Beloved (novel) Quotes

Reading a novel was like returning to a once-beloved holiday destination.

Watching your beloved be trampled and ridiculed with your own eyes and being unable to do a thing about it. You understand that you are nothing, that you can do nothing. That’s the worst suffering in the world.

Watching your beloved be trampled and ridiculed with your own eyes and being unable to do a thing about it. You understand that you are nothing, that you can do nothing. That's the worst suffering in the world.

He had taken George, my beloved George, from me. And he had taken my other self: Anne.

What a test of love it is, when the beloved is less than perfect.

I guess that’s all forever is,’ his father replied. ‘Just one long trail of nows. And I guess all you can do is try and live one now at a time without getting too worked up about the last now or the next now.

My beloved is a brave, noble, gracious special someone...he saved my life, and I've looked up to him ever since I was young. But I want to catch up to him and become even stronger for his sake. Although he might not remember me well - we never really talked - I want to protect him.

In truth, I did not have to wonder. She would be feeling that disturbing mixture of emotions that she always summoned from me: admiration and envy, pride and a furious rivalry, a longing to see a beloved sister succeed, and a passionate desire to see a rival fall.

Love from novels isn't true love: it ends where it should begin. True love, deep love, grows up with time, throughout days of dullness and days of storms. It leaves in one's heart a rainbow of tenderness and forgiveness which illuminates forever the beloved one.

Then life taught me a harder lesson, beloved: it is better to forgive an enemy than destroy him.

Winter is when I reorganise my bookshelves and read all the books I acquired in the previous year and failed to actually read. It is also the time when I reread beloved novels, for the pleasure of reacquainting myself with old friends. In summer, I want big, splashy ideas and trashy page-turners, devoured while lounging in a garden chair or perching on one of the breakwaters on the beach. In winter, I want concepts to chew over in a pool of lamplight—slow, spiritual reading, a reinforcement of the soul. Winter is a time for libraries, the muffled quiet of bookstacks and the scent of old pages and dust. In winter, I can spend hours in silent pursuit of a half-understood concept or a detail of history. There is nowhere else to be, after all.

Dying is easy, beloved. It is living that is difficult. The secret is to live fully, to embrace every instant of existence, beautiful and ugly, blissful and painful. And remember to dance between the worlds, for that is your heritage as a child of the infinite Oneness.

I learned a lot, when I was a child, from novels and stories, even fairytales have some point to them--the good ones. The thing that impressed me most forcibly was this: the villains went to work with their brains and always accomplished something. To be sure they were "foiled" in the end, but that was by some special interposition of Providence, not by any equal exertion of intellect on the part of the good people. The heroes and middle ones were mostly very stupid. If bad things happened, they practised patience, endurance, resignation, and similar virtues; if good things happened they practised modesty and magnanimity and virtues like that, but it never seemed to occur to any of them to make things move their way. Whatever the villains planned for them to do, they did, like sheep. The same old combinations of circumstances would be worked off on them in book after book--and they always tumbled. It used to worry me as a discord worries a musician. Hadn't they ever read anything? Couldn't they learn anything from what they read--ever? It appeared not. And it seemed to me, even as a very little child, that what we wanted was good people with brains, not just negative, passive, good people, but positive, active ones, who gave their minds to it. "A good villain. That's what we need!" I said to myself. "Why don't they write about them? Aren't there ever any?" I never found any in all my beloved story books, or in real life. And gradually, I made up my mind to be one.

They shoot the white girl first.

Fantasy novels reveal “emergency escape routes” from reality. Romance novels dish out a banquet of Eye Candy. Otherworldly passion erupts when the two collide in an epic novel of unforgettable characters and dire circumstances.

I think nobody in the whole world knows what it is to be in love, to be so beloved.

You're not cursed daughter, you are the finest and rarest of all my children, the most beautiful, the most beloved. You know that. What curse could stick to you?' The gaze she turns on me is darkened with horror as if she has seen her own death. 'You will never surrender, you will never let us be. Your ambition will be the death of my brothers, and when they are dead you will put me on the throne. You would rather have the throne than your sons.

My beloved is a brave, noble, gracious special someone,” Hua Cheng continued. “He saved my life, and I’ve looked up to him ever since I was young. But I wanted to catch up to him and become even stronger for his sake. Although he might not remember me well—we never really talked—I want to protect him.” He gazed at Xie Lian. “If your dream is to save the common people, then my dream is only you.

Dear Woman Who Gave Me Life: The callous vexations and perturbations of this night have subsequently resolved themselves to a state which precipitates me, Arturo Bandini, into a brobdingnagian and gargantuan decision. I inform you of this in no uncertain terms. Ergo, I now leave you and your ever charming daughter (my beloved sister Mona) and seek the fabulous usufructs of my incipient career in profound solitude. Which is to say, tonight I depart for the metropolis to the east — our own Los Angeles, the city of angels. I entrust you to the benign generosity of your brother, Frank Scarpi, who is, as the phrase has it, a good family man (sic!). I am penniless but I urge you in no uncertain terms to cease your cerebral anxiety about my destiny, for truly it lies in the palm of the immortal gods. I have made the lamentable discovery over a period of years that living with you and Mona is deleterious to the high and magnanimous purpose of Art, and I repeat to you in no uncertain terms that I am an artist, a creator beyond question. And, per se, the fumbling fulminations of cerebration and intellect find little fruition in the debauched, distorted hegemony that we poor mortals, for lack of a better and more concise terminology, call home. In no uncertain terms I give you my love and blessing, and I swear to my sincerity, when I say in no uncertain terms that I not only forgive you for what has ruefully transpired this night, but for all other nights. Ergo, I assume in no uncertain terms that you will reciprocate in kindred fashion. May I say in conclusion that I have much to thank you for, O woman who breathed the breath of life into my brain of destiny? Aye, it is, it is. Signed. Arturo Gabriel Bandini. Suitcase in hand, I walked down to the depot. There was a ten-minute wait for the midnight train for Los Angeles. I sat down and began to think about the new novel.

Have you ever noticed how good it feels to stretch? Take a moment, I'll wait.

