Digging Memories Quotes

Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose... ...Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world’s sounds – wouldn’t you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.

Memory is not an instrument for surveying the past but its theater. It is the medium of past experience, just as the earth is the medium in which dead cities lie buried. He who seeks to approach his own buried past must conduct himself like a man digging.

Q: Bury deep, Pile on stones, Yet I will Dig up the bones. What am I? A: Memories — A FOLK RIDDLE

But unvented - ahh! One un-vents something; one unearths it; one digs it up, one runs it down in whatever recesses of the eternal consciousness it has gone to ground. I very much doubt if anything is really new when one works in the prehistoric medium of wool with needles. The products of science and technology may be new, and some of them are quite horrid, but knitting? In knitting there are ancient possibilities; the earth is enriched with the dust of the millions of knitters who have held wool and needles since the beginning of sheep. Seamless sweaters and one-row buttonholes; knitted hems and phoney seams - it is unthinkable that these have, in mankind's history, remained undiscovered and unknitted. One likes to believe that there is memory in the fingers; memory undeveloped, but still alive.

I have tried to use memory and invention together, like two hands engaged in the same muddy work of digging up the past.

The rocks are everywhere. You have to dig around them without getting pissed at them. I expect the rocks to be there. Sometimes I think they're put there on purpose so I can learn not to be angry about them.

Well, of course I’ve tried lavender. And pulling my memory out, ribbonlike and dripping. And shrieking into my pillow. And writing the poems. And making more friends. And baking warm brown cookies. And therapy. And intimacy. And pictures of rainbows. And all of the movies about lovers and the terrible things they do to each other. And watching the ones in other languages. And leaving the subtitles off. And listening to the language. And forgetting my name. And feeling the dirt on my skin. And screaming in the shower. And changing my shampoo. And living alone. And cutting my hair. And buying a turtle. And petting the cat. And traveling. And writing more poems. And touching a different body. And digging a grave. And digging a grave. Of course, I’ve tried it. Of course I have.

It felt as if he were reaching into her, as if there were invisible fingers digging in to her mind, taking things they shouldn't. Memories. ... With her body weakened, she fought to lock him out of her mind, to hide her remaining memories, but one by one he plucked them out. The night in the crypt with Jacks... gone. Marrying Apollo... gone. Her friendship with Lala... gone. Apollo infected with the Archer's curse... gone. Jumping off the cliff with Jacks- 'No!' she screamed. ... gone. The wonder of the Hollow... gone. Jacks bandaging her wounds... gone. Jacks confessing he was the Archer... gone. 'Please, stop,' she begged.

Don’t dash off a six-thousand-word story before breakfast. Don’t write too much. Concentrate your sweat on one story, rather than dissipate it over a dozen. Don’t loaf and invite inspiration; light out after it with a club, and if you don’t get it you will none the less get something that looks remarkably like it. Set yourself a “stint,” [London wrote 1,000 words nearly every day of his adult life] and see that you do that “stint” each day; you will have more words to your credit at the end of the year. Study the tricks of the writers who have arrived. They have mastered the tools with which you are cutting your fingers. They are doing things, and their work bears the internal evidence of how it is done. Don’t wait for some good Samaritan to tell you, but dig it out for yourself. See that your pores are open and your digestion is good. That is, I am confident, the most important rule of all. Keep a notebook. Travel with it, eat with it, sleep with it. Slap into it every stray thought that flutters up into your brain. Cheap paper is less perishable than gray matter, and lead pencil markings endure longer than memory. And work. Spell it in capital letters. WORK. WORK all the time. Find out about this earth, this universe; this force and matter, and the spirit that glimmers up through force and matter from the maggot to Godhead. And by all this I mean WORK for a philosophy of life. It does not hurt how wrong your philosophy of life may be, so long as you have one and have it well. The three great things are: GOOD HEALTH; WORK; and a PHILOSOPHY OF LIFE. I may add, nay, must add, a fourth—SINCERITY. Without this, the other three are without avail; with it you may cleave to greatness and sit among the giants." [Getting Into Print (The Editor magazine, March 1903)]

Maybe people can’t grow roots the same as trees do, but we both needed a place to dig in and grow some good memories.

He's at ease, his body sculpted to the music, his shoulder searching the other shoulder, his right toe knowing the left knee, the height, the depth, the form, the control, the twist of his wrist, the bend of his elbow, the tilt of his neck, notes digging into arteries, and he is in the air now, forcing the legs up beyond muscular memory, one last press of the thighs, an elongation of form, a loosening of human contour, he goes higher and is skyheld.

I had a dream about you. It's been a while since I could remember any of my dreams, and still, this one has left me with such strong impression. Even now, when I am fully awake, your face flashes before my eyes. It's a face I can totally relate to, as if it wasn't any more yours than it is mine. Terrifying thing, you know? I can't say I've felt that sort of intimacy with anyone. For a moment you knew all my secrets, without me even having to tell them. For a moment I even knew them myself… While I was looking into your eyes, I suddenly started to realize things about myself that were unspoken for years, like fragments of my inner life that were deeply repressed. It’s hard to distinguish if they were buried inside because dealing with them was such a dirty work, or if leaving them unnamed meant that it was not possible to define them precisely enough, so they would keep their true meaning. Perhaps, all this life that I've known so far was in fact no more but a dream about living. The only thing that has kept me in touch with reality was you… I know it comes as a surprise, and you may be wondering why it took me so long to come clean. You also may be wondering how come you've never noticed before. I've tricked you on purpose, yes, and you must realize it really has nothing to do with you. It’s always been me. This is why, seeing you in my dream like that, came out as a shock. You also must forgive me. You must forgive me because I know how it looks like, that everything we ever shared was a lie, and it wasn't… I am more of an illusionist that a deceiver, but it all comes from being in fact, a very private person. Even if it was true that you knew me better than anyone, I’d never admit it. I’d rather dig my own heart out, with a rotten spoon, than admitting it. I may let people in my own little world occasionally, but I would never let them be aware of it. I don’t throw my intimacy in front of others, especially when I care. The more I care, the less I give away, and this is something for you to understand, and grant me your forgiveness. I didn't play my tricks on you in order to deceive you, but rather to save myself, and maybe even deceive myself as well. I’ve had hidden my feelings for you so deeply that I've learned to live with them, as if any other casualty. I have done wrong to myself as much as I did to you, and I don’t know if I can forgive myself. So now I wonder, could you forgive me without feeling sorry for me? I certainly don’t deserve your pity. Especially not now that I am awake.

We return to the places we're from; we trample faded corners and pencil in new lines. 'You've grown up so fast,' Robert's mother tells him at breakfast, at dinner. 'Look at you." But she's wrong, thinks Robert. You bury your childhood here and there. It waits for you, all your life, to come back and dig it up.

Thinking about it now, i have to say, nothing terrible comes to mind. No blowup fights or traumatic episodes. that's usually what happens when i dig too deep into memories. The worst stuff pops up first.

These memories are the memorials and pledges of the vital hours of a lifetime. These hours of afflatus in the human spirit, the springs of art, are, in their mystery, akin to the epochs of history, when a race which for centuries has lived content, unknown, behind its own frontiers, digging, eating, sleeping, begetting, doing what was requisite for survival and nothing else, will, for a generation or two, stupefy the world; commit all manner of crimes, perhaps; follow the wildest chimeras, go down in the end in agony, but leave behind a record of new heights scaled and new rewards won for all mankind; the vision fades, the soul sickens, and the routine of survival starts again.

digging through her purse airily as though she’d misplaced a memory.

Memories, Pappa had said, can be like splinters, digging into you when you least expect them to, holding tight and sharp the way wood did when it slid under a fingernail.

STOP DIGGING.' The letters on the mirror were etched in my memory. Now, as I finished my make-up with a swipe of lip-gloss, I huffed on the mirror, and wrote in the steam obscuring my reflection one word: 'NO'.

You didn't bury bodies and dig them up years later. It was best to take the same approach with memories

My particular memory is of a quail-pie. Quails may be alright for Moses in the desert, but, if they are served in the form of pie at dinner, they should be distributed at a side-table, not handed round from guest to guest. The countess having shuddered at it and resumed her biscuit, it was left to me to make the opening excavation. The difficulty was to know where each quail began and ended: the job really wanted a professional quail-finder, who might have indicated the on the surface of the crust at which it would be most hopeful to dig for quails.

every plan breaks easily, Because the intention is a slave to memory At the moment of birth, it digs itself a grave, Like a fruit, that holds to a branch, while green. And when it matures, it falls itself from the three.

