Brackets Inside Quotes

Barrons stood inside the front door, dripping cool old-world elegance. I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me. “ ‘One eye is taken for an eye . . .’ ” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped. I’d reached the sound dock, and just turned it off, when he exploded. I whirled. “I didn’t look that funny,” I snapped. His shoulders shook. “Oh, come on! Stop it!” He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one. I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs. “You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder. I wasn’t sure he even heard me, he was laughing so hard.

Will it be the same in the future?  Will the prized treasures of to-day always be the cheap trifles of the day before?  Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd?  Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house?

Will the prized treasures of to-day always be the cheap trifles of the day before?  Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd?  Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? China

My God, that bloody casket has fallen on the floor! Some people were hammering in the next flat and it fell off its bracket. The lid has come off and whatever was inside it has certainly got out. Upon the demon-ridden pilgrimage of human life, what next I wonder?

But Wilson was ahead of the curve. Long before the first octopus-enrichment handbook was published, many octopuses ago, he set out to create a safe toy worthy of an octopus’s intellect. Working at his lab at Arthur D. Little Corp., Wilson devised a series of three clear Plexiglas cubes with different locks. The smallest of the three has a sliding latch that twists to lock down, like the bolt on a horse’s stall. You can put a live crab—a favorite food—inside and leave the lid unlocked. The octopus will lift the lid. When you lock the lid, invariably the octopus will figure out how to open it. Then it’s time to deploy the second cube. This one has a latch that slides counterclockwise to catch on a bracket. You put the crab in the first box and then lock it inside the second box. The octopus will figure it out. And finally, there’s a third cube. This one has two different latches: a bolt that slides into position to lock down, and a second one with a lever arm, sealing the lid much like an old-fashioned canning jar closes. Bill told me that once the octopus “gets it,” the animal can open all four locks in three or four minutes.

Hope you got your things together.’” I sang, stabbing a pillow with my spear. Feathers exploded into the air. “‘Hope you are quite prepared to die!’” I spun in a dazzling whirl of lights, landed a killer back-kick on a phantom Shade, and simultaneously punched the magazine rack. “‘Looks like we’re in for nasty weather!’” I took a swan dive at a short, imaginary Shade, lunged up at a taller one— —and froze. Barrons stood inside the front door, dripping cool-world elegance. I hadn’t heard him come in over the music. He was leaning, shoulder against the wall, arms folded, watching me. “‘One eye is taken for an eye . . .’” I trailed off, deflating. I didn’t need a mirror to know how stupid I looked. I regarded him sourly for a moment, then moved for the sound dock to turn it off. When I heard a choked sound behind me I spun, and shot him a hostile glare. He wore his usual expression of arrogance and boredom. I resumed my path for the sound dock, and heard it again. This time when I turned back, the corners of his mouth were twitching. I stared at him until they stopped. I’d reached the sound dock, and just turned it off, when he exploded. I whirled. “I didn’t look that funny,” I snapped. His shoulders shook. “Oh, come on! Stop it!” He cleared his throat and stopped laughing. Then his gaze took a quick dart upward, fixed on my blazing MacHalo, and he lost it again. I don’t know, maybe it was the brackets sticking out from the sides. Or maybe I should have gotten a black bike helmet, not a hot pink one. I unfastened it and yanked it off my head. I stomped over to the door, flipped the interior lights back on, slammed him in the chest with my brilliant invention, and stomped upstairs. “You’d better have stopped laughing by the time I come back down,” I shouted over my shoulder. I wasn’t sure he even heard me, he was laughing so hard.

