“
I am angry that I starved my brain and that I sat shivering in my bed at night instead of dancing or reading poetry or eating ice cream or kissing a boy...
”
”
Laurie Halse Anderson (Wintergirls)
“
There is truth in stories,” said Arthur. “There is truth in one of your paintings, boy or in a sunset or a couplet from Homer. Fiction is truth, even if it is not a fact. If you believe only in facts and forget stories, your brain will live, but your heart will die.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
Sometimes you want to say, “I love you, but…”
Yet the “but” takes away the ‘I love you’. In love their are no ‘buts’ or ‘if’s’ or ‘when’. It’s just there, and always. No beginning, no end. It’s the condition-less state of the heart. Not a feeling that comes and goes at the whim of the emotions. It is there in our heart, a part of our heart…eventually grafting itself into each limb and cell of our bodies. Love changes our brain, the way we move and talk. Love lives in our spirit and graces us with its presence each day, until death.
To say “I love you, but….” is to say, “I did not love you at all”.
I say this to you now: I love you, with no beginning, no end. I love you as you have become an extra necessary organ in my body. I love you as only a girl could love a boy. Without fear. Without expectations. Wanting nothing in return, except that you allow me to keep you here in my heart, that I may always know your strength, your eyes, and your spirit that gave me freedom and let me fly.
”
”
Coco J. Ginger
“
I suppose we decided to be girls because being boys seems to require giving up half your brain cells.
”
”
R.F. Kuang (Babel)
“
SERIOUSLY? Is it because of Jesus? Are you, like, saving yourself for him?” Sex seemed simpler for Kelsey. She had the body of a Barbie and the sexually-charged brain of a teenage boy.
“No, Kelsey,” I said. “It would be a little difficult to save myself for someone who died over two thousand years ago.
”
”
Cora Carmack (Losing It (Losing It, #1))
“
I sat and thought for four (delayed train) hours, and all the details bubbled up in my brain, and this scrawny, black-haired, bespectacled boy who didn't know he was a wizard became more and more real to me.
”
”
J.K. Rowling
“
Blah, blah, blah. Demon boy, I can't speak that language. Furthermore, I don't want to pollute my brain by learning it. So it's time for you to learn mine. First lesson-I'm Say-been. I'm oft described as byoo-tee-full and mah-jest'ick.
”
”
Kresley Cole (Kiss of a Demon King (Immortals After Dark, #6))
“
The cuter the boy, the mushier your brain.
”
”
Jeanne Birdsall (The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy (The Penderwicks, #1))
“
What shall we do, all of us? All of us oassionate girls who fear crushing the boys we love with our mouths like caverns of teeth, our mushrooming brains, our watermelon hearts?
”
”
Francesca Lia Block
“
Nice to know I have that effect on boys. I mean, Christopher doesn't even know I exist, and Brandon Stark practically throws up when he sees me. Having my brain transplated into a supermodel's body was doing wonders for my love life.
”
”
Meg Cabot (Being Nikki (Airhead, #2))
“
There’s a soft part of your brain. A place where you’re still just a child. Once someone’s poked the soft spot, the dent doesn’t go away. Like sticking your fingers in wet concrete.
”
”
Eliza Clark (Boy Parts)
“
In a typical college romance novel, he'd be a gorgeous but troubled sex god who'd cure all my deep-seated psych issues with a good hard fuck. I'd smell his misogyny and abusive tendencies from miles off but my brain would turn to hormone soup because abs. That's the formula. Broken girl + bad boy = sexual healing. All you need to fix that tragic past is a six-pack. More problems? Add abs.
It's Magic Dick Lit.
”
”
Leah Raeder (Black Iris)
“
Damen felt Laurent start shaking against him, and realised that, silently, helplessly, he was laughing.
There came the sound of at least two more sets of footsteps striding into the room, greeted with: 'Here he is. We found him fucking this derelict, disguised as the tavern prostitute.'
'This is the tavern prostitute. You idiot, the Prince of Vere is so celibate I doubt he even touches himself once every ten years. You. We're looking for two men. One was a barbarian soldier, a giant animal. The other was blond. Not like this boy. Attractive.'
'There was a blond lord's pet downstairs,' said Volo. 'Brained like a pea and easy to hoodwink. I don't think he was the Prince.'
'I wouldn't call him blond. More like mousy. And he wasn't that attractive,' said the boy, sulkily.
The shaking, progressively, had worsened.
'Stop enjoying yourself,' Damen murmured. 'We're going to be killed, any minute.'
'Giant animal,' said Laurent.
'Stop it.
”
”
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
“
And your life,' Katie said to Christy, 'is turning into a rather predictable romance. Girl meets boy. Boy is a dork for four years. Girl blossoms into a gorgeous woman. Boy finds his brain. Girl turns into starry-eyed mush head.
”
”
Robin Jones Gunn (In Your Dreams (Sierra Jensen, #2))
“
You’re too good for me.”
He laughed. “Are we talking about the same person? The selfish fucker who curses and yells, blows up cars and beats up people, because he has a temper he can’t control? You know, the one who drinks like a fish and fries his brain with drugs? That person is too good for you?”
She shook her head. “I’m talking about the boy who shared his chocolate bar with me when he probably never shared anything before, who gave me his mama’s favourite book, because he thought I deserved to read. The one who seems to be constantly fixing me up when I get hurt. I’m talking about the boy who treats me like I’m a regular girl, the one who desperately needs his bedroom cleaned and laundry washed but chooses to live in a mess and wear dirty clothes, because he’s too polite to ask the girl he kisses for help.”
“Wow,” Carmine said. “I’d like to meet that motherfucker.
”
”
J.M. Darhower (Sempre (Sempre, #1))
“
These wrinkles are nothing
These gray hairs are nothing,
This stomach which sags
with old food, these bruised
and swollen ankles,
my darkening brain,
they are nothing.
I am the same boy
my mother used to kiss.
”
”
Mark Strand
“
Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I.
”
”
Herman Melville (Moby-Dick)
“
Incredible,” Jason said. “These are really good brownies.”
“That’s your only comment?” Piper demanded.
He looked surprised. “What? I heard the story. Fish-centaurs. Merpeople. Letter of intro to the Tiber River god. Got it. But these brownies—”
“I know,” Frank said, his mouth full. “Try them with Esther’s peach preserves.”
“That,” Hazel said, “is incredibly disgusting.”
“Pass me the jar, man,” Jason said.
Hazel and Piper exchanged a look of total exasperation. Boys.
Percy, for his part, wanted to hear every detail about the aquatic camp. He kept coming back to one point: “They didn’t want to meet me?”
“It wasn’t that,” Hazel said. “Just…undersea politics, I guess. The merpeople are territorial. The good news is they’re taking care of that aquarium in Atlanta. And they’ll help protect the Argo II as we cross the Atlantic.”
Percy nodded absently. “But they didn’t want to meet me?”
Annabeth swatted his arm. “Come on, Seaweed Brain! We’ve got other things to worry about.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Cal stares at the floor, silent for a long, stoic moment. "I never thought Maven would do that to her," he mutters finally. "She probably didn't either."
Then you're both stupid, my brain screams. How many times doe one wicked boy have to betray you people before you learn?
”
”
Victoria Aveyard (King's Cage (Red Queen, #3))
“
What shall we do? All of us passionate girls who fear crushing the boys we love with our mouths like caverns of teeth, our mushrooming brains, and watermelon hearts?
”
”
Francesca Lia Block (Blood Roses)
“
All depression has its roots in self-pity, and all self-pity is rooted in people taking themselves too seriously.”
At the time Switters had disputed her assertion. Even at seventeen, he was aware that depression could have chemical causes.
