Torture Garden Quotes

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They had killed themselves over our dying forests, over manatees maimed by propellers as they surfaced to drink from garden hoses; they had killed themselves at the sight of used tires stacked higher than the pyramids; they had killed themselves over the failure to find a love none of us could ever be. In the end, the tortures tearing the Lisbon girls pointed to a simple reasoned refusal to accept the world as it was handed down to them, so full of flaws.
Jeffrey Eugenides (The Virgin Suicides)
I once had a patient who used to practice the most horrible tortures on himself, and when I asked him why he did such things, he said, 'Why, before the world does them.' I asked him then, 'Why not wait and see what the world will do?' and he said, 'Don't you see? It always come at last, but this way at least I am master of my own destruction.
Joanne Greenberg (I Never Promised You a Rose Garden)
Why, flowers are violent, cruel, terrible, splendid...like love.
Octave Mirbeau (Torture Garden)
I am a lover, and I deal in love. Sow flowers, So your surroundings become a garden. Don't sow thorns; for they will prick your feet. We are all one body, Whoever tortures another, wounds himself.
Rahman Baba
I desire her and I hate her. I would like to take her in my arms and embrace her till she smothered, till she was crushed and I could drink death from her gushing veins.
Octave Mirbeau (Torture Garden)
Wherever he goes, whatever he does, he will always see that word: murder—immortally inscribed upon the pediment of that vast slaughterhouse—humanity.
Octave Mirbeau (The Torture Garden)
We will go out into the world and plant gardens and orchards to the horizons, we will build roads through the mountains and across the deserts, and terrace the mountains and irrigate the deserts until there will be garden everywhere, and plenty for all, and there will be no more empires or kingdoms, no more caliphs, sultans, emirs, khans, or zamindars, no more kings or queens or princes, no more quadis or mullahs or ulema, no more slavery and no more usury, no more property and no more taxes, no more rich and no more poor, no killing or maiming or torture or execution, no more jailers and no more prisoners, no more generals, soldiers, armies or navies, no more patriarchy, no more caste, no more hunger, no more suffering than what life brings us for being born and having to die, and then we will see for the first time what kind of creatures we really are.
Kim Stanley Robinson (The Years of Rice and Salt)
This is where you first failed us. You gave us minds and told us not to think. You gave us curiosity and put a booby-trapped tree right in front of us. You gave us sex and told us not to do it. You played three-card monte with our souls from day one, and when we couldn't find the queen, you sent us to Hell to be tortured for eternity. That was your great plan for humanity? All you gave us here was daisies and fairy tales and you acted like that was enough. How were we supposed to resist evil when you didn't even tell us about it?
Richard Kadrey (Aloha from Hell (Sandman Slim, #3))
Monsters, monsters! But there are no monsters! What you call monsters are superior forms, or forms beyond your understanding. Aren't the gods monsters? Isn't a man of genius a monster, like a tiger or a spider, like all individuals who live beyond social lies, in the dazzling and divine immortality of things? Why, I too then-am a monster!
Octave Mirbeau (Torture Garden)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
Woman possesses the cosmic force of an element, an invincible force of destruction, like nature's. She is, in herself alone, all nature! Being the matrix of life, she is by that very fact the matrix of death - since it is from death that life is perpetually reborn, and since to annihilate death would be to kill life at its only fertile source.
Octave Mirbeau (The Torture Garden)
Alas, the gates of life never swing open except upon death, never open except upon the palaces and gardens of death. And the universe appears to me like an immense, inexorable torture-garden… What I say today, and what I heard, exists and cries and howls beyond this garden, which is no more than a symbol to me of the entire earth.
Octave Mirbeau (The Torture Garden)
In that atrocious second I understood that desire can attain the darkest human terror and give an actual idea of hell and its horror.
Octave Mirbeau (The Torture Garden)
She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and torturous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope.
Kate Chopin (The Awakening)
What else do you do there except lie—lie to yourself and others, lie about everything you recognize in your heart to be true? You’re obliged to pretend respect for people and institutions you think absurd. You live attached in a cowardly fashion to moral and social conventions you despise, condemn, and know lack all foundation. It is that permanent contradiction between your ideas and desires and all the dead formalities and vain pretences of your civilization which makes you sad, troubled and unbalanced. In that intolerable conflict you lose all joy of life and all feeling of personality, because at every moment they suppress and restrain and check the free play of your powers. That’s the poisoned and mortal wound of the civilized world.
Octave Mirbeau (The Torture Garden)
Home’, it had struck her on the torturous drive back to London, wasn’t Egerton Gardens, wasn’t even Fox Corner. Home was an idea, and like Arcadia it was lost in the past.
Kate Atkinson (Life After Life)
The sun is all love and murder, judgement, the perpetual raid of conscience, paratrooping light which opens like a snow-blossom in the downward drift of death. Wherever I turn - the golden cymbals of judgement, the summoning of the torturers of light.
Janet Frame (Scented Gardens for the Blind)
I was thinking of love,' I replied in a tone of reproach, 'and here you are talking to me again—forever—about torture!' 'Doubtless! since it's the same thing—
Octave Mirbeau (The Torture Garden)
The Occidental snobbery which is invading us, the gunboats, rapid-fire guns, long-range rifles, explosives... what else? Everything which makes death collective, administrative and bureaucratic - all the filth of your progress, in fact - is destroying, little by little, our beautiful traditions of the past.
Octave Mirbeau
Yes, there are some backs on the street which cry for the knife.
Octave Mirbeau (The Torture Garden)
There is no morality to be found in evil. But to recognise that which is truly evil one must forget the rules of morality.
Daniel Kemp (The Desolate Garden)
To Priests, Soldiers, Judges- to men who rear, lead or govern men I dedicate these pages of murder and blood.
Octave Mirbeau (The Torture Garden)
Sow flowers to make a garden bloom around you, The thorns you sow will prick your own feet. Arrows shot at others Will return to hit you as they fall. You yourself will come to teeter on the lip Of a well dug to undermine another. Though you look at others with contempt, It's you whose body will be reduced to dust. Humanity is all one body; To torture another is simply to wound yourself. [...]Make your path straight now, by the bright light of day; For pitch darkness will come without warning.
Rahman Baba
Let my heiress have full rights, Live in my house, sing songs that I composed. Yet how slowly my strength ebbs, How the tortured breast craves air. The love of my friends, my enemies' rancor And the yellow roses in my bushy garden, And a lover's burning tenderness—all this I bestow upon you, messenger of dawn. Also the glory for which I was born, For which my star, like some whirlwind, soared And now falls. Look, its falling Prophesies your power, love and inspiration. Preserving my generous bequest, You will live long and worthily. Thus it will be. You see, I am content, Be happy, but remember me.