Oh, God, if you are there listening, why did you do this to him?' 'For you, beloved.

Teenage Turn-Ons As played by Robert Pattinson in the Twilight Saga movies, Edward has a certain physical sex appeal thanks in part to the the actor's handsome features. but the appeal in both the movies and the novels has nothing to do with a bad-boy energy that so often translates into sexiness because, really, even when he's full-out vamp, there isn't that much of a bad boy to be found in his character. Curiously, the sexiness of the vampire Edward comes from his safeness. He is the ultimate fantasy man. Described in overly ripe prose, his physical perfection is glorious. He might be a little cool to the touch-but gosh! Look at him! He's youthful, with a perfect body, or the sort of man found in the pages of a million romance novels. And most important, he will do what ever it takes to keep his beloved Bella safe, whether the danger comes from the world or himself.

To those great geniuses now in petticoats, who shall write novels for the beloved reader's children, these men and things will be as much legend and history as Nineveh, or Coeur de Lion, or Jack Sheppard.

Responding to Wright’s critique, Hurston claimed that she had wanted at long last to write a black novel, and “not a treatise on sociology.” It is this urge that resonates in Toni Morrison’s Song of Solomon and Beloved, and in Walker’s depiction of Hurston as our prime symbol of “racial health—a sense of black people as complete, complex, undiminished human beings, a sense that is lacking in so much black writing and literature.” In a tradition in which male authors have ardently denied black literary paternity, this is a major development, one that heralds the refinement of our notion of tradition: Zora and her daughters are a tradition-within-the-tradition, a black woman’s voice.

The novel remains for me one of the few forms...where we can describe, step by step, minute by minute, our not altogether unpleasant struggle to put ourselves into a viable and devout relationship to our beloved and mistaken world.

I’ll tell you what it is,” he said softly. “Watching your beloved be trampled and ridiculed with your own eyes and being unable to do a thing about it. You understand that you are nothing, that you can do nothing. That’s the worst suffering in the world.

Puttana is too good for the likes of her." A puttana is an Italian whore, and in Italy whores have a somewhat more reputable standing than they do elsewhere. For centuries they've been glorified in both classic opera and popular song. Among their many trustworthy attributes, Italian whores are reputed to be responsible for the development of a much beloved pasta sauce, pasta puttanesca, a spicy and salty dish made with capers and anchovies. Its chief attraction, aside from its wonderful flavor, is that it can be prepared quickly- in other words, between clients.

When you enter a beloved novel many times, you can come to feel that you possess it, that nobody else has ever lived there. You try not to notice the party of impatient tourists trooping through the kitchen (Pnin a minor scenic attraction en route to the canyon Lolita), or that shuffling academic army, moving in perfect phalanx, as they stalk a squirrel around the backyard (or a series of squirrels, depending on their methodology).

The only certainty about life was its uncertainty. Only God stayed steadfast. Only the Almighty could walk her through life’s many changes. And when she felt overwhelmed… she simply had to look back to see how faithful God had been, did she not? The heartaches and closed doors of the past had made the present more beloved.

Press. And especially my beloved Anne, whose courage never flagged.

A slow, knowing smile came over Keirah's face. Her heart filled with happiness, believing the Gwarda gypsy sitting next to her at this very moment was worthy of her beloved sister.

Ani l'dodi, ve dodi li.” I am my beloved’s and my beloved is mine.

daemon and mother, destiny and beloved.

There are no other lovers. I adore you.

She did not want him to know that she was not his beloved little sister any more but a woman who had learned to throw everything, even her mortal soul, into the battle to become queen.

She loved nothing more than losing herself in her beloved romance novels, hoping that someday she might find anything resembling that kind of yearning and passion and her eventual happily ever after.

Jessica Stone. The Jessica Stone. My costar. As in, indie film poster child, beloved by the internet for being sexy and cute and funny, sure to snag an Oscar one day Jessica Stone. I think I saw her last movie in theaters fifteen times, and not just because it was based on a graphic novel. Don’t fanboy, I order myself. Don’t fanboy. Gail looks at me, surprised. “But Dare, we were—” I cough. Twice. Gail looks between Jessica Stone and me, widens her eyes, and finally gets it. Her ears go even redder. “Oh. Oh.” She grabs her backpack and makes a hasty retreat. “I…um. I’ll be around if you need me, Dare.” After the door closes, Jessica Stone turns her eyes—which are super, freakishly, ice-water blue—to me. “I didn’t mean to intrude.” My tongue ties into ten hundred knots. She can intrude as much as she wants. I mean, not intrude—like, let me politely be in her presence for the rest of my life—but intruding works too. Into my life. As much as she wants. Is that weird? It’s probably weird. But it’s Jessica Stone. Damn it, man, don’t fanboy.

This is George, my beloved George. D'you think I want to go to my grave knowing that at the moment of his trial he looked around and saw no one lift a finger for him? If it is the death of me, I shall go to him." "Go then," he said. "Kiss our baby good-bye before you go, and Henry. I shall tell Catherine that you left your blessing for her. And kiss me farewell. For if you go into that courtroom you will never come out alive.

his beloved science-based adventure novels—including Journey to the Center of the Earth, Around the World in Eighty Days, and Twenty Thousand Leagues Under the Sea—that would eventually make him celebrated as the father of science fiction.

That art -- even, or perhaps especially, art that is dedicated somehow to tenderness, dedicated as a lover who would offer something to her beloved in the last nights they'll share before she leaves this life forever -- is not weak. It is strength.

Nor could I see any reason for allowing our more chastened view of political possibility (not too long before I began this novel A. Phillip Randolph had to threaten our beloved F.D.R. with a march on Washington before our war industries were opened to Negroes) to impose undue restrictions upon my novelist’s freedom to manipulate imaginatively those possibilities that existed both in Afro-American personality and in the restricted structure of American society. My task was to transcend those restrictions.

When we left the house both my mother and father had shed a tear as their beloved son walked out into the cold night air dressed as a daughter, unsure as to what he might return as. That, my father would later say, was one of the unexpected gifts of parenthood.

