Safe Spaces Act Quotes

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For Someone Awakening To The Trauma of His or Her Past: For everything under the sun there is a time. This is the season of your awkward harvesting, When the pain takes you where you would rather not go, Through the white curtain of yesterdays to a place You had forgotten you knew from the inside out; And a time when that bitter tree was planted That has grown always invisibly beside you And whose branches your awakened hands Now long to disentangle from your heart. You are coming to see how your looking often darkened When you should have felt safe enough to fall toward love, How deep down your eyes were always owned by something That faced them through a dark fester of thorns Converting whoever came into a further figure of the wrong; You could only see what touched you as already torn. Now the act of seeing begins your work of mourning. And your memory is ready to show you everything, Having waited all these years for you to return and know. Only you know where the casket of pain is interred. You will have to scrape through all the layers of covering And according to your readiness, everything will open. May you be blessed with a wise and compassionate guide Who can accompany you through the fear and grief Until your heart has wept its way to your true self. As your tears fall over that wounded place, May they wash away your hurt and free your heart. May your forgiveness still the hunger of the wound So that for the first time you can walk away from that place, Reunited with your banished heart, now healed and freed, And feel the clear, free air bless your new face.
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
Offering sanctuary is a revolutionary act; it expresses love, when others offer scorn or hate. It recognizes humanity, when others deny and seek to debase it. Sanctuary says 'we' rather than 'I'. It is belonging—the building block of community.
Diane Kalen-Sukra
Like Whitney Houston, we believe the children are the future. But adults are in charge of the present, and we should start acting like it.
Dennis Prager (No Safe Spaces)
Legends have always played a powerful role in the making of history. Man, who has not been granted the gift of undoing, who is always an unconsulted heir of other men’s deeds, and who is always burdened with a responsibility that appears to be the consequence of an unending chain of events rather than conscious acts, demands an explanation and interpretation of the past in which the mysterious key to his future destiny seems to be concealed. Legends were the spiritual foundations of every ancient city, empire, people, promising safe guidance through the limitless spaces of the future. Without ever relating facts reliably, yet always expressing their true significance, they offered a truth beyond realities, a remembrance beyond memories.
Hannah Arendt (The Origins of Totalitarianism)
Legends have always played a powerful role in the making of history. Man, who has not been granted the gift of undoing, who is always an un-consulted heir of other men’s deeds, and who is always burdened with a responsibility that appears to be the consequence of an unending chain of events rather than conscious acts, demands an explanation and interpretation of the past in which the mysterious key to his future destiny seems to be concealed. Legends were the spiritual foundations of every ancient city, empire, people, promising safe guidance through the limitless spaces of the future. Without ever relating facts reliably, yet always expressing their true significance, they offered a truth beyond realities, a remembrance beyond memories.
Hannah Arendt (The Origins of Totalitarianism)
Digital violence against children and youth poses a significant challenge in today's increasingly digitized society. Statistics show a rising number of incidents, underscoring the urgency of collective action. It is not enough to merely recognize the problem; it is crucial that we act together to create a safe environment for our children. Our vision is not just to survive the digital revolution but to shape it through solidarity, understanding, and respect. Why do I emphasize this? Because digital violence has profound consequences on the mental health of children and youth. We must work together to build an environment where children can freely explore the digital world, knowing they are protected from violence. May my actions speak louder than words, leading to a generation resilient to digital violence and prepared for the challenges of the future. Let my collective determination be the key to transforming the digital reality into a space of love, support, and security for all.
