Bride To Be Cake Quotes

We've searched our database for all the quotes and captions related to Bride To Be Cake. Here they are! All 63 of them:

Everyone needs cake, Del.
Nora Roberts (Savor the Moment (Bride Quartet, #3))
I sing of brooks, of blossoms, birds, and bowers: Of April, May, of June, and July flowers. I sing of Maypoles, Hock-carts, wassails, wakes, Of bridegrooms, brides, and of their bridal cakes.
Robert Herrick (Hesperides, Or, the Works Both Humane and Divine of Robert Herrick [Followed By] His Noble Numbers)
Hart pointed at the carriage. "Get in." Eleanor started, and the cake vendor, who'd been watching with evident enjoyment, looked worried. "No need," Eleanor said to Hart. "I'll find a hansom. I've brought Maigdlin an I have so many parcels." "Get into the carriage, El, or I'll strap you to the top of it." Eleanor rolled her eyes and took another bite of seedcake.
Jennifer Ashley (The Duke's Perfect Wife (MacKenzies & McBrides, #4))
While contemplating the bride, and eyeing the cake of soap, he muttered between his teeth: 'Tuesday. It was not Tuesday. Was it Tuesday? Perhaps it was Tuesday. Yes, it was Tuesday.' No one has ever discovered to what this monologue referred. Yes, perchance, this monologue had some connection with the last occasion on which he had dined, three days before, for it was now Friday.
Victor Hugo (Les Misérables)
Never my favorite part of the night, the bride and groom smearing cake on each other's face.I'm with Frankie; it can't be an auspicious start.
Melissa Jensen (The Fine Art of Truth or Dare)
Before there was wedding cake, there was bride pie.
Janet Clarkson (Pie: A Global History (The Edible Series))
He told me yesterday that weddings should be individual celebrations of a couple’s relationship, ideally with just the bride and groom and a humanist minister. Everything else is merely social pressure to eat tiny cakes.
Hester Browne (The Honeymoon Hotel: escape with this perfect happily-ever-after romcom)
This war of ours, the one between the Vampyres and the Weres, began several centuries ago with brutal escalations of violence, culminated amid flowing torrents of varicolored blood, and ended in a whimper of buttercream cake on the day I met my husband for the first time. Which, as it happens, was also the day of our wedding.
Ali Hazelwood (Bride)
She has never been in the presence, before, of two people who are in love with each other. She feels like a stray child, ragged and cold, with her nose pressed to a lighted window. A toy-store window, a bakery window, with fancy cakes and decorated cookies. Poverty prevents her entrance. These things are for other people; nothing for her.
Margaret Atwood (The Robber Bride)
Happy smiles were shared between the bride and groom, but it was the cake their guests remembered - the vanilla custard filling, the buttercream finish, the slight taste of raspberries that had surely been added to the batter. No one brought home any slices of leftover cake to place under their pillow, hoping to dream of their future mate; instead, the guests… ate the whole cake and then had dreams of eating it again. After this wedding unmarried women woke in the night with tears in their eyes, not because they were alone, but because there wasn't any cake left.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
With headlines like "Marry Now or Never," the specter of marriage loomed. It was a constant fear, a threat, a reminder. But Sylvia wasn't baited by those pretty tales of line and hook: the bride-white cake, the prime rib and steak, marriage- that bleak fable- with Husband cast as warden, the future dead clear and blighted.
Elizabeth Winder (Pain, Parties, Work: Sylvia Plath in New York, Summer 1953)
He'd never have cake again and not think of her, never drink champagne and not think of her. Every success of his life would taste like Esme.
Helen Hoang (The Bride Test (The Kiss Quotient, #2))
Sometimes it is not the marriage that is boring, it’s your life. ⁣
Richie Norton
I sing of brooks, of blossoms, birds, and bowers: Of April, May, of June, and July flowers. I sing of Maypoles, Hock-carts, wassails, wakes, Of bridegrooms, brides, and of their bridal cakes.
Rober Herrick "Argument of His Book"
I sing of brooks, of blossoms, birds, and bowers; Of April, May, of June, and July flowers. I sing of Maypoles, Hock-carts, wassails, wakes, Of bridegrooms, brides, and of their bridal cakes. —ROBERT HERRICK
Nora Roberts (Savor the Moment (Bride Quartet, #3))
the field, she catches a flash of silver: the bride’s sisters and friends are dancing with knives. “They’re dancing with knives.” He turns. “They’re about to cut the cake. That’s to let him know they can handle knives. That he should be good to their sister. That they will protect her.” “A warning.” “Kurds aren’t known for being subtle.
Gian Sardar (Take What You Can Carry)
They all hushed as Brinny, the one murderess of their crew, told them of the making of her bride cake, with primrose yellow butter and raisins of the sun, fattened on smuggled brandy. The further they sailed from England, the fonder they grew of the pleasures of home: plum trees with bowed branches, brambles in the hedge, cream from a beloved cow.
Martine Bailey (A Taste for Nightshade)
John laughed. "Out here, any cake is a treat." "But everyone has a favorite." Her eyes smiled at Nick. "Well?" "Chocolate, ma'am." The words surprised him by tumbling out of his mouth. "Chocolate, it is," she said gaily. "Good thing I brought cocoa powder with me." John winked at Nick before turning to his wife. "You practically brought all of Boston with you.