Anna Akhmatova (The Complete Poems of Anna Akhmatova)
A strange night, he thought. Somewhere now there is shooting and men are being hunted and imprisoned and tortured and murdered, some corner of a peaceful world is being trampled upon, and one knows it, helplessly, and life buzzes on in the bright bistros of the city, no one cares, and people go calmly to sleep, and I am sitting here with a woman between pale chrysanthemums and a bottle of calvados, and the shadow of love rises, trembling, lonesome, strange and sad, it too an exile from the safe gardens of the past, shy and wild and quick as if it had no right
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
In answer to the dominatrix at the Torture Garden, I would say that anyone who wears clothes, listens to music, goes to the movies, or is on the Internet might want to know more about fetishism. Certainly, anyone who is “into” fashion has to address the issue.
Valerie Steele (Fetish - Fashion, Sex & Power)
Monsters, monsters! But there are no monsters! What you call monsters are superior forms, or forms beyond your understanding.
Octave Mirbeau (The Torture Garden)
For to arrive somewhere means to die!
Octave Mirbeau (The Torture Garden)
Look here, before you and around you! There is not a grain of sand that has not been bathed in blood, and what is that grain of sand itself, if not the dust of death? But how rich this blood is, and how fertile is the dust!
Octave Mirbeau (The Torture Garden)
Have you ever been at a festival when you were sad or ill? Well, then you’ve felt how much your sadness was irritated and exasperated, as by an insult, by the joyful faces and the beauty of things. It’s an intolerable feeling. Think of what it must mean to a victim who is going to die under torture. Think how much the torture is multiplied in his flesh and his soul by all the splendour which surrounds him; and how much more atrocious is his agony, how much more hopelessly atrocious, darling!
Octave Mirbeau (The Torture Garden)
Tp Priests, Soldiers, Judges- to men who rear, lead or govern men I dedicate these pages of murder and blood.
Octave Mirbeau (The Torture Garden)
There, tam, la-bas, the gaze of men glows with inimitable understanding; there the freaks that are tortured here walk unmolested; there time takes shape according to one’s pleasure, like a figured rug whose folds can be gathered in such a way that two designs will meet—and the rug is once again smoothed out, and you live on, or else superimpose the next image on the last, endlessly, endlessly, with the leisurely concentration of a woman selecting a belt to go with her dress—now she glides in my direction, rhythmically butting the velvet with her knees, comprehending everything and comprehensible to me…There, there are the original of those gardens where we used to roam and hide in this world; there everything strikes one by its bewitching evidence, by the simplicity of perfect good; there everything pleases one’s soul, everything is filled with the kind of fun that children know; there shines the mirror that now and then sends a chance reflection here…
Vladimir Nabokov (Invitation to a Beheading)
Meanwhile, in the garden they dug large pits and in each pit they buried ten men alive. On both sides of the gate they constructed huge pyramids made up of the Derevlian commoners' severed heads.
Leopold von Sacher-Masoch (Bloody Wedding in Kyiv: Two Tales of Olha, Kniahynia of Kyivan Rus)
He traveled, he studied, he taught ... He learned to appreciate the singular little thrill of following dark byways in strange towns, knowing well that he would discover nothing, save filth and ennui and discarded merry cans with labels and the jungle jingles of exported jazz. He often felt that the famed cities, the museums, the ancient torture house and the suspended garden were but places on the map of his own madness.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
You know how much Annie loved pearls. She owned some incomparable specimens…the most marvelous, I believe, that ever existed. You also remember the almost physical joy, the carnal ecstasy, with which she adorned herself with them. Well, when she was sick that passion became a mania with her…a fury, like love! All day long she loved to touch them, caress them and kiss them; she made cushions of them, necklaces, capes, cloaks. Then this extraordinary thing happened; the pearls died on her skin: first they tarnished, little by little…little by little they grew dim, and no light was reflected in their luster any more and, in a few days, tainted by the disease, they changed into tiny balls of ash. They were dead, dead like people, my darling. Did you know that pearls had souls? I think it’s fascinating and delicious. And since then, I think of it every day.
Octave Mirbeau (The Torture Garden)
The Labyrinth, a walled garden where humans tortured plants and flowers into growing in straight lines and sharp corners so unnatural that it hurt the mind to see, was east of Thorn’s court, on the very edge of the Center Kingdom.
Jon Evans (Beasts of New York)
The night before I left on the sealed bullet train, I reread my old diary, and then I knew what the Gardeners meant when they said, Be careful what you write. There were my own words from the time when I was so happy, except that now it was torture to read them. I took the diary down the street and around the corner and shoved it into a garboil dumpster. It would turn into oil and then all those red hearts I’d drawn would go up in smoke, but at least they would be useful along the way.
Margaret Atwood (The Year of the Flood (MaddAddam, #2))
When the last days were upon me, and the ugly trifles of existence began to drive me to madness like the small drops of water that torturers let fall ceaselessly upon one spot of their victims body, I loved the irradiate refuge of sleep. In my dreams I found a little of the beauty I had vainly sought in life, and wandered through old gardens and enchanted woods. Once when the wind was soft and scented I heard the south calling, and sailed endlessly and languorously under strange stars.
H.P. Lovecraft (The Collected Stories 1)
Our industries, our trade, and our way of life generally have been based first on the exploitation of the earth's surface and then on the oppression of one another--on banditry pure and simple. The inevitable result is now upon us. The unsuccessful bandits are trying to despoil their more successful competitors. The world is divided into two hostile camps: at the root of this vast conflict lies the evil of spoliation which has destroyed the moral integrity of our generation. While this contest marches to its inevitable conclusion, it will not be amiss to draw attention to a forgotten factor which may perhaps help to restore peace and harmony to a tortured world. We must in our future planning pay great attention to food--the product of sun, soil, plant, and livestock--in other words, to farming and gardening.
Albert Howard (The Soil and Health: A Study of Organic Agriculture (Culture of the Land))
When the last days were upon me, and the ugly trifles of existence began to drive me to madness like the small drops of water that torturers let fall ceaselessly upon one spot of their victim’s body, I loved the irradiate refuge of sleep. In my dreams I found a little of the beauty I had vainly sought in life, and wandered through old gardens and enchanted woods. After a while, as the days of waking became less and less bearable from their greyness and sameness, I would often drift in opiate peace through the valley and the shadowy groves, and wonder how I might seize them for my eternal dwelling-place, so that I need no more crawl back to a dull world stript of interest and new colours... for doubt and secrecy are the lure of lures, and no new horror can be more terrible than the daily torture of the commonplace.