Sometimes they accuse her in Latin and she looks at them, baffled by a language that she has only ever heard spoken in church, in the Mass that she loves. How could these very sounds, these familiar beloved tones, so solemn and musical to her, now be the voice of accusation ?

You may think you know the story. Oh, heard that one, have you? Well, we say again: you may think you know the story. By all accounts it's a good one: a penniless, orphaned young woman becomes a governess in a wealthy household, catches the eye of the rich and stern master, and (sigh) falls deeply in love. It's all very passionate and swoonworthy, but before they can be married, a - gasp! - terrible treachery is revealed. Then there's fire and despair, some aimless wandering, starvation, a little bit of gaslighting, but in the end, the romance works out. The girl (Miss Eyre) gets the guy (Mr. Rochester). They live happily ever after. Which means everybody's happy, right? Um ... no. We have a different tale to tell. (Don't we always?) And what we're about to reveal is more than a simple reimagining of one of literature's most beloved novels. This version, dear reader, is true. There really was a girl. (Two girls, actually.) There was, indeed, a terrible treachery and a great fire. But throw out pretty much everything else you know about the story. This isn't going to be like any classic romance you've ever read.

...For all the profound human modesty of Comrade Stalin,he will have to tolerate our outpourings of love and loyalty to him[applause],because not only we,who live and work under his direction,but all the working people in our land,tie their hopes for a radiant future for mankind to his name.[Applause] 'Listen,why should I read this? Let's go' Gleb repeated. All right.All right. But what do you think? -He's flunky! -But he wrote The Quiet Don,a great novel. In the twenties there was doubt about his authorship.They even had a special commission to investigate. I heard something about that. Akimov told me.The read author was some White officer.But no one would acknowledge that...If The Quiet Don is a work of genius,the author cannot be flunky.As your beloved Pushkin said,dearie,genius and evil are incompatible. Not every genius can overcome fear.And Sholokhov is no genius.

I am happy; I am in his arms, my face crushed against his padded jacket, his arms around me as tight as a bear, so that I cannot breathe. When I look up into his beloved weary face, he kisses me so hard that I close my eyes and think myself a besotted girl again. I catch a breath, and he kisses me some more.

Later, when we no longer there, we find those streets are very dear to us, we miss the roofs, Windows, and doors, that the walls are essential to us, that trees are beloved, that every day we did enter those houses we never entered, and we have left something of our affections, our life and heart on those paving stones.

Since the moment when, at the sight of his beloved and dying brother, Levin for the first time looked at the questions of life and death in the light of the new convictions, as he called them, which between the ages of twenty and thirty-four had imperceptibly replaced the beliefs of his childhood and youth, he had been less horrified by death than by life without the least knowledge of whence it came, what it is for, why, and what it is, Organisms, their destruction, the indestructibility of matter, the law of the conservation of energy, development—the terms that had superseded these beliefs—were very useful for mental purposes; but they gave no guidance for life, and Levin suddenly felt like a person who has exchanged a thick fur coat for a muslin garment and who, being out in the frost for the first time, becomes clearly convinced, not by arguments, but with the whole of his being, that he is as good as naked and that he must inevitably perish miserably.

West Country novelist Thomas Hardy almost did not survive his birth in 1840 because everyone thought he was stillborn. He did not appear to be breathing and was put to one side for dead. The nurse attending the birth only by chance noticed a slight movement that showed the baby was in fact alive. He lived to be 87 and gave the world 18 novels, including some of the most widely read in English literature. When he did die, there was controversy over where he should be laid to rest. Public opinion felt him too famous to lie anywhere other than in Poets’ Corner in Westminster Abbey, the national shrine. He, however, had left clear instructions to be buried in Stinsford, near his birthplace and next to his parents, grandparents, first wife and sister. A compromise was brokered. His ashes were interred in the Abbey. His heart would be buried in his beloved home county. The plan agreed, his heart was taken to his sister’s house ready for burial. Shortly before, as it lay ready on the kitchen table, the family cat grabbed it and disappeared with it into the woods. Although, simultaneously with the national funeral in Westminster Abbey, a burial ceremony took place on 16 January 1928, at Stinsford, there is uncertainty to this day as to what was in the casket: some say it was buried empty; others that it contained the captured cat which had consumed the heart.

First published in 1988, A Far Cry from Kensington is a conscious exercise in looking back – it is a novel that announces its own preoccupied insomnia. But its insomnia is unexpectedly pleasant, a beloved wakefulness in the ‘sweet waking hours of the night’ – as if the usual dark night of the soul has been replaced by something much, much lighter.

In the land of historical romance novels, particularly the Regencies, there is no line more quoted than this: Reformed rakes make the best husbands. It's the sort of pithy one-liner a beloved character dashes off and everyone laughs a sparkling laugh, the heroine knits her brow, and the rogue in question scowls but we all know the truth: That bad boy will soon be reformed. And he will like it.

I cannot catch courage from his smile. I have to do this all entirely alone, with thousands of strangers watching my every movement. Nothing is to detract from my rise from gentry woman to Queen of England, from mortal to a being divine: next to God. When they crown me and anoint me with the holy oil, I become a new being, one above mortals, only one step below angels, beloved, and the elect of heaven.

...although the death of an old friend was agonizing, it could not compare to the pain of an old friend irrevocably changed. When he thought of how this person yet remained on the earth but could never return to the past; of how their deep emotion had decayed, how their shared path had split into two unlike roads, how his beloved had become his enemy -- that was a suffering that brought agony with each breath,

You, Lowell, beloved poet of many, what do you know of the dirt and the dark deliveries of the necessary? What do you know of dignity hard-achieved, and dignity lost through innocence, and dignity lost by sacrifice for a cause one cannot name. What do you know about getting fat against your will, and turning into a clown of an arriviste baron when you would rather be an eagle or a count, or rarest of all, some natural aristocrat from these damned democratic states.

