love and they die just like we do. I didn’t study much history before I was taken, but I know this much. America’s story is that of the frontier—of always having room to grow. Afghanistan’s story is that of occupation. By the Russians, the British, the Mongols—even the ancient Greeks. On and on for century after century. Imagine all those wars being fought in Montana. Foreign armies living among us, taking over your ranch, stealing everything you own, killing your wife and children, over and over and over again.” She paused to catch her breath. “Death is right around the corner for them—all the time. Is it any wonder that a movement that turns men into warriors and codes everything else into rigid rules might seem like the answer?” She still wasn’t sure if Holt was following her. What analogy would make sense to him? She wracked her brain. “If a bunch of Californians overran Chance Creek and forced everyone to eat tofu, would you refuse to ever eat steak again?” He made a face. “Of course not!” “Then imagine the Taliban are the Californians, forcing everyone to eat tofu. And everyone does it because they don’t know what else to do. They still love steak, but they will be severely punished if they eat it—so will their families. That’s what it’s like for many Afghans living under Taliban control. It’s not their choice. They still love their country. They still love their heritage. That doesn’t mean they love the group of extremists who have taken over.” “Even if those Taliban people went away, they still wouldn’t be anything like you and me.” Holt crossed his arms. Fila suppressed a smile at his inclusion of her. That was a step in the right direction even if the greater message was lost on him. “They’re more like you than you think. Defensive. Angry. Always on the lookout for trouble.” Holt straightened. “I have four sons. Of course I’m on the lookout for trouble.” “They have sons, too.” She waited to see if he understood. Holt shook his head. “We’re going to see different on this one. But I understand about the food. Everyone likes their mother’s cooking best.” He surveyed her plate. “You got any more of that bread?” She’d take that as a victory.
Cora Seton (The Cowboy Rescues a Bride (The Cowboys of Chance Creek, #7))
I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that's what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?"... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
Leigh Bardugo
I looked over at Jason. “Want some?” He grinned. “Sure.” I pulled some off, held it out to him. He opened his mouth slightly, a challenge in his eyes. I don’t know why I’d thought he’d take it from me. Finally, he said, “I don’t want to get my fingers sticky.” Oh, right. I got really warm, but I pushed the cotton candy into his mouth--and couldn’t help thinking about a bride shoving the cake into the groom’s mouth. Jason’s lips barely touched my fingers as his mouth closed, and I pulled back, but I got that much hotter, had felt his breath skim across my knuckles. It was so intimate, so personal, like something you’d do with someone you had a serious crush on. Much more intimate than spooning him ice cream. With ice cream, there was the distance of the spoon, not to mention that it was cold. “I haven’t had cotton candy in forever,” he said. “I’d forgotten how…sugary it is.” “It’s pure sugar.” “I wonder who invented it.” “I think it was a dentist.” He laughed, a laugh that revealed his perfect smile, his perfect teeth. “I’ll bet you’re right.
Rachel Hawthorne (The Boyfriend League)
You are the third bride wed for peace," Cymbra said with a smile. "And to be frank, it has not been an easy road for the two of us who went before. Yet knowing what we do now, neither Krysta nor I would ever have chosen a different path." "How much choice did you have?" To Rycca's surprise, Cymbra laughed. "In my case, none." She sighed in mocking languor. "I still remember Wolf's deeply romantic proposal. He told me that if I did not wed him, he would kill my brother." "He what?" "Oh,don't worry, he's gotten much better." She laughed again, fondly. "Much, much better.Besides, Dragon is the one who was always good with women." Rycca could not dispute that but neither could she ignore what she had just been told.Shocked, she asked, "What did you do?" "Do? Why,I punched him,of course. What else could I do? He went to our wedding worried that the blow still showed." "You...punched him?" The ethereal beauty beside her had struck the fierce Wolf? "Rycca,dear sister, something you must learn at once.Wolf and Dragon are both wonderful men but they are also overwhelming. It is part of their charm. Nontheless,with them it is always best to be firm. For that matter, the same can be said of my brother, as Krysta learned readily enough." "She and Lord Hawk seem devoted to each other." "As are Wold and I. That doesn't mean one should be a meek little woman rubbing feet." "What a horrible notion! However did you think of it?" "Oh,didn't you know? That's the kind of wife Dragon always said he wanted." Too many more shocks of this sort and she was going to turn to stone right where she stood. "He said that? Whatever could he have been thinking? Any such woman would drive him mad." "Which is more or less what Wolf told him, only he said she would kill him with boredom. No, Dragon needs someone who can match his spirit, which I am now reassured you can do. Come, let us seek out Magda, who will serve us cool milk and cakes and give us a snug place to talk while the men amuse themselves." "Dragon has a sword for his brother." "The Moorish sword? Perfect, they will be occupied for hours.We won't see them again until they are satisfied neither is stronger or more agile than the other.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