A.Petrovski
Diddy, not really alive, had a life. Hardly the same. Some people are their lives. Others, like Diddy, merely inhabit their lives. Like insecure tenants, never knowing exactly the extent of their property or when the lease will expire. Like unskilled cartographers, drawing and redrawing erroneous maps of an exotic continent. Eventually, for such a person, everything is bound to run dow. The walls sag. Empty spaces bulge between objects. The surfaces of objects sweat, thin out, buckle. The hysterical fluids of fear deposited at the core of objects ooze out along the seams. Deploying things and navigating through space becomes laborious. Too much effort to amble from kitchen to living room, serving drinks, turning on the hi-fi, pretending to be cheerful . . . Everything running down: suffusing the whole of Diddy's well-tended life. Like a house powered by one large generator in the basement. Diddy has an almost palpable sense of the decline of the generator's energy. Or, of the monstrous malfunctioning of that generator, gone amok. Sending forth a torrent of refuse that climbs up into Diddy's life, cluttering all his floor space and overwhelming his pleasant furnishings, so that he's forced to take refuge. Huddle in a narrow corner. But however small the space Diddy means to keep free for himself, it won't remain safe. If solid material can't invade it, then the offensive discharge of the failing or rebellious generator will liquefy; so that it can travel everywhere, spread like a skin. The generator will spew forth a stream of crude oil, grimy and malodorous, that coats all things and persons and objects, the vulgar as well as the precious, the ugly as well as what little still remains beautiful. Befouling Diddy's world and rendering it unusable. Uninhabitable. This deliquescent running-down of everything becomes coexistent with Diddy's entire span of consciousness, undermines his most minimal acts. Getting out of bed is an agony unpromising as the struggles of a fish cast up on the beach, trying to extract life from the meaningless air. Persons who merely have a life customarily move in a dense fluid. That's how they're able to conduct their lives at all. Their living depends on not seeing. But when this fluid evaporates, an uncensored, fetid, appalling underlife is disclosed. Lost continents are brought to view, bearing the ruins of doomed cities, the sparsely fleshed skeletons of ancient creatures immobilized in their death throes, a landscape of unparalleled savagery.
Susan Sontag (Death Kit)
One of the best means of preserving the balance of political community and promoting the necessary social and political changes is by keeping the dialogue open with all the political actors who accept the basic rules of the game and are committed to preserving the basic values of the society. This ... explains why many of the thinkers studied in this book, from [Raymond] Aron and [Norberto] Bobbio to [Adam] Michnik, successfully practiced the art of dialogue across the aisle and refused to see the world in black-and-white contrasts. If they adopted the role of committed or engaged spectators, they also maintained a certain degree of detachment and skepticism in their attitudes and political judgments. Their invitation to dialogue and their willingness to speak to their critics illustrated their courage and determination not to look for 'safe spaces' and lukewarm solutions. Instead, they saw themselves as mediators whose duty was to open a line of communication with their opponents who disagreed with them. The dialogue they staged was at times difficult and frustrating, and their belief in the (real or symbolic) power of discussion was an open act of defiance against the crusading spirit of their age, marked by political sectarianism, monologue, and ideological intransigence. Aron and the other moderates studied here were convinced that we can improve ourselves not so much by seeking a fictitious harmony with our critics as by engaging in an open debate with them, as long as we all remain committed to civility and rational critique. In this regard, they all acted as true disciples of Montaigne, who once acknowledged that 'no premise shocks me, no belief hurts me, no matter how opposite they may be. ... When I am contradicted it arouses my attention not my wrath.' This is exactly how Aron and other moderates felt and behaved. They were open to being challenged and did not shy away from correcting others when they thought fit. Yet, in so doing, they did not simply seek to refute or defeat their opponents' arguments, being aware that the truth is almost never the monopoly of a single camp or group.
Aurelian Craiutu (Faces of Moderation: The Art of Balance in an Age of Extremes (Haney Foundation Series))
A person with less knowledge and more self-confidence (which is primarily a way of thinking and acting) will often run circles around a person with more knowledge and less self-confidence; which means that self-confidence has the upper hand to knowledge when it comes to acting in the world. It has been interesting to see many of my star academic students struggle with teaching in the real world, while others who were less qualified in the academic field but had more self-confidence have gone out and positively affected many more people through their teaching.