Henry Fielding, a highly successful satiric dramatist until the introduction of censorship in 1737, began his novel-writing career with Shamela, a pastiche of Pamela, which humorously attacked the hypocritical morality which that novel displayed. Joseph Andrews (1742) was also intended as a kind of parody of Richardson; but Fielding found that his novels were taking on a moral life of their own, and he developed his own highly personal narrative style - humorous and ironic, with an omniscient narrative presence controlling the lives and destinies of his characters. Fielding focuses more on male characters and manners than Richardson. In doing so, he creates a new kind of hero in his novels. Joseph Andrews is chaste, while Tom Jones in Tom Jones (1749) is quite the opposite. Tom is the model of the young foundling enjoying his freedom (to travel, to have relationships with women, to enjoy sensual experience) until his true origins are discovered. When he matures, he assumes his social responsibilities and marries the woman he has 'always' loved, who has, of course, like a mediaeval crusader's beloved, been waiting faithfully for him. Both of these heroes are types, representatives of their sex. There is a picaresque journey from innocence to experience, from freedom to responsibility. It is a rewriting of male roles to suit the society of the time. The hero no longer makes a crusade to the Holy Land, but the crusade is a personal one, with chivalry learned on the way, and adventure replacing self-sacrifice and battle.

The last year had been a series of wrong turns, bad choices, abandoned projects. There was the all-girl band in which she had played bass, variously called Throat, Slaughterhouse Six and Bad Biscuit, which had been unable to decide on a name, let alone a musical direction. There was the alternative club night that no-one had gone to, the abandoned first novel, the abandoned second novel, several miserable summer jobs selling cashmere and tartan to tourists. At her very, very lowest ebb she had taken a course in Circus Skills until it transpired that she had none. Trapeze was not the solution. The much-advertised Second Summer of Love had been one of melancholy and lost momentum. Even her beloved Edinburgh had started to bore and depress her. Living in a her University town felt like staying on at a party that everyone else had left, and so in October she had given up the flat in Rankellior Street and moved back to her parents for a long, fraught, wet winter of recriminations and slammed doors and afternoon TV in a house that now seemed impossibly small.

Morrison read a news clipping about Margaret Garner while doing research for another book, and she decided to try to imagine what caused a woman to commit infanticide. What does it mean to be a mother to children who literally belong to another person?...What she created was a novel in the tradition of ghost stories, but in which the ghost represents more than just a person returning from the afterlife. The spirit also stands for the estimated sixty million people who died in the so-called land of the free during the time of enslavement.

The 40th anniversary edition of the classic Newbery Medal-winning title by beloved author Katherine Paterson, with brand-new bonus materials including an author's note by Katherine herself and a foreword by New York Times bestselling author Kate DiCamillo. Jess Aarons has been practicing all summer so he can be the fastest runner in the fifth grade. And he almost is, until the new girl in school, Leslie Burke, outpaces him. The two become fast friends and spend most days in the woods behind Leslie's house, where they invent an enchanted land called Terabithia. One morning, Leslie goes to Terabithia without Jess and a tragedy occurs. It will take the love of his family and the strength that Leslie has given him for Jess to be able to deal with his grief. Bridge to Terabithia was also named an ALA Notable Children’s Book and has become a touchstone of children’s literature, as have many of Katherine Paterson’s other novels, including The Great Gilly Hopkins and Jacob Have I Loved. Full Read Online Open Here >> telegra[.]ph/Free-PDF-Bridge-to-Terabithia-Free-Download-09-17

To be sure, I was outwardly secured. I had no fear of people; my schoolmates had found that out, too, and showed me a secret respect that often made me smile. Whenever I wished, I could see through most of them very well and occasionally amaze them that way. But I seldom or never felt like it. I was always occupied with myself, always with myself. And I desired ardently to experience a bit of life finally, to give something of myself to the world, to create a relationship with it and do battle with it. Sometimes, when I roamed through the streets in the evening and, in my restlessness, was unable to return to my room until midnight, I would imagine that I just must meet my beloved now; she would pass by at the next corner, call to me from the nearest window. Sometimes, too, all this seemed unbearably painful to me, and I was mentally prepared to take my life at some point. At that time I found a peculiar refuge—by “accident,” as people say. But there are no such accidents. When someone who badly needs something finds it, it isn’t an accident that brings it his way, but he himself, his own desire and necessity lead him to it. Two

CYRANO: Thy name is in my heart as in a sheep-bell, And as I ever tremble, thinking of thee, Ever the bell shakes, ever thy name ringeth! All things of thine I mind, for I love all things; I know that last year on the twelfth of May-month, To walk abroad, one day you changed your hair-plaits! I am so used to take your hair for daylight That,--like as when the eye stares on the sun's disk, One sees long after a red blot on all things-- So, when I quit thy beams, my dazzled vision Sees upon all things a blonde stain imprinted. ROXANE (agitated): Why, this is love indeed!. . . CYRANO: Ay, true, the feeling Which fills me, terrible and jealous, truly Love,--which is ever sad amid its transports! Love,--and yet, strangely, not a selfish passion! I for your joy would gladly lay mine own down, --E'en though you never were to know it,--never! --If but at times I might--far off and lonely,-- Hear some gay echo of the joy I bought you! Each glance of thine awakes in me a virtue,-- A novel, unknown valor. Dost begin, sweet, To understand? So late, dost understand me? Feel'st thou my soul, here, through the darkness mounting? Too fair the night! Too fair, too fair the moment! That I should speak thus, and that you should hearken! Too fair! In moments when my hopes rose proudest, I never hoped such guerdon. Naught is left me But to die now! Have words of mine the power To make you tremble,--throned there in the branches? Ay, like a leaf among the leaves, you tremble! You tremble! For I feel,--an if you will it, Or will it not,--your hand's beloved trembling Thrill through the branches, down your sprays of jasmine! (He kisses passionately one of the hanging tendrils.) ROXANE: Ay! I am trembling, weeping!--I am thine! Thou hast conquered all of me! --Cyrano de Bergerac III. 7

Later, when that murdered child, the title character of Toni Morrison’s Beloved, makes her ghostly return, she’s more than simply the child lost to violence, sacrificed to the revulsion of the escaped slave toward her former state. Instead she is one of, in the words of the epigraph to the novel, the “sixty million and more” Africans and African-descended slaves who died in captivity and forced marches on the continent or in the middle passage or on the plantations made possible by their captive labor or in attempts to escape a system that should have been unthinkable—as unthinkable as, for instance, a mother seeing no other means of rescuing her child except infanticide. Beloved is in fact representative of the horrors to which a whole race was subjected.

