Breakdown Sad Quotes

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I was in the biggest breakdown of my life when I stopped crying long enough to let the words of my epiphany really sink in. That whore, karma, had finally made her way around, and had just bitch-slapped me right across the face. The realization only made me cry harder.
Jennifer Salaiz
Have you ever loved someone so much that even when they chip pieces away from you, you still try to give them what’s left? I know I have… I know I do.
Danielle Esplin (Give It Back)
She had assumed they would see each other every day but she hadn’t really thought about the implications of having an affair with a married man. It wasn’t going to be a normal relationship.
Kassandra Cross (Carrie's First Time (Carrie #1))
There's a strange sensation - you recall it from childhood - about sleeping in the afternoon. You rise into a different world from the one in which you lay down. The shadows have been rearranged. There's a sensation of sad sweetness, as if something has been overlooked. I used to feel it coming out of the movies just before dinnertime, after the matinee. How, I wondered, did Broadway actors face it, this bittersweet sense of time's slipping past.
Jacquelyn Mitchard (The Breakdown Lane)
You’ve grown tired of being the trophy for mature men, yet always approached by immature fellas running game, in, “Mr Right” disguise. They can’t understand, because all they see is the smile, the strength, perseverance, the accomplishments, but all are clueless about the sadness, loneliness, emotional breakdowns…the failures.
Pierre Alex Jeanty (To the Women I Once Loved)
He stayed silent through my entire breakdown, and once I stopped talking and started hiccupping embarrassing little sobs, he leaned forward and wiped my tears with his thumbs. “Don’t cry, Liz.” He looked sad when he said it, like he wanted to cry too. Then he said, “Wait here.” He gave me the One sec finger before turning and running into his house. I stood there, exhausted from the crying and shocked by his niceness, and when he came out his front door, he gave me a ten-dollar bill.
Lynn Painter (Better Than the Movies)
HE WAS FOURTEEN it was years ago and Sad’s name wasn’t Sad yet. First comet. G had just stumbled off a bus they looked at one another and that lasted until G was almost twenty but he. Well. Being a loyal soul himself. Sad’s need to make friends everywhere. Sex friends club friends gym friends dope friends shopping friends breakdown friends a common enough problem. Sad didn’t see a problem. One day he looked around and G was gone.
Anne Carson (Red Doc>)
Just smile! it looks great on you!
Bee_
Once a partner has begun to lose interest, there is apparently little the other can do to arrest the process. Like seduction, withdrawal suffers under a blanket of reticence. The very breakdown of communication is hard to discuss, unless both parties have a desire to see it restored. This leaves the lover in a desperate situation. Honest dialogue seems to produce only irritation and smothers love in the attempt to revive it. Desperate to woo the partner back at any cost, the lover might at this point be tempted to turn to romantic terrorism, the product of irredeemable situations, a gamut of tricks (sulking, jealousy, guilt) that attempt to force the partner to return love, by blowing up (in fits of tears, rage or otherwise) in front of the loved one. The terroristic partner knows he cannot realistically hope to see his love reciprocated, but the futility of something is not always (in love or in politics) a sufficient argument against it. Certain things are said not because they will be heard, but because it is important to speak.
Alain de Botton (On Love)
Sadly but, perhaps, not altogether unexpectedly this society has had very limited success in achieving what is supposed to be the justification for its existence-- the greatest amount of happiness for the greatest possible number of people. In so far as its citizens are saved from the major anxieties and responsibilities which normally surround the business of being a man, they transfer what appears to be an unvarying human capacity for worry to the most trivial things, making mountains out of molehills on a vast scale; and they have 'nervous breakdowns' over problems which men and women living under sterner conditions would hardly find time to notice.