“The key word here is roots,” Maestra had countered. “The roots of depression. For most people, self-awareness and self-pity blossom simultaneously in early adolescence. It's about that time that we start viewing the world as something other than a whoop-de-doo playground, we start to experience personally how threatening it can be, how cruel and unjust. At the very moment when we become, for the first time, both introspective and socially conscientious, we receive the bad news that the world, by and large, doesn't give a rat's ass. Even an old tomato like me can recall how painful, scary, and disillusioning that realization was. So, there's a tendency, then, to slip into rage and self-pity, which if indulged, can fester into bouts of depression.”
“Yeah but Maestra—”
“Don't interrupt. Now, unless someone stronger and wiser—a friend, a parent, a novelist, filmmaker, teacher, or musician—can josh us out of it, can elevate us and show us how petty and pompous and monumentally useless it is to take ourselves so seriously, then depression can become a habit, which, in tern, can produce a neurological imprint. Are you with me? Gradually, our brain chemistry becomes conditioned to react to negative stimuli in a particular, predictable way. One thing'll go wrong and it'll automatically switch on its blender and mix us that black cocktail, the ol’ doomsday daiquiri, and before we know it, we’re soused to the gills from the inside out. Once depression has become electrochemically integrated, it can be extremely difficult to philosophically or psychologically override it; by then it's playing by physical rules, a whole different ball game. That's why, Switters my dearest, every time you've shown signs of feeling sorry for yourself, I've played my blues records really loud or read to you from The Horse’s Mouth. And that’s why when you’ve exhibited the slightest tendency toward self-importance, I’ve reminded you that you and me— you and I: excuse me—may be every bit as important as the President or the pope or the biggest prime-time icon in Hollywood, but none of us is much more than a pimple on the ass-end of creation, so let’s not get carried away with ourselves. Preventive medicine, boy. It’s preventive medicine.”
“But what about self-esteem?”
“Heh! Self-esteem is for sissies. Accept that you’re a pimple and try to keep a lively sense of humor about it. That way lies grace—and maybe even glory.
”
”
Tom Robbins (Fierce Invalids Home from Hot Climates)
“
Suicide in the trenches:
I knew a simple soldier boy
Who grinned at life in empty joy,
Slept soundly through the lonesome dark,
And whistled early with the lark.
In winter trenches, cowed and glum
With crumps and lice and lack of rum,
He put a bullet through his brain.
No one spoke of him again.
* * * * *
You smug-faced crowds with kindling eye
Who cheer when soldier lads march by,
Sneak home and pray you'll never know
The hell where youth and laughter go.
”
”
Siegfried Sassoon (The War Poems)
“
Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.”
Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees.
Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.”
Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota.
Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —”
Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.”
Voicemail #20: “I wish you’d answer.
”
”
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
“
I’ll admit that I was staring. Suddenly my whole perspective had flipped inside out, like when you look at an inkblot picture and see just the black part. Then your brain inverts the image and you realize the white part makes an entirely different picture, even though nothing has changed. That was Alex Fierro, except in pink and green. A second ago, he had been very obviously a boy to me. Now she was very obviously a girl.
”
”
Rick Riordan (The Hammer of Thor (Magnus Chase and the Gods of Asgard, #2))
“
I am angry that I starved my brain and that I sat shivering in my bed at night instead of dancing or reading poetry or eating ice cream or kissing a boy or maybe a girl with gentle lips and strong hands.
”
”
Laurie Halse Anderson (Wintergirls)
“
Yes. I just want to fall asleep inside you. Maybe our bodies will make love again while our brains sleep.
”
”
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
“
Glad it was you and not me," Shane said, and offered Myrin a hand up. "Any brain damage?"
"Since the bullet actually passed through his brain, then yes, idiot boy, there's certainly brain damage," Oliver said. "It will pass. His brain's the least fragile thing about him."
"You say the nicest things," Myrin said. He was slurring his words, and he threw an arm around Oliver's neck. "Marry me.
”
”
Rachel Caine (Fall of Night (The Morganville Vampires, #14))
“
I'm angry that I starved my brain and that I sat shivering in my bed at night instead of dancing or reading poetry or eating icecream or kissing a boy or maybe a girl...
”
”
Laurie Halse Anderson (Wintergirls)
“
The boys could have been many things had they not been ruined by that place. Doctors who cured diseases or perform brain surgery, inventing shit that saves lives. Run for president. All those lost geniuses - sure not all of them were geniuses, Chickie Pete for example was not solving special relativity - but they had been denied even the simple pleasure of being ordinary. Hobbled and handicapped before the race even began, never figuring out how to be normal.
”
”
Colson Whitehead (The Nickel Boys)
“
I am going to die, her brain recited calmly. I am going to be stabbed until I am died. How infuriating. I have so much left to do.
”
”
Claire Legrand (The Cavendish Home for Boys and Girls)
“
Completely forgetting about dinner, he walked slowly back up to Gryffindor tower. Cho's voice echoing in his ears with every step he took... 'Cedric - Cedric Diggory' . He had been starting to quite like Cedric - prepared to overlook the fact that he had once beaten him at Quidditch, and was handsome, and popular, and nearly everyone's favourite champion. Now he suddenly realised Cedric was in fact a useless pretty-boy who didn't have enough brains to fill an eggcup.
”
”
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
“
So our crew is back to being all girls, and stays that way for the rest of lunch. The only other guy who’d sit with us never bothers making an appearance in the cafeteria. But I pass Nate in the hallway afterward, and all the questions bubbling in my brain about Simon, Leah, and Janae disappear when he gives me a fleeting grin.
Because God, it’s beautiful when that boy smiles.
”
”
Karen M. McManus (One of Us Is Lying (One of Us is Lying, #1))
“
A boy is sick of his broken heart. Tired of his storm-filled brain. So he drinks until he cannot feel the pieces scraping together in his chest, until he cannot hear the thunder rolling through his head.
”
”
Victoria Schwab (The Invisible Life of Addie LaRue)
“
And so will I here state just plainly and briefly that I accept God. But I must point out one thing: if God does exist and really created the world, as we well know, he created it according to the principles of Euclidean geometry and made the human brain capable of grasping only three dimensions of space. Yet there have been and still are mathematicians and philosophers-among them some of the most outstanding-who doubt that the whole universe or, to put it more generally, all existence was created to fit Euclidean geometry; they even dare to conceive that two parallel lines that, according to Euclid, never do meet on earth do, in fact, meet somewhere in infinity. And so my dear boy, I’ve decided that I am incapable of understanding of even that much, I cannot possibly understand about God.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
The most important thing we've learned,
So far as children are concerned,
Is never, NEVER, NEVER let
Them near your television set --
Or better still, just don't install
The idiotic thing at all.
In almost every house we've been,
We've watched them gaping at the screen.
They loll and slop and lounge about,
And stare until their eyes pop out.
(Last week in someone's place we saw
A dozen eyeballs on the floor.)
They sit and stare and stare and sit
Until they're hypnotised by it,
Until they're absolutely drunk
With all that shocking ghastly junk.
Oh yes, we know it keeps them still,
They don't climb out the window sill,
They never fight or kick or punch,
They leave you free to cook the lunch
And wash the dishes in the sink --
But did you ever stop to think,
To wonder just exactly what
This does to your beloved tot?
IT ROTS THE SENSE IN THE HEAD!
IT KILLS IMAGINATION DEAD!
IT CLOGS AND CLUTTERS UP THE MIND!
IT MAKES A CHILD SO DULL AND BLIND
HE CAN NO LONGER UNDERSTAND
A FANTASY, A FAIRYLAND!
HIS BRAIN BECOMES AS SOFT AS CHEESE!
HIS POWERS OF THINKING RUST AND FREEZE!
HE CANNOT THINK -- HE ONLY SEES!
'All right!' you'll cry. 'All right!' you'll say,
'But if we take the set away,
What shall we do to entertain
Our darling children? Please explain!'
We'll answer this by asking you,
'What used the darling ones to do?
'How used they keep themselves contented
Before this monster was invented?'
Have you forgotten? Don't you know?
