Bracelet Jewelry Quotes

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I learned about the sacred art of self decoration with the monarch butterflies perched atop my head, lightning bugs as my night jewelry, and emerald-green frogs as bracelets.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Well, I always tried to look nice and be feminine even in the worst tragedies and crisis, there's no reason to add to everyone's misery by looking miserable yourself. That's my philosophy. This is why I always wore makeup and jewelry into the jungle-nothing too extravagant, but maybe just a nice gold bracelet and some earrings, a little lipstick, good perfume. Just enough to show that I still had my self-respect.
Elizabeth Gilbert (Eat, Pray, Love)
In short, a diamond bracelet is a much more honest instrument of courtship than a perforated stomach. She has the option of throwing the jewelry back at him, but she cannot decently walk out on the ulcer. ("Look How Hard I've Been Trying")
Eric Berne (Games People Play)
I cross the street and walk into the Printemps. I go to the counter with necklaces and bracelets and earrings, which dazzle me always. I stand like a fascinated savage. Glitter. Amethyst. Turquoise. Shell pink. Irish green. I would like to be naked and cover myself in cold crystal jewelry. Jewelry and perfume.
Anaïs Nin (Henry and June: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1931-1932)
This”—she patted the arm of the supermodel behind her—“is my fiancé, Cole.” “Nice to meet you.” He held out his hand and I noted the leather bracelets and aviator watch he was wearing, along with the chunky silver ring on his middle finger. He was that guy. Cool, tattooed, can-pull-off-man-jewelry guy. I tried not to blush and failed as I shook his hand.
Samantha Young (Moonlight on Nightingale Way (On Dublin Street #6))
This was the same hair that Amar had cut a length of and wrapped a bracelet from its strands, slid it onto his wrist and proclaimed it the finest piece of jewelry he had known.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
I hear they come to all the high-school parties,” DeeAnna said. “And take all the boys. And do things we didn’t do till we were old married women—and then only after the transaction of a few nice pieces of jewelry.” She twirled a diamond tennis bracelet.
Gillian Flynn (Sharp Objects)
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Samantha House Jewelry
Hey, Hailey, want a bracelet?” Pearl asked. Everyone turned to look at her. Stilted conversation was one thing. Gifts were quite another. “Uh…sure,” Hailey said. She turned and unzipped the small pouch on her backpack. As she dug through it, Ria whacked Pearl on the arm. “You’re gonna make her jewelry?” Ria whispered. “Ow! What’s the big deal?” Pearl whispered back. “That girl does not deserve presents,” Ria replied. “Well, I can’t take it back now,” Pearl said, looking miserable.
Kate Brian (Megan Meade's Guide to the McGowan Boys)
There’s surprise in his voice, as if women are somehow incapable of boldness. Or maybe his surprise stems from the fact that, in person, I’m anything but bold. Compared with other outsize personalities in the art world, I’m positively demure. No all-purple ensemble or flashy footwear for me. Tonight’s little black dress and black pumps with a kitten heel are as fancy as I get. Most days I dress in the same combination of khakis and paint-specked T-shirts. My only jewelry is the silver charm bracelet always wrapped around my left wrist. Hanging from it are three charms—tiny birds made of brushed pewter
Riley Sager (The Last Time I Lied)
You don't wear jewelry, do you? Besides your wedding ring, I mean?' 'Now often. If is not that I disapprove. I simply don't take the time to bother with it. I've been given a few trinkets over the years, but rarely wear them.' Thora looked down at her hand, the plain thin wedding band, the unadorned wrist, and a memory struck her. She said, 'Frank gave me a gift once - a find gold bracelet with a blue enamel heart dangling from it. He said it was to remind me that I was more than his helpmeet and housekeeper, but also an attractive woman. I was sure I'd break the delicate chain, and the heart clacked against the desk whenever I wrote in the ledger. So I put it back in its box, and there it has remained ever since.' Nan said gently, 'We've all been given gifts, Thors, and ought not to hide them away. They remind us that we are blessed and loved. They give pleasure to those who see them - especially to the one who bestowed the gift in the first place.