Charles Le Gai Eaton (King of the Castle: Choice and Responsibility in the Modern World (Islamic Texts Society))
There is always a man eager to explain my mental illness to me. They all do it so confidently, motioning to their Hemingway and Bukowski bookshelf as they compare my depression to their late-night loneliness. There is always someone that rejected them that they equate their sadness to and a bottle of gin (or a song playing, or a movie) close by that they refer to as their cure. Somehow, every soft confession of my Crazy that I hand to them turns into them pulling out pieces of themselves to prove how it really is in my head. So many dudes I’ve dated have faces like doctors ready to institutionalize and love my crazy (but only on Friday nights.) They tell their friends about my impulsive decision making and how I “get them” more than anyone they’ve ever met but leave out my staring off in silence for hours and the self-inflicted bruises on my cheeks. None of them want to acknowledge a crazy they can’t cure. They want a crazy that fits well into a trope and gives them a chance to play Hero. And they always love a Crazy that provides them material to write about. Truth is they love me best as a cigarette cloud of impossibility, with my lipstick applied perfectly and my Crazy only being pulled out when their life needs a little spice. They don’t want me dirty, having not left my bed for days. Not diseased. Not real. So they invite me over when they’re going through writer’s block but don’t answer my calls during breakdowns. They tell me I look beautiful when I’m crying then stick their hands in-between my thighs. They mistake my silence for listening to them attentively and say my quiet mouth understands them like no one else has. These men love my good dead hollowness. Because it means less of a fighting personality for them to force out. And is so much easier to fill someone who has already given up with themselves.
Lora Mathis
Long handwritten note deep in our pockets Words, how little they mean when we're a little too late I stood right by the tracks, your face in my head Good girls, hopeful they'll be and long they will wait In dreams I meet you in warm conversation We both wake in lonely beds, different cities And time is taking its sweet time erasing you And you've got your demons, and, darling, they all look like me Distance, timing, breakdown, fighting Silence, the train runs off its tracks Kiss me, try to fix it, could you just try to listen? Hang up, give up and for the life of us we can't get back A beautiful magic love there What a sad beautiful tragic, beautiful tragic, beautiful love affair
EJR
A Tragic Honesty, like the Ian Hamilton biography of Lowell that I read recently, is a sad and occasionally terrifying account of how creativity can be simultaneously fragile and self-destructive; it also made me grateful that I am writing now, when the antidepressants are better, and we all drink less. Stories about contemporary writers being taken away in straitjackets are thin on the ground - or no one tells them to me, anyway - but it seemed to happen to Lowell and Yates all the time; there are ten separate page references under 'breakdowns' in the index of A Tragic Honesty.
Nick Hornby (The Polysyllabic Spree)
When I was back in my room, I sat on the edge of my bed and stared at the floor. I took my head in my hands and softly began to weep. I tried to determine the cause for my breakdown… (but) I came to realize that my sadness was caused by my own personal angst. I had come to comprehend my own personal story in a more complete sense. I had a painful childhood, however privileged, and was now actively seeking for those things within myself that would break me away from the bonds of childhood and define me as a man. I was set on living my own life as my own man, not defined by the lives of my parents. And whether I succeeded or not, in the end I would die.
Tim Scott (Driving Toward Destiny: A Novel)
How to explain my heroic courtesy? I feel that my body was inflated by a mischievous boy. Once I was the size of a falcon, the size of a lion, once I was not the elephant I find I am. My pelt sags, and my master scolds me for a botched trick. I practiced it all night in my tent, so I was somewhat sleepy. People connect me with sadness and, often, rationality. Randall Jarrell compared me to Wallace Stevens, the American poet. I can see it in the lumbering tercets, but in my mind I am more like Eliot, a man of Europe, a man of cultivation. Anyone so ceremonious suffers breakdowns. I do not like the spectacular experiments with balance, the high-wire act and cones. We elephants are images of humility, as when we undertake our melancholy migrations to die. Did you know, though, that elephants were taught to write the Greek alphabet with their hooves? Worn out by suffering, we lie on our great backs, tossing grass up to heaven—as a distraction, not a prayer. That’s not humility you see on our long final journeys: it’s procrastination. It hurts my heavy body to lie down. —DAN CHIASSON, “The Elephant