We'll say it very loud and slow:
THEY ... USED ... TO ... READ! They'd READ and READ,
AND READ and READ, and then proceed
To READ some more. Great Scott! Gadzooks!
One half their lives was reading books!
The nursery shelves held books galore!
Books cluttered up the nursery floor!
And in the bedroom, by the bed,
More books were waiting to be read!
Such wondrous, fine, fantastic tales
Of dragons, gypsies, queens, and whales
And treasure isles, and distant shores
Where smugglers rowed with muffled oars,
And pirates wearing purple pants,
And sailing ships and elephants,
And cannibals crouching 'round the pot,
Stirring away at something hot.
(It smells so good, what can it be?
Good gracious, it's Penelope.)
The younger ones had Beatrix Potter
With Mr. Tod, the dirty rotter,
And Squirrel Nutkin, Pigling Bland,
And Mrs. Tiggy-Winkle and-
Just How The Camel Got His Hump,
And How the Monkey Lost His Rump,
And Mr. Toad, and bless my soul,
There's Mr. Rat and Mr. Mole-
Oh, books, what books they used to know,
Those children living long ago!
So please, oh please, we beg, we pray,
Go throw your TV set away,
And in its place you can install
A lovely bookshelf on the wall.
Then fill the shelves with lots of books,
Ignoring all the dirty looks,
The screams and yells, the bites and kicks,
And children hitting you with sticks-
Fear not, because we promise you
That, in about a week or two
Of having nothing else to do,
They'll now begin to feel the need
Of having something to read.
And once they start -- oh boy, oh boy!
You watch the slowly growing joy
That fills their hearts. They'll grow so keen
They'll wonder what they'd ever seen
In that ridiculous machine,
That nauseating, foul, unclean,
Repulsive television screen!
And later, each and every kid
Will love you more for what you did.
”
”
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
“
I was a teenage boy once too, you know," Uncle Mort said, popping back up. "I know what your brain looks like. It's a three-ring circus in there.
”
”
Gina Damico (Scorch (Croak, #2))
“
I completely lost control.
I was out of my fucking mind with the taste of her, the feel of her, those little moans of pleasure she made.
Fuck, that woman completely unmans me.
She consumes me to the point where my brain stops functioning entirely….
”
”
Franca Storm (Comfort Zone)
“
Gee-word?"
"Gods. What were you doin' the day they handed out brains, boy, anyway?"
"Someone was telling a story about stealing a tiger's balls, and I had to stop and find out how it ended.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
When I asked him the meaning of life, Dr. Webb got very quiet and then told me life has no one meaning, it only has whatever meaning each of us puts on our own life. I'll tell you now that I still don't know the meaning of mine. And Lucas Cader, with all his brains and talent, doesn't know the meaning of his, either. But I'll tell you the meaning of all this. The meaning of some bird showing up and some boy disappearing and you knowing all about it. The meaning of this was not to save you, but to warn you instead. To warn you of confusion and delusion and assumption. To warn you of psychics and zombies and ghosts of your lost brother. To warn you of Ada Taylor and her sympathy and mothers who wake you up with vacuums. To warn you of two-foot-tall birds that say they can help, but never do.
”
”
John Corey Whaley (Where Things Come Back)
“
Most men don’t realize this,” she said once, “but us girls, we have toolboxes too. Ours aren’t stuffed with hammers and wrenches and screwdrivers. We have these.” She gave her boobs a squeeze. “And this.” Then tapped at her temple. “And there’s no greater power than tits and brains, baby girl.
”
”
Nikki St. Crowe (The Never King (Vicious Lost Boys, #1))
“
Not only does he reduce my best friend’s emotional state to something akin to an annoying rash, he also plants a new seed in my already overcrowded brain
”
”
Sarah Ockler (Twenty Boy Summer)
“
Boys do suck the brains out of smart girls.
”
”
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
“
God, I hate you,” she says. “So much. Why do boys think that it will be better to lie and tell a girl how much they loved her and how they only dumped her for her own good? That they only tried to rearrange her brain for her own good? Does it make you feel better, Cassel? Does it? Because from my perspective, it really sucks.
”
”
Holly Black (Black Heart (Curse Workers, #3))
“
He's going to arrest the Patrician, Vimes told himself, the thought trickling through his brain like an icy rivulet. He's actually going to arrest the Patrician. The supreme ruler. He's going to arrest him. This is what he's actually going to do. The boy doesn't know the meaning of the word "fear." Oh, wouldn't it be a good idea if he knew the meaning of the word "survival"...
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
“
The gods gave you a brain, boy,' he'd say. 'If you want to honor them, use it.
”
”
Mercedes Lackey (Magic's Promise (The Last Herald-Mage #2))
“
Give me the purple smoke, rising higher and higher into my brain until I dance with the purple butterflies.” -Girl with the violet eyes.
”
”
Rochelle H. Ragnarok (The Boy with the Koi Tattoo (Boys in Love #2))
“
I want to be the joint that she smokes so that we can finally talk about
everything without having to use words, because I will be a drug in her brain.
”
”
A.S. King (Reality Boy)
“
There's always more than one interpretation," Orion said from the doorway. Everyone turned to look at him as he came back into the library. "Face it. The Fates speak in riddles because they don't know what the hell they're talking about. If they did, they'd say something straightforward like, 'Orion is the Tyrant and he wants to eat your brains for breakfast' or whatever."
Hector's shoulders started bouncing up and down with silent laughter. Lucas turned his head away and tried to stuff down a laugh of his own, but he made the mistake of catching Jason's eye.
"Zombie Tyrant," Jason whispered to Lucas, his face turning red with a repressed laugh.
"Huzzah death," Lucas whispered back, cracking up. Apparently, that was some kind of inside joke between the Delos boys because all three of them busted out laughing.
”
”
Josephine Angelini (Goddess (Starcrossed, #3))
“
Annabeth put her hand on his arm. ‘If the giants want our blood, the last thing we need is a boy and a girl going down there together. Remember? They want one of each for their big sacrifice.’
‘Then I’ll get Jason,’ Percy said. ‘And the two of us –’
‘Seaweed Brain, are you implying that two boys can handle this better than two girls?’
‘No. I mean … no. But –
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
I worry about exposing him to bands like Journey, the appreciation of which will surely bring him nothing but the opprobrium of his peers. Though he has often been resistant - children so seldom know what is good for them - I have taught him to appreciate all the groundbreaking musicmakers of our time - Big Country, Haircut 100, Loverboy - and he is lucky for it. His brain is my laboratory, my depository. Into it I can stuff the books I choose, the television shows, the movies, my opinion about elected officials, historical events, neighbors, passersby. He is my twenty-four-hour classroom, my captive audience, forced to ingest everything I deem worthwhile. He is a lucky, lucky boy! And no one can stop me.
”
”
Dave Eggers (A Heartbreaking Work of Staggering Genius)
“
My name is Mr Bread." He began writing his name neatly on the board. "But you can call me Peter."
Suddenly there was quiet, as thirty little brains whirred.
"Pita Bread!" proclaimed a ginger-haired boy from the back.
”
”
David Walliams (Billionaire Boy)
“
They call us the weaker sex. It's pounded into us every Sunday in church, how everything's Eve's fault for not expelling her magic when she had the chance, but I still can't understand why the girls don't get a say. Sure, there are secret arrangements, whispers in the dark, but why must the boys get to decide everything? As far as I can tell, we all have hearts. We all have brains.
”
”
Kim Liggett (The Grace Year)
“
There is truth in stories. There is truth in one of your paintings, boy, or in a sunset or a couplet from Homer. Fiction is truth, even if it is not fact. If you believe only facts and forget stories, your brain will live, but your heart will die.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
Were these boys in their right minds? Here were two boys with good intellect, one eighteen and one nineteen. They had all the prospects that life could hold out for any of the young; one a graduate of Chicago and another of Ann Arbor; one who had passed his examination for the Harvard Law School and was about to take a trip in Europe,--another who had passed at Ann Arbor, the youngest in his class, with three thousand dollars in the bank. Boys who never knew what it was to want a dollar; boys who could reach any position that was to boys of that kind to reach; boys of distinguished and honorable families, families of wealth and position, with all the world before them. And they gave it all up for nothing, for nothing! They took a little companion of one of them, on a crowded street, and killed him, for nothing, and sacrificed everything that could be of value in human life upon the crazy scheme of a couple of immature lads.