Hemingway’s great novels, which all revolve around journeys, bear ominous witness; for it can be argued that each journey is a quest for death. A Farewell to Arms details desertion to, flight with and death of the beloved; For Whom the Bell Tolls asserts the impossibility of escape even though it beautifully lengthens into fullness the last moments and days of its doomed hero. In both To Have and Have Not and Islands in the Stream, unlucky sailors of Cuban waters flee domestic loneliness to win death from the bullets of bad men. Finally, The Old Man and the Sea, whose protagonist completes an arduous circle from poverty and failure to the same, with only the skeleton of his once-in-a-lifetime fish to show for it, spells out the paradigm: It was the journey itself, with its hardships, triumphs, puzzles and unexpected joys, that made these books alive in the first place.

For a while the lie had held up. But since the explanations he gave Eleonora for all his absences were increasingly implausible, the scenes had begun again. Once his wife had grabbed a knife and tried to stab herself in the stomach. Another time she had gone out on the balcony and wanted to jump. Yet another time she had left home, taking the child; she had disappeared for an entire day and he was dying with fear. But when he finally tracked her down at the house of a beloved aunt, he realized that Eleonora had changed. She was no longer angry, there was just a hint of contempt. One morning—Nino said, breathlessly—she asked if I had left you. I said yes. And she said: All right, I believe you. She said it just like that and from then on she began to pretend to believe me, pretend. Now we live in this fiction and things are working well. In fact, as you see, I’m here with you, I sleep with you, if I want I’ll go away with you. And she knows everything, but she behaves as if she knew nothing.

Totally Biased List of Tookie’s Favorite Books Ghost-Managing Book List The Uninvited Guests, by Sadie Jones Ceremonies of the Damned, by Adrian C. Louis Moon of the Crusted Snow, by Waubgeshig Rice Father of Lies, by Brian Evenson The Underground Railroad, by Colson Whitehead Asleep, by Banana Yoshimoto The Hatak Witches, by Devon A. Mihesuah Beloved, by Toni Morrison The Through, by A. Rafael Johnson Lincoln in the Bardo, by George Saunders Savage Conversations, by LeAnne Howe The Regeneration Trilogy, by Pat Barker Exit Ghost, by Philip Roth Songs for Discharming, by Denise Sweet Hiroshima Bugi: Atomu 57, by Gerald Vizenor Short Perfect Novels Too Loud a Solitude, by Bohumil Hrabel Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haine Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai

In the chapter entitled “You Can’t Pray a Lie” in Twain’s beloved novel Adventures of Huckleberry Finn, Huck Finn has helped hide Miss Watson’s runaway slave, Jim. But Huck thought he was committing a sin in helping a runaway slave. Huck had learned in Sunday school “that people that acts as I’d been acting … goes to everlasting fire.” So in an act of repentance in order to save his soul, Huck wrote a note to Miss Watson and told her where she could find her runaway slave. Now Huck was ready to pray his “sinner’s prayer” and “get saved.” I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn’t do it straight off but laid the paper down and set there thinking—thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn’t seem to strike no places to harden me against him, but only the other kind. I’d see him standing my watch on top of his’n, ‘stead of calling me, so I could go on sleeping; and see how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had smallpox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world and the only he’s got now; and then I happened to look around and see the paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I’d got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: “All right, then, I’ll go to hell”—and tore it up. It was awful thoughts and awful words but they was said. And I let them stay said; and never thought no more about reforming.1 Huck Finn had been shaped by the Christianity he’d found in his Missouri Sunday school—a Christianity focused on heaven in the afterlife while preserving the status quo of the here and now. Huck thought that helping Jim escape from slavery was a sin, because that’s what he had been taught. He knew he couldn’t ask God to forgive him until he was ready to “repent” and betray Jim. Huck didn’t want to go to hell; he wanted to be saved. But Huck loved his friend more, so he was willing to go to hell in order to save his friend from slavery.

PUBLISHERS WEEKLY REVIEW Collagist Fabe adds flair to Jane Austen’s Pride and Prejudice with 39 original illustrations that accompany the unabridged text. Fabe’s collages overlay bright, watercolor-washed scenes with retro cut-paper figures and objects sampled from fashion magazines from the 1930s to the ’50s. Accompanying each tableau is a quote from the Pride and Prejudice passage that inspired it. Like Austen’s book, Fabe’s work explores arcane customs of beauty and courtship, pageantry and social artifice: in one collage, a housewife holds a tray of drinks while a man sits happily with a sandwich in hand in the distance. While tinged with irony and more than a dash of social commentary, the collages nevertheless have a spirit of glee and evidence deep reverence for the novel. As Fabe describes in a preface, Austen “was a little bit mean—the way real people are mean—so there are both heroes and nincompoops. Family is both beloved and annoying. That is Austen’s genius, her ability to describe people in all their frailty and humor.” This is a sweet and visually appealing homage. (BookLife) “While tinged with irony and more than a dash of social commentary, the collages nevertheless have a spirit of glee and evidence deep reverence for the novel. As Fabe describes in a preface, Austen “was a little bit mean—the way real people are mean—so there are both heroes and nincompoops.” #publishersweeklyreview #booklife #elliefabe #janeausten #prideandprejudice #cincinnatiartist

