“
After all, reading is arguably a far more creative and imaginative process than writing; when the reader creates emotion in their head, or the colors of the sky during the setting sun, or the smell of a warm summer's breeze on their face, they should reserve as much praise for themselves as they do for the writer - perhaps more.
”
”
Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
“
I once listened to an Indian on television say that God was in the wind and the water, and I wondered at how beautiful that was because it meant you could swim in Him or have Him brush your face in a breeze.
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
“
Close your eyes and turn your face into the wind.
Feel it sweep along your skin in an invisible ocean of exultation.
Suddenly, you know you are alive.
”
”
Vera Nazarian (The Perpetual Calendar of Inspiration)
“
The spring breeze felt like the warm breath of a child on Kumiko’s face. It played delicately with her hair like tiny fingers, and made the trees whisper a breathless song.
”
”
John Rachel (Love Connection: Romance in the Land of the Rising Sun)
“
She loves you. Do you even know what to do with that?”
I kissed the top of her head. “Cherish it like it’s the most precious thing on the face of the earth.
”
”
Abbi Glines (Just for Now (Sea Breeze, #4))
“
You may not see it now," said the Princess of Pure Reason, looking knowingly at Milo's puzzled face, "but whatever we learn has a purpose and whatever we do affects everything and everyone else, if even in the tiniest way. Why, when a housefly flaps his wings, a breeze goes round the world; when a speck of dust falls to the ground, the entire planet weighs a little more; and when you stamp your foot, the earth moves slightly off its course. Whenever you laugh, gladness spreads like the ripples in the pond; and whenever you're sad, no one anywhere can be really happy. And it's much the same thing with knowledge, for whenever you learn something new, the whole world becomes that much richer.
”
”
Norton Juster (The Phantom Tollbooth)
“
There are people in the world, who are just wrong, and then there are the masses of population that are right, or at the very least they lie in the veil of between. I on the other hand, do not belong to any group. I don’t exist. It’s not that I don’t have substance; I have a body like everyone else. I can feel the fire when it burns against my skin, the rain when it caresses my face and the breeze as it fingers my hair. I have all the senses that other people do. I am just empty, inside.
”
”
J.D. Stroube (Caged in Darkness (Caged, #1))
“
I will come back as a little breeze. You will feel me on your face, and you will know that I am still listening. So you can still talk to me.
”
”
Elizabeth Berg (Talk Before Sleep)
“
Breeze strolled over to the table and chose a seat with his characteristic decorum. The portly man raised his dueling cane, pointing it at Ham. 'I see that my period of intellectual respite has come to an end.'
Ham smiled. 'I thought up a couple beastly questions while I was gone, and I've been saving them just for you, Breeze.'
'I'm dying of anticipation,' Breeze said. He turned his cane toward Lestibournes. 'Spook, drink.'
Spook rushed over and fetched Breeze a cup of wine.
'He's such a fine lad,' Breeze noted, accepting the drink. 'I barely even have to nudge him Allomantically. If only the rest of you ruffians were so accommodating.'
Spook frowned. 'Niceing the not on the playing without.'
'I have no idea what you just said, child,' Breeze said. 'So I'm simply going to pretend it was coherent, then move on.'
Kelsier rolled his eyes. 'Losing the stress on the nip,' he said. 'Notting without the needing of care.'
'Riding the rile of the rids to the right,' Spook said with a nod.
'What are you two babbling about?' Breeze said testily.
'Wasing the was of brightness,' Spook said. 'Nip the having of wishing of this.'
'Ever wasing the doing of this,' Kelsier agreed.
'Ever wasing the wish of having the have,' Ham added with a smile. 'Brighting the wish of wasing the not.'
Breeze turned to Dockson with exasperation. 'I believe our companions have finally lost their minds, dear friend.'
Dockson shrugged. Then, with a perfectly straight face, he said, 'Wasing not of wasing is.
”
”
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
“
Like This
If anyone asks you
how the perfect satisfaction
of all our sexual wanting
will look, lift your face
and say,
Like this.
When someone mentions the gracefulness
of the nightsky, climb up on the roof
and dance and say,
Like this.
If anyone wants to know what "spirit" is,
or what "God’s fragrance" means,
lean your head toward him or her.
Keep your face there close.
Like this.
When someone quotes the old poetic image
about clouds gradually uncovering the moon,
slowly loosen knot by knot the strings
of your robe.
Like this.
If anyone wonders how Jesus raised the dead,
don’t try to explain the miracle.
Kiss me on the lips.
Like this. Like this.
When someone asks what it means
to "die for love," point
here.
If someone asks how tall I am, frown
and measure with your fingers the space
between the creases on your forehead.
This tall.
The soul sometimes leaves the body, the returns.
When someone doesn’t believe that,
walk back into my house.
Like this.
When lovers moan,
they’re telling our story.
Like this.
I am a sky where spirits live.
Stare into this deepening blue,
while the breeze says a secret.
Like this.
When someone asks what there is to do,
light the candle in his hand.
Like this.
How did Joseph’s scent come to Jacob?
Huuuuu.
How did Jacob’s sight return?
Huuuu.
A little wind cleans the eyes.
Like this.
When Shams comes back from Tabriz,
he’ll put just his head around the edge
of the door to surprise us
Like this.
”
”
Jalal ad-Din Muhammad ar-Rumi
“
I wake sometimes in the dark terrified by my life's precariousness, its thready breath. Beside me, my husband's pulse beats at his throat; in their beds, my children's skin shows every faintest scratch. A breeze would blow them over, and the world is filled with more than breezes: diseases and disasters, monsters and pain in a thousand variations. I do not forget either my father and his kind hanging over us, bright and sharp as swords, aimed at our tearing flesh. If they do not fall on us in spite and malice, then they will fall by accident or whim. My breath fights in my throat. How can I live on beneath such a burden of doom? I rise then and go to my herbs. I create something, I transform something. My witchcraft is as strong as ever, stronger. This too is good fortune. How many have such power and leisure and defense as I do? Telemachus comes from our bed to find me. He sits with me in the greensmelling darkness, holding my hand. Our faces are both lined now, marked with our years. Circe, he says, it will be all right. It is not the saying of an oracle or a prophet. They are words you might speak to a child. I have heard him say them to our daughters, when he rocked them back to sleep from a nightmare, when he dressed their small cuts, soothed whatever stung. His skin is familiar as my own beneath my fingers. I listen to his breath, warm upon the night air, and somehow I am comforted. He does not mean it does not hurt. He does not mean we are not frightened. Only that: we are here. This is what it means to swim in the tide, to walk the earth and feel it touch your feet. This is what it means to be alive.
”
”
Madeline Miller (Circe)
“
I stared into his handsome face and let those feelings overwhelm me and in that fleeting time I felt the ghost of our emotional connection. It was just a mere whisper, like a scent on the breeze that blows past you too quickly, bringing with it a memory of something you can’t quite grasp. I wasn’t sure if it was a trick of the light, a flicker of something real, or something I fabricated, but it captured all of my attention.
”
”
Colleen Houck
“
I watched the edges of the leaves slowly unfold, fluttering in the breeze. "How long did you wait?" It would've been unbearably romantic if he'd had he courage to look into my face and say it, but instead, he dropped his eyes to the ground and scuffed his boot in the leaves- countless possibilities for happy days- on the ground. "I haven't stopped.
”
”
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
“
Most women beg me to lick them, and I give it to you for free and you push me away,” he said with a fake pout on his face.
“You’re crazy.” I giggled
“I’m the good kind of crazy, though.
”
”
Abbi Glines (Bad for You (Sea Breeze, #7))
“
But as they rode out of Rifthold, that city that had been her home and her hell and her salvation, as she memorized each street and building and face and shop, each smell and the coolness of the river breeze, she didn't see one slave. Didn't hear one whip.
And as they passed by the domed Royal Theater, there was music - beautiful, exquisite music - playing within.
”
”
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
“
Preston pulled me up against his chest and cupped my face in his hands. “I love you. I love you so damn much it consumes me. I don’t deserve you, but I’m gonna become the man who does deserve you. I promise you. I’ll make you proud of me.”I reached up and ran my thumb over his lips. “I am and will always be proud of you. I want the world to know you’re mine.
”
”
Abbi Glines (Just for Now (Sea Breeze, #4))
“
Looking for Your Face
From the beginning of my life
I have been looking for your face
but today I have seen it
Today I have seen
the charm, the beauty,
the unfathomable grace
of the face
that I was looking for
Today I have found you
and those who laughed
and scorned me yesterday
are sorry that they were not looking
as I did
I am bewildered by the magnificence
of your beauty
and wish to see you
with a hundred eyes
My heart has burned with passion
and has searched forever
for this wondrous beauty
that I now behold
I am ashamed
to call this love human
and afraid of God
to call it divine
Your fragrant breath
like the morning breeze
has come to the stillness of the garden
You have breathed new life into me
I have become your sunshine
and also your shadow
My soul is screaming in ecstasy
Every fiber of my being
is in love with you
Your effulgence
has lit a fire in my heart
and you have made radiant
for me
the earth and sky
My arrow of love
has arrived at the target
I am in the house of mercy
and my heart
is a place of prayer
”
”
Jalal ad-Din Muhammad ar-Rumi (The Love Poems of Rumi)
“
The day my mother died I wrote in my journal, "A serious misfortune of my life has arrived." I suffered for more than one year after the passing away of my mother. But one night, in the highlands of Vietnam, I was sleeping in the hut in my hermitage. I dreamed of my mother. I saw myself sitting with her, and we were having a wonderful talk. She looked young and beautiful, her hair flowing down. It was so pleasant to sit there and talk to her as if she had never died. When I woke up it was about two in the morning, and I felt very strongly that I had never lost my mother. The impression that my mother was still with me was very clear. I understood then that the idea of having lost my mother was just an idea. It was obvious in that moment that my mother is always alive in me.
I opened the door and went outside. The entire hillside was bathed in moonlight. It was a hill covered with tea plants, and my hut was set behind the temple halfway up. Walking slowly in the moonlight through the rows of tea plants, I noticed my mother was still with me. She was the moonlight caressing me as she had done so often, very tender, very sweet... wonderful! Each time my feet touched the earth I knew my mother was there with me. I knew this body was not mine but a living continuation of my mother and my father and my grandparents and great-grandparents. Of all my ancestors. Those feet that I saw as "my" feet were actually "our" feet. Together my mother and I were leaving footprints in the damp soil.
From that moment on, the idea that I had lost my mother no longer existed. All I had to do was look at the palm of my hand, feel the breeze on my face or the earth under my feet to remember that my mother is always with me, available at any time.
”
”
Thich Nhat Hanh (No Death, No Fear: Comforting Wisdom for Life)
“
What if the point of life has nothing to do with the creation of an ever-expanding region of control? What if the point is not to keep at bay all those people, beings, objects and emotions that we so needlessly fear? What if the point instead is to let go of that control? What if the point of life, the primary reason for existence, is to lie naked with your lover in a shady grove of trees? What if the point is to taste each other's sweat and feel the delicate pressure of finger on chest, thigh on thigh, lip on cheek? What if the point is to stop, then, in your slow movements together, and listen to the birdsong, to watch the dragonflies hover, to look at your lover's face, then up at the undersides of leaves moving together in the breeze? What if the point is to invite these others into your movement, to bring trees, wind, grass, dragonflies into your family and in so doing abandon any attempt to control them? What if the point all along has been to get along, to relate, to experience things on their own terms? What if the point is to feel joy when joyous, love when loving, anger when angry, thoughtful when full of thought? What if the point from the beginning has been to simply be?