Gudjon Bergmann (Create a Safe Space: An Inspirational Guidebook for Yoga Teachers Who want to Further Serve their Students)
We cannot sanitize every comment, every come-on, every gesture in our efforts to stamp out harassment and assault. We cannot sanitize all of our spaces, we cannot make them irrefutably safe from words and acts and behaviors. We are humans, and our emotions and desires make us into complicated creatures. Sometimes we are nervous and awkward. We misjudge and we make mistakes and we dream of things that will not happen, of people we want to be with who will not want to be with us. We muster our courage and go for someone who seems unattainable to see if, by some miracle, it turns out they like us back, and this is not a crime. But we can certainly do a better job of teaching people how to understand romantic feelings, how to read signals, how to back off when someone says no, how not to keep pursuing someone when they have rejected us, about what is appropriate and what is inappropriate in certain contexts, in professional and educational circumstances. We must become better thinkers—critical thinkers—about this aspect of our lives, better communicators on every level with respect to consent and non-consent. We may not want consent to be present-at-hand forever, but we should not want consent to go back to being invisible, so invisible that we don’t notice its function, that we don’t care or refuse to care or even see when it has been ignored, disregarded, when this disregard has caused someone else to suffer, to become traumatized, when it has changed her life forever.
Donna Freitas (Consent: A Memoir of Unwanted Attention)
The white man—give him his due—has an extraordinary intelligence, an extraordinary cleverness. His world is full of proof of it. You can’t name a thing the white man can’t make. You can hardly name a scientific problem he can’t solve. Here he is now solving the problems of sending men exploring into outer space—and returning them safely to earth. But in the arena of dealing with human beings, the white man’s working intelligence is hobbled. His intelligence will fail him altogether if the humans happen to be non-white. The white man’s emotions superseded his intelligence. He will commit against non-whites the most incredible spontaneous emotional acts, so psyche-deep is his “white superiority” complex.
Malcolm X (The Autobiography of Malcolm X)
Perhaps I will paint this town—from a distance, as if it is on a far hill—and in the foreground, an enclosure of gold, a secret garden, a retreat in which I am safe. I will hide there, and the hand of god will wipe all tears from our eyes; there will be no crying, neither will there be any more death, because the former things will pass away. The invisible hand that guides our deeds, our acts, our markets, will not be able to touch me there. Outside of space and time, time and space, there will be no distance between ourselves and what we wish for; no infinite gulf between currencies; the gulf between currency and eternity is great enough. The sky above me glows like the ancient patina of saints.
M.T. Anderson (Landscape with Invisible Hand)
In response to the strict Butlerian taboo against machines that perform mental functions, a number of schools developed enhanced human beings to subsume most of the functions formerly performed by computers. Some of the key schools arising out of the Jihad include the Bene Gesserit with their intense mental and physical training, the Spacing Guild with the prescient ability to find a safe path through foldspace, and the Mentats, whose computerlike minds are capable of extraordinary acts of reasoning.
Brian Herbert (House Atreides (Prelude to Dune, #1))
In the message, I share the story of my past frustrations in workshop, and then counter that narrative with my own approach. Mainly, that I believe that writing is a political act, and in order to honor that offering, we must consciously work against traditions of dominance and control in the creative writing classroom, curating safe spaces for participants to explore race, class, gender, and sexual orientation. Don’t worry about being creative, I plead. It’s not about that. It’s about sharing our stories. We must be heard.