I could tell from Anna's face that she had already told him about dancing in Saint Petersburg and that the memory weighed on her heavily. What monstrous things, our pasts, especially when they have been lovely. She had told a secret and now had the sadness of wondering how much deeper she might dig in order to keep the first secret fed.

Huichi is about being brave. About not being defeated by anybody or anything. Rising up every day and doing what you gotta do. Shining your light so that people and things around you can live. The fight is hard, else you wouldn't need to be brae. It's all caliche, so what's the use whining about it? The rocks are everywhere. You have to dig around them without getting pissed at them. I expect the rocks to be there. Sometimes I think they're put there on purpose so I can learn not to be angry about them.

My theme is memory, that winged host that soared about me one grey morning of war-time. These memories, which are my life--for we possess nothing certainly except the past--were always with me. Like the pigeons of St. Mark's, theywere everywhere, under my feet, singly, in pairs, in little honey-voiced congregations, nodding, strutting, winking, rolling the tender feathers of their necks, perching sometimes, if I stood still, on my shoulder or pecking a broken biscuit from between my lips; until, suddenly, the noon gun boomed and in a moment, with a flutter and sweep of wings, the pavement was bare and the whole sky above dark with a tumult of fowl. Thus it was that morning. These memories are the memorials and pledges of the vital hours of a lifetime. These hours of afflatus in the human spirit, the springs of art, are, in their mystery, akin to the epochs of history, when a race which for centuries has lived content, unknown, behind its own frontiers, digging, eating, sleeping, begetting, doing what was requisite for survival and nothing else, will, for a generation or two, stupefy the world; commit all manner of crimes, perhaps; follow the wildest chimeras, go down in the end in agony, but leave behind a record of new heights scaled and new rewards won for all mankind; the vision fades, the soul sickens, and the routine of survival starts again. The human soul enjoys these rare, classic periods, but, apart from them, we are seldom single or unique; we keep company in this world with a hoard of abstractions and reflections and counterfeits of ourselves -- the sensual man, the economic man, the man of reason, the beast, the machine and the sleep-walker, and heaven knows what besides, all in our own image, indistinguishable from ourselves to the outward eye. We get borne along, out of sight in the press, unresisting, till we get the chance to drop behind unnoticed, or to dodge down a side street, pause, breathe freely and take our bearings, or to push ahead, out-distance our shadows, lead them a dance, so that when at length they catch up with us, they look at one another askance, knowing we have a secret we shall never share.

How can man know himself? It is a dark, mysterious business: if a hare has seven skins, a man may skin himself seventy times seven times without being able to say, “Now that is truly you; that is no longer your outside.” It is also an agonizing, hazardous undertaking thus to dig into oneself, to climb down toughly and directly into the tunnels of one’s being. How easy it is thereby to give oneself such injuries as no doctor can heal. Moreover, why should it even be necessary given that everything bears witness to our being — our friendships and animosities, our glances and handshakes, our memories and all that we forget, our books as well as our pens. For the most important inquiry, however, there is a method. Let the young soul survey its own life with a view of the following question: “What have you truly loved thus far? What has ever uplifted your soul, what has dominated and delighted it at the same time?” Assemble these revered objects in a row before you and perhaps they will reveal a law by their nature and their order: the fundamental law of your very self. Compare these objects, see how they complement, enlarge, outdo, transfigure one another; how they form a ladder on whose steps you have been climbing up to yourself so far; for your true self does not lie buried deep within you, but rather rises immeasurably high above you, or at least above what you commonly take to be your I.

Everyone tells stories around here. Every place, every person has a ring of stories around them, a halo almost. People have told me tales ever since I was a tiny girl squatting in the front dooryard, in mud-caked overalls, digging for doodlebugs. They have talked to me, and talked to me. some I've forgotten, but most I remember. And so my memory goes back before my birth

We lost our everything, she said, which said everything about loss. My accumulation dictates my ruin; it’s different from your dismantling, which can happen slowly or all at once. What’s crucial is a total inventory, which may reveal some one element not obliterated. We lost our everything, she said—we—she repeated, meaning the we-ness remained, which in the end must be the seed of re-beginning, the seed that divines the plow, the ounce of dirt, the memory of digging.

How can we “find ourselves” again? How can man “know himself”? He is a thing obscure and veiled. If the hare has seven skins, man can cast from him seventy times seven skins, and not be able to say: “Here you truly are; there is skin no more.” Also this digging into oneself, this straight, violent descent into the pit of one’s being, is a troublesome and dangerous business to start. You may easily take such hurt, that no doctor can heal you. And what is the point: since everything bears witness to our essence — our friendships and enmities, our looks and greetings, our memories and forgetfulnesses, our books and our writing!

I want to kiss you right here. Against the bar. On my lap. I want to know if the memory of our kiss is as good as I remember it. If your sharp nails digging into my shoulders feel as good as they did then. But for now I will leave that decision up to you.

Thomas thought about how he’d always felt a connection to her, ever since she arrived in the Glade. He wanted to dig a little more and see what she said: -What are you talking about? -Wish I knew. I’m just trying to bounce ideas off you to see if it sparks anything in your mind.

If we’ve learned one thing digging up all these old bones, dusting them off, and holding them to the light, we’ve learned this: While the days unfold, one after the other, and the numbers all move in one direction, our lives are not linear, Harriet. We are the sum of moments and reflections, actions and decisions, triumphs, failures, and yearnings, all of it held together, inexplicably, miraculously, really, by memory and association.

Idols of the injury, dug in behind the least understood motor plan information. The vile abomination temporal lobes and The four loathsome memory walls and The four reasoning, arithmetic beasts are found for all behind pain and planes. Portrayed as a house, Go in, function, cause blindness from The house's hearing spirit, judgment and The court's four bronze woes and The functioning brain lobe wings, Go in, hearing and perception, I dig under door fronts, pain and plans.

It is very easy to grow tired at collecting; the period of a low tide is about all men can endure. At first the rocks are bright and every moving animal makes his mark on the attention. The picture is wide and colored and beautiful. But after an hour and a half the attention centers weary, the color fades, and the field is likely to narrow to an individual animal. Here one may observe his own world narrowed down until interest and, with it, observation, flicker and go out. And what if with age this weariness becomes permanent and observation dim out and not recover? Can this be what happens to so many men of science? Enthusiasm, interest, sharpness, dulled with a weariness until finally they retire into easy didacticism? With this weariness, this stultification of attention centers, perhaps there comes the pained and sad memory of what the old excitement was like, and regret might turn to envy of the men who still have it. Then out of the shell of didacticism, such a used-up man might attack the unwearied, and he would have in his hands proper weapons of attack. It does seem certain that to a wearied man an error in a mass of correct data wipes out all the correctness and is a focus for attack; whereas the unwearied man, in his energy and receptivity, might consider the little dross of error a by-product of his effort. These two may balance and produce a purer thing than either in the end. These two may be the stresses which hold up the structure, but it is a sad thing to see the interest in interested men thin out and weaken and die. We have known so many professors who once carried their listeners high on their single enthusiasm, and have seen these same men finally settle back comfortably into lectures prepared years before and never vary them again. Perhaps this is the same narrowing we observe in relation to ourselves and the tide pool—a man looking at reality brings his own limitations to the world. If he has strength and energy of mind the tide pool stretches both ways, digs back to electrons and leaps space into the universe and fights out of the moment into non-conceptual time. Then ecology has a synonym which is ALL.

Pettiness often leads both to error and to the digging of a trap for oneself. Wondering (which I am sure he didn't) 'if by the 1990s [Hitchens] was morphing into someone I didn’t quite recognize”, Blumenthal recalls with horror the night that I 'gave' a farewell party for Martin Walker of the Guardian, and then didn't attend it because I wanted to be on television instead. This is easy: Martin had asked to use the fine lobby of my building for a farewell bash, and I'd set it up. People have quite often asked me to do that. My wife did the honors after Nightline told me that I’d have to come to New York if I wanted to abuse Mother Teresa and Princess Diana on the same show. Of all the people I know, Martin Walker and Sidney Blumenthal would have been the top two in recognizing that journalism and argument come first, and that there can be no hard feelings about it. How do I know this? Well, I have known Martin since Oxford. (He produced a book on Clinton, published in America as 'The President We Deserve'. He reprinted it in London, under the title, 'The President They Deserve'. I doffed my hat to that.) While Sidney—I can barely believe I am telling you this—once also solicited an invitation to hold his book party at my home. A few days later he called me back, to tell me that Martin Peretz, owner of the New Republic, had insisted on giving the party instead. I said, fine, no bones broken; no caterers ordered as yet. 'I don't think you quite get it,' he went on, after an honorable pause. 'That means you can't come to the party at all.' I knew that about my old foe Peretz: I didn't then know I knew it about Blumenthal. I also thought that it was just within the limit of the rules. I ask you to believe that I had buried this memory until this book came out, but also to believe that I won't be slandered and won't refrain—if motives or conduct are in question—from speculating about them in my turn.