No one but she had realized that the ballroom bore a rather startling resemblance to the gardens at Charise Dumont’s country house, and that the arbor at the side, with its trellised entrance, was a virtual replica of the place where she and Ian had first waltzed that long-ago night. Across the room, the vicar was standing with Jake Wiley, Lucinda, and the Duke of Stanhope, and he raised his glass to her. Elizabeth smiled and nodded back. Jake Wiley watched the silent communication and beamed upon his little group of companions. “Exquisite bride, isn’t she?” he pronounced, not for the first time. For the past half-hour, the three men had been merrily congratulating themselves on their individual roles in bringing this marriage about, and the consumption of spirits was beginning to show in Duncan and Jake’s increasingly gregarious behavior. “Absolutely exquisite,” Duncan agreed. “She’ll make Ian an excellent wife,” said the duke. “We’ve done well, gentlemen,” he added, lifting his glass in yet another congratulatory toast to his companions. “To you, Duncan,” he said with a bow, “for making Ian see the light.” “To you, Edward,” said the vicar to the duke, “for forcing society to accept them.” Turning to Jake, he added, “And to you, old friend, for insisting on going to the village for the servingwomen and bringing old Attila and Miss Throckmorton-Jones with you.” That toast belatedly called to mind the silent duenna who was standing stiffly beside them, her face completely devoid of expression. “And to you, Miss Throckmorton-Jones,” said Duncan with a deep, gallant bow, “for taking that laudanum and spilling the truth to me about what Ian did two years ago. ‘Twas that, and that alone, which caused everything else to be put into motion, so to speak. But here,” said Duncan, nonplussed as he waved to a servant bearing a tray of champagne, “you do not have a glass, my dear woman, to share in our toasts.” “I do not take strong spirits,” Lucinda informed Duncan. “Furthermore, my good man,” she added with a superior expression that might have been a smile or a smirk, “I do not take laudanum, either.” And on that staggering announcement, she swept up her unbecoming gray skirts and walked off to dampen the spirits of another group. She left behind her three dumbstruck, staring men who gaped at each other and then suddenly erupted into shouts of laughter.
Judith McNaught (Almost Heaven (Sequels, #3))
My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.” Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.” Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady. “My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly. The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.” Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally. “Anything, my dear,” he said huskily. “I would like to-to rest before supper.” He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.” Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.” “Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.” “We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.” “The butler stared at my bosom,” Berta complained. “I saw him!” Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.
Judith McNaught (Almost Heaven (Sequels, #3))
What’s the matter, love?” “I…” Amelia approached him hesitantly. “I’m afraid you won’t let me have what I want.” His slow smile robbed her of breath. “I have yet to refuse you anything. I’m not likely to start now.” Amelia stopped before him, her skirts crowded between his parted knees. The clean, salty, evergreen scent of him drifted to her nostrils. “I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in.” “Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.” Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”—she paused with a quick, abashed smile—“ whatever that is.” “My bride. My wife.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
On the wedding day not a few eyes would be wet at the sight of so youthful a man and maiden 'joined together in an honourable estate, instituted of God in the time of man's innocency,' For such ancient traditions—in spite of the fact that man's innocency could not even survive one bite of an apple shared with a woman—are none the less apt to be deeply moving. There they would kneel, the young newly wed, ardent yet sanctified by a blessing, so that all, or at least nearly all, they would do, must be considered both natural and pleasing to a God in the image of man created. And the fact that this God, in a thoughtless moment, had created in His turn those pitiful thousands who must stand for ever outside His blessing, would in no way disturb the large congregation or their white surpliced pastor, or the couple who knelt on the gold-braided, red velvet cushions. And afterwards there would be plentiful champagne to warm the cooling blood of the elders, and much shaking of hands and congratulating, and many kind smiles for the bride and her bridegroom. Some might even murmur a fleeting prayer in their hearts, as the two departed: 'God bless them!' So now Stephen must actually learn at first hand how straight can run the path of true love, in direct contradiction to the time-honoured proverb. Must realize more clearly than ever, that love is only permissible to those who are cut in every respect to life's pattern; must feel like some ill-conditioned pariah, hiding her sores under lies and pretences.