H.P. Lovecraft (The HP Lovecraft Collection)
No one wanted the job. What had seemed one of the least challenging tasks facing Franklin D. Roosevelt as newly elected president had, by June 1933, become one of the most intransigent. As ambas-sadorial posts went, Berlin should have been a plum—not London or Paris, surely, but still one of the great capitals of Europe, and at the center of a country going through revolutionary change under the leadership of its newly appointed chancellor, Adolf Hitler. Depending on one’s point of view, Germany was experiencing a great revival or a savage darkening. Upon Hitler’s ascent, the country had undergone a brutal spasm of state- condoned violence. Hitler’s brown- shirted paramilitary army, the Sturmabteilung, or SA—the Storm Troopers—had gone wild, arresting, beating, and in some cases murdering communists, socialists, and Jews. Storm Troopers established impromptu prisons and torture stations in basements, sheds, and other structures. Berlin alone had fi fty of these so- called bunkers. Tens of thousands of people were arrested and placed in “protective custody”— Schutzhaft—a risible euphemism. An esti-mated fi ve hundred to seven hundred prisoners died in custody; others endured “mock drownings and hangings,” according to a police affi davit. One prison near Tempelhof Airport became especially no-torious: Columbia House, not to be confused with a sleekly modern new building at the heart of Berlin called Columbus House. The up-heaval prompted one Jewish leader, Rabbi Stephen S. Wise of New York, to tell a friend, “the frontiers of civilization have been crossed.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
There were fairies at the bottom of my garden and they were torturing someone. Technically they weren’t Fae. My people didn’t like to bloody their hands, they preferred to use sadistic bastards like Spriggans. They’d come for me. Finally. After centuries of waiting, my people had demonstrated how long they could hold a grudge.
Phil Parker (The Bastard From Fairyland (The Knights' Protocol Trilogy #1))
Fyodor, please help me, I have two big questions about God. You are college professor” (what?) “so perhaps you can answer for me. First question—” eyes meeting mine in the rear view mirror, holding up pointed finger—“does God have sense of humor? Second question: does God have cruel sense of humor? Such as: does God toy with us and torture us for His own amusement, like vicious child with garden insect?
Donna Tartt (The Goldfinch)
A long suburb of red brick houses -some with patches of garden-ground, where coal-dust and factory smoke darkened the shrinking leaves, and coarse rank flowers, and where the struggling vegetation sickened and sank under the hot breath of kiln and furnace. On mounds of ashes by the wayside, sheltered only by a few rough boards, or rotten pent-house roofs, strange engines spun and writhed like tortured creatures; clanking their iron chains, shrieking in their rapid whirl from time to time as though in torment unendurable, and making the ground tremble with their agonies. Dismantled houses here and there appeared, tottering to the earth, propped up by fragments of others that had fallen down, unroofed, windowless, blackened, desolate, but yet inhabited. Men, women, children, wan in their looks and ragged in attire, tended the engines, fed their tributary fire, begged upon the road, or scowled half-naked from the doorless houses.
Charles Dickens (The Old Curiosity Shop)
What chokes every prayer and every hope is the memory of all the prayers H. and I offered and all the false hopes we had. Not hopes raised merely by our own wishful thinking, hopes encouraged, even forced upon us, by false diagnoses, by X-ray photographs, by strange remissions, by one temporary recovery that might have ranked as a miracle. Step by step we were 'led up the garden path'. Time after time, when He seemed most gracious He was really preparing the next torture.
C.S. Lewis (A Grief Observed)
Although she was a recluse, she was not entirely apart from the world. She lived sealed in a cottage joined to the church in the city of Norwich. The modern fiction is that an anchorite was walled into a tiny church alcove with barely room for a prie-dieu and hard bed. Julian would probably have had a suite of rooms as well as a walled garden. Solitaries were even allowed to have cattle and property. They also had guests. The life was simple with much time devoted to prayer and contemplation, but it was not the cruel torture we might imagine. A main road passed right outside her house and Julian gave spiritual direction and advice to the many people who sought her out. One of these was Margery Kempe, who while certainly not of Julian’s sanctity, has entered history for writing the first biography of women in English. Nor was Julian entirely alone within her cottage. She would have had a maid (we know the names of two of them). And she may have had pets.
Julian of Norwich (All Will Be Well: 30 Days with Julian of Norwich (Great Spiritual Teachers))
Well, Harry, while we’ve still got you here, you won’t mind helping with the preparations for Bill and Fleur’s wedding, will you? There’s still so much to do.” “No--I--of course not,” said Harry, disconcerted by this sudden change of subject. “Sweet of you,” she replied, and she smiled as she left the scullery. From that moment on, Mrs. Weasley kept Harry, Ron, and Hermione so busy with preparations for the wedding that they hardly had any time to think. The kindest explanation of this behavior would have been that Mrs. Weasley wanted to distract them all from thoughts of Mad-Eye and the terrors of their recent journey. After two days of nonstop cutlery cleaning, of color-matching favors, ribbons, and flowers, of de-gnoming the garden and helping Mrs. Weasley cook vast batches of canapés, however, Harry started to suspect her of a different motive. All the jobs she handed out seemed to keep him, Ron, and Hermione away from one another; he had not had a chance to speak to the two of them alone since the first night, when he had told them about Voldemort torturing Ollivander. “I think Mum thinks that if she can stop the three of you getting together and planning, she’ll be able to delay you leaving,” Ginny told Harry in an undertone, as they laid the table for dinner on the third night of his stay. “And then what does she think’s going to happen?” Harry muttered. “Someone else might kill off Voldemort while she’s holding us here making vol-au-vents?
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
m. He has waited so long-and we all know what torture waiting can be! His whole life is waiting-waiting for the next walk in the open, a waiting that begins as soon as he is rested from the last one. Even his night consists of waiting; for his sleep is distributed throughout the whole twenty-four hours of the day, with many a little nap on the grass in the garden, the sun shining down warm on his coat, or behind the curtains of his kennel, to break up and shorten the empty spaces of the day.
Thomas Mann (Death in Venice and Other Tales)
Can’t say my Uttarpara ancestral home isn’t my homeland, I know unidentified bodies, their eyes plucked out, float by in the Ganga. Can’t say my aunt’s Ahiritola isn’t my homeland, I know abducted girls are bound and gagged in Sonagachi nearby. Can’t say my uncle’s at Panihati isn’t my homeland, I know who was killed, and where, in broad daylight. Can’t say my adolescent Konnagar isn’t my homeland, I know who was sent to cut whose throat. Can’t say my youth’s Calcutta isn’t my homeland, I know who threw bombs, set fire on buses, trams. Can’t say West Bengal isn’t my homeland, I’ve the right to be tortured to death in its lock-ups, I’ve the right to starve and have rickets in its tea gardens, I’ve the right to hang myself at its handloom mills, I’ve the right to become bones buried by its party lumpen, I’ve the right to have my mouth taped, silenced, I’ve the right to hear the leaders sprout gibberish, abuse, I’ve the right to a heart attack on its streets blocked by protestors, Can’t say Bengali isn’t my homeland.