It takes solidarity and generosity of spirit to build a society in which anyone can feel safe. Empathy can be hard to find, especially for people who look or sound different, or believe different things to us. But when we allow ourselves to be pitted against each other, and to be ruled by the meaner emotions, we dig our own graves alongside those of the people we abandon. It's only when we understand our essential commonality that we can protect ourselves: not as individual humans, but as members of an indivisible whole.

I try to dig deep into my memory vault but my memory fault is all I find.

Instead of digging through old memories, allow yourself to let go. Cry as much as you want to.

Remember that time slurs over everything, let all deeds fade, blurs all writings and kills all memories. Exempt are only those which dig into the hearts of men by love.

Q: Bury deep, Pile on stones, Yet I will Dig up the bones. What am I? A: Memories — A FOLK RIDDLE

City of Percepliquis Ever sought, forever missed Pick and shovel, dig and haul Search forever, fall the wall. Gala halted, city’s doom Spring warmth chilled with dust and gloom Darkness sealed, blankets all Death upon them, fall the wall. Ancient stones upon the Lee Dusts of memories gone we see Once the center, once the all Lost forever, fall the wall

Perhaps what we’re all looking for, my dear Diary, is never truth as revelation, but rather truth as possibility, the gleam at the bottom of the mine in which we’ve been endlessly digging without a headlamp.

Hey kid. Remember when John asked you to be in charge of watering the plants outside our door?' Eden frowns for a second, digging through his memories, and then a grin lights us his face. 'I did a pretty good job, didn't I?' 'You built that little makeshift catapult in front of our door.' I close my eyes and indulge in the memory, a temporary distraction from all the pain. 'Yeah, I remember that thing. You kept lobbing water balloons at those poor flowers. Did they have any petals when you were done? Oh man, John was so pissed.' He was even madder because Eden was only four at the time, well, how do you punish your wide-eyed baby brother.

What do you think people should say to someone who’s just lost a loved one? I don’t think there are many options.” Petra thought for a moment. “If you knew the person who died, I think you should share a memory, something you don’t think they’d know about. The wilder the better.” “And if you didn’t know the person who died?” “Then you should ask for a good memory that best describes him or her. Let the grieving person have a moment with that person again.

Every new way I get to touch her is an explosion in my brain of neural pathways opening up and digging a memory into my brain. Wires crossing and sparking to life a piece of myself I never knew existed. It was lying dormant until this

Poets claim that we recapture for a moment the self that we were long ago when we enter some house or garden in which we used to live in our youth. But these are most hazardous pilgrimages, which end as often in disappointment as in success. It is in ourselves that we should rather seek to find those fixed places, contemporaneous with different years. And great fatigue followed by a good night's rest can to a certain extent help us to do so. For in order to make us descend into the most subterranean galleries of sleep, where no reflexion from overnight, no gleam of memory comes to light up the interior monologue—if the latter does not itself cease—fatigue followed by rest will so thoroughly turn over the soil and penetrate the bedrock of our bodies that we discover down there, where our muscles plunge and twist in their ramifications and breathe in new life, the garden where we played in our childhood. There is no need to travel in order to see it again; we must dig down inwardly to discover it. What once covered the earth is no longer above but beneath it; a mere excursion does not suffice for a visit to the dead city: excavation is necessary also. But we shall see how certain fugitive and fortuitous impressions carry us back even more effectively to the past, with a more delicate precision, with a more light-winged, more immaterial, more headlong, more unerring, more immortal flight, than these organic dislocations.

The thing to remember about clarity is that what needs to become clear, will naturally become clear. Meditation is not about rooting around in the recesses of the mind, digging up old memories, getting caught up in analysis and trying to make sense of it all.

Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to. “Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?” “Please just go,” I begged. “I need to be alone.” He kept coming straight at me. “Please,” I shouted, “go away!” “I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?” I looked away. “Nothing I didn’t ask for.” Liam’s only response was to move back a few paces back. Giving me space. “I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.” “I don’t want you here.” He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.” I caught it with one hand and pressed it to my chest. It was still warm. He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?” I couldn’t bring myself to answer. “Ruby, you’re scaring the hell out of me.” “Good.” I balled up his sweater and threw it into the darkness as hard as I could. He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?” I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead. “I can’t do this anymore,” I cried. “Why won’t you just leave me alone?” “Because you would never leave me.” His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him. His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled. “Ruby—” I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it. Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…” I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.

The mind was a capricious and undisciplined creature. You couldn't always keep it on a lead, and it was for ever dashing off into the undergrowth of the past, digging up some decayed bone of memory, and bringing it back, with tail wagging, to lay it at your feet.

Lost between segments of a ferocious horizon, the white-helmeted explorer prepares to die and assembles his memories in order to discover how an explorer should end his days: with his arms outstretched and his face in the sand, or should he dig a fugitive tomb because of wind and hyenas, or just curl up in the so-called broken-gun position which causes so much worry to mothers when they discover that this is the position in which their offspring prefer to fall asleep, or will it be a lion or sunstroke or thirst that does the honours for him.

The mind is constantly trawling through memories to find those that echo our current emotional state. For example, if you feel threatened, the mind instantly digs up memories of when you felt endangered in the past, so that you can spot similarities and find a way of escaping.

I called it the San Clemente Syndrome. Today's Basilica of San Clemente is built on the site of what once was a refuge for persecuted Christians. The home of the Roman consul Titus Flavius Clemens, it was burnt down during Emperor Nero's reign. Next to its charred remains, in what must have been a large, cavernous vault, the Romans built an underground pagan temple dedicated to Mithras, God of the Morning, Light of the World, over whose temple the early Christians built another church, dedicated -coincidentally or not, this is a matter to be further excavated to another Clement, Pope St. Clement, on top of which came yet another church that burnt down and on the site of which stands today's basilica. And the digging could go on and on. Like the subconscious, like love, like memory, like time itself, like every single one of us, the church is built on the ruins of subsequent restorations, there is no rock bottom, there is no first anything, no last anything, just layers and secret passageways and interlocking chambers, like the Christian Catacombs, and right along these, even a Jewish Catacomb.

I think about lying down. No, that would not do. I crouch by the trunk, my finger stroking the bark, seeking a Braille code, a clue, a message on how to come back to life after my long undersnow dormancy. I have survived. I am here. Confused, screwed up, but here. So, how can I find my way? Is there a chain saw of the soul, an ax I can take to my memories or fears? I dig my fingers into the dirt and squeeze. A small, clean part of me waits to warm and burst through the surface. Some quiet Melindagirl I haven't seen in months. This is the seed I will care for.

[What is honor]—I suspect that if, after reading this book, you were to go and ask the question of your friends and acquaintances, you might experience some difficultly finding someone who could give you, off the cuff, an accurate and adequate definition of honor. Those who do respond will probably offer synonyms, digging into their memories for other words that are seldom used in today's world, like integrity, probity, morality, and self-sufficiency based upon an ethical and moral code. Some might even refine that further to include a conscience, but no one has ever really succeeded in defining honor absolutely, because it is a very personal phenomenon, resonating differently in everyone who is aware of it. We seldom speak of it today, in our post-modern, post-everything society. It is an anachronism, a quaint, mildly amusing concept from a bygone time, and those of us who do speak of it and think of it are regarded benevolently, and condescendingly, as eccentrics. But honor, in every age except, perhaps, our own, has been highly regarded and greatly respected, and it has always been one of those intangible attributes that everyone assumes they possess naturally and in abundance. The standards established for it have always been high, and often artificially so, and throughout history battle standards have been waved as symbols of the honor and prowess of their owners. But for men and women of goodwill, the standard of honor has always been individual, jealously guarded, intensely personal, and uncaring of what others may think, say, or do.

So now he better understood how couples clung to their own story—each, often, to a separate part of it—long after it had gone cold on them, even to the point where they were not sure they could bear one another. Bad love still contained the remnant, the memory, of good love—somewhere, deep down, where neither of them any longer wanted to dig.