Radclyffe Hall (The Well of Loneliness)
That man,” she announced huffily, referring to their host, “can’t put two words together without losing his meaning!” Obviously she’d expected better of the quality during the time she was allowed to mix with them. “He’s afraid of us, I think,” Elizabeth replied, climbing out of bed. “Do you know the time? He desired me to accompany him fishing this morning at seven.” “Half past ten,” Berta replied, opening drawers and turning toward Elizabeth for her decision as to which gown to wear. “He waited until a few minutes ago, then went of without you. He was carrying two poles. Said you could join him when you arose.” “In that case, I think I’ll wear the pink muslin,” she decided with a mischievous smile. The Earl of Marchman could scarcely believe his eyes when he finally saw his intended making her way toward him. Decked out in a frothy pink gown with an equally frothy pink parasol and a delicate pink bonnet, she came tripping across the bank. Amazed at the vagaries of the female mind, he quickly turned his attention back to the grandfather trout he’d been trying to catch for five years. Ever so gently he jiggled his pole, trying to entice or else annoy the wily old fish into taking his fly. The giant fish swam around his hook as if he knew it might be a trick and then he suddenly charged it, nearly jerking the pole out of John’s hands. The fish hurtled out of the water, breaking the surface in a tremendous, thrilling arch at the same moment John’s intended bride deliberately chose to let out a piercing shriek: “Snake!” Startled, John jerked his head in her direction and saw her charging at him as if Lucifer himself was on her heels, screaming, “Snake! Snake! Snnnaaaake!” And in that instant his connection was broken; he let his line go slack, and the fish dislodged the hook, exactly as Elizabeth had hoped. “I saw a snake,” she lied, panting and stopping just short of the arms he’d stretched out to catch her-or strangle her, Elizabeth thought, smothering a smile. She stole a quick searching glance at the water, hoping for a glimpse of the magnificent trout he’d nearly caught, her hands itching to hold the pole and try her own luck. Lord Marchman’s disgruntled question snapped her attention back to him. “Would you like to fish, or would you rather sit and watch for a bit, until you recover from your flight from the serpent?” Elizabeth looked around in feigned shock. “Goodness, sir, I don’t fish!” “Do you sit?” he asked with what might have been sarcasm. Elizabeth lowered her lashes to hide her smile at the mounting impatience in his voice. “Of course I sit,” she proudly told him. “Sitting is an excessively ladylike occupation, but fishing, in my opinion, is not. I shall adore watching you do it, however.” For the next two hours she sat on the boulder beside him, complaining about its hardness, the brightness of the sun and the dampness of the air, and when she ran out of matters to complain about she proceeded to completely spoil his morning by chattering his ears off about every inane topic she could think of while occasionally tossing rocks into the stream to scare off his fish.