Felicia Rose Chavez (The Anti-Racist Writing Workshop: How To Decolonize the Creative Classroom)
WE ARE THE ARTISTS AS WELL AS THE ART As far-fetched as this idea may sound to many people, it is precisely at the crux of some of the greatest controversies among some of the most brilliant minds in recent history. In a quote from his autobiographical notes, for example, Albert Einstein shared his belief that we’re essentially passive observers living in a universe already in place, one in which we seem to have little influence: “Out yonder there was this huge world,” he said, “which exists independently of us human beings and which stands before us like a great, eternal riddle, at least partially accessible to our inspection and thinking.”2 In contrast to Einstein’s perspective, which is still widely held by many scientists today, John Wheeler, a Princeton physicist and colleague of Einstein, offers a radically different view of our role in creation. In terms that are bold, clear, and graphic, Wheeler says, “We had this old idea, that there was a universe out there, [author’s emphasis] and here is man, the observer, safely protected from the universe by a six-inch slab of plate glass.” Referring to the late-20th-century experiments that show us how simply looking at something changes that something, Wheeler continues, “Now we learn from the quantum world that even to observe so minuscule an object as an electron we have to shatter that plate glass: we have to reach in there…. So the old word observer simply has to be crossed off the books, and we must put in the new word participator.”3 What a shift! In a radically different interpretation of our relationship to the world we live in, Wheeler states that it’s impossible for us to simply watch the universe happen around us. Experiments in quantum physics, in fact, do show that simply looking at something as tiny as an electron—just focusing our awareness upon what it’s doing for even an instant in time—changes its properties while we’re watching it. The experiments suggest that the very act of observation is an act of creation, and that consciousness is doing the creating. These findings seem to support Wheeler’s proposition that we can no longer consider ourselves merely onlookers who have no effect on the world that we’re observing.
Gregg Braden (The Divine Matrix: Bridging Time, Space, Miracles, and Belief)
In my newly acquired silence, I remember what sacred space means. It’s much more than a brightly lit room and high ceilings. Sacred space is a state of consciousness. When I talk about creating a space, I’m referring to the act of freely allowing for your possibilities; the liberty to let yourself explore and take risks in a safe atmosphere of non-judgment. This space is created by shifting your consciousness and thoughts. This sacred space opens room for new possibilities. There’s the space around you and the area inside of you.
Christopher John Miller (The Spiritual Artist: We are designed to create.)
I want to move on from the men we call monsters and start talking about the greyer space. The smaller acts of shame transmission. The ones we cannot pinpoint because they do not have a beginning or an end: a jury's verdict, a healed bruise. They are just moments. They come and they go, and we think they don't hurt us, but they do. I want to move on from the men we call monsters because I am tired of talking about them. I want to talk about us. I want to talk about the moments after the shame transmission, the whole life that is lived afterwards, and how all the other shame transmissions cumulate until the false self is a necessary weapon. I want to connect the emotionally abusive boyfriend that we make excuses for to the boy who came before him who was too pushy at the party and to the Tuesday morning wolf-whistler who came after. I want us to understand that carrying other people's shame affects a whole life. I want us to keep watching the woman after the bad thing happens, after the secret has been locked away. I want us to see how it keeps affecting her even though she wishes it wouldn't. I want to connect the rape to the illness to the aggressive Hinge date to the screaming argument with a man you thought you were safe with.
Lucia Osborne-Crowley (My Body Keeps Your Secrets)
The other component was to build cadres through political education. Republicans sought out wealthy donors to set up foundations and think tanks as safe spaces outside the university for elaborating the Republican catechism, a document that grew from a cocktail napkin to a vast library of popular books and academic policy studies. They set up summer camps where college students could read Aristotle and Alexander Hamilton and Friedrich von Hayek, and learn to connect them. They set up reading groups for professors, who got paid to attend. They funded graduate students and apprenticed them under movement-approved professors. They also funded campus newspapers and national organizations like the Federalist Society, which introduces students to the "originalist" interpretation of constitutional law and acts as an an employment agency for young lawyers looking for clerkships and teaching positions. This one organization has revolutionized the way law is taught and interpreted in this country, and therefore how we are governed. It is the fruit of the conservatives' pedagogical strategy. The movement's fathers and godfathers, some of whom had once been Trotskyites, understood intuitively that to make lasting change the movement would have to build and sustain cadres, and send them out with full backpacks on the long march through the institutions. Marching with the aim of dismantling government by first seizing control of it, thus achieving anti-political ends by political means.