Now, your Honor, you have been a boy; I have been a boy. And we have known other boys. The best way to understand somebody else is to put yourself in his place.
Is it within the realm of your imagination that a boy who was right, with all the prospects of life before him, who could choose what he wanted, without the slightest reason in the world would lure a young companion to his death, and take his place in the shadow of the gallows?
...No one who has the process of reasoning could doubt that a boy who would do that is not right.
How insane they are I care not, whether medically or legally. They did not reason; they could not reason; they committed the most foolish, most unprovoked, most purposeless, most causeless act that any two boys ever committed, and they put themselves where the rope is dangling above their heads....
Why did they kill little Bobby Franks?
Not for money, not for spite; not for hate. They killed him as they might kill a spider or a fly, for the experience. They killed him because they were made that way. Because somewhere in the infinite processes that go to the making up of the boy or the man something slipped, and those unfortunate lads sit here hated, despised, outcasts, with the community shouting for their blood.
. . . I know, Your Honor, that every atom of life in all this universe is bound up together. I know that a pebble cannot be thrown into the ocean without disturbing every drop of water in the sea. I know that every life is inextricably mixed and woven with every other life. I know that every influence, conscious and unconscious, acts and reacts on every living organism, and that no one can fix the blame. I know that all life is a series of infinite chances, which sometimes result one way and sometimes another. I have not the infinite wisdom that can fathom it, neither has any other human brain
”
”
Clarence Darrow (Attorney for the Damned: Clarence Darrow in the Courtroom)
“
Charlotte: Giordano is terribly afraid Gwyneth will get everything wrong tomorrow that she can get wrong.
Gideon: Pass the olive oil, please.
Charlotte: Politics and history are a closed book to Gwyneth. She can’t even remember names—they go in at one ear and straight out of the other. She can’t help it, her brain doesn’t have the capacity. It’s stuffed with the names of boy bands and long, long cast lists of actors in soppy romantic films.
Raphael: Gwyneth is your time-traveling cousin, right? I saw her yesterday in school. Isn’t she the one with long dark hair and blue eyes?
Charlotte: Yes, and that birthmark on her temple, the one that looks like a little banana.
Gideon: Like a little crescent moon.
Raphael: What’s that friend of hers called? The blonde with freckles? Lily?
Charlotte: Lesley Hay. Rather brighter than Gwyneth, but she’s a wonderful example of the way people get to look like their dogs. Hers is a shaggy golden retriever crossbreed called Bertie.
Raphael: That’s cute!
Charlotte: You like dogs?
Raphael: Especially golden retriever crossbreeds with freckles.
Charlotte: I see. Well, you can try your luck. You won’t find it particularly difficult. Lesley gets through even more boys than Gwyneth.
Gideon: Really? How many . . . er, boyfriends has Gwyneth had?
Charlotte: Oh, my God! This is kind of embarrassing. I don’t want to speak ill of her, it’s just that she’s not very discriminating. Particularly when she’s had a drink. She’s done the rounds of almost all the boys in our class and the class above us . . . I guess I lost track at some point. I’d rather not repeat what they call her.
Raphael: The school mattress?
Gideon: Pass the salt, please.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
Cal stares at the floor, silent for a long, stoic moment. "I never thought Maven would do that to her," he mutters finally. "She probably didn't either."
Then you're both stupid, my brain screams. How many times does one wicked boy have to betray you people before you learn?”
― Victoria Aveyard, King's Cage
”
”
Victoria Aveyard (King's Cage (Red Queen, #3))
“
Finally, there was the impediment of his nature. In the secret parts of his peculiar brain, those unhappy and inextricable tangles which he felt at the roots, the boy was disabled by something which we cannot explain. He could not have explained either, and for us it is all too long ago. He loved Arthur and he loved Guenever and he hated himself. The best knight of the world: everybody envied the self-esteem which must surely be his. But Lancelot never believed he was good or nice. Under the grotesque, magnificent shell with a face like Quasimodo’s, there was shame and self-loathing which had been planted there when he was tiny, by something which it is now too late to trace. It is so fatally easy to make young children believe that they are horrible.
”
”
T.H. White (The Once and Future King)
“
I have begun to wonder what actually happens in our brains when we return to half-remembered places. What is memory's perspective? Does the man revise the boy's view or is the imprint relatively static, a vestige of what was once intimately known?
”
”
Siri Hustvedt (What I Loved)
“
But, stop and think. What does the word ‘witch’ truly mean?” “Why—” said Tom, and was stymied. “Wits,” said Moundshroud. “Intelligence. That’s all it means. Knowledge. So any man, or woman, with half a brain and with inclinations toward learning had his wits about him, eh? And so, anyone too smart, who didn’t watch out, was called—” “A witch!” said everyone. “And some of the smart ones, the ones with wits, pretended at magic, or dreamed themselves with ghosts and dead shufflers and ambling mummies. And if enemies dropped dead by coincidence, they took credit for it. They liked to believe they had power, but they had none, boys, none, sad and sorry, ’tis true. But
”
”
Ray Bradbury (The Halloween Tree)
“
He was the most perfectly formed man she'd ever imagined. He was movie stars, men in underwear commercials, guys at the gym, the construction worker in the red T-shirt who'd whistled at her but she'd pretended she hadn't heard; he was the men in three-piece suits whose brains were as sexy as their bodies; he was lazy, indolent seventeen-year-old boys whose muscles bulged out of their clothes, rodeo stars, and those smooth-cheeked, eyeglassed men who held their children tenderly. He was all of them.
”
”
Jude Deveraux (Sweet Liar (Montgomery/Taggert, #18))
“
Suddenly she lets go of my ear and opens the front door. “Get out!” she screeches. “Get out of my house! I don’t like you! I don’t want you! I never loved you! Get the hell out of my house!” I freeze. I’m not sure of this game. My brain begins to spin with all the options of what Mother’s real intentions may be. To survive, I have to think ahead. Father steps in front of me. “No!” he cries out. “That’s enough. Stop it, Roerva. Stop the whole thing. Just let The Boy be.
”
”
Dave Pelzer (The Lost Boy (Dave Pelzer #2))
“
When men live alone and become isolated—which they do more often than women—their daily routines can become repetitive habits that get deeply engraved into their brain circuits. Soon, if someone disrupts their routine, they get irritated because their brain’s social-flexibility circuits are weakened from disuse
”
”
Louann Brizendine (The Male Brain: A Breakthrough Understanding of How Men and Boys Think)
“
brain can hold anything, from giant things, like distant stars and planets, to tiny things we can’t see, like germs. A brain can even hold things that aren’t and never were, like hobbits. A brain can hold the whole universe, a fist just holds what little it can grab. Or hits what it can’t.
”
”
C.A. Fletcher (A Boy and His Dog at the End of the World)
“
Boys who cry can work for Google. Boys who trash computers cannot. I once was at a science conference, and I saw a NASA scientist who had just found out that his project was canceled—a project he’d worked on for years. He was maybe sixty-five years old, and you know what? He was crying. And I thought, Good for him. That’s why he was able to reach retirement age working in a job he loved.
”
”
Temple Grandin (The Autistic Brain: Thinking Across the Spectrum)
“
The Fever Bird
The fever bird sand out last night.
I could not sleep, try as I might.
My brain was split, my spirit raw.
I looked into the garden, saw
The shadow of the amaltas
Shake slightly on the moonlit grass
Unseen, the bird cried out its grief,
Its lunacy, without relief:
Three notes repeated closer, higher,
Soaring, then sinking down like fire
Only to breathe the night and soar,
As crazed, as desperate, as before.