Finding the right mentor is not always easy. But we can locate role models in a more accessible place: the stories of great originals throughout history. Human rights advocate Malala Yousafzai was moved by reading biographies of Meena, an activist for equality in Afghanistan, and of Martin Luther King, Jr. King was inspired by Gandhi as was Nelson Mandela. In some cases, fictional characters can be even better role models. Growing up, many originals find their first heroes in their most beloved novels where protagonists exercise their creativity in pursuit of unique accomplishments. When asked to name their favorite books, Elon Musk and Peter Thiel each chose “Lord of the Rings“, the epic tale of a hobbit’s adventures to destroy a dangerous ring of power. Sheryl Sandberg and Jeff Bezos both pointed to “A Wrinkle in Time“ in which a young girl learns to bend the laws of physics and travels through time. Mark Zuckerberg was partial to “Enders Game“ where it’s up to a group of kids to save the planet from an alien attack. Jack Ma named his favorite childhood book as “Ali Baba and the Forty Thieves“, about a woodcutter who takes the initiative to change his own fate. … There are studies showing that when children’s stories emphasize original achievements, the next generation innovates more.… Unlike biographies, in fictional stories characters can perform actions that have never been accomplished before, making the impossible seem possible. The inventors of the modern submarine and helicopters were transfixed by Jules Vern’s visions in “20,000 Leagues Under the Sea” and “The Clippership of the Clouds”. One of the earliest rockets was built by a scientist who drew his motivation from an H.G. Wells novel. Some of the earliest mobile phones, tablets, GPS navigators, portable digital storage desks, and multimedia players were designed by people who watched “Star Trek” characters using similar devices. As we encounter these images of originality in history and fiction, the logic of consequence fades away we no longer worry as much about what will happen if we fail… Instead of causing us to rebel because traditional avenues are closed, the protagonist in our favorite stories may inspire originality by opening our minds to unconventional paths.

What can he tell them? He, who knows nothing. Ibn al Mohammed has not planned atrocities nor committed them. He has never been in the presence of terrorists. Yet Satan’s agents suspect him. He is dark-complected. His hair and beard are black. His name is Muslim. Body tall and slender, hands large, their fingers long and tapered. Dark eyes sunken in a narrow face. Irises like obsidian. He prays on hands and knees, forehead touching the floor. Thoughtlessly aligned, his cage obliges him to face a white plastic wall to bow toward Mecca. No matter; Ibn al Mohammed requires no sight of ocean or sky to know his place in the universe. He knows himself as one chosen, beloved of God. A man whose devotion will allow him to be saved. Standing at the bars, he stares at the plastic wall. Modesty panel, they call it. The detainee wills nothing, attempts nothing, merely stares at blankness as his mind opens toward such signs as might appear. Something, nothing. However little, however great, whatever God vouchsafes is sufficient. The least sign is enough. A crease in the plastic. A shadow cast against its insensate skin, then fleeing, gone. A raindrop: trickling through the roof, one small drop might touch the wall, leave a transparent streak, a tear without sorrow to confirm his understanding of what is and must be. Recognition. Acceptance. By such a sign he will know he is not forsaken. That God notices and prepares a place. He will not serve in the harvest. He will eat the food, drink the water, ride the bus. He will not pick the berries so prized by his captors. Droids will cajole and threaten; perhaps they will beat him. If so, they incriminate themselves. He relishes their degradation together with God’s tasking, this new test of will and faith. To suffer in silence, as meek as a lamb. Ibn al Mohammed will remove himself from himself. Self fading into background, his presence will diminish. His body will persist; corporeally, he must endure. But his self will become absent. Mind and its thought, heart and all emotion will disperse smoke-like into nothingness and in its vanishing forestall injury, indignity, all pain. Does God approve? Does God see? A mere token will assure Ibn al Mohammed for a lifetime. Standing at the bars, he watches. Minutes pass. How long must he wait? God speaks at His leisure to those with patience to attend. What does it mean, to have enough patience to attend to God? It is a discipline to expect nothing because you deserve nothing and merit only death. Ibn al Mohammed has waited all his life. What has he seen? His father taken away. His mother and sisters scrounging in a desert. He himself is confined in-cage. Squats on a stool, shits in a pail. Rain rattles across sheet tin, pock-pock-pock-pock. Food is delivered on a tray. A damp bed beneath his body, a white wall before his eyes. What does Ibn al Mohammed see? He sees nothing. [pp. 203-204]

O my God, up to now I have done nothing for Thee Who hast done so much for me. My coldness could well make Thee cast me away from Thee. But, O Holy Spirit, make warm what is cold. Deliver me from my lack of fervour and make me burn with the desire to please Thee. I now wish to deny all that pleases me. I would rather die than displease Thee in the least thing. To Thee Who hast appeared in the form of fiery tongues, I consecrate my tongue that it may not offend Thee again. Thou didst give it to me to praise Thee, but I, I have used it to injure Thee and cause others to offend Thee. I am sorry for my sins. For the love of Jesus Christ Who honoured Thee so much by His tongue when He walked this earth, grant that henceforward I may honour Thee by praising Thee, by asking often for Thy help and by speaking of Thy goodness and the infinite love Thou deservest. I love Thee, my supreme Good, I love Thee, O loving God. O Mary, most beloved Spouse of the Holy Spirit, obtain for me this holy fire.

The doctor paused and measured his words carefully, scratching and stroking at his wiry broad mustache as if it were a beloved terrier curled under his nose. Matthew wondered what other psychiatrists saw in that repetitive gesture—masturbation? obsession for a long-gone pet?

Like most girls she had been brought up on the warm milk prepared by Annie Fellows Johnston and on novels in which the female was beloved because of certain mysterious womanly qualities, always mentioned but never displayed.

Talk to companions, family, locals, and new acquaintances about your writing, gently impressing upon them that keeping a journal is important to you. First, doing so will compel you to write, because if you’ve told them you’re working on something meaningful and they see you sunning yourself on the beach reading smut novels and trashy magazines all the time you’ll be embarrassed. Second, when you introduce yourself as a writer you’ll be treated with regard when seen writing. If you present the journal as something you love, people will see it as beloved and make space for it.

There is no alternative universe where Ralph Sampson is a beloved symbol of excellence. There’s no Philip K. Dick novel where he averages a career double-double and gets four rings. He could never be that guy. He was needed elsewhere, for other reasons. He was needed to remind people that their own self-imposed mediocrity is better than choking on transcendence.