Malay Roy Choudhury (ছোটোলোকের কবিতা)
Roque, darling,” Victra calls up to the cameras in the ceiling as Holiday and her team set up the drill on the door. “How I have pined for you since the garden. Are you there?” She sighs. “I’ll just assume you are. Listen, I understand. You think we must be wroth with you, what with the murder of my mother, the execution of our friends, the bullets in the spine, the poison, and a year of torture for dear Reaper and I, but that’s not so. We just want to put you in a box. Maybe several. Would you like that? It’s very poetic.” Holiday
Pierce Brown (Morning Star (Red Rising, #3))
Perverse? Because they obey the only law of life; because they are satisfied with the only need of life, which is love? But consider, milady, the flower is only a reproductive organ. Is there anything healthier, stronger, or more beautiful than that? These marvelous petals, these silks, these velvets... these soft, supple, and caressing materials are the curtains of the alcove, the draperies of the bridal chamber, the perfumed bed where they unite, where they pass their ephemeral and immortal life, swooning with love. What an admirable example for us!” he spread the petals of the flower, counted the stamens laden with pollen, and he spoke again, his eyes swimming in a comical ecstasy: “See, milady; one, two, five, ten, twenty. See how they quiver! Look! Sometimes twenty males are required for the delight of a single female! he! he! he! Sometimes it’s the opposite.” one by one he tore off the petals of the flower: “And when they are gorged with love, then the curtains of the bed are torn away, the draperies of the chamber wither and fall; and the flowers die, because they know well they have nothing more to do. They die, to be reborn later, and once again, to love!
Octave Mirbeau (The Torture Garden)
The shortness of my legs, hanging helplessly for two hours midway between the seat and the floor, was the weapon chosen by Satan for my destruction. In German churches you do not kneel, and seldom stand, but sit nearly the whole time, praying and singing in great comfort. If you are four years old, however, this unchanged position soon becomes one of torture. Unknown and dreadful things go on in your legs, strange prickings and tinglings and dartings up and down, a sudden terrifying numbness, when you think they must have dropped off but are afraid to look, then renewed and fiercer prickings, shootings, and burnings.
Elizabeth von Arnim (Elizabeth and Her German Garden)
Gacela of Unexpected Love" No one understood the perfume of the shadow magnolia of your belly. No one knew you crushed completely a humming-bird of love between your teeth. There slept a thousand little persian horses in the moonlight plaza of your forehead, while, for four nights, I embraced there your waist, the enemy of snowfall. Between the plaster and the jasmines, your gaze was a pale branch, seeding. I tried to give you, in my breastbone, the ivory letters that say ever. Ever, ever: garden of my torture, your body, flies from me forever, the blood of your veins is in my mouth now, already light-free for my death.
Federico García Lorca (Collected Poems)
Taggart finally broke the pattern. "Can you at least explain why?" Jane growled. God, she hated being outnumbered. This was like riding herd on her little brothers, only worse because "I'll beat you if you do" wasn't an acceptable answer. "First rule of shooting a show on Elfhome." She grabbed Hal and made him face each of the two newbies so there was no way they could miss the mask of dark purple bruises across Hal's face. "Avoid getting 'The Face' damaged. Viewers don't like raccoon boys. Hal is out of production until the bruising can be covered with makeup. We've got fifty days and a grocery list of face-chewing monsters to film. We have to think about damage control." "Second rule!" She let Hal go and held up two fingers. "Get as much footage as possible of the monster before you kill it. People don't like looking at dead monsters if you don't give them lots of time seeing it alive. Right now we have got something dark moving at night in water. No one has ever seen this before, so we can't use stock footage to pad. We blow the whistle and it will come out of the water and try to rip your face off – violating rule one – and then we'll have to kill it and thus break rule two." "Sounds reasonable," Taggart said. "Would we really have to kill it?" Nigel's tone suggested he equated it to torturing kittens. "If it's trying its damnest to eat you? Yes!" Jane cried.
Wen Spencer (Pittsburgh Backyard and Garden (Elfhome, #1.5))
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
The male narcissist is a misogynist, holding women in complete contempt. Here you are being tormented, and your compliance with this request [ because by now you know the silent treatment will follow if you don’t ] is just another example of his control over you. At the end of the day you are merely an object, a source of his narcissistic supply discussed earlier, giving him another ‘fix’ to his fragile ego. Attention procured from fellow male diners at the next outing will only serve to inflate his delusional feeling of superiority over others, and bear in mind the attention is for his benefit, not yours. Women present will no doubt take a different perspective from their temporarily distracted partners looking on with tongues hanging out. Along the lines ‘poor woman, if that’s how she’s made to dress. I’ll bet her life must be hell. What a prick’. His demands, always phrased as though in your favour continue unabated. ‘Why don’t you just pack in your job? It’s not as if we need the money. We can live comfortably off my salary. Think of all the extra time we can have together, and less pressure on you’. Awwww, this man is all heart. Well, he does need a cleaner, that’s for sure, as describing the place as untidy would be an understatement. As for employing a gardener! Forget it. Guess who will be spending the summer months breaking her back weeding and edging? Narcissists deem such jobs trivial and beneath them. These tasks were designed for inferior people.
A.B. Jamieson (Prepare to be tortured: - the price you will pay for dating a narcissist)
Sheltered Garden" I have had enough. I gasp for breath. Every way ends, every road, every foot-path leads at last to the hill-crest-- then you retrace your steps, or find the same slope on the other side, precipitate. I have had enough-- border-pinks, clove-pinks, wax-lilies, herbs, sweet-cress. O for some sharp swish of a branch-- there is no scent of resin in this place, no taste of bark, of coarse weeds, aromatic, astringent-- only border on border of scented pinks. Have you seen fruit under cover that wanted light-- pears wadded in cloth, protected from the frost, melons, almost ripe, smothered in straw? Why not let the pears cling to the empty branch? All your coaxing will only make a bitter fruit-- let them cling, ripen of themselves, test their own worth, nipped, shrivelled by the frost, to fall at last but fair With a russet coat. Or the melon-- let it bleach yellow in the winter light, even tart to the taste-- it is better to taste of frost-- the exquisite frost-- than of wadding and of dead grass. For this beauty, beauty without strength, chokes out life. I want wind to break, scatter these pink-stalks, snap off their spiced heads, fling them about with dead leaves-- spread the paths with twigs, limbs broken off, trail great pine branches, hurled from some far wood right across the melon-patch, break pear and quince-- leave half-trees, torn, twisted but showing the fight was valiant. O to blot out this garden to forget, to find a new beauty in some terrible wind-tortured place.