I shivered in the midnight heat
And smelt the sweat that soaked my sheet.
And now tonight I hear again
The call that skewers though my brain,
The call, the brain-sick triple note--
A cone of pain stuck inits throat.
I am so tired I could weep.
Mad bird, for God's sake let me sleep
Why do you cry like one possessed?
When will you rest? When will you rest?
Why wait each night till all but I
Lie sleeping in the house, then cry?
Why do you scream into my ear
What no one else but I can hear?
”
”
Vikram Seth (A Suitable Boy (A Bridge of Leaves, #1))
“
Cruelty is seldom forgotten. You feel it as a child. Somebody takes away your toy or thoughtlessly kicks over your sand castle. A beautiful boy walks into your life, sees something he doesn’t like or doesn’t understand, and painstakingly endeavours to make you feel how much he hates you, to be constantly aware of the flaws that provoke that hatred. And then you grow older and wiser, but you don’t forget the cruelty. You can’t forget it, because there is nothing stronger, nothing more palpable in the human brain than the memory of mistreatment.
”
”
L.H. Cosway (The Nature of Cruelty)
“
Society conspires against her from early infancy. Her brain is steadily filled with plaster until it sets: ‘If you’re not married by the time you’re twenty-five, you’ll have good reason to be ashamed’; ‘if you laugh, you won’t look dignified’ ; ‘if your face betrays your feelings, you’ll look coarse’; ‘if you mention the existence of a single body hair, you’re repulsive’ ; ‘if a boy kisses you on the cheek in public, you’re a whore’; if you enjoy eating, you’re a pig’; ‘if you take pleasure in sleeping, you’re no better than a cow’; and so on.
These precepts would be merely anecdotal if they weren’t taken so much to heart.
”
”
Amélie Nothomb (Stupeur et tremblements)
“
If you're not Gryffindor, we'll disinherit you," said Ron, "but no pressure."
"Ron!"
Lily and Hugo laughed, but Albus and Rose looked solemn.
"He doesn't mean it," said Hermione and Ginny, but Ron was no longer paying attention. Catching Harry's eye, he nodded covertly to a point of some fifty yards away. The steam had thinned for a moment, and three people stood in sharp relief against the shifting mist.
"Look who it is"
Draco Malfoy was standing there with his wife and son, a dark coat buttoned up to his throat. His hair was receding somewhat, with emphasised the pointed chin. The new boy resembled Draco as much as Albus resembled Harry. Draco caught sight of Harry, Ron, Hermione, Ginny staring at him, nodded curtly and turned away again.
"So that's little Scorpius" said Ron under his breath. "Make sure you beat him in every test, Rosie. Thank God you inherited your mother's brains."
"Ron for heaven's sake," said Hermione, half-stern, half-amused. "Don't try to turn them against each other before they've even started school!"
"You're right, sorry" said Ron, but unable to help himself, he added, "don't get too friendly with him, though Rosie. Granddad Weasley would never forgive you if you married a pure-blood."
"Hey!
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Fat Charlie was thirsty and his head hurt and his mouth tasted evil and his eyes were too tight in his head and all his teeth twinged and his stomach burned and his back was aching in a way that started around his knees and went up to his forehead and his brains had been removed and replaced with cotton balls and needles and pins which was why it hurt to try and think, and his eyes were not just too tight in his head but they must have rolled out in the night and been reattached with roofing nails; and now he noticed that anything louder than the gentle Brownian motion of air molecules drifting softly past each other was above his pain threshold. Also, he wished he were dead.
”
”
Neil Gaiman (Anansi Boys)
“
What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is as an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
This habit starts awfully early. Social psychologist Marilynn Brewer, who has been studying the nature of stereotypes for many years, once reported that her daughter returned from kindergarten complaining that “boys are crybabies.”25 The child’s evidence was that she had seen two boys crying on their first day away from home. Brewer, ever the scientist, asked whether there hadn’t also been little girls who cried. “Oh yes,” said her daughter. “But only some girls cry. I didn’t cry.” Brewer’s little girl was already dividing the world, as everyone does, into us and them. Us is the most fundamental social category in the brain’s organizing system, and it’s hardwired.
”
”
Carol Tavris (Mistakes Were Made (But Not by Me): Why We Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts)
“
What sphinx of cement and aluminum bashed open their skulls and ate up their brains and imagination? Moloch! Solitude! Filth! Ugliness! Ashcans and unobtainable dollars! Children screaming under the stairways! Boys sobbing in armies! Old men weeping in the parks! Moloch! Moloch! Nightmare of Moloch! Moloch the loveless! Mental Moloch! Moloch the heavy judger of men! Moloch the incomprehensible prison! Moloch the crossbone soulless jail-house and Congress of sorrows! Moloch whose buildings are judgment! Moloch the vast stone of war! Moloch the stunned governments! Moloch whose mind is pure machinery! Moloch whose blood is running money! Moloch whose fingers are ten armies! Moloch whose breast is a cannibal dynamo! Moloch whose ear is a smoking tomb!
”
”
Allen Ginsberg (Collected Poems, 1947-1997)
“
What do you think it does to future men when you teach boys that being weak is being a pussy? Pussy meaning female, obviously. Or yelling at men who are doing poorly that they’re being girls? Or ladies? Had enough, ladies?” I squinted one eye at him. It was all my brain could muster for a glare. “Men are teaching boys that they are equivalent to ladies, to girls, when they’re at their worst. At their absolute weakest. And you wonder why we’re from different planets? You wonder why men so often disrespect women?
”
”
K.F. Breene (Magical Midlife Madness (Leveling Up, #1))
“
Cinder tensed briefly, before melting into the kiss. The rush was the same every time, coupled with surprise and a wave of giddiness. It was their seventeenth kiss (her brain interface was keeping a tally, somewhat against her will), and she wondered if she would ever get used to this feeling. Being desired, when she’d spent her life believing no one would ever see her as anything but a bizarre science experiment. Especially not a boy. Especially not Kai, who was smart and honorable and kind, and could have had any girl he wanted. Any girl. She sighed against him, leaning into the embrace.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
Let me tell you, though: being the smartest boy in the world wasn’t easy. I didn’t ask for this. I didn’t want this. On the contrary, it was a huge burden. First, there was the task of keeping my brain perfectly protected. My cerebral cortex was a national treasure, a masterpiece of the Sistine Chapel of brains. This was not something that could be treated frivolously. If I could have locked it in a safe, I would have. Instead, I became obsessed with brain damage.
”
”
A.J. Jacobs (The Know-It-All)
“
A remarkably consistent finding, starting with elementary school students, is that males are better at math than females. While the difference is minor when it comes to considering average scores, there is a huge difference when it comes to math stars at the upper extreme of the distribution. For example, in 1983, for every girl scoring in the highest percentile in the math SAT, there were 11 boys.
Why the difference? There have always been suggestions that testosterone is central. During development, testosterone fuels the growth of a brain region involved in mathematical thinking and giving adults testosterone enhances their math skills. Oh, okay, it's biological. But consider a paper published in science in 2008. The authors examined the relationship between math scores and sexual equality in 40 countries based on economic, educational and political indices of gender equality. The worst was Turkey, United States was middling, and naturally, the Scandinavians were tops. Low and behold, the more gender equal the country, the less of a discrepancy in math scores. By the time you get to the Scandinavian countries it's statistically insignificant. And by the time you examine the most gender equal country on earth at the time, Iceland, girls are better at math than boys. Footnote, note that the other reliable sex difference in cognition, namely better reading performance by girls than by boys doesn't disappear in more gender equal societies. It gets bigger. In other words, culture matters. We carry it with us wherever we go.