He remembered the black sands beach along California’s lost coast where his mother finally gave up the fight. He hadn’t even realized she’d been injured so badly after running into his father in Seattle. She’d bled most of the way though Oregon, but he hadn’t thought it was serious. He hadn’t known she was bleeding out on the inside, a kidney and her liver ruptured, her intestines bruised beyond repair. […] They stopped six feet from the tide and she made him repeat every promise she’d ever dragged out of him: don’t look back, don’t slow down, and don’t trust anyone. Be anyone but himself, and never be anyone for too long. By the time Neil understood she was saying goodbye, it was too late. She died gasping for one more breath, panting with something that might have been words or his name or fear. Neil could still feel her fingernails digging into his arms as she fought not to slip away, and the memory left him shaking all over. Her abdomen felt like stone when he touched her, swollen and hard. He tried pulling her from her seat only once, but the sound of her dried blood ripping off the vinyl like Velcro killed him. […] He hadn’t cried when the flames caught, and he hadn’t flinched when he pulled her cooling bones out. […] By the time he found the highway again he was numb with shock, and he lasted another day before he fell to his knees on the roadside and puked his guts out.

So now he better understood how couples clung to their own story - each, often, to a separate part of it - long after it had gone cold on them, even to the point where they were not sure they could bear one another. Bad love still contained the remnant, the memory, of good love - somewhere, deep down, where neither of them any longer wanted to dig.

This is sacred space. Libation . . . instead of pouring water on the ground, I pour words on the page. I begin with this libation in honor of all of those unknown and known spirits who surround us. I acknowledge the origins of this land where I am seated while writing this introduction. This land was inhabited by Indigenous people, the very first people to inhabit this land, who lived here for thousands of years before the Europeans arrived and were unfortunately unable to cohabitate without dominating, enslaving, raping, terrorizing, stealing from, relocating, and murder- ing the millions of members of Indigenous nations throughout Turtle Island, which is now known as North America. I write libation to those millions of Indigenous women, men, and children; and those millions of kidnapped and enslaved African women, men, and children whose genocide, confiscated land, centuries of free labor, forced migration, traumatic memories of rape, and sweat, tears, and blood make up the very fiber and foundation of all of the Americas and the Caribbean.

Varför rymde du inte? Hon hade ju kunnat hjälpa dig härifrån. Då hade du kunnat bli fri", sa han och rörde vid min haka. "Men det gjorde du inte. Du stannade kvar här. Varför det?" Han frågade mig envist om orsaken. Han borde ju veta mycket väl att en människa som har förlorat orden inte kan förklara några orsaker. Vad var det då han krävde av mig? Jag förblev bara alldeles stel.

Language shows clearly that memory is not an instrument for exploring the past but its theater. It is the medium of past experience, as the ground is the medium in which dead cities lie interred. He who seeks to approach his own buried past must conduct himself like a man digging. This confers the tone and bearing of genuine reminiscences. He must not be afraid to return again and again to the same matter, to scatter it as one scatters earth, to turn it over as one turns over soil. For the matter itself is only a deposit, a stratum, which yields only to the most meticulous examination what constitutes the real treasure hidden within the earth: the images, severed from earlier associations, that stand—like precious fragments or torsos in a collector’s gallery—in the prosaic rooms of our later understanding.

I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. It called to mind how I noticed the exact same thing when I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or if the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head. Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had to lie down on his back and roll. He twisted and thrashed around like a fish, back bowed and belly up, and when he got to his feet and shook himself a spray came off him in the moon like silver scales. He sniffed all the holes over again one quick one, to get the smells down good, then suddenly froze still with one paw lifted and his head tilted, listening. I listened too, but I couldn’t hear anything except the popping of the window shade. I listened for a long time. Then, from a long way off, I heard a high, laughing gabble, faint and coming closer. Canada honkers going south for the winter. I remembered all the hunting and belly-crawling I’d ever done trying to kill a honker, and that I never got one. I tried to look where the dog was looking to see if I could find the flock, but it was too dark. The honking came closer and closer till it seemed like they must be flying right through the dorm, right over my head. Then they crossed the moon — a black, weaving necklace, drawn into a V by that lead goose. For an instant that lead goose was right in the center of that circle, bigger than the others, a black cross opening and closing, then he pulled his V out of sight into the sky once more. I listened to them fade away till all I could hear was my memory of the sound.

I have tried so hard to forget, but memory is a stubborn thing. Memories linger no matter what I do. They're there all the time – and worse. Even my dreams aren't safe. I have vicious nightmares, and they're real – too real – and suddenly I'm back there. I can't will them away, I can't squeeze them away, and the more I try the more they burrow in my head. I want to cut open my skull and dig my fingers into my brain and just pull them out.

It means what it says," he managed, staring at her again. "There's not a lot of subtlety in this particular strip." She took the paper back from him and stuck it in her pocket. It was something she intended to keep forever. "You've used me rather lavishly in your work recently." She had to tilt back her head in order to keep her eyes level with his. Grant thought she looked more regal than ever. If she turned her thumb down, she could throw him to the lions. "Didn't it occur to you to ask permission first?" "Artist's privilage." He felt the light spray hit his back, saw it dampen her hair. "Where the hell did you go?" he heard himself demand. "Where the hell have you been?" Her eyes narrowed. "That's my business, isn't it?" "Oh,no." He grabbed her arms and shook. "Oh,no,it's not.You're not going to walk out on me." Gennie set her teeth and waited until he'd stopped shaking her. "If memory serves,you did the walking figuratively before I did it literally." "All right! I acted like an idiot. You want an apology?" he shouted at her. "I'll give you any kind you want. I'll-" He broke off, his breath heaving. "Oh,God,first." And his mouth crushed down on hers, his fingers digging into her shoulders. The groan that was wrenched from him was only one more sign of a desperate need. She was here,she was his.He'd never let her go again.

Hunger" Digging into the apple with my thumbs scraping out the clogged nails and digging deeper refusing the moon color. Refusing the smell of memories. Digging in with the sweet jucie running along my hands unpleasantly. Refusing the sweetness. Turning my hands to gouge out chunks. Feeling the jucie sticky on my wrist. The skin itching. Getting to the wooden part. Getting the seeds. Going on. Not taking anyone's word for it. Getting beyond the seeds.

[Vilie] didn't answer [Ate] but came out with a rusty spade. He began to dig the soil next to Pehu's blood. When he had dug a deep hole he scooped up the dried blood with the spade, put it in the earth and covered it up. Then he put some stones over it in such a way that a passer-by would know it was a memorial, and hesitate to disturb it. He felt the despondence lift from his spirit. Slowly he walked away from the shed, leading them back onto the small path by the fields.

Focus on yourself instead. Go see a therapist and dig into your earliest memories, what makes you tick, what you want from your life, and what you expect from love. Dig in and figure out who you are. Keep a journal and write down your thoughts every morning and every night. Listen to music if that helps you to access your emotions more easily. While you’re doing this, train your social energies on enriching your friendships. Think about what it would take to have closer friendships with people. Would you have to see each other more often for camaraderie and familiarity to build? Would you need to have lunch or dinner so you could sit across from each other and talk? What if you hosted a weekly poker game with the same people every week, women and men? What if you tried to go out to a movie with a friend once a month? Casual friendships grow into close friendships with repeated experience, so allow it to happen. Accumulate experience together. As you each open up, trust will build.

No memorial has been built on Rebero. Nothing to commemorate the fallen but boulders and white and rust-red stones. I look for signs from the hill, I dig at the ground. The sun is straight overhead. This is the hour of mirages. I push away the little rocks, I scratch at the ground. I find a shred of tattered cloth half-buried in the dirt. I try to convince myself that it comes from Antoine’s shirt. I hesitate, then leave that false relic where it lies. I pick up a stone with a sharp edge. In remembrance.