Jodi Picoult (Leaving Time)
Whispering Echoes, a contemporary fiction with Gothic undertones... Death is not the greatest loss in life. The greatest loss is what dies inside us while we still live… This is the tale of two women standing at opposite ends of the tunnel of life. Sally Donaldson is at the beginning, whilst Miss Bella Connelly , is at the end. The story opens in the winter of 1990. Sally is a young woman on the verge of a breakdown, slowly drowning in the sorrow of an unimaginable loss. When her husband sends her to Brackenleigh Manor to recover, she encounters the unconventional healing methods of Miss Bella Connelly. Sally quickly discovers that the manor itself harbor’s its own sorrow, and the secrets that lay within the old groaning house are none other than the sad Whispering Echoes of Miss Bella Connelly’s past. The Story then shifts back to 1939 – Britain on the eve of WW2 – and reveals the secrets and lies that transform Bella, and completely change the lives of all who meet Miss Bella after. The events that carved and marked Miss Bella’s journey finally draw Sally out of her own shadows and back into life. For it is within Miss Bella’s story, that Sally learns that life has a measure that no one can count… A measure that far outweighs Death…
Kylie Mansfield
Sweet Talkin' Woman" WHERE DID YOU GO? I was searchin' SEARCHIN' on a one-way street, I was hopin' HOPIN' for a chance to meet. I was waitin' for the operator on the line. SHE'S GONE SO LONG What can I do? WHERE COULD SHE BE? No no no, don't know what I'm gonna do, I gotta get back to you. You gotta slow down SLOW DOWN sweet talkin' woman SLOW DOWN You got me runnin' RUN RUN you got me searchin'. Hold on HOLD ON sweet talkin' lover HOLD ON It's so sad if that's the way it's over. I was WALKIN' many days go by, I was thinkin' THINKIN' 'bout the lonely nights. Communication breakdown all around. SHE'S GONE SO LONG What can I do? WHERE COULD SHE BE? No no no, don't know what I'm gonna do, I gotta get back to you. You gotta slow down SLOW DOWN sweet talkin' woman SLOW DOWN You got me runnin' RUN RUN you got me searchin'. Hold on HOLD ON sweet talkin' lover HOLD ON It's so sad if that's the way it's over. I've been livin' LIVIN' on a dead end street, I've been askin' ASKIN' KINDLY everybody I meet. Insufficient data coming through. SHE'S GONE SO LONG What can I do? WHERE COULD SHE BE? No no no, don't know what I'm gonna do, I gotta get back to you. Oh, slow down SLOW DOWN sweet talkin' woman SLOW DOWN You got me runnin' RUN RUN you got me searchin'. Hold on HOLD ON sweet talkin' lover HOLD ON It's so sad if that's the way it's over. Slow down SLOW DOWN sweet talkin' woman SLOW DOWN You got me runnin', you got me searchin'. Hold on HOLD ON sweet talkin' lover HOLD ON It's so sad if that's the way it's over. Slow down SLOW DOWN sweet talkin' woman SLOW DOWN You got me runnin', you got me searchin'. Hold on HOLD ON sweet talkin' lover HOLD ON It's so sad if that's the way it's over. [repeat & fade out]
Elo
The dramatically different manner in which the couple responded to William’s injury publicaly underlined what those within their immediate circle have known for some time, the fairy-tale marriage between the Prince of Wales and Lady Diana Spencer is over in all but name. The breakdown of their marriage and the virtual collapse of their professional relationship is a source of sadness to many of their friends. This much discussed union which began with such high hopes has now reached an impasse of mutual recrimination and chilling indifference. The Princess has told friends that spiritually their marriage ended the day Prince Harry was born in 1984. The couple, who have had separate bedrooms at their homes for years, stopped sharing the same sleeping quarters during an official visit to Portugal in 1987. Little wonder then that she found a recent article in the Tatler magazine which posed the question: “Is Prince Charles too sexy for his own good” absolutely hilarious because of its unintentional irony.
Andrew Morton (Diana: Her True Story in Her Own Words)
This sad, dust-blackened place can't part us.