”
”
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
“
But what were you supposed to do with that weight? Once it was on you? Just be a man? Just suck it up? Maybe you were. Maybe that was the real test. Maybe that is exactly the thing that made you a man: the ability to function with the worst possible secrets in your brain. Which was why so many grown-up men seemed so ridiculous. They never felt that responsibility. They were untested, unproven; they were boys in grown-up clothes.
”
”
Blake Nelson (Paranoid Park)
“
You think I am so wicked, don't you? A monster. Unnatural. How cruel of me to keep you here and rattle on about my dead grandmother whom you care nothing about. To hold back the doom I keep in store for you and tease you about your mother. I am telling you all this for a reason, you curdle-brained child. Didn't you ever have a tutor? I am teaching dead, dull history—so that you will understand why your feet carried you here instead of towards some other broken old woman's hut, and what you ended when you snapped my daughter's neck. Don't keep looking at me with that same idiot stare. Listen, or you will comprehend nothing, not even your mother. Shall I just kill you now and have my revenge? It would certainly save breath, and at my age every breath is named and numbered. I entertain you at the expense of not a few figures in that scroll of sighs, boy; do not test me." She paused, grimacing as if she truly were tallying the accounts of her lungs. "And never assume that a woman is wicked simply because she is ugly and behaves unfavorably towards you. It is unbecoming behavior for a Prince.
”
”
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
“
I spent the last Friday of summer vacation spreading hot, sticky tar across the roof of George Washington High. My companions were Dopey, Toothless, and Joe, the brain surgeons in charge of building maintenance. At least they were getting paid. I was working forty feet above the ground, breathing in sulfur fumes from Satan's vomitorium, for free.
Character building, my father said.
Mandatory community service, the judge said. Court-ordered restitution for the Foul Deed. He nailed me with the bill for the damage I had done, which meant I had to sell my car and bust my hump at a landscaping company all summer. Oh, and he gave me six months of meetings with a probation officer who thought I was a waste of human flesh.
Still, it was better than jail.
I pushed the mop back and forth, trying to coat the seams evenly. We didn't want any rain getting into the building and destroying the classrooms. Didn't want to hurt the school. No, sir, we sure didn't.
”
”
Laurie Halse Anderson (Twisted)
“
Ian nodded. Do not question her, he told himself. Not when she is in a state like this.
Still, it was a pity to attack them with such force. Especially the girl, Amy. He'd never met anyone like her. Shy. Gentle. With an exciting edge of hostility. So unlike the girls back home, who flung themselves at him so often that his chauffeurs traveled with first-aid kits.
Doesn't she know better? Isn't she smart enough to stop the hunt?
It was the boy and the au pair. He was a pint-sized hothead. She was a collection of piercings and piggishness. If only Amy and Dan had stayed trapped in the cave in Seoul, at least long enough to get discouraged. Why did they antagonize Mother?
They don't know what it's like to live with her.
"Right you are," Ian said. "They're asking for it. Heaven forbid they listen to the brains of the outfit."
"And that would be–?" Isabel asked.
Ian looked away. "Well, the sister, I'd say. Amy."
He felt a smile inching across his face.
"Ian?" His mother grabbed his wrist. "If you are having the inkling of a shadow of a thought..."
"Mother!" Ian could feel the blood rushing to his face. "How could you suspect for a moment...?
”
”
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
“
After a time, my hand had become as skilled as my eyes. So if I was drawing a very fine tree, it felt as if my hand was moving without me directly it. As I watched the pencil race across the page, I would look on it in amazement, as if the drawing were the proof of another presence, as if someone else had taken up residence in my body. As I marveled at his work aspiring to become his equal, another part of my brain was busy inspecting the curves of the branches, the placement of mountains, the composition as a whole, reflecting that I had created this scene on a blank piece of paper. My mind was at the tip of my pen, acting before I could think; at the same time it could survey what I had already done. This second line of perception, this ability to analyse my progress, was the pleasure this small artist felt when he looked at the discovery of his courage and freedom. To step outside myself , to know the second person who had taken up residence inside me, was to retrace the dividing line that appeared as my pencil slipped across the paper, like a boy sledding in the snow.
”
”
Orhan Pamuk (Istanbul: Memories and the City)
“
Human beings fear what they don’t understand. The unknown scares us. When we meet people who look or act in unfamiliar or strange ways, our initial response is to keep them at arm’s length. At times we make ourselves feel superior, smarter or more competent by dehumanizing or degrading those who are different. The roots of so many of our species’s ugliest behaviors—racism, ageism, misogyny, anti-Semitism, to name just a few—are in this basic brain-mediated response to perceived threat. We tend to fear what we do not understand, and fear can so easily twist into hate or even violence because it can suppress the rational parts of our brain.
”
”
Bruce D. Perry (The Boy Who Was Raised As a Dog: And Other Stories from a Child Psychiatrist's Notebook)
“
I tend to think of human beings as huge, rubbery test tubes, too, with chemical reactions seething inside. When I was a boy, I saw a lot of people with goiters. So did Dwayne Hoover, the Pontiac dealer who is the hero of this book. Those unhappy Earthlings had such swollen thyroid glands that they seemed to have zucchini squash growing from their throats.
All they had to do in order to have ordinary lives, it turned out, was to consume less than one-millionth of an ounce of iodine every day.
My own mother wrecked her brains with chemicals, which were supposed to make her sleep.
When I get depressed, I take a little pill, and I cheer up again.
And so on.
So it is a big temptation to me, when I create a character for a novel, to say that he is what he is because of faulty wiring, or because of microscopic amounts of chemicals which he ate or failed to eat on that particular day.
”
”
Kurt Vonnegut Jr. (Breakfast of Champions)
“
Oof!" Adam caught me all right, with the side of his head. I could tell by the feel of his skull on my foot as I kicked him. He grabbed me the best he could anyway, and we half landed, half fell in the pine needles.
He lay facedown on the ground. I flopped him over on his back to make sure he was alive. If he had a concussion, we'd have to call the ambulance, which meant we'd get caught and he'd get sent to military school.
On the bright side, maybe the military school would not take him if he had brain damage.
"I'm so sorry."
"Worth it," he grunted. He rolled onto his feet like a ninja and grabbed my hand.
"Hurry, before they release the hounds.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
We also need to recognize that not all stress is bad, that children require challenges and risk as well as safety. It is natural to want to protect our children, but we need to ask ourselves when the desire for risk-free childhoods has gone too far. The safest playground, after all, would have no swings, no steep slides, no rough surfaces, no trees, no other children—and no fun. Children’s brains are shaped by what they do slowly and repeatedly over time. If they don’t have the chance to practice coping with small risks and dealing with the consequences of those choices, they won’t be well prepared for making larger and far more consequential decisions.
”
”
Bruce D. Perry (The Boy Who Was Raised As a Dog: And Other Stories from a Child Psychiatrist's Notebook)
“
There was an advertisement in the newspaper for a teaching position in a school with the worst reputation in town, with the sort of class that no qualified teacher with all the parts of her brain correctly screwed together would voluntarily face. It was attention-deficit hyperactivity disorder before attention-deficit hyperactivity disorder had been invented. “There’s no hope for these boys and girls,” the headmaster soberly explained in the interview. “This is not education, this is storage.” Maybe Sonja understood how it felt to be described as such. The vacant position attracted only one applicant, and she got those boys and girls to read Shakespeare.
”
”
Fredrik Backman (A Man Called Ove)
“
Doctors know nothing. Well. That's kind of unfair. Let's just say the world is unpredictable. Science is unreliable. It can't tell you who you are or what you'll want or how you'll feel. All these researchers are going crazy in their labs, trying to fit us into these little boxes so they can justify their jobs, or their government funding, or their life's work. They can theorize and they can give you a mean, median and mode but it's all standardized guesswork, made official by arrogance. You have to be pretty into yourself to think you can play a part in defining the identity of a bunch of people you don't know, of human beings with complicated shit going on in their bodies. They still don't know what certain parts of our brains do, they still don't know how to cure a common cold, and they say they know about sexuality, about gender. Well, you're not a man because you like football and you're not a woman because you're attracted to men and you're not a chick because you like to be the one who gives and you're not a dude because you like to receive or because sometimes you cry at dumb movies.