It may feel awkward at first, and there may be any number of obstacles. In addition to the obstructions that arise as we inch into this inner mothering, we may be stopped before we start by a discounting voice (a critical parent or protector most likely) saying, “This is ridiculous.” Its tactic is to deny the need. “You’re making a mountain out of a molehill.” “It wasn’t that bad. Just buck up.” Here is where being aware of parts comes as an advantage. Only if we can recognize that this is a part speaking up—a part that has an agenda—will we have a choice to bracket these thoughts and move forward with our intention. One of the next barriers we may face is a feeling of inadequacy. If you were not well mothered, you can easily feel that you haven’t a clue how to do it. You’re uncomfortable, you don’t know what to say or do, and you feel phony trying what doesn’t come naturally. This is enough to stop you right here. If you succeed in making an authentic connection with the undermothered parts within yourself, you may be struck by a sense of guilt that you have inadvertently continued the abandonment by not showing up earlier. No one likes to feel the sharp pain of causing harm to another. And just as I’ve mentioned earlier that a mother may unconsciously keep a distance from a child so as not to arouse her own hurt, you may feel that opening up the locked-away pain in your heart is too high a price to pay for reconnecting with child parts inside you.

We found it helpful to think of such cross-functional projects as a kind of tax, a payment one team had to make in support of the overall forward progress of the company. We tried to minimize such intrusions but could not avoid them altogether. Some teams, through no fault of their own, found themselves in a higher tax bracket than others. The Order Pipeline and Payments teams, for example, had to be involved in almost every new initiative, even though it wasn’t in their original charters.

Why, all our art treasures of to-day are only the dug-up commonplaces of three or four hundred years ago. I wonder if there is real intrinsic beauty in the old soup-plates, beer-mugs, and candle-snuffers that we prize so now, or if it is only the halo of age glowing around them that gives them their charms in our eyes. The “old blue” that we hang about our walls as ornaments were the common every-day household utensils of a few centuries ago; and the pink shepherds and the yellow shepherdesses that we hand round now for all our friends to gush over, and pretend they understand, were the unvalued mantel-ornaments that the mother of the eighteenth century would have given the baby to suck when he cried. Will it be the same in the future? Will the prized treasures of to-day always be the cheap trifles of the day before? Will rows of our willow-pattern dinner-plates be ranged above the chimneypieces of the great in the years 2000 and odd? Will the white cups with the gold rim and the beautiful gold flower inside (species unknown), that our Sarah Janes now break in sheer light-heartedness of spirit, be carefully mended, and stood upon a bracket, and dusted only by the lady of the house? That china dog that ornaments the bedroom of my furnished lodgings. It is a white dog. Its eyes blue. Its nose is a delicate red, with spots. Its head is painfully erect, its expression is amiability carried to verge of imbecility. I do not admire it myself. Considered as a work of art, I may say it irritates me. Thoughtless friends jeer at it, and even my landlady herself has no admiration for it, and excuses its presence by the circumstance that her aunt gave it to her. But in 200 years’ time it is more than probable that that dog will be dug up from somewhere or other, minus its legs, and with its tail broken, and will be sold for old china, and put in a glass cabinet. And people will pass it round, and admire it. They will be struck by the wonderful depth of the colour on the nose, and speculate as to how beautiful the bit of the tail that is lost no doubt was. We, in this age, do not see the beauty of that dog. We are too familiar with it. It is like the sunset and the stars: we are not awed by their loveliness because they are common to our eyes. So it is with that china dog. In 2288 people will gush over it. The making of such dogs will have become a lost art. Our descendants will wonder how we did it, and say how clever we were. We shall be referred to lovingly as “those grand old artists that flourished in the nineteenth century, and produced those china dogs.” The “sampler” that the eldest daughter did at school will be spoken of as “tapestry of the Victorian era,” and be almost priceless. The blue-and-white mugs of the present-day roadside inn will be hunted up, all cracked and chipped, and sold for their weight in gold, and rich people will use them for claret cups; and travellers from Japan will buy up all the “Presents from Ramsgate,” and “Souvenirs of Margate,” that may have escaped destruction, and take them back to Jedo as ancient English curios.