H.D.
As they stand in the muck of the Cypress Swamp, black and thinly crusted, each Step breaking through to release a Smell of Generations of Deaths, something in it, some principle of untaught Mechanicks, tugging at their ankles, voiceless, importunate,— a moment arrives, when one of them smacks his Pate for something other than a Mosquitoe. “Ev’rywhere they’ve sent us,— the Cape, St. Helena, America,— what’s the Element common to all?” “Long Voyages by Sea,” replies Mason, blinking in Exhaustion by now chronick. “Was there anything else?” “Slaves. Ev’ry day at the Cape, we lived with Slavery in our faces,— more of it at St. Helena,— and now here we are again, in another Colony, this time having drawn them a Line between their Slave-Keepers, and their Wage-Payers, as if doom’d to re-encounter thro’ the World this public Secret, this shameful Core. . . . Pretending it to be ever somewhere else, with the Turks, the Russians, the Companies, down there, down where it smells like warm Brine and Gunpowder fumes, they’re murdering and dispossessing thousands untallied, the innocent of the World, passing daily into the Hands of Slave-owners and Torturers, but oh, never in Holland, nor in England, that Garden of Fools . . . ? Christ, Mason.” “Christ, what? What did I do?” “Huz. Didn’t we take the King’s money, as here we’re taking it again? whilst Slaves waited upon us, and we neither one objected, as little as we have here, in certain houses south of the Line,— Where does it end? No matter where in it we go, shall we find all the World Tyrants and Slaves? America was the one place we should not have found them.” “Yet we’re not Slaves, after all,— we’re Hirelings.” “I don’t trust this King, Mason. I don’t think anybody else does, either. Tha saw Lord Ferrers take the Drop at Tyburn. They execute their own. What may they be willing to do to huz?
Thomas Pynchon (Mason & Dixon)
From the dairy a wall extended which formed the right-hand boundary of the octangle, joining the bull’s shed and the pig-pens at the extreme end of the right point of the triangle. A staircase, put in to make it more difficult, ran parallel with the octangle, half-way round the yard, against the wall which led down to the garden gate. The spurt and regular ping! of milk against metal came from the reeking interior of the sheds. The bucket was pressed between Adam Lambsbreath’s knees, and his head was pressed deep into the flank of Feckless, the big Jersey. His gnarled hands mechanically stroked the teat, while a low crooning, mindless as the Down wind itself, came from his lips. He was asleep. He had been awake all night, wandering in thought over the indifferent bare shoulders of the Downs after his wild bird, his little flower... Elfine. The name, unspoken but sharply musical as a glittering bead shaken from a fountain’s tossing necklace, hovered audibly in the rancid air of the shed. The beasts stood with heads lowered dejectedly against the wooden hoot-pieces of their stalls. Graceless, Pointless, Feckless, and Aimless awaited their turn to be milked. Sometimes Aimless ran her dry tongue, with a rasping sound sharp as a file through silk, awkwardly across the bony flank of Feckless, which was still moist with the rain that had fallen upon it through the roof during the night, or Pointless turned her large dull eyes sideways as she swung her head upwards to tear down a mouthful of cobwebs from the wooden runnet above her head. A lowering, moist, steamy light, almost like that which gleams below the eyelids of a man in fever, filled the cowshed. Suddenly a tortured bellow, a blaring welter of sound that shattered the quiescence of the morning, tore its way across the yard and died away in a croak that was almost a sob. It was Big Business, the bull, wakening to another day, in the clammy darkness of his cell.
Stella Gibbons (Cold Comfort Farm)
With Mary standing in the hall, Kate and Anthony exited out the doorway and headed west on Milner Street. “I usually stay to the smaller streets and make my way up to Brompton Road,” Kate explained, thinking that he might not be very familiar with this area of town, “then take that to Hyde Park. But we can walk straight up Sloane Street, if you prefer.” “Whatever you wish,” he demurred. “I shall follow your direction.” “Very well,” Kate replied, marching determinedly up Milner Street toward Lenox Gardens. Maybe if she kept her eyes ahead of her and moved briskly, he’d be discouraged from conversation. Her daily walks with Newton were supposed to be her time for personal reflection. She did not appreciate having to drag him along. Her strategy worked quite well for several minutes. They walked in silence all the way to the corner of Hans Crescent and Brompton Road, and then he quite suddenly said, “My brother played us for fools last night.” That stopped her in her tracks. “I beg your pardon?” “Do you know what he told me about you before he introduced us?” Kate stumbled a step before shaking her head, no. Newton hadn’t stopped in his tracks, and he was tugging on the lead like mad. “He told me you couldn’t say enough about me.” “Wellll,” Kate stalled, “if one doesn’t want to put too fine a point on it, that’s not entirely untrue.” “He implied,” Anthony added, “that you could not say enough good about me.” She shouldn’t have smiled. “That’s not true.” He probably shouldn’t have smiled, either, but Kate was glad he did. “I didn’t think so,” he replied. They turned up Brompton Road toward Knightsbridge and Hyde Park, and Kate asked, “Why would he do such a thing?” Anthony shot her a sideways look. “You don’t have a brother, do you?” “No, just Edwina, I’m afraid, and she’s decidedly female.” “He did it,” Anthony explained, “purely to torture me.” “A noble pursuit,” Kate said under her breath. “I heard that.” “I rather thought you would,” she added. “And I expect,” he continued, “that he wanted to torture you as well.” “Me?” she exclaimed. “Whyever? What could I possibly have done to him?” “You might have provoked him ever so slightly by denigrating his beloved brother,” he suggested. Her brows arched. “Beloved?” “Much-admired?” he tried. She shook her head. “That one doesn’t wash, either.” Anthony grinned.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
The first mile was torture. I passed beneath the massive stone arch at the entrance to the school, pulled off the road and threw up. I felt better and ran down the long palm-lined drive to the Old Quad. Lost somewhere in the thicket to my left was the mausoleum containing the remains of the family by whom the university had been founded. Directly ahead of me loomed a cluster of stone buildings, the Old Quad. I stumbled up the steps and beneath an archway into a dusty courtyard which, with its clumps of spindly bushes and cacti, resembled the garden of a desert monastery. All around me the turrets and dingy stone walls radiated an ominous silence, as if behind each window there stood a soldier with a musket waiting to repel any invader. I looked up at the glittering facade of the chapel across which there was a mosaic depicting a blond Jesus and four angels representing Hope, Faith, Charity, and, for architectural rather than scriptural symmetry, Love. In its gloomy magnificence, the Old Quad never failed to remind me of the presidential palace of a banana republic. Passing out of the quad I cut in front of the engineering school and headed for a back road that led up to the foothills. There was a radar installation at the summit of one of the hills called by the students the Dish. It sat among herds of cattle and the ruins of stables. It, too, was a ruin, shut down for many years, but when the wind whistled through it, the radar produced a strange trilling that could well be music from another planet. The radar was silent as I slowed to a stop at the top of the Dish and caught my breath from the upward climb. I was soaked with sweat, and my headache was gone, replaced by giddy disorientation. It was a clear, hot morning. Looking north and west I saw the white buildings, bridges and spires of the city of San Francisco beneath a crayoned blue sky. The city from this aspect appeared guileless and serene. Yet, when I walked in its streets what I noticed most was how the light seldom fell directly, but from angles, darkening the corners of things. You would look up at the eaves of a house expecting to see a gargoyle rather than the intricate but innocent woodwork. The city had this shadowy presence as if it was a living thing with secrets and memories. Its temperament was too much like my own for me to feel safe or comfortable there. I looked briefly to the south where San Jose sprawled beneath a polluted sky, ugly and raw but without secrets or deceit. Then I stretched and began the slow descent back into town.