THE ANTHEM OF HOPE Tiny footprints in mud, metal scraps among thistles Child who ambles barefooted through humanity’s war An Elderflower in mud, landmines hidden in bristles Blood clings to your feet, your wee hands stiff and sore You who walk among trenches, midst our filth and our gore Box of crayons in hand, your tears tumble like crystals Gentle, scared little boy, at the heel of Hope Valley, The grassy heel of Hope Valley. And the bombs fall-fall-fall Down the slopes of Hope Valley Bayonets cut-cut-cut Through the ranks of Hope Valley Napalm clouds burn-burn-burn All who fight in Hope Valley, All who fall in Hope Valley. Bullets fly past your shoulder, fireflies light the sky Child who digs through the trenches for his long sleeping father You plant a kiss on his forehead, and you whisper goodbye Vain corpses, brave soldiers, offered as cannon fodder Nothing is left but a wall; near its pallor you gather Crayon ready, you draw: the memory of a lie Kind, sad little boy, sketching your dream of Hope Valley Your little dream of Hope Valley. Missiles fly-fly-fly Over the fields of Hope Valley Carabines shoot-shoot-shoot The brave souls of Hope Valley And the tanks shell-shell-shell Those who toiled for Hope Valley, Those who died for Hope Valley. In the light of gunfire, the little child draws the valley Every trench is a creek; every bloodstain a flower No battlefield, but a garden with large fields ripe with barley Ideations of peace in his dark, final hour And so the child drew his future, on the wall of that tower Memories of times past; your tiny village lush alley Great, brave little boy, the future hope of Hope Valley The only hope of Hope Valley. And the grass grows-grows-grows On the knolls of Hope Valley Daffodils bloom-bloom-bloom Across the hills of Hope Valley The midday sun shines-shines-shines On the folk of Hope Valley On the dead of Hope Valley From his Aerodyne fleet The soldier faces the carnage Uttering words to the fallen He commends their great courage Across a wrecked, tower wall A child’s hand limns the valley And this drawing speaks volumes Words of hope, not of bally He wipes his tears and marvels The miracle of Hope Valley The only miracle of Hope Valley And the grass grows-grows-grows Midst all the dead of Hope Valley Daffodils bloom-bloom-bloom For all the dead of Hope Valley The evening sun sets-sets-sets On the miracle of Hope Valley The only miracle of Hope Valley (lyrics to "the Anthem of Hope", a fictional song featured in Louise Blackwick's Neon Science-Fiction novel "5 Stars".

We’re in a period right now where nobody asks any questions about psychology. No one has any feeling for human motivation. No one talks about sexuality in terms of emotional needs and symbolism and the legacy of childhood. Sexuality has been politicized--“Don’t ask any questions!” "No discussion!" “Gay is exactly equivalent to straight!” And thus in this period of psychological blindness or inertness, our art has become dull. There’s nothing interesting being written--in fiction or plays or movies. Everything is boring because of our failure to ask psychological questions. So I say there is a big parallel between Bill Cosby and Bill Clinton--aside from their initials! Young feminists need to understand that this abusive behavior by powerful men signifies their sense that female power is much bigger than they are! These two people, Clinton and Cosby, are emotionally infantile--they're engaged in a war with female power. It has something to do with their early sense of being smothered by female power--and this pathetic, abusive and criminal behavior is the result of their sense of inadequacy. Now, in order to understand that, people would have to read my first book, "Sexual Personae"--which of course is far too complex for the ordinary feminist or academic mind! It’s too complex because it requires a sense of the ambivalence of human life. Everything is not black and white, for heaven's sake! We are formed by all kinds of strange or vague memories from childhood. That kind of understanding is needed to see that Cosby was involved in a symbiotic, push-pull thing with his wife, where he went out and did these awful things to assert his own independence. But for that, he required the women to be inert. He needed them to be dead! Cosby is actually a necrophiliac--a style that was popular in the late Victorian period in the nineteenth-century. It's hard to believe now, but you had men digging up corpses from graveyards, stealing the bodies, hiding them under their beds, and then having sex with them. So that’s exactly what’s happening here: to give a woman a drug, to make her inert, to make her dead is the man saying that I need her to be dead for me to function. She’s too powerful for me as a living woman. And this is what is also going on in those barbaric fraternity orgies, where women are sexually assaulted while lying unconscious. And women don’t understand this! They have no idea why any men would find it arousing to have sex with a young woman who’s passed out at a fraternity house. But it’s necrophilia--this fear and envy of a woman’s power. And it’s the same thing with Bill Clinton: to find the answer, you have to look at his relationship to his flamboyant mother. He felt smothered by her in some way. But let's be clear--I’m not trying to blame the mother! What I’m saying is that male sexuality is extremely complicated, and the formation of male identity is very tentative and sensitive--but feminist rhetoric doesn’t allow for it. This is why women are having so much trouble dealing with men in the feminist era. They don’t understand men, and they demonize men.

The scale of the misery was so vast in America — as elsewhere — that I find it impossible to understand why I didn’t learn more about it in school, or through memorials or stories. As many as twenty thousand Americans died in a week during the height of the Spanish flu. Steam shovels were used to dig mass graves. Health authorities today fear precisely such an event. Many insist that a pandemic based on the H5N1 virus strain is inevitable, and the question is really one of when it will strike and, most important, just how severe it will be.

I think about lying down. No, that would not do. I crouch by the trunk, my fingers stroking the bark, seeking a Braille code, a clue, a message on how to come back to life after my long undersnow dormancy. I have survived. I am here. Confused, screwed up, but here. So, how can I find my way? Is there a chain saw of the soul, an ax I can take to my memories or fears? I dig my fingers into the dirt and squeeze. A small, clean part of me waits to warm and burst through the surface. Some quiet Melindagirl I haven’t seen in months. That is the seed I will care for.

I love the ocean. My perfect day is spent riding waves at the beach, preferably early in the morning or just before sunset, when the light is beautiful and the crowds are sparse. I've loved the ocean my whole life. Some of my greatest memories are of piling in the station wagon with my family for a long drive to the beach, where we'd spend the day swimming, playing in the sand, digging for clams, or combing the shore for shells. I've always been taken by the majesty of the sea; the mystery of the unseen world below; and the calming, rhythmic sound of the waves.

You could not dig back, I thought, through the dust of years, through the memories and the happenings and the changes in yourself—in both your selves—to rescue out of time another day and hour. And even if you found it, you could not dust it clean, you could never make it shine as you remembered it. For perhaps it never had been quite the shining thing that you remembered, perhaps you had burnished it in your longing and your loneliness. And perhaps it was only once in every lifetime (and perhaps not in every lifetime) that a shining moment came. Perhaps there was a rule that it could never come again.

He moved on down the alley, his feet walking forward and his brain swimming backward through a sea of time. It was a dark sea, much darker than the alley. The tide was slow and there were no waves, just tiny ripples that murmured very softly. Telling him about yesterday. Telling him that yesterday could never really be discarded, it was always a part of now. There was just no way to get rid of it. No way to push it aside or throw it into an ash can, or dig a hole and bury it. For all buried memories were nothing more than slow-motion boomerangs, taking their own sweet time to come back. This one had taken seven years.

North Korea may be the craziest country in the world. It’s certainly a good competitor for that title. But it does make sense to try to figure out what’s in the minds of people when they’re acting in crazy ways. Why would they behave the way they do? Just imagine ourselves in their situation. Imagine what it meant in the Korean War years of the early 1950s for your country to be totally leveled, everything destroyed by a huge superpower, which furthermore was gloating about what it was doing. Imagine the imprint that would leave behind. Bear in mind that the North Korean leadership is likely to have read the public military journals of this superpower at that time explaining that, since everything else in North Korea had been destroyed, the air force was sent to destroy North Korea’s dams, huge dams that controlled the water supply -- a war crime, by the way, for which people were hanged in Nuremberg. And these official journals were talking excitedly about how wonderful it was to see the water pouring down, digging out the valleys, and the Asians scurrying around trying to survive. The journals were exulting in what this meant to those “Asians,” horrors beyond our imagination. It meant the destruction of their rice crop, which in turn meant starvation and death. How magnificent! It’s not in our memory, but it’s in their memory.

I swear to you, this is not bullshit or a screen memory, these are the very words these women use. The great dark operatic themes of human suffering and passion come rolling out of those mouths like the prices of Oxydol and Del Monte canned corn! My own mother, let me remind you, when I returned this past summer from my adventure in Europe, greets me over the phone with the following salutation: “Well, how’s my lover?” Her lover she calls me, while her husband is listening on the other extension! And it never occurs to her, if I’m her lover, who is he, the schmegeggy she lives with? No, you don’t have to go digging where these people are concerned—they wear the old unconscious on their sleeves!

I have lost some fundamental part of my knowing, some elemental human feeling. Without it, the world feels like tap water left overnight, flat and chemical, devoid of life. I am like lightning seeking earth. Uneasy, I carry the prickle of potential energy in my limbs, ever deferred from the point of contact, the moment of release. Instead, it gathers in me, massing like a storm that never comes. I lack the language to even describe it, this vast unsettled sense that I am slipping over the glassy surface of things, afraid of what lurks beneath. I need a better way to walk through this life. I want to be enchanted again. Enchantment is small wonder magnified through meaning, fascination caught in the web of fable and memory. It relies on small doses of awe, almost homeopathic: those quiet traces of fascination that are found only when we look for them. It is the sense that we are joined together in one continuous thread of existence with the elements constituting this earth, and that there is a potency trapped in this interconnection, a tingle on the border of our perception. It is the forgotten seam of our geology, the elusive particle that binds our unstable matter: the ability to sense magic in the everyday, to channel it through our minds and bodies, to be sustained by it. Without it, I feel I am lacking some essential nutrient, some vitamin found only when you go digging in your own soil.