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Sweat popped out on his brow. Little by little he advanced. Higher. Deeper. Her flesh yielding beneath his gentle but inevitable penetration. She moaned. "It's not enough. Dammit, it's not enough!" His laugh was triumphant. "Patience, love. Patience." She buried her head against his shoulder. He buried his finger inside her cleft, as far as he could. His thumb slowly circled her velvety pearl, pressed, then circled anew, faster and faster, gaining a tempo he knew would drive her wild. Her hands came up, clenching and unclenching against his chest. He felt the tension strung throughout her body and knew precisely what caused it. Knew precisely how to ease it. "Don't fight it." The words were a low, silken whisper, yet his tone was almost gritty with self-control. "Just let it happen, darling. Just let it happen." She couldn't stop it. He knew that pure sensation burned inside her. She writhed around his finger, her hips seeking, stark and wanton. He knew precisely when the spasms of release seized hold. She cried aloud. Her body contracted around him, again and again. She collapsed against him, spent and satiated, his finger still deep inside her. Aidan, however, was more aroused than he had ever been in his life. Every part of his body, every muscle, every nerve, was taut and on edge, almost to the breaking point. A crimson haze of desire scorched his insides, for though Fionna had gained release, he had not. He could barely think. Powerful arms lifted her, catching her so that she faced him, her bare legs bracketed around his. a long arm swept around her back. "You pleased me, love. And I am glad that I pleased you so much. But the next time we are together like this, it will be a different part of me that will be inside you. The next time it will be this." Reaching between them, he fumbled with his trousers, freeing his rigid erection, curling her fingers around his thick, swollen flesh and sealing it there with the pressure of his own. "And there will be nothing between us, sweet. No barriers of clothing. No barriers of words. Do you understand what I am saying?" Fionna gaped at him, stunned at what he'd said. Stunned at what he was doing. She could feel that rigidly masculine part of him... good heavens, her palm was filled with that rigidly masculine part of him.

In the world of mental health, the lowest-functioning clients and the highest-functioning clients receive the worst care. The lowest-functioning clients typically struggle with serious mental illnesses that are maintained more than cured. And, because of downward drift that draws a disproportionate number of such patients into the lower income brackets, these clients often do not have access to top-notch care. The highest-functioning clients, on the other hand, usually have a lot going for them, including family or schools that connect them with private therapists when needed. These high-functioning clients are what therapists call YAVIS—young, attractive, verbal, intelligent, and successful—and these qualities bestow all sorts of social and psychological advantages. Being young means, as a colleague once put it, “that you haven’t completely screwed up your life yet.” Being verbal allows you to easily exchange a common currency with friends and bosses as you parlay being talkative into social status. Intelligence aids achievement and problem-solving, and even leadership. Successful people are generally brimming with confidence. And, as Aristotle said, “beauty is a greater recommendation than any letter of introduction.” So, YAVIS clients are well received nearly everywhere they go, and many therapists light up when one comes walking in the door. Still, there are two paths to being smart and charming when you are young: Life has been good or life has been bad. When life has been good, maybe someone goes to see a therapist for a while because some isolated thing is not currently going well. Most likely, the difficulty will be resolved quickly and the client will be on his way. When life has been bad, someone goes to see a therapist because even though things look pretty on the outside the person feels horrible on the inside, and this is a discrepancy that even many therapists cannot hold. Sometimes it is just too jarring to imagine that someone who seems so perfect has lived a life that has been so imperfect. What results is a therapy where the client’s image gets in the way of the help that he or she needs. The client has come to focus on what has not gone well, but the therapist is blinded by what has. Too often, being successful when you are young is about survival. Some people are good at hiding their troubles. They are good at “falling up.

The line in question ends in a word that would not be legal as the end of a statement, such as a period or an infix operator. The next line begins with a word that cannot start a statement. The line ends while inside parentheses (...) or brackets [...], because these cannot contain multiple statements anyway.