Debra Holland (Beneath Montana's Sky (Mail-Order Brides of the West, #0.5; Montana Sky, #0.5))
From the railway station far away the sharp clang of a bell...In half an hour the train starts, and there is so much still to say that has been left unsaid...The mothers, fearful and fussy, look for their sons in among the crowd like hens in search of their chicks; their wizened faces are hard and wrinkled like winter apples, they carry huge baskets on their arms, over-filled with the last delicacies which their fond, toil-worn hands will prepare for the beloved son for the next three years:--a piece of smoked bacon, a loaf of rye bread, a cake of maize-flour. The gypsies have struck up a melancholy Magyar folksong: the crowd breaks up in isolated groups, mothers and father with their sons whisper in the dark corners of the bran. The father who did his service thirty years ago gives sundry good advice—no rebellion, quiet obedience, no use complaining or grumbling, the three years are quickly over. The mother begs her darling not to give way to drink, and not to get entangled with one of the hussies in the towns; women and wine, the two besetting temptations that assail the Magyar peasant—let the darling boy resist both for his sorrowing mother’s sake.
Emmuska Orczy (A Bride of the Plains)
Whether you're a bride or a birthday boy, your options are much the same. Cake comes in chocolate, yellow, or white. Frosting comes in chocolate or vanilla buttercream, or you can opt for whipped cream. Fillings are either chocolate or vanilla custard, fresh bananas, or strawberries or raspberries in season. For birthday cakes, you can have either flowers or balloons in your choice of colors. For wedding cakes, you can add either fondant or marzipan covering, or either smooth or basket-weave buttercream, in white or ivory, with either pearl-like dots or ribbony swags made of frosting, and fondant faux flowers are extra.
Stacey Ballis (Wedding Girl)
People like Mrs. Lee were used to only one kind of Chinese wedding banquet—the kind that took place in the grand ballroom of a five-star hotel. There would be the gorging on salted peanuts during the interminable wait for the fourteen-course dinner to begin, the melting ice sculptures, the outlandish floral centerpieces, the society matron invariably offended by the faraway table she had been placed at, the entrance of the bride, the malfunctioning smoke machine, the entrance of the bride again and again in five different gowns throughout the night, the crying child choking on a fish ball, the three dozen speeches by politicians, token ang mor executives and assorted high-ranking officials of no relation to the wedding couple, the cutting of the twelve-tier cake, someone’s mistress making a scene, the not so subtle counting of wedding cash envelopes by some cousin,* the ghastly Canto pop star flown in from Hong Kong to scream some pop song (a chance for the older crowd to take an extended toilet break), the distribution of tiny wedding fruitcakes with white icing in paper boxes to all the departing guests, and then Yum seng!†—the whole affair would be over and everyone would make the mad dash to the hotel lobby to wait half an hour for their car and driver to make it through the traffic jam.
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
Sal and Henry return with a gust of warm garden air and I settle down to create miniature roses from sugarpaste using tiny ivory spatulas and crimpers. I will have no antique tester bed crowning my cake, only a posy of flowers: symbols of beauty and growth, each year new-blossoming. I let Henry paint the broken pieces with spinach juice, while I tint my flowers with cochineal and yellow gum. As a pretty device I paint a ladybird on a rose, and think it finer than Sèvres porcelain. At ten o'clock tomorrow, I will marry John Francis at St. Mark's Church, across the square. As Sal and I rehearse our plans for the day, pleasurable anticipation bubbles inside me like fizzing wine. We will return from church for this bride cake in the parlor, then take a simple wedding breakfast of hot buttered rolls, ham, cold chicken, and fruit, on the silver in the dining room. Nan has sent me a Yorkshire Game Pie, so crusted with wedding figures of wheatsheafs and blossoms it truly looks too good to eat. We have invited few guests, for I want no great show, and instead will have bread and beef sent to feed the poor. And at two o'clock, we will leave with Henry for a much anticipated holiday by the sea, at Sandhills, on the southern coast. John Francis has promised Henry he might try sea-bathing, while I have bought stocks of cerulean blue and burnt umber to attempt to catch the sea and sky in watercolor.
Martine Bailey (A Taste for Nightshade)
The overhead lights hit the Serch Bythol sculpture on the utmost tier, the sugar crystals shimmering and dancing like a cascade of diamonds. The planes of the cake beneath were clean and crisp, and the sugar-stained glass panels caught every light on the ceiling, throwing back shimmering rainbow rays. Sylvie was most proud of the silhouette that circled the middle stained-glass tiers--the skylines of London and Johnny's family estate in Lancashire. Only when viewed at close range did a second, hidden skyline emerge from within the reflective depths---the fantasy lands of I, Slayer, complete with a tiny, flying dragon. It was a work of art---and even now, she was taken aback by the level of harmony they had achieved, twinning together two very different styles. In honor of the union of two very different people, whose lives would hopefully interlock just as successfully.
Lucy Parker (Battle Royal (Palace Insiders, #1))
A form of entertainment that has recently become very popular, particularly in the smaller towns, is the Coca-Cola party. Usually the ladies assemble between eleven and twelve in the morning at the home of the hostess. Trays of tall iced glasses filled with Coca-Cola are passed, followed by platters of crackers and small iced cakes. The dining table is decorated like any tea-table with flowers, fruit or mints, except that there are little buckets of ice so that guests may replenish their glasses as the ice melts. Other bottled drinks are usually provided for those who do not like Coca-Cola, but these are few in Georgia. This simple, inexpensive form of entertainment is particularly popular with the young matrons and young girls, who use it to honor a visitor or a bride. Occasionally the parties are held in the afternoon, but usually the afternoon is time for the more elaborate tea.