This is not psychiatry,” Olivia says. “It is not therapy. It is poetry, my dear. The talent was there before awful things happened to you, it came with the original equipment just as your brother’s did, but talent is a dead engine. It runs on every unresolved experience—every unresolved trauma, if you like—in your life. Every conflict. Every mystery. Every deep part of your character you find not just unlikeable but loathsome.” One hand goes up and makes a fist. Barbara can tell it hurts Olivia to do that, but she does it anyway, closing her fingers tight, nails digging into the thin skin of her palm. “Keep it,” she says. “Keep it as long as you can. It’s your treasure. You will use it up and then you will have to rely on the memory of the ecstasy you once felt, but while you have it, keep it. Use it.

The hard part, evolutionarily, was getting from prokaryotic cells to eukaryotic ones, then getting from single-celled organisms to multicellular ones. Earth is around 4.5 billion years old, a timescale I simply cannot get my head around. Instead let’s imagine’s Earth’s history as a calendar year, with the formation of Earth being January 1 and today being December 31 at 11:59pm. The first life on Earth emerges around February 25. Photosynthetic organisms first appear in late March. Multicellular life doesn’t appear until August or September. The first dinosaurs like eoraptor show up about 230 million years ago, or December 13 in our calendar year. The meteor impact that heralds the end of the dinosaurs happens around December 26. Homo sapiens aren’t part of the story until December 31 at 11:48 pm. Agriculture and large human communities and the building of monolithic structures all occur within the last minute of this calendar year. The Industrial Revolution, two world wars, the invention of basketball, recorded music, the electric dishwasher, and vehicles that travel faster than horses all happen in the last couple of seconds. Put another way: It took Earth about three billion years to go from single-celled life to multicellular life. It took less than seventy million years to go from Tyrannosaurus rex to humans who can read and write and dig up fossils and approximate the timeline of life and worry about its ending. Unless we somehow manage to eliminate all multicellular life from the planet, Earth won’t have to start all over and it will be okay--- at least until the oceans evaporate and the planet gets consumed by the sun. But we`ll be gone by then, as will our collective and collected memory. I think part of what scares me about the end of humanity is the end of those memories. I believe that if a tree falls in the woods and no one is there to hear it, it does make a sound. But if no one is around to play Billie Holiday records, those songs won’t make a sound anymore. We’ve caused a lot of suffering, but we’ve also caused much else. I know the world will survive us – and in some ways it will be more alive. More birdsong. More creatures roaming around. More plants cracking through our pavement, rewilding the planet we terraformed. I imagine coyotes sleeping in the ruins of the homes we built. I imagine our plastic still washing up on beaches hundreds of years after the last of us is gone. I imagine moths, having no artificial lights toward which to fly, turning back to the moon.

For memory is not a copy, always present to our eyes, of the various events of our life, but rather a void from which, every now and then, a present resemblance allows us to recover, to resurrect, dead recollections; but there are also thousands of tiny facts which never fell into this well of potential memories and which we shall never be able to check. Everything which we think irrelevant to the day-to-day life of the person we love is dismissed without consideration; we immediately forget what she tells us about this or that fact or person unknown to us, and the expression on her face when she was saying it. So, when later our jealousy is aroused by these same persons and we need to know that we are not mistaken, that it is they who are the cause of our mistress’s haste to go out, her annoyance with us for depriving her of their company by coming home too early, our jealousy, digging in the past for clues, finds nothing;

I cannot remember who scored runs or took wickets, and I have always held in check the temptation to take an archaeological dig into Wisden to find out. Long ago I realised that to go looking for the evidence risked shaking loose the memories I already had; and possibly losing some of them as a consequence. So the important fragments of that day remain intact, shut and airtight in my mind, as if sealed in a jar. The scorecard my grandfather bought me - and filled in with a silver ballpoint pen - is long gone too. I have nothing that preserves our time together there except for the dozen or so still, square images which I can slide in a private show across my mind. These keep alive its broad outline, which is sufficient. The bold statistics don't matter anyway. What does matter is the imprint our journey to Trent Bridge left on me. It's evident in this book, which is also part-payment of an outstanding debt to my grandfather which I can never fully repay.

Sensing the potential donor’s growing frustration, and wanting to end on a positive note so that they might be able to meet again, my student used another label. “It seems that you are really passionate about this gift and want to find the right project reflecting the opportunities and life-changing experiences the Girl Scouts gave you.” And with that, this “difficult” woman signed a check without even picking a specific project. “You understand me,” she said as she got up to leave. “I trust you’ll find the right project.” Fear of her money being misappropriated was the presenting dynamic that the first label uncovered. But the second label uncovered the underlying dynamic—her very presence in the office was driven by very specific memories of being a little Girl Scout and how it changed her life. The obstacle here wasn’t finding the right match for the woman. It wasn’t that she was this highly finicky, hard-to-please donor. The real obstacle was that this woman needed to feel that she was understood, that the person handling her money knew why she was in that office and understood the memories that were driving her actions. That’s why labels are so powerful and so potentially transformative to the state of any conversation. By digging beneath what seems like a mountain of quibbles, details, and logistics, labels help to uncover and identify the primary emotion driving almost all of your counterpart’s behavior, the emotion that, once acknowledged, seems to miraculously solve everything else.

While they fought for the privilege of carrying him on their shoulders along the steep escarpment by the cliffs, men and women became aware for the first time of the desolation of their streets, the dryness of their courtyards, the narrowness of their dreams as they faced the splendor and beauty of their drowned man. They let him go without an anchor so that he could come back if he wished and whenever he wished, and they all held their breath for the fraction of centuries the body took to fall into the abyss. They did not need to look at one another to realize that they were no longer all present, that they would never be. But they also knew that everything would be different from then on, that their houses would have wider doors, higher ceilings, and stronger floors so that Esteban's memory could go everywhere without bumping into beams and so that no one in the future would dare whisper the big boob finally died, too bad, the handsome fool has finally died, because they were going to paint their house fronts gay colors to make Esteban's memory eternal and they were going to break their backs digging for springs among the stones and planting flowers on the cliffs so that in future years at dawn the passengers on great liners would awaken, suffocated by the smell of gardens on the high seas, and the captain would have to come down from the bridge in his dress uniform, with his astrolabe, his pole star, and his row of war medals and, pointing to the promontory of roses on the horizon, he would say in fourteen languages, look there, where the wind is so peaceful now that it's gone to sleep beneath the beds, over there, where the sun's so bright that the sunflowers don't know which way to turn, yes, over there, that's Esteban's village.

I stared through the front door at Barrons Books and Baubles, uncertain what surprised me more: that the front seating cozy was intact or that Barrons was sitting there, boots propped on a table, surrounded by piles of books, hand-drawn maps tacked to the walls. I couldn’t count how many nights I’d sat in exactly the same place and position, digging through books for answers, occasionally staring out the windows at the Dublin night, and waiting for him to appear. I liked to think he was waiting for me to show. I leaned closer, staring in through the glass. He’d refurnished the bookstore. How long had I been gone? There was my magazine rack, my cashier’s counter, a new old-fashioned cash register, a small flat-screen TV/DVD player that was actually from this decade, and a sound dock for my iPod. There was a new sleek black iPod Nano in the dock. He’d done more than refurnish the place. He might as well have put a mat out that said WELCOME HOME, MAC. A bell tinkled as I stepped inside. His head whipped around and he half-stood, books sliding to the floor. The last time I’d seen him, he was dead. I stood in the doorway, forgetting to breathe, watching him unfold from the couch in a ripple of animal grace. He crammed the four-story room full, dwarfed it with his presence. For a moment neither of us spoke. Leave it to Barrons—the world melts down and he’s still dressed like a wealthy business tycoon. His suit was exquisite, his shirt crisp, tie intricately patterned and tastefully muted. Silver glinted at his wrist, that familiar wide cuff decorated with ancient Celtic designs he and Ryodan both wore. Even with all my problems, my knees still went weak. I was suddenly back in that basement. My hands were tied to the bed. He was between my legs but wouldn’t give me what I wanted. He used his mouth, then rubbed himself against my clitoris and barely pushed inside me before pulling out, then his mouth, then him, over and over, watching my eyes the whole time, staring down at me. What am I, Mac? he’d say. My world, I’d purr, and mean it. And I was afraid that, even now that I wasn’t Pri-ya, I’d be just as out of control in bed with him as I was then. I’d melt, I’d purr, I’d hand him my heart. And I would have no excuse, nothing to blame it on. And if he got up and walked away from me and never came back to my bed, I would never recover. I’d keeping waiting for a man like him, and there were no other men like him. I’d have to die old and alone, with the greatest sex of my life a painful memory. So, you’re alive, his dark eyes said. Pisses me off, the wondering. Do something about that. Like what? Can’t all be like you, Barrons. His eyes suddenly rushed with shadows and I couldn’t make out a single word. Impatience, anger, something ancient and ruthless. Cold eyes regarded me with calculation, as if weighing things against each other, meditating—a word Daddy used to point out was the larger part of premeditation. He’d say, Baby, once you start thinking about it, you’re working your way toward it. Was there something Barrons was working his way toward doing? I shivered.