At the same time, Harper Lee’s second novel, Go Set a Watchman, was released, and the country discovered that the most beloved hero in American fiction, Atticus Finch, had actually been an unreconstructed bigot.

The Bible is a strange, silent caress of the bride by the Beloved. It contains words and whole chapters whose value no one can see. But this is their value. If a bride is reading a passionately interesting novel, filled with exciting detail and embellished with beautiful style, the bridegroom remains uncaressed. But in the Bible there are whole chapters of endless genealogies and lists of names. One grows bored and puts the book aside. This was the purpose: to put the book down sometimes and entrust yourself to the inebriating silent embrace where the problems of the text cease to exist. You have His kiss. To prepare you to receive it is the purpose of the Holy Book.

Yes, indeed, Senator Pinarius. It’s because the author mentions his dealings with the late Marcus, blessed be his memory, and with Commodus, blessed be his reign. Anything to do with the imperial family is always guaranteed to sell, and with today’s awful news, people are hungry to read anything to do with the beloved Marcus.

But then she also said that hugging my grandmother was like hugging an old beloved novel, breathing secrets and wisdom from its pages.

We love you, our angel, and always will,” Papa said and patted me on the back. I knew enough of my Bible to realize why I had overheard, more than once, some of our Bowes Lyon relations refer to David and me as “the Benjamins.” After all, Benjamin was the dearly beloved and youngest of his father’s and Rachel’s children and had many older half brothers.

Ceremonies of the Damned, by Adrian C. Louis Moon of the Crusted Snow, by Waubgeshig Rice Father of Lies, by Brian Evenson The Underground Railroad, by Colson Whitehead Asleep, by Banana Yoshimoto The Hatak Witches, by Devon A. Mihesuah Beloved, by Toni Morrison The Through, by A. Rafael Johnson Lincoln in the Bardo, by George Saunders Savage Conversations, by LeAnne Howe The Regeneration Trilogy, by Pat Barker Exit Ghost, by Philip Roth Songs for Discharming, by Denise Sweet Hiroshima Bugi: Atomu 57, by Gerald Vizenor Short Perfect Novels Too Loud a Solitude, by Bohumil Hrabal Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad

My beloved, we contemplate the depth of our love which is seized with pure enchanted romance, as nothing is more blissful and there is nothing more sublime and magical than our pure tenderness love.

... Before Watchman was published, I was skeptical and unhappy — all the publicity made it sound like nothing but a clever lawyer and a greedy publisher in cahoots to exploit an old woman. Now, having read the book, I glimpse a different tragedy. Lee was a young writer on a roll, with several novels in mind to write after this one. She wrote none of them. Silence, lifelong. I wonder if the reason she never wrote again was because she knew her terrifyingly successful novel was untrue. In obeying the dictates of popular success, letting wishful thinking corrupt honest perception, she lost the self-credibility she, an honest woman, needed in order to write. So I’m glad, now, that Watchman was published. It hasn’t done any harm to the old woman, and I hope it’s given her pleasure. And it redeems the young woman who wrote this book, who wanted to tell some truths about the Southern society that lies to itself so much. She went up North to tell the story, probably thinking she’d be free to tell it there. But she was coaxed or tempted into telling the simplistic, exculpatory lies about it that the North cherishes so much. The white North, that is. And a good part of the white South too, I guess. Little white lies . . . North or South, they’re White lies. But not little ones. Harper Lee was a good writer. She wrote a lovable, greatly beloved book. But this earlier one, for all its faults and omissions, asks some of the hard questions To Kill a Mockingbird evades.

The darling man was sharing his body heat, reminding her of a beloved hero in a Julie Garwood novel.

What have I done? If I have killed my beloved lord, I will never forgive myself! And if he lives — neither will he!

That her beloved daughter was a manipulative promiscuous monster, greedy, ruthless, using her, using all of them, careless of their feelings, their love, their concern for her, heedless of their humiliation, their pain.

Beloved Reader, This is a Regency romance involving nobility and high society, in which there are Black people. This is fiction, and anything is possible here. I truly hope you enjoy it. Sincerely, Your Author

Dedicated to the Earth and Hope   Reality is where we are, Reality is who we are, Reality is what we are, Reality is always so near and never too far, It nestles as much in peace as much in war, And that is why it is important to know who we are, The inhabitants of the Earth where we are, Blessed with the warmth and life granting glow of a munificent star, That happens to be our reality in which we are, Whether we learn to bend it, Or stretch it, The realism of reality is where we always are; in an inescapable part of it. So let us not bend the reality, Because then roses will lose their beauty, And we as humans shall be deprived of our character and integrity, Let Saabir always find his rose and offer it to his beloved Hope, Even if time with reality does elope, Yet it always lies in a dimension of reality and hope, Let us all strive together to give Earth its second chance, For future generations a playground to feel loved and to romance, And then let reality get engrossed in its joyful dance, Where being trapped forever is an endless feeling of merriment, Because who knows what lies in that distant firmament, Our reality is Earth and it is a reality so permanent, Let us be the guardians of her soul, Let us protect it as a whole, And by doing so don’t you think we actually resurrect the reality of our own soul?

​Beloved, I realize that I have all the tools I need to be in your presence whenever I want to. I have this journal, I have the prayer of quiet, I have the Bible and lectio divina, I can speak to you in verbal prayer any time I want, and I can walk the labyrinth here or in the park. Thank you for sending me these tools. I will keep in touch with you regularly, so please keep sending me messages of what you want me to do. I am listening. ​Gratefully, Therese, your Beloved