Judith McNaught (Almost Heaven (Sequels, #3))
Elizabeth glanced up as Ian handed her a glass of champagne. “Thank you,” she said, smiling up at him and gesturing to Duncan, the duke, and Jake, who were now convulsed with loud hilarity. “They certainly seem to be enjoying themselves,” she remarked. Ian absently glanced the group of laughing men, then back at her. “You’re breathtaking when you smile.” Elizabeth heard the huskiness in his voice and saw the almost slumberous look in his eyes, and she was wondering about its cause when he said softly, “Shall we retire?” That suggestion caused Elizabeth to assume his expression must be due to weariness. She, herself, was more than ready to seek the peace of her own chamber, but since she’d never been to a wedding reception before, she assumed that the protocol must be the same as at any other gala affair-which meant the host and hostess could not withdraw until the last of the guests had either left or retired. Tonight, every one of the guest chambers would be in use, and tomorrow a large wedding breakfast was planned, followed by a hunt. “I’m not sleepy-just a little fatigued from so much smiling,” she told him, pausing to bestow another smile on a guest who caught her eye and waved. Turning her face up to Ian, she offered graciously, “It’s been a long day. If you wish to retire, I’m sure everyone will understand.” “I’m sure they will,” he said dryly, and Elizabeth noted with puzzlement that his eyes were suddenly gleaming. “I’ll stay down here and stand in for you,” she volunteered. The gleam in his eyes brightened yet more. “You don’t think that my retiring alone will look a little odd?” Elizabeth knew it might seem impolite, if not precisely odd, but then inspiration struck, and she said reassuringly, “Leave everything to me. I’ll make your excuses if anyone asks.” His lips twitched. “Just out of curiosity-what excuse will you make for me?” “I’ll say you’re not feeling well. It can’t be anything too dire though, or we’ll be caught out in the fib when you appear looking fit for breakfast and the hunt in the morning.” She hesitated, thinking, and then said decisively, “I’ll say you have the headache.” His eyes widened with laughter. “It’s kind of you to volunteer to dissemble for me, my lady, but that particular untruth would have me on the dueling field for the next month, trying to defend against the aspersions it would cause to be cast upon my…ah…manly character.” “Why? Don’t gentlemen get headaches?” “Not,” he said with a roguish grin, “on their wedding night.” “I can’t see why.” “Can you not?” “No. And,” she added with an irate whisper, “I don’t see why everyone is staying down here this late. I’ve never been to a wedding reception, but it does seem as if they ought to be beginning to seek their beds.” “Elizabeth,” he said, trying not to laugh. “At a wedding reception, the guests cannot leave until the bride and groom retire. If you look over there, you’ll notice my great-aunts are already nodding in their chairs.” “Oh!” she exclaimed, instantly contrite. “I didn’t know. Why didn’t you tell me earlier?” “Because,” he said, taking her elbow and beginning to guide her from the ballroom, “I wanted you to enjoy every minute of our ball, even if we had to prop the guests up on the shrubbery.
Judith McNaught (Almost Heaven (Sequels, #3))
With a scowl, he turned from the window, but it was too late. The sight of Lady Celia crossing the courtyard dressed in some rich fabric had already stirred his blood. She never wore such fetching clothes; generally her lithe figure was shrouded in smocks to protect her workaday gowns from powder smudges while she practiced her target shooting. But this morning, in that lemon-colored gown, with her hair finely arranged and a jeweled bracelet on her delicate wrist, she was summer on a dreary winter day, sunshine in the bleak of night, music in the still silence of a deserted concert hall. And he was a fool. "I can see how you might find her maddening," Masters said in a low voice. Jackson stiffened. "Your wife?" he said, deliberately being obtuse. "Lady Celia." Hell and blazes. He'd obviously let his feelings show. He'd spent his childhood learning to keep them hidden so the other children wouldn't see how their epithets wounded him, and he'd refined that talent as an investigator who knew the value of an unemotional demeanor. He drew on that talent as he faced the barrister. "Anyone would find her maddening. She's reckless and spoiled and liable to give her husband grief at every turn." When she wasn't tempting him to madness. Masters raised an eyebrow. "Yet you often watch her. Have you any interest there?" Jackson forced a shrug. "Certainly not. You'll have to find another way to inherit your new bride's fortune." He'd hoped to prick Masters's pride and thus change the subject, but Masters laughed. "You, marry my sister-in-law? That, I'd like to see. Aside from the fact that her grandmother would never approve, Lady Celia hates you." She did indeed. The chit had taken an instant dislike to him when he'd interfered in an impromptu shooting match she'd been participating in with her brother and his friends at a public park. That should have set him on his