Even if for some reason I never saw you again The memory of you is enough for me to dig for strength so I can pull myself off the floor

The black panic, that’s what woke me; that all too familiar blend of terror and heinousness that buzzed beneath my skin where no eye could detect it and no scalpel could dig it out, where it would remain until I exorcised it out of me. Last night's memories were making their entrance.

The ship retains much of its original structure, meaning that she has not disintegrated or collapsed. In addition, many artifacts have been discovered in the miles surrounding the wreckage: everything from toys to furniture to dishes to personal items (the remains of anyone on board would have been consumed by sea life and bacteria long ago). Talk about raising the ship has also circulated. However, such an undertaking may not be possible: first of all, while vessels can reach such depths, the kind of equipment needed to lift such a heavy load probably cannot (not to mention the power needed to supply it). Secondly, the ship is undoubtedly in fragile condition, and attempting to move it in any way may destroy it. Finally, many people view the undersea wreckage as a kind of gravesite or memorial to the people who lost their lives. Moving it would be akin to digging up the bodies. The wreckage is actually protected by United Nations law, much as other historical sites are similarly protected.

I thought about all of the people who said they were sorry when Jesse died. I knew they meant it, and I appreciated it, but I wondered if there was something else I would have rather heard. 'What do you think people should say to someone who's just lost a loved one? I don't think there are many options.' Petra thought for a moment. 'If you knew the person who died, I think you should share a memory, something you don't think they'd know about. The wilder the better.' 'And if you didn't know the person who died?' 'Then you should ask for a good memory that best describes him or her. Let the grieving person have a moment with that person again.' 'Couldn't that be too painful?' I asked. 'It's all painful. Listening to a hundred people apologize for something they had nothing to do with is excruciating, isn't it? They can't reverse anything with their apologies.' I wasn't sure I agreed with her, but it was a fresh perspective. Petra was rough around the edges, but she had wisdom I suspected was hard-won.

Devote another page to “Regrets” and another to “Aspirations.” Once you start digging in those dark caves, prepare for all sorts of memories to burble up. Carry that notebook with you everywhere for at least a week so you have a place to record all your recollections. If you're sleeping, your journal should be next to your bed. If you're out and about, it should be in hand, purse, or backpack. Set your alarm for ten minutes before you need to wake up, and when it goes off, write down all your dreams quick.

Why, Reshi?"The words poured out of Bast in a sudden gush. "Why did you stay there when it was so awful?" Kvothe nodded to himself, as if he had been expecting the question. "Where else was there for me to go, Bast? Everyone I knew was dead." "Not everyone," Bast insisted. "There was Abenthy. You could have gone to him." "Hallowfell was hundreds of miles away, Bast," Kvothe said wearily as he wandered to the other side of the room and moved behind the bar. Hundreds of miles without my father's maps to guide me. Hundreds of miles without wagons to ride or sleep in. Without help of any sort, or money, or shoes. Not an impossible journey, I suppose. But for a young child, still numb with the shock of losing his parents. . . ." Kvothe shook his head. "No. In Tarbean at least I could beg or steal. I'd managed to survive in the forest for a summer, barely. But over the winter?" He shook his head. "I would have starved or frozen todeath." Standing at the bar, Kvothe filled his mug and began to add pinches of spice from several small containers, then walked toward the great stone fireplace, a thoughtful expression on his face. "You're right, of course. Anywhere would have been better than Tarbean." He shrugged, facing the fire. "But we are all creatures of habit. It is far too easy to stay in the familiar ruts we dig for ourselves. Perhaps I even viewed it as fair. My punishment for not being there to help when the Chandrian came. My punishment for not dying when I should have, with the rest of my family." Bast opened his mouth, then closed it and looked down at the tabletop, frowning. Kvothe looked over his shoulder and gave a gentle smile. "I'm not saying it's rational, Bast. Emotions by their very nature are not reasonable things. I don't feel that way now, but back then I did. I remember." He turned back to the fire. "Ben's training has given me a memory so clean and sharp I have to be careful not to cut myself sometimes." Kvothe took a mulling stone from the fire and dropped it into his wooden mug. It sank with a sharp hiss. The smell of searing clove and nutmeg filled the room. Kvothe stirred his cider with a long-handled spoon as he made his way back to the table. "You must also remember that I was not in my right mind. Much of me was still in shock, sleeping if you will. I needed something, or someone, to wake me up." He nodded to Chronicler, who casually shook his writing hand to loosen it, then unstoppered his inkwell. Kvothe leaned back in his seat. "I needed to be reminded of things I had forgotten. I needed a reason to leave. It was years before I met someone who could do those things." He smiled at Chronicler. "Before I met Skarpi.

Sort pills. Write note to family. Fold blanket. I am alone. Alone in a dark, unfamiliar room filled with piles and piles of stuff, reminiscent of a neglected storage locker. I know researchers are observing me from behind one-way glass—that this is an experiment in empathy, that we are, in fact, on the sprawling campus of a pharmaceutical company in New Jersey, that I can rip off the headphones at any moment and return to my present life, my real life—but this offers me no comfort. I can barely see through the goggles. My feet hurt. Every step is agony, the sharp plastic spikes digging into my soles. Sort pills. Write note to family. Fold blanket. I try to make out the shapes around me. I see an ironing board, a stack of sweaters. A ball of twine. My determination to cross items off any to-do list—always a strong suit of mine—feels slippery. Suddenly, I am a child playing hide-and-seek in the dark. Counting. Eyes squeezed shut. Terrified. Wondering if anyone will ever find me. Blanket. Pills. Note. I keep repeating the words like a prayer so I can remember them through the terrible din. The inside of my head is a needle against a scratched record, skipping, skipping. I feel my way around a cluttered table. A pill case! I try to pick it up. I barely feel it in the palm of my hand. After several tries, I get it open. Then I begin to sort the pills as best I can. Most of them spill to the floor, and I am suddenly, irrationally furious. I move around the table, supporting myself on my hands to take the pressure off my feet. I push an iron out of the way, a magazine, a wooden hanger. The notebook. I find the notebook. My gloved fingers won’t close around a pencil, so I hold it the way a child would, in my fist. By now it all feels nearly futile. I’m on the verge of tears. What is the last task? Through the static, I remember: the blanket. I have to fold it. By now I’m dizzy, depleted. What difference can it possibly make? Who cares? I do a shitty job of folding the blanket and then—then I just sit down in a chair and wait for M. to rescue me. —

The late fall weather was perfect for the picking of herbs, and they scoured the woods and moors. Barber especially wanted purslane; steeped in the Specific, it produced an agent that would cause fevers to break and dissipate. To his disappointment, they found none. Some things were more easily gathered, such as red rose petals for poultices, and thyme and acorns to be powdered and mixed with fat and spread on neck pustules. Others required hard work, like the digging of yew root that would help a pregnant woman to hold back her fetus. They collected lemon grass and dill for urinary problems, marshy sweet flag to fight deterioration of memory because of moist and cold humors, juniper berries to be boiled for opening blocked nasal passages, lupine for hot packs to draw abscesses, and myrtle and mallow to soothe itchy rashes.

He Compels" Excerpt from the “Regent Saga” up in coming series. Nails digging in like talons cutting into the flesh of his prey; he dragged his claws across the rough sawn timbers. Only digging in deeper into the wooden beams for which he hung from high in the ceiling, above this great chamber of his coven. Maxwell then reached out from the depths of his mind; to explore the memories and as well the most secretive desires of his newly turned Queen Regent’s mind. He deeply enjoyed these new experiences with her; to be able to tease her desires by his powers over her thoughts tantalizing her imagination; how he molded her will to his wants and needs. His hunger to taste of her only growing as each minute passed by, until those minutes became hour after hour of sweet torment. He yearned for the way she did his bidding without any knowledge of her surroundings or those that may or may not have seen her.