Ghost-Managing Book List The Uninvited Guests, by Sadie Jones Ceremonies of the Damned, by Adrian C. Louis Moon of the Crusted Snow, by Waubgeshig Rice Father of Lies, by Brian Evenson The Underground Railroad, by Colson Whitehead Asleep, by Banana Yoshimoto The Hatak Witches, by Devon A. Mihesuah Beloved, by Toni Morrison The Through, by A. Rafael Johnson Lincoln in the Bardo, by George Saunders Savage Conversations, by LeAnne Howe The Regeneration Trilogy, by Pat Barker Exit Ghost, by Philip Roth Songs for Discharming, by Denise Sweet Hiroshima Bugi: Atomu 57, by Gerald Vizenor Short Perfect Novels Too Loud a Solitude, by Bohumil Hrabal Train Dreams, by Denis Johnson Sula, by Toni Morrison The Shadow-Line, by Joseph Conrad The All of It, by Jeannette Haien Winter in the Blood, by James Welch Swimmer in the Secret Sea, by William Kotzwinkle The Blue Flower, by Penelope Fitzgerald First Love, by Ivan Turgenev Wide Sargasso Sea, by Jean Rhys Mrs. Dalloway, by Virginia Woolf Waiting for the Barbarians, by J. M. Coetzee Fire on the Mountain, by Anita Desai

Beloved, we are both beloved---you by me and me by you. It’s a mutual thing. Our edges blend together in one. Our love flows without interruption forever. I constantly pour my love into you and when you let me, I receive love back from you. Only you can stop the flow. I will pour and pour endlessly if you let me. My only desire is to love you and be loved, which is also your desire, right? To be loved. To be loved. To be beloved. Beloved. My beloved.  And the words ceased. ​Therese’s hand was shaking, and tears came to her eyes when she re-read what the Voice had said to her on the page. All these years she had refused to believe in anything supernatural, and now this.

Yes, actually. When I am on the labyrinth or writing to the Beloved in my journal, it’s the most amazing, exciting thing that has happened to me.” ​“So how would the Accuser benefit from making you feel foolish or bored?” ​“I would stop. I would stop walking the labyrinth. I would stop journaling. I would not touch the Bible out of fear-

she closed her eyes and let the chanting of the psalms take over her heart and mind. She didn’t try to follow along or understand anything with her conscious mind. She opened the ears of her heart and welcomed the vision forming in her imagination. She saw the darkness of the universe splashed with a glitter of colors, swirling around in a vortex. She heard chanting reaching up and over all in a flood of love. Love was the moving force of the vision. Then the swirl of glitter came to earth and entered the church through the open doors. It swooped over her, touching her chest briefly, then visited the chests of all the others in the room, monks and worshipers alike. The touch of Love imparted colorful auras to all the people, then it swept out the door on its way to touch the rest of the world, Therese thought. When she opened her eyes, the monks had gone, and her eyes were wet with tears. ​“Thank you, Beloved,” she whispered and hurried to her room to journal the vision.

Toni Morrison is awesome. But is she a horror writer? Is she part of the tradition of weird fiction? Our answer is yes, and our proof is her fifth novel, Beloved, published by Knopf in 1987.

After Easter the consolations did not return; they seemed to have dried up like an unwatered garden. Rose asked Kateri to help her, and she did. The helping took the form of a new kind of peace. It was the peace of calm acceptance, accepting that she was a smaller beloved than all the other beloveds, yet still a beloved. And the lover was so great that even to be least in his eyes was a treasure more vast that one could hold. She learned to send the beam of her love to the Beating Heart regardless of his response. She told him that she would never cease to love him, for he was beautiful beyond all imagining; and she had tasted his fire, and it was good. If he chose to keep it from her, this was good also; she thanked him for it, because it gave her a chance to show him that she loved him for himself, and not for his gifts to her.

Your beloved waits for you there, Vader. Beyond the door.

Last night I dreamed of Charleston, as I do almost every night. Far away from my beloved land by day, at night I am there. I dreamed of the marsh grass, the coral sunsets, the smell of plough mud, and the sound of the breeze rustling through the fronds of the palmetto trees. If you were to cut me open, you'd find the water of the Atlantic instead of blood, driftwood instead of bones, and seashells in place of everything else.

I knew now, that it is by loving, and not by being loved, that one can come nearest the soul of another; yea, that, where two love, it is the loving of each other, and not the being beloved by each other, that originates and perfects and assures their blessedness. I knew that love gives to him that loveth, power over any soul beloved, even if that soul know him not, bringing him inwardly close to that spirit; a power that cannot be but for good; for in proportion as selfishness intrudes, the love ceases, and the power which springs therefrom dies. Yet all love will, one day, meet with its return. All true love will, one day, behold its own image in the eyes of the beloved, and be humbly glad. This is possible in the realms of lofty Death.

That's when the game began Maybe not right away His arm around my shoulders His finders at the edge of my bra, it pulled all my atoms apart then dropped me into stasis. Weeks passed and months, everything that made me who I am rearranged, like Dr. Manhattan in the test chamber put back together as something not quite human. I saw on Tumblr that people with trauma will sometimes reexpose themselves to trauma over and over until they think they understand what happened. I don't know why I play the Game. I understand what happened. My biology teacher hurt me and if I was smarter I could find a clever metaphor about chemistry that tells why and how but the simplest way to say it is that I was a student but he saw a rabbit and no one will believe me because he's the most beloved wolf in school.

At that moment, Wen Kexing dazedly thought: if only he can grant me just a tiny bit of his pity, from this moment onwards, as long as he lives one day, I'll live that day with him; if he departs from this world, I'll bring grass and oil to cremate myself along with his body, so that even as we turn to ashes, we will still be together. As long as you are willing, as long as you still want me. Am I allowed to make an extravagant wish, to live with you until we are old and grey?

At that moment, Wen Kexing dazedly thought: if only he can grant me just a tiny bit of his pity, from this moment onwards, as long as he lives one day, I'll live that day with him; if he departs from this world, I'll bring grass and oil to cremate myself along with his body, so that even as we turn to ashes, we will still be together. As long as you are willing, as long as you still want me. Am I allowed to make an extravagant wish, to live with you until we are old and grey?

At that moment, Wen Kexing dazedly thought: if only he can grant me just a tiny bit of his pity, from this moment onwards, as long as he lives one day, I'll live that day with him; if he departs from this world, I'll bring grass and oil to cremate myself along with his body, so that even as we turn to ashes, we will still be together. As long as you are willing, as long as you still want me. Am I allowed to make an extravagant wish, to live with you until we are old and grey?