”
”
Abigail Tarttelin (Golden Boy)
“
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive
insect of glitter, a chandelier shining at the end
of a long tunnel. Thirteen years ago, you hid the hurt
in your voice under a blanket and said there’s two kinds
of women—those you write poems about
and those you don’t. It’s true. I never brought you
a bouquet of sonnets, or served you haiku in bed.
My idea of courtship was tapping Jane’s Addiction
lyrics in Morse code on your window at three A.M.,
whiskey doing push-ups on my breath. But I worked
within the confines of my character, cast
as the bad boy in your life, the Magellan
of your dark side. We don’t have a past so much
as a bunch of electricity and liquor, power
never put to good use. What we had together
makes it sound like a virus, as if we caught
one another like colds, and desire was merely
a symptom that could be treated with soup
and lots of sex. Gliding beside you now,
I feel like the Benjamin Franklin of monogamy,
as if I invented it, but I’m still not immune
to your waterfall scent, still haven’t developed
antibodies for your smile. I don’t know how long
regret existed before humans stuck a word on it.
I don’t know how many paper towels it would take
to wipe up the Pacific Ocean, or why the light
of a candle being blown out travels faster
than the luminescence of one that’s just been lit,
but I do know that all our huffing and puffing
into each other’s ears—as if the brain was a trick
birthday candle—didn’t make the silence
any easier to navigate. I’m sorry all the kisses
I scrawled on your neck were written
in disappearing ink. Sometimes I thought of you
so hard one of your legs would pop out
of my ear hole, and when I was sleeping, you’d press
your face against the porthole of my submarine.
I’m sorry this poem has taken thirteen years
to reach you. I wish that just once, instead of skidding
off the shoulder blade’s precipice and joyriding
over flesh, we’d put our hands away like chocolate
to be saved for later, and deciphered the calligraphy
of each other’s eyelashes, translated a paragraph
from the volumes of what couldn’t be said.
”
”
Jeffrey McDaniel
“
In one universe, they are gorgeous, straight-teethed, long-legged, wrapped in designer fashions, and given sport cars on their sixteenth birthdays, Teachers smile at them and grade them on the curve. They know the first names of the staff. They are the pride of the school.
In Universe #2, they throw parties wild enough to attract college students. They worship stink of Eau de Jocque. They rent beach houses in Cancun during Spring Break and get group-rate abortions before the prom.
But they are so cute. And they cheer on our boys, inciting them to violence and, we hope, victory. They’re are our role models- the Girls Who Have It All. I bet none of them ever stutter or screw up or feel like their brains are dissolving into marshmallow fluff.
”
”
Laurie Halse Anderson (Speak)
“
I can’t help it. I’m thinking about sex. Sex with Will Haley. Sex in general. The thing is, I can’t make my brain turn the idea into something sexy. Isn’t that ridiculous? It’s sex. It’s inherently sexy. But not to me. Because in hazily lit movies, when the girl pulls her shirt up over her head, she stops being me. The hazily lit girl is never me. She has a flat golden stomach and cute little boobs, and you can see the boy falling for her. You can read it on his face. Under my shirt, there’s no flat stomach, and there are no cute little boobs, and there’s no hazy lighting. It’s just a lot of me. Way too much of me.
”
”
Becky Albertalli (The Upside of Unrequited)
“
He leaned closer. “That’s what I’m trying to do. Your face is absolutely adorable when you blush.”
My ears burned. Oh great, am I the color of a tomato now?
“Yeah, well, I can make you blush,” I retorted. “By telling you how hot you are, and that when that little piece of black hair falls into your eyes, it’s so sexy it makes me forget my words, and...” I stopped, suddenly aware of how warm the mausoleum was.
“Go on,” Caspian prodded, shaking his head so that his hair covered one green eye. I blushed again, and glanced around me, slowly backing away from him. I just needed some... space to clear my head. He followed me, stalking my every move. My blood felt like pure oxygen racing through my veins, fizzy and bubbling and making me want to float away. A hard wall at my back stopped me, but Caspian kept coming. I thought desperately of some way to change the subject.
“I got you Moby-Dick,” I blurted out. He gave me a sly smile.
“Mmmm, did you? How... interesting.”
“And Treasure Island, and The Count of Monte Cristo.” I babbled on. “I thought you might like some boy books.” He stopped an inch away from me. I felt like I was his prisoner.
“Let’s go back to the sexy and hot thing,” Caspian said. “Could we add a gorgeous or mysterious in there, too?”
I gulped. “Like you don’t already know you’re all of those things. You probably had girls falling all over you before.”
Caspian cocked his head to one side. “True. But I always thought it was because I was the quiet new guy. And besides, there’s only one person I was ever really interested in.”
“Was?” I squeaked. Then I cleared my throat and tried again. “I mean—”
“Am,” Caspian corrected himself. “Technically, I guess it’s both. I was interested the first day I saw her, and I still am interested in her.”
His eyes glowed in the soft candlelight around us, and every last ounce of coherent thought left me.
“It’s... um... really. It’s...” My head felt like it was thickening and my body was overheating, every word dragged from somewhere in the depths of my fuzzy brain.
I waved a hand in front of my face to fan myself, and finally spit out what I was trying to say. “It’s hot in here. Don’t you think? It’s really warm.”
“I only feel warmth when I’m standing next to you,” Caspian said. He stepped half an inch closer. “Like right now.
”
”
Jessica Verday (The Haunted (The Hollow, #2))
“
I've been thinking about this mouth all day" he said before covering my lips with his. I licked at his bottom lip and he opened for me, letting me leisurely taste him. The gentle pressure of his mouth was perfect and made me a little dizzy. His fingers slip up my thigh until both hands were gripping my butt. One of his fingers traced the edge of my panties. "I really like this skirt," he murmured against my lips. I really liked it too at the moment. My breath was coming in short gasps as he slid one hand inside the edge of my panties. He gripped my bare butt with one hand while he slid his other slowly back down my thigh and shifted closer to my inner thigh. I liked what his next move would be. What I didn't know was if I was going to let it go that far. Then he moaned into my mouth as his fingers touched the inside of my thigh and my leg fell open of its own accord. The slow, easy kiss became frenzied as we both fought to calm our breathing. His hand inched higher and higher up my exposed thigh. The second his finger grazed the outside of my panties, I jerked in his hold, and something very close to pleading squeaked in my throat. Sawyer pulled back, and his accelerated breathing made me tingle with pleasure. I loved knowing I did that to him. He kissed down my neck until he met the curve of my shoulder. He went very still. His warm breath bathed my chest and neck. His hand slowly moved again. One lone finger slipped inside the edge of my panties and made direct contact. He murmured something against my neck, but I couldn't focus enough to understand. My brain was in a foggy haze, and my heart was about to pound out of my chest. The urge to move against the hand, which now cupped the crotch of my panties, was strong. But I waited while he eased his finger farther inside and gently ran it along the folds. "oh, oh, oh my god," I managed to get out in a breathless chant. "God, you're so warm," he whispered in a strained voice as he began kissing the spot where he had buried his head in my neck. When he slipped his other hand over my leg and pulled it farther open then reached down and pulled my panties to the side as he gently stroked me, I started to come apart in his arms. "That's it, baby," he encouraged me as I clung to him, calling his name and wanting it to never end.