Mark Lilla (The Once and Future Liberal: After Identity Politics)
NASA's working assumption until then had been that, hardcore space groupies apart, people would only feel an imaginative investment in space if astronauts were involved, acting as a kind of representative human presence and giving the onlookers somewhere to situate themselves in relation to what they were seeing. Astronauts warmed space up, in media terms. They made it consequential. They provided the marker of human intent without which (it was assumed) any location would be just a set of affectless co-ordinates out there in the vacuum. The unmanned science missions to the planets were for scientists only, not for the general public whose emotions swayed space budgets. But when Pathfinder bounced safely to rest in Ares Vallis, and the six-wheeled rover Sojourner trundled out onto the boulder-studded plain like a big, cute, self-propelling roller skay, NASA discovered it had a spontaneous hit on its hands. It turned out people were willing for a robot to act as their surrogate on another world, so long as they could feel intimately connected to what it was doing.
Francis Spufford (Backroom Boys: The Secret Return of the British Boffin)
I left you two more pieces. You can’t be full.” I glanced over at him. “You mean you didn’t stop eating because you were full?” He shook his head. “No, I was being considerate. I’m never full.” I leaned back on the sofa. “Eat all you want. I’m done.” He didn’t lean forward to grab another slice like I had expected him to. Instead his attention stayed on me. “Why did you invite me here tonight, Ash?” My face flushed. Why had I asked him to come? Answering that question wasn’t easy. Since he’d walked in the door, I’d been acting ridiculous. I never seemed to be at a loss for things to say to Sawyer. Beau rattled me. Now he was being bored to death by the preacher’s daughter when he could be spending his evening with his sexy, hot girlfriend, doing all those things I knew nothing about. I was depriving him of an exciting night. The idea that he’d come tonight to entertain me for his cousin’s sake made me feel awful. He’d been doing this as a charity, and I couldn’t even make it interesting for him. Well, at least I’d fed him. “I’m sorry. I guess I just didn’t want to be alone, but I’m okay. You can go. I know this is dull compared to your normal activities.” I managed a weak smile. His frown deepened as he leaned forward and rested his elbows on his knees, but he didn’t take his eyes off me. “Being with you isn’t dull. You just seem uncomfortable. If you want me to leave, I will. I have a feeling you’re rethinking the having me over thing.” I sighed and let out a small laugh. “No. I want you to stay. I’ve just never had any guy over here but Sawyer, and even then my parents were here. I’m nervous. It’s not that I don’t want you here.” “Why do I make you nervous?” he asked, watching me. “I don’t know,” I answered truthfully. “Hmm, you’re wrong, by the way,” he replied, grinning. “What?” “You’ve had other guys here. I use to come here often. Your room still looks the same.” I smiled. He was right. I just needed to remember this was the same boy who used to lie on my bed with me and watch movies. He closed the space between us and relaxed as he stretched his arm along the back of the sofa. “I don’t bite, Ash. It’s just me. Promise. Come here and see.” I studied the crook of his arm; the idea of snuggling up against him was extremely tempting. But I didn’t think he had that in mind. So instead I leaned back on the couch, careful not to touch him. His hand didn’t come around me and pull me closer. It remained on the back of the couch, and I hated that I was disappointed. “Relax and watch the movie,” he said in a soft voice I’d never heard him use before. It made me feel warm and safe.
Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
Moreover, plenty of people, pregnant and not, have good reasons not to trust both Big Pharma and Big Government, let alone the two acting in coordination. In an era when whole cities like Flint, Michigan, have had their water poisoned; when gas companies tell you that fracking is safe, never mind the earthquakes and flammable tap water; when Monsanto lobbies ceaselessly against attempts to ban its herbicide Roundup despite it having been credibly linked with cancer; and when Big Pharma peddled the drugs that set off the opioid crisis, it is entirely rational to be skeptical toward monopolistic power. Johnson & Johnson, one of the major vaccine makers, not only is caught up in the opioid lawsuits but also has been ordered to pay out billions in legal settlements in recent years over alleged harm caused by several of its prescription medications and even its ubiquitous talcum powder (found to have contained asbestos). Against this backdrop, and given the lack of debate and allowable questioning of the vaccines in many progressive spaces, it’s no surprise that so many went off to “do their own research”—finding my doppelganger, and many more like her, waiting with their wild claims about vaccine shedding and mass infertility.
Naomi Klein (Doppelganger: A Trip into the Mirror World)