Mark Kurlansky (The Food of a Younger Land: A portrait of American food- before the national highway system, before chainrestaurants, and before frozen food, when the ... of American food from the lost WPA files)
I looked over at Jason. “Want some?” He grinned. “Sure.” I pulled some off, held it out to him. He opened his mouth slightly, a challenge in his eyes. I don’t know why I’d thought he’d take it from me. Finally, he said, “I don’t want to get my fingers sticky.” Oh, right. I got really warm, but I pushed the cotton candy into his mouth--and couldn’t help thinking about a bride shoving the cake into the groom’s mouth. Jason’s lips barely touched my fingers as his mouth closed, and I pulled back, but I got that much hotter, had felt his breath skim across my knuckles. It was so intimate, so personal, like something you’d do with someone you had a serious crush on. Much more intimate than spooning him ice cream. With ice cream, there was the distance of the spoon, not to mention that it was cold. “I haven’t had cotton candy in forever,” he said. “I’d forgotten how…sugary it is.” “It’s pure sugar.” “I wonder who invented it.” “I think it was a dentist.” He laughed, a laugh that revealed his perfect smile, his perfect teeth. “I’ll bet you’re right.
Rachel Hawthorne (The Boyfriend League)
You are the third bride wed for peace," Cymbra said with a smile. "And to be frank, it has not been an easy road for the two of us who went before. Yet knowing what we do now, neither Krysta nor I would ever have chosen a different path." "How much choice did you have?" To Rycca's surprise, Cymbra laughed. "In my case, none." She sighed in mocking languor. "I still remember Wolf's deeply romantic proposal. He told me that if I did not wed him, he would kill my brother." "He what?" "Oh,don't worry, he's gotten much better." She laughed again, fondly. "Much, much better.Besides, Dragon is the one who was always good with women." Rycca could not dispute that but neither could she ignore what she had just been told.Shocked, she asked, "What did you do?" "Do? Why,I punched him,of course. What else could I do? He went to our wedding worried that the blow still showed." "You...punched him?" The ethereal beauty beside her had struck the fierce Wolf? "Rycca,dear sister, something you must learn at once.Wolf and Dragon are both wonderful men but they are also overwhelming. It is part of their charm. Nontheless,with them it is always best to be firm. For that matter, the same can be said of my brother, as Krysta learned readily enough." "She and Lord Hawk seem devoted to each other." "As are Wold and I. That doesn't mean one should be a meek little woman rubbing feet." "What a horrible notion! However did you think of it?" "Oh,didn't you know? That's the kind of wife Dragon always said he wanted." Too many more shocks of this sort and she was going to turn to stone right where she stood. "He said that? Whatever could he have been thinking? Any such woman would drive him mad." "Which is more or less what Wolf told him, only he said she would kill him with boredom. No, Dragon needs someone who can match his spirit, which I am now reassured you can do. Come, let us seek out Magda, who will serve us cool milk and cakes and give us a snug place to talk while the men amuse themselves." "Dragon has a sword for his brother." "The Moorish sword? Perfect, they will be occupied for hours.We won't see them again until they are satisfied neither is stronger or more agile than the other.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
I lift the lid of the chest. Inside, the air is musty and stale, held hostage for years in its three-foot-by-four-foot tomb. I lean in to survey the contents cautiously, then pull out a stack of old photos tied with twine. On top is a photo of a couple on their wedding day. She's a young bride, wearing one of those 1950's netted veils. He looks older, distinguished- sort of like Cary Grant or Gregory Peck in the old black-and-white movies I used to watch with my grandmother. I set the stack down and turn back to the chest, where I find a notebook, filled with handwritten recipes. The page for Cinnamon Rolls is labeled "Dex's Favorite." 'Dex.' I wonder if he's the man in the photo. There are two ticket stubs from 1959, one to a Frank Sinatra concert, another to the movie 'An Affair to Remember.' A single shriveled rosebud rests on a white handkerchief. A corsage? When I lift it into my hand, it disintegrates; the petals crinkle into tiny pieces that fall onto the living room carpet. At the bottom of the chest is what looks like a wedding dress. It's yellowed and moth-eaten, but I imagine it was once stark white and beautiful. As I lift it, I can hear the lace swishing as if to say, "Ahh." Whoever wore it was very petite. The waist circumference is tiny. A pair of long white gloves falls to the floor. They must have been tucked inside the dress. I refold the finery and set the ensemble back inside. Whose things are these? And why have they been left here? I thumb through the recipe book. All cookies, cakes, desserts. She must have loved to bake. I tuck the book back inside the chest, along with the photographs after I've retied the twine, which is when I notice a book tucked into the corner. It's an old paperback copy of Ernest Hemingway's 'The Sun Also Rises.' I've read a little of Hemingway over the years- 'A Moveable Feast' and some of his later work- but not this one. I flip through the book and notice that one page is dog-eared. I open to it and see a line that has been underscored. "You can't get away from yourself by moving from one place to another." I look out to the lake, letting the words sink in. 'Is that what I'm trying to do? Get away from myself?' I stare at the line in the book again and wonder if it resonated with the woman who underlined it so many years ago. Did she have her own secret pain? 'Was she trying to escape it just like me?