”
”
Derrick Jensen (A Language Older Than Words)
“
hanging out the window, Amber blew her a kiss. a lump the size of a fist clogged Heather's throat, while a breeze from th sea pushed her thick hair away from her face. tears trickled unchecked down her cheeks.
”
”
Lurlene McDaniel (Angel of Hope (Angel of Mercy, #2))
“
I'm so alive.
As I stand facing the beauty of the never-ending Pacific Ocean, a late afternoon breeze blows down from the hills behind. As always, it is a beautiful day. The sun is making its final descent. The magic is about to begin. The skies are ready to burn with brilliance, as it turns from a soft blue to a bright orange. Looking towards the West, I stare in awe at the hypnotic power of the waves. A giant curl begins to take form, then breaks with a thundering clap as it crashes on the shore.
”
”
Dave Pelzer (A Child Called "It" (Dave Pelzer, #1))
“
Dear Goat,
How does one fall in love? Do you trip? Do you stumble, lose your balance and drop to the sidewalk, graze your knee, graze your heart? Do you crash to the stony ground? Is there a precipice, from which you float, over the edge, forever?
I know I'm in love when I see you, I know when I long to see you. Not a muscle has moved. Leaves hang unruffled by any breeze. The air is still. I have fallen in love without taking step. When did this happen? I haven't even blinked.
I'm on fire. Is that too banal for you? It's not, you know. You'll see. It's what happens. It's what matters. I'm on fire.
I no longer eat, I forget to eat. Food looks silly to me, irrelevant. If I even notice it. But I notice nothing. My thoughts are full and raging, a house full of brothers, related by blood, feuding blood feuds:
"I'm in love."
"Typically stupid choice."
"I am, though, I'm racked by love as if love were pain."
"Go ahead. Fuck up your life. It's all wrong and you know it. Wake up. Face it."
"There's only one face, it's all I see, awake or asleep."
I threw the book out the window last night. I tried to forget. You are all wrong for me, I know it, but I no longer care for my thoughts unless they're thoughts of you. When I'm close to you, in your presence, I feel your hair brush my cheek when it does not. I look away from you, sometimes. Then I look back.
When I tie my shoes, when I peel an orange, when I drive my car, when I lie down each night without you, I remain,
As ever,
Ram
”
”
Cathleen Schine (The Love Letter)
“
Sometimes I do. Sometimes I look at him...and I remember how it was when I kissed him and felt that love. It makes me want that back. I want to feel it again. I want to return to it. Other times though...other times, I'm so scared. I listen to these guys...and to Jerome...and then the doubts gnaw at me. I can't get them out of my head. We've been sleeping together, you know. Literally. It hasn't been a problem so far, but sometimes I lie awake watching him, thinking this can't last. The longer it does...I feel like...like I'm standing on a high wire, with Seth at one end and me at the other. We're trying to reach each other, but one misstep, one breeze, one side-glance, and I'll fall over the edge. And keep falling and falling."
Carter leaned toward me and brushed the hair away from the side of my face. "Don't look down then," he whispered.
”
”
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
“
You could just marry each other,” Yrene said, and Dorian whipped his head to her, incredulous. “It’d make it easier for you both, so you don’t need to pretend.” Chaol gaped at his wife. Yrene shrugged. “And be a strong alliance for our two kingdoms.” Dorian knew his face was red when he turned to Manon, apologies and denials on his lips. But Manon smirked at Yrene, her silver-white hair lifting in the breeze, as if reaching for the united people who would soon soar westward. That smirk softened as she mounted Abraxos and gathered up the reins. “We’ll see,” was all Manon Blackbeak, High Queen of the Crochans and Ironteeth, said before she and her wyvern leaped into the skies. Chaol and Yrene began bickering, laughing as they did, but Dorian strode to the edge of the aerie. Watched that white-haired rider and the wyvern with silver wings become distant as they sailed toward the horizon. Dorian smiled. And found himself, for the first time in a while, looking forward to tomorrow.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
I want to be with you.” My words brought a hugegrin to his incredibly beautiful face.
“You’re my present and my future,Sadie, I will
use whatever power I have to make you happy.”
He leaned down and touched his perfect lips to mine, and my heart took flight. I would never get tired of his kiss. Jax Stone was my everything.
”
”
Abbi Glines (Breathe (Sea Breeze, #1))
“
All right," Spook said. He reached to the ground, scooping up a pile of ash. "Let's just rub this into your clothing and on your face...."
Breeze froze. "I'll meet you back ath the lair," he finally said.
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
At this, Constance sat down on a rock and covered her face. She seemed smaller than ever now - so small the harbor breeze might catch her up like a scrap of paper and carry her away, carry her into nowhere.
”
”
Trenton Lee Stewart (The Mysterious Benedict Society (The Mysterious Benedict Society, #1))
“
What have the nibblers ever done for you?"
The breeze ruffled her hair, pushing it back from her face, giving him a clear shot of her eyes. They were asking for an answer. Needing to know if she could count on him.
"They saved your life," he said.
And for just a moment, Luxa's face softened and she smiled.
”
”
Suzanne Collins (Gregor and the Marks of Secret (Underland Chronicles, #4))
“
Selden and Lily stood still, accepting the unreality of the scene as a part of their own dream-like sensations. It would not have surprised them to feel a summer breeze on their faces, or to see the lights among the boughs reduplicated in the arch of a starry sky. The strange solitude about them was no stranger than the sweetness of being alone in it together.
”
”
Edith Wharton (The House of Mirth)
“
Breeze chuckled. "He was completely insane, you know. The worse things got, the more he'd joke. I
remember how chipper he was the very day after one of our worst defeats, when we lost most of our
skaa army to that fool Yeden. Kell walked in, a spring in his step, making one of his inane jokes."
"Sounds insensitive," Allrianne said.
Ham shook his head. "No. He was just determined. He always said that laughter was something the
Lord Ruler couldn't take from him. He planned and executed the overthrow of a thousand-year
empire—and he did it as a kind of . . . penance for letting his wife die thinking that he hated her. But, he
did it all with a smirk on his lips. Like every joke was his way of slapping fate in the face."
"We need what he had," Elend said.
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
For all his clever ideas, Maven has nothing to say to this. He just stares, his breath coming in tiny, scared puffs. I know the look on his face; I wear it every time I’m forced to say good-bye to someone.
“It’s too bad we didn’t stay longer,” I murmur, looking out at the river. “I would have liked to die close to home.”
Another breeze sends a curtain of my hair across my face but Maven brushes it away and pulls me close with startling ferocity.
Oh.
His kiss is not at all like his brother’s. Maven is more desperate, surprising himself as much as me. He knows I’m sinking fast, a stone dropping through the river. And he wants to drown with me.
“I will fix this,” he murmurs against my lips. I have never seen his eyes so bright and sharp. “I won’t let them hurt you. You have my word.
”
”
Victoria Aveyard (Red Queen (Red Queen, #1))
“
I had my arms around his waist, smiling as I looked up at him. Being with Alex made me so completely happy, in an easy, uncomplicated way that I hadn't felt since I was a small child. "I love you," I said. In the five days we'd been there, it was the first time I'd said the words to him in English; they just slipped out.
Alex's expression went very still as he looked down at me, his dark hair stirred by the slight breeze. I picked up a sudden wave of his emotions, and they almost brought tears to my eyes. Gently, he took my face in his hands and kissed me.
"I love you, too," he said against my lips.
”
”
L.A. Weatherly (Angel (Angel, #1))
“
Like I said, magic comes from life, and especially from emotions. They're a source of the same intangible energy that everyone can feel when an autumn moon rises and fills you with a sudden sense of bone-deep excitement, or when the first warm breeze of spring rushes past your face, full of the scents of life, and drowns you in a sudden flood of unreasoning joy. The passion of mighty music that brings tears to your eyes, and the raw, bubbling, infectious laughter of small children at play, the bellowing power of a stadium full of football fans shouting "Hey!" in time to that damned song—they're all charged with magic.
My magic comes from the same places. And maybe from darker places than that. Fear is an emotion, too. So is rage. So is lust. And madness. I'm not a particularly good person. I'm no Charles Manson or anything, but I'm not going to be up for canonization either. Though in the past, I think maybe I was a better person than I am today. In the past I hadn't seen so many people hurt and killed and terrorized by the same kind of power that damn well should have been making the world a nicer place, or at the least staying the hell away from it. I hadn't made so many mistakes back then, so many shortsighted decisions, some of which had cost people their lives. I had been sure of myself. I had been whole.
”
”
Jim Butcher (Dead Beat (The Dresden Files, #7))
“
Have you ever had a moment where you knew, beyond a shadow of a doubt, that you were in the right place?
That you were on the right journey? Maybe the sense that you’d crossed a boundary, jumped a hurdle, and somehow, after facing some unconquerable mountain, found yourself suddenly on the other side of it?
When the night was warm and the wind was cool, and a song carried through the quiet streets around you. When you felt the entire world around you, and you were part of it—of the hum of it—and everything was good.
Contentment, I suppose, is the simple explanation for it. But it seems more than that, thicker than that, some unity of purpose, some sense of being truly, honestly, for that moment, at home.
Those moments never seem to last long enough. The song ends, the breeze stills, the worries and fears creep in again and you’re left trying to move forward, but glancing back at the mountain behind you, wondering how you managed to cross it, afraid you really didn’t—that the bulk and shadow over your shoulder might evaporate and re-form before you, and you’d be faced with the burden of crossing it again.
The song ends, and you stare at the quiet, dark house in front of you, and you grasp the doorknob, and walk back into your life.
”
”
Chloe Neill
“
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
”
”
Alice Sebold (The Lovely Bones)
“
context and memory play powerful roles in all the truly great meals in one's life. I mean, lets face it:when you're eating simple barbecue under a palm tree, and you feel sand between your toes, samba music is playing softly in the backgroud, waves are lapping at the shore a few yards off, a gentle breeze is cooling the sweat on the back of your neck at the hairline, and looking across the table, past the column of empty Red Stripes at the dreamy expression on your companion's face, you realize that in half an hour you're proably going to be having sex on clean white hotel sheets, that grilled chicken leg suddenly tastes a hell of a lot better
”
”
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
“
I would I were alive again
To kiss the fingers of the rain,
To drink into my eyes the shine
Of every slanting silver line,
To catch the freshened, fragrant breeze
From drenched and dripping apple-trees.
For soon the shower will be done,
And then the broad face of the sun
Will laugh above the rain-soaked earth
Until the world with answering mirth
Shakes joyously, and each round drop
Rolls twinkling, from its grass-blade top.