Julie Klassen (The Innkeeper of Ivy Hill (Tales from Ivy Hill, #1))
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
Kate Angell (The Cottage on Pumpkin and Vine)
But there is a time that descends upon the world when you least expect it, something like the mouth of a wolf which breathes over forests and sometimes upon the head of a person of some importance, blowing out their dreams, erasing the paths which, until then, promised a sure future - and Mușa had left the house exactly during such a time. It was summer, and from behind the butcher’s the unsettling smell of crushed meat and bones was rising.  She skirted the mound which still stands high even today in the middle of the slum and proceeded on to the market.  And what a sight unfolded before her! The sky was sighing sleepily, and from under it one could hear the jingling of beads that evoked an earlier time. Mușa took lazy steps, dragging her slippers, enjoying the feeling of stepping over tiny stones that she could feel through new soles, listening to the vulgar happiness of glass and the cossetted whispers of round pearls. She rummaged through the bracelets and rings, she perused the amber jewelry, and in the end she stopped in front of a shop selling dessert accessories: silver teaspoons, coffee cups and crystal glasses, jam plates made of fragrant wood and particularly low tables, painstakingly inlaid or painted with women half-hidden in veils. Everything lost its allure however after glimpsed the the merchant selling them, a dark-skinned man, in whose eyes smoldered desires without hope – perfidious shoots, like sprigs of hemlock.  Without taking his eyes off her, the merchant offered her a silver ibric, and in its reflections, bleached by the summer sun, swam the tiny fish of temptation. (Homeric)
Doina Ruști
The wedding of David and Michal was a glorious affair. Though Saul was normally stingy with his money, he was not so with his daughters. Michal had started the day with a bath followed by a bodily anointing of oil. She wore a linen and silk dress with embroidered cloth of Phoenician purple. Her hair was brushed to a soft perfection and placed beneath her Tyrian style crown of gold. She was bedecked with gold and silver jewelry from Egypt. Bracelets, necklaces, ear coverings and a ring on her nose. She walked through the Gibeah streets in fine calf leather sandals, surrounded by a cadre of dozens of virgin bridesmaid companions dressed in white linen. A band of minstrels led her with rejoicing on tambourine, flute, and lyre. She felt like a queen. She would be a queen one day. She knew that she was marrying the mightiest warrior in all of Israel. The gibborim who had killed the giant Rephaim Philistine, who her own father, the anointed warrior king, could not conquer. All she could think of the entire journey to the palace were the lyrics she first heard her from the lips of her bridegroom upon their first acquaintance. She had never forgot them. They were burned into her heart. He had sung a song of virginal submission to a manly king as a sample of his musical talent to her father. But she knew he had sung those words for her. She knew by the look in his eyes, his unquenchable stare of desire for her. It was like a prophecy. Now those words were coming true, she was going to be living them out any moment. Hear, O daughter, and consider, and incline your ear: forget your people and your father’s house, and the king will desire your beauty. Since he is your lord, bow to him. The people of Israel lined the streets and cheered their beautiful princess as she approached the entranceway to the palace. She could feel her heart pounding out of her chest. Would he sing to her on their wedding night? Would he seduce her with his musical talent before he ravished her? All glorious is the princess in her chamber, with robes interwoven with gold. In many-colored robes she is led to the king, with her virgin companions following behind her. With joy and gladness they are led along as they enter the palace of the king.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
her ear. She was stick-thin and pretty, with a loose pink top that let her breasts sway and rose-colored tight pants, but other than her Vegas body, she wasn’t making any effort to look glamorous. Her brown hair hung limply to her shoulders in a mess of curls. She hadn’t put on makeup or jewelry, except for a gold bracelet that she twisted nervously around her wrist with her other hand. The whites of her eyes were lined with red. Amanda began to approach her but found her way blocked by a giant Samoan in a Hawaiian shirt, obviously a bodyguard. She discreetly flashed her badge. The man asked if she could wait, then lumbered over to Tierney and whispered in her ear. The girl studied Amanda, murmured something to the Samoan, and went back to her phone call. “Mrs. Dargon wonders if she could talk to you in her limo,” the bodyguard told Amanda. “It’s waiting outside. There’s a picture of Mr. Dargon on the door.” Amanda shrugged. “Okay.” She found the limo without any problem. Samoa had obviously radioed to the driver, who was waiting for her with the door open. He was in his sixties, and he tipped his black hat to Amanda as she got in. “There’s champagne if you’d like,” he told her. “We have muffins, too, but don’t take the blueberry oatmeal muffin. That’s Mrs. Dargon’s favorite.” Amanda smiled. “She
Brian Freeman (Stripped (Jonathan Stride, #2))
February 16: Marilyn flies to Seoul, South Korea, to begin entertaining the troops at ten different sites. Her outfit for her performances includes a skin-tight, low-cut, plum-colored crepe cocktail dress, with bugle beads and thin spaghetti straps, and high heeled sandals, with a matching long-sleeved bolero jacket she only wears when not on stage. Other than hoop earrings and a diamond brooch and bracelet, she wears no jewelry. Between performances, she covers over two hundred miles, wearing a flight jacket and combat boots. Neither snow nor sub-zero temperatures seem to impede her enthusiastic shows.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
Every time Amazons swarmed beneath them, demanding their surrender, Hazel made a crate of jewelry explode, burying their enemies in a Niagara Falls of gold and silver. When they got to the bottom of the ladder, they found a scene that looked like Mardi Gras Armageddon—Amazons trapped up to their necks in bead necklaces, several more upside down in a mountain of amethyst earrings, and a battle forklift buried in silver charm bracelets.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
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He limited his jewelry to a modest bracelet sporting a twenty-carat diamond set in platinum...