Blue Eyes, you will say yes to me?” “Tonight? Now?” “Yes, tonight. Before this time between us passes.” When she sat, silent, watching, Hunter lifted her of his lap and rose, drawing her up beside him. She studied his every move, poised as if for flight. Hunter’s hands shook as he unfastened her braids and ran his fingers through the intertwined strands of gold, combing them into a shimmering cloud about her shoulders. Then he framed her face between his palms and slowly bent his head. He wanted so badly to make a glad song inside of her. In his way, he was as terrified of her memories as she was. As his lips drew close to hers, Loretta’s nerves leaped. This was it, no turning back. His mouth came within an inch, then nearer. Her eyes widened. Then their lips touched, silk on silk, their breath mingling, their lashes fluttering closed. Her mind screamed a warning as her senses spun out of control. Something deep within her belly quickened, sending shocks of longing through her. She twisted her face aside, shivering as his mouth trailed across her cheek to her ear. “Hunter?” She grasped his shoulders for support, digging her nails into his flesh. “Hunter?” “I am here. Be easy.” He slid a hand to the nape of her neck and turned her face back to him. “Be easy.

Through intentional steps, those who follow paths of recovery discover their neediness and weakness and release their shame and their failed efforts to a path made straight (Proverbs 3:6). They are more self-aware, more reflective, and more able to dig into their personal stories, memories, thoughts, and emotions. They pursue ongoing change through the power of the Holy Spirit. They are sinners who get up when they fall (Proverbs 24:16) and cling to the hope and knowledge of Christ’s sanctifying work in their lives. They are dangerous to the status quo. Having awakened, they pursue others. They give away the hope and life they received. Knowing what prison feels like, they are patient and kind, but also skilled in helping others find the keys to unlock shackles.

The actor must not only 'do his job' in a conscientious manner, which is what anyone must do; he must also trap his unconscious (a neat trick) and he must trap it on cue (a neater trick). [...] Should the actor work out the details of his part in personal terms, should he succeed in engaging his own secret anxieties and enjoyments - his private beliefs, his dream-life characteristics, should he then insinuate these secrets into the ebbing and flowing of the play, he will be inevitably swept into the main lines of the action - he will be forced unconsciously from point to point in his performance. The more certainly and firmly these guide ropes have been rigged, the more the actor can afford to forget them and begin to shade his playing. Most observes say to actors, 'How do you remember all those lines?' What a lovely irony, since the actor's most elusive achievement is to forget them! Or, to put it more clearly, to know them so well and to understand their implications so well that he can afford to forget them. Marlon Brando once said, 'I am good when I forget. When I can sit on stage and think of catching a fish. I have just sunk the hook, there's a tug on the line, and at that preoccupied moment, I hear my cue. My God, what is my line? And then I say my line, because the motor memory will save you if you really believe. So I say my line, the line I thought I'd forgotten, and it's good, man. It's really good.' Sounds mysterious, but it isn't. It is merely a neat trick. Catching Pegasus by the heel is a neat trick. It proceeds not from hard labor but from a knowledge of the self. Such knowledge is hard-bought, but it is not like digging ditches. It is a giving-over of the ego. [...]

The actor must not only 'do his job' in a conscientious manner, which is what anyone must do; he must also trap his unconscious (a neat trick) and he must trap it on cue (a neater trick). [...] Should the actor work out the details of his part in personal terms, should he succeed in engaging his own secret anxieties and enjoyments - his private beliefs, his dream-life characteristics, should he then insinuate these secrets into the ebbing and flowing of the play, he will be inevitably swept into the main lines of the action - he will be forced unconsciously from point to point in his performance. The more certainly and firmly these guide ropes have been rigged, the more the actor can afford to forget them and begin to shade his playing. Most observes say to actors, 'How do you remember all those lines?' What a lovely irony, since the actor's most elusive achievement is to forget them! Or, to put it more clearly, to know them so well and to understand their implications so well that he can afford to forget them. Marlon Brando once said, 'I am good when I forget. When I can sit on stage and think of catching a fish. I have just sunk the hook, there's a tug on the line, and at that preoccupied moment, I hear my cue. My God, what is my line? And then I say my line, because the motor memory will save you if you really believe. So I say my line, the line I thought I'd forgotten, and it's good, man. It's really good.' Sounds mysterious, but it isn't. It is merely a neat trick. Catching Pegasus by the heel is a neat trick. It proceeds not from hard labor but from a knowledge of the self. Such knowledge is hard-bought, but it is not like digging ditches. It is a giving-over of the ego.

Enchantment is small wonder magnified through meaning, fascination caught in the web of fable and memory. It relies on small doses of awe, almost homeopathic: those quiet traces of fascination that are found only when we look for them. It is the sense that we are joined together in one continuous thread of existence with the elements constituting this earth, and that there is a potency trapped in this interconnection, a tingle on the border of our perception. It is the forgotten seam in our geology, the elusive particle that binds our unstable matter: the ability to sense magic in the everyday, to channel it through our minds and bodies, to be sustained by it. Without it, I feel I am lacking some essential nutrient, some vitamin found only when you go digging in your own soil.

Her momma finds her stray hair still left in the bathroom sink. Where she combed out her ratty do for what seemed like forever. Staring at herself in the mirror and pulling and teasing and shaping all that her stingy god would give her and nothing ever more. She’d contemplate her face there. Her flat wide nose and dark eyes and the combinations. She’d test her looks to see how she looked when she kissed. She'd extend her tongue as far out of her mouth as she could to check out how long it was and if she had anything extra special to offer. And what she'd have to do to serve it up. Momma grabs a kleenex and cleans around the deep rust stains in the sink. Does she throw away the old dry hairs crumbled in her hand under the tissue or keep such sad memories. Does she store them in a drawer or is she just being silly. Should she cherish this precious angel manna or try and just fucking get over it. Not give into it. Could she even possibly throw them away into the garbage without bawling uncontrollably. Can she possibly change the urge over from utter despair. When she sees her child getting brutally raped and hammered into, her baby's baby fingers digging into the rocks and dirt she can pass by daily. A dilapidated pit that crumbles in the middle of all their continuing lives and remains standing out of sheer old bull-headed promise and well organized planning. The forefathers of this neighborhood didn't count on the incredibly heavy weight of the public’s filthy laziness. My poor baby. My poor baby. She has to seek help. This nameless faceless mother. She can’t deal with this all alone. She can’t quit these imaginings from her old yellowed eyes and ears and off her cleaning washing working fingertips and the very constant edges of her smaller brain. The sickness that slipped thick repetitive blobs of useless male sperm and thin streams of rust washed metal stripping toxins bleeding down her daughter’s black throat may or may not be only one in a great number of difficult dreams and attempts but she just can’t find a polite perspective anymore. She can’t live like this any longer. She should have offered her child more than a dirty smudged mirror in a peeling and running bathroom when she got home from a dirty hot school every damn day. Where were the cops? And the doctors who were supposed to save her? And the fucking psychiatrists who could have done some trepanning into that evil dog's motherfucking bursting crack head before he was let out on the streets with his glass dick and his screaming pussy hunting cock. Dogs don't need help. They need to be put down.

My friend.. Do you remember when they told us that every flower has a meaning and every color has its significance? They say.. There is a red flower in a faraway land that symbolizes deep sadness. My friend.. Which flower can scream with longing and cry with yearning and take revenge for the broken laughs? Maybe those poppy flowers do that? Maybe we can hide inside of them like fetuses sleeping peacefully? My friend.. I have never held those poppy flowers before.. I don't know how they feel or smell but.. It seems that those poppy flowers dig into memories and summon tears.. - letters in wartime

In the wood, the spindle is slight. A delicate tree against hail, wind, and might. But how the tree carries, and how the roots dig. She weathers all storms, no matter their bite. I managed to move. A small but incontestable ripple in those dark waters. I opened my mouth—called out his true name. “Taxus.” A cold hand found my arm—wrenched me to the surface. I looked up into yellow eyes. “There you are.” He wrapped me in his arms, holding me against his armored chest like a father would a child. “One day, you will be nothing more than memory, Elspeth Spindle. But not yet.” His yellow eyes rose to the blackened sky. “Don’t leave me alone with these fools.