guard right then. A pity it hadn't. Because even if she didn't despise him and weren't miles above him in rank, she'd never make him a good wife. She was young and indulged, not the sort of female to make do on a Bow Street Runner's salary. But she'll be an heiress once she marries. He gritted his teeth. That only made matters worse. She would assume he was marrying her for her inheritance. So would everyone else. And his pride chafed at that. Dirty bastard. Son of shame. Whoreson. Love-brat. He'd been called them all as a boy. Later, as he'd moved up at Bow Street, those who resented his rapid advancement had called him a baseborn upstart. He wasn't about to add money-grubbing fortune hunter to the list. "Besides," Masters went on, "you may not realize this, since you haven't been around much these past few weeks, but Minerva claims that Celia has her eye on three very eligible potential suitors." Jackson's startled gaze shot to him. Suitors? The word who was on his lips when the door opened and Stoneville entered. The rest of the family followed, leaving Jackson to force a smile and exchange pleasantries as they settled into seats about the table, but his mind kept running over Masters's words. Lady Celia had suitors. Eligible ones. Good-that was good. He needn't worry about himself around her anymore. She was now out of his reach, thank God. Not that she was ever in his reach, but- "Have you got any news?" Stoneville asked. Jackson started. "Yes." He took a steadying breath and forced his mine to the matter at hand.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
HEART OF TEA DEVOTION rc t c//'VI/~ L tLP /'V to/ a My dear, ifyou couldgive me a cup of tea to clear my muddle of a head I should better understand your affairs. CHARLES DICKENS If teacups could talk, my house would be full of conversation ... because my house is full of teacups. My collection of china cups-begun many years ago, when I set up housekeeping as a child bride-has long since outgrown its home in the glass-front armoire and spread out to occupy side tables and shelves and hooks in the kitchen or find safe harbor in the dining-room hutch. Some of these cups I inherited from women I love-my mother and my aunties. Some are gifts from my husband, Bob, or from my children or from special friends. A few are delightful finds from elegant boutiques or dusty antique shops. One cup bears telltale cracks and scars; it was the only one I could salvage when a shelf slipped and 14 cups fell and shattered. Three other cups stand out for their intense color-my aunt was always attracted to that kind of dramatic decoration. Yet another cup, a gift, is of a style I've never much cared for, but now it makes me smile as I remember the houseguest who "rescued" it from a dark corner of the armoire because it looked "lonely." Each one of my teacups has a history, and each one is precious to me. I have gladly shared them with guests and told their stories to many people. Recently, however, I have been more inclined to listen. I've been wondering what all those cups, with their history and long experience, are trying to say to me. What I hear from them, over and over, is an invitation-one I want to extend to you: When did you last have a tea party? When was the last time you enjoyed a cup of tea with someone you care about? Isn't it time you did it again?
Emilie Barnes (The Tea Lover's Devotional)
Mal watched Mary hurry to meet her aunt, her skirts rippling like water. She was beauty itself, and Mal wanted her. Not simply in bed- though he definitely would have that- he wanted her nearness, her warmth, that silken voice that tried to be haughty, the sudden flash of her smile. Mal's body tightened, goading him to pursue her and do all the good things he longed to. He would. He'd see her again; he'd make certain of it. Mal reflected as he moved down the passage on his errand that he'd already learned much about Lady Mary Lennox. She was passionate and romantic, beguilingly so, but tried to hide that nature under proper behavior. She'd wanted Malcolm to kiss her- he'd seen it in her heartrendingly blue eyes. Mary had stopped herself only at the last moment, and reluctantly. She also had compassion, helping her sister communicate with a forbidden lover. If Mary *truly* believed in propriety, she'd never condone her sister writing such a heartfelt letter. She also risked censure for being the go-between. This showed that Mary was fond enough for her sister to risks for her. Brave then, as well. Courage, passion, beauty, compassion, and something inside her that longed to be wicked- *what a woman.* One night in bed with her would be worth every step he took to get her there. Whatever errands Mal had to run for her, whatever billet doux he needed to carry, or drippy-nosed suitors to run through with his sword, he would do it all for his reward at the end. *Mary*. Even her name was a joy to say. Mal spoke it out loud in the silence of the empty hall. He'd teach her to call him Mal, and she'd say it in her smooth voice when she was deep in passion. She'd be reluctant at first, but Mal would coax her, like a bird to his hand, teaching her to trust, never breaking her. And then Mary would be his.