Sarah Jio (Morning Glory)
That baking day was the third day Mrs G had shut herself away in the stillroom, dosing herself with medicinal waters. As I rolled the pastry I lived out a fancy I had nourished, since the first apple blossom pinked in May- the making of the perfect dish. Next day was All Hallows Eve, or Souling Night as we called it, and all our neighbors would gather for Old Ned's cider and Mrs Garland's Soul Cakes. After the stablemen acted out the Souling play, the unmarried maids would have a lark, guessing their husband's name from apple pairings thrown over their shoulders. So what better night, I thought, for Jem to announce our wedding? At the ripe age of twenty-two years, the uncertainties of maidenhood were soon to pass me by. Crimping my tarts, I passed into that forgetfulness that is a most delightful way of being. My fingers scattered flour and my elbows spun the rolling pin along the slab. Unrolling before my eyes were scenes of triumph: of me and Jem leading a cheery procession to the chapel, posies of flowers in my hand and pinned to Jem's blue jacket. In my head I turned over the makings of my Bride Cake that sat in secret in the larder- ah, wouldn't that be the richest, most hotly spiced delight? And all the bitter maidens who put it underneath their pillows would be sorrowing to think that Jem was finally taken, bound and married off to me.
Martine Bailey (An Appetite for Violets)
The last cake in his hand, he turned to her. “Alexandra.” Placing the candle on the side table, she knelt to retrieve the cloth. “We missed you at the last few meals. But you could have asked if you wanted more.” She straightened, setting the cloth on the table, too. “I’d have sent them to you in the workshop.” He tilted his head, giving her a look so calculatedly innocent—his smile vague, his eyes deliberately blank—that she laughed again. “I’m going to tell everyone you’re a sweet thief.” The cake fell from his fingers and landed with a little plop on the carpet. “Alexandra,” he repeated and reached for her, dragging her into his arms. Though stunned, she went willingly. With their faces just a hair’s breadth apart, he hesitated, making her shiver with anticipation. Then their lips met—she couldn’t tell who closed the gap—and her heart rolled over in her chest. The way they were pressed together from shoulder down to navel seemed incredibly intimate and thrilling—and very different from the friendly or sisterly sort of embrace she was used to. She could feel the searing heat of his skin through the fine fabric of his dressing gown. He wrapped his arms around her back. She buried her hands in his soft hair. He tasted of sugar and chocolate and Tris, a deliciously sweet combination. No, make that dangerously sweet. It took a herculean effort to retreat the barest inch. “We cannot,” she whispered. The look he gave her was so odd and intense, it seemed to go right through her. “I—I need to go back to my room,” she stammered, removing herself from his arms. When he didn’t reply, she added, “I’m sorry,” even though she wasn’t sure what she was apologizing for. He nodded, his lips curving in a sad almost-smile. “We should both go back to our rooms,” she said more firmly. “Good night.” “’Night,” he echoed and turned to exit the far end of the room. Almost against her will, she followed him to the doorway and watched him slowly traverse the long length of the torchlit great hall, standing there until he disappeared into the dark corridor that led to the guest chambers. He didn’t look back. She released a long, shuddering breath before retrieving her candle
Lauren Royal (Alexandra (Regency Chase Brides #1))
What’ll it be?” Steve asked me, just days after our wedding. “Do we go on the honeymoon we’ve got planned, or do you want to go catch crocs?” My head was still spinning from the ceremony, the celebration, and the fact that I could now use the two words “my husband” and have them mean something real. The four months between February 2, 1992--the day Steve asked me to marry him--and our wedding day on June 4 had been a blur. Steve’s mother threw us an engagement party for Queensland friends and family, and I encountered a very common theme: “We never thought Steve would get married.” Everyone said it--relatives, old friends, and schoolmates. I’d smile and nod, but my inner response was, Well, we’ve got that in common. And something else: Wait until I get home and tell everybody I am moving to Australia. I knew what I’d have to explain. Being with Steve, running the zoo, and helping the crocs was exactly the right thing to do. I knew with all my heart and soul that this was the path I was meant to travel. My American friends--the best, closest ones--understood this perfectly. I trusted Steve with my life and loved him desperately. One of the first challenges was how to bring as many Australian friends and family as possible over to the United States for the wedding. None of us had a lot of money. Eleven people wound up making the trip from Australia, and we held the ceremony in the big Methodist church my grandmother attended. It was more than a wedding, it was saying good-bye to everyone I’d ever known. I invited everybody, even people who may not have been intimate friends. I even invited my dentist. The whole network of wildlife rehabilitators came too--four hundred people in all. The ceremony began at eight p.m., with coffee and cake afterward. I wore the same dress that my older sister Bonnie had worn at her wedding twenty-seven years earlier, and my sister Tricia wore at her wedding six years after that. The wedding cake had white frosting, but it was decorated with real flowers instead of icing ones. Steve had picked out a simple ring for me, a quarter carat, exactly what I wanted. He didn’t have a wedding ring. We were just going to borrow one for the service, but we couldn’t find anybody with fingers that were big enough. It turned out that my dad’s wedding ring fitted him, and that’s the one we used. Steve’s mother, Lyn, gave me a silk horseshoe to put around my wrist, a symbol of good luck. On our wedding day, June 4, 1992, it had been eight months since Steve and I first met. As the minister started reading the vows, I could see that Steve was nervous. His tuxedo looked like it was strangling him. For a man who was used to working in the tropics, he sure looked hot. The church was air-conditioned, but sweat drops formed on the ends of his fingers. Poor Steve, I thought. He’d never been up in front of such a big crowd before. “The scariest situation I’ve ever been in,” Steve would say later of the ceremony. This from a man who wrangled crocodiles! When the minister invited the groom to kiss the bride, I could feel all Steve’s energy, passion, and love. I realized without a doubt we were doing the right thing.