”
”
Edna St. Vincent Millay (Renascence and Other Poems (Dover Thrift Editions))
“
I didn’t want to see you but you invaded my world
Every dark corner you found a way in
Bringing color to the lifeless and lost.
I didn’t want to touch you but you reached inside me
Every lost memory you found a way to melt the frost
Until the small closed world inside opened up into the sea
You made me love you by the smile on your face, the kindness in your eyes and the heat of your skin. One kiss makes all that’s been hurt fade away.
You made me love you for the man inside. The one no one sees but me. The man who listens to what my heart has to say.
I didn’t want to love you but you’re impossible not to love. Every perfect moment I spend in your arms draws me closer Showing me that life isn’t over because its path takes a sudden turn
I didn’t see you coming when you arrived
Nothing prepared me for the gift of a second chance.
I’ve been loved in life but all that matters now is that I’m loved by you
You made me love you by the smile on your face, the kindness in your eyes and the heat of your skin. One kiss makes all that’s been hurt fade away.
You made me love you for the man inside. The one no one sees but me. The man who listens to what my heart has to say.
I’ll spend eternity in your arms if you’ll trust me when I say that
I love you.
”
”
Abbi Glines (While It Lasts (Sea Breeze, #3))
“
The Chair
I’m writing to you, who made the archaic wooden chair
look like a throne while you sat on it.
Amidst your absence, I choose to sit on the floor,
which is dusty as a dry Kansas day.
I am stoic as a statue of Buddha,
not wanting to bother the old wooden chair,
which has been silent now for months.
In this sunlit moment I think of you.
I can still picture you sitting there--
your forehead wrinkled like an un-ironed shirt,
the light splashed on your face,
like holy water from St. Joseph’s.
The chair, with rounded curves
like that of a full-figured woman,
seems as mellow as a monk in prayer.
The breeze blows from beyond the curtains,
as if your spirit has come back to rest.
Now a cloud passes overhead,
and I hush, waiting to hear what rests
so heavily on the chair’s lumbering mind.
Do not interrupt, even if the wind offers to carry
your raspy voice like a wispy cloud.
”
”
Jarod Kintz (A Letter to Andre Breton, Originally Composed on a Leaf of Lettuce With an Ink-dipped Carrot)
“
She's locked up with a spinning wheel
She can't recall what it was like to feel
She says, "This room's gonna be my grave
And there's no one who can save me,"
She sits down to her colored thread
She knows lovers waking up in their beds
She says, "How long can I live this way
Is there someone I can pay to let me go
'Cause I'm half sick of shadows
I want to see the sky
Everyone else can watch as the sun goes down
So why can't I
And it's raining
And the stars are falling from the sky
And the wind
And the wind I know it's cold
I've been waiting
For the day I will surely die
And it's here
And it's here for I've been told
That I'll die before I'm old
And the wind I know it's cold...
She looks up to the mirrored glass
She sees a horse and rider pass
She says, "This man's gonna be my death
'Cause he's all I ever wanted in my life
And I know he doesn't know my name
And that all the girls are all the same to him
But still I've got to get out of this place
'Cause I don't think I can face another night
Where I'm half sick of shadows
And I can't see the sky
Everyone else can watch as the tide comes in
So why can't I
But there's willow trees
And little breezes, waves, and walls, and flowers
And there's moonlight every single night
As I'm locked in these towers
So I'll meet my death
But with my last breath I'll sing to him I love
And he'll see my face in another place,"
And with that the glass above
Her cracked into a million bits
And she cried out, "So the story fits
But then I could have guessed it all along
'Cause now some drama queen is gonna write a song for me,"
She went down to her little boat
And she broke the chains and began to float away
And as the blood froze in her veins she said,
"Well then that explains a thing or two
'Cause I know I'm the cursed one
I know I'm meant to die
Everyone else can watch as their dreams untie
So why can't I
”
”
Emilie Autumn
“
I’m in control.
But it’s a lie, because now I’ve tasted him. His lips are salty-sweet with yesterday’s laughter … digging in the black sands beneath Wonderland’s sunshine, playing leapfrog atop mushroom caps, and resting in the shade of black satin wings.
I try to shake off the spell, but he angles his face and deepens the kiss. “Embrace me … embrace your destiny.” He breaks the barrier of my lips, touching his tongue to mine, a sensation too wickedly delicious to deny. As our tongues entwine, his lullaby purrs through my blood and bones, carrying me to the stars.
Behind closed eyes, I’m floating against a velvet sky, lungs filled with night air. On some level, I know I’m still in the middle of a fire-warmed chamber, yet my wings pantomime flight on a cool breeze. I’m dancing with Morpheus in the heavens, no longer imprisoned by gravity.
Fluttering our wings in unison, we twist and whirl a weightless waltz among stars that coil and uncoil in feathery sparks high above Wonderland’s warped and wonderful landscapes. Each time we spin, then return to each other’s arms, I laugh, because at last I’m me.
I’m a me I’ve longed to be in my innermost fantasies—spontaneous, impetuous, and seductive.
”
”
A.G. Howard (Splintered (Splintered, #1))
“
i look at the sky, it lokks back at me
i can't
hear the silent melodies
i know that i'm here yet i am lost
blown in confusion by the breeze
hiding my face crying alone
i need to find my way back home
back to the place, the wonderful days
living the life i use to know...
”
”
Hlovate
“
She dug around in her bag, found what she was looking for, and brought the little stuffed dog back to bed with her. Childish, yeah. She didn't care. He was soft and cuddly-unlike Jones-and she had a need for soft and cuddly right now. She'd like to meet a woman who could breeze through a shotgun blast and not need something to hold on to. Even if it was just an old stuffed pup.(...)She swallowed hard,then caught her breath when he opened his eyes, turned his head on the pillow toward her. He searched her face in the dark.
"Come here," he whispered.
When she hesitated, he reached for her. "The dog can come, too.
”
”
Cindy Gerard (Show No Mercy (Black Ops Inc., #1))
“
After you were bitten, I knew what would happen. I waited for you to change, every night, so I could bring you back and keep you from getting hurt." A chilly gust of wind lifter his hair and sent a shower of golden leaves glimmering down around him. He spred out his arms, letting them fall into his hands. He looked like a dark angel in an eternal autumn wood. "Did you know you get one happy day for everyone you catch?"
I didn't know what he meant, even after he opened his fist to show me the quivering leaves crumpled in his palm.
One happy day for every falling leaf you catch." Sam's voice was low.
I watched the egdes of the leaves slowly unfold, fluttering in the breeze."How long did you wait?"
It would have been romantic if hr'd had the courage to look into my face to say it, but instead, he dropped his eyes to the ground and scuffed his boots in the leaves- countless possibilities for happy days- on the ground. "I haven't stopped."
And I should've said something romantic too, but i didn't have the courage, either. So instead, I watched the shy way he was chewing his lip and studying the leaves, and said, "That must've been very borring.
”
”
Maggie Stiefvater
“
If this story was a stack of photographs—the old kind, rounded at the corners and kept in albums under the glass and lace doilies of center tables in parlors across the country— it would start with Vivek’s father, Chika. The first print would be of him riding a bus to the village to visit his mother; it would show him dangling an arm out of the window, feeling the air push against his face and the breeze entering his smile.
”
”
Akwaeke Emezi (The Death of Vivek Oji)
“
I brought to mind the image of the stranger lying there in the first light of dawn: the slight growth of whiskers on his chin, strands of his red hair shifting gently on the faint stirrings of the morning breeze, the pallor, the extended legs, the quivering fingers, that last, sucking breath. And that word, blown into my face ... "Vale."
The thrill of it all!
Yes," I said, "it was devastating.
”
”
Alan Bradley (The Sweetness at the Bottom of the Pie (Flavia de Luce, #1))
“
No fear can stand up to hunger, no patience can wear it out, disgust simply does not exist where hunger is; and as to superstition, beliefs, and what you may call principles, they are less than chaff in a breeze. Don't you know the devilry of lingering starvation, its exasperating torment, its black thoughts, its sombre and brooding ferocity? Well, I do. It takes a man all is inborn strength to fight hunger properly. It's really easier to face bereavement, dishonour, and the perdition of one's soul - than this kind of prolonged hunger. Sad, but true. And these chaps, too, had no earthly reason for any kind of scruple. Restraint! I would just as soon have expected restraint from a hyena prowling amongst the corpses of a battlefield.
”
”
Joseph Conrad (Heart of Darkness)
“
We feel sorry for you.
Manon rubbed at her eyes and braced her elbows on her knees, peering into the drop below.
She would have dismissed her, wouldn't have thought twice about it, if it hadn't been for that look in Keelie's eyes as she fell, fighting with every last scrap of strength to save her Petrah. Or for Abraxos's wing, sheltering Manon against icy rain.
The wyverns were meant to kill and maim and strike terror into the hearts of their enemies. And yet . . .
And yet. Manon looked toward the star-flecked horizon, leaning her face into a warm spring breeze, grateful for the steady, solid companion lounging behind her. A strange feeling, that gratitude for his existence.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
Camba had bent her long neck down to Ingar's level and was muttering in his ear. "Do you feel the breeze on your face?" I heard her say. "That's yours, and worth feeling. Look at those orange clouds. All the trials of a day may be endured if you know there's such a sky at the end of it. Some days I told my heart to wait, just wait, because the sunset would teach me again that my pain was nothing compared with the eternal, circling sky.
”
”
Rachel Hartman (Shadow Scale (Seraphina, #2))
“
Tis a far cry from home for a poor lonely thing,
O'er the deeps and wild waters of seas,
Where you can't hear your dear mother's voice softly sing
Like a breeze gently stirring the trees.
Come home, little one, wander back here someday,
I'll watch for you, each evening and morn,
Through all the long season 'til I'm old and grey
As the frost on the hedges at dawn.
There's a lantern that shines in my window at night,
I have long kept it burning for you,
It glows through the dark, like a clear guiding light,
And I know someday you'll see it, too.
So hasten back, little one, or I will soon be gone,
No more to see your dear face,
But I know that I'll feel your tears fall one by one,
On the flowers o'er my resting place.
”
”
Brian Jacques (Triss (Redwall, #15))
“
You do not esteem good deeds?" She shifted the basket handle to both hands, just as a cool breeze blew a bonnet string across her face.
"My dear Miss Keene, what would the world be without them?"
He brushed the string from her cheek. "Are we not admonished to be doers and not merely hearers of His word? Yet not on a mountain of good deeds can we climb our way to heaven.
”
”
Julie Klassen (The Silent Governess)
“
When she first died, I felt sorry about all the pills I'd given that made her feel so miserable. But now I didn't feel so many regrets. Lynn wanted her life. I thought she was willing to suffer if she could still taste her food, if she could still talk about the sea, if she could still feel a breeze across her face, and even if she still could argue with her crazy sister!
”
”
Cynthia Kadohata (Kira-Kira)
“
It was the custom in those days for passengers leaving for America to bring balls of yarn on deck. Relatives on the pier held the loose ends. As the "Giulia" blew its horn and moved away from the dock, a few hundred strings of yarn stretched across the water. People shouted farewells, waved furiously, held up babies for last looks they wouldn't remember. Propellers churned; handkerchiefs fluttered, and, up on deck, the balls of yarn began to spin. Red, yellow, blue, green, they untangled toward the pier, slowly at first, one revolution every ten seconds, then faster and faster as the boat picked up speed. Passengers held the yarn as long as possible, maintaining the connection to faces disappearing onshore. But finally, one by one, the balls ran out. The strings of yarn flew free, rising on the breeze.