Jennifer Ashley (The Stolen Mackenzie Bride (MacKenzies & McBrides, #8))
Perhaps you’re not aware of it, Mrs. Phelan, but according to Rifle Brigade wedding tradition, every man on the groom’s honor guard gets to kiss the bride on her wedding night.” “What rot,” Christopher retorted amiably. “The only Rifles wedding tradition I know of is to avoid getting married in the first place.” “Well, you bungled that one, old fellow.” The group chortled. “Can’t say as I blame him,” one of them added. “You are a vision, Mrs. Phelan.” “As fair as moonlight,” another said. “Thank you,” Christopher said. “Now stop wooing my wife, and take your leave.” “We started the job,” one of the officers said. “It’s left to you to finish it, Phelan.” And with cheerful catcalls and well wishes, the Rifles departed. “They’re taking the horse with them,” Christopher said, a smile in his voice. “You’re well and truly stranded with me now.” He turned toward Beatrix and slid his fingers beneath her chin, nudging her to look at him. “What’s this?” His voice gentled. “What’s the matter?” “Nothing,” Beatrix said, seeing him through a shimmer of tears. “Absolutely nothing. It’s just…I spent so many hours in this place, dreaming of being with you someday. But I never dared to believe it could really happen.” “You had to believe, just a little,” Christopher whispered. “Otherwise it wouldn’t have come true.” Pulling her between his spread thighs, he wrapped her in a comforting hug. After a long time, he spoke quietly into her hair. “Beatrix. One of the reasons I haven’t made love to you since that afternoon is that I didn’t want to take advantage of you again.” “You didn’t,” she protested. “I gave myself to you freely.” “Yes, I know.” Christopher kissed her head. “You were generous, and beautiful, and so passionate that you’ve ruined me for any other woman. But it wasn’t what I had intended for your first time. Tonight I’m going to make amends.” Beatrix shivered at the sensual promise of his tone. “There’s no need. But if you insist…” “I do insist.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The last cake in his hand, he turned to her. “Alexandra.” Placing the candle on the side table, she knelt to retrieve the cloth. “We missed you at the last few meals. But you could have asked if you wanted more.” She straightened, setting the cloth on the table, too. “I’d have sent them to you in the workshop.” He tilted his head, giving her a look so calculatedly innocent—his smile vague, his eyes deliberately blank—that she laughed again. “I’m going to tell everyone you’re a sweet thief.” The cake fell from his fingers and landed with a little plop on the carpet. “Alexandra,” he repeated and reached for her, dragging her into his arms. Though stunned, she went willingly. With their faces just a hair’s breadth apart, he hesitated, making her shiver with anticipation. Then their lips met—she couldn’t tell who closed the gap—and her heart rolled over in her chest. The way they were pressed together from shoulder down to navel seemed incredibly intimate and thrilling—and very different from the friendly or sisterly sort of embrace she was used to. She could feel the searing heat of his skin through the fine fabric of his dressing gown. He wrapped his arms around her back. She buried her hands in his soft hair. He tasted of sugar and chocolate and Tris, a deliciously sweet combination. No, make that dangerously sweet. It took a herculean effort to retreat the barest inch. “We cannot,” she whispered. The look he gave her was so odd and intense, it seemed to go right through her. “I—I need to go back to my room,” she stammered, removing herself from his arms. When he didn’t reply, she added, “I’m sorry,” even though she wasn’t sure what she was apologizing for. He nodded, his lips curving in a sad almost-smile. “We should both go back to our rooms,” she said more firmly. “Good night.” “’Night,” he echoed and turned to exit the far end of the room. Almost against her will, she followed him to the doorway and watched him slowly traverse the long length of the torchlit great hall, standing there until he disappeared into the dark corridor that led to the guest chambers. He didn’t look back. She released a long, shuddering breath before retrieving her candle
Lauren Royal (Alexandra (Regency Chase Brides #1))
Mr Casaubon’s behaviour about settlements was highly satisfactory to Mr Brooke, and the preliminaries of marriage rolled smoothly along, shortening the weeks of courtship. The betrothed bride must see her future home, and dictate any changes that she would like to have made there. A woman dictates before marriage in order that she may have an appetite for submission afterwards. And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it. On a grey but dry November morning Dorothea drove to Lowick in company with her uncle and Celia. Mr Casaubon’s home was the manor-house. Close by, visible from some parts of the garden, was the little church, with the old parsonage opposite. In the beginning of his career, Mr Casaubon had only held the living, but the death of his brother had put him in possession of the manor also. It had a small park, with a fine old oak here and there, and an avenue of limes towards the south-west front, with a sunk fence between park and pleasure-ground, so that from the drawing-room windows the glance swept uninterruptedly along a slope of greensward till the limes ended in a level of corn and pastures, which often seemed to melt into a lake under the setting sun. This was the happy side of the house, for the south and east looked rather melancholy even under the brightest morning. The grounds here were more confined, the flower-beds showed no very careful tendance, and large clumps of trees, chiefly of sombre yews, had risen high, not ten yards from the windows. The building, of greenish stone, was in the old English style, not ugly, but small-windowed and melancholy-looking: the sort of house that must have children, many flowers, open windows, and little vistas of bright things, to make it seem a joyous home. In this latter end of autumn, with a sparse remnant of yellow leaves falling slowly athwart the dark evergreens in a stillness without sunshine, the house too had an air of autumnal decline, and Mr Casaubon, when he presented himself, had no bloom that could be thrown into relief by that background. ‘Oh dear!’ Celia said to herself, ‘I am sure Freshitt Hall would have been pleasanter than this.’ She thought of the white freestone, the pillared portico, and the terrace full of flowers, Sir James smiling above them like a prince issuing from his enchantment in a rosebush, with a handkerchief swiftly metamorphosed from the most delicately-odorous petals—Sir James, who talked so agreeably, always about things which had common-sense in them, and not about learning! Celia had those light young feminine tastes which grave and weather-worn gentlemen sometimes prefer in a wife; but happily Mr Casaubon’s bias had been different, for he would have had no chance with Celia.