Terri Irwin (Steve & Me)
I sing of brooks, of blossoms, birds, and bowers; Of April, May, of June, and July flowers. I sing of Maypoles, Hock-carts, wassails, wakes, Of bridegrooms, brides, and of their bridal cakes. —ROBERT HERRICK
Anonymous
That’s why the savvy bride purchases wedding insurance. Like travel insurance, wedding insurance will guarantee that you don’t lose the entirety of your deposits on things like venues, cakes, photographers, food suppliers, wedding limos, flowers, honeymoon, even your gown…
Meg Cabot (Queen of Babble in the Big City (Queen of Babble, #2))
In that moment, the possibly deceased naked cowboy was the cherry on top of the dung cake that was her life.
Lori Wilde (The Cowboy Takes a Bride (Jubilee, Texas, #1))
This is a bride’s book, from bride to bride. If you’re not a bride, you’re reading Weddiculous because:            •  You’ve entertained the idea of engagement and plan to leave this book out so your partner sees it and gets a motherfucking clue.            •  You never want to plan a wedding, or had one and hated it, and want to laugh at my pain.            •  There’s cake on the cover, and you like cake.
Jamie Lee (Weddiculous: An Unfiltered Guide to Being a Bride)
Is he nice?” one whispered over her gum paste roses for this weekend’s wedding cakes. “Um, obviously,” Kimmie said. “You’re why he’s always coming around? I know he’s hot stuff in Chicago, but he always seems so stiff when he comes here,” another added from the sink. “Honey, you want them stiff,” a third said…
Jamie Farrell (Sugared (Misfit Brides, #4))
He was the most handsome nightmare she had ever met.
Jamie Farrell (Sugared (Misfit Brides, #4))
He was sort of Kimmie’s boss. And he wasn’t just a thorn in General Mom’s side – he was a whole stinking rosebush. If the rosebush were six feet of hunky, cake-blaspheming, rich playboy.
Jamie Farrell (Sugared (Misfit Brides, #4))
Speaking of cupcakes, Will wants two dozen off your special menu to take on the road after the wedding.” “The, erm, peach kind?” “The peach kind,” Lindsey said. “I like the peach kind,” Josh said. Mikey had named them Sex on a Peach. And they were Kimmie’s second biggest seller, after the Hairy Dicks, which were coconut cake balls strategically placed with Dahlia’s chocolate-covered, ice cream-filled bananas. And Josh’s frown had disappeared, and now he was grinning as if he knew it. All of it.
Jamie Farrell (Sugared (Misfit Brides, #4))
But meeting your aunt changed everything. It made me realize I could be so much more. I don’t know how it will happen or if it will. But at least there’s hope.” She pulled her feet onto the seat, tucking her knees to her chest. “Elise said she used to work the graveyard shift at this diner so she could have daytime hours free for photography. She said she’d work a wedding then go waitress right after. She went from champagne and cake to coffee and bacon. Evening gowns to truckers.” She smiled. “The weddings paid well, but the night shift inspired her. Isn’t that amazing? A five thousand dollar dress on a bride couldn’t compete with five thousand miles on a trucker’s face. She said his wrinkles told a better story than silk ever could.
Renita Pizzitola (Just a Little Kiss (Crush, #3))
Thank you, Dr. Walker,” she said, standing. “I—I appreciate what you’ve done. I’m sure it will heal up nicely now.” She’d have to return another day to see about the curtains and the wagon. Right now she wanted nothing more than to escape his gaze and that of the Pattersons and go back to the cottage. She’d doubted he’d accept payment for his impromptu doctoring, but perhaps she could bring him a cake by way of thanks. “It’s a blessing he was there,” Mrs. Patterson murmured in agreement. “Oh, I’m not done, Miss Matthews. That’s a nasty gash you have, and it’s going to need proper disinfectant and some stitches to heal properly. You need to come down to the office with me where I can do it properly.” Her eyes flew open. “Oh, I’m sure that’s not necessary,” she protested. “And I’m sure it is. Come along, Miss Matthews,” he said, tucking her uninjured arm in his. “But—” “Best listen to the doctor, dear,” Mrs. Patterson was saying. “Yes, he’s treated wounds on the battlefield, after all,” her spouse added. She felt herself being pulled out the door, willy-nilly. She trusted his medical judgment, but she wasn’t sure she was ready to be alone with him, even if she was only a patient to him in this instance.
Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
The Argument of his Book I sing of Brooks, of Blossomes, Birds, and Flowers: Of April, May, of June, and July-Flowers. I sing of May-poles, Hock-carts, Wassails, Wakes, Of Bride-grooms, Brides, and of their Bridall-cakes. I write of Youth, of Love, and have Accesse By these, to sing of cleanly-Wantonnesse. I sing of Dewes, of Raines, and piece by piece Of Balme, of Oyle, of Spice, and Amber-Greece. I sing of Times trans-shifting; and I write How Roses first came Red, and Lillies White. I write of Groves, of Twilights, and I sing The Court of Mab, and of the Fairie-King. I write of Hell; I sing (and ever shall) Of Heaven, and hope to have it after all.