Michael Nava (The Little Death (The Henry Rios Mysteries Book 1))
Abigail!” Mrs. Gardener says sharply. “We do not throw things in class. Move your clothespin to blue, please. You‘ll have to miss recess.” Thank God the little heathen is missing recess. Maybe I’ll try to get in a game of handball. As long as she isn’t there to torture me, the other kids will probably let me play.
Andrea Ring (Nervous System (The System, #1))
Blaming Satan can absolve oppressors quicker than God's grace. I really am not that bad - so the logic goes - it is Satan, since the Garden of Eden, who has been leading humanity astray. I am really a good person, but I do wrestle with my secret demons. When I participate in the pain of others (not just physical but also caused by society and economics) of others, it is the devil that made me do it. Thankfully, Jesus took our place on the cross so that we do not need to pay the price for our sins. The devil made me do it, and Jesus cleaned up my mess. As a new creature in Christ "I" can move on without really addressing the consequences of or restitution for those sins the devil made me do. Hence, Nazi concentration guards can torture all week long and still attended worship ship services on Sunday mornings. Politicians can lead armies to war under false pretenses without addressing the tens of thousands, if not hundreds of thousands, who are killed or maimed because, after all, our intentions were pure - it was the enemy who was really evil. Repentance from Wall Street greed that tanked the U.S. economy and swindled thousands out of their life savings in 2008 can occur without having to deal with issues of public accountability and restitution to individual investors.
Miguel A. de la Torre (The Quest for the Historical Satan)
And just as in the Garden of Eden, there was perfect peace before the serpent destroyed paradise. “Human relations” were “egalitarian” and “beautifully worked out”—except that in reality the Indians did more than just grow corn and follow the orders of their women. As we have seen, native cultures were plagued by warfare and fighting—not unlike European cultures. When the Iroquois raided other Indian communities, they took women and children as prized slaves and tortured the men to death. As Karim M. Tiro, chair of the department of history at Xavier University, explains, “Communal torture and even cannibalism was regarded as another way to extract the spiritual power that inhered in human beings.”60 Abraham D. Lavender points out that “prior to European contact, slavery had been practiced by some American Indians, who frequently sold captives as slaves. . . .”61 Indians engaged in warfare, kidnapping, torture, slavery, and profit-seeking—not exactly the idyllic, hippie lifestyle Zinn depicts.
Mary Grabar (Debunking Howard Zinn: Exposing the Fake History That Turned a Generation against America)
Even now," he whispered, a tear trickling down his cheek, "the powers of darkness are upon him in full force and fury. The term Luke used to describe this assault-the Greek word agon, translated as 'an agony'-means, literally, 'a contest, struggle, or fight, facing an opponent.'..It is what latter-day prophets have referred to as 'indescribable anguish' and 'overpowering torture,' a 'supreme contest with the powers of evil,' an 'hour of anguish when Christ had to meet and overcome all the horrors that Satan could inflict.' And he suffers all this, Ricky-and never forget this-for us.
James L. Ferrell (The Peacegiver: How Christ Offers to Heal Our Hearts and Homes)
I COME BEFORE DAWN Muhammad says, “I come before dawn to chain you and drag you off.” It’s amazing, and funny, that you have to be pulled away from being tortured, pulled out into this Spring garden, but that’s the way it is. Almost everyone must be bound and dragged here. Only a few come on their own. Children have to be made to go to school at first. Then some of them begin to like it. They run to school. They expand with the learning. Later, they receive money because of something they’ve learned at school, and they get really excited. They stay up all night, as watchful and alive as thieves! Remember the rewards you get for being obedient! There are two types on the path. Those who come against their will, the blindly religious people, and those who obey out of love. The former have ulterior motives. They want the midwife near, because she gives them milk. The others love the beauty of the nurse. The former memorize the prooftexts of conformity, and repeat them. The latter disappear into whatever draws them to God. Both are drawn from the source. Any movings from the mover. Any love from the beloved.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (The Essential Rumi)
И аз заминах! Благодарение на насмешката на съдбата, която наистина ме преследваше, аз се възползувах, за да избягам от Клара, като премина през Кантон с английската мисия — мен решително ми вървеше на мисии, — която отиваше да изучи малко познатите местности на Аннам… То беше забрава може би… и може би смърт. В продължение на две години, две дълги и ужасни години аз вървях, вървях… И това не бе нито забрава, нито смърт. Въпреки умората, опасностите и проклетата треска нито за един ден, ни една минута не можах да се изцеря от страшната отрова, която бе вляла в кръвта ми тая жена, за която чувствувах, че това, което ме привързваше към нея, което ме приковаваше, бе ужасяващото разлагане на нейната душа и нейните любовни престъпления; тя бе едно чудовище и аз я обичах именно защото бе чудовище! Аз мислех — дали наистина мислех? — да се издигна чрез нейната любов, но паднах по-ниско, на дъното на отровната бездна, от която, веднъж вдъхнал изпаренията й, никога няма измъкване.
Octave Mirbeau (The Torture Garden)
The great irony is that in 2020, many Saudis have come to fear their own government more than al-Qaeda terrorists. Saudi Arabia was never an open society, but it was not a police state. Now the highly sophisticated technical apparatus installed to thwart al-Qaeda has been turned on peaceful citizens. Telephones and social media are closely monitored. Saudis no longer feel comfortable making even mild criticisms of their government. They switch off their cell phones or go into the garden to talk. The scope of acceptable debate has narrowed, with both conservative Muslim Brothers and liberal feminists being arrested. The anti-corruption campaign, however popular and even necessary, has cast doubt on the rule of law. Restrictions on travel and the seizing of assets have become more common. Allegations of torture have reappeared, and the dissident journalist Jamal Khashoggi was killed by government agents.