Nikki Turner (Forever a Hustler's Wife (A Hustler's Wife, #2))
This in itself was an art. He had to describe the bracelet the way he believed other cops would, cops who might be typing in descriptions of a whole inventory of jewelry taken in a robbery or burglary.
Michael Connelly (The Black Echo (Harry Bosch, #1; Harry Bosch Universe, #1))
REGINA By all that is divine, behold thy bracelet— A stunning piece of jewelry it is! How didst thou come by such a lovely thing? CADY My mother fashion’d it and gave it me. REGINA ’Tis worthy of the public’s admiration. GRETCHEN So fetch it is, it fetcheth ev’ry glance. REGINA What is this “fetch” and, pray, whence cometh it? GRETCHEN A word come swimming ’cross the ocean blue, From England’s ruddy shores. Know’st thou this country?
Ian Doescher (William Shakespeare's Much Ado About Mean Girls (Pop Shakespeare Book 1))
Her jewelry—necklace, earrings, even a matching bracelet—consisted of driftglass, seed pearls, and verdigris-tinted copper wire.
Seanan McGuire (One Salt Sea (October Daye #5))
Oh, my love If you were at the level of my madness, You would cast away your jewelry, Sell all your bracelets, And sleep in my eyes.
Nizar Qabbani
Jasmine emerged from her bedroom in a crystal-embellished ivory organza dress over sheer trousers with a turquoise beaded peacock cape over her shoulders. She felt like she was floating in the dress as Nadia walked behind her, holding the train of her cape. Suddenly, Jasmine realized something was missing. "Just a moment, please." She turned back swiftly, returning to her bedroom and dressing table. Pulling open the drawer, she found the marble jewelry box she was looking for, with a jade cuff bracelet inside. It wouldn't match her coronation robes, but it was just the finishing touch Jasmine needed: her mother's favorite piece of jewelry.
Alexandra Monir (Realm of Wonders (The Queen’s Council, #3))
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I’ve seen on a reality show. Page after page of newspaper clippings of local events, sales, coupons, scrawled reminders cheerfully ignored, I’m sure…a litany of the collected leavings of a disturbed mind. I open the jewelry box, sort through the jumbled stuff, and find the one item I can remember her wearing when I was a child – a silver charm bracelet. I try it on my good wrist and it’s a fit. I have no use for the rest of the junk – cheap earrings and costume jewelry. There’s absolutely no hope that her wedding ring is in the box. Ralph would have pocketed that immediately since it was the only thing of value she would have passed on to me. I’m still a little freaked out over the whole Ralph-with-gun thing, and his threat is ringing in my ears as I consider the sad collection of trash that represents everything my mom accomplished and accumulated in almost forty years on the planet. I’ve always believed that we shouldn’t get too attached to our material possessions, but this is plain pitiful.
R.E. Blake (More Than Anything (Less Than Nothing, #2))
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Kaylah Diamonds Jewelry
I visited four jewelry shops before I found a bracelet that appealed to me: two-carat, cushion-cut diamonds set in 18K gold. It was horribly expensive, but I handed over my plastic gaily, following McNally’s First Law of Shopping: If you can afford it, it’s not worth buying.
Lawrence Sanders (McNally's Luck (Archy McNally #2))