”
”
Jeffrey Eugenides (Middlesex)
“
Jeremy brought you halfway, but the rest is mine. I’ve had you the rest of the way.” He said as Jeremy handed me over and pressed a kiss to my cheek.
I looked up at Cage as he tucked my arm into his and bestowed me with one of his soul-stealing grins. “It’s time we start our always, Eva.”
I turned to face him. I stood on my tiptoes and pressed a kiss to his lips. Then I whispered, “We already have. We’ve been working on our always since you walked into my world with a cocky swagger and a smile.
”
”
Abbi Glines (Sometimes It Lasts (Sea Breeze, #5))
“
That night, Tom took a bottle of whisky, and went to watch the stars from near the cliff. The breeze played on his face as he traced the constellations, and tasted the burn of the liquid. He turned his attention to the rotation of the beam, and gave a bitter laugh at the thought that the dip of the light meant that the island itself was always left in darkness. A lighthouse is for others; powerless to illuminate the space closest to it.
”
”
M.L. Stedman (The Light Between Oceans)
“
Despina can be reached in two ways: by ship or by camel. The city displays one face to the traveler arriving overland and a different one to him who arrives by sea.
When the camel driver sees, at the horizon of the tableland, the pinnacles of the skyscrapers come into view, the radar antennae, the white and red wind-socks flapping, the chimneys belching smoke, he thinks of a ship; he knows it is a city, but he thinks of it as a vessel that will take him away from the desert, a windjammer about to cast off, with the breeze already swelling the sails, not yet unfurled, or a steamboat with its boiler vibrating in the iron keel; and he thinks of all the ports, the foreign merchandise the cranes unload on the docks, the taverns where crews of different flags break bottles over one another’s heads, the lighted, ground-floor windows, each with a woman combing her hair.
In the coastline’s haze, the sailor discerns the form of a camel’s withers, an embroidered saddle with glittering fringe between two spotted humps, advancing and swaying; he knows it is a city, but he thinks of it as a camel from whose pack hang wine-skins and bags of candied fruit, date wine, tobacco leaves, and already he sees himself at the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees’ jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, and half-revealed.
Each city receives its form from the desert it opposes; and so the camel driver and the sailor see Despina, a border city between two deserts.
”
”
Italo Calvino (Invisible Cities)
“
I have a message for your daughter,” said Cale. “I am bound to her with cables that not even God can break. One day, if there is a soft breeze on her cheek, it may be my breath; one night, if the cool wind plays with her hair, it may be my shadow passing by.”
And with this terrible threat he faced forward and the procession started once more. In less than a minute they were gone. In her shady room Arbell Swan-Neck stood white and cold as alabaster.
”
”
Paul Hoffman (The Left Hand of God (The Left Hand of God, #1))
“
Stay down if you know what's good for you." Colin said. He put his foot on the man's neck and applied a little weight.
The man coughed into the dirt. "Who...who are you?"
Who am I?" Colin replied. He had been waiting for this moment. "I'm the the one bogeyman is afraid of. I'm the new face of justice. I'm your worst nightmare."
He crouched down, leaning closer to the man. "You'd better warn the rest of your low-life friends that there's a new hero in town. You and your kind wont be tolerated any longer."
Colin stood up and folded his arms. He wished there was a breeze that would make his cape fly a little. "Who am I? I am Titan."
And that was when one of the other muggers hit Colin across the back of his head with a plank of wood.
”
”
Michael Carroll (The Gathering (The New Heroes/Quantum Prophecy, #2))
“
One summer day I lay upon the grass. I’d sinned, no matter how, and in sin’s wake there came a kind of drowsy peace so deep I hadn’t even will enough to loathe myself. I had no mind to pray. I scarcely had a mind at all, just eyes to see the greenwood overhead, just flesh to feel the sun.
A light breeze blew from Wear that tossed the trees, and as I lay there watching them, they formed a face of shadows and of leaves. It was a man’s green, leafy face. He gazed at me from high above. And as the branches nodded in the air, he opened up his mouth to speak. No sound came from his lips, but by their shape I knew it was my name.
His was the holiest face I ever saw. My very name turned holy on his tongue. If he had bade me rise and follow him to the end of time, I would have gone. If he had bade me die for him, I would have died. When I deserved it least, God gave me most. I think it was the Savior’s face itself I saw.
”
”
Frederick Buechner (Godric)
“
Marcus sat down beside me against the wall and pulled me into his arms. I went like a child and curled up in his lap and cried. He didn’t speak. He just held me, and his silence and acceptance soothed the pain. When my crying eventually mellowed, I stared up at him and touched his face. He was real, and he was here. Even after I had been the reason he lost his job, he had come to me in the darkness. “Saddie,” he whispered, as if his words might be too much for me. “I need you to eat for me.
”
”
Abbi Glines (Breathe (Sea Breeze, #1))
“
We lay side by side on the extension roof, hands behind our heads, elbows just touching. My head was still spinning a little, not unpleasantly, from the dancing and the wine. The breeze was warm across my face, and even through the city lights I could see constellations: the Big Dipper, Orion's Belt. The pine tree at the bottom of the garden rustled like the sea, ceaselessly. For a moment I felt as if the universe had turned upside down and we were falling softly into an enormous black bowl of stars and nocturne, and I knew, beyond any doubt, that everything was going to be all right.
”
”
Tana French (In the Woods (Dublin Murder Squad, #1))
“
Then overwhelmed by the sense of that unknown infinity, like one bewildered by a strange persecution, confronting the shadows of night, in the presence of that impenetrable darkness, in the midst of the murmur of the waves, the swell, the foam, the breeze, under the clouds, under that vast diffusion of force, under that mysterious firmament of wings, of stars, of gulfs, having around him and beneath him the ocean above him the constellations, under the great unfathomable deep, he sank, gave up the struggle, lay down upon the rock, his face towards the stars, humble, and uplifting his joined hands towards the terrible depths, he cried aloud, "Have mercy.
”
”
Victor Hugo (The Toilers of the Sea)
“
A breeze stirred Dovewing's pelt, as is someone had walked past. She lifted her head an saw two figures standing just beyond her Clanmates. One was a badger with a narrow, striped face, the other a grotesque, hairless cat who's blind, bulging eyes saw nothing but everything. They met her gaze and nodded, just once. "Thank you." Dovewing heard, quieter then a sigh.
"There will be three, kin of your kin, who will hold the power of the stars in their paws. They will find a fourth, and the battle between light and dark will be won. A new leader will rise fro the shadows. This s how it always has been, and always will be."
-Rock and Midnight, The Last Hope
”
”
Erin Hunter
“
I culled poetry from odors, sounds, faces, and ordinary events occurring around me. Breezes bulged me as if I were cloth; sounds nicked their marks on my nerves; objects made impressions on my sight as if in clay. There, in the soft language, life centered and ground itself in me and I was flowing with the grain of the universe. Language placed my life experiences in a new context, freeing me for the moment to become with air as air, with clouds as clouds, from which new associations arose to engage me in present life in a more purposeful way.
”
”
Jimmy Santiago Baca (A Place to Stand)
“
The raft finally got here,” he said. Calypso snorted. Her eyes might have been red, but it was hard to tell in the moonlight. “You just noticed?” “But if it only shows up for guys you like—” “Don’t push your luck, Leo Valdez,” she said. “I still hate you.” “Okay.” “And you are not coming back here,” she insisted. “So don’t give me any empty promises.” “How about a full promise?” he said. “Because I’m definitely—” She grabbed his face and pulled him into a kiss, which effectively shut him up. For all his joking and flirting, Leo had never kissed a girl before. Well, sisterly pecks on the cheek from Piper, but that didn’t count. This was a real, full-contact kiss. If Leo had had gears and wires in his brain, they would’ve short-circuited. Calypso pushed him away. “That didn’t happen.” “Okay.” His voice sounded an octave higher than usual. “Get out of here.” “Okay.” She turned, wiping her eyes furiously, and stormed up the beach, the breeze tousling her hair. Leo wanted to call to her, but the sail caught the full force of the wind, and the raft cleared the beach. He struggled to align the guidance console. By the time Leo looked back, the island of Ogygia was a dark line in the distance, their campfire pulsing like a tiny orange heart. His lips still tingled from the kiss. That didn’t happen, he told himself. I can’t be in love with an immortal girl. She definitely can’t be in love with me. Not possible. As his raft skimmed over the water, taking him back to the mortal world, he understood a line from the Prophecy better—an oath to keep with a final breath. He understood how dangerous oaths could be. But Leo didn’t care. “I’m coming back for you, Calypso,” he said to the night wind. “I swear it on the River Styx.
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
He opened the back. “Well, at leas let me carry them to the door.” “Okay.” I walked with him to the doorway and took the bags from him, and then I reached in and took out the gum. I didn’t know what to say, so I handed it to him and his face lit up. A smile I remembered from the photos of him as a little boy appeared on his face. It wasn’t a smile the world ever caught a glimpse of in magazines. “I take it I was good.
”
”
Abbi Glines (Breathe (Sea Breeze, #1))
“
I have never been back to the Ozarks. All I have left are my dreams and memories, but if God is willing, some day I’d like to go back—back to those beautiful hills. I’d like to walk again on trails I walked in my boyhood days. Once again I’d like to face a mountain breeze and smell the wonderful scent of the redbuds, and papaws, and the dogwoods. With my hands I’d like to caress the cool white bark of a sycamore. I’d like to take a walk far back in the flinty hills and search for a souvenir, an old double-bitted ax stuck deep in the side of a white oak tree. I know the handle has long since rotted away with time. Perhaps the rusty frame of a coal-oil lantern still hangs there on the blade. I’d like to see the old home place, the barn and the rail fences. I’d like to pause under the beautiful red oaks where my sisters and I played in our childhood. I’d like to walk up the hillside to the graves of my dogs. I’m sure the red fern has grown and has completely covered the two little mounds. I know it is still there, hiding its secret beneath those long, red leaves, but it wouldn’t be hidden from me for part of my life is buried there, too. Yes, I know it is still there, for in my heart I believe the legend of the sacred red fern.
”
”
Wilson Rawls (Where the Red Fern Grows)
“
Songs of the Soul
On a dark night,
Inflamed by love-longing -
O exquisite risk! -
Undetected I slipped away.
My house, at last, grown still.
Secure in the darkness,
I climbed the secret ladder in disguise -
O exquisite risk! -
Concealed by the darkness.
My house, at last, grown still.
That sweet night: a secret.
Nobody saw me;
I did not see a thing.
No other light, no other guide
Than the one burning in my heart.
This light led the way
More clearly than the risen sun
To where he was waiting for me
- The one I knew so intimately -
In a place where no one could find us.
O night, that guided me!
O night, sweeter than sunrise!
O night, that joined lover with Beloved!