Sarah Mussi (Breakdown)
For a woman, having a baby can open the floodgates of repressed or hidden emotions. That is often when mothers have a breakdown, as in postpartum depression, or come to me with feelings of depression or anxiety that may be delayed postpartum depression responses. Repression is a great thing if it holds, but like the proverbial can of worms, when the defenses that a person has used her whole life break down, all of the sadness and loss that is connected to feeling your mother was not there enough when you were little starts leaking out of the lockbox of the unconscious
Erica Komisar (Being There: Why Prioritizing Motherhood in the First Three Years Matters)
What are you angry about (a betrayal, a coworker’s hurtful comment, a car breakdown, unanswered prayer, etc.)? What are you sad about (a small or big loss, disappointment, or a choice you or others have made)? What are you anxious about (your finances, future, family, health, church)? What are you glad about (your family, an opportunity, your church)?
Peter Scazzero (Emotionally Healthy Discipleship: Moving from Shallow Christianity to Deep Transformation)
Aggressive? Does she mean - tall? Because... I can't change that... No, the bottom drops out of my planet. The planet of me. The planet that has always tried to spin as closely to friendly planets and as far from aggro ones as possible. I've never been called aggressive out loud, but it's definitely something that's floated in the air... It's because the general cloud of my presence causes disruption that I want to orbit the chill planets, the ones with the spaceship landings, the ones little kids look up through their telescopes and think... wow... that looks like a friendly planet... I work unpaid overtime at not wanting people to think I mean them harm. So now the bottom falls out of everything I live on... She's surprised to see me vulnerable. It's not a possibility she's considered. That words based on assumptions might break me. That those simple words might unleash an ocean made up of the little sips of sadness that come from being repeatedly misinterpreted as a glance... All she sees is an aggressor. Someone she needs to protect herself from at all costs, protect an audience from... The others who might have to witness me.
Zawe Ashton (Character Breakdown)
Żal ma w zwyczaju atakować właśnie wtedy, gdy człowiek najmniej się tego spodziewa. Wystarczy piosenka,słowo, zapach...i nagle wpadasz w bezdenną otchłań, którą, mógłbyś przysiąc, udało ci się zakopać. Przecież już się nauczyłeś, jak dźwigać ten ciężar, prawda?
Sher Lee (Fake Dates and Mooncakes)
The worst kind of sad is the sad where you try to ignore it and then it gets so bad that one day you just breakdown. And you cant take anything anymore.
Anonymous
Aren’t you going to say something?” Jack asked. Ivy opened her mouth but no sound would come out. “Wow. You’re speechless.” Jack found her flummoxed response delightful. “I guess I should take advantage of that, huh?” He kept his hand under hers and let her stare at the ring as he searched for the right words. “I’m not very good with stuff like this – not that I’ve ever proposed or anything, of course – but I’ve never been a man of words. “You, honey, are the exact opposite,” he continued. “You always have the right words. You always know how to make me feel better. Even when you fire me up and cause my temper to flash, I’m always happy to hear your voice.” Jack cleared his throat to stave off a potential emotional breakdown. He had no idea he was close to crying until the first tears blurred his eyes. “I didn’t realize I was going through the motions of a life better left forgotten,” Jack said. “I didn’t know I was missing something so deeply that my soul ached … until I met you. People say it all of the time and I thought it was one of those trite things they spouted off about until I felt it myself. “You’re my everything, Ivy,” he continued. “You complete me. You make me happy. You make me whole. You’re … the other half of me.” Ivy finally found her voice, but it was weak. “Jack … I … .” “Shh.” Jack pressed his finger to her lips. “I’m not quite done yet. Once I am, you can talk to your heart’s content.” Ivy mutely nodded. “I love you. I would be really happy if you would be my wife. Before you answer, though, I need you to know what that entails.” Ivy widened her eyes to comical proportions. “I need you to live with me even when you’re angry, open yourself to me even when you’re sad, and love me no matter what,” Jack said. “That’s all I’m ever going to need from you. I’m willing to give you everything I have in return. Do you think you can do that?” When Ivy didn’t immediately answer, Jack shifted his eyes to her. “Now would be a good time to remember you can talk.” “Oh, well, I didn’t want to step on your toes.” Ivy’s eyes twinkled as she closed her hand around the ring, clutching it close to her heart. “I love you. I can’t wait to be your wife.” Jack already knew the answer, but the simple declaration was enough to fill his heart with so much love he thought it might explode. “Good. Can I put that ring on your finger?
Lily Harper Hart (Wicked Winter (Ivy Morgan, #8))