Robert Welch Herrick (Selected Poems (Shearsman Classics))
Make mine water, with a lemon.” She looked at Maddy. “I have a wedding dress to squeeze into.” Kerry rolled her eyes. “Don’t you dare say anything that has the word bride, bridal, wedding, or--God help us--dress, in her general direction. In fact, you can add cake, announcements, seating charts--” Maddy laughed as Fiona sat straighter, her face lighting up as she said, “Oh, seating charts! Right! With all that happened on the dock, I almost forgot to ask. With Cooper staying on, I’d like to invite him to the wedding. So we’ll need to reconfigure a few things.” Kerry didn’t even want to begin to contemplate what it would be like to watch her sister say her I dos, then smash wedding cake all over the face of her ridiculously handsome and adorable groom, all with Cooper and his marriage proposal seated anywhere in the same room with her. No. Uh-uh. “See what I mean?” she said sweetly to Maddy before sliding her sister’s lemon water in front of her.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
We’ve got things under control here.” “‘We’?” Kerry repeated. “Shouldn’t you be out sampling cake or agonizing over invitation fonts? Assuming you don’t have clients to design interiors for.” “I have clients,” Fiona replied easily, honest joy beaming from her every pore. “Very happy ones. Trust me, after running McCrae Interiors, I can juggle Fiona’s Finds and planning a wedding at the same time with my eyes closed.” Kerry gave her sister a hard time--it was what they did--but she was truly happy for Fiona, with both her new business success and her lovely and loving relationship with their longtime family friend, Ben Campbell. Fiona had sold a successful business in Manhattan to return home and start over. She’d just opened a small design studio in a converted cottage near the harbor, focusing on recycling and repurposing antique and vintage items into something fresh and new. Her designs were both eco-friendly and wallet friendly, and the Cove had embraced her return home and her new business with equal enthusiasm. “Remember you said that,” Kerry commented. “When it’s go time on the big aisle walk and you’re still running around like a crazy person trying to pull everything together at the last second, I don’t want to hear about it.” Fiona batted her eyelashes again as she took an extralong sip on the straw in her glass of lemon water. “I’m the epitome of a happy, relaxed bride. McCrae girls don’t do bridezilla. Well, Hannah didn’t, Alex was lovely, and I’m charming of course.” She looked at Kerry over the tip of her straw, smiling sweetly. “We’ll reserve final judgment until it’s your turn.” “Har, har,” Kerry said, but Fiona was high on wedding crack again so she let her run with it. “Besides, after handling weddings for Logan, Hannah, and the Grace-Delia double do out on that island, this will be a cakewalk. Ha!” Fiona went on, then laughed. “Cakewalk.” “You’re a designer? And you do weddings?” Maddy turned on her stool and spun Fiona on hers until they were facing each other. She gripped Fiona’s forearms and grinned. “Hello, my new best and dearest friend.” “Oh, brother.” Kerry surrendered, tossing her towel on the bar.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
She had not been sure what to wear—a classic peach maid of honor dress or a black leather corset. Her compromise: peach leather with a fringed hem, sleeveless so as to display arms with the relative dimensions and consistency of marble columns on a Georgian mansion. Big Cyndi’s hair was done up in a mauve Mohawk and pinned on the top was a little bride-and-groom cake decoration.
Harlan Coben (Promise Me (Myron Bolitar, #8))
It was a gorgeous cake, prosecco sponge with a delicate strawberry filling that I'd perfected over the summer. The kirsch liqueur made the flavors come alive and burst into a symphony on the taste buds.
Kate Young (Southern Sass and a Battered Bride (Marygene Brown Mystery, #3))
The four-tiered cake with brilliant Italian meringue buttercream frosting offset with champagne-dusted icing pearls and freshly cut Stargazer lilies from the florist would be the centerpiece of centerpieces.
Kate Young (Southern Sass and a Battered Bride (Marygene Brown Mystery, #3))
I thought it was odd no one mentioned Lucy, other than a few folks saying horrible things like Alex dodged a bullet and it was too bad they didn't get any cake." My eyes went wide. "I know. She didn't make the best impression in the year she lived here. I mean, surely there are those that must've liked her. You know me, I don't like to talk bad about anyone, and I think it's dreadful what happened to the girl. On her wedding day, no less. But she could've done well to take a lesson in manners and etiquette. To be so pretty, some ugly things came out of her mouth. And you know what mama used to say." "'Ugly words shouldn't come out of pretty mouths. No matter how much paint you put on the barn, the ugly taints the whole structure,'" we said in unison.
Kate Young (Southern Sass and a Battered Bride (Marygene Brown Mystery, #3))
There's still a hefty amount of protocol, and even if the bride and groom look like they've respectively stepped out of The Nightmare Before Christmas and an Archie comic, the royal tradition is---" "The brandy-soaked, raisin spotted, intestine-clogging brick known as fruitcake," Pet interrupted. "Will look and taste the same whether it was made yesterday or two decades ago. And at no time during its lengthy existence will anyone want to eat it. I've told you, the bride likes chocolate cake. Specifically and vitally, she apparently likes your Death by Chocolate fudge cake. Very little about this couple conforms to royal standards, which is half the reason the bookies are already taking revolting odds on how long the marriage will last, or if they'll actually make it to the altar. Rose is infamously a strong personality and a massive pain in her family's arse. I guarantee that however she has to bend to tradition, she'll wrangle final say over details like the inside of her cake.