Lover transformed in Beloved!
Upon my blossoming breast,
Which I cultivated just for him,
He drifted into sleep,
And while I caressed him,
A cedar breeze touched the air.
Wind blew down from the tower,
Parting the locks of his hair.
With his gentle hand
He wounded my neck
And all my senses were suspended.
I lost myself. Forgot myself.
I lay my face against the Beloved's face.
Everything fell away and I left myself behind,
Abandoning my cares
Among the lilies, forgotten.
”
”
Juan de la Cruz (Dark Night of the Soul (Illustrated))
“
The things by which our emotions can be moved - the shape of a flower or a Grecian urn, the way a baby grows, the way the wind brushes across your face, the way clouds move, their shapes, the way light dances on the water, or daffodils flutter in the breeze, the way in which the person you love moves their head, the way their hair follows that movement, the curve described by the dying fall of the last chord of a piece of music - all these things can be described by the complex flow of numbers.
That's not a reduction of it, that's the beauty of it.
”
”
Douglas Adams
“
In Kyoto I never experienced an air raid, but once when I was sent to the main factory in Osaka with some orders for spare parts for aircraft, there happened to be an attack and I saw one of the factory workers being carried out on a stretcher with his intestines exposed.
What is so ghastly about exposed intestines? Why, when we see the insides of a human being do we have to cover our eyes in terror? Why are people so shocked by the sight of blood pouring out? Why are a man's intestines ugly? Is it not exactly the same in quality as the beauty of youthful, glossy skin? What sort of face would Tsurukawa make if I were to say that it was from him I had learned this manner of speaking - a manner of thinking that transformed my own ugliness into nothingness? Why does there seem to be something inhuman about regarding human beings like roses and refusing to make any distinction between the inside of their bodies and the outside? If only human beings could reverse their spirits and their bodies, could gracefully turn them inside out like rose petals and expose them to the spring breeze and the sun . . .
”
”
Yukio Mishima (The Temple of the Golden Pavilion)
“
They laughed and put their arms around each other and kissed, first gently, then more passionately, and Harry pulled his face back a few inches and looked lovingly at Marion, I love you, and kissed her on the tip of her nose, her eyelids, her cheeks, then her soft lips, her chin, her neck, her ears, then nuzzled his face in her hair and caressed her back with his hands and breathed her name in her ear, Marion, Marion, I love you, and she gently moved with the flow and felt his words and kisses and feelings flow through her, easing away all her problems, her doubts, her fears, her anxieties and she felt warm and alive and vital. She felt loved. She felt necessary. Harry felt real and substantial. He could feel all the loose pieces starting to fall into place. He felt on the verge of something momentous. They felt whole. They felt united. Though they were still on the couch they felt a part of the vastness of the sky and the stars and moon. They were somehow on the crest of a hill with a gentle breeze blowing Marions hair flowingly; and walking through a sunlit woods and flower studded field feeling the freedom of the birds as they flew through the air chirping and singing and the night was comfortingly warm as the soft filtered light continued to push the darkness into the shadows as they held each other and kissed and pushed each others darkness into the corner, believing in each others light, each others dream.
”
”
Hubert Selby Jr. (Requiem for a Dream)
“
The whole town had instantly gone to bed; the only noise now was barking dogs. How could I ever sleep? Thousands of mosquitoes had already bitten all of us on chest and arms and ankles. Then a bright idea came to me: I jumped up on the steel roof of the car and stretched out flat on my back. Still there was no breeze, but the steel had an element of coolness in it and dried my back of sweat, clotting up thousands of dead bugs into cakes on my skin, and I realized the jungle takes you over and you become it. Lying on the top of the car with my face to the black sky was like lying in a closed trunk on a summer night. For the first time in my life the weather was not something that touched me, that caressed me, froze or sweated me, but became me.
”
”
Jack Kerouac (On the Road)
“
That man, especially when he slept, when his features were motionless, showed me my own face, my mask, the flawlessly pure image of my corpse […] in a state of perfect repose, this resemblance was strikingly evident, and what is death, if not a face at peace – its artistic perfection? Life only marred my double; thus a breeze dims the bliss of Narcissus; thus, in the painter’s absence, there comes his pupil and by the superfluous flush of unbidden tints disfigures the portrait painted by the master.
”
”
Vladimir Nabokov (Despair)
“
A quiet but indomitable voice behind me said, “I believe this is my dance.”
It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Kishan narrowed his eyes and said, “I believe it is the lady’s choice.”
Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor.
Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him.
He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist.
When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch.
I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger.
He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret.
He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.”
I nodded my head hesitantly.
“First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.”
He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.”
I sucked in a deep breath.
He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.”
He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer.
“Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
No fear can stand up to hunger, no patience can wear it out, disgust simply does not exist where the hunger is; and as to superstition, beliefs and what you may call principles, they are less than chaff in the breeze. Don't you know the devilry of lingering starvation, its exasperating torment, its black thoughts, its sombre and brooding ferocity? Well, i do. It takes a man all his inborn strength to fight hunger properly. It's really easier to face bereavement, dishonor, and the perdition of one's soul than this kind of prolonged hunger.
”
”
Joseph Conrad (Heart of Darkness)
“
Certainly not! I didn't build a machine to solve ridiculous crossword puzzles! That's hack work, not Great Art! Just give it a topic, any topic, as difficult as you like..."
Klapaucius thought, and thought some more. Finally he nodded and said:
"Very well. Let's have a love poem, lyrical, pastoral, and expressed in the language of pure mathematics. Tensor algebra mainly, with a little topology and higher calculus, if need be. But with feeling, you understand, and in the cybernetic spirit."
"Love and tensor algebra?" Have you taken leave of your senses?" Trurl began, but stopped, for his electronic bard was already declaiming:
Come, let us hasten to a higher plane,
Where dyads tread the fairy fields of Venn,
Their indices bedecked from one to n,
Commingled in an endless Markov chain!
Come, every frustum longs to be a cone,
And every vector dreams of matrices.
Hark to the gentle gradient of the breeze:
It whispers of a more ergodic zone.
In Reimann, Hilbert or in Banach space
Let superscripts and subscripts go their ways.
Our asymptotes no longer out of phase,
We shall encounter, counting, face to face.
I'll grant thee random access to my heart,
Thou'lt tell me all the constants of thy love;
And so we two shall all love's lemmas prove,
And in bound partition never part.
For what did Cauchy know, or Christoffel,
Or Fourier, or any Boole or Euler,
Wielding their compasses, their pens and rulers,
Of thy supernal sinusoidal spell?
Cancel me not--for what then shall remain?
Abscissas, some mantissas, modules, modes,
A root or two, a torus and a node:
The inverse of my verse, a null domain.
Ellipse of bliss, converge, O lips divine!
The product of our scalars is defined!
Cyberiad draws nigh, and the skew mind
Cuts capers like a happy haversine.
I see the eigenvalue in thine eye,
I hear the tender tensor in thy sigh.
Bernoulli would have been content to die,
Had he but known such a^2 cos 2 phi!
”
”
Stanisław Lem (The Cyberiad)
“
This isn’t going to work,” Justine murmured. “It is going to work ,” I told her, keeping my tone confident. “We’ll breeze right in. The Rack will be with us.” Justine glanced at me with an arched eyebrow. “The Rack?” “The Rack is more than just boobs, Justine,” I told her soberly. “It’s an energy field created by all living boobs. It surrounds us, penetrates us, and binds the galaxy together.” Andi started giggling. “You’re insane.” “But functionally so,” I said, and adjusted myself to round out a little better. “Just let go your conscious self and act on instinct.” Justine stared blankly at me for a second. Then her face lightened and she let out a little laugh. “The Rack will be with us?” I couldn’t stop myself from cracking a smile. “Always.
”
”
Jim Butcher (Dangerous Women)
“
One of our favorite examples of the value of Nothing is an incident in the life of the Japanese emperor Hirohito. Now, being emperor in one of the most frantically Confucianist countries in the world is not necessarily all that relaxing. From early morning until late at night, practically every minute of the emperor's time is filled in with meetings, audiences, tours, inspections, and who-knows-what. And through a day so tightly scheduled that it would make a stone wall seem open by comparison, the emperor must glide, like a great ship sailing in a steady breeze.
In the middle of a particularly busy day, the emperor was driven to a meeting hall for an appointment of some kind. But when he arrived, there was no one there. The emperor walked into the middle of the great hall, stood silently for a moment, then bowed to the empty space. He turned to his assistants, a large smile on his face. "We must schedule more appointments like this," he told them. "I haven't enjoyed myself so much in a long time.
”
”
Benjamin Hoff (The Tao of Pooh)
“
Tell me, gentle flowers, teardrops of the stars, standing in the garden, nodding your heads to the bees as they sing of the dews and the sunbeams, are you aware of the fearful doom that awaits you? Dream on, sway and frolic while you may in the gentle breezes of summer. To- morrow a ruthless hand will close around your throats. You will be wrenched, torn asunder limb by limb, and borne away from your quiet homes. The wretch, she may be passing fair. She may say how lovely you are while her fingers are still moist with your blood. Tell me, will this be kindness? It may be your fate to be imprisoned in the hair of one whom you know to be heartless or to be thrust into the buttonhole of one who would not dare to look you in the face were you a man. It may even be your lot to be confined in some narrow vessel with only stagnant water to quench the maddening thirst that warns of ebbing life.
”
”
Kakuzō Okakura (The Book of Tea)
“
A Cathedral Façade at Midnight
Along the sculptures of the western wall
I watched the moonlight creeping:
It moved as if it hardly moved at all
Inch by inch thinly peeping
Round on the pious figures of freestone, brought
And poised there when the Universe was wrought
To serve its centre, Earth, in mankind’s thought.
The lunar look skimmed scantly toe, breast, arm,
Then edged on slowly, slightly,
To shoulder, hand, face; till each austere form
Was blanched its whole length brightly
Of prophet, king, queen, cardinal in state,
That dead men’s tools had striven to simulate;
And the stiff images stood irradiate.
A frail moan from the martyred saints there set
Mid others of the erection
Against the breeze, seemed sighings of regret
At the ancient faith’s rejection
Under the sure, unhasting, steady stress
Of Reason’s movement, making meaningless.
”
”
Thomas Hardy (Collected Poems)
“
There is no way to overpower, outrun, or outsmart the mad dog of hopelessness because it's simply more vicious than I. The only thing to do is let it attack, go limp in its jaws, and be shaken. But I notice one promising pattern. If I play dead, it will eventually let me go. I start thinking of the dog of hopelessness as an obstacle that will reappear on every curve of the spiral staircase. He'll always be there waiting and snarling, but with every go-round, I'll be more confident and less fearful. Eventually, I'll learn the tricks that will allow me to breeze right past him. But the mad dog of hopelessness will always be there. My spiral staircase of progress means that my pain will be both behind me and in front of me, every damn day. I'll never be "over it," but I vow to be stronger each time I face it. Maybe the pain won't change, but I will. I keep climbing.
”
”
Glennon Doyle Melton (Love Warrior)
“
KRIT
"Fuck," Matty whispered.
He'd heard her.
