Boyle Famous Quotes

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Genius' was a word loosely used by expatriot Americans in Paris and Rome, between the Versailles Peace treaty and the Depression, to cover all varieties of artistic, literary and musical experimentalism. A useful and readable history of the literary Thirties is Geniuses Together by Kay Boyle-Joyce, Hemingway, Scott Fitzgerald, Pound, Eliot and the rest. They all became famous figures but too many of them developed defects of character-ambition, meanness, boastfulness, cowardice or inhumanity-that defrauded their early genius. Experimentalism is a quality alien to genius. It implies doubt, hope, uncertainty, the need for group reassurance; whereas genius works alone, in confidence of a foreknown result. Experiments are useful as a demonstration of how not to write, paint or compose if one's interest lies in durable rather than fashionable results; but since far more self-styled artists are interested in frissons á la mode rather than in truth, it is foolish to protest. Experimentalism means variation on the theme of other people's uncertainties.
Robert Graves
One of the most famous paradoxes ever articulated is often known by the title ‘the liar’s paradox’. At its simplest you can express it just by saying: ‘I am lying’. The liar’s paradox is a complicated business, discombobulating to think about because after all, if I’m lying, then my statement ‘I am lying’ must itself be a lie, unless I was actually telling the truth, in which case I would have been telling a lie.
David Boyle (Alan Turing: Unlocking the Enigma)
To make matters worse, the British sighted French tanks, thought they were German and attacked them. The German commander charged with the task of resisting was a man who would soon be the most famous German general of them all, then known as Major-General Erwin Rommel. By 6pm, Rommel had prevailed, the attack was over and the remaining British tanks – and most of the commanders had been killed – were in retreat
David Boyle (Dunkirk: A Miracle of Deliverance (The Storm of War Book 2))
He took the trophy and the mic and said, ‘Uhm,’ and then laughed, almost as if he were at a loss for words. When the presenters insisted though, he looked to the audience and thanked his crew again, Danny Boyle especially, the people of Mumbai and the optimism that he believed was the essence of the film. ‘All my life,’ he said, finally looking like he was starting to choke up, ‘I had a choice of hate and love. I chose love. And I’m here. God bless.’ Truer words he could not have spoken. At every point in his life he had faced this crucial choice. When his father died. When he had to start working before he was even a teenager. When he had to drop out of school. When he had to grow up faster than any child could have reasonably been expected to; when he had to become the man of the house at eleven, had to take care of his family. When he felt creatively stifled during his days as a sessions player and wondered if this was all his life was going to be about. When he felt his music wasn’t being appreciated widely or truly enough before Roja. When it seemed he was all alone, with no one to turn to. When he became famous. He could have chosen to be bitter, prideful or sad at every stage. But he didn’t. If not for his music, then simply for his capacity to choose light over dark, A.R. Rahman deserves every bit of adulation he got that day and ever since. His speech done, AR lowered his mic, as if not trusting himself to keep his composure for much longer, and walked off the stage.
Krishna Trilok (Notes of a Dream: The Authorized Biography of A.R. Rahman)
ALLEGER  (ALLE'GER)   n.s.[from allege.]He that alleges. Which narrative, if we may believe it as confidently as the famous alleger of it, Pamphilio, appears to do, would seem to argue, that there is, sometimes, no other principle requisite, than what may result from the lucky mixture of the parts of several bodies.Boyle.
Samuel Johnson (A Dictionary of the English Language (Complete and Unabridged in Two Volumes), Volume One)
In any society, the mind “at first . . . is rasa tabula,” Locke famously wrote in An Essay Concerning Humane Understanding. If people are born without innate intelligence, then there cannot be a natural intellectual hierarchy. But Locke’s egalitarian idea had a caveat. As Boyle and Newton painted unblemished light white, Locke more or less painted the unblemished mind white. Locke used the term “white paper” much more often than “blank slate” or “tabula rasa” to describe the child’s “as yet unprejudiced Understanding.
Ibram X. Kendi (Stamped from the Beginning: The Definitive History of Racist Ideas in America)
The historian Hugh Trevor Roper, who visited often, described the atmosphere as ‘friendly informality verging on apparent anarchy’. One military policeman famously mistook Bletchley for a military asylum. Turing
David Boyle (Alan Turing: Unlocking the Enigma)
With great difficulty, Hall managed to extract Commander William James, who had been his second-in-command on Queen Mary. James had the nickname ‘Bubbles’, because it was well known in the navy that he had been, as a curly-haired child, the original for the famous Millais painting of the boy blowing soap bubbles, which was used eventually for advertising Pears Soap.
David Boyle (Before Enigma)