”
”
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
“
He said the difference between the male and female modes of thought were easily illustrated by the thoughts of a boy and girl, sitting on a park bench, looking at the full moon. The boy thinks of the universe, its immensity and mystery; the girl thinks, "I must wash my hair." When I read this I was frantically upset; I had to put the magazine down. It was clear to me at once that I was not thinking as a girl thought; the full moon would never as long as I lived remind me to wash my hair. I knew if I showed it to my mother she would say, "Oh it is just that maddening male nonsense, women have no brains." That would not convince me; surely a New York psychiatrist must know. And women like my mother were in the minority, I could see that. Moreover I did not want to be like my mother, with her virginal brusqueness, her innocence. I wanted men to love me, and I wanted to think of the universe when I looked at the moon. I felt trapped, stranded; it seemed there had to be a choice where there couldn't be a choice.
”
”
Alice Munro (Lives of Girls and Women)
“
It’s amazing to me that it’s still considered a notable, commendable trait –‘Oh, she’s a well-known feminist’ –in a woman, or a girl, or a man, or a boy. That that is the unusual thing. Really, it should be the reverse. Rather than what seems like a minority having to spend time, energy, brain and heart explaining why they’re ‘into’ equality, the majority should be explaining why they’re not. You put the time into explaining why –in a world where every concept of justice, wisdom, progress and rightness is a human invention –we still prefer the human concept of ‘some people being inferior to others’ over ‘this is a vast, inky, cold, empty universe, and in it, we are the only humans that exist, all sharing a tiny milky green/ blue world, and faced with a multitude of problems, and an infinite capacity for joy, and should therefore try and stick together and accord each other some respect’.
”
”
Caitlin Moran (Moranifesto)
“
Was it good?
Nemecsek fixed his blue eyes on Gereb and replied:
Yes, and quietly added: Much better than to be standing on the bank, laughing at me. I'd rather stay in the water neck-deep until New Year than be hand-in-hand with my friends' enemies. I don't mind having dipped in the water. The other day I fell in there by myself. I saw you then, too, with these strangers on the island. But you fellows can invite me as long as you like, you can flatter me and shower me with presents - yet I won't have a thing to do with you. And if you give me another ducking, if you throw me in the water a hundred times, or even a thousand times, I'll come here tomorrow and the day after just the same. I'll find a hiding place where you won't get me. I'm not afraid of anyone of you. And if you'll come to Paul Street, to take our ground away, we'll be on the spot! And don't you forget that either! I'll show you that with ten of us against your ten, you'll hear a different sort of talk from what I'm giving you now. It was easy enough to get the better of me! The one that's stronger always wins! The Pasztor boys stole my marbles in the Museum Garden because they were stronger. Now I got a ducking because you are stronger! Easy enough when ten are against one! But I don't care! You can even beat me up, if it'll do you good. I could have saved myself from the ducking, but I wouldn't join you. I'd rather be drowned or have my brains knocked out than be a traitor...like....somebody standing over...there....
”
”
Ferenc Molnár (The Paul Street Boys)
“
Why’re you like that?” the boy persisted.
“Like what?” Paragon finally asked in annoyance.
“Ya’know. Allus mad. Or crazy fightin’ Say’n stuff ta be mean.”
“How else do you expect me to be?” Paragon retorted. “Joyous that they’ve dragged me out here? All excited to go off on a hare-brained rescue mission with them?”
He felt the boy’s shrug. “Ya could be.”
“I could be?” Paragon snorted. “I’d like to know how.”
“S’easy. Ya decide t’be.”
“You decide to be happy? I should just forget everything that has been done to me, and be happy? Tra-la-la-la? Like that.”
“Ya could.” He heard the boy’s nails against his scalp. “Lookit me. I coulda hated everyone o’ ‘em. I decided t’be happy. Decided ta take what I could get. Make a life outer it.” A pause. “S’not like I’m gonna get another life. Gotta make this’n work.”
“It’s not that simple,” Paragon snapped.
“Could be,” Cliff insisted. “In’t no harder than decidin’t’be mad allus.”
The boy sauntered away slowly. His bare feet scuffed lightly on the deck. “But it’s a lot funner,” he called back over his shoulder.
p. 406: Clef to Paragon
”
”
Robin Hobb (The Mad Ship (Liveship Traders, #2))
“
I’m not sure, though, what “for later” means anymore. Something changed in the world. Not too long ago, it changed, and we know it. We don’t know how to explain it yet, but I think we all can feel it, somewhere deep in our gut or in our brain circuits. We feel time differently. No one has quite been able to capture what is happening or say why. Perhaps it’s just that we sense an absence of future, because the present has become too overwhelming, so the future has become unimaginable. And without future, time feels like only an accumulation. An accumulation of months, days, natural disasters, television series, terrorist attacks, divorces, mass migrations, birthdays, photographs, sunrises. We haven’t understood the exact way we are now experiencing time. And maybe the boy’s frustration at not knowing what to take a picture of, or how to frame and focus the things he sees as we all sit inside the car, driving across this strange, beautiful, dark country, is simply a sign of how our ways of documenting the world have fallen short. Perhaps if we found a new way to document it, we might begin to understand this new way we experience space and time. Novels and movies don’t quite capture it; journalism doesn’t; photography, dance, painting, and theater don’t; molecular biology and quantum physics certainly don’t either. We haven’t understood how space and time exist now, how we really experience them. And until we find a way to document them, we will not understand them.
”
”
Valeria Luiselli (Lost Children Archive)
“
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
”
”
Herman Melville
“
Instead, as the crystal splinters entered Hornwrack's brain, he experienced two curious dreams of the Low City, coming so quickly one after the other that they seemed simultaneous. In the first, long shadows moved across the ceiling frescoes of the Bistro Californium, beneath which Lord Mooncarrot's clique awaited his return to make a fourth at dice. Footsteps sounded on the threshold. The women hooded their eyes and smiled, or else stifled a yawn, raising dove-grey gloves to their blue, phthisic lips. Viriconium, with all her narcissistic intimacies and equivocal invitations welcomed him again. He had hated that city, yet now it was his past and it was he had to regret...The second of these visions was of the Rue Sepile. It was dawn, in summer. Horse-chestnut flowers bobbed like white wax candles above the deserted pavements. An oblique light struck into the street - so that its long and normally profitless perspective seemed to lead straight into the heart of a younger, more ingenuous city - and fell across the fronts of the houses where he had once lived, warming up the rotten brick and imparting to it a not unpleasant pinkish colour. Up at the second-floor casement window a boy was busy with the bright red geraniums arranged along the outer still in lumpen terra-cotta pots. He looked down at Hornwrack and smiled. Before Hornwrack could speak he drew down the lower casement and turned away. The glass which no separated them reflected the morning sunlight in a silent explosion; and Hornwrack, dazzled mistaking the light for the smile, suddenly imagined an incandescence which would melt all those old streets!
Rue Sepile; the Avenue of Children; Margery Fry Court: all melted down! All the shabby dependencies of the Plaza of Unrealized Time! All slumped, sank into themselves, eroded away until nothing was left in his field of vision but an unbearable white sky above and the bright clustered points of the chestnut leaves below - and then only a depthless opacity, behind which he could detect the beat of his own blood, the vitreous humour of the eye. He imagined the old encrusted brick flowing, the glass cracking and melting from its frames even as they shrivelled awake, the sheds of paints flaring green and gold, the geraniums toppling in flames to nothing, not even white ash, under this weight of light! All had winked away like reflections in a jar of water glass, and only the medium remained, bright, viscid, vacant. He had a sense of the intolerable briefness of matter, its desperate signalling and touching, its fall; and simultaneously one of its unendurable durability
He thought, Something lies behind all the realities of the universe and is replacing them here, something less solid and more permanent. Then the world stopped haunting him forever.
”
”
M. John Harrison (Viriconium (Viriconium, #1-4))
“
This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book.
"It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest.
It's the boy from my dreams.
The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life.
I scold my heart to settle,but it doesn't obey.
I admonish myself to sit,to act normal, casual-and I just barely succeed.
Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade.
"You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it.
I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother.
I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me.
He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?"
I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too.
He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-"
"The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain.
Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people?
I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.
”
”
Alyson Noel (Fated (Soul Seekers, #1))