It was me who couldn't breathe now. I had thought it was an accident. But she'd fucking done it on purpose. To protect me. Holy hell.
"I'm gonna go . . . ," Matty trailed off. I listened to his footsteps until he was gone before pulling back and looking down at Blythe.
"You got in front of a six-foot-three one hundred and eighty pounds of muscle because he was going to hit me?"
She nodded. "It was my fault he was going to hit you. I was just going to stop him."
She was going to stop him. This girl. Never in all my life did I imagine there was anyone like her. Never.
"Sweetheart, how did you intend to stop him? I could handle him. I've kicked his ass many, many times." I cupped her chin in my hand. "I had rather had him kick my ass than to have anything happen to you. That was fucking unbearable. You can't do that to me. If you get hurt, I won't be able to handle it."
She signed, and her eyes locked back toward the stage. " I made this worse. I'm sorry. Can you go fix things with the two of you so you can get back onstage?"
The distressed look on her face meant I wasn't going to be able to leave. I wanted nothing more than to take her back home and hold her all night. But she was really upset about this. I had overreacted. She had been sitting over here staring at the floor with the saddest lost expression, and I couldn't think straight. I had to get to her.
"I'll get Green, and we'll go back onstage. But you have to promise me that you won't try and save me again. I take care of you. Not the other way around," I told her.
She reached up and touched my face.
"Then who will take care of you?"
No one had ever cared about that before. That wasn't something I was going to tell her, though. "You safe in my arms is all I need. Okay?"
She frowned and glanced away from me. "I'm not agreeing to that," she said.
God, she was adorable. I pressed a kiss to her head. "Come with me to get the guys," I told her as I stood up and brought her with me.
"You won't do anything to Green then?" she said, sounding hopeful.
"No." Until you're asleep tonight. And then I'm beating his ass.
”
”
Abbi Glines (Bad for You (Sea Breeze, #7))
“
People who have never canoed a wild river, or who have done so only with a guide in the stern, are apt to assume that novelty, plus healthful exercise, account for the value of the trip. I thought so too, until I met the two college boys on the Flambeau.
Supper dishes washed, we sat on the bank watching a buck dunking for water plants on the far shore. Soon the buck raised his head, cocked his ears upstream, and then bounded for cover.
Around the bend now came the cause of his alarm: two boys in a canoe. Spying us, they edged in to pass the time of day.
‘What time is it?’ was their first question. They explained that their watches had run down, and for the first time in their lives there was no clock, whistle, or radio to set watches by. For two days they had lived by ‘sun-time,’ and were getting a thrill out of it. No servant brought them meals: they got their meat out of the river, or went without. No traffic cop whistled them off the hidden rock in the next rapids. No friendly roof kept them dry when they misguessed whether or not to pitch the tent. No guide showed them which camping spots offered a nightlong breeze, and which a nightlong misery of mosquitoes; which firewood made clean coals, and which only smoke.
Before our young adventurers pushed off downstream, we learned that both were slated for the Army upon the conclusion of their trip. Now the motif was clear. This trip was their first and last taste of freedom, an interlude between two regimentations: the campus and the barracks. The elemental simplicities of wilderness travel were thrills not only because of their novelty, but because they represented complete freedom to make mistakes. The wilderness gave them their first taste of those rewards and penalties for wise and foolish acts which every woodsman faces daily, but against which civilization has built a thousand buffers. These boys were ‘on their own’ in this particular sense.
Perhaps every youth needs an occasional wilderness trip, in order to learn the meaning of this particular freedom.
”
”
Aldo Leopold (A Sand County Almanac; with essays on conservation from Round River)
“
One thing he would tell me, though, he said, had to do with babies. Not that he was any kind of expert, but for a brief while, long ago, he had cared for his son, and that experience more than any other had taught him the importance of following your instincts. Tuning in to the situation with all your five senses, and your body, not your brain. A baby cries in the night, and you go to pick him up. Maybe he’s screaming so hard his face is the color of a radish, or he’s gasping for breath, he’s got himself so worked up. What are you going to do, take a book off the shelf, and read what some expert has to say?
You lay your hand against his skin and just rub his back. Blow into his ear. Press that baby up against your own skin and walk outside with him, where the night air will surround him, and moonlight fall on his face. Whistle, maybe. Dance. Hum. Pray.
Sometimes a cool breeze might be just what the doctor ordered. Sometimes a warm hand on the belly. Sometimes doing absolutely nothing is the best. You have to pay attention. Slow things way down. Tune out the rest of the world that really doesn’t matter. Feel what the moment calls for.
”
”
Joyce Maynard (Labor Day)
“
Jenna, you have Vix, and Archer, you have…Actually, what do you have?”
“You,” he said firmly. “And a whole bunch of holy knights who want to kill me.”
“Vix can visit,” Jenna said. “And the school will be a good place now, so it’s not like one more year will be torture. Although,” she said, frowning, “I will admit the place is pretty awful to look at. I don’t know how we’re going to fix that.”
Facing the pond, staring at that green, green grass, I gave a shuddery laugh. “I don’t think we have to worry about the island,” I said, wiping stray tears with the back of my hand. “It’s being healed.”
“Well, there you have it, then,” Archer said. “Vix can come for a visit, the island will eventually be a heck of a lot less depressing, and I’m not leaving you ever again.”
“Yeah, and we still have to deal with The Eye being…Eyeish, and me learning to be Head of the Council, which will probably involve lots of boring books and-“
Archer pressed his mouth to mine, effectively shutting me up and kissing the hell out of me. When he pulled back, he was grinning. “And you have an arrogant, screwed-up former demon hunter who is stupidly in love with you.”
“And an angsty vampire who will walk into hell with you. Actually, who has walked into hell with you,” Jenna added, coming around to my other side.
“And parents who love you, and who are probably making out back at the car,” Archer said, and I laughed.
“So, really,” Jenna said, and looped her arm through mine, “what more do you need?”
I looked back and forth between them, these two people I loved so much. The breeze ruffled the tall grass around the pond, and I thought I could hear Elodie’s laugh.
“Nothing,” I told them, squeezing both their hands. “Nothing.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
Only five minutes later he noticed a dozen crocuses growing round the foot of an old tree- gold and purple and white. Then came a sound even more delicious than the sound of water. Close beside the path they were following, a bird suddenly chirped from the branch of a tree. It was answered by the chuckle of another bird a little further off. And then, as if that had been a signal, there was chattering and chirruping in every direction, and then a moment of full song, and within five minutes the whole wood was ringing with birds' music, and wherever Edmund's eyes turned he saw birds alighting on branches, or sailing overhead or chasing one another or having their little quarrels or tidying up their feathers with their beaks.
"Faster! Faster!" said the Witch.
There was no trace of the fog now. The sky became bluer and bluer, and now there were white clouds hurrying across it from time to time. In the wide glades there were primroses. A light breeze sprang up which scattered drops of moisture from the swaying branches and carried cool, delicious scents against the faces of the travelers. The trees began to come fully alive. The larches and birches were covered with green, the laburnums with gold. Soon the beech trees had put forth their delicate, transparent leaves. As the travelers walked under them the light also became green. A bee buzzed crossed their path.
”
”
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
“
You know, sleeping outdoors isn’t all bad. You get to stare up at the stars and cool breezes ruffle your fur after a hot day. The grass smells sweet and,” he made eye contact with me, “so does your hair.”
I blushed and grumbled, “Well, I’m glad someone enjoyed it.”
He smiled smugly and said, “I did.”
I had a quick flash of him as a man snuggled up next to me in the forest, imagined him resting his head on my lap while I stroked his hair, and decided to focus on the matter at hand.
“Well, listen, Ren, you’re changing the subject. I don’t appreciate the way you manipulated me into being here. Mr. Kadam should’ve told me at the circus.”
He shook his head. “We didn’t think you’d believe his story. He made up the trip to the tiger reserve to get you to India. We figured once you were here, I could change into a man and clarify everything.”
I admitted, “You’re probably right. If you had changed to a man there, I don’t think I would have come”
“Why did you come?”
“I wanted to spend more time with…you. You know, the tiger. I would have missed him. I mean you.” I blushed.
He grinned lopsidedly. “I would have missed you too.”
I wrung the hem of my shirt between my hands.
Misreading my thoughts, he said, “Kelsey. I’m truly sorry for the deception. If there’d been any other way-“
I looked up. He hung his head in a way that reminded me of the tiger. The frustration and awkwardness I felt about him dissipated. My instincts told me that I should believe him and help him. The strong emotional connection that drew me to the tiger tugged at my heart even more powerfully with the man. I felt pity for him and his situation.
Softly, I asked, “When will you change into a tiger?”
“Soon.”
“Does it hurt?”
“Not as much as it used to.”
“Do you understand me when you are a tiger? Can I still speak to you?”
“Yes, I’ll still be able to hear and understand you.”
I took a deep breath. “Okay. I’ll stay here with you until the shaman comes back. I still have a lot of questions for you though.”
“I know. I’ll try to answer them as best I can, but you’ll have to save them for tomorrow when I’ll be able to speak with you again. We can stay here for the night. The shaman should be back around dusk.”
“Ren?”
“Yes?”
“The jungle frightens me, and this situation frightens me.”
He let go of the apron string and looked into my eyes. “I know.”
“Ren?”
“Yes?”
“Don’t…leave me, okay?”
His face softened into a tender expression, and his mouth turned up in a sincere smile. “Asambhava. I won’t.”
I felt myself responding to his smile with one of my own when a shadow fell across his face. He clenched his fists and tightened his jaw. I saw a tremor pass through his body, and the chair fell forward as he collapsed to the ground on his hands and knees. I stood to reach out to him and was amazed to see his body morph back into the tiger form I knew so well. Ren the tiger shook himself, then approached my outstretched hand and rubbed his head against it.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Abundance is not the money you have in your bank account, the trophies on your shelf, the letters after your name, the list of goals reached, the number of people you know, your perfect, healthy body, your adoring fans. Abundance is your connection to each breath, how sensitive you are to every flicker of sensation and emotion in the body. It is the delight with which you savor each unique moment, the joy with which you greet each new day. It is knowing yourself as presence, the power that creates and moves worlds. It is your open heart, how deeply moved you are by love every day, your willingness to embrace, to hold what needs to be held. It is the freshness of each morning unencumbered by memory or false hope. Abundance is the feeling of the afternoon breeze on your cheeks, the sun warming your face. It is meeting others in the field of honesty and vulnerability, connecting beyond the story, sharing what is alive. It is your rootedness in the present moment, knowing that you are always Home, no matter what happens, no matter what is gained or lost. It is touching life at the point of creation, never looking back, feeling the belly rise and fall, thanking each breath, giving praise to each breath. It is falling to your knees in awe, laughing at the stories they tell about you, sinking more deeply into rest. Abundance is simplicity. It is kindness. It is you, before every sunrise: fresh, open, and awake. You are rich, friend! You are rich!