Lucy Parker (Battle Royal (Palace Insiders, #1))
Each layer was a clean, crisp white. Marzipan over rich Vienna cream icing, edged with sugar lace, a delicate spidery web of lines, the perfect allusion of the bobbin lace that Princess Rose liked to weave. Or at least claimed she wove as a useful anecdote. His notes stated that she gave biannual speeches as patron of the City of London Arts and Crafts Guild. Flowers wound up the side of the cake, the blooming vine of a fairy tale. He studied the effect with distaste. A tap of the leftmost flower, and the petals changed color from an iridescent pink to a deep, brooding blood purple, almost black in tone. He swept his hand in front of the cake. One after another, the edges of the peony poppies bled, thee dark color leaching over the celestial pink. Still fairy tale, but with the inevitable malevolent element. Better. Also better suited to a dungeon or coffin than a reception table, but from the impression he got of the bride, the Tim Burton vibe was strongly in her wheelhouse.
Lucy Parker (Battle Royal (Palace Insiders, #1))
Three layers. Chocolate. Lemon. Pink champagne. The bride wanted lemons grown only in Sorrento. The groom claimed that chocolate made anywhere but Bruges was a waste of cacao. They both refused to consider any champagne but that of a bespoke label that produced only two hundred bottles of that variety a year, most of which were presold to a man in Chicago who, like most multimillionaires, didn't share his toys.
Lucy Parker (Battle Royal (Palace Insiders, #1))
Next stop: the cake. The couple had ordered theirs through one of Alfie's hotel pastry chefs, and it was three tiers of buttercream-frosted flowers that cascaded down all sides. One thing Cedric taught his planners was to consider where a wedding would take place and what was most appropriate for that setting---especially when it came to the cake. For example, if the couple wanted their wedding cake displayed at an outsider reception, they were limited to the type of frosting since many varieties melted in warm temperatures. Obviously, ice cream cakes were almost always out of the question, not only because they melted but also because they should only appear at toddler's parties, as Cedric was quick to say. Meanwhile fondant, while gorgeous, wasn't always the tastiest but could withstand a nuclear attack. We gave Camila and Alfie the gentler version of this spiel, but they insisted on savory buttercream regardless---and agreed to leave the cake inside on the big day. I had doubts about how much the bride actually loved cake anyway, given that she looked as if she maybe one piece of lettuce a day. But, "A wedding without a cake isn't really a wedding"---another one of Cedric's truisms, this one inspired by the Candy Bar Craze of 2009 and the Great Doughnuts of 2013.
Mary Hollis Huddleston (Without a Hitch)
Discussing the wedding created a perplexing hollow in Veblen. She had picked up a copy of Brides magazine since the whole idea came into play; it wanted to fill her mind with wedding souvenirs and makeovers and cake toppers and what she would wear on her head, but none of that stuff captivated her the way she knew it was supposed to, and she wondered if she should make it an actual goal to start relating to all the bridal fanfare in a more happy-go-lucky way so she wouldn’t miss out on something important. How do you know if you’re stubbornly missing out, or if it’s just not for you and that’s perfectly okay?
Elizabeth Mckenzie (The Portable Veblen)
I came to understand that the "maid" in "bridesmaid" no longer stood for "maiden" -- it instead bore the stench of Pine-Sol and dirty dishes. The presence of "maid" combined with the absence of "guest" is lethal. "Friends not slaves" indeed! These calls consisted of various instructions regarding transport to the wedding, table arrangements, the suggestion we wax our legs ("Of course, I would never make you ladies do anything"), and my bridesmaid dress. Here's a tip for brides everywhere: tell us what to wear and be done with it. A huge mistake is to tell your women that "any dress will do" as long as it's turtleneck and taupe. Do you think we cant see through this faux democracy? It's a bridetatorship.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
Many of her sponsors were rich foods, which she loved—and she had the ample frame to prove it. Often she could be heard enjoying a pudding or a frosted cake on the air. Her network career ended in 1954. Her longtime friend and partner, Stella Karn, had died, and McBride moved upstate, to Kingston, and retired from the national radio scene. But she was still dabbling in 1976, the year of her death, doing a three-a-week local talkshow on WGHQ.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
I'm trying to stop you from making a complete cake of yourself...
Jen Turano (Serving Up Love: A Harvey House Brides Collection)
A white vintage A-line dress brushed just below her knees. Soft tendrils escaped her honey-colored bun, a grandmother's antique brooch the only accent. She clasped a loose pink bouquet in one hand, his hand in the other as they stood solemnly before the judge. Lush, wild clusters of pink peonies and white hydrangeas interspersed with soft dusty miller lined the aisle of simple white folding chairs. Two larger arrangements in antique silver urns flanked the couple. A single cellist sat in the corner of the room. All simple, but stunningly elegant. She couldn't stop smiling, and I realized I'd never seen her so at ease. They quietly said vows they wrote themselves. Our small crowd watched in happy silence. I tried not to shift too loudly, every movement echoing on the cold marble tiles. Someone sniffled. The sound reverberated in the cavernous space. The groom's mother caught me staring and winked at me across the room. This bride had sent me on quite a journey, forcing me to finally reckon with my past and my future. With my identity, even. It hadn't been easy, but I was grateful. I had no right to be here, but here I was. How I ended up here remained a bit of a mystery to me. Her forgiveness was simply a gift, one of the type I was gradually learning to receive. Maybe, just maybe, that could be me someday.