David Rundell (Vision or Mirage: Saudi Arabia at the Crossroads)
Change happens no matter what.” The butler cleared his throat. “And by the time she tried to kiss you, the change had already occurred. At least for Miss Westforth.” Philbert looked wistful for a moment. Then… “If I may impart some hard-earned wisdom, sir?” Sebastian nodded, but kept his eyes out into the darkness of Lady Winterson’s snowy garden. “There is a kind of love that does not happen all at once. It happens in increments. In inches. It takes a lifetime to grow. And invariably, for the people falling, it is difficult to recognize, because they are so close to each other. They cannot see the changes as they occur.” But then Sebastian had gone away. For three years. And coming home, all the changes that had taken place without him smacked him in the face, leaving him bereft. “Also invariably, one person will discover their true feelings before the other,” the butler continued. “And that person has a choice to make. Either they can alter the rules and start playing a different game… or they can be tortured. Wait for years and years on mere hope.” He paused, as if the words stuck in his throat. “I admire your Miss Westforth for choosing the former. It is the path others have been too cowardly to take.” Those words hung in the air, falling lightly to the ground like the snow. Settling into truth. “I… no,” Sebastian found himself saying. “Susannah may have had a… a crush on me, and I am deeply fond of her. But she’s not in love with me. And… I’m not in love with her,” Sebastian denied, shaking his head. “I can’t be. It’s… it’s Susannah. My little Susie.” Philbert shrugged. “That very well may be. But then perhaps it is worthwhile asking, why does her dancing and laughing with other gentlemen upset you so much?” “Because…” Sebastian tried, defensive. “Because she’s Susannah.” My Susannah . The words flashed through his mind, unbidden. And it was true. She had always been his Susannah. His friend. When he was young, he should have been more keen to rabble around with the young men in the village, or go shooting with his father, or any other more masculine pursuit… but no. He had always wanted to seek out Susie. To go for a ride with her. To spend the day playing cards with her by the fire. And the way she looked at him had made him feel… golden. But it had been more than that. He’d liked to hear her laugh. To know what she found amusing. To be himself with her. But now… now other men were making her laugh. Discovering her smiles. She could become someone else’s Susannah. He may not know if he was in love. But he knew for certain he did not want that to happen. A flash of conviction raced through him. And it wouldn’t, if he had anything to say about the matter. “If
Anna Campbell (A Grosvenor Square Christmas)
As the players left the Miramar Hotel to go home to their respective countries or states, Bobby simply refused to check out. Other players have been known to do the same thing. It’s like an actor remaining in character and refusing to leave his dressing room, or a writer refusing to leave his garret after finishing a book. The challenge is tearing oneself away from a venue that has been one’s creative home for so many hours, days, weeks, or months. Three weeks after everyone else had left, Bobby was still at the Miramar, just steps from the ocean, surrounded by gardens and palm trees, breathing in the pungent smell of eucalyptus. He swam and walked, and then often spent the rest of the day—and a good portion of the night—playing over all the games of the tournament, torturing himself over the mistakes he’d made. Someone finally pointed out to him that the Piatigorskys would no longer continue to pick up his hotel costs, so, reluctantly, he flew back home to Brooklyn.
Frank Brady (Endgame: Bobby Fischer's Remarkable Rise and Fall - from America's Brightest Prodigy to the Edge of Madness)
He respected Ellen’s choice as one she felt compelled to make, not easy for her, but necessary. He also hoped when he heard her reasons, he could argue her past them, and the hoping was… awful. Hope and Val Windham were old enemies. Best enemies. He’d hoped his brother Victor would recover, but consumption seldom eased its grip once its victims had been chosen. He’d hoped his hand wasn’t truly getting worse, until he couldn’t deny that reality without losing use of the hand entirely. He’d hoped his brother Bart would come home from war safe and sound, not in a damned coffin. He’d hoped St. Just might escape military service without substantial wound to body or soul, but found even St. Just had left part of his sanity and his spirit at Waterloo. He’d hoped he might someday do something with his music, but what that silly hope was about, he’d never been quite sure. And now, he was hoping he and Ellen had a future. The hope sustained him and tortured him and made each second pass too quickly when he was with her. But he couldn’t always be with her, because Ellen insisted she have time to tend her gardens and set up her little conservatory. Val
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
How could I accept the fact that, after having been conquered— soul, body and brain—by this irrevocable, indissoluble and martyrizing love, I would have to immediately give it up? Madness! This love was a part of me, like my own flesh; it had taken the place of my blood and marrow; it possessed me entirely; it was I! To separate me from it meant to separate me from myself; it meant to kill me. Worse still! It meant the extravagant nightmare that my head was in Ceylon, my feet in China, separated by abysses of ocean, and that I would continue to live in these two stumps which could never be reunited!
Octave Mirbeau (The Torture Garden)
That the very next day I would no longer possess those swooning eyes, those devouring lips, the nightly renewed miracle of that body with its divine contours and savage embraces; and, after long spasms as powerful as sin and as deep as death, that naive stammering, those little laughs, those little tears, those languid little songs of a child or a bird—was it possible! And I would lose all that was more necessary for breathing than my lungs; more necessary for thinking than my brain; more necessary for nourishing my veins with warm blood than my heart! Impossible! I belonged to Clara like the coal belongs to the fire which devours and consumes it. Both to her and me, a separation had seemed so inconceivable and so insanely fantastic, so totally contrary to the laws of nature and life, that we had never spoken of it.
Octave Mirbeau (The Torture Garden)
I desired none but her; I wanted none but her. Nothing any longer existed outside or beyond her. Instead of extinguishing the fire of my love, every day possession fanned its flame. I descended further into the burning gulf of her desire each time, and every day I realised more strongly that my entire life would be exhausted seeking to reach its bottom!
Octave Mirbeau (The Torture Garden)
If I see a scraggly lupin, I like to pass well out of its hearing before delivering any adverse comments on it. For how do we know what tortures it may be suffering? It surely can be no more pleasant for a lupin to have to appear with tarnished petals than for a woman to be forced to walk about with a spotty face. One does not say `Oh look at that awful girl covered with pimples!' Why then, should one stand over flowers and hurl insults at them? Besides, the flowers' condition may be all your own fault, which cannot be said of the girl's complexion, unless she is a particular friend of yours and you have been keeping her up too late at nights.