”
”
Jeff Foster (The Way of Rest: Finding The Courage to Hold Everything in Love)
“
Endless love and voluptuous appetite pervaded this stifling nave in which settled the ardent sap of the tropics. Renée was wrapped in the powerful bridals of the earth that gave birth to these dark growths, these colossal stamina; and the acrid birth-throes of this hotbed, of this forest growth, of this mass of vegetation aglow with the entrails that nourished it, surrounded her with disturbing odours. At her feet was the steaming tank, its tepid water thickened by the sap from the floating roots, enveloping her shoulders with a mantle of heavy vapours, forming a mist that warmed her skin like the touch of a hand moist with desire. Overhead she could smell the palm trees, whose tall leaves shook down their aroma. And more than the stifling heat, more than the brilliant light, more than the great dazzling flowers, like faces laughing or grimacing between the leaves, it was the odours that overwhelmed her. An indescribable perfume, potent, exciting, composed of a thousand different perfumes, hung about her; human exudation, the breath of women, the scent of hair; and breezes sweet and swooningly faint were blended with breezes coarse and pestilential, laden with poison. But amid this strange music of odours, the dominant melody that constantly returned, stifling the sweetness of the vanilla and the orchids' pungency, was the penetrating, sensual smell of flesh, the smell of lovemaking escaping in the early morning from the bedroom of newlyweds.
”
”
Émile Zola (La Curée)
“
Their other hands flipped up, palm to palm, and Merik’s only consolation as he and the domna slid into the next movement of the dance was that her chest heaved as much as his did. Merik’s right hand gripped the girl’s, and with no small amount of ferocity, he twisted her around to face the same direction as he before wrenching her to his chest. His hand slipped over her stomach, fingers splayed. Her left hand snapped up—and he caught it. Then the real difficulty of the dance began. The skipping of feet in a tide of alternating hops and directions. The writhing of hips countered the movement of their feet like a ship upon stormy seas. The trickling tap of Merik’s fingers down the girl’s arms, her ribs, her waist—like the rain against a ship’s sail. On and on, they moved to the music until they were both sweating. Until they hit the third movement. Merik flipped the girl around to face him once more. Her chest slammed against his—and by the Wells, she was tall. He hadn’t realized just how tall until this precise moment when her eyes stared evenly into his and her panting breaths fought against his own. Then the music swelled once more, her legs twined into his, and he forgot all about who she was or what she was or why he had begun the dance in the first place. Because those eyes of hers were the color of the sky after a storm. Without realizing what he did, his Windwitchery flickered to life. Something in this moment awoke the wilder parts of his power. Each heave of his lungs sent a breeze swirling in. It lifted the girl’s hair. Kicked at her wild skirts. She showed no reaction at all. In fact, she didn’t break her gaze from Merik, and there was a fierceness there—a challenge that sent Merik further beneath the waves of the dance. Of the music. Of those eyes. Each leap backward of her body—a movement like the tidal tug of the sea against the river—led to a violent slam as Merik snatched her back against him. For each leap and slam, the girl added in an extra flourishing beat with her heels. Another challenge that Merik had never seen, yet rose to, rose above. Wind crashed around them like a growing hurricane, and he and this girl were at its eye. And the girl never looked away. Never backed down. Not even when the final measures of the song began—that abrupt shift from the sliding cyclone of strings to the simple plucking bass that follows every storm—did Merik soften how hard he pushed himself against this girl. Figuratively. Literally. Their bodies were flush, their hearts hammering against each other’s rib cages. He walked his fingers down her back, over her shoulders, and out to her hands. The last drops of a harsh rain. The music slowed. She pulled away first, slinking back the required four steps. Merik didn’t look away from her face, and he only distantly noticed that, as she pulled away, his Windwitchery seemed to settle. Her skirts stopped swishing, her hair fluttered back to her shoulders. Then he slid backward four steps and folded his arms over his chest. The music came to a close. And Merik returned to his brain with a sickening certainty that Noden and His Hagfishes laughed at him from the bottom of the sea.
”
”
Susan Dennard (Truthwitch (The Witchlands, #1))
“
His day is done.
Is done.
The news came on the wings of a wind, reluctant to carry its burden.
Nelson Mandela’s day is done.
The news, expected and still unwelcome, reached us in the United States, and suddenly our world became somber.
Our skies were leadened.
His day is done.
We see you, South African people standing speechless at the slamming of that final door through which no traveller returns.
Our spirits reach out to you Bantu, Zulu, Xhosa, Boer.
We think of you and your son of Africa, your father, your one more wonder of the world.
We send our souls to you as you reflect upon your David armed with a mere stone, facing down the mighty Goliath.
Your man of strength, Gideon, emerging triumphant.
Although born into the brutal embrace of Apartheid, scarred by the savage atmosphere of racism, unjustly imprisoned in the bloody maws of South African dungeons.
Would the man survive? Could the man survive?
His answer strengthened men and women around the world.
In the Alamo, in San Antonio, Texas, on the Golden Gate Bridge in San Francisco, in Chicago’s Loop, in New Orleans Mardi Gras, in New York City’s Times Square, we watched as the hope of Africa sprang through the prison’s doors.
His stupendous heart intact, his gargantuan will hale and hearty.
He had not been crippled by brutes, nor was his passion for the rights of human beings diminished by twenty-seven years of imprisonment.
Even here in America, we felt the cool, refreshing breeze of freedom.
When Nelson Mandela took the seat of Presidency in his country where formerly he was not even allowed to vote we were enlarged by tears of pride, as we saw Nelson Mandela’s former prison guards invited, courteously, by him to watch from the front rows his inauguration.
We saw him accept the world’s award in Norway with the grace and gratitude of the Solon in Ancient Roman Courts, and the confidence of African Chiefs from ancient royal stools.
No sun outlasts its sunset, but it will rise again and bring the dawn.
Yes, Mandela’s day is done, yet we, his inheritors, will open the gates wider for reconciliation, and we will respond generously to the cries of Blacks and Whites, Asians, Hispanics, the poor who live piteously on the floor of our planet.
He has offered us understanding.
We will not withhold forgiveness even from those who do not ask.
Nelson Mandela’s day is done, we confess it in tearful voices, yet we lift our own to say thank you.
Thank you our Gideon, thank you our David, our great courageous man.
We will not forget you, we will not dishonor you, we will remember and be glad that you lived among us, that you taught us, and that you loved us all.
”
”
Maya Angelou (His Day Is Done: A Nelson Mandela Tribute)
“
Tania, why don’t you take off your shoes? You’ll be more comfortable.” “I’m fine,” she said. How did he know her feet were killing her? Was it that obvious? “Go on,” he prodded gently. “It will be easier for you to walk on the grass.” He was right. Breathing a sigh of relief, she bent, unstrapped the sandals, and slipped them off. Straightening up and raising her eyes to him, she said, “That is a little better.” Alexander was silent. “Now you’re really tiny,” he said at last. “I’m not tiny,” she returned. “You’re just outsized.” Blushing, she lowered her gaze. “How old are you, Tania?” “Older than you think,” Tatiana said, wanting to sound old and mature. The warm Leningrad breeze blew her blonde hair over her face. Holding her shoes with one hand, she attempted to sort out her hair with the other. She wished she had a rubber band for her ponytail. Standing in front of her, Alexander reached out and brushed the hair away. His eyes traveled from her hair to her eyes to her mouth where they stopped. Did she have ice cream all around her lips? Yes, that must be it. How awkward. She licked her lips, trying to clean the corners. “What?” she said. “Do I have ice cream—” “How do you know how old I think you are?” he asked. “Tell me, how old are you?” “I’m going to be seventeen soon,” she said. “When?” “Tomorrow.” “You’re not even seventeen,” Alexander echoed. “Seventeen tomorrow!” she repeated indignantly. “Seventeen, right. Very grown up.” His eyes were dancing. “How old are you?” “Twenty-two,” he said. “Twenty-two, just.” “Oh,” she said, and couldn’t hide the disappointment in her voice. “What? Is that very old?” Alexander asked, failing to keep the smile off his face. “Ancient,” Tatiana replied, failing to keep the smile off her face. Slowly they walked across the Field of Mars, Tatiana barefoot and carrying the red sandals in her slightly swinging hands.
”
”
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
“
Say something.”
I struggled to get the word out. “What?”
“My name.”
I wasn’t sure why he wanted me to say that, and I didn’t know how it would feel to say it again after all this time, but I drew in a deep breath. “Rider.” Another breath shuddered through me. “Rider Stark.”
His throat worked and, for a heartbeat, neither of us moved as a steamy breeze tossed strands of hair across my face. Then he dropped his notebook to the pavement. I was surprised it didn’t burst into dust. His long-legged pace ate up the distance. One second there was several feet between us, and in the next breath he was right there in front of me. He was so much taller now. I barely reached his shoulders.
And then his arms were around me.
My heart exploded as those strong arms pulled me against his chest. There was a moment where I froze, and then my arms swept around his neck. I held on, squeezing my eyes shut as I inhaled the clean scent and the lingering trace of aftershave. This was him. His hugs were different now, stronger and tighter. He lifted me clear off my feet, one arm around my waist, the other hand buried deep in my hair, and my breasts were mushed against his surprisingly hard chest.
Whoa.
His hugs were most definitely different than they were when we were twelve.
“Jesus, Mouse, you don’t even know...” His voice was gruff and thick as he set me back on my feet, but he didn’t let go. One arm stayed around my waist. His other hand fisted the ends of my hair. His chin grazed the top of my head as I slid my hands down his chest. “I never thought I’d see you again.”
I rested my forehead between my hands, feeling his heart beat fast. I could hear people around us, and I imagined some were probably staring, but I didn’t care. Rider was warm and solid. Real. Alive.
”
”
Jennifer L. Armentrout (The Problem with Forever)
“
Where are we?” she asked when I pulled into a parking lot.
“The park.”
“Isn’t it dangerous at night?”
“Not here. Come on.” I pulled her out of her seat and grabbed a blanket from the trunk before trekking through the soft grass.
“You always keep a blanket in your car?”
“Yeah, for emergencies. Never know when you might need it. Food, water, first-aid kit, too.”
“Oh!” she grunted and caught my arm as one of her heels pierced the soft dirt and sank.
“You should take those off.”
“And walk around barefoot? Hello? Ever heard of hookworms and tetanus?”
“Ever heard of snapping your ankles as you fall flat on your face in the dark?” I asked as I squatted in front of her and slipped her foot out of the high heels.
“What are you doing?” she gasped, tumbling forward and grabbing onto my shoulders for support.
“Removing your obstacles.”
She landed a bare foot on the grass as I undid the other shoe. “So now I get tetanus?”
I looked up at her, my hands lightly stroking her ankles up to her calves. “You worry too much.”
“It’s a real risk. Ask Preeti.”
I stood slowly, moving up her body, and hovered above her.
“How…how far are we walking?” she asked.
“To the river.”
“In the dark?”
I nodded and handed her the shoes.
“Took these off and you won’t even carry them?”
“I’ll carry them,” I replied, swooped down, and threw her over the blanket on my shoulder.
Liya yelped. “Put me down!”
“So you can get tetanus?” I asked and walked toward the river.
She laughed. “I hate you!”
“You love it.”
She slapped my butt and then poked her pointy elbows into my shoulder as she arched her back. “Enjoying the view of my backside from over there?”