Mary Hollis Huddleston (Piece of Cake)
The ceremony was beautiful, and as Hope and Mark stood beneath the towering floral arch, I couldn't help but think this scene truly looked like something out of a fairytale wedding. I even started feeling a little emotional--- until they started to recite their vows. Hope had told me earlier that she and Mark had written their own vows but failed to say more about them. At first, I thought my hearing had failed or I was having some kind of stroke. "What language is that?" I whispered to Dom from our perch in the back. "I... I actually think it's a pretend language," he replied. "What are you talking about?" I asked. "What do you mean pretend language?" "Do you have one of the programs with you?" he asked. "I bet there's a note in there about it." "No, but let me grab one." I didn't have to go far before I found the table at the back of the aisle and a basket full of programs. Each program was iridescent, in the shape of a flower with a beautiful lilac ribbon tied at the bottom. Under the order of service, a small line read: "The bride and groom have chosen to recite their own vows to one another in their favorite mythical tongue: Sindarin, one of the Elvish languages of Tolkein." My eyes were wide as saucers. Both the Elvish and English translations were printed below for everyone to follow along. Dom was going to lose it for sure. I quietly moved back to my seat next to Dom, who was still filming. "You're not going to believe what I'm about to tell you," I whispered as I casually fanned myself with the floral program. "What is it?" he asked. "It's Elvish," I said, holding back a laugh. "What?" he replied a little too loud. "Keep your voice down," I said, now pointing to the line in the program as proof. "Like, from The Lord of the Rings?" "I can't believe she didn't mention this to me earlier," I said. "But yes, I think so. This wedding is just full of surprises." "For once, I'm at a loss for words," Dom said. "They are clearly perfect for each other if this was something they both enjoyed. I bet they go to all those conferences for people who like fantasy stuff." "Maybe that's what they're doing for their honeymoon," I added. "I haven't asked them about it yet. If it is, I'm going to die." We were both holding back giggles at this point, but thankfully the couple finished reciting whatever it was they were saying to each other. I wondered whether we'd need to add subtitles to our video if we showed this part of the ceremony. As soon as the officiant pronounced them man and wife, the ceremony musicians played a set of chimes and the officiant asked for every guest to open the small box that was placed at the base of every bench. Inside each box was a butterfly that flew into the air and fluttered around the entire area above all the guests. I supposed that since real fairies weren't available, butterflies were the next best option. It was actually the perfect ending to this mythical ceremony, and everyone cheered in delight.
Mary Hollis Huddleston (Piece of Cake)
Weddings usually followed a month after the betrothal. The priest called banns three times to ensure there was no reason why the couple could not marry. A bride would be dressed in her best clothes, not necessarily white and often crimson or green. White only became popular for wedding gowns during the nineteenth century. The following description of a Tudor wedding is based on a novel written by Thomas Deloney called The Pleasant Historie of Jack Newbery.15 Written during the late sixteenth century, it tells of Jack’s second wedding during Henry VIII’s reign. He says that the bride was led to the church between two young boys who had bride-laces and rosemary tied on their silken sleeves. A bride-cup of silver and gilt hung with colourful silk ribbons was carried before her holding a posy of rosemary. Musicians led the procession. Maidens followed carrying bride cakes. Other maidens carried garlands of wheat.16
Carol McGrath (Sex and Sexuality in Tudor England)
Finally, I have the taste of violets on my tongue again. But kissing Sabine isn’t like eating candied flower buds. It’s devouring the whole cake. The whole fucking meal. Kissing Sabine is everything.
Evie Marceau (White Horse Black Nights (The Godkissed Bride, #1))
She would just tell us what she wanted,” recalled Elvis’s cook, Mary Jenkins. “One time she said, ‘I want a different cake every day of the week, but don’t tell Mama—she’ll put me on a diet.
Suzanne Finstad (Child Bride: The Untold Story of Priscilla Beaulieu Presley)
Three square tiers of hazelnut cake filled with caramel mousse and sliced poached pears, sealed with vanilla buttercream scented with pear eau-de-vie. It's covered in a smooth expanse of ivory fondant decorated with what appear to be natural branches of pale green dogwood but are actually gum paste and chocolate, and with almost-haphazard sheer spheres of silvery blown sugar, as if a child came by with a bottle of bubbles and they landed on the cake. On the top, in lieu of the traditional bride and groom, is a bottle of Dexter's favorite Riesling in a bow tie and a small three-tier traditional wedding cake sporting a veil, both made out of marzipan. It took me the better part of the last three weeks to make this cake. Not to mention the loaves of banana bread, the cellophane bags of pine nut shortbread cookies, and the little silver boxes of champagne truffles in the gift bags. And the vanilla buttermilk panna cottas we're serving with balsamic-macerated berries as the pre-dessert before the cake. And the hand-wrapped caramels and shards of toffee and dark-chocolate-covered candied ginger slices that will be served with the coffee.
Stacey Ballis (Wedding Girl)
There was NO WAY we were just sitting there in the library like a bride and groom sharing a piece of wedding cake!
Rachel Renée Russell (Tales from a Not-So-Secret Crush Catastrophe (Dork Diaries #12))
A 'sack posset' - a kind of wine cup - was drunk by the couple and a piece of the bride cake broken over their heads. Margaret objected to the latter because it left crumbs in the bedclothes.
Kathleen Jones (Margaret Cavendish, Duchess of Newcastle: A Glorious Fame)