Tipping her head back, he bracketed her face. “Death and the deuce, but I love you, Billy girl.” He kissed her again. She pressed herself against him. Neither noticed the rain, only the storm that brewed inside them.

I’m further gone than you are,” I blurt out. She stops walking and looks me in the eye. “Gone?” Her green eyes blink slowly. “Gone. Done. Head over heels. Can’t stop thinking about you. Want to be with you all the time. Can feel you against my skin even when you’re not with me. Gone.” Her breaths quicken. “Oh,” she says. Her hands lay flat on my chest. “But I think I might be further gone than you are.” I lean down to look into her eyes. “Are you going to break my heart, Reagan?” I ask. “You’re already thinking about birth control, and it scares the fuck out of me, the very thought of getting to be inside you. Because I want you, Reagan. I want every piece of you.” “Even the shattered pieces?” she asks. I bracket her face with my hands and pull her face up to mine. “I’ll be the glue that puts you back together,” I breathe. “I’ve been locked up a long time, Reagan,” I say. “I’ve been locked up even longer than you have, Pete,” she says, her voice heavy with emotion. She swallows. “Don’t give me hope unless you’re sure,” I plead. “I’ve never been more sure of anything,” she says.

Yes?” “Um…” the receptionist says. “What is it?” I bark. But then my office door opens, and Matt steps through. “He’s on his way to you,” the receptionist says. “Thanks for the warning,” I mutter. Matt closes my office door behind him and approaches me. I stand, and he tips my chin up toward his face. “I forgot something,” he says. He’s breathless, and his eyes search mine. “I forgot to tell you that I want your heart more than I want your body,” he says. His eyes are flitting all over my face. “I fucked that up, but I’m not done yet. And I know how to say I’m sorry.” “Matt—” I start. But he cuts me off. “I want you more than I’ve ever wanted anything, and it’s difficult to even walk when I’m around you, because my dick gets so hard I could pound nails with it.” Heat creeps up my cheeks, but he doesn’t stop. “I shouldn’t have gone there with you yet, but I can’t help it. I’m fucking dying to be inside you. I’m fucking dying to hold you close to me, hopefully when we’re both naked.” He grins. “But even more than that, I want you to love me. I want you to love me a lot, and I went about it the wrong way. Please forgive me.” He finally stops and draws in a deep breath. “Please.” “Matt…” I say. “When I saw your boyfriend, all I could think was that I could satisfy you so much more, mainly because I was jealous as hell that he’s been close to you. Maybe I was trying to get him off your mind and put myself there. Or maybe I’m just an idiot. It’s probably the latter. I admit it. I’m an idiot when it comes to you. But that’s okay with me. I hope it’s okay with you, too.” “Matt,” I say again. “Forgive me,” he urges. “I won’t ever do it again.” I bracket his face with my hands. “Would you shut up for a minute?” I say. He breathes out a sigh. “Okay.” “I’m not mad. Well, a little annoyed that Seth repeated something to you that he overheard in a private conversation. That’s about me and Seth, though, not about you. I’ll deal with him about that. And no, I’m not mad at you. There’s nothing to forgive.” He doesn’t say anything. He just looks into my eyes. “Really, Matt,” I say to assure him. “You completely shut me down, which I deserved. But I already miss you.” “I haven’t gone anywhere.” I laugh.

In the budget the term we use for it is bracketing. We hire a contractor, like Bob Creamer, to do this work of organizing the opposition force, and also to organize rallies for our candidates. The Republicans do it, too. The footage of Creamer and Scott Foval boasting about picking fights with crazy people in the line to a campaign rally looked terrible. Foval was taped saying, “It doesn’t matter what the fricking legal and ethics people say. We need to win this mother fucker… In the lines at Trump rallies, we’re starting anarchy.

Capital gains harvesting can be used to eliminate capital gains taxes. Every year, realize as many capital gains as you can inside your 0 percent tax bracket by selling some ETF units. Shortly thereafter, rebuy those units back to reset your cost basis.