I slid my hand up the back of her thighs and tugged her dress down to keep her covered.
“This isn’t so bad,” she said.
“Oh, yeah?”
“Yeah.” She slapped my butt again. “Giddyap!”
“All right. You asked for it.”
Her next words were swallowed up in a scream as I took off at a full sprint.
She gripped my shirt, clutching for my waist, as the breeze broke around us. I ran the short distance to the riverside in no time, slowing only when the moonlit gleam on the water’s surface appeared.
I placed Liya on the grass, but she swayed away. I grabbed her by the waist to steady her and chuckled. “Are you okay?”
“You try doing that upside down.
”
”
Sajni Patel (The Trouble with Hating You (The Trouble with Hating You, #1))
“
Today, she is standing at the top of a mountain and appreciating the majestic panoramic view of mesmerizing Himalaya. As a kid, she used to look up in the sky and wish for wings to fly up to the mountains. And now after a long wait of many years, she is standing here and living her dream. It’s the moment when she can’t believe her eyes because what she always dreamed of has come alive. She looks with amazement as if she’s witnessing a miracle. It is the moment of her life. She just wants to feel it. There are beautiful clouds below her and there are snow clad mountain peaks emerging from those clouds. The white peaks shining in blue sky among white clouds look like glittering diamonds to her. The view of the large lush green meadow surrounded by mountains under blue sky with a rainbow circling the horizon has put her in a state of tranquility. As the sun starts drowning in the horizon, the sky begins to boast his mystical colours. The beautiful mix of pink, orange and red looks like creating a twilight saga. She opens her both arm and takes a deep breath to entwine with the nature. The glimmering rays of the moon are paying tribute to her by kissing her warm cheeks and her eyes twinkle in bright moon light. She raises her face towards the moon and senses the flood of memories which she wants to unleash. The cool breeze lifts her ruffled hair and blows her skirt up. She closes her eyes and breathes deep as if she wants to let her know that she is finally here and then she opens her eyes and finds herself on the same wheelchair inside a room with an empty wall in front of her eye. Tears rolls down from her eye but these are the tears of Joy because she is living her dreams today. The feelings comes to her mind while waiting for her daughter who is coming back home today after her first expedition of a high range mountain ~ AB
”
”
Ashish Bhardwaj
“
167
It’s one of those days when the monotony of everything oppresses me like being thrown into jail. The monotony of everything is merely the monotony of myself, however. Each face, even if seen just yesterday, is different today, because today isn’t yesterday. Each day is the day it is, and there was never another one like it in the world. Only our soul makes the identification – a genuinely felt but erroneous identification – by which everything becomes similar and simplified. The world is a set of distinct things with varied edges, but if we’re near-sighted, it’s a continual and indecipherable fog.
I feel like fleeing. Like fleeing from what I know, fleeing from what’s mine, fleeing from what I love. I want to depart, not for impossible Indias or for the great islands south of everything, but for any place at all – village or wilderness – that isn’t this place. I want to stop seeing these unchanging faces, this routine, these days. I want to rest, far removed, from my inveterate feigning. I want to feel sleep come to me as life, not as rest. A cabin on the seashore or even a cave in a rocky mountainside could give me this, but my will, unfortunately, cannot.
Slavery is the law of life, and it is the only law, for it must be observed: there is no revolt possible, no way to escape it. Some are born slaves, others become slaves, and still others are forced to accept slavery. Our faint-hearted love of freedom – which, if we had it, we would all reject, unable to get used to it – is proof of how ingrained our slavery is. I myself, having just said that I’d like a cabin or a cave where I could be free from the monotony of everything, which is the monotony of me – would I dare set out for this cabin or cave, knowing from experience that the monotony, since it stems from me, will always be with me? I myself, suffocating from where I am and because I am – where would I breathe easier, if the sickness is in my lungs rather than in the things that surround me? I myself, who long for pure sunlight and open country, for the ocean in plain view and the unbroken horizon – could I get used to my new bed, the food, not having to descend eight flights of stairs to the street, not entering the tobacco shop on the corner, not saying good-morning to the barber standing outside his shop?
Everything that surrounds us becomes part of us, infiltrating our physical sensations and our feeling of life, and like spittle of the great Spider it subtly binds us to whatever is close, tucking us into a soft bed of slow death which is rocked by the wind. Everything is us, and we are everything, but what good is this, if everything is nothing?
A ray of sunlight, a cloud whose shadow tells us it is passing, a breeze that rises, the silence that follows when it ceases, one or another face, a few voices, the incidental laughter of the girls who are talking, and then night with the meaningless, fractured hieroglyphs of the stars.
”
”
Fernando Pessoa (The Book of Disquiet)
“
A BRAVE AND STARTLING TRUTH
We, this people, on a small and lonely planet
Traveling through casual space
Past aloof stars, across the way of indifferent suns
To a destination where all signs tell us
It is possible and imperative that we learn
A brave and startling truth
And when we come to it
To the day of peacemaking
When we release our fingers
From fists of hostility
And allow the pure air to cool our palms
When we come to it
When the curtain falls on the minstrel show of hate
And faces sooted with scorn are scrubbed clean
When battlefields and coliseum
No longer rake our unique and particular sons and daughters
Up with the bruised and bloody grass
To lie in identical plots in foreign soil
When the rapacious storming of the churches
The screaming racket in the temples have ceased
When the pennants are waving gaily
When the banners of the world tremble
Stoutly in the good, clean breeze
When we come to it
When we let the rifles fall from our shoulders
And children dress their dolls in flags of truce
When land mines of death have been removed
And the aged can walk into evenings of peace
When religious ritual is not perfumed
By the incense of burning flesh
And childhood dreams are not kicked awake
By nightmares of abuse
When we come to it
Then we will confess that not the Pyramids
With their stones set in mysterious perfection
Nor the Gardens of Babylon
Hanging as eternal beauty
In our collective memory
Not the Grand Canyon
Kindled into delicious color
By Western sunsets
Nor the Danube, flowing its blue soul into Europe
Not the sacred peak of Mount Fuji
Stretching to the Rising Sun
Neither Father Amazon nor Mother Mississippi who, without favor,
Nurture all creatures in the depths and on the shores
These are not the only wonders of the world
When we come to it
We, this people, on this minuscule and kithless globe
Who reach daily for the bomb, the blade and the dagger
Yet who petition in the dark for tokens of peace
We, this people on this mote of matter
In whose mouths abide cankerous words
Which challenge our very existence
Yet out of those same mouths
Come songs of such exquisite sweetness
That the heart falters in its labor
And the body is quieted into awe
We, this people, on this small and drifting planet
Whose hands can strike with such abandon
That in a twinkling, life is sapped from the living
Yet those same hands can touch with such healing, irresistible tenderness
That the haughty neck is happy to bow
And the proud back is glad to bend
Out of such chaos, of such contradiction
We learn that we are neither devils nor divines
When we come to it
We, this people, on this wayward, floating body
Created on this earth, of this earth
Have the power to fashion for this earth
A climate where every man and every woman
Can live freely without sanctimonious piety
Without crippling fear
When we come to it
We must confess that we are the possible
We are the miraculous, the true wonder of this world
That is when, and only when
We come to it.
”
”
Maya Angelou (A Brave and Startling Truth)
“
I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. It called to mind how I noticed the exact same thing when I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or if the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head.
Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales.
He sniffed all the holes over again one quick one, to get the smells down good, then suddenly froze still with one paw lifted and his head tilted, listening. I listened too, but I couldn’t hear anything except the popping of the window shade. I listened for a long time. Then, from a long way off, I heard a high, laughing gabble, faint and coming closer. Canada honkers going south for the winter. I remembered all the hunting and belly-crawling I’d ever done trying to kill a honker, and that I never got one.
I tried to look where the dog was looking to see if I could find the flock, but it was too dark. The honking came closer and closer till it seemed like they must be flying right through the dorm, right over my head. Then they crossed the moon — a black, weaving necklace, drawn into a V by that lead goose. For an instant that lead goose was right in the center of that circle, bigger than the others, a black cross opening and closing, then he pulled his V out of sight into the sky once more.
I listened to them fade away till all I could hear was my memory of the sound.
”
”
Ken Kesey (One Flew Over the Cuckoo's Nest :Text and Criticism)
“
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded.
I say, “Are you afraid?”
Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on.
Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.”
What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life.
“There’s no one braver than you on that beach.”
Her voice is dismissive. “That doesn’t matter.”
“It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.”
Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?”
The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.”
Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes.
She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me.
“Tell me what to wish for,” I say. “Tell me what to ask the sea for.”
“To be happy. Happiness.”
I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.”
The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby.
Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?”
I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair.
I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?”
Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.”
I say, “That is what I needed to hear.”
“Do you know what to wish for now?”
I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
”
”
Maggie Stiefvater (The Scorpio Races)
“
He got into the tub and ran a little cold water. Then he lowered his thin, hairy body into the just-right warmth and stared at the interstices between the tiles. Sadness--he had experienced that emotion ten thousand times. As exhalation is to inhalation, he thought of it as the return from each thrust of happiness.
Lazily soaping himself, he gave examples.
When he was five and Irwin eight, their father had breezed into town with a snowstorm and come to see them where they lived with their grandparents in the small Connecticut city. Their father had been a vagabond salesman and was considered a bum by people who should know. But he had come into the closed, heated house with all the gimcrack and untouchable junk behind glass and he had smelled of cold air and had had snow in his curly black hair. He had raved about the world he lived in, while the old people, his father and mother, had clucked sadly in the shadows. And then he had wakened the boys in the night and forced them out into the yard to worship the swirling wet flakes, to dance around with their hands joined, shrieking at the snow-laden branches. Later, they had gone in to sleep with hearts slowly returning to bearable beatings. Great flowering things had opened and closed in Norman's head, and the resonance of the wild man's voice had squeezed a sweet, tart juice through his heart. But then he had wakened to a gray day with his father gone and the world walking gingerly over the somber crust of dead-looking snow. It had taken him some time to get back to his usual equanimity.
He slid down in the warm, foamy water until just his face and his knobby white knees were exposed.
Once he had read Wuthering Heights over a weekend and gone to school susceptible to any heroine, only to have the girl who sat in front of him, whom he had admired for some months, emit a loud fart which had murdered him in a small way and kept him from speaking a word to anyone the whole week following. He had laughed at a very funny joke about a Negro when Irwin told it at a party, and then the following day had seen some white men lightly kicking a Negro man in the pants, and temporarily he had questioned laughter altogether. He had gone to several universities with the vague exaltation of Old Man Axelrod and had found only curves and credits. He had become drunk on the idea of God and found only theology. He had risen several times on the subtle and powerful wings of lust, expectant of magnificence, achieving only discharge. A few times he had extended friendship with palpitating hope, only to find that no one quite knew what he had in mind. His solitude now was the result of his metabolism, that constant breathing in of joy and exhalation of sadness. He had come to take shallower breaths, and the two had become mercifully mixed into melancholy contentment. He wondered how pain would breach that low-level strength. "I'm a small man of definite limitations," he declared to himself, and relaxed in the admission.
”
”
Edward Lewis Wallant (The Tenants of Moonbloom)