Beverley Nichols (Down the Garden Path)
Even among the uninitiated - men and women who were unaware of how a day's labor had been defined through years of tense negotiation - extracting such large drafts of labor required extraordinarily coercive measures. Violent confrontations between masters and slaves seemed to grow as the lower Mississippi Valley became a slave society. Wielding the lash with greater frequency if not greater force, planters struggled to bend slaves to the new order. Slaves resisted with equal ferocity. Unrest increased and rumors of rebellion boiled to the surface. During the 1790s and into the new century, the lower Mississippi Valley was alive with news of revolt, as one intrigue after another came to light. In 1791, 1795, and again in 1804 and 1805, planters uncovered major conspiracies. They responded with the lash, mutilating many rebels and suspected rebels, deporting others, and executing still others, often after grotesque torture. Yet behind this bloody facade, master and slave began to renegotiate the terms under which slaves lived and worked. Many of these involved the pace of labor; others originated in the organization of labor and the authority of the masters' subalterns, as overseers became a fixture on the largest estates. From the planters' perspective, the large units on which sugar and cotton were grown made movement from plantation to plantation - a prominent feature of slave life in eighteenth-century Louisiana - unnecessary and undesirable. But perhaps the most intense conflicts arose over the slaves' economy: their free Sundays and half-Saturdays, their gardens and provision grounds, and their right to sell their labor and market its product. Slaves in the lower Mississippi Valley had a long tradition of independent productive activities. Planters, who once saw advantages in allowing slaves to subsist themselves, pressed for an allowance society in which rations replaced gardens and the right to market. ... Under the new regime, plantation slaves frequently worked from dawn to noon and then, after a two hour break, until 'the approach of night.' As the planters' demands intensified, the time left for slaves to work their gardens grew shorter. Sustaining them took an extraordinary commitment. The frantic pace at which slaves worked in their own plots was captured by an emigre from Saint Domingue in 1799, who observed that a slave returning form the field 'does not lose his time. He goes to work at a bit of the land which he has planted with provisions for his own use, while his companion, if he has one, busies herself in preparing some for him, herself, and their children.' 'Many of the owners take off a part of that ration,' noted another visitor. Slaves 'must obtain the rest of their food, as well as their clothing, from the results of their Sunday labors.' Planters who supplied their slaves with clothes forced them to work on Sunday 'until they have been reimbursed for their advances,' so that the cash that previously went into the slaves' pockets went to the masters'.
Ira Berlin (Generations of Captivity: A History of African-American Slaves)
Until now I didn’t dare say anything like the word ‘home,’ though when I saw this valley, I thought I must stay here. It is too perilous to hope for something as impossible as a home, and we both know it.… There will come a time when it is all shattered—by something we find out that makes us realise we are living in fool’s heaven, or by something—or someone—from outside, bringing our past along to catch us. It’s bound to happen. It’s only a matter of time.… “Can’t seem to forget the time when I was a child that I had my nanny beaten because she—I can’t remember. She never came back. I thought she died of it. She was old. All I remember is my triumph. This was my world and I knew how to manage it. My grandmother gave me a present then…I have it with me still. Brought it to remind myself that I am what I despise. Or have been. That kind of blood doesn’t wash off. “I have wondered why I stay alive. I ran away. I stayed away. I told myself there was nothing I could do. I just survive to spite them, to make them fear something at least. Certainly not because I love myself as they seem to do here, without lives and torture on their conscience. What does it mean to be good? Everywhere I go there is a different answer. * “I am tired of the pain of this. There are people all around me in these mountain towns who have not had a life of such pain. I am starting to hate on account of it. Hate them for their happiness. Hate my family, even my parents, for the kind of world they made and live in. Hate myself, I suppose, too, for being trapped here. In these mountains, in this body, in this life. “I cannot imagine, right now, why I stay alive. I never questioned it in the years of struggle: life justified itself. But now that I am safe and sitting in these gardens, living in these easy households, playing with these carefree children, I cannot bear to live like this. I am a twisted creature without merit.… “But here in the mountains they have names for the things I want to become: happy, secure, gentle, kind, good.… “Can someone so hurt—here they call it ‘abused’—be good?
Candas Jane Dorsey (Black Wine)
The enemy still tortures us with comparison games today. He might whisper into our ears, “If you count your calories and obsess over exercise, then you can look like her.” But just like the lie he fed Eve in the Garden of Eden—it’s just a trick. A way to steal our joy and keep us frustrated and dissatisfied with ourselves.
Tessa Emily Hall (Love Your Selfie)
I DON’T REMEMBER what year it was that I started noticing apocalyptic language in the art classes I taught at Stanford. I just remember the student who made a detailed, animated triptych based on The Garden of Earthly Delights, by Hieronymus Bosch. The three collages got darker and bleaker from left to right. “It’s kind of like…the sunset of humanity,” the student said, laughing nervously. Or the student who, standing in front of a projector screen showing his 3-D project and tasked with explaining it, said in a small but tortured voice, “Well, I just feel like the world is ending and all that,” at which everyone mutely nodded. I remember thinking it seemed vulgar to continue on talking about vectors and shaders after that. And I remember wanting to run across the classroom and give that student a hug.
Jenny Odell (Saving Time: Discovering a Life Beyond Productivity Culture)
O to blot out this garden to forget, to find a new beauty in some terrible wind-tortured place.
H.D. (Sea Garden)
I'm afraid she's past that. She was in the garden when they hit us with the gas. She hung on for as long as she could. I'm keeping her in our bedroom until my oxygen runs out. Then I think I'll just lie down and join her." He said it s matter-of-factly. It broke Elizabeth's heart.
Hunter Shea (Tortures of the Damned)
Of the nature of Death and the Dead we may enumerate twelve kinds. First there are those who become new gods, for whom new universes are born. Second those who praise. Third those who fight as soldiers in the unending war with evil. Fourth those who amuse themselves among flowers and sweet springs with sports. Fifth those who dwell in gardens of bliss, or are tortured. Sixth those who continue as in life. Seventh those who turn the wheel of the universe. Eighth those who find in their graves their mothers' wombs and in one life circle forever. Ninth ghosts. Tenth those born again as men in their grandsons' time. Eleventh those who return as beasts or trees. And last those who sleep.
Gene Wolfe (The Best of Gene Wolfe: A Definitive Retrospective of His Finest Short Fiction)
As moms living with sinful hearts in a broken world, we struggle and toil, but in Christ, we’re not left without hope. God overcomes the curse by giving people another way to experience birth—not through a physical womb, but through the Holy Spirit.8 While a mother gives birth through physical groaning, sweat and tears, her water breaking, and the shedding of her blood—Jesus makes a way for life through his physical torture, sweat and tears in the garden, water pouring from his side, and his pure, perfect blood shed for us on the cross. The story of the crucified Christ is the best birth story ever told, with elements that parallel the gospel picture in each labor and delivery room.
Emily A. Jensen (Risen Motherhood: Gospel Hope for Everyday Moments)