George Eliot (Middlemarch)
I thought I saw you scurrying in here hubby-kins!” A girl in a vivid orange dress stepped into the room and I had to look up at her towering height and shoulders which nearly matched the breadth of the Heirs'. Her teeth protruded a little from her lower jaw and her eyes seemed to wander, never landing on one spot. Her hair was a massive brown frizz with a pink bow clipped into the top of it, perfectly matching the violently bright shade of her eyeshadow. She marched between Tory and I like we were made of paper, forcing us aside with her elbows as she charted a direct path for Darius. “Mildred,” he said tersely, his eyes darkening as his bride-to-be reached out to him. Caleb, Seth and Max sniggered as Mildred leaned in for a kiss and Darius only managed to stop her at the last second by planting his palm on her forehead with a loud clap. “Not before the wedding,” he said firmly and I looked at Tory who was falling into a fit of silent laughter, clutching her side. I tried to smother the giggle that fought its way out of my chest but it floated free and Mildred rounded on us like a hungry animal. “These must be the Vega Twins,” she said coldly. “Well don't waste your time sniffing around my snookums. Daddy says he's saving himself for our wedding night.” Max roared with laughter and Mildred turned on him like a loaded weapon, jabbing him right in the chest. Max's smile fell away as she glared at him like he was her next meal. “What are you laughing at you overgrown starfish?” she demanded, her eyes flashing red and her pupils turning to slits. “I've eaten bigger bites than you before, so don't tempt me because I adore seafood.” Max reached out, laying a hand on her bare arm, shifting it slightly as his fingers brushed a hairy mole. “Calm down Milly, we're just having a bit of fun. We want to get to know Darius's betrothed. Why don't you have a shot?” He nodded to Caleb who promptly picked one up and held it one out for Mildred to take. “Daddy says drinking will grow hairs on my chest,” she said, refusing it. “Too late for that,” Seth said under his breath and the others started laughing. A knot of sympathy tugged at my gut, but Mildred didn't seem to care about their mocking. She stepped toward Seth with a wicked grin and his smile fell away. “Oh and what's wrong with that exactly, Seth Capella? You like your girls hairy, don't you?” Seth gawped at her in answer. “What the hell does that mean?” “You like mutt muff,” she answered, jutting out her chin and I noticed a few wiry hairs protruding from it. Seth growled, scratching his stomach as he stepped forward. “I don't screw girls in their Order form, idiot.” “Maybe not, but you do, don't you Caleb Altair?” She rounded on him and now I was really starting to warm to Mildred as she cut them all down to size. I settled in for the show, folding my arms and smiling as I waited for her to go on. “My sister's boyfriend’s cousin said you like Pegasus butts. He even sent a video to Aurora Academy of you humping a Pegasex blow up doll and it went viral within a day.” Caleb's mouth fell open and his face paled in horror. “I didn't hump it!” “I didn't watch the video, but everyone told me what was in it. Why would I want to see you screwing a plastic horse?” She shrugged then turned to Tory and I with absolutely no kindness in her eyes. Oh crap.(Darcy)
Caroline Peckham (Ruthless Fae (